Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: Alex da Ponte

Today’s Music Video Monday is going straight to the top! 

Our first video offering of the new year is a gem from Memphis singer/songwriter Alex da Ponte. Director Laura Jean Hocking based this video on Hotel Monterey, a 1972 feature film by Belgian experimental filmmaker Chantel Ackerman. Shot in Downtown’s historic Shrine Building, the video depicts da Ponte’s songwriting process as a vertical journey from the lobby to the roof. 

Music Video Monday: Alex da Ponte

If you’d like to get in on some of this sweet Music Video Monday action, email cmccoy@memphisflyer.com. 

Categories
Opinion The BruceV Blog

Rep. Andy Holt Offers Support for Bundy Takeover

Tennessee State Representative Andy Holt caused quite a stir yesterday by tweeting his support for the armed takeover of a federal facility in Oregon by protesters led by the sons of Cliven Bundy.

Holt has since deleted the tweet, but not before it started a firestorm of angry responses. Holt’s Twitter feed is full of his repartee with “liberals” and others who don’t understand the Constitution as well as he does.

Holt’s subsequent tweets compare the armed occupation in Oregon to protests of police shootings in Baltimore and Ferguson, Missouri. Then, bizarrely, he insulted a gay Chattanooga city councilman named Chris Anderson, who tweeted criticism of Holt. Holt called him, “girlfriend,” then even more bizarrely, invited him to lunch.

Holt has garnered a reputation as an outspoken Tea Party-type Republican, and is notably the sponsor of Tennessee’s “Ag-Gag” bill, which would prohibit whistle-blowers from reporting on livestock abuse. Holt is also, notably, a hog farmer.

Categories
Food & Drink Hungry Memphis

Guess Where I’m Eating Contest 88

And we’re back … 

The first person to correctly ID the dish and where I’m eating wins a fabulous prize. 

To enter, send your answer to me via email at ellis@memphisflyer.com

The answer to GWIE 87 is the Duffin at Bluff City Coffee, and the winner is … Kim Gullett!

Categories
From My Seat Sports

Memphis Sports 2016: Change is Coming

2016 will be a year of change in Memphis sports. Just as 2015 was, and 2014 the year before. If there’s a single, unifying reason any of us turn to sports on a daily basis, it’s the mystery of what’s to come. The changes happening — often in dramatic fashion — between serial tweets and highlights. A basketball game (or football game, or tennis match . . .) has long been the best reality show on television. The only thing consistent with sports prognosticators (including yours truly) is how much we get wrong. Change is coming.

Larry Kuzniewski

ZBo: Will he stay?

The Memphis Open is under new ownership (again). Kei Nishikori can’t possibly win a fourth straight title at the Racquet Club, can he? The FedEx St. Jude Classic has a new tournament director. Stephen Piscotty will open the next baseball season in the St. Louis Cardinals’ outfield, not that of the Memphis Redbirds. A year ago today, Austin Nichols and Nick King seemed like both the present and future of Memphis Tiger basketball. A year ago, we all wondered what more Justin Fuente and Paxton Lynch could give us. And few people on this side of the Mississippi River knew the name Mike Norvell. Change is coming.

The most significant change we’ll see this year on the local sports landscape? I’m convinced it will be with the roster of the Memphis Grizzlies, and I don’t mean the kind of change that yields Brandan Wright or subtracts Kosta Koufos. This is the year we could see the Beatles break up.

The Grizzlies’ version of the Fab Four — Marc Gasol, Mike Conley, Zach Randolph, and Tony Allen — is playing its sixth season as a band, aiming for a sixth playoff appearance, and roughly six millionth smile generated in the Mid-South. Particularly in the modern NBA, such a run is epochal. Tim Duncan, Tony Parker, and Manu Ginobili have set a standard for teammates by playing 14 seasons together (and winning four championships) in San Antonio. But who is their Ringo Starr? Bruce Bowen? Kawhi Leonard? (It’s actually their coach, Gregg Popovich.)

One of the greatest foursomes in NBA history was the one that took the Boston Celtics to four straight Finals in the 1980s. Larry Bird, Kevin McHale, Robert Parish, and Dennis Johnson played seven seasons together, merely one more than the current Griz quartet have enjoyed. But that was an era when stars like Parish and McHale, let alone superstars like Bird, ignored the siren calls of free agency. It didn’t hurt, of course, to be contending for the Larry O’Brien Trophy every spring.

Allen turns 34 this month and has one more season ($5.5 million) on his contract with Memphis. Randolph turns 35 in July and likewise has one more year ($10.3 million) under contract with the Grizzlies. The franchise’s career games leader, Conley, will be a free agent. Since Gasol re-signed with Memphis last summer, the presumption has been his point guard will follow suit in the summer of ’16. Perhaps he will, and perhaps the Grindfather and Z-Bo will come back for one more tour in 2016-17.

But be prepared for change. On January 1, 2015, the Grizzlies were 23-8 and heading toward what looked like the franchise’s first division title. Today, Memphis is 18-17, sixth overall in a weaker Western Conference. It’s a team that should reach the postseason, but is it a team that appears able to win a series? To win two and return to the conference finals?

Sentiment can be deadly, both in reality TV and sports. Teams that get old together inevitably lose together. In their last season as a band, that famed Celtics foursome blew a 2-0 lead and lost their first-round series (then a best-of-five) with New York in the 1990 playoffs.

Change is coming in 2016. How it impacts this city’s only big-league franchise remains to be seen. Let’s keep watching.

Categories
Sports Tiger Blue

#24 South Carolina 86, Tigers 76

Playing their first true road game of the season, the Tigers traded the lead 13 times with South Carolina — one of three remaining undefeated teams in the country — before fading over the game’s final two minutes. Nursing an abdominal strain that kept him out of last Tuesday’s win over Tulane, Tiger freshman Dedric Lawson missed a three-point attempt that would have tied the game at 76 with 1:20 left to play. Twenty seconds later, Lawson became the third of four Tigers to foul out over the game’s final five minutes.

Sindarius Thornwell

Sindarius Thornwell scored 18 points and Michael Carrera added 16 points and 11 rebounds to help the Gamecocks improve to 13-0, the program’s best start in more than 80 years. (The Tigers lost to one of the other two still-standing undefeated teams, Oklahoma, in November. Memphis plays the third, SMU, on January 30th and February 25th.) The victory was South Carolina’s first over the Tigers since the teams were both members of the Metro Conference in 1989.

With a total of 68 fouls called, the game had the flow of a bike ride down Memphis’s riverside cobblestones. The Gamecocks hit 46 free throws, while the Tigers converted 30 of 36 shots from the charity stripe. They both shot miserably from the floor, Memphis making only 19 field goals (32 percent) and South Carolina 18 (32 percent). The 41 fouls charged against the Tigers are the most in the program’s history. In addition to Dedric Lawson, Markel Crawford, Shaq Goodwin, and Trahson Burrell fouled out of the game.

Ricky Tarrant Jr. led the U of M with 20 points. Avery Woodson came off the bench and hit three shots from long distance on his way to 14 points. Goodwin scored 13 and led the Tigers with nine rebounds before committing his fifth foul with 4:02 to play (and Memphis down, 71-68). Freshman point guard Jeremiah Martin added 10 points.

The Tigers fall to 9-4 and can claim their two best outings were losses, to Oklahoma at FedExForum and tonight in Columbia. They return home Tuesday night to host Nicholls State before returning to American Athletic Conference play for good.

Categories
News News Blog

Flood Waters Creep Up On Homes, Parks

Shelby County Office of Preparedness

Flood waters approach homes on Mud Island along the Wolf River Harbor.

Boat ramps on Mud Island and Shelby Forest are underwater and flood waters are approaching some homes in Harbor Town, according to the Shelby County Office of Preparedness (SCOP). 

Forecasters with the National Weather Service said Saturday afternoon that the Mississippi River will reach flood stage of 34 feet Saturday night.

“We personally visited flood-prone areas today,” said Dale Lane, director of the SCOP. “We noted water is near some homes and apartments on Marina Cottage Drive that border the Wolf River Marina. As a precaution, City of Memphis firefighters will go door-to-door to notify residents about the high water threat.” 

Lane said other high water areas include:

• Big Creek at Highway 51, Fite Road and Woodstock-Cuba
• Loosahatchie River at Highway 51 and Watkins
• Wolf River near Hollywood, the north leg of Interstate 240, and at Rodney Baber Park along James Road
• Nonconnah Creek near Presidents Island

ZIP Code maps of areas that could flood are posted at www.stafsafeshelby.us.

The Shelby County Emergency Operations Center is now open around the clock, Shelby County Mayor Mark Luttrell said in a statement.

“My office is getting routine updates from the Shelby County Office of Preparedness,” Memphis Mayor Jim Strickland said in a statement. “All City of Memphis bureaus and agencies are on alert for possible damage.”

For more information about the flood response, go to www.staysafeshelby.us or call (901) 222-6700.  

Shelby County Office of Preparedness

The Loosahatchie River at Watkins.

Shelby County Office of Preparedness

The Wolf River backed up on Rodney Baber Park.

Categories
Intermission Impossible Theater

Emergency Medical Fund for Theater Artists Hosts Fundraiser, Seeks Donations

A few years back Memphis Theatre stalwart Jo Lynne Palmer suffered a stroke while performing in The Fantasticks. Thankfully, that event had a happy ending and Palmer has returned to the stage better than ever. It also lead to the creation of the Emergency Needs for the Theater Artists Community fund — ENTAC. 

Memphis actor Ron Gordon has been working to raise ENTAC’s profile, spearheading an effort to create an annual fundraising event. For his first outing Gordon has enlisted more than twenty area musicians to perform a concert Sunday, Jan. 10 at Neil’s Music room. 3 p.m.

Event organizers are still seeking donors for a silent auction. According to Gordon’s post to the #theatre901 Facebook page, all kinds of products and services are welcome:

“House cleaning service, voice lessons, sculptures, hair stylist, a slot at theater camp, that unwanted Christmas gift that is a hassle to return, tickets to Graceland… we need it all.”

 Donations for the silent auction can be dropped off at the box offices of Germantown Community Theatre, Playhouse on the Square, or Theatre Memphis. 

Categories
Intermission Impossible Theater

Roles Available in New Offenbach-Inspired Rock Opera

Original Rock Star.

Memphis theater veteran Andy Saunders has teamed with his musician son Jonathan Saunders to write a satiric pop opera inspired by Jacques Offenbach’s The Tales of Hoffmann. Haint playwright and I Love You, You’re Perfect, Now Change standout Justin Asher directs.
 

Roles Available in New Offenbach-Inspired Rock Opera

Scene I Demo. 

The play is slated to premiere in Memphis in July of 2016. AUDITIONS will be held February 1st and 2nd at 7:00 pm – 9:00 pm in the main auditorium at Memphis University School, 6191 Park Avenue. 

Roles Available in New Offenbach-Inspired Rock Opera (2)

Scene V-VI Demo

The Saunders and Saunders adaptation transforms Offenbach’s E. T. A. Hoffman-inspired poet into a hedonistic rock star. For more information about auditions and rehearsals click here. 

Categories
Film/TV Film/TV/Etc. Blog

The Hateful Eight: 70 MM Roadshow Edition

The Hateful Eight: 70MM Roadshow Edition (2015; dir. Quentin Tarantino)—First impressions: Formally striking but morally bankrupt, just like always. What a waste of a potentially awesome widescreen format. What a way to spend Christmas night.

Second impressions: Maybe The Hateful Eight isn’t so disappointing after all. Maybe once you wash all the blood off your face and out of your hair, it’s actually pretty effective in its savage and meaningless way. Maybe I’m just being contrary because so many other people love QT so unconditionally, it’s embarrassing.

Or maybe when it comes to Tarantino movies, I shouldn’t trust my first impressions.

I am a deeply conflicted QT fan whose minor-to-major issues with most of his films has never prevented me from seeing them on the day they premiere. And once I found out that the “Special Roadshow Engagement” of The Hateful Eight was coming to my town a week before its nationwide release, I even bought my tickets in advance, like I was going to an unrepeatable event. Rather than running down The Hateful Eight’s numerous strengths and weaknesses, though, I want to focus on the roadshow experience—the first of its kind in American theaters since Khartoum in 1966.

Like many cinephiles, I love celluloid a lot more now that it’s virtually extinct. And I’ve been very fortunate to see Christopher Nolan’s Interstellar, Stanley Kubrick’s 2001: A Space Odyssey and Jacques Tati’s PlayTime in the 70mm format; in fact, the Kubrick and Tati screenings are two of the most profoundly affecting moviegoing experiences I’ve ever had. Celluloid has a depth and warmth that digital photography can’t yet replicate; the browns and blacks in particular have volume and presence onscreen, and larger vistas, like a stagecoach wending its way through the mountains during a blizzard, are stark and elemental and man-made in a way that digital photography often isn’t. The format is ideal for capturing the nuances of the human face as well; Samuel L. Jackson’s unblinking glower, Jennifer Jason Leigh’s cruddy teeth and Kurt Russell’s magnificent walrus ‘stache are a few of The Hateful Eight’s more indelible physiognomical details.

I remember seeing the reels for the 70mm 2001 in the theater lobby and thinking that they were as big as stagecoach wheels. As Chapin Cutler of the specialty projection company Boston Light & Sound notes, the Ultra Panavision 70 format for The Hateful Eight is even bigger. According to Cutler, “Each shipping case is 5 ft. x 5 ft. by 1 ft. thick. When loaded, it weighs about 400 lbs. . . . With the reel full, out of the box, the film and reel weigh about 250 lbs. Four people can easily lift it onto a platter deck.”

The informative if overenthusiastic program notes in the 16-page Hateful Eight booklet handed to me by the woman who took my ticket assert that “The exclusive 70mm Roadshow engagement of The Hateful Eight pays homage to and recreates the grand film exhibition style popularized in the 1950s and ‘60s and that brought audiences to theaters with the promise of a special event. Taking place in the nation’s largest and grandest theaters, Roadshows presented a longer version of the film than would be shown in the film’s subsequent wider release, included a musical overture to start the show, an intermission between acts and a souvenir program.”

Great! I’d never call the AMC Southdale in Edina, Minnesota one of the nation’s “grandest theaters,” but I’m glad the management there made the efforts to accommodate Tarantino’s mad vision. I liked the slow burn of Ennio Morricone’s eerie, chiming overture, which plays before the film starts (there were no trailers beforehand) and mirrors the uncharacteristically slow burn of the film’s first 100 minutes. If I could guess which scene won’t make the cut of the official release edition, I’d say it was the one where two shady characters stake out the path to the outhouse as the blizzard gets worse. Tarantino’s decision to stay indoors most of the time is a strange one, and I wish he’d done more with the theatrical arrangements of tables, beds, chairs and chains in the mountain outpost where all of the action takes place. But there’s a musical number that plays with racking focus and the superwide format very well in case you thought he had no reason for shooting things the way he did. Also, the intermission is perfectly timed.

Some random notes:

  • Has any white male filmmaker ever enjoyed using the words “nigger” and “bitch” as much as Tarantino has? The knee-jerk defense for his kind of verbal button-pushing is, of course, that he’s challenging PC limits for entertainment and authenticity’s sake. Fine, whatever. So all he’s doing is portraying a bunch of racists. But he sure loves listening to those racists be racist, doesn’t he? Are we supposed to? Or are we supposed to be offended, thus PLAYING RIGHT INTO HIS HANDS? If that’s so, then perhaps the true antecedent of The Hateful Eight is not the Spaghetti Western. It is Blazing Saddles
  • Although the commemorative booklet informs us that, “The cast and crew would eventually finish the shoot on a Los Angeles soundstage, which was chilled below freezing temperatures to mimic the Telluride (Colorado) climate,” there’s no genuine feeling of wintery chilliness in the film. As a guy who’s spent his life in the snow, this is a hard one to explain but an easy one to spot. I just didn’t believe they were all that cold. (The champ in this regard remains Altman’s McCabe and Mrs. Miller.) 
  • The best part of this Western is when Samuel L. Jackson starts sleuthing about and turns it into a mystery. His long fact-finding mission slowly and inexorably turns into the kind of scene for which Tarantino is best known—a long monologue filled with thinly veiled threats disguised as folksy, profane erudition. 
  • One scene in particular plays on prior knowledge so effectively that it is as nerve-wracking as anything Tarantino’s ever done.
  • Food for thought, per critic Armond White of Out (and, amazingly, The National Review): “Tarantino exploits gay porn—and repressed gayness—in the same vein that he notoriously exploits race.” You’ll know what I mean when you get there. 
  • Relevant Tweet #1, from Rembert Browne: 
  • “there’s nothing that has been allowed to slide, by liberal & conservative folks alike, quite like the notion of the big scary black person.”
  • Relevant Tweet #2, from someone named Zodiac Motherfucker: “TARANTINO REALLY DOES BRING PEOPLE TOGETHER. THIS THEATER IS LIKE A MELTING POT OF ASSHOLES”

Happy to be counted among them!

Grade: B+

[Editor’s Note: This review refers to the 70 MM film edition of The Hateful Eight, which is not screening in Memphis. The nearest theaters screening in this format are Ronnie’s in St. Louis and the Carmike Thoroughbred 20 in Franklin, TN. A full review of the film as it appears in Memphis will run in the Flyer’s January 7 issue. 

Categories
Politics Politics Beat Blog

Another Year, Another Myron Lowery Prayer Breakfast

JB

Myron Lowery says goodbye to attendees at this year’s prayer breakfast, his 25th.

Although there were some early fits and starts, as is the case with most politicians, the political career of Myron Lowery began, more or less, in 1991 — the same year as the epochal election of Willie Herenton as Memphis’ first black elected mayor. And it would seem to have ended on Friday, January 1, 2016, when the Super District 8, Position 3 City Council seat Lowery decided not to pursue again in last year’s city election was filled with the swearing-in of Martavius Jones.

That’s 24 consecutive years, a considerable run and a record for an African-American official in Memphis, and if son Mickell Lowery had prevailed, as expected, in his election contest with underdog Jones, a former School Board member, the seat might have remained in the family for yet another generation.

The senior Lowery had to have had that prospect in mind a year ago, when in his 24th consecutive “Myron Lowery Prayer Breakfast,” he looked on as son Mickell moderated the festivities at the airport Holiday Inn in his stead. Lowery’s first prayer breakfast had been held on January 1, 1992, the day that both he and Herenton, the guest of honor at the breakfast, had been sworn in.

On that first occasion (held at The Peabody), as on the 24th, the breakfast — a fundraiser whose proceeds would be shared out with various deserving local causes as the event evolved — attracted an overflow crowd of politically influential guests. Except for a brief spell, a decade or so back, when Herenton began holding his own New Year’s prayer breakfast, more or less in competition, the Lowery breakfast always had the city’s mayor — first Herenton and then A C Wharton —on hand, along with most other local politicians of any consequence.

The breakfast became, as they say, a tradition, often a news-making one, depending on the candor and intensity of the speeches by political figures, which were interspersed with musical selections from local choirs and celebrated church singers and with, well, prayers.

It was a tradition that could have been expected to continue for a while except for that hitch in the outcome of the 2015 election. Not only was Mickell Lowery, the projected host of future breakfasts, upset in his Council race, but his father had rolled the dice and lost in his support of the reelection of then incumbent Mayor A C Wharton.

It wasn’t just that Councilman Lowery had backed the loser in the mayoral race. He had done so in the most conspicuous — and, to eventual mayoral winner Jim Strickland, most offensive — way possible. At last year’s breakfast, Lowery had asked Strickland, his longtime Council mate, to stand, and, after beginning with praise of Strickland, then not only proceeded to confer his public endorsement on Wharton (whom Lowery himself had opposed in the special election of 2009) but basically called out Strickland, at some length, for what Lowery deemed a premature challenge.

Rather than stand and continue to listen as Lowery went on with remarks that may not have been intended as patronizing but certainly sounded that way, Strickland walked out of the room.

He wasn’t there for Friday’s breakfast, although, in a preliminary mailing sent out to advertise this year’s prayer breakfast, Lowery had mentioned Strickland as one of the dignitaries invited to speak. Such speaking as Strickland had in mind to do was apparently reserved for the new mayor’s own inauguration address later that morning at the Cannon Center.

Strickland’s counterpart, Shelby County Mayor Mark Luttrell, was there Friday and spoke to a crowd that was still respectably sized, if obviously diminished from previous years. So was 9th District Congressman Steve Cohen, the featured speaker, who — as he usually does — provided a few verbal sparks.

Cohen’s most newsworthy statement may have been his blast at the Shelby County grand jury that recently failed to return an indictment in the shooting death, at the hands of a Memphis police officer, of a black youth, Darrius Stewart. After ter
JB

Rep. Cohen

ming the grand jury’s inaction “a mystery’ and wondering out loud why no indictment was returned, Cohen said, “Police need to think twice before taking lives” and dilated on a reform bill he is sponsoring which calls for federal funding to investigate such cases and for handling them in jurisdictions other than the one in which they occur.

The congressman used the formula “3 C’s” to describe leading items on his wish list for the new session. Spelling them out, they were: “commutations,” which he wants to see more of from the federal government, especially in relation to drug convictions; “cannabis,” an increase in the liberalization of marijuana laws; and “Cuba,” the further flowering of the relationship, recently opened up by President Obama, between the United States and the island nation to our south.

Much of Cohen’s speech was given over to the theme of greater bi-partisan collaboration in Congress. He stressed the need for “collegiality and respect for [one’s] colleagues” and said that he himself was “getting better all the time” with regard to both “tools and relationships.”

On the national scene, Democrat Cohen stopped just short of congratulating the Republicans for their choice of Paul Ryan as House Speaker. On the local scene, he thanked Mayor Luttrell for being a partner in government and, while anticipating a good relationship with Mayor Strickland, made a point of expressing his appreciation for former Mayor Wharton, another absentee on Friday.

Mickell Lowery had opened up things Friday with a suggestion that the annual prayer breakfast might be continued, though in a scaled-down form. His father, when it came time to make final remarks, made a tentative effort at calling the roll of elected officials who were present, only to let that effort tail off when he realized that most of the Shelby County Commissioners, the group he started with, had already left the scene.

As for the future of the prayer breakfast, former Councilman Lowery put the question to those audience members who remained. “Should it be continued?” he asked. Most of those remaining applauded, in degrees ranging from the polite and perfunctory to the enthusiastic.

Presumably, we’ll find out next year.