Categories
Fly On The Wall Blog Opinion

Zombie Piano-Tuning Movie, Now Available Online

Ready for my closeup.

Have you ever wanted to see your Pesky Fly do a bad Charles Kuralt impersonation in a movie about capitalism, apocalypse, and zombie piano tuners? If so, your weird, weird ship has finally come in. After finishing its national film festival tour, Songs in the Key of Death has come home to Memphis and is now available online. I’m embedding the trailer below, but the full movie— all 14-glorious minutes of it— can be watched here. Enjoy.  

Zombie Piano-Tuning Movie, Now Available Online

Other Memphis-based entertainment media featured in this Edward Valibus short include the Commercial Appeal‘s Jon Sparks, and Mz. Checking-on-the-Arts, Kacky Walton.

Seems like a pretty good gamble on publicity, no?

Categories
News News Blog

New Signs May Light South Main

South Main may soon get a little brighter.

The 5 Spot restaurant and Lyfe Kitchen have both filed plans for brand new signs with the Downtown Memphis Commission’s (DMC) Design Review Board.

The 5 Spot is the restaurant behind Ernestine & Hazel’s. Owner Bud Chittom wants to hang a big neon sign for the place at its entrance on G.E. Patterson. The sign is a big, red-and-white arrow pointing toward the entrance that reads, simply, “5 Spot.”

DMC staff said the sign loses points in the downtown design code because it projects too far from the side of the building, covers some of the second-story windows, is too big, and is on the side (not the front of the building). But the staffers like that neon.

“Additionally, the sign incorporates exposed neon, an illumination type encouraged and historically appropriate within this historic district,” reads the staff report.

DMC staffers said they’ll allow the new sign if it gets the approval (if neccessary) from the Memphis Landmarks Commission and the city’s engineering department.

Up the street, Chisca Hotel owners plan a huge new sign on the roof for Lyfe Kitchen, the healthy, fast-casual restaurant planned for the hotel’s ground floor.

The new sign will read “Lyfe Kitchen” in letters more than six feet tall and “Love Your Food Everyday” below in smaller letters.

DMC staff said rooftop signs are usually limited to the Ballpark District or Peabody Place Entertainment District.

“Although the subject property is located in neither, staff opinion is that a rooftop sign is appropriate at this location given the height of the building, historic precedent for a similar sign at this property, and the fact that the original rooftop sign frame is still extant,” the report reads.

A sign of the similar size was originally located on top of the Chisca. It (appropriately) read, “Hotel Chisca.”

Both new signs are slated to get an up or down vote during the Design Review Board’s next meeting next Wednesday.     

Categories
Music Music Blog

The Shoe Birds Video World Premiere

Tim Ivy

The Shoe Birds recently released their debut album.

Named after the Eudora Welty children’s book, The Shoe Birds are a Memphis/Mississippi based folk rock/pop band that recently released their debut album Southern Gothic on WaxSaw Records. Their new single, “Life on the River”, explores the dislocation of starting a new life in a new place (lead vocalist Adcox moved from the small rural Mississippi town he grew up in to Memphis). For Adcox, the one common thread running throughout this transition was the Mississippi River and how it connects everything. 

The Shoe Birds.

Lead singer and guitarist Norman Adcox had this to say about the song: 

 “The song ‘Life on the River’ is about moving to a new place that’s both familiar, yet distant all at the same time. The video, directed by Patsy Detroit, is a slice of life featuring Memphis as the backdrop. I remember when I first moved to Memphis, the river and its downtown seemed a million miles away from the small rural Mississippi town where I grew up. For me, the one common thread running throughout this transition was the Mississippi River and how it connects everything. I always find comfort in watching the river flow past the bluffs. Sometimes, I imagine it washes away my troubles just like it erodes its own banks, eventually washing the silt down to New Orleans, then out to sea. This song always makes me think about how the Mississippi river and people are never static – and always moving.”

The Shoe Birds Video World Premiere

Categories
Memphis Gaydar News

New LGBT Magazine Launches in Memphis This Fall

Ray Rico

In September, the first issue of Focus Magazine, a new publication for the LGBT community, will hit stands.

Focus will be published by Ray Rico Freelance, a Cooper-Young-based design agency. The magazine will be available in print and online and will feature news, arts, entertainment, community, lifestyle, and other trending topics.

“The LGBT population in Memphis and regionally is being overlooked when it comes to news that is just for LGBT persons. There are many organizations that serve the needs of this audience, but nothing that is published regularly with aggregated content that is completely LGBT-centric,” said Rico, owner of Ray Rico Freelance. “We want to fill that void.”

Memphis hasn’t had an LGBT print publication in several years. The Triangle Journal, a newspaper published by the Memphis Gay & Lesbian Community Center, ceased publication in 2009. Family & Friends, a Memphis-based LGBT magazine, stopped publication about a decade ago.

The first issue of Focus will by titled “The Coming Out Issue.” The publication will be free and available at area businesses, or readers can subscribe for a mailed copy for $1 per issue.

“We want everyone to have access to this important publication, so we are offering Focus Magazine for free online and in print,” Rico said. “The printed version will be published every other month while the online version will be uploaded frequently with new and engaging content.” 

Categories
Sports Tiger Blue

Memphis Tiger Trivia

Former Tiger guard Elliot Williams is expected to sign with the Charlotte Hornets today. The Hornets will become the fifth franchise to employ Williams since he was drafted by Portland in 2010. (The others: Philadelphia, Utah, and New Orleans.)

Among former Tigers to reach the NBA, who played (or has played) the most games for any single franchise?

Categories
Beyond the Arc Sports

Beyond the Arc Podcast, Episode 24: Should the Grizzlies sign Mike Miller?


This week on the show, Kevin and Phil talk about:

  • Mike Miller could be a free agent again soon. Should the Griz sign him if the Blazers release him? Who would he replace on the roster?
  • Ty Lawson to the Houston as the Southwest division gets even deeper.
  • Are the Grizzlies better than they were last year? What could they do to make themselves even better?
  • Handicapping different NBA players Matt Barnes could fight in a cage (which was more fun than I thought it would be).
  • Measuring the toughness of NBA players by how much opposing fanbases hate them.

The Beyond the Arc podcast is now on iTunes, so you can subscribe there! It’d be great if you could rate and review the show while you’re there. You can also find and listen to the show on Stitcher.

You can call our Google Voice number and leave us a voicemail, and we might talk about your question on the next show: 234-738-3394

You can download the show here or listen below:


Categories
News The Fly-By

Outgoing Memphis Public Works Director Reflects On Career

Memphis Public Works Director Dwan Gilliom fought back tears when asked what he’ll miss the most when he leaves his position at the end of July to accept a job as the Public Works director for Shreveport, Lousiana.

“The people,” Gilliom said, pausing to stave off the waterworks. “I’ve developed great working relationships with so many people in city government and across the community over the years. Every time I think about it, I tear up.”

Gilliom enrolled in the city’s Deferred Retirement Option Plan (DROP) in January 2013. DROP allows city employees who plan to retire in two to three years to stop contributions to the retirement plan. Once they enroll, they must retire.

Gilliom got his start in public service as a Memphis Police officer in 1985. He went on to work for the federal government through the Bureau of Alcohol, Tobacco, and Firearms in Atlanta in 1999 before moving back to Memphis in 2002 to take a job heading up the Mayor’s Citizens Service Center under Mayor W.W. Herenton. Herenton eventually convinced Gilliom to take up the helm in the solid waste division and then, in 2007, in the Division of Public Works. — Bianca Phillips

Flyer: You’ve put a lot of emphasis on fighting blight.

Gilliom: We’ve gone from cutting [overgrowth on] around 7,000 vacant lots a year to almost 40,000. We have an issue with property owners not maintaining their own property across the city, so we spend an excess of $3 million a year caring for vacant properties that we don’t own. We send them bills, but very few pay. We collect around $300,000 each year.

We’ve increased the number of residential demolitions. I think we’re averaging now around 750 to 800 demolitions [of blighted homes] a year.

You had an especially rough winter this past year with all of the potholes.

It was one of the worst winters that I’ve experienced as the Public Works director. I can recall years of being hailed as a hero, when in actuality, we’d get an inch or inch and a half of snow, and the sun would come out the next day and melt the snow away. And people would think that I had treated all of the roads since the snow melted away so quickly. But it doesn’t work the same with ice. And we had a lot of ice this year, and all of a sudden, I wasn’t the hero that I had been in years past.

A couple years ago, the city was hit with a consent decree from the Environmental Protection Agency (EPA) after our sewage overflows were found to be in violation of the Clean Water Act. Was that a blow?

We negotiated one of the best consent decrees across the nation. Other cities are seeing consent decrees being imposed as high as $6 billion. And ours is $250 million, which might sound like a lot, but it’s a drop in the bucket compared with what other cities are having to spend to take care of their infrastructure issues.

You oversaw the implementation of single-stream recycling.

That’s probably one of my proudest moments, even though “pay as you throw” has been one of my darkest moments. Our curbside recycling program had been dormant for 15 or 16 years. We had averaged around 10,000 tons a year, and we had fallen down to just over 9,000 tons.

So we assisted our recycling processor, who invested about $5 million into their facility with the understanding that we would begin to phase in the 96-gallon containers versus the small carry bins.

We purchased the first 40,000 containers about a year ago, and we saw our volume increase in that area alone 300 percent. And now we’re beginning to issue those containers to anyone in the city who requests one.

But your “pay as you throw” idea didn’t work out.

“Pay as you throw” means that anything outside of the recycling or garbage container must be pre-paid for, either through pre-paying for a bag or a tag. More than 6,000 cities across the United States have a “pay as you throw” program. The fact that we allow our customers to discard everything and expect it to be picked up within a week or two is outrageous.

We had coined the phrase SMART program, which stands for Save Money and Reduce Trash, and one councilmember indicated that it was the dumbest thing she’d ever heard. I couldn’t help but laugh. I sensed there was no support on the council, so we killed the idea after that meeting. I think it’ll be a long time before it comes up again. And I would advise the next person not to call it a SMART program.

Categories
Opinion Viewpoint

Respect the Hustle

Memphis runs deep in my blood. The city gave me a life, a career, a passionate resolve, and a school-of-hard-knocks education in music and business. I learned what it means to hustle. And I learned quickly that those with no hustle are destined to fail — talent, contacts, and pedigree be damned. In the long run, it’s the strength of your hustle that separates the meek from the mighty!

I’ve been thinking a lot about Memphis music recently and trying to figure out the best way to share my unique insight and address the issues and opportunities surrounding the Memphis & Shelby County Music Commission (MSCMC). This not a personal attack on the staff, board, or leadership of the commission. It is an educated opinion from someone who is passionately committed to seeing Memphis succeed.

In 2003, I was recruited to run business development and community relations for the MSCMC.

It was my great honor and privilege to get asked to work on behalf of and advocate for the creative community. I was tasked with developing educational initiatives and cross-platform marketing programs to empower the community with a hands-on ethic for the business of music and to shine a light so the world could know about the second coming of Memphis music.

I don’t remember when I met Christopher Reyes, but I do recall thinking how lucky I was to have someone with that kind of award-winning creative chops, digital savvy, and passion to tell the story of Memphis’ local music scene. I recognized the artist in him early on and knew that harnessing that creative energy would take some time and finesse, but it was so worth it! In my estimation, there was not then, nor is there now, another creative force in Memphis like Reyes and the team at Live From Memphis (LFM). Their commitment to Memphis music should be seen as a model for entrepreneurial, creative, and civic engagement. Allowing LFM to shut its doors was Memphis’ biggest industry loss since Stax shut down. (Bold statement, I know.) But, tell me, who is telling — and selling — Memphis’ musical story now? Not the MSCMC, that’s for sure.

Have you seen the MSCMC website? Sweet placement on the MySpace link! You either still believe that’s relevant, or you haven’t updated your site since 2006. Not having some sort of relevant online presence in 2015 represents a huge failure by the MSCMC. Without a vibrant website, how effective can their programs be in creating awareness or revenue for local artists and music entrepreneurs? It’s going to take more than local showcases to move the needle.

I believe the commission should be an organization that: 1) works to provide meaningful and actionable insight and best practices for the business of music; 2) is a global advocate for Memphis’ creative community and music entrepreneurs; 3) is a strategic leader and business-development champion for Memphis’ creative community.

Memphis doesn’t need the commission to fix the local scene. Local musicians and music businesspeople are scrappy enough to figure things out on their own. If the commission would allocate resources to projects and initiatives that give local artists, entrepreneurs, and everyone else the opportunity to work smarter in their business and reap the benefits of a world-class marketing campaign, what a testament to the creative power of investing in a creative community that would be!

The commission needs to understand its effectiveness comes from empowering the community around them. Respect their hustle, and they will love you; disrespect it, and you no longer deserve to represent them.

If the choice were mine to make, I would remove ineffective programs like Memphis Music Monday, First Fridays Rock, Memphis Music Revealed TV, and Generation Next and reallocate those budgets (and additional operating capital) toward programs such as a music business educational initiative (monthly or quarterly); a Marketing Memphis Music campaign (a social and event-focused campaign to help support a “Memphis as a musical mecca” message); a “Gig Swap” initiative with sister music cities such as Austin, New Orleans, Chicago, Nashville, St. Louis, Oxford, and others.

I believe these simple changes could make a difference in the lives of this music community. I hope the MSCMC recognizes and embraces the hustle that’s right under their noses.

Wayne Leeloy is a former Memphian now living in Nashville. He is head of Brand Partnerships & Digital Strategy for G7 Entertainment Marketing.

Categories
News News Blog

‘Quarry’ Filming to Close Streets

IMDb

Logan Marshall-Green stars in Showtime’s new drama ‘Quarry.’

Many Memphis streets will be closed Thursday through Monday for the filming of the upcoming Cinemax drama “Quarry.”

Crews will be filming Downtown, in Midtown, and in South Memphis. The sites will be closed to the public. The streets will be closed and on-street parking spots will be reserved for production vehicles.

A news release from Memphis Mayor A C Wharton’s office asks motorists to avoid the areas during the times listed below. 

“Quarry” is based on the novels of Max Allan Collins and follows Mac Conway, a Marine who returns home to Memphis from Vietnam in 1972. The show will be filmed here and in New Orleans.

Here are the times and dates for the road closures:

Thursday, July 30:
6 a.m. – 1 a.m.
G.E. Patterson from Front to 2nd

Saturday, August 1:
6 a.m. – 10 a.m.
E. McLemore from Neptune to Cummings

8 a.m. – 6 p.m.
Willie Mitchell from Trigg to Olive

4 p.m. – 9 p.m.
Court and 3rd

Sunday, August 2
8 a.m. – Noon
Poplar from Front to Main

10 a.m. – 6 p.m.
2nd Jefferson to Union

2 p.m. – 9 p.m.
Union from Riverside to 2nd

7 p.m. – midnight
Monroe at Danny Thomas

Monday, August 3
7 p.m. – 4 a.m.                
Poplar from Angelus to Evergreen

Categories
Music Music Blog

Chain and the Gang at Murphy’s

Michael Andrade

The impeccably dressed Chain and the Gang.

Washington D.C.’s Chain and the Gang will perform tonight (Monday, July 27th) at Murphy’s. Led by Ian Svenonius (Nation of Ulysses,The Make Up), Chain and the Gang play “minimal rock and roll,” or “crime rock” depending on who you ask, meaning that their music is stripped down, to the point, and definitely not for everyone. With decades devoted to underground music under his belt, Svenonius has a cult-like following that comes out of the woodwork any time he decides to make a regional appearance. Svenonius also hosted the talk show “Soft Focus,” where he interviewed underground icons like Jello Biafra, Henry Rollins, and Thurston Moore in his classic, deadpan style. Check out the videos below to get a better sense of what Svenonius and his band are all about, then get to Murphy’s by 9 p.m. tonight. Advance tickets are available at Goner Records for $5.

Chain and the Gang at Murphy’s

Chain and the Gang at Murphy’s (2)