Categories
Music Music Features

Inside the Blues Hall of fame

Little Walter’s harmonica, Johnny Winter’s Firebird guitar, and Koko Taylor’s $2,000 gold boots all have a new home at the Blues Hall of Fame, along with many other artifacts that tell the story of influential blues musicians nationwide.

“Once we got rolling, the artifacts being donated just kept on coming,” said Nora Tucker, manager and curator.

“Almost all of our donations come from the families of musicians, which is a testament to how long the Blues Foundation has been around and our relationship to the blues community.”

Opened in 2001, the Blues Foundation’s headquarters sits across the street from the Lorraine Motel on S. Main, with a recently constructed life-size statue of Little Milton greeting people as they walk by. Inside, to the right of the Blues Foundation entrance, is a nine-panel art gallery that will feature the work of legendary blues photographer Dick Waterman for the next six months.

Past the free art gallery is a large set of stairs descending to the Blues Hall of Fame. Complete with interactive screens that act as a database for hundreds of blues artists, the Blues Hall of Fame features guitars, stage clothing, Grammy Awards, and even platinum records from artists like Muddy Waters, Robert Johnson, and Stevie Ray Vaughan. Other highlights of the exhibit include Albert “Master of the Telecaster” Collins’ amazing leather jacket, original hand-written lyric sheets from W.C. Handy and Memphis Slim, an original Otis Spann electric piano, and many more one-of-a-kind artifacts. Tucker said that when curating the Blues Hall of Fame, the Blues Foundation wanted to focus on the blues as a genre instead of the bigger musical landscape of Memphis and Mississippi.

One of ten tour jackets left from the Muddy Waters 1982 World Tour.

“We are the Blues Hall of Fame, so we specifically recognize all this great work that has been done within the blues genre,” Tucker said. “We don’t really need to tell the story of what created the blues because it’s already being told at places like the Blues Exhibit in Tunica and the Rock and Soul Museum. You can go to other museums and see a chronological story about Memphis music and its evolution, but we wanted to create something that concentrates specifically on blues musicians and their bodies of work.”

Even with an amazing start to their collection underway, Tucker said the exhibit will grow and evolve as more musicians get inducted into the Blues Hall of Fame.

After a 10-month construction process, the Blues Hall of Fame will officially open at 10 a.m. on Friday, May 8th during the weekend-long Blues Foundation celebration, which includes the 36th Annual Blues Awards.

Thursday, May 7th

10 a.m. Will Call and BMA Merchandise Sales – Ticket Desk Cook Convention Center (immediately across the street from Sheraton entrance)

Noon–3 p.m. — Health screening for blood pressure, diabetes, cholesterol, custom ear plugs provided by Musicares, and more. — Sheraton Memphis Downtown (St. Louis foyer at top of escalator)

1-3 p.m. — Yellow Dog Records Showcase with Fo’ Reel and Eden Brent — B.B. King’s, 143 Beale, free

1:30–3:30 p.m. — The Recording Academy Chicago & Memphis Chapters Reception Celebrating the Blues Music Awards — Heritage Ballroom Sheraton Memphis Downtown

5:30 p.m. — The Party Begins Reception, featuring performances by 2015 Blues Music Award nominees — Grand Lobby, Cook Convention Center

5:30-9:45 p.m. — Auction & Blues Music Award Merchandise Sales — Outside the Ballroom, Cook Convention Center

6:30 p.m.-1 a.m. — Dinner, Awards, & Nominee performances — Ballroom, Cook Convention Center

Friday, May 8th

10 a.m.-5 p.m. — Grand Opening of the Blues Hall of Fame — 421 S. Main

11 a.m.-11 p.m. — Tennessee Brewery Revival with Billy Gibson — 495 Tennessee St. (2 blocks from Blues Hall of Fame)

1-5 p.m. — Brandon Santini’s 4th Beale Street Mess Around — Proceeds benefit the HART Fund, with performances by: Janiva Magness, John Primer & Bob Corritore, Victor Wainwright, Jarekus Singleton, Andy T- Nick Nixon Band, EG Kight & Greg Nagy, Monster Mike Welch & Anthony Geraci, Igor Prado, Lisa Mann, Annika Chambers, Mick Kolassa, Jeff Jensen Band, Wendy DeWitt & Kirk Harwood, and more — Rum Boogie Café

4:30-8:30 p.m. — Play-it-Forward Fundraiser, benefiting Generation Blues. Featuring Andy T-Nick Nixon Band, Janiva Magness, Brandon Santini, John Primer with Bob Corritore, EG Kight, Lisa Mann plus many other special guests — Hard Rock Café

4:30 p.m. — Barbara Blue Beale Street Note Dedication — Silky O’Sullivan’s

6-10 p.m. — 30th Anniversary with Tas Cru & Band of Tortured Souls — Rum Boogie Café

8 p.m. — BMA Blues Jam proudly presented by 2 Left Feet, featuring the Electrix (Eli Cook, Scott Holt, Eddie Turner), Roger Earl & Bryan Bassett of Foghat, Billy Blough & Jeff Simon of the George Thorogood Band, and more — Earnestine & Hazel’s

9 p.m. — Bernie Pearl & Barbara Morrison — Blues Hall

10 p.m. — Vizztone Label Group Presents: Bob Margolin, Amanda Fish, Dave Gross, Long Tall Deb, Rob Stone, and more — Rum Boogie Café

10 p.m. — Barbara Blue’s official CD release party — Hard Rock Café

Saturday, May 9th

10 a.m.-5 p.m. — Blues Hall of Fame Open — 421 S. Main

5:30 p.m. — Women in Blues Showcase — Rum Boogie Café

9 p.m.– Gracie Curran & the High Falutin’ Band — Rum Boogie Café

Categories
Art Art Feature

“This Light of Ours” at the Brooks

“This Light of Ours” at the Brooks Museum is a timely and necessary exhibition. It is unique among documents of the civil rights movement because it showcases exclusively activist photography. The included images were all tactically made and smartly deployed by artists whose mission was not only to document what was happening, but to influence events in real time. “Our job,” writes exhibition curator and featured photographer Matt Herron “was to get the pictures and get them out into the wider world, not to collect glory or jail time as some civil rights hero.” In order to get their work out into the world, activist photographers developed guerrilla methods — improvising darkrooms, lying to officials, and hiding out when circumstances were dangerous.

The nine photographers whose work is featured hail from vastly different backgrounds. All uprooted their lives to travel through the South as the movement picked up speed in the early 1960s. Bob Fitch’s personal photography of Dr. Martin Luther King Jr.’s family is featured alongside Maria Varela’s densely atmospheric photographs of black Southern life. Tamio Wakayama, a Canadian photographer who spent his early years in an internment camp, photographed the Student Nonviolent Coordinating Committee (SNCC) at the height of its influence. He later wrote, “There was a pervading sense that not only were we a part of history, but we were history itself.” Work by George Ballis, Herbert Randall, Bob Fletcher, David Prince, and Bob Adelman is also included, organized chronologically by event, rather than by photographer.

The exhibition is divided into four distinct sections: “Black Life,” “Organizing for Freedom,” “State and Local Terror,” and “Meredith March Against Fear and Black Power.” The featured works are both formally visually striking and saturated with important narrative, more than is possible to take in on one viewing. I found myself circling the exhibition, returning to certain photographs again and again with the feeling that there was still more to absorb. It is hard to overstate how moving these images are.

Subtle details within some of the photographs reveal parts of the civil rights story often looked over, such as the pervasive presence of weapons amongst both activists and Southern segregationists. A particularly striking photograph by Herron shows a young organizer and an older man sitting in a small library, facing a curtainless window, their backs turned to the camera. The older man holds a rifle. Herron writes in the exhibition materials, “The movement was nonviolent; the community was not.”

Some of the best photographs in the exhibit are also, on first glance, the quietest. Wakayama’s sparse shot of a memorial service held for slain activists James Earl Chaney, Andrew Goodman, and Mickey Schwerner is devastating. Organizer Bob Moses stands amidst the ashes of Mt. Zion Methodist Church in Neshoba County, Mississippi. Flowers are situated in rubble and charred wood.

Perhaps the most important takeaway from “This Light of Ours” is that the formal beauty of these photographs — their importance as works of art — is inseparable from their strategic importance as catalysts of social change. In one of Wakamaya’s photographs, a young man stands on the porch of an organizing center in Mound Bayou, Mississippi. A wooden cross bisects the foreground of the photo, visually separating the young man’s head from his body. The cross is emblazoned with a hand-painted logo that reads simply, “Freedom.”

In “This Light of Ours,” we have a potentially important curriculum for today’s protests, where, as Herron put it, “everyone is a photographer and everyone carries a camera.” We need thorough references like exhibitions like this to understand how we got where we are and where we are going next. Herron put it simply: “The job isn’t done. We made a lot of progress in the civil rights movement, but it is far from over.”

Categories
We Recommend We Recommend

Perea: A Bright Spot on WKNO

They say first impressions are lasting. And Memphis documentary filmmaker Willy Bearden has vivid memories of the first time he ever visited Perea Preschool with Memphis musician John Kilzer. The two men were working together on a project about the relationship of art and religion when Kilzer asked Bearden if he’d be interested in making a film about Perea, an experiment in early childhood education created by the Church Health Center in 1999.

“That’s exactly what I’m about,” Bearden answered. “I want to show people all the good things happening in Memphis.” His concise, 30-minute documentary, Perea: A Bright Spot, collects stories that illustrate the positive impact this unconventional preschool is having on students and parents in Memphis’ economically disadvantaged Klondike neighborhood. It starts airing on WKNO Channel 10 Thursday, May 14th.

Perea: A Bright Spot airs on WKNO on May 14th

“Everybody looked so happy and so engaged,” Bearden says, recalling his first visit to Perea. “There were 120 students, all 3 year olds and 4 year olds. And there were parents there, too. And the whole place just had this palpable vibe. Everybody was on the same page and getting along. You walk in and think, ‘Something is really going on here, and I want to find out what it is.'”

Perea preschool only accepts students whose parents agree to become active participants in the educational process.

“[Church Health Center CEO] Scott Morris told me that Perea requires a lot [from its] parents,” Bearden explains. “You’ve got to come in a couple of times a month and read to the kids. What does this do for the parents? Well, maybe they don’t read well and maybe they’re not comfortable with that. So what do they do? They practice up on their reading. Then the kids see parents taking part in the classroom and it has this ripple effect that is just incredible,” Bearden says.

Categories
We Recommend We Recommend

For the Dogs

Humans can have their indie bands and their tent cities at Bonnaroo in Middle Tennessee this coming June. But this weekend, dogs get their own Dog-a-Roo festival at the Outback off-leash dog park in Shelby Farms.

The second annual Dog-a-Roo will be held from 10 a.m. to 2 p.m. on Saturday, May 9th with all proceeds benefiting Shelby Farms Park and the Shelby Farms Greenline.

Courtesy Shelby Farms

Dog-a-Roo at Shelby Farms

The event features a canine costume and talent contest, a bow wow boutique where dog owners can purchase treats and other goods for their pups, dock dog diving, and an agility course. Mid-South rescue groups will present dogs for adoption in the Parade of Rescues. And local dog trainers will demonstrate positive training techniques. There’s even a Four-Legged 4K Run/Walk through the park’s trails.

Plus, there is a little something for the people — food trucks and live music by reggae band Chinese Connection Dub Embassy.

“Dog-a-Roo is for all dogs and all people. It’s for the rescue dog that may meet his new family at the event. And it’s for the family with a new dog looking to learn how to use the Outback dog park,” says Natalie Wilson, Shelby Farms Park Conservancy’s event and program manager.

Courtesy Shelby Farms

Wilson points out that the Outback dog park can be intimidating for new park users since, at 120 acres, it’s the largest off-leash park in the country. She hopes Dog-a-Roo can showcase the park’s features (such as the five man-made lakes) and its programs (like the Shelby Farms Canine Academy).

“The Shelby Farms Canine Academy offers year-round dog training workshops and seminars. And we have something called Dog Scouts, where they earn patches based on what they learn,” Wilson says, adding that this year’s class of Shelby Farms Canine Academy will have their graduation ceremony at Dog-a-Roo.

Categories
News The Fly-By

Music Commission Again Targeted for Possible Budget Cut

Each budget season at Memphis City Hall brings a new bullseye for the Memphis & Shelby County Music Commission.

The group is an annual target for Memphis City Councilmembers Shea Flinn and Jim Strickland. Each has called for the commission to be completely cut from the city’s budget each year for the past few years. Flinn’s voice on the matter has been dampened as he resigned his council seat last week. But Strickland’s voice has been amplified in his roles as chairman of the council’s budget committee and as a front-runner candidate for the Memphis mayor’s seat.

Strickland called the music commission an example of non-essential spending during a mayoral candidate forum last week hosted by The Commercial Appeal. He’s been calling for the cut of the commission from the city’s budget at least since 2012 when he told The Memphis Flyer that a private group would better serve the commission’s mission.

Memphis & Shelby County Music Commission

Memphis Mayor A C Wharton has funded the group with $250,000 for the past few years and has the same amount included in his proposed 2016 budget that totals more than $656 million.

“The Memphis Music Commission serves an important role in supporting and furthering the city’s world-renowned music heritage,” Wharton said in a statement. “Through programs like the Musician Healthcare Plan, Memphis Music Monday, and Music Business forum, the commission is making it possible for musicians to develop their careers and showcase their music and learn about the business side of the music industry.”

Tracking the music commission’s funding is tough. In the 2015 budget, the commission is listed under “special services” in the city’s Parks and Neighborhoods budget, not in the expected “grants and agencies” section alongside budgets for the Memphis Film & Television Commission, Urban Art, the Black Business Association, and more. Budgets for the commission, Second Chance, and Community Affairs are lumped together, making it hard to determine exactly which group gets and spends what.

According to the city’s human resources department, the commission’s executive director Johnnie Walker’s salary was a little more than $92,000 in the 2015 budget. Her office assistant’s salary was nearly $37,000. The rest, it is believed, is spent on running the office, buying supplies, and making grants.

The commission is comprised of 22 commissioners appointed by the mayors of Memphis and Shelby County. It “preserves, fosters, and promotes” Memphis music “through education, networking, advocacy, and professional and industry development.” The 2015 budget claims the commission operates 15 programs, though its website lists only nine. One of them — the Memphis Trolley Unplugged series — is on hold until trolley service resumes.

Walker said music is essential to Memphis tourism, and funding the commission puts the city’s money where its mouth is.

“A city that markets itself as ‘Home of the Blues, the Birthplace of Rock-and-Roll,’ that alone says that the city should be involved in the protection of that legacy and providing resources so that legacy can continue,” Walker said.

Walker said the commission does that with legal clinics, a health-care plan for musicians without insurance, weekly radio and television broadcasts of Memphis music, a weekly Memphis music showcase at Hard Rock Cafe, and more.

Strickland said the music industry is “huge” to Memphis but the music commission does not operate efficiently or effectively. He has said the group does not quantify “what it’s doing,” and groups like The Consortium MMT [Memphis Music Town] could do better.

“Their purpose is to develop a viable music industry in Memphis and from all indications they’re doing a very good job,” Strickland said. “Who knows Memphis music more than David Porter and Al Bell [of Consortium MMT]? No one. We ought to get behind their effort, which is privately funded.”

Budget hearings began Tuesday and are scheduled to wrap up on Tuesday, May 26th.

Categories
News The Fly-By

Memphian Appears Before Congress For Discussion of LGBT Youth Homelessness

Last week, ’80s pop legend Cyndi Lauper spoke before a Senate subcommittee about youth homelessness, and Memphian Kal Rocket had her back — literally.

Rocket was one of four formerly homeless youth from across the nation invited to sit behind Lauper as she testified before the subcommittee.

Lauper, whose True Colors nonprofit organization addresses youth homelessness, spoke to the committee about ways to address the issue of LGBT youth homelessness since LGBT youth make up 40 percent of the estimated 1.6 million homeless kids and youth adults (ages 12 to 24) across the country.

“So you can see the disparity. You can see there’s something bigger at play here. Basically, the kids come out, and they get thrown out. Or they run away because they don’t feel accepted,” Lauper said in her Senate speech. “Is that acceptable? I say no. No young person should be left without a home because of their sexual orientation or their gender identity. The truth is, they didn’t choose their identity. It’s like you choosing the color of your eyes. They’re born that way.”

Rocket was chosen for the trip after being picked as one of True Colors’ “40 of the 40,” a list of 40 LGBT young adults who have either experienced homelessness or housing instability. Rocket and the three others who accompanied Lauper sat behind her as she gave her speech. While in Washington, D.C., they also spoke on an LGBT youth homelessness panel for various government department heads. — Bianca Phillips

Justin Fox Burks

Kal Rocket

Flyer: So how did the big day in Washington, D.C., go?

Kal Rocket: We got up super early and went to the Eisenhower building for the panel. The four of us sat up front with Cyndi and two people who work with her at True Colors. And they picked one of us to give a testimony in front of Congress because they only had time for one of us. They picked the white, straight girl from Maine.

And what exactly was the purpose of meeting with Congress?

Congress has tasked all of these [government] departments to, by the end of this year, have a plan for youth homelessness. So this was the first briefing of three where they’re bringing together this plan. By 2019, they have to start putting the plan into action.

Was your visit a success?

The panel was in front of a bunch of homeless service providers and people who work for the departments. That was the easy part because they wanted to hear, from a youth perspective, what we needed.

Congress didn’t go so well. There were two senators who were not friendly. One was majority leader Mitch McConnell of Kentucky, and the other one was Bill Cassidy from Louisiana. He was like, “How do you know that it’s 40 percent [of homeless youth that are LGBT]? Where did you get these numbers?”

But we do know that about 40 percent of homeless youth are LGBT. And we were like, “Well, we’re not just here to talk about gay kids. We’re here to talk about homeless kids.”

You didn’t get to speak before the committee, but what were you prepared to say if chosen?

I would have talked about how kids from small towns have come to live with me or come to the center [Memphis Gay & Lesbian Community Center], and they had no idea that they could get food stamps or that someone would help them. But a lot of places that I would take them to try and get them help would just try to “fix” them because they were gay or trans.

What about your own experience with housing instability?

I could have used services between ages 17 and 19. I lived in an apartment without utilities, and I was eating out of a food pantry. I was so scared [to go to a homeless service provider for help], because they would just be like, “Oh, well you’re gay. So that’s really the problem.”

What was Cyndi Lauper like? Cyndi is so funny. She talks exactly like she sings with that little baby voice. And when some of the senators said some things to her, she came back with really snarky remarks. She was full of energy, and she just wants to help. She was a homeless youth. That’s why she started this.

Categories
News The Fly-By

Fly on the Wall 1367

Everything is Awesome

Fly on the Wall has chronicled the many faces of WMC Channel 5’s excitable news reporter Jason Miles. We’ve shown you Jason Miles under a car.

We’ve shown you Jason Miles under a car on a cake.

Now, fresh from his Twitter profile, here’s Lego Jason Miles.

And, just to bring things full circle, here’s a Lego Jason Miles under a car.

Categories
Politics Politics Feature

THDA’s Mission

If the new mortgage rate for first-time home-buyers in Shelby County has gone up of late — and it has, a fact important as a juicer for the economy as a whole — much of the credit for that belongs to Ralph Perrey, executive director of the Tennessee Housing Development Agency (THDA), a state agency whose reason for being is to spur such growth.

As Perrey put it on a visit to Memphis on Monday, “The economy comes back when housing comes back, and housing comes back when the first-time buyer returns to the market.”

After years of explosive housing growth in the Nashville area, particularly in the state capital’s surrounding, so-called “donut” counties, Perrey’s mission just now is to ramp up home-buying in West Tennessee and East Tennessee to an equivalent level.

At this point, about 20 percent of THDA’s mortgage business is in Memphis. Up until now, the surrounding donut counties have accounted for a majority of it.

THDA, which was created by the state of Tennessee some 43 years ago, is self-funding and operates within the context of the general housing market and, as an issuer of mortgage loans, plays by the rules of that market. But it serves an overtly public purpose, not only accelerating the growth and accessibility of housing but applying its profits to other useful ends.

Perrey, a baseball fan who watches games wherever he goes, dissertated on the functions of his office at AutoZone Park Monday night, between pitches of the game between the Memphis Redbirds and the Colorado Springs Sky Sox.

“What we hope to do is build our business,” Perrey said. “With every additional loan, if we do our work well, it helps us support more activities through our housing trust fund. We manage nine different federal programs. Here in Memphis, there’s a lot of interest in what you can do to eliminate blight and get rid of eyesores. 

“We’re negotiating with the U.S. Department of the Treasury to use some leftover foreclosure [-prevention] money. We committed all of it we had, but some of it, an unneeded portion, was returned to us. We think, by the fall, we’ll have a few million dollars to use against blight, and that could be very impactful to certain areas of Memphis.”

Before heading to the ball park, Perrey had spent an afternoon hobnobbing with mortgage bankers from the tri-state area, who are holding their annual convention here. “As we tell people, we are being more aggressive in engaging with lenders. That combination has really made a difference. Our loan product is up 58 percent compared to last year,” Perrey said.

THDA’s “main line,” explained Perrey, is to finance single-family mortgages, which the agency buys from the originating lenders and then administers, with a marginal savings for the home-buyer. “For the lenders, it’s a market-expanding opportunity. We give them a product they can use for customers they might otherwise say no to.” The term “public-private partnership” has gotten a pretty good workout in policy circles in recent years, and it adequately describes the way THDA operates.

“We provide backup,” is how Perrey puts it. “We’re not a poverty program, but we do make it possible for people of limited means to have their own homes, so long as they can demonstrate a certain financial capacity. But we’re not just for poor people.” 

He said that THDA also facilitates loans for people well into what could be described as middle class, such as start-up couples “who may think they don’t have a good enough credit score or are worried about the down payment.”

At present, TDHA can offer a 30-year fixed-rate loan at a 3.99 percentage rate, marginally better than the market at large, and can also offer down-payment closing assistance.

In other words, THDA doesn’t do hand-outs, but it provides a hand up for people in all economic circumstances who, for various reasons, might need a bit of help in getting what they want out of the housing market. Because the agency’s standards for lending include a demonstration of solvency, it has a very low delinquency rate with its loans. “We think there are a lot of people in Tennessee who would qualify for a THDA mortgage, and that’s why we’re here,” said Perrey, who said TDHA will offer a newly configured loan package sometime this summer especially tailored for credit unions and other lenders who may not deal with FHA loans per se.

Perrey is a product of Republican politics, having left a career as a radio newsman to serve former Congressman and Governor Don Sundquist as his entrée into government. But he sees himself as working within the stream of a bipartisan tradition. “There isn’t that much difference in how Republican and Democratic administrations have dealt with THDA. There’s been a great deal of continuity. Everybody likes housing.”

It’s nice to know, especially these days, that some aspects of government are above politics. As Ralph Perrey tells it, the Tennessee Housing Development Agency is one of them.

• Hackles were raised in Democratic Party circles in 2014 over former party Chairman Sidney Chism‘s overt and enthusiastic support of the reelection of Sheriff Bill Oldham, who ran as the Republican nominee. The Shelby County Democratic Executive Committee went so far as to formally censure Chism for not only endorsing Oldham but for allegedly attempting to dissuade the eventual Democratic candidate, Bennie Cobb, from running against him.

Now Chism, a former Shelby County commissioner who was term-limited and could not run again in 2014, is employed by Oldham as a “public information specialist,” and Chism is once again undergoing scrutiny. As part of the commission’s preliminary budget process, the Sheriff’s Department presented its financial prospectus back in mid-April, but the department’s employment of Chism and former county preparedness director, Bob Nations, prompted a callback before the commission’s budget committee on Wednesday of this week.

Budget Committee Chair Heidi Shafer said that further information was needed in the case of both Chism and Nations, the latter of whom, she said, had not become fully vested for pension purposes but would achieve that status in the sheriff’s employ.

“We just want to know if these jobs are really needed in light of the substantial increases the Sheriff’s Departent is seeking elsewhere,” said Shafer.

Also subject to a callback for further accounting on Wednesday were Juvenile Court and the Shelby County Election Commission. Shafer professed a concern over a request for $200,000 as a consultant’s fee to look into revising current election procedures, as well as the Election Commission’s request for a six percent raise in compensation for its emplyees.

“Not many Shelby Countians would find it easy to believe that the Election Commission deserves merit raises,” Shafer said.

• As of Friday, persons interested in filling the Super District, Position 2 seat (if not the shoes) of influential Councilman Shea Flinn, who has resigned, were able to pick up papers at the council office. Applications are due by Thursday, May 14th, and the remaining 12 council members will choose an interim replacement for Flinn’s seat on Tuesday, May 19th.

It will take a majority of seven votes to name the fill-in council member, and that could result in several ballots.

Indications are that all or nearly all of the individuals who had previously drawn petitions to run for the seat in the October 8th election will attempt to gain the interim nod as well. It’s one of those nothing-to-lose situations.

But, given the fact that sitting council members may not wish to offend a possible future colleague by making the wrong choice, they may see as a more appealing option the idea of choosing someone who does not intend to run for the seat in the regular city election. 

Some of those who have already indicated they are candidates for the interim position only are lawyer Alan Crone and activists Frank Triplett and Diane Cambron. That list is sure to grow between now and May 14th.

Categories
Editorial Opinion

Koch Fight

As the Flyer reported back in February, members of the Tennessee General Assembly who had expressed either support for or open-mindedness toward Governor Bill Haslam’s “Insure Tennessee” proposal for Medicaid

expansion were being targeted in their home districts by savage attack ads sponsored by a group calling itself Americans for Prosperity (AFP). During the special session called by Haslam, AFP members, clad in red T-shirts, roamed the hallways of Legislative Plaza with placards attacking the governor’s proposal and crowded into hearing rooms, taking up all but a few available seats.

All legislators felt the heat from this sea of red in Nashville and from the paid inflammatory assaults on their reputations back home, but it was Republicans, members of the governor’s own party, who were subject to the most pressure.

During the special session, Jimmie Eldridge and Ed Jackson, two legislators from Jackson, site of Jackson-Madison County General Hospital, were firm and unrelenting backers of “Insure Tennessee,” which they saw as beneficial to their hospital and to their area at large. Ads appeared in the Jackson area accusing them of “betrayal,” and coupling their likenesses with that of President Obama, thereby exploiting latent political tensions and doubtless racial ones as well.

There is little doubt that the attack ads were paid for out of the same AFP pot that in recent years has intervened with prodigious outpourings of money and resources in general elections and in GOP primary races pitting Tea Party types against Republican regulars, especially relative moderates. That same AFP pot of gold has unstintingly financed efforts, nationally and in every conceivable locality, to discredit climate change, net neutrality, right-to-vote campaigns, teachers’ unions, and workers’ rights in general, to enumerate but a partial sampling of the AFP enemies’ list.

And who is AFP? It is a mask, little more than a synonym for right-wing industrialists David and Charles Koch, the financiers of this and several other propaganda organizations generically (and accurately) referred to as “Astro-Turf” (meaning artificially simulated facsimiles of genuine grass-roots groups).

In Tennessee as elsewhere, the Kochs have pitted their immense fortunes against indigenous local movements that have the slightest look of progressivism or relevance to ordinary Americans. They are enabled to do so by the shameful 2010 Citizens United decision of the U.S. Supreme Court, which effectively nullified the already insufficient safeguards of the McCain-Feingold campaign-finance reform.

The interests of the Kochs of AFP are not indigenous and civic-minded; they are self-serving and predatory. Combatting their deleterious effects on the Democratic process is not easy, but it can be done — as it was in Tennessee last year, when three state Supreme Court Justices survived an organized attempt to oust them that was largely financed by the Kochs.

Defeating the judicial purge required a coordinated and systematic — and expensive — effort on the part of numerous professional and civic groups across the state. And with new statewide elections coming up next year, it will need to be repeated.

Categories
Film/TV Film/TV/Etc. Blog

Ida, Academy Award Winning Polish Film, Screens In Memphis

As a part of the Memphis In May Festival’s salute to Poland, Indie Memphis is presenting a film a week by Polish directors at Studio On The Square. 

Agata Trzebuchowska in Ida

The first film, screening tonight, is the 2015 Academy Award Winner for Best Foreign Language Film, Ida. Directed by Pawel Pawlikowski. Ida, stars Agata Trzebuchowska as Ida, a young orphan about to take her vows as a nun in 1961, who finds out her ancestors are actually Jewish. She embarks on a trip across communist Poland to find her family, who went into hiding from the Nazis during the war. The film has earned wide acclaim from not only the Academy, but also such notoriously tough audiences as The New Yorker’s David Denby, who called it a “compact masterpiece” and said he was “thrown into a state of awe.”

You can purchase advance tickets at the Indie Memphis website for tonight’s 7 PM screening at Studio On The Square.