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Beyond the Arc Sports

Grizzlies 121, Kings 117: Next Day Notes

Larry Kuzniewski

The Grizzlies won their third game in a row (and the seventh out of their last eight) in a way that is unusual for them: they scored a lot of points, beating the Sacramento Kings 121-117 after fending off a spectacular defensive collapse that saw the Kings put up 40 fourth-quarter points but fail to take the Grizzlies’ lead. That the Kings had a 40-point quarter and still didn’t win should tell you how the first three quarters went: lopsided.

The Griz came into the game seemingly determined to push the pace against the Kings, leaking out and running the break whenever possible, and it worked. They were up 20 points at multiple points in the contest, but the Kings always started to reel them back in. Finally, despite Jeff Green’s big scoring night off the bench, Dave Joerger had to go back to the starting lineup (last night’s was Mike Conley, Courtney Lee, Tony Allen, Zach Randolph, and Marc Gasol) to stop the Kings’ comeback attempt and seal the Grizzlies win.

You want game notes? I have game notes.

Game Notes

★ Jeff Green had his 3rd straight 20-point game off the bench, finishing with 29 on 11/16 shooting. Green’s offense was a big reason the Grizzlies were able to keep the Kings at arms’ length for so much of the game, and when he finally went cold in the fourth, he wasn’t the only one—the entire lineup seemed to turn back into a pumpkin at once. This is the best Jeff Green for the Grizzlies, and it’s been pretty apparent since his first stint as a reserve last year—which was his idea in the first place, apparently. Coming off the bench keeps him from throwing off the chemistry of the starters, lets him run more with Mario Chalmers (whose improvisatory style of play suits Green better, I think), and keeps him from messing with the team’s chemistry any more than he already has.

This is the Jeff Green that the Grizzlies want and need. It’s a shame that he’s finding this sort of a groove when time is running out on his tenure here, whether that’s before the trade deadline or after the season is over.

★ Ryan Hollins played almost 10 minutes, and JaMychal Green got a DNP-CD. In terms of minutes at the 5, I understand it: Hollins couldn’t defend DeMarcus Cousins at all without fouling him, and Green trying to do the same thing would’ve been an abject disaster. So, for once, I understand why Joerger let Hollins soak up all of Green’s rotation minutes.

The larger trend is still troubling, though. Green’s better as a rangy 4, and Joerger seems to be creating a false dichotomy between playing Hollins at the backup center and playing Green at the same spot. Green is one of the few young players the Grizzlies have actually developed in the last few years, and to see him molder on the bench behind a guy who—no offense is intended by this—is just as good as any other end-of-the-bench 10-day type while JaMychal Green could be out there getting better and smarter, learning through experience… well, that’s a big reason I didn’t like Lionel Hollins, and it’s a big problem I have with Joerger. Playing some random vet because he’s “your guy” to the detriment of a young player on a great contract with more upside is wrongheaded even if it helps win one or two extra games along the way. And besides, are the Timberwolves really going to care about those two extra wins on Joerger’s regular season résumé?

(That last one was mostly a joke.)

Larry Kuzniewski

★ Mike Conley was not playing well at all for most of the game, passing up shots to set up Tony Allen jumpers, all while shooting 0-3 for 0 points for himself. That turned in the last 8 minutes or so of the game, when he had a really lucky long jumper go in right at the shot clock buzzer. From there, Conley was 3-3 for 8 points and was a critical part of the Grizzlies’ ability to hold off the Kings and escape with the win.

In this, a contract year in which he stands to get max money, or at least something close to it, Conley’s struggles have been concerning. His injury history over the last two seasons hasn’t been great, and the prospect of paying that much money to a guy who is struggling to approach career averages in every category is, well, frightening at best. But I still believe Conley can be as good as he’s always been. This year has been weird for everyone, and if Conley is struggling, he’s still not having as bad of a year as Marc Gasol is. One hopes this stuff will work itself out by the end of the year, and the Grizzlies do the right thing with all that money, whatever it may be. I have a feeling it will be going into Mike Conley’s bank account, and that’s probably fine.

Tweet of the Night

Up Next

On Monday, the Grizzlies travel to New Orleans to take on the Pelicans (and probably try to get them to give up some sort of pick for Courtney Lee or Jeff Green while they’re down there, just for good measure—the deadline is approaching, after all). After that, a three-day break before a back to back at New York on Friday and home against the Mavericks on Saturday.

We’re almost to the All-Star Break, which last year was just long enough for guys to get a little bit lazy and out of shape, and seemed to coincide with the beginnings of the team’s on-again, off-again malaise that has carried through to this season (well, until this recent stretch of games against losing teams). With any luck, the Griz can make it through the break and come back more focused instead of less focused, and we won’t have to write any more posts about whether Marc Gasol is slowly losing his mind.

Categories
Opinion The BruceV Blog

Washington Post Likes Grizzlies’ Dab Game

The Grizzlies had an in-game “Dab-Cam” promotion the other night, playing off Carolina Panthers’ quarterback Cam Newton’s favorite move. Everybody knows Memphis has the hippest music and the coolest fans in NBA arenas, but this clip is getting a lot of love. You’ll enjoy the Washington Post‘s cute analysis of some of our Memphis moves.

Check it out.

Categories
Sports Tiger Blue

#13 SMU 80, Tigers 68

No contest. The SMU Mustangs may be ineligible for postseason play this season, but they made clear the disparity between their talented roster and that of the Memphis Tigers Saturday night at Moody Coliseum in Dallas. Led by point guard Nic Moore (the favorite for American Athletic Conference Player of the Year scored 22 points), the Mustangs led by 11 points just nine minutes into the game and Memphis never closed within single digits.

The loss is a damaging opener to the hardest four-game stretch of the Tigers’ season. Now 13-8 and 4-4 in the AAC, the U of M will face Connecticut (Thursday) and Cincinnati (Saturday) at home in what amounts to must-win games for any chance at a favorable seeding in the AAC tournament come March. The team’s chances for an at-large NCAA tournament bid likely died last Sunday when East Carolina won its first league game at FedExForum.

The Tigers were held to 34-percent shooting (22 for 65) and missed 15 of 20 attempts from three-point range. SMU controlled the glass with 47 rebounds to the Tigers’ 32.

Senior Shaq Goodwin led the Tigers with 18 points before fouling out late in the second half. Two Memphis starters — guards Sam Craft and Markel Crawford — failed to score, freshman forward Dedric Lawson missed seven of eight shots from the field (seven points, 12 rebounds), and Ricky Tarrant Jr. was held to 10 points before also fouling out. Freshman guard Jeremiah Martin contributed 11 points off the bench, his highest point total of the season.

Shake Milton scored 13 points for SMU with Sterling Brown and Ben Moore each adding 12. The Mustangs are now 19-1 for the season and in control atop the AAC standings with an 8-1 mark. SMU will visit FedExForum for a rematch on February 25th, by which time both teams may be playing solely for pride.

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Film/TV Film/TV/Etc. Blog

Film Fatales Speaker Series Begins Monday

The Memphis chapter of Film Fatales, a national professional organization for women filmmakers, is hosting the first installment of its new quarterly speaker series at Crosstown Arts on Monday, Febuary 1. The inaugural speaker will be Deputy Film Commissioner Sharon Fox O’Guin of the Memphis and Shelby County Film and Television Commission.  

Sharon Fox O’Guin, Deputy Film Commissioner for Memphis and Shelby County

The Film Fatales describe themselves as “a global network of women filmmakers who meet regularly to mentor each other, share resources, collaborate on projects and build a supportive community in which to make their films.” The organization was started in 2013 by New York filmmaker Leah Meyheroff. The Memphis chapter started meeting last year, and currently boasts 10 members. The new speaker series is being developed in association with Indie Memphis and Crosstown Arts. 

O’Guin will address the resources available to independent filmmakers in Memphis, and will include the latest on the Tennessee tax incentives for film. The program, which is free and open to the public, begins at 6:30 with a meet and greet, with the workshop to begin at 7:00. 

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Art Exhibit M

The New Planetarium is Dope and Space is Terrifying

Edit 1/30: The Pink Palace has confirmed that they are going to host live music in the Planetarium. “Space has no limits!” said Ronda Cloud, who handles publicity for the Museum. 

The day has come! The new Sharpe Planetarium, now known as the Autozone Dome, at the Pink Palace Museum is back in action. The old slide projectors are gone, replaced by digital “Full Dome” technology. In the place of the analog lighting effects is a more movie-like experience. 

This morning, a crowd of press, Mayor Jim Strickland, corporate representatives from Autozone and other private sponsors gathered for the grand opening of the new dome. The renovated planetarium is roomier, with a space near the the front of the theater that one of the presenters mentioned may be eventually used for live music. Hopefully this means more local multi-media performances — what could be cooler than opera or electronica or underground rap paired with star graphics? The planetarium manager also joked (I think it was a joke) that they could perform wedding ceremonies inside. 

After a tour through some of the neater educational features of the new planetarium, all controlled by an iPad, we watched a program called “Firefall.” Firefall is a narrative about the life and death of space debris such as meteors, meteoroids, meteorites and asteroids. The graphics were excellent and, while the storytelling was true-to-form campy, “Firefall” proved both visually and narratively gripping. I learned: space is horrifying, mass extinctions by way of space rocks are imminently possible, and, as Carl Sagan put it, there are billions and billions of stars out there. 

For those who miss the older technology, here is a useful timeline of planetariums. For those who want to book their band inside the new planetarium, I have reached out for comment from the Museum and will keep you updated. In the mean time, the new planetarium should be on the top of your list for the best date spots in town. 

The New Planetarium is Dope and Space is Terrifying

Categories
Music Music Features

Sing with All Your Heart

With her debut album Nightmares, Alex da Ponte crafted vengeful songs that were angry and incredibly personal. On her new album All My Heart, da Ponte enlisted an all-star cast of Memphis musicians to create a different kind of personal album, one filled with hope and self-realization. We caught up with da Ponte to find out more about All My Heart before her release show this Sunday at the Young Avenue Deli. –Chris Shaw

Flyer: Who was involved in the recording of your new album, All My Heart?

Alex da Ponte: I’ve been working with guitarist Robby Davis for years — he’s an incredible guitar player that plays all over town. Rick (Steff) and Roy (Berry) from Lucero play on the record, along with Geoff Smith from Star & Micey. It was recorded at Music + Arts studio in Midtown, the building that Archer Records and Blue Barrel Records are run out of.

How would you say All My Heart is different from your first album, Nightmares?

It’s definitely less angry. There are songs that are filled with hope and songs that build up with emotions other than anger. There might still be some anger, but there’s more going on than just that. You can tell that I’m in a different place in my life than I was when I recorded Nightmares. My music is always going to be a reflection of what’s going on in my life. Even if you just look at the covers for the two albums, Nightmares has a really dark, black and white cover, whereas this cover is filled with color.

Who did the artwork for All My Heart?

My partner and fiancée Karen Mulford, which I feel is very fitting. She’s the reason the album has a bunch of color and isn’t all black and white, because I’m in a better place now, and she’s a big part of that. The songs about her on the album are probably the happiest ones. She’s a big reason this album was a much happier one in general.

Have you been working with the same musicians since you wrote Nightmares?

Well, not really. When Nightmares came out, I formed a band and played with them for about three years, but that band dispersed, and the only person I stayed with was Robby Davis, so I had to basically start from scratch. Luckily the Memphis music scene is very supportive, so people would be like “Oh, you need a drummer? Try this person.” I can tell the difference between when my last band played a song like “Nevermind” compared to when my new band plays it, because different musicians change the tone of a song. It’s still the same song obviously, but you can hear the subtle changes where a new musician’s influence comes in.

Let’s talk about your song “Tell All Your Friends.” It seems like a classic breakup song. Is that accurate?

Yeah, it definitely is. Who hasn’t had that experience of hearing trash from other people about yourself? It ties into the last record, when I went through this terrible breakup, and you can still hear some of that in this new record because of how much it affected my life. This song is a great example of how that experience is still working its way out of me.

Do you think the songs on this new album have as strong of an overall theme as your first album?

Not really. The last one had such a strong theme that I wanted to move a little bit away from that and work on this album piece by piece. I was writing the songs at different times, and it was actually nice to concentrate on this project song by song, because with the first record, I felt so intense that I spit out all of these hateful songs, where as this time I was inspired by all sorts of different things.

When Paste premiered your video for “Nevermind,” they compared you to Jenny Lewis and Karen O. Who are some other singers or bands that influenced you that your listeners might not expect?

I was listening to a lot of Shovels & Rope when I was writing the song “Come on, Boy,” and I think that ended up making me write in a different way, even if it’s not that noticeable. I also love Brandi Carlile, and I got back into the bands that I really liked in high school, even middle school. I got back into Eve 6, Nirvana, Gin Blossoms, and the Goo Goo Dolls. I loved all that kind of stuff, even bands like the Shins. There’s a lot of stuff that worked its way in there.

Let’s talk about your new video for “Nevermind.” How did you link up with Laura Jean Hocking?

The people who run Blue Barrel Records suggested Laura Jean, and she came in with this idea to model the video after this movie from the ’70s. It was really cool to watch her work and be able to work with another Memphis artist, and we were able to work through her vision together. It’s really nice that we are all coming from a similar creative community. Memphis is exploding right now, and it’s really cool to have all of these people around you who are willing to help.

Categories
Opinion The Last Word

New Year’s Revolution

Jhansen2 | Dreamstime.com

The Bern

If Bernie Sanders can somehow win the Democratic nomination, and Donald Trump is chosen as the GOP presidentialApprentice reality show contestant, it will be interesting to see an election between a socialist and a fascist.

Of course, most voters don’t know the difference between a Social Democrat and a Marxist, but I give extra points to anyone who knows who Marx is, and I don’t mean Groucho. Since the term “socialism” is often associated with the Soviet Union, or those evil European countries where they just give away their health care like that, any candidate running under that label already has two strikes against them right away. Sort of like being born with a name like Barack Hussein Obama. Socialism means major industries are owned by the government rather than by corporations or individuals. Social Democrat means someone really liberal who may soon be the front-runner of a major political party that is scared guano-less to use that term.

Discerning readers know that the United States began using socialism as soon as they set up the Pony Express. All governmental functions used for the public good are socialistic, except for all that free stuff the Democrats give away at election time like Obamaphones and abortions.

I guess nothing’s ironic any longer, but on the Republican side, Marco Rubio is giving away calculators, and Jeb Bush is sending out to a “select universe of influencers, donors, and core supporters,” digital video players with a 15-minute film called, The Jeb Story. Actually, the slickly produced videos were shipped out by Bush’s Super-Pac, Right to Rise USA, which sounds more like a Cialis commercial than the name of a slush fund. But that’s not socialistic. That’s just tiny bribes to the billionaire seraphim of the GOP.

Every time I hear an update on the gangsta cowboy vigilantes up in Oregon, I’m reminded of socialism. These armed protectors of the Constitution and their nitwit anti-bird militia don’t like government? Cut the power, the water, and WiFi, so they can’t upload any more pleas for Mountain Dew, then block the access roads and wait for the next blizzard. They even have the gall to ask that snacks and underwear be sent through the U.S. mail. Let them sit there through February, and they’ll be begging for a little socialism.

Fascism is defined as an authoritarian, right-wing system of government, led by a despot, an autocracy, or a “strong man,” and characterized by racism, xenophobia, and ultra nationalism. Speaking of Donald Trump, he trotted out the Vampira of the tea party, Sarah Palin, to endorse his candidacy during a campaign rally. She gave a long, incoherent soliloquy that was so bizarre, it inspired Tina Fey to come back for an SNL encore.

After listening to 20 minutes of Palin’s brain droppings, Trump’s expression said, “Wrap that shit up, G,” but his mouth said, “She’s really a special person.” After the Vaudeville show concluded, Trump said he would “love” to put Palin in his cabinet if elected. That should disqualify him on the spot, but nothing slows the Trump Blitzkrieg — not even the shrieking witch from Wasilla. The unemployed, half-term governor is like herpes. It’s always there just under the surface, and just when you think it’s gone, it comes back with a vengeance. In this case, her vengeance was directed at the GOP “establishment” who mocked her last time around.

Trump then announced to another rabid mob that his minions were so loyal, “I could stand in the middle of 5th Avenue and shoot somebody, and I wouldn’t lose voters.” For a second, I thought this might be the equivalent of John Lennon’s “We’re more popular than Jesus” quote. It could have been worse. He might have said, “If Ivanka weren’t my daughter, perhaps I’d be dating her.”

I’m having a heart vs. head dilemma this election. I agree with most of Bernie Sanders’ positions, but I know in advance that he’ll be compared to Mao Zedong. I think Hillary is electable, but I’ve come down with a severe relapse of Clinton Fatigue. I knew it when she was slipping in the polls and brought out the Clinton attack machine. Even Chelsea was schlepped out of her new $10.4 million Manhattan apartment to tell lies about Sanders’ proposals and explain how he would be horrible for the working man. Suddenly, I remembered Bob Dylan’s lyrics, “What price do you have to pay to get out of going through all these things twice?”

I want my country back, too — the one promised by LBJ, Martin Luther King, and the Great Society. The country that once declared war on poverty instead of drugs. I want a country that passes legislation like the Civil Rights Act and the Voting Rights Act, where voting is encouraged rather than suppressed. We’re just one election and two Supreme Court Justices away, and I’m beginning to “feel the Bern.” Call him whatever you want, Sanders would be the most revolutionary president since FDR. If you really wanted to shake up our broken political system, who better than an elderly, Jewish Socialist? You could do worse.

Categories
News News Blog

UPDATE: Assistant DA Will Get Discipline Hearing on Jackson Case

Shelby County Assistant District Attorney Stephen Jones, has been targeted for possible discipline by the Tennessee Supreme Court for withholding evidence in the Noura Jackson murder trial.

Jones was co-counsel on the trial with now Shelby County District Attorney Amy Weirich, who may be censured by the Supreme Court for an outburst she made in her closing arguments in the case, which violated Jackson’s constitutional rights in the case.

A disciplinary petition against Jones, who is the training director and special assistant for legislative affairs in Weirich’s office, was filed on Monday, Jan. 25, the same day as Weirich’s was filed. In the Jones petition, the board has requested a hearing for testimony and evidence in the case for fact-finding and any disciplinary action that might be appropriate.

The petition says Jones violated the code of conduct for attorneys by withholding evidence in the Jackson case which could have helped her in the trial.

That evidence is the written statement by one of Jackson’s friends, Andrew Hammack. Jackson identified Hammock as a suspect in the murder of her mother, Jennifer, and police did identify him as a suspect. His written statement came after he gave police two other statements and the withheld statement is known in the trial as his “third statement.”

In his written statement to police, Hammack said he was on the drug ecstasy the night of the murder and that he did not have his phone with him. However, he testified that Jackson called him at the time of the murder and said she was in her mother’s house at the time of the murder.

“It is difficult to overstate the importance of this portion of Mr. Hammack’s testimony, and without the suppressed third statement, the defense had little means of countering it,” Tennessee Supreme Justice Cornelia Clark wrote in a 2014 ruling that ordered a new trial for Jackson. “The defense also could have used Mr. Hammack’s third statement to bolster its attack upon the thoroughness of the police investigation and to argue that Mr. Hammack himself was a plausible suspect.”

The Tennessee Board of Professional Responsibility noted in the petition this week that Jackson’s defense attorneys, Valerie Corder and Arthur Quinn, made multiple requests for evidence that the prosecution held that could help Jackson in her trial, which prosecutors have to turn over thank to laws informally known as Brady rules.

“In particular, the defense made multiple pre-trial requests for any statements made by Andrew Hammack, an important witness,” reads the petition. “The defense also made a motion mid-trial for any Brady material that had not yet been provided by the prosecution.”

The petition notes that Hammack had given police several statements about his communications with Jackson on the night of the murder but that his third statement “gave a completely different account of what happened on the night of the murder from the testimony by Mr. Hammack at trial.”

“The third statement could have been used by defense in a number of ways, including impeachment of Mr. Hammack and other witnesses,” the petition reads.

Memphis Police Department officials had Hammack’s third statement in 2005. Jones claims he learned of the statement on February 15, 2009. Jones did not provide that statements to Weirich even though she was going to conduct the examination of Hammack four days later on Feb 19, 2009. Further, Jones did not give the statement to Jackson’s lawyers after he testified, as is required by state law.

Jones and Weirich were both represented by Burch, Porter, and Johnson attorney Jef Feibelman in the case in 2014. In a letter to the TBPR at the time, Feibleman said Jones’ failure to give up the evidence “was simply a mistake,” noting that if there had been any intent to withhold it, Jones wouldn’t have produced it “when he did.”

“Fairness, indeed, compels the conclusion that simple mistake does not constitute a disciplinary infraction,” Feibelman wrote in a 2014 letter to the TBPR. “Judges, after all, make mistakes and are reversed, but it would never be suggested that they have acted unethically. Respectfully, it would simply be intolerable to practice law in an environment in which a mistake – which happens to all of us – would give rise to a finding of unethical behavior.”

Asked for comment on the Jones petition, a spokesman in Weirich’s office offered only this response, which is slightly modified from the one given Friday morning regarding Weirich’s own case with the TBPR. Though, the latest response had set in bolds the words “by myself or by my co-counsel.”

Here’s that statement:

“The trial judge and the Court of Criminal Appeals ruled that my statement was not reversible error, while the state Supreme Court ruled the opposite way. A difference of judicial opinions is not uncommon with legal issues.

“Nothing done by myself or by my co-counsel in this trial should warrant disciplinary action.
“This complaint was not initiated by an attorney or by any of the judges who reviewed the case, but by a friend of the convicted killer.

This complaint sets a bad precedent for prosecutors, defense lawyers and even for trial judges. That’s why I have chosen to fight this complaint – because it is the right thing to do.” 

Here’s what Weirich said in a January 13 news release in reference to a new series of training videos about handling evidence for Tennessee’s prosecutors:
 

“Prosecutors have a duty to disclose information and evidence to a criminal defendant,” Weirich said in the news release at the time. “Whether the evidence is or is not of use to the defense does not change that duty and this is a responsibility we take very seriously.

“It is vital that we maintain our knowledge on this topic in order to promote fundamental fairness and due process of law in criminal prosecutions.”

Categories
Style Sessions We Recommend

“Embrace Your Inner Memphis” Shirts by Eso Tolson – Favorite Find

Photo of Eso Tolson by Darius B Williams

The beautiful hand lettering created by designer and creative director Eso Tolson captures attention in and of itself, but when the message that the letters form are just as rich, the artwork reaches a whole new realm. Eso has taken one particular message and wears it boldly on a shirt: “Embrace You Inner Memphis.” As a Memphis transplant, Eso helps show that pride is also about where you are and not just where you come from.

You can purchase these t-shirts exclusively at Stock & Belle on South Main or follow him on Instagram or Facebook to keep up with upcoming pop-up shops.
See more of his work here.

If you have a shirt, feel free to tag a photo of yourself showing your pride with #embraceyourinner, and you could be chosen to be a part of the growing collection of fans on the “embrace your inner” instagram feed, which includes some familiar faces like Moziah Bridges of Mo’s Bows. I purchased a shirt at Stock & Belle for my brother John (pictured here) to represent Memphis in Singapore.

Embrace Your Inner Instagram Feed

Photo by Sophorn Kuoy

Categories
Food & Drink Hungry Memphis

City & State: A Clean, Well-Lighted Place


I spend a lot of time at City & State. It is a clean, well-lighted place (sic). Literally. It is flush with northern light from the sweeping wall of windows across the front — a great draw for an enthused iphoneographer. The decor is simple, industrial and graceful. The shop makes me feel creative just looking at all of the handmade goods, both local and national. And I can get a lot of writing done there.


At least these are the things I tell myself. Really, I’m pretty sure it’s the sugar demon that lives inside of me that disguises itself as someone with taste.


Because really, I want the Lumberjack Latte and the sticky bun from Porcellino’s.


The Lumberjack Latte is a latte with maple, pecan, and cinnamon. You forget that there’s an end to it, or you just don’t care, because you look down, and it’s gone. I think they named it that because it could serve as a meal. Or does it have something to do with the beard trend? Maybe that’s too last year?


The sticky bun is technically a bun made out of croissant bread flavored with lemon zest and fennel pollen and sealed with caramelized sugar. What that translates into is a croissant marinated in heaven and encrusted with God’s tears of joy. They’re fun to eat too. There are so many textures which lead to the gooey center, it’s like Candyland came to life and got a Pastry Arts Management degree.


Recently I went by and met with a friend, and because I did not want the extra caffeine (see: sleep issues), I got the Matcha Latte with honey and cinnamon. It’s made with tea and full of antioxidants. At least that’s what I tell myself, while it keeps the sugar demon, let’s call her Lucy, short for Lucifer, at bay.

I also picked up a jar of the Big Spoon Almond Cocoa butter from the Pantry, which offers small-batch, handcrafted edibles and mixables, including Maple Bacon-flavored Serious Cheesy Puffs, hot fudge, drink mixers, Himalayan salts, vegan-Paleo chocolate bars, and other fancy stuff.


And I dare someone to finish one of their pecan croissants. They are croissants filled with pecans, brown sugar, and butter, a sort of celestial paste inside the croissant that dopes Lucy up so much that she passes out, and I can’t finish them. So I dare you.