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Easter Events

There has not been a want for “eggstravaganzas” around these part. Case in point: the Eco EGGstravagnza at Shelby Farms (Saturday, April 4th, 10 a.m.-4 p.m.), which kicks off the park’s month of Earth Day events. This family-friendly event includes an egg hunt, environmental exhibits, eco crafts, a fishing rodeo, nature hikes, live music, food trucks, and more. The park’s new Treetop Adventure course and zipline will be open as well. The Memphis Botanic Garden is holding a Family Egg Hunt (Saturday, 1-4 p.m., $10), with age-specific hunts. The Easter Bunny will be there for photo opportunities and there will be a magic show and crafts. The Dixon’s also in the egg-hunt game (Saturday, 10:30 a.m.-noon, $10). Reservations are required for this one: 761-5250.

Konstanttin | Dreamstime.com

Also happening Saturday are the annual Bunny Run in Audubon Park (9 a.m.), a 5K and fun run benefiting SRVS, which helps children with special needs, and the Easter Eve Concert at Levitt Shell (6-9 p.m.) featuring family-friendly music by the Passport and more from the students of Visible Music College.

All that egg-hunting can build up an appetite, so head downtown for eighty3’s Easter brunch (Sunday, April 5th, 10:30 a.m.-3 p.m.). The special menu includes an andouille sausage pie, brown sugar smoked ham, and a trio of desserts to choose from, including carrot cake ice cream sandwiches with ginger ice cream and lime caramel dipping sauce. Reservations: 333-1224. The Peabody will be having its annual Easter brunch (10:30 a.m.-3:30 p.m., $22 for children 5 to 12, $64 adults). This is a massive feed with 100s of dishes to choose from and a 32-foot-long dessert table. Reservations: 529-4183.

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Music Music Features

We Prefer The Blues


Various Artists
Beale Street Saturday Night (Omnivore)

Originally released in 1978, Beale Street Saturday Night was produced by Jim Dickinson in an attempt to take back the reputation of the downtown street as the place where both the blues and rock-and-roll originated. Dickinson gathered up past and present Beale Street legends for the recordings, and everyone from Furry Lewis and Teenie Hodges to Sid Selvidge and Mud Boy and the Neutrons (Dickinson’s own group) got in on the action.

Recorded in artists’ homes, Ardent Studios, and even the Orpheum Theatre, Beale Street Saturday Night was originally created as a fund-raiser for the Memphis Development Foundation to help restore the Orpheum. This reissue serves a similar purpose, as a portion of the proceeds will go to the Beale Street Caravan radio program.

The reissue of Beale Street Saturday Night was approved by the Dickinson family and features a cover photo by William Eggleston, plus all new liner notes from producer Jim Lancaster who worked on the original release. In his new notes, Lancaster recalls what the Furry Lewis recording session was like:

“It was bitter and cold in 1977 when we went into the Orpheum on Main and Beale with our trusted group of soldiers. In 1890, the Grand Opera Palace was built on this site, the classiest joint outside of New York City! Vaudeville shows were the main attraction there until it burned down in 1923. The building we are in now was built in 1928 with the addition of the mighty Wurlitzer pipe organ. It had been sitting empty overlooking the decay and decline, but today we went to record Furry Lewis for the Beale Street Saturday Night project. Furry had performed in this building, on this stage in the 1930s. The Orpheum, just recently purchased by the Memphis Development Foundation, had no heat either. Poor ole Furry in his 70s was cold, sipping on a pint, and explaining that you couldn’t hardly tune a guitar when it was cold. When he exhaled, you could see and feel his breath. Furry had worked out a way to sip whiskey and smoke a cigarette while playing “Furry’s Blues” and keep a running joke all the while.”

That’s just one of many amazing stories inside the first official reissue of Beale Street Saturday Night, out April 14th on Omnivore records. A limited version on clear vinyl will also be for sale.

Leo Bud Welch I don’t Prefer No Blues (Big Legal Mess)

I Don’t Prefer No Blues is the follow-up to last year’s Sabougla Voices, a gospel album that marked Welch’s debut as both a recording artist and a songwriter. “I don’t prefer no blues” is apparently what the preacher at Welch’s church said when he found out the 82-year-old guitarist was making a blues album. Up until last year, Welch had only performed in church and at big tent spirituals, but after signing with Big Legal Mess and releasing the acclaimed Sabougla Voices, Welch has performed all over the United States and ventured into Europe. He’s also playing this year’s Beale Street Music Fest.

When label owner Bruce Watson first signed Welch, the two agreed that the first album they made together would be a gospel album and the second would be a blues album. While it certainly is a blues record, there’s more than a little bit of rock-and-roll going on in I Don’t Prefer No Blues. From the opening track “Poor Boy” (produced by Jimbo Mathus) to the buzz saw riffs on “Too Much Wine,” it’s evident that Welch’s time in church sure didn’t spoil his ability to drag a song through the Mississippi mud.

By not recording his first album until he was over 80 years old, the Sabougla, Mississippi, native still has plenty of stories left to tell on I Don’t Prefer No Blues. Welch’s long history as a blue collar worker (he worked as a farmer and a logger for 35 years) is recalled on “So Many Turnrows,” a song about plowing behind a mule in the hot Mississippi sun. Even when he’s doing blues classics like “Sweet Black Angel” and “Cadillac Baby,” Welch has a way of playing them as if his listeners were hearing the songs for the first time. I Dont Prefer No Blues is available now.

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Music Music Features

Down the Hard Road

Ghost Town Blues Band isn’t just a group of blues enthusiasts on the local nightclub circuit. Since forming six years ago, the band has been recognized by the International Blues Challenge (twice), toured the country numerous times, and been praised by blues societies nationwide. The band crowd-funded their latest album, Hard Road to Hoe, but still enlisted six-time Grammy-nominated producer Kevin Houston to man the controls. We sat down with chief songwriter Matt Isbell to find out more about the band’s latest album, recording live animals in the studio, and their extensive summer tour, which includes a stop at Beale Street Music Fest.

Flyer: Where did you get the idea to open the album with a recording of a push broom?

Matt Isbell: I make cigar box guitars, and I’ve learned over the years that not everyone has $300 to spend on a cigar box guitar. I’ve learned to make smaller things like shakers and other cheap homemade instruments and somehow that has evolved into using a broom as an instrument. Basically, I just take a door buzzer and reverse the polarity of it, and it becomes a little tiny speaker for the broom. It was kind of a cool idea that actually worked, so we decided to mess with it in the studio. We use the broom live now too, and it definitely gets some weird comments from sound guys when they see us plugging it in on stage. It’s paired with a cigar box guitar on the opening track, which made a lot of sense.

How did you hook up with producer Kevin Houston?

We’ve done every record with him. He’s the North Mississippi Allstars’ engineer and he worked under Jim Dickinson. He grew up with the Dickinson boys and he learned everything he knows from that family. Kevin has a real good approach as a producer and he’s amazing to work with. We recorded the latest album on tape, and he was all about us getting technical with stuff like the push broom. He looks at the studio like a giant playground and that makes it really easy to work with him.

What does the expression “hard road to hoe” mean to you? Is that an expression you’ve heard a lot before?

The original saying is “hard row to hoe,” and I guess it’s an old farmers saying. I changed it up a little bit because we aren’t farmers, we’re drivers. We drive around from town to town playing music, so it applies to what we do as a band every night.

The album starts and ends with some pretty heavy lyrical content. Was that a conscience decision?

Nah, not really. The last album was a lot softer as far as lyrics go, but I think each album is a reflection of my life at the point it was recorded. Our next album will probably be a little bit more jovial, but that’s not where I was when we made this latest record. I lost my mom recently and my dad has Parkinson’s and I guess that title track is about me losing my mentors, so to speak. I didn’t mean for it to be really deep or anything, but that’s just how stuff comes out sometimes. I’ve been sober for over nine months, but I still have a lot of experience from drinking and that comes out on the last song “Road Still Drives the Same.” A lot of things have changed since we started this band, and I think that’s reflected on this record too.

How else is Hard Road to Hoe different than your last album Darkhorse?

We didn’t have a piano player or a horn section when we made Darkhorse, but we wrote that album so that we could grow into having one. The 2012 album was kind of a blueprint for what the future of our band would be, and now we have those extra members and are writing songs with them as a full band.

Tell me more about the decision to record your dog on the track “My Doggy.”

I figured out that my dog can sometimes howl in a certain pitch depending on how I’m singing or what I’m playing. I have an old Wurlitzer organ that she will howl to, and she also howls when someone plays the harmonica. As soon as I figured that out I was like “we have to get this dog in the studio.” She’s just a rescue dog, but she can sing.

The band is going to be touring almost all summer long in support of Hard Road to Hoe. How do you prepare mentally for a trip that long?

Man, honestly I look at each tour date like it’s just another show. We’ve been doing this band for more than six years now and I don’t take it for granted, but there’s not a whole lot of mental preparation that goes in it for me at this point. People are honestly really excited to see good music from Memphis no matter where we play. When we play Canada, we get treated like rock stars because they don’t get to see bands like us very often. Pretty much anywhere we go we get treated like we are a lot bigger than we really are.

What are you most looking forward to in regards to playing Beale Street Music Fest again this year?

Just being asked to play again is a huge honor. That was the music fest to end all music fests when I was a kid. I didn’t know there was anything other than that – I thought that was the biggest music fest in the world. For us to play the Blues Tent and the same stage as some of my favorite childhood musicians, it’s still surreal.

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Film Features Film/TV

Found Footage Festival

Nick Prueher and Joe Pickett have spent the past decade making audiences laugh with weird and wonderful clips from the golden age of VHS.

“Like a lot of good ideas, it sprang from boredom,” Prueher says. “Joe and I have known each other since the sixth grade. We grew up in a small town in Wisconsin, and there wasn’t a lot going on. We kind of had to make our own fun.”

Their idea of fun was trawling thrift stores for weird and obscure VHS tapes from the 1980s and 1990s. “We’d find stuff like Mr. T’s Be Somebody, a kids video Mr. T put out in the ’80s. We started buying these to see what was on them, and we ended up having viewing parties at my parents’ house before any of us had driver’s licenses, and we would make running commentaries of jokes.”

Facercise

Most of their collection, which now numbers more than 6,000 tapes, came from the home video explosion of the 1980s. Since they were marketed to video rental stores, movies on tape were expensive, with a single title sometimes costing more than $100. But in 1982, Jane Fonda’s Workout was released for the affordable price of $24. It sold more than 17 million copies and inspired an army of imitators. “This was the first time you could buy a VHS camcorder and shoot something without having to get it developed or spool it up,” says Prueher. “All the sudden, with the technology in the hands of the people, and this idea that you could be the next Jane Fonda’s Workout, there was a gold rush. You had a lot of amateurs hopping on board with this new technology that they didn’t really know how to use. So there’s a sort of wide-eyed innocence about that era that is endearing, but really hilarious.”

Prueher and Pickett founded the Found Footage Festival in 2005. “Ten years ago, we thought maybe people beyond our immediate circle of friends would find this funny, too. So we just kind of took a leap and put on a show in the back of a bar in Manhattan,” Prueher says. “We edited together some of our favorite moments and gave people a sort of guided tour through our collection. You know how they say things come back into style 20 years after the fact? Maybe VHS was like that. There was enough distance for people to look back at these old exercise videos and training videos and little nuggets that fell through the cracks and laugh.”

John & Johnny

2005 was also the year YouTube launched. “It’s really retrained people’s minds, in a way,” he says. “Early on, when we were doing our live shows, we had to explain why you’d want to come see a video that isn’t done very well. But now, we just have to say, ‘You know those bad exercise videos you see on YouTube?’ And people get that you can extract funny parts from something that was much longer.”

Over the years, the Found Footage Festival has become an international success. “I couldn’t believe I was in Paris showing a video I found while I was taking the trash out at my apartment!” Prueher laughs.

Memphis is one of their favorite stops on the tour because they always seem to find new material here. “The very first DVD we included in the show was from Memphis,” Prueher says. “We found it at the AmVets store on Elvis Presley Boulevard. It’s supposed to be the world’s largest thrift store. We make sure to book shows in Memphis specifically to come back to it.”

Totally Tulip

This year, Memphis video collector Ilene Markell will join the crew onstage for one segment. “We have created the greatest public access montage ever. It’s 4 1/2 minutes of incredible footage she had.” Prueher says.

Prueher says the key to the show’s success is getting the tone just right: “If it was just dismissive or snarky, it would get old really fast. We obsess over these videos. Sure, we’re making fun of them, but it comes from a loving place. We look at it as a celebration of this weird part of our history. We’re continually amazed that people love it.”

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News The Fly-By

Fly on the Wall 1362

Verbatim

State Representative Micha Van Huss (R-Jonesborough) doesn’t want people giving President Barack Obama or the nonexistent King of England too much credit. Van Huss recently explained why he wants to amend the Tennessee constitution crediting “Almighty God, our Creator and Savior” as the source of our civil liberties. “As a nation, we are drifting from the morals of our Founding Fathers,” Huss was quoted as saying. “I think it’s important to reaffirm that our liberties do not come from the King of England. It does not come from Barack Obama. They come from God.”

Take Too

Were you sad that you didn’t get a chance to bid on that set of dust-crusted Elvis-themed Christmas lights at the Graceland Too auction last May, when the contents of the whole weird roadside attraction were purchased by an online bidder? Well, you’ve just been given a second chance. Problems with the winning online bid have resulted in Graceland Too announcing a second estate auction. “I deal with a lot of estates, and this is not the worst thing that has ever happened,” Graceland Too’s attorney Philip Knecht was quoted as saying.

Bad Santa

Ladarius Robinson’s underworld friends should start calling him the Grinch. Robinson was caught on camera attempting to steal more than $1,000 of designer jeans from Icon on South Highland. Robinson was wearing a Santa hat.

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News The Fly-By

Rec Room Bar-arcade Opens on Broad

Sure you were good at Street Fighter II in your old teenage mall arcade days, but can you still get that K.O. after a few craft beers?

Beginning this week, fans of retro arcade games will have the chance to brush off their skills at the Rec Room, a new arcade bar inside a warehouse at 3000 Broad Avenue. The venture — spearheaded by a partnership group that includes entrepreneur Taylor Berger and Buckman chemical sales executive Bill Ganus among others — will feature a number of 1980s and ’90s arcade games as well as mini-living rooms set up with retro gaming consoles.

“This is about the last 40 years of pop culture. Video games trigger such visceral memories of being a teenager or even younger than that. We have Nintendo Power. We have old [school gym] bleachers where you can sit and have a beer,” Berger said. “All of these things trigger these really cool memories.”

Justin Fox Burks

Vintage arcade games at the Rec Room

Standing arcade floor games include Pac Man, Street Fighter II, Donkey Kong, Tron, Burger Time, and Road Blasters, among others. But groups can also rent one of six mini-living rooms — complete with couches and chairs — by the hour to play games on gaming consoles. The games, everything from Atari 2600 to Xbox 1 and PlayStation 4, are projected onto a wall.

“We were standing in this 6,000-square-foot warehouse, and we knew it could be an arcade,” Ganus said. “But even with the [floor] games in there, you’re staring at this huge concrete slab wall. We thought, ‘It would be really bad if we projected old-school consoles up on the wall, so your friends could come in, sit on a couch, and play two-player Contra on a 25-foot screen.”

Video games not your thing? In true rec room fashion, the bar has darts, foosball, ping-pong tables, air hockey, and cornhole boards.

Berger said they lucked onto the massive warehouse space because a friend of his is planning to open another business in part of the space.

“He had 6,000 extra square feet that he wasn’t using,” Berger said.

At first, the bar will serve four rotating styles of beer from Wiseacre Brewing Company, as well as some nationally distributed beers by Sweetwater and Oskar Blues Brewery. The Truck Stop food truck, which debuted at last year’s “Untapped” event at the Tennessee Brewery, will be on-site at the Rec Room peddling tacos. Bluff City Biscuits will sell biscuit sandwiches. The bar is open seven days a week, opening at 4 p.m. on week days but earlier on weekends.

“We’re opening at 10 a.m. on Saturday and noon on Sunday so people can ride over on the [Shelby Farms] Greenline in the morning, eat and play, and ride home,” Berger said.

The bar, near Tillman and Broad, sits on the soon-to-be-constructed Hampline bicycle path, which will run from Overton Park to the Greenline. The partnership group behind the venture, which includes 12 people including Berger and Ganus, is hoping the bar’s location near Tillman will help spur revitalization of the eastern side of Broad.

“There’s definitely room to expand Broad Avenue, especially as the Hampline is developed. It’s made this a really important corridor to connect the High Point area with Overton,” Ganus said.

Though the bar-arcade concept isn’t new, Berger said the Rec Room is different because it’s about transforming an outdated industrial park into something new and fun.

“This ain’t no Dave & Buster’s. This is a warehouse in Binghampton,” Berger said.

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News The Fly-By

Pinch District Keeps Historic Designation

The Pinch District won’t lose its listing on the National Register of Historic Places any time soon.

In January, the Pinch was in the crosshairs of the Tennessee Historical Commission (THC) to be removed from the register. The commission said the area had lost many of its buildings, and “has lost the significance for which it was listed and no longer retains integrity of location, setting, design, materials, workmanship, and feeling.”

But the THC deferred a decision on the removal in January. In a letter to state Senator Lee Harris, E. Patrick McIntyre, executive director of THC and the State Historic Preservation Office, said “I have deferred consideration for the de-listing of the Pinch District indefinitely.”

View of the Pyramid and Pinch District

Harris said Pinch constituents asked him to get involved in the decision just as he was taking office in January. Since then, he said he’s been in talks with the THC and planned public meetings on the topic.

“For now, that fire is out,” Harris said in a Friday meeting with Pinch stakeholders.

But he warned that things could change if the THC gets new board members or a new executive director.

Listing on the National Register goes beyond words on a plaque. June West, executive director of Memphis Heritage, said Friday the degeneration allows building owners to leverage historic tax credits to renovate their properties.

“If it had been de-listed, each individual property owner would have had to nominate their building as an independent, self-standing building to be on the National Register,” she said. “In some cases, some of the buildings probably would not be allowed to do that on their own because they may not have the significance that the National Register might require.”

The news comes as Pinch neighbors and business owners prepare for the MEMFix event (the city’s ongoing series of neighborhood revitalization festivals) happening there on Saturday, April 11th. Friday’s MEMFix meeting at the Crowne Plaza Hotel brought together stakeholders and volunteers to get the Pinch ready for hundreds of visitors expected at the event.

John Paul Shaffer, Livable Memphis program director, looked down at the Pinch from an 11th story window in the hotel. He pointed to lots of vacant properties there but noted the many opportunities for development. From the window, it was hard not to notice the huge, silver Bass Pro Shops sign on the Pyramid and just how close it is to the Pinch.

“The thinking on the part of the Pinch stakeholders was to get out in front of Bass Pro,” Shaffer said. “to bring attention to the Pinch to say, ‘We’re here. We’ve been here. We’ve been waiting for this for a long time. Now’s our opportunity to show everyone where we are on the map’.”

Many of the vacant lots in the Pinch got that way by lack of restrictions on surface parking lots when the Pyramid was built. So many buildings came down as property owners looked to cash in on Pyramid parkers.

In fact, the original nomination to the National Register was comprised of 41 buildings or sites in the Pinch. The figure was bumped up to 43 in 1990 in an administrative correction. But in the time of the Pyramid’s construction and its closure, only 19 of the buildings remain in the Pinch.

“The expanse of vacant lots is distressing for what once was the cradle of the City of Memphis,” the THC petition says.

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News The Fly-By

Youth Discuss Juvenile Justice Reform

The Juvenile Court of Memphis and Shelby County (JCMSC) has been under scrutiny in recent years, following findings of racial discrimination and other problems in a 2012 investigation of the court by the United States Department of Justice (DOJ).

Last weekend, a group of about 40 young people ranging from 13 to 18 gathered at LeMoyne-Owen College to discuss issues surrounding juvenile justice reform.

Some of them were concerned teens; others had court-ordered community service. But by the end of the day, the People’s Conference on Juvenile Justice brought forth a wave of youth-facilitated discussion — full of opinions, suggestions, and complaints.

LeMoyne-Owen College.

The conference, a joint effort by Memphis United and BRIDGES, was designed not only to give a platform for these discussions but to give young people the nudge they needed to mobilize in favor of reducing youth crime and negative depictions of teenagers in media, said Bradley Watkins, the executive director of the Mid-South Peace and Justice Center.

“When we set off doing this event, we wanted to make sure that, as much as possible, it was youth-facilitated, youth-led, and youth-crafted,” Watkins said. “We say, ‘Youth are the solution, not the problem,’ but we never allow them to be a part of the solution. The fact that adults weren’t really engaging in that conversation — that it was more youth with youth — the conversation was more fruitful.”

Youth leadership program members from Bridge Builders and other young people led workshops, which included a “Know Your Rights” training seminar that set out to educate attendees about the rights they are guaranteed despite being below the voting age.

In the 2012 DOJ report, the department found that the JCMSC failed to provide adequate protection for juveniles in regard to self-incrimination, in particular “[advising] juveniles of their Miranda rights prior to questioning” in probation conferences. That report also found the JCMSC failed to “provide constitutionally required due process to children of all races” on top of charges of administration discrimination against black children and unsafe conditions while in confinement.

Since then, the DOJ and the JCMSC came to an agreement in terms of reformation, providing timelines and goals in order to reduce the presence of black juveniles within the system in Shelby County as well as “ensuring greater equality for all youth,” according to compliance reports.

In 2014, those reports reiterated a “minority youth over-representation at almost every stage in the proceedings and evidence of discriminatory treatment of black youth.” With the JCMSC’s progress so far, the community outreach branch of the court has worked with BRIDGES and Memphis United to change the conversation from punishment to prevention.

“I worked for a juvenile detention facility 16 years ago,” Watkins said. “I was working there, all those years, thinking I was a counselor until I realized, ‘This is just a private jail.’ This model that we have for our juvenile justice system doesn’t incentivize reforming or ending recidivism. It profits off the recidivism because most of the juvenile detention centers make their money based on how many bunks they fill each night, not how many kids leave their program and never engage with the criminal justice system again.”

BRIDGES and Memphis United are planning a second conference to take place in late August at LeMoyne-Owen College.

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News The Fly-By

Smart Mules Transform Abandoned Lots Into Community Gardens

Teacher-turned-urban agriculturalist Adam Guerrero, along with a handful of teens, is working to make economically disadvantaged areas a bit more sustainable.

Under the moniker “Smart Mules,” a term coined to describe the collective’s persistent work ethic and intelligence, Guerrero and his young comrades are in the process of transforming around 14 vacant lots into community gardens. The lots are primarily located in the areas of North Hollywood and New Chicago. And the group also maintains a mini-farm at a residence at 2267 Shasta.

The objectives with the community gardens are to suppress the presence of blighted properties, food deserts, and poor diets in Memphis.

bee farm

“With there being about 3,000-plus vacant lots in Shelby County, most of it in North and South Memphis — the places with food deserts, low education scores, and high unemployment — it just seems like a natural fit,” Guerrero said.

Costs for the lots acquired thus far have been in the ballpark of $250 to $500. An award of $1,000 from by the National Garden Association has helped cover some of the cost to obtain the neglected properties.

To transform the abandoned lots into thriving community gardens, the group removes high grass and weeds, and then they harvest and compost leaves, wood chips, and horse manure to create fertilizer for the soil. Once the soil is ready, they plant seeds for fruits and veggies such as strawberries, bell peppers, tomatoes, and cucumbers.

Besides acting as gardeners, the Smart Mules are also beekeepers. They collect the honey and beeswax that the hive produces at their Shasta location. In addition to bottling the honey, they use it to make mead. They use the beeswax to make soap and candles.

In collaboration with GrowMemphis, all of the Smart Mules’ products are sold at the Evergreen Community Farmers Market and Cooper Young Community Farmers Market.

Last year, this brought in nearly $5,000 for the small group, according to Guerrero. Although he funds the restoration and gardening efforts, he doesn’t profit from the endeavors. Instead, he allows the teens to split all of the proceeds.

Jovantae Thomas started gardening with Guerrero during his ninth grade year at Memphis Academy of Health Sciences. Guerrero was his teacher at the time and informed him of the opportunity to help with his home garden.

Now 20 years old, Thomas is still working with Guerrero — a proud member of his Smart Mule collective. It provides him and his peers with the opportunity to do something productive instead of destructive.

“It helps keep you out of trouble,” Thomas said. “You’re never bored when you’re working. There’s nobody hassling you.”

Cortez Washington also started working with Guerrero as a teen. This has helped the 20 year old learn a lot about gardening and life as a whole over the years.

“It’s opened up a whole new view,” Washington said. “I’ve learned about different types of seeds, different ways to grow, and about compost and spreading manure. You’re able to learn and help at the same time. I’m just thankful for the opportunity.”

Back in 2011, Guerrero received national attention after his home garden was deemed a code violation by the Shelby County Environmental Court.

A petition to save his garden garnered several thousand signatures and media outlets such as the Washington Post brought national awareness to the situation. In the end, Guerrero was allowed to keep his garden but was required to make minor adjustments.

Categories
Politics Politics Feature

On the Health-Care Front

Against all odds, backers of a renewed effort to secure legislative approval for Governor Bill Haslam‘s Insure Tennessee proposal hoped to steer the Medicaid-expansion measure through committees in both the state Senate and state House this week.

And, even if the proposal is stopped short of the goal, as it was in an aborted February special session, 9th District Congressman Steve Cohen and other members of the state’s congressional delegation have managed to obtain some measure of fiscal relief for the state’s beleaguered hospitals.

Cohen announced this week the passage of the Medicare Access and CHIP Reauthorization Act, which, the congressman said in a press release, will “guarantee disproportionate share hospital (DSH) allotments totaling more than $530 million over the next 10 years to help the state’s hospitals and community health centers recoup expenses incurred caring for those who cannot afford to pay.”

As Cohen, who took the lead in securing the new funding, noted, Tennessee is the only state in the nation that, until passage of the act, was not in a position to receive annual DSH allotments automatically.

The reason for that has been that, when the administration of Governor Ned McWherter negotiated a waiver with the federal government to convert Tennessee’s Medicaid operation into what became TennCare, the DSH allotments were not included within the waiver. The oversight, based on an apparent overestimation of TennCare’s ability to cover all exigencies, may have kept the state from receiving as much as $450 million in DSH funding annually.

Attempts in recent years to remedy that situation have been blocked by a general atmosphere of fiscal austerity in Washington, and even the new arrangement, which secures a guaranteed amount of new federal DSH funding amounting to $53 million annually, provides but a drop in the bucket compared to the $1.4 billion that would be made available to the state’s hospitals for indigent health care through Insure Tennessee via the Affordable Care Act.

Haslam’s proposal was voted down 7-4 by a specially constituted state Senate Health and Welfare committee in the special session, but, Lazarus-like, it got up and moving again last week as Senate Joint Resolution 93, passing hurdles in the Senate Health and Welfare subcommittee and the regular Senate Health Committee.

SJR 93, co-sponsored by Senators Jeff Yarbro (D-Nashville), Doug Overbey (R-Maryville), and Richard Briggs (R-Knoxville), was on the schedule to be considered this week by the Senate Commerce and Labor Committee. Meanwhile, over in the House, Rep. Larry Miller (D-Memphis) had put the House version of the measure, HJR 90 on notice in the Insurance and Banking Subcommittee. Opinion of lawmakers consulted by the Flyer is divided on the extent to which consideration of Insure Tennessee on the floor of either the Senate or the House will be determined by what happens in committee.

Some proponents of the proposal are wondering out loud if a bill passed last year requiring legislative approval of Medicaid expansion actually applies prohibitively to an executive action by the governor.

· In separate conventions held over the weekend, the Shelby County Democratic Party (SCDP) and the Shelby County Republican Party each elected a new chairperson. In both cases – a woman.

The Democrats went first, convening on Saturday at First Baptist Church on Broad, selecting first a 29-member executive committee, which in turn elected longtime party activist Randa Spears on the second ballot from a field of four aspirants.

Spears thereby became the first white female to head the local Democratic Party in its history.

Her ascension to party leadership, after 32 years in the gruntosphere, made perfect sense. It was a reward for faithful service — including a recent stint as campaign manager for Deidre Malone, the Democratic nominee in last year’s county mayor race. It was a nod to the longstanding prominence of women in party affairs (as in local social and civic life, generally). And it was a clear signal to Shelby County’s white population that the SCDP was not, as it has sometimes seemed in recent years, a monolithically black organization.

Asked about that last fact in the aftermath of her second-ballot win over runner-up Del Gill, Spears was discreet, diffident, and diplomatic: “I don’t know that that is important. I think it’s important that someone with my focus and experience and enthusiasm is chairman. And I think I’ve worked with almost everybody in this room, except for the new folks, on one campaign or another. So I look at this as all one group.”

Malone, who, in an exchange of roles this year, had been Spears’ campaign manager, addressed the point more freely: “I do think it’s important to have elected a white chair — and especially a white female. It makes a statement.”

Just as it might to elect a female mayor at some point, she was prodded? “Yes,” she nodded, in gratitude for the implied tribute to her pathfinding 2010 and 2014 mayoral campaigns.

For the fact is, American politics is all about constituent groups (or blocs, if you choose). The more different ones your party can address satisfactorily, the more broadly based — and successful — your party is likely to be.

All four candidates on Saturday’s ballot had something to say for themselves. Runner-up Del Gill could boast his four decades of party work, newcomer Jackie Jackson was a fresh breath, just a little too new to most committee members to win; and pre-convention favorite Reginald Milton, a well-respected county commissioner, was conspicuous in his efforts to unite disparate party factions.

Politics is also all about trade-offs, and Spears’ victory owed much (as did Milton’s defeat) to longtime party broker Sidney Chism, who, for whatever reason, tipped his support, and that of his still significant network, to her.

Gill, all things considered, was not that far behind Spears, at 11 to her 16 on the second ballot. And, Gill being Gill, it was unlikely that he was prepared to fall in line behind Spears. Encouraged by his original first-ballot-leading total of 11, he put up something of a fuss at meeting’s end about a procedural issue regarding the validity of the new committee’s voice vote to continue the party’s bylaws in lieu of a full review of them.

The newly elected Spears politely but firmly disallowed the complaint and moved on to complete the day’s business. She did say later that she was willing to avail herself of the “wealth of experience” of Gill and whomever else. But it remained to be seen whether she can impose an effective measure of unity on a committee composed in large part of members potentially sympathetic to Gill’s dissident outlook.

A day later, on Sunday at the Bartlett Municipal Community Center, a throng of several hundred Republicans (including 400-odd delegates as such) witnessed what amounted to a re-assertion of the local GOP establishment’s control of the Shelby County Republican organization.

Though there was no dearth of competition — either for the party chairmanship, won by Mary Wagner over Arnold Weiner, or for the numerous other offices up for grabs — the Tea Party rebellion that flared up at the 2013 Republican conclave and in attempted power grabs at several local Republican clubs has been contained. There was no Tea Party slate as such, with adherents of that somewhat diversified, quasi-libertarian point of view to be found on both contending slates, Wagner’s and Weiner’s.

There was a message to be had, though, in the fact that the slate headed by Wagner, a relative newcomer to party politics whose last position was that of Young Republicans president, all but swept the slate led by Weiner, a longtime party veteran who had been, most recently, a party vice chair and immediate past president of the East Shelby Republican Club. And that “all but” is required mainly because Curt Cowan, the Wagner slate’s candidate for Primary Board position Number 5, was prevailed upon to drop out in favor of George Flinn, the wealthy radiologist/broadcast executive and sometime political candidate who still maintains a high profile in the local Republican Party.

The other 35 contested positions — for chairman, at-large steering committee members, district representatives, and primary board members — were won by the Wagner slate. The message, quite simply, is that there is a Republican mainstream, and it is back in full command.