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Music Music Features

Chris Maxwell Returns

Chris Maxwell will make his way through Memphis this week for a show on Saturday, March 26th at Otherlands. Maxwell is currently touring in support of his new solo album, Arkansas Summer, but he might be best known around these parts as the leader of the Little Rock alternative band the Gunbunnies, which cut its 1991 debut Paw Paw Patch here in town with legendary local producer Jim Dickinson. After migrating north, Maxwell made a name for himself playing guitar for the New York band Skeleton Key, and, as a part of the music production team the Elegant Too, he has also collaborated with folks like They Might Be Giants, Yoko Ono, and Iggy Pop as well as created music for the TV shows Bob’s Burgers and Inside Amy Schumer. Maxwell spoke to the Flyer earlier this week. JD Reager

The Memphis Flyer: The Gunbunnies were recently described to me as the “only band out of Little Rock to ever make it.” Do you think that’s a fair description?

Chris Maxwell: Ha! No, not a fair description, especially when you consider Evanescence sold around 20 million records. What is true is we were the first band to get a major label deal out of Little Rock — I’m not sure how important that is, but at least it’s more accurate.

How did you get paired with Jim Dickinson?

Our manager, Jon Hornyak, knew Jim. I had two dream producers. It was between him and T Bone Burnett. I ended up feeling better about Jim. Those records he made, especially Big Star’s Sister Lovers and the Replacements’ Pleased to Meet Me and even Toots Hibbert’s Toots in Memphis record were all big influences. To me, T Bone was more of a songwriter. Jim seemed like a mad, musical Sherpa. That’s what I wanted. Jon sent Jim my home demos, and he dug it.

What was it like to work with him?

It was one of the most bizarre, educational, stoned, and fun experiences of my life. Jim always showed up in some badass outfit. Then he’d start off every day telling some incredible story about someone like Aretha Franklin or Sam Phillips. It was inspiring to say the least. He taught us how to think like artists. He introduced me to the “happy accident.” He taught me music is something you conjure like a spell.

How much time did you spend hanging around Memphis?

We lived in Memphis for the couple of months we recorded. It was an incredible time to be there. Overton Park was having shows every weekend. Tav Falco took our band photos, Robert Gordon wrote our bio, and we played shows with Alex Chilton. It doesn’t get any better than that.

You’ve done a lot of work-for-hire for film and television over the years. How is that different from your usual songwriting?

It’s craft vs. art. Those things aren’t exclusive of each other, but the ratios are different depending on what you’re going for. If I’m writing an end credit for Bob’s Burgers, I have a very specific aesthetic that I’m working with. I can bring all of my experience as a songwriter to bear, but I’m digging around in my soul for the meaning.

Also, with songwriting, the words and stories inform the music as opposed to most of the work-for-hire composing, which is underscoring a movie. I have certainly brought a lot of my song craft to composing, and, likewise, a lot of the tools I use in composing have had an impact on how to underscore the narrative in a song.

Were you surprised at the overwhelming viral reaction to the song “Milk Milk Lemonade,” which your production team did last year with the comedian Amy Schumer?

That was a shock. I think [it got] four million hits in 24 hours? Something like that. “Milk” mostly came from my partner Phil [Hernandez]. He’s an amazing drummer and programmer. I worked with Amy on her vocals, and she was extremely sweet. She loved our track. We’ve just written and recorded another song for this upcoming season as well as produced one other track.

What inspired you to create Arkansas Summer?

It all started with the birth of my son. After Skeleton Key, I had gotten so involved in film and TV that I let my songwriting recede into the background. When Angus was born, I taught myself to fingerpick, and these songs about my life started coming out. When the song “Arkansas Summer” came to me, I realized I was making a record. That song became the heart of the record. I realized I had these stories, and I wasn’t telling them.

How did you record it?

It started in an Airstream I bought from Ethan Hawke after his divorce from Uma Thurman. Then, as it evolved, I moved into a couple of real studios that are minutes from my house: Dreamland and Applehead. Eventually I sold the Airstream and built a studio at my house where I finished recording and mixing everything.

It was a difficult process mainly due to the fact I write and record all day for my real job. That made it difficult to find the energy to write and record my own music. More often than not there was no gas left in the tank. But once I saw the thing that it was going to become, I kept pushing and finding the cracks to wedge in time.


Chris Maxwell live at Otherlands, Saturday, March 26th. 8 p.m. $7

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We Recommend We Recommend

Release party for Milk & Sugar: The Complete Story of Seersucker

On a steamy afternoon in Boca Raton, Florida, in the days before air conditioning, Joseph Haspel went swimming in the ocean fully clothed. After emerging from the water, Haspel, a master tailor from New Orleans in town for a trade show, told onlookers not to worry. “This suit will be dry in 15 minutes and ready to wear again without cleaning or pressing,” he said, returning the beachfront hotel, where seersucker, Haspel’s revolutionary new fabric, was introduced. Milk & Sugar: The Complete Book of Seersucker, a new book by Memphis attorney Bill Haltom, opens with this story and traces the history of seersucker from its humble beginnings as a lightweight working-man’s fabric to Hollywood and the halls of Congress.

“I’ve heard it called the Memphis summertime tuxedo,” says Haltom, who co-founded the annual seersucker flash mob which takes place in the Peabody Hotel on the Friday before Labor Day. “It’s just so comfortable,” he gushes, explaining his favorite fabric’s enduring post-air conditioning appeal. “If you’re the chairperson of the board you can wear it to the annual meeting, or you can take the tie off and wear it to a backyard cookout.”

Haltom thinks, under the right conditions, seersucker can even work miracles. “In Washington in the 1990s, liberal Democrat Dianne Feinstein and conservative Republican Trent Lott came up with Seersucker Thursdays in the United States Senate, which they discontinued a few years ago. In the book I quote Senator Lott: ‘We balanced the federal budget during the time of Seersucker Thursdays. I don’t think that’s a coincidence.'”

Burke’s Book Store is hosting Milk & Sugar‘s official release Saturday, March 26th at 2 p.m. Although it may be a few hours before Easter and months before Labor Day, attendees are encouraged walk on the wild side and wear their favorite seersucker outfits anyway.

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We Recommend We Recommend

In Sod We Trust at the Hi-Tone

Nothing brings Memphians together like good food, good music, and an opportunity to publically demonstrate to prevent cars and car-related interests from wrecking Overton Park. This Easter Sunday, while others are parading about in their finest seersucker, hunting eggs, and driving the 240 loop in their fancy Easter bonnets, friends of Overton Park can gather at the Hi-Tone Cafe for an all-ages fund-raiser benefiting both the Overton Park Conservancy legal fund and the Get Off Our Lawn initiative to prevent overflow zoo parking on the Greensward.

Conceived by singer and multi-instrumentalist Marcella Simien, and arranged by drummer-turned-frontman Graham Winchester, In Sod We Trust is an epic, six-hour concert showcasing some of Midtown’s most creative musicians, including sets by both of its organizers.

A $10 donation at the door buys access to all the music and vending.

Bands scheduled to appear include Artistik Approach, Chickasaw Mound, Chinese Connection Dub Embassy, Dave Cousar, Faux Killas, Hope Clayburn, Marcella & Her Lovers, Southern Avenue, Tony Manard, Winchester and the Ammunition, Zigadoo Moneyclips. Participating Vendors: Dirty Cotton, Eponymous Print Co., Farmhouse Marketing, Guerilla Stone, MEMPopS, Shangri-La Records, Sushi Jimmi, and Yanni’s Food Truck.

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Film Features Film/TV

Memphis Heat

The furor over the future of the Mid-South Coliseum has been one of Memphis’ defining civic kerfuffles of the decade. Over its five-decade history, it has been the venue for concerts by the likes of Elvis, the Beatles, and David Bowie, as well as Tiger basketball games and graduations. But the thing the Coliseum is the most famous for is not Elvis Recorded Live on Stage in Memphis. It’s wrestling. Throughout the 1970s, the round house was the site of epic weekly battles between the likes of Tojo Yamamoto, Bill Dundee, and the King himself, Jerry Lawler. Their images went out over the airwaves to millions of households all over the South and Midwest and made folk heroes and villains out of an unlikely cast of characters.

In 1974, Sherman Willmott came to Memphis from Connecticut as an impressionable child, only to discover the joys of TV wrestling. “When we moved here, my sister and I had never seen anything like it,” he says. “We watched cartoons, and then afterwards wrestling came on. Our minds were blown. My sister was crying and screaming because George Barnes and Bill Dundee had put Tojo in the ropes, and one of the guys from Australia — Barnes and Dundee were from Australia — was jumping off the top rope of the ring and hitting Tojo with a chair. We couldn’t believe the referee would let this go on.”

From that moment on, Willmott would be a fan of what he calls “soap opera for the working man.” Professional wrestling was already a national phenomenon in the 1970s, and Memphis was the closest thing there was a national capital for the “sport.” “Lawler is particularly talented with ring technique,” Willmott says. “These guys are so good they don’t even look like they’re working an act. That’s what made it so believable.”

Hulk Hogan

In the 1990s, Willmott founded Shangri-La Records, which brought Memphis alternative music into the national spotlight. His Shangri-La Projects label has produced books on Memphis history, many with local author Ron Hall. “After we did the Garage Rock Yearbook, he threw this thing out to me that he was working on a coffee table book on wrestling. I went to his house to check out the pictures he had acquired, and the ephemera and the ads for the book, and it blew my mind. Ron had grown up here in the 1960s in Memphis as a fan of Billy Wicks and Sputnik Monroe and these guys who were before my time here in Memphis. Growing up with wrestling here in Memphis was awesome. It was a fun little book project to do. Ron brought the ’60s feel to the book project, which was a lot different from the ’70s. In the 1970s, they started doing the music and the more outrageous stuff like scaffolding matches, that originated here in Memphis. They would tie people into the ring with chain-link fences and things like that. The book project was just a fun deal, and I thought maybe we should promote it with a documentary to get the word out. I looked around for people to work on the film, and called Chad Schaffler, because I knew he was a filmmaker, and he was working on a Good Luck Dark Star video at the time. I called and asked if he knew anyone who would like to work on a low-budget documentary, and he said ‘Yeah, me!’ It worked out great. Chad took the ball and ran with it. He tracked down a lot of these guys. We didn’t even know who was alive at the time. We had a punch list of people we wanted to interview, and he found most of them. We got the Coliseum opened through the film commission, and interviewed a bunch of them at once. Lawler was one of the guys we interviewed, and he opened up his little book of phone numbers and shared that with Chad. He tracked down a number of these guys in Nashville and North Carolina. Handsome Jimmy Valiant was in West Virginia.”

Released in 2011, Memphis Heat had a successful four-week run at Studio on the Square. “We knew it was a great film, with great subject matter, but we didn’t really know where it would go. We toured it through the South in movie theaters, and that went really good in Memphis, Nashville, and Atlanta. It’s such a huge learning curve to do something like that when you’re starting out with a $5,000 budget documentary. It got the word out. Even if people didn’t get out to see it, it helped build awareness for the film.”

This week, on the fifth anniversary of the film’s opening, Memphis Heat will return for an encore screening at the Malco Paradiso in conjunction with the release of its soundtrack album, produced by Doug Easley and featuring the River City Tanlines. It’s a good chance to get caught up on a unique bit of the city’s history, with a great piece of Memphis filmmaking.

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Cover Feature News

De-Annexation: It Came From Nashville!

A funny thing happened on the way to the latest legislative effort to humble Memphis and put the city in its place. The effort itself, or, more properly, the legislators behind that effort, were the ones who got a lesson in humility and about the limits of power. This time.

Nothing is impossible, and some variant of the de-annexation bill (HB0779/SB074) that set out to strip Memphis of a fifth of its population and an even greater share of its treasure may yet find itself thrust into the light of day. But surely not in its original form.

In that form, the bill, the brainchild of two suburbanites from the Chattanooga area, state Representative Mike Carter (R-Ooltewah) and state Senator Bo Watson (R-Hixson), would go well beyond a measure passed two years ago by the Hamilton County duo. Their 2014 bill established for the first time the right of residents of areas eyed for annexation by adjacent cities to hold a binding consent vote on the matter. 

The new Carter-Watson bill was designed to go even further: It would allow the residents of any area annexed by one of five target cities since 1998 to de-annex themselves upon presentation of a petition for an enabling referendum by only one-tenth of their populations, followed by passage of the referendum by a simple majority vote.

The consequences to Memphis if the bill were passed were estimated by city officials to be enormous, with potential revenue losses in property tax and local-option sales tax proceeds going as high as $78 million annually. Even the minimum estimate of $27 million acknowledged by the bill’s proponents was staggering. And the city stood to lose a major hunk of its population — 110,000 residents, most of them taxpayers of some means — leaving behind a disproportionately poorer population in a city already hard-pressed to meet its basic service obligations.

Strickland with media in Nashville last week.

Mayor Jim Strickland, whose victory in last fall’s city election was due in no small part to his pinpointing of the city’s increasingly vulnerable circumstances, put it this way on a visit to Nashville last week: His city was already in fiscal crisis — facing $20-$40 million in various necessary upgrades for pensions, police and fire services, and the like. Memphis could lose another $15 millon annually if ongoing legislative efforts to abolish the state’s Hall Income Tax should succeed. And the $27 million from de-annexation would be on top of that.

To be sure, the de-annexation bill had a provision that de-annexed citizens would continue paying taxes for a pro-rated share of general obligation bonds relating to the establishment of city services and capital improvements in their areas, but, as Strickland pointed out, there were other expenses that would be left uncompensated, relating to utilities, pensions, and OPEB (other post-employment benefits) obligations.

Arguments of the same sort were put forth by those legislative members of the Shelby County delegation hailing from Memphis. Eventually they would have their effect, but not before last week’s passage of the de-annexation bill in the state House by a convincing margin of 65 to 24. 
 

That was then, this is now. Memphis was not alone in its opposition, as was evidenced when the Senate, after taking up the bill on Monday, chose to send it back to the body’s State and Local Committee for reconsideration. The countervailing forces to the bill are mounting, and they are by no means small-time.

They start with Governor Bill Haslam, a former mayor of Knoxville, who had early on made known his misgivings about the bill — which are personal, institutional, and political all at once — and who does in fact have resources, including a veto power, capable of blunting or blocking the current bill. 

The governor is still keeping his own counsel on the matter of a veto, but, having made known his “concerns” about the de-annexation bill last week, made a point of repeating them at some length in remarks to reporters on Monday, acknowledging that other cities — Knoxville, Chattanooga, Kingsport, and (asymmetrically) tiny Cornersville — were also targeted. “As I said before,” he reiterated, “I do have a concern about … the impact on Memphis’ finances.”

Also concerned, and publicly so, was Lieutenant Governor Ron Ramsey, the state Senate speaker, the man whom many see as the ultimate arbiter of hot-button issues in Nashville. Ramsey, too, weighed in against the bill, and, pointedly so, on Monday morning, the very day of reckoning, when the bill was scheduled for the state Senate floor.  
He was opposed to the bill and would vote that way, Ramsey told reporters. He reminded them he had supported the 2014 measure establishing the right of consent for citizens in areas about to be annexed. “We set a line in the sand that from this point forward, anybody that’s annexed has the right to vote on this. But now we’re reaching back to get those that were annexed, legally under the law, by contract.”

The lieutenant governor pointed out that there was already a way for residents to seek de-annexation if the annexing cities “are not fulfilling their plan of services.” The new bill from Carter and Watson was therefore unnecessary, said Ramsey, admitting that he was further annoyed that the bill’s framers had included Kingsport, from his own Senate district, in the bill without his foreknowledge.   

As Ramsey noted, the bill was not statewide in its scope. It was confined to five urban areas whose annexations of adjacent territories were labeled “egregious,” a subjective word of dubious legal application that, on the face of things, makes the proposed legislation subject to charges of unconstitutionality. The bottom line was that the five targeted cities had all operated properly under the law. Whence, then, this allegation of egregiousness?


A little background: The current bill can be seen as an effort to nullify Public Law 1101 of 1998, a legislative action that was hailed in its time as a “great compromise” and that had stood intact until Carter and Watson began trying to dismantle it.

Public Law 1101 was the product of unprecedented compromise and coordinated drafting efforts involving the state’s urban, suburban, and rural interests. It directly followed upon the first major assault upon Memphis’ annexation prerogatives, the so-called “Toy Towns” bill of 1997, soon to be renamed by Memphians as the “City Killer” bill.

Toy Towns was a sleight-of-hand bill moved unobtrusively through the legislature in the 1997 session by longtime Senate Speaker/Lt. Governor John Wilder, whose intent was merely to facilitate an incorporation process for the newly established community of Hickory Withe, whose residents feared possible annexation by any one of several larger towns in Fayette County.

It was a “caption” bill, whose formal description was opaque enough to disguise the fact that it would have established a ridiculously low population threshold, so that the tiny community could incorporate.

To make a long story short, sharp eyes in suburban Shelby County noticed the new incorporation threshold and saw that it could apply universally throughout the state. Whereupon a frenzied race began to incorporate among literally dozens of neighborhoods on the fringe of Memphis that saw a way to avoid ultimate takeover by Memphis.

Then-Mayor Willie Herenton, in perhaps his finest hour, resolved to challenge the Hickory Withe law and fought it all the way to the state Supreme Court, winning there, ultimately, and putting a halt to the proliferation of “toy towns” on the borders of Memphis. It was a defense not only of Memphis but of urbanism itself in Tennessee. The City Killer, a monster which would ultimately have threatened the integrity and strangled the growth potential of every city in the state, had been slain.

It was not a one-sided triumph, however. The sequel was Public Law 1101 the next year, limiting each of the state’s municipalities, including the several in Shelby County, to specific, restricted annexation reserves and establishing an orderly process for all annexations in the future.  

The peace was kept in Shelby County on the suburban front until the school-merger crisis of 2010-13, when, in the wake of a defeated city/county consolidation referendum in the election of 2010, the surrender of the Memphis City Schools charter presented the county’s suburban municipalities with the prospect of automatic school consolidation and a threat to what they saw as a challenge to their integrity. The result was the Norris-Todd bill, which slowed down the merger process and ultimately allowed the suburbs the right to form independent urban school systems of their own.

Then came the Carter-Watson bill of 2014, ensuring the principle of consent for an area about to be annexed. So far, so good. The balance of power between city and suburbs was being kept. Until 2016 and HB0779/SB074.

It surely was a help to opponents of the Carter-Watson bill that eminences such as Haslam and Ramsey could be counted in opposition. But the staving off of the bill in the Senate on Monday also owed much to the lobbying efforts in Nashville of Memphis City Council members, acting in coordination with a delegatgion from the Greater Memphis Area Chamber of Commerce and the Strickland administration.

As Chamber head Phil Trenary said, “We all were aware of each other’s efforts and worked together, talking to as many senators as possible. We were told when we got here that we had a maximum of nine votes in the Senate against passing the bill. We managed to get that up to 19.”

The collective lobbying effort, Trenary said, had essentially been a matter of convincing the legislators that the bill threatened the financial health of Memphis and that what threatened Memphis financially was also menacing to the fiscal and social health of Tennessee at large.

The council members who contributed to Monday’s lobbying effort were Kemp Conrad, Worth Morgan, and Philip Spinosa, all members in good standing of the same military-industrial-chamber-council complex that partisans of the Overton Park Conservancy and the park’s Greensward were uttering not-so-tender things about just two weeks ago, when the council passed a resolution giving Memphis Zoo management control over the Greensward space.

Okay, the military-industrial reference is tongue-in-cheek, but it already seems clear that the city council elected last year — with much support, financial and otherwise, from the city’s business elite — is capable of organizing collective operations a) on behalf of an agenda that the majority perceives as being in the interests of Greater Memphis and b) in opposition to efforts by others that run counter to that agenda.

And dismembering the city and pillaging its revenue base is definitely counter to the Memphis agenda. Mindful, no doubt, of the historic Memphis-Nashville rivalry and of the fact that “Nashville” is used symbolically (as in the headline of this article) of efforts, often confrontational to Memphis, arising from state government, Trenary made a point of noting the helpful efforts behind the scenes of business and government leaders in Nashville in the fight against the de-annexation bill. Members of the Nashville legislative delegation were also active, along with their Memphis counterparts, in resisting the bill.

And the actual mechanism that took the bill off the Senate floor and staved off a floor vote on Monday came on a motion by Senator Ken Yager of Kingston, chairman of the body’s State and Local Committee, who found the version that passed the House last week to be “totally unacceptable … bad law and bad policy.”

Yager based his objections mainly on the bill’s singling out of five cities of the 350 or so municipalities in Tennessee and its use of the hazy term “egregious” to describe annexations by those cities.

After Senate sponsor Watson quarreled with that judgment and after a good deal of ensuing to and fro in debate, the Senate agreed to suspend the rules and refer the bill for reconsideration to Yager’s committee, which scheduled it for a specially called session on Wednesday at noon.

After the Senate vote, Trenary expressed the hope that deliberations on the bill might continue beyond Wednesday, given what he reckoned were a great number of people, not only from Memphis but from elsewhere in Tennessee, who would presumably want to offer testimony relating to the potentially harmful consequences of the de-annexation bill.

The bottom line is that this latest monster to arise out of state government to menace Memphis has been contained but not yet eliminated.

Rep. Curry Todd of Collierville was a leading bill proponent.

Not everyone perceives the de-annexation bill to be a monster, of course. Among the partisans of the bill who spoke for it in the House last week were such suburban Shelby County representatives as Mark White of Germantown and Curry Todd of Collierville, both of whom, like Carter and Watson, see the measure as constituting justified redress for citizens who never got to vote on their annexations. In an exchange with Strickland on the matter during the mayor’s appearance before a lunch of the Shelby County delegation at Tennessee Tower last Wednesday, Todd alluded to purported behind-the-scenes negotiations between representatives of the city and proponents of the bill that would have confined its application to the areas most recently annexed by Memphis: South Cordova and the Windyke-Southwind area.

Senator Yager putting the brakes on de-annexation bill.

In a later Q and A with reporters, Strickland seemed to acknowledge the prior existence of such negotiations. “It was our understanding that the bill would just affect those two areas,” he said, and he went so far as to state, “I would agree to those two if that would resolve the issue.”

Trenary, too, said that re-casting the bill in that form might be one acceptable way out of the current confrontation, although there remains strong sentiment, both within the Memphis legislative contingent and the city council, against any concessions at all on areas already annexed by the city.

In any case, it ain’t over ’til it’s over. And, as of this writing, the issue of the de-annexation bill, though stalled, has not reached the final stage. Matters could be resolved to everybody’s satisfaction. And if not? Beyond what the legislature decides to do is the prospect of a gubernatorial veto, if the bill remains offensive to Haslam — and the near certainty of a long round of litigation.

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Politics Politics Feature

Second Efforts

The de-annexation bill that was temporarily stalled in the state Senate on Monday of this week was, as this week’s Flyer cover story (p. 14) documents, the subject of concerted resistance activity on the part of Memphis legislators, city council members, and representatives of the Greater Memphis Area Chamber of Commerce.

Many of the same legislators were part of another never-say-die effort, this one mounted by the House Democratic Caucus, which got behind an effort by House Democratic leader Craig Fitzhugh (D-Ripley) to enable a non-binding resolution for a statewide referendum on Governor Bill Haslam‘s moribund Insure Tennessee proposal.

That proposal, which would have allowed some $1.5 billion in federal funds annually to further Medicaid expansion in Tennesee, has been so far bottled up by the Republican super-majority in the General Assembly. And Fitzhugh’s resolution itself was routed off to the limbo of legislative “summer study” as a result of a procedural gambit employed by Representative Jeremy Durham (R-Franklin), who was formally ousted from his House leadership positions recently because of allegations involving improper activities involving interns and female staffers.

Memphis representatives Joe Towns, Larry Miller, and G.A. Hardaway were among those speaking on behalf of reactivating Insure Tennessee legislation at a press conference last week in Legislative Plaza.

 

• Ninth District Congressman Steve Cohen began the week as a part of the entourage that accompanied President Obama on his history-making trip to Cuba, where the president furthered the official Cuba-U.S.A. relations he reopened last year.

The trip was the second one to Cuba for Cohen, who also was part of a delegation accompanying Secretary of State John Kerry to the Caribbean island nation in 2014. The Memphis congressman obviously went to some considerable effort to get himself involved with both missions. Why Cohen’s more than usual interest in the matter?

Well, first of all, the congressman has long advocated a normalizing of relations with Cuba, which became estranged from the United States during the height of the Cold War when Cuban ruler Fidel Castro instituted what he termed a communist revolution and cozied up to the Soviet Union, then a superpower antagonist to the U.S.

Cohen has favored rapprochement and an end to the still-active trade embargo on political and economic grounds, pointing out that the Cold War, at least in its original form, is long gone and that American enterprises, in Memphis as well as elsewhere, stand to prosper from improved relations between the two countries.

And there is the fact that, when Cohen was growing up, his family lived in Miami, the American city closest to Cuba and one containing a huge number of exiles from that nation.

But there’s more to it than that —as those Memphians know who were privy to an old AOL email address used by Cohen, one that employed a variant on the name of former White Sox baseball star Minnie Miñoso, who happened to hail from Cuba.

The backstory involving Cohen and Miñoso was uncovered this week for readers of the Miami Herald by reporter Patricia Mazzei in a sidebar on Obama’s trip to Cuba.

Mazzei related the essentials of a tale familiar to those Memphians who were readers of a Cohen profile that appeared in the Flyer‘s sister publication, Memphis magazine, in 2001. After noting that the young Cohen, who had always aspired to an athletic career himself, had been afflicted by polio at the age of 5, Mazzei goes to observe: “His parents, lifelong baseball fans, took young Steve, hobbled with crutches, to see Mom’s hometown Chicago White Sox at a Memphis exhibition game. Steve made his way near the field to plead for autographs.

“That’s when a pitcher, Tom Poholsky, handed him a real Major League baseball. It wasn’t from him, Poholsky told him. It was from an outfielder who couldn’t give the boy the ball himself because this was Memphis, in 1955, and the outfielder was black. The first black White Sox, in fact.

“His name: Minnie Miñoso. A native of Perico, Cuba.”

The young Cohen was struck by the fact that Miñoso, who for obvious reasons became something of a personal idol for him, had been so inhibited by restrictions that were part of an outmoded way of life, and his lifelong emotional attachment to the great Miñoso, who died only last year, ensued.

“I learned from Miñoso about civil rights, and I learned from Miñoso about Cuba, and I learned from Miñoso to be nice to kids,” Cohen said to Mazzei, who disclosed also that the congressman had toted a Miñoso-embossed White Sox baseball cap to Cuba on the Kerry trip with the aim of getting it to current Cuban president Raúl Castro.

He brought several more such caps with him to hand out here and there on the current presidential trip.

Jackson Baker

Roasted, toasted, and pleased about it all at a Democratic fund-raising “roaster” last Saturday honoring: (l to r, seated) Shelby County Commissioner Walter Bailey, former state Senator Beverly Marrero, and former City Councilman Myron Lowery. Standing is longtime former public official Michael Hooks, who applied the barbs to Bailey. The affair was held at the National Civil Rights Museum.

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Editorial Opinion

De-Annexation: The Moral of the Story

As this week’s Flyer cover story notes, the city of Memphis — in the judgment of numerous spokespersons for city interests — may have dodged another bullet in the General Assembly this week. This was a bill, the product of

longstanding collaboration between various opponents of urban expansion in Tennessee, that would have crippled the efforts of Memphis to right itself and resolve what was already a difficult financial predicament even before the advent of the bill.

The bill, still not formally dead, is a measure to facilitate de-annexation by residents of incorporated cities. It was proposed by two House members from the Chattanooga suburbs who two years ago had succeeded in establishing the principle of consent on the part of residents about to be annexed. The new bill has, in the lexicon of our time, gone a bridge too far beyond that. It would allow referenda on the part of residential areas annexed since 1998 to de-annex themselves, even if, in the words of Memphis Chamber of Commerce head Phil Trenary, the results would be “swiss cheese” urban maps, with gaping holes marking where formerly contiguous Memphis neighborhoods had existed side by side. 

In the case of Memphis, there would be gaping holes in the city’s financial resources as well. Even those legislators who favored the bill — including suburban Shelby County legislators who helped to get it passed in the House of Representatives last week — acknowledged that it would occasion a $28 million annual loss in property tax and local-option sales tax revenues for the city.

And the bill’s proponents made no pretense of applying an objective standard to all urban areas in Tennessee. It singles out Memphis and four other areas — Knoxville, Chattanooga, Kingsport, and tiny Cornersville — as liable for redress penalties on account of allegedly “egregious” annexations of adjacent territories. That these annexations were all performed in perfect compliance with the letter of Tennessee law was of no matter to the authors of the bill. Nor was the fact that the bill would up-end the long-standing provisions of Public Law 1101, a.k.a. the Urban Growth Act, a compromise arrangement agreed upon in 1998 among representatives of Tennessee’s urban, suburban, and rural constituencies.

The Urban Growth Act was the result of positive and coordinated effort. The current attempt to dismantle it, which the de-annexation bill would achieve, is the consequence of ex parte vengefulness, by way of contrast.

Luckily, as detailed in the cover story, various representatives of Memphis and Shelby County interests mounted a coordinated effort of their own to get the bill sent back to committee this week, and, as of this writing, the chances of positively amending the measure seem good. Only one thing is lacking, a joining in the effort by representatives of Shelby County government per se. And that, we have the right to hope, will be forthcoming. 

After all, it would be county government that would have to shoulder the financial burden of, say, 150 additional Sheriff’s deputies, and as many new vehicles, in order to police the newly de-annexed areas. We’re all in this together, and that’s the moral of the story.

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News News Blog

Pets of the Week

Each week, the Flyer will feature dogs and cats available for adoption at Memphis Animal Services. All photos are courtesy of Memphis Pets Alive, and more pictures can be found on the Memphis Pets Alive Facebook page. 

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Categories
Politics Politics Beat Blog

Memphians Upbeat on Thwarting or Changing De-Annexation Bill After Hearing

Jackson Baker

Mayors Berke and Strickland after testifying in Nashville, Wednesday.

NASHVILLE — After a two-hour hearing on the now-famous de-annexation bill by the state Senate’s State and Local committee, both Memphis Mayor Jim Strickland and Chamber of Commerce president Phil Trenary professed themselves satisfied that progress had been made toward either de-toxifying the bill or defeating it outright.

Two amendments were discussed and voted on, the first returning the House version of the bill to the status of a previous Senate version that applies the provisions of the bill statewide, thus eliminating the controversial winnowing down of target cities to five “egregious” offenders in the House bill that passed overwhelmingly last week.

That amendment passed 8-1. A second amendment  that clarified aspects of debt repayment required of de-annexed areas and left the way open for widening the scope of those debts passed 7-1. Ready in the hopper, when the committee reconvenes on Tuesday is an amendment that would include pension and OPEB obligations among those debts remaining on the tax bills of de-annexed citizens.

Both amendments were regarded as congenial by members of the large delegation in attendance from Memphis. Trenary said, “I think everybody’s eyes have been opened up here.” He and Strickland both indicated they thought the House bill was destined to be a thing of the past.

The very fact that the State and Local Committee only scratched the surface of a flock of amendments and will need to reconvene on Tuesday is an indication that things are moving in the direction of the Memphians in attendance. Chairman Yager did say, however, that the clock would not run out on the bill, that a version readymade for voting would be ready next week for House-Senate conferencing and a final vote.

Testifying before the committee on aspects of the bill were Strickland and fellow mayors Andy Berke of Chattanooga and Madeline Rogero of Knoxville, as well as Pitt Hyde of Auto-Zone, and David Popwell and Jim Vogel of First Tennessee Bank.

Strickland repeated reservations about the bill he had previously stated — including the fact that the city stood to lose 110,000 residents under the provisions of the House bill and financials losses amounting to 12 percent of its annual budget. Further, he said, the city would fall from 23rd largest in the nation to 33rd and be faced with a profile of instability that would adversely influence potential business/industrial clients looking to relocate.

Although Berke and Rogero did not envision results for their cities that drastic, they each testified that urban and state affairs would be put in a state of uncertainty and confusion if the House version became law. Hyde and the First Tennessee officials underscored the negative effects the bill would have on economic prospects for Memphis.

Categories
Fly On The Wall Blog Opinion

Is the RedBall a Veiled Comment on Mass Surveillance? (Probably Not)

Kurt Pershke, RedBall Project in Paris

The RedBall in Paris

The Brooks Museum of Art announced this week that as a part of its centennial celebration, it is bringing artist Kurt Perschke’s “RedBall Project” to Memphis. The “RedBall Project” is a temporary and site-specific installation piece that involves the placement of a giant, inflatable red ball at various significant points around town. The locations where the Ball will be placed are determined by Perschke, who spends time biking, walking and otherwise exploring the city in the months before the Ball is placed.

The Ball’s placement in other cities has looked loosely to be the work of some toddler-like deity: balanced at the edge of bridges, inflated in doorways, shoved beneath underpasses. It’s funny and unsettling without being too unsettling. It says, “Hello, this is an international city where inexplicable art stuff happens.” It’s the kind of thing Memphians will remember years out: “Ah yes,” we’ll murmur to our cyborg grandchildren, “2016… the year that we were visited by the Ball.” Here are some pictures of the “RedBall” in other cities, so you can get the idea.

In short: the Ball will be fun. The Ball will be different. The Ball should (but will probably not be) placed directly on top of the statue of Nathan Bedford Forrest, like a bloated clown nose. The Ball will introduce temporary and site-specific art to Memphis, and it will do it with cosmopolitan style. We are good with the Ball. But will the Ball be a veiled comment on mass surveillance? Let’s discuss.

A hypothetical situation: It’s a sunny midsummer day in Memphis. You’re walking down the street, drinking an iced latte, when you notice that your favorite intersection has been visited by a massive red ball. You stop drinking your latte, mid-sip. You feel suddenly more aware of yourself, of your puny human size, of how zoned-out and unquestioning you were moments before. The RedBall has seized your attention, changed your relationship to the corner and how your body feels as you approach the corner.
You move closer. The RedBall stays in its position. Maybe you put a hand out and feel its rubbery redness. But you can’t move it. It’s really heavy. So you circumnavigate. Your latte-infused commute has been effectively changed, forever. Meanwhile, the Ball is mute, unchanging, super-bright in its super-occupation of public space.

This is a weird experience, huh? Or maybe it is not so weird, because it triggers something in your brain. It triggers the memory of the other thing that was recently installed on your favorite corner: that blinking, blue camera box that provides the Memphis Police Department with 360-degree surveillance of your block. Operation Blue CRUSH, as the camera boxes are called, also made you check yourself in public space. The camera established a ball-shaped zone of spherical surveillance that, while invisible, is very much palpable.

Before you come at me with accusations like, “Oh, what, are chemtrails real too?”, ask yourself: What is the point in a big, red, ball? Our public art could conceivably be anything. It need not be static or silent. It need not be immobile or durable. It could ask things of us. It could tell a story. But a red ball does none of those things. A red ball is just a silent presence — an elephant in the proverbial “room” of the commons.

Is the “RedBall” a comment on the normalization of mass surveillance? Probably not. But will the way we meet it be more normal because Memphians are used to large and inexplicable presences in our neighborhoods?? It’s possible. Whether or not it is intended (and, let’s be real, it’s not), the fact is that in its red and spherical reticence, the Ball is like surveillance: whether or not it watches us is beside the point. The point is that it makes us watch ourselves more closely. Now excuse me while I go get a latte.