Categories
News News Blog

Lawsuit Alleges Memphis City Council Illegally Gave Zoo Control of Greensward

Toby Sells

A photo of last Saturday’s Greensward protest, during which the Memphis Zoo erected a fence to keep protesters away from the area where they planned to park cars.

A lawsuit filed in Chancery Court on Tuesday makes the claim that the Memphis City Council and council attorney Allan Wade violated the state’s Open Meetings Act while developing a resolution and gaining votes for handing over Overton Park Greensward control to the Memphis Zoo on March 1st.

The lawsuit was filed by Susan Lacy and Stephen Humbert, two private citizens. It states that “on for before March 1, 2016, the members of the City Council directly and/or through City Council [Attorney] Allan Wade with input from [the Memphis Zoological Society] held discussions and deliberations outside of public view and without public notice on the Greensward controversy and developed a plan and resolution for action to be taken on the Greensward controversy by the Memphis City Council.”

It criticizes the council for only posting the resolution regarding Greensward control on its website a few hours before the vote and says the council did not have “emergency or exigent circumstances” that would have required the council to “act with such haste.”

Councilman Martavius Jones, the lone “no” vote, stated that, prior to the council meeting, Wade had called him to ask if he would co-sponsor the resolution. He agreed, in principle, but he didn’t see a draft of the resolution until the public meeting.

The lawsuit makes the claim that council members met outside the public’s view via telephone to privately discuss the resolution.

Categories
Food & Wine Food & Drink

Does vegan food even exist?

The case against eating meat has been gaining traction in recent years, for numerous reasons. Livestock production is responsible for 18 percent of greenhouse gas emissions, according to the U.N., which has recommended that people eat less meat in order to curb global warming. The World Health Organization last year announced that red meat probably causes cancer. As global hunger becomes exacerbated by a growing population, animal products are being called out for being inefficient sources of nutrition due to the relatively high amount of energy, land, and water that is used to produce them compared to so-called “plant-based” foods. Various ethical considerations related to the raising and killing of animals have led many people to pursue other options as well.

Not all meat and animal products carry the same baggage. A freezer full of wild deer meat, for example, isn’t having the same impact on the earth, and on the meat-eater, as a Wendy’s burger. And the deer in the freezer most certainly lived a better life than the cow in that burger. But the majority of consumers don’t have access to enough hunting or fishing opportunities to meet their needs (or desires) for meat. So for the sake of argument, let’s imagine that most of the meat being sold is as bad as the worst-case scenarios predict. Let’s suppose that the collective will exists to create a shift in the human diet to one that is plant-based, and that animals will be phased out of the American agriculture system. In the context of this vegan-topia, I have a nagging question: Who is going to make the poop?

Manure, you’ve probably heard, is widespread in agriculture, especially organic agriculture. The same is true for other animal-based products like blood meal, bone meal, and fish meal, all of which are popular in nearly all agricultural schemes. So if that farmers market tomato or that Whole Foods kale is produced in an earthy cocktail of blood, bone, and excrement, how animal-free is that salad?

Indeed, many of these soil amendments are byproducts of the ugliest side of animal production, the confined animal feeding operations, or CAFOs. It would be nearly impossible to collect cow manure from grass-fed beef. It comes from feedlots. Bone and blood, meanwhile, come from the slaughterhouse. As such, a plant-based diet may push meat off of the plate but doesn’t remove it from the equation.

That, indisputably, is the way it is. But does it have to be that way?

No, according to enthusiasts of a type of food production known as animal-free agriculture. While it isn’t widely known or practiced and doesn’t appear to have much momentum, animal-free (also known as stock-free or veganic) agriculture is definitely a thing. In the U.K., where the movement is strongest, there is even a “Stock-Free” certification program.

The premise is simple. Fertility is managed by the production of “green manures,” or plants that are grown specifically to be composted or plowed back into the soil. And when you think about it, there is a certain elegance to this. After all, an animal like a cow that eats nothing but plants is essentially just a living plant composter, turning those plants into meat, bones, blood, and manure. Why not remove the animal from the equation in favor of other composting tactics to produce that fertilizer? And why not eat the plants themselves, rather than the methane-spewing, exploited beasts that eat it? In these respects, a plant-based agriculture and diet seem like they could be more efficient.

According to Iain Tolhurst, of Tolhurst Organic in south Oxfordshire, it is more efficient. Not only that, his animal-free methods are good for the soil, he says in an article on the website stockfreeorganic.net.

Tolhurst was inspired by vague reports he’d heard of ancient Chinese farmers feeding millions of people with extensive use of green manures rather than animals. His farm is proof that animal-free agriculture is possible, and he believes the principles can be scaled up to larger operations.

But many small-scale organic farmers, even ones who are sympathetic to the negative aspects of meat and its production, are nonetheless skeptical of the need to go as far as to remove animals from ecological loops that have existed for as long as agriculture.

“I’m not saying it’s biologically impossible to grow food without animals,” Montana farmer Josh Slotnick says. “But I also don’t think there is necessarily any moral high ground to doing so.” Grazing animals like cows, bison, and other ungulates have always been a part of the plains ecosystems that make the best farmland, he says, and removing these animals from agricultural systems is an unnecessary end-run around a fundamental law of nature: Life arises from death and waste. Animals have always lived and died, and they always will.

Slotnick professes to eating relatively little meat, subsisting mostly on vegetables. But his fields are decidedly omnivorous. As a farmer he’d sooner part with the meat of the animal than its blood, poop, and bones. But while the majority of ecologically oriented farmers believe there is nothing wrong with incorporating well-treated animals into an agriculture system, you would be hard-pressed to find one who is okay with the fact in many organic farms, large and small, their sacks of animal-based powders come from CAFOs.

If vegans can have their animal-free utopian fantasy for how the world could function under their paradigm, proponents of animal-based ecological agriculture systems have theirs as well. In this vision, CAFOs and mega farms will be replaced by a patchwork of smaller farms, intensively managed by a sea of hard-working yeomen and women. And each of these small farms would raise a few animals as part of its own closed loop. Systems like this could still produce meat, but there would be less of it. For most of us, less meat may be the answer. And the proliferation of vegan athletes more than reinforces the idea that a plant-based diet won’t exactly kill you.

So if you’re looking to reduce your protein footprint, you have two paradigms to choose from. There is the old-school organic, where a small family farm with cows and chickens and bacons quilt the landscape, and in the other, a truly vegan alternative. Which vision you choose depends on whether you believe that the way things have always been should determine the way things will always be. That certainly has not been the way of evolution.

Categories
News The Fly-By

River Sculpture Going Up on Wolf River Greenway

In the next few weeks, cyclists and pedestrians on the Wolf River Greenway will be able to view the Wolf River on land and in the sky — sort of.

Artist Colin Kidder’s 100-foot-long, 16-foot-tall model of the Wolf River will be installed near Shady Grove and Walnut Grove within the next month or so, weather permitting. The massive steel sculpture will be visible to cars traveling along Humphreys as well.

“It’ll be a couple hundred feet from the Wolf, so I wanted to play off that. I wanted to make something suggesting a flow of current. I wanted it to show the full power of the river but still be graceful,” Kidder said.

Colin Kidder

Colin Kidder’s “Raised River” sculpture

The sculpture will be the first of several public art projects along the Wolf River Greenway, a multi-use paved trail that follows the path of the Wolf and will eventually stretch 36 miles from Collierville to Mud Island. Currently, the Greenway stretches about 2.5 miles from Walnut Grove to the Germantown.

Construction on the remainder of the trail will be done in segments. The Wolf River Conservancy (WRC) broke ground on a 20-mile Memphis stretch of the trail last September, and they plan to have the entire path constructed by 2019.

The “Raised River” sculpture will be Kidder’s largest public art project. He was also involved in creating Crosstown’s “Beacon” sculpture with sculptor Eli Gold. That sculpture, an elevated disco ball made from repurposed bicycle wheels, was installed in 2012.

“The UrbanArt Commission did a call to artists, and I didn’t expect to get it. I was just a kid in art school,” Kidder said.

But UrbanArt awarded Kidder the project. That was five years ago, and he said it’s taken “an embarrassingly long time” to wrap it up due to some unexpected delays and sheer size of the project. Artist Tylur French of Youngblood Studio is heading up the fabrication of the sculpture’s steel pieces. French created the bike gate in Overton Park and recently painted the mural on the Broad Avenue water tower.

Kidder said he’d love to have the sculpture installed in about two weeks, but realistically, he said it may take as long as six weeks due to the sculpture’s size.

Two more public art projects are planned for the Wolf River Greenway so far. Artist Lester Merriweather is creating a mural for the underpass at Walnut Grove and Humphreys. Lauren Kennedy, executive director of the UrbanArt Commission, said that may be ready this fall.

“He’s painting the columns of the underpass with a gradient color that goes from orange to yellow to pink, and the mural will feature a pixelated image of a biker. There are sections of it on each column, so you’ll get this cool optical effect as you pass by it,” Kennedy said.

In a couple months, Kennedy said UrbanArt will begin seeking an artist for a third greenway project — a sculpture in Kennedy Park, where the WRC broke ground last fall for construction on the next segment of greenway.

Bob Wenner, greenway coordinator of the WRC, said they’d like to see more public art projects along the path as it’s constructed over the next few years.

“We envision the use of public art as another amenity to add to this corridor of opportunity, to make people say, ‘Hey, have you seen this sculpture? Let’s go hike back there and check it out,'” Wenner said. “It’s about trying to make the greenway a special place to de-stress.”

Categories
Film Features Film/TV

I Saw The Light

The Hank Williams biopic I Saw the Light looks and feels like a movie that was scrapped halfway through shooting but cobbled together anyway, awkwardly, with many key and climactic moments left out. To patch all the disparate bits together, director Marc Abraham inserts aged, black-and-white footage of Bradley Whitford as the enormous and all-knowing head of music publisher Fred Rose, who appears on screen anytime somebody needs to explain what the hell’s going on or why anybody might care.

Instead of creating a sense of authenticity, indiscriminate use of documentary-style interviews makes the whole enterprise seem that much more insincere. One wonders if Whitford will eventually lead the cast in a rousing chorus of the “Time Warp.”

Tom Hiddleston as Hank Williams in I Saw the Light

The Hank Williams story is one part Amadeus and two parts Sid and Nancy. Here was a young, uncontrollable brat with a touch of genius whose genre-defying songs threatened a carefully maintained hierarchy in country and pop that ruffled more feathers from Nashville to New York than all the troubled hillbilly’s missed tour dates combined. There’s the obsessive, endlessly destructive marriage to his wife Audrey (Elizabeth Olsen), who was determined to become a celebrity in her own right. All of that potential drama is left on the table in favor of softer, more sympathetic characterizations, and a complete rejection of the idea that, in order for the light to matter, things need to get pretty damn dark.

I Saw the Light chooses to turn Hank Williams’ life story into an old fashioned disease-of-the-week movie, with loving shots of Cherry Jones as Hank’s ma giving Scarlet Witch some stinky side-eye.

The saddest part of all this is that Tom Hiddleston’s acting chops are considerable. Loki may be a little stiff when he’s singing and swinging, but he’s an impressive shape-shifter and a fair vocal mimic.

For all of its landscape shots, I Saw the Light has no sense of place, and even less sense of purpose. Alabama could be Shreveport, could be Nashville, it’s all the same. But what’s most fascinating about the way I Saw the Light fails, is the way it decisively treats Williams’ music — from process to performance — as a tertiary concern. Musicians like Ray Price (Von Lewis) and Faron Young (Fred Parker Jr.) are introduced to the story line but never explained, and, aside from a handful of Hiddleston performances, no attention is paid to the changing sounds of postwar country music, the people who listened to it, or the people who profited from it. The guy had some hits, but what about all of the terrible back pain he suffered? And the drinking problem! Those ill-defined mommy/wifey issues? Without the music, no amount of talking head inserts can explain why we should care.

Categories
News News Blog

Police Presence on Greensward Cost Nearly $38,000

Toby Sells

Memphis Police Department officers watch as Memphis Zoo visitors walk to the zoo from the Greensward.

The city’s law enforcement and public safety presence during this weekend’s protests at the Overton Park Greensward cost just shy of $38,000, according to figures from Memphis Mayor Jim Strickland’s office.

The exact figure is estimated to be $37,854.99, according to the mayor’s office.

Here’s the breakdown on the cost:

• On Saturday, April 2, 88 staffers were dedicated to the detail.

• On Sunday, April 3, 33 staffers were dedicated.

• The total cost of overtime for employees on the detail those two days is estimated to be $24,340.25.

• The total cost for regular-duty employees on the detail those two days is estimated to be $13,514.74. (Regular-duty is defined as officers who were already scheduled to work that day and were assigned to the Overton Park detail.)

• Staffers on the detail were not solely located at Overton Park. Some staffers were assigned to the neighborhood, some were on dispatch, and more. The staffing number is the entire detail.

• On Saturday, two Memphis Fire Department (MFD) ambulance personnel and two Memphis Animal Services (MAS) personnel were involved.

• On Sunday, two MAS personnel were involved. Costs for those employees are included in the totals above.

Memphis Police Department (MPD) interim director Michale Rallings said more officers were needed in Overton Park this past weekend after “the prior weekend’s events involving both protesters and patrons.”

“During the prior weekend’s protest, numerous issues were identified,” Rallings said in a Monday-evening statement. “Major traffic congestion was experienced by zoo patrons, verbal threats were voiced by protesters and patrons, a small contingent of protesters were lying down on the Greensward blocking zoo patrons who were directed to park on the Greensward area, and threats of more aggressive behavior in the future were stated to officers.

“We could not ignore these actions. It is our responsibility to maintain peace. We must make sure that all parties are protected and that no civil unrest is experienced. Officers of the Memphis Police Department did just that.”

Mayor Strickland said he backs Rallings’ play.

Here’s his statement on the cost of the police presence:

“I wish we didn’t have to spend any money on police details for a Saturday in the park,” Strickland said. “However, it is MPD’s job to provide for public safety for all, and I back their decisions.”

Strickland said he’s “pleased to report” the mediation process he initiated between the Memphis Zoo and Overton Park Conservancy remains ongoing.

“Mediation is a deliberate process meant to deliver a thoughtful resolution, which means its conclusions aren’t always reached as quickly as we all would want them to be reached,” Strickland said. “I urge patience as we continue to work toward a solution.”

Saturday’s police presence surrounding the protest on the Greensward included mounted police, MPD mobile units, police cruisers stationed at every park entrance, a helicopter that circled overhead, and more.

Some on the protest side of the fence thought the show of force was excessive.

“Zoo goers, welcome to the Police State of Martial Law, Memphis,” said park supporter Michael Graber. “Great [public relations] for the city.”

Park supporter Alisha Wallheimer said, “of all the places I have ever felt unsafe in Memphis or the surrounding areas, Overton Park has never been one, nor have I ever seen such a police force.”

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: Julien Baker

This Music Video Monday does it in one take. 

Ever since she graced our cover last fall, Julien Baker’s star has been rising. In one month, the troubador will make her Beale Street Music Festival debut. This video, shot by Memphis filmmaker Breezy Lucia in a Downtown parking garage, really gives you a sense of Baker’s raw talent. It’s all one take, with audio recorded from an on-camera microphone, and Baker nails her song “Something” in one take. Seriously, you have to hear this one. 

Music Video Monday: Julien Baker

If you would like to see your video featured on Music Video Monday, email cmccoy@memphisflyer.com

Categories
Opinion The BruceV Blog

Saturday in the Park: Scenes from Overton

Check out these shots from last Saturday posted by the Overton Park Conservancy. I think they put to rest the myth that the battle for the park is somehow an elitist struggle being conducted by “well-to-do Midtowners with too much time on their hands.”

Categories
From My Seat Sports

2016 St. Louis Cardinals Preview

The St. Louis Cardinals are unaccustomed to playing the role of hunters. Having won the last three National League Central titles and no fewer than 100 games last season (despite ace Adam Wainwright and slugger Matt Holliday missing significant time with injuries), the Cardinals enter the 2016 campaign in the shadow of the Chicago Cubs. Having signed a pair of significant free-agent cogs from last year’s Cardinal roster — outfielder Jason Heyward and pitcher John Lackey — the South Siders are the trendy pick to win the World Series and end the most famous dry spell (now 107 years) in American sports. Centered around two of baseball’s strongest young hitters (Anthony Rizzo and Kris Bryant), the Cubs are flexing under Joe Maddon, who was named 2015 National League Manager of the Year despite his team finishing third in the Central Division.

These longtime rivals met in the postseason for the first time last October and the Cardinals were eliminated in a division series at Wrigley Field, as disheartening a finish to a season as any in four years under manager Mike Matheny. St. Louis looked injured, old, and tired, particularly in contrast to the youthful vigor that fueled Chicago’s run to the NLCS. Was that series a tipping point in what has been a one-sided “rivalry” for generations? The next six months — and 19 games played between the two teams — will clarify just how far the Cubs have risen and if, in fact, a glorious era of Cardinal baseball has entered its sunset years.

Even without Wainwright (who missed virtually the entire season with an Achilles rupture), the 2015 Cardinal pitching staff posted the lowest team ERA (2.94) since the 1988 New York Mets. And in a season of conditional qualifiers, the biggest “if” facing the 2016 Cardinals hovers above their starting rotation. Michael Wacha has an ace’s repertoire but wore down last season, posting a 4.01 ERA in the second half after making the All-Star team with a 2.93 mark in the first. Carlos Martinez enters his second season as a member of the rotation after being shut down before last season’s playoffs with shoulder tenderness. Jaime Garcia’s health has been a coin flip for most of his six seasons with St. Louis. With Lance Lynn shelved by Tommy John surgery, this leaves the newly acquired Mike Leake as perhaps the steadiest arm in the mix. (Leake made at least 30 starts each of the last five seasons with Cincinnati and San Francisco.) If — that word – these five pitchers stay healthy, St. Louis will have the best National League rotation west of New York, enough to keep the Cubs within arm’s length.

A healthy Matt Holliday (another “if”!) would boost a Cardinal offense that finished last season 11th in the National League in runs scored. (The Cardinals became the third team in major-league history to win 100 games while averaging fewer than four runs per game.) Holliday’s return should offset the loss — for at least three months — of shortstop Jhonny Peralta, who drove in 71 runs last year but injured his left thumb during spring training and required surgery. (St. Louis signed former Met Ruben Tejada — a career .255 hitter — to man the position, though he’s started the season on the disabled list.) With Holliday (now 36) and Yadier Molina (33) climbing toward middle age, the heart of the Cardinal lineup may soon shift to a pair of recent Memphis Redbirds: outfielders Randal Grichuk and Stephen Piscotty. Each is capable of more than 20 home runs and upwards of 90 RBIs.

If you’re looking for a swing factor — beyond the starting pitchers’ health — for the 2016 Cardinals, you might focus on the bench. Gone are the likes of Pete Kozma, Peter Bourjos, and Tony Cruz, members of a punchless group of reserves last season. New to the roster are infielder Jedd Gyorko (49 homers in three seasons with San Diego), catcher Brayan Pena (a .260 career hitter), and another former Memphis outfielder, Tommy Pham (.327 in 48 games with Memphis last year).

Last season was a rarity, one in which both the Cardinals and Cubs contended for the National League pennant. Count on 2016 being an encore of sorts.

Categories
Fly On The Wall Blog Opinion

Comedy is Hard: The Night I Attempted Stand-Up at the P&H Cafe

Did you know I’m “Eskimo Brothers” with Patton Oswalt? Well, comedy “Eskimo Brothers” anyway. It’s true, see?

Go ahead, be jealous. 

I spent about a month working on this week’s cover story about Memphis’ emerging comedy scene. I visited a lot of shows and open mics, and talked to a lot of comics. And then, one terrifying Thursday night at the P&H Cafe, I even attempted a stand-up set. All I can say about the experience is this: I’ve been an actor, an emcee, a TV personality, a performance artist, a public speaker, and a honky tonk singer, but never in all my years on stage and in front of cameras, has my heart pounded harder than it did that night. That’s what I get for wanting to know what it feels like to stand in the glaring spotlight, trying to make jaded Memphians laugh.

Tommy Oler, who hosts open mic at the P&H tried to warn me off. He said I should maybe try Dru’s or RockHouse Live first, and work my way up.  “P&H is a monster for new comics,” he said. “It’s actually the biggest and best open mic in the state, but it’s also the meanest. I know cause I’ve been to, and done every one.”

Actual comic Kyle Kordsmeier working out at the P&H.

P&H audiences don’t really turn on you— or at least the ones I’ve experienced don’t. They just turn to one another and start talking. When a comic is dying on stage the room gets loud with chatter. I told Tommy I didn’t think I had time to develop a set and hone it. I just wanted to go up cold for 5-minutes, with no prepared material, and the tougher the room, the better. Reluctantly, like I might be marching off to slaughter, Tommy put me on the list right behind Benny Elbows, and just in front of Richard Douglas Jones— two quality comics. Talk about a recipe for a shit sandwich. I wanted to be funny, of course, but this was the kind of research where flopping big could be every bit as edifying. And boy was I set up to flop.

There’s nothing scarier than knowing that you’re on in 5-minutes, and you’ve got nothing prepared. I figured it was probably best to tell true-ish stories and I hoped I’d seen enough standup over the years to know how to introduce and frame the material. 

“And now, I’d like to introduce Memphis Flyer writer Chris Davis,” Tommy said. Clapping happened, and the pressure was on.

“So I received a letter just a couple of days ago,” I said. “A reader wanted to know how many blowjobs I have to give my bosses every week just to keep my job.”

Laughter.

“Have to?”

Laughter.

“That’s more of a perk than an obligation, isn’t it? I like my performance reviews. It beats making up a bunch of bullshit about where I see myself in the next five years, don’t you think?”

That part went well, so I decided to stick with work stories for a while. I talked about the Elton John impersonator I’d spoken to earlier that week. And about the person impersonating the Elton John impersonator. When I ran out of work stories I talked a bit about the time in my life where it seemed like I couldn’t go anywhere without discovering a dildo of unknown origin: “A lot of people find a dildo of unknown origin and are like, ‘EEEWWWWWWWW!’ I’m like, ‘I need to show this to somebody!'”

Not everything got a big laugh, but nothing really bombed either, and a couple of comics even gave me the business afterward, swearing it couldn’t have been my first set, and encouraging me to keep it up. The collegiality felt good, but I was done.

Yeah, it’s fun being funny. When you’re in the middle of a room and everybody’s doubled up because of something you just said, the laughter kicks like a drug. And when the laughter’s gone your cells get junk sick and crave more. It’s easy to see how people get hooked on the stuff, which is one reason why it’s probably best to leave funny business to the professionals. Besides, now that Patton Oswalt’s consummated the relationship by liking one of my Tweets, I can die comically satisfied. 

And speaking of professionals, it’s Memphis Comedy Festival weekend. Go see some. 

Categories
News News Blog

VIDEO: Greensward Protest Peaceful Along Zoo Wall

VIDEO: Greensward Protest Peaceful Along Zoo Wall

Saturday’s protest on the Overton Park Greensward was peaceful (at least as of early Saturday afternoon), though there was no lack of police or protestors.

As they announced Friday, the Memphis Zoo erected a long line of gates to separate the third of the Greensward it used for overflow parking Saturday. 
Toby Sells

As they announced this week, hundreds of protestors showed up with signs, chants, music, dogs, and more to urge zoo visitors to park somewhere other than the Overton Park Greensward.

The Memphis Police Department issued a heavy show of force at the scene Saturday. Police cruisers were stationed at park entrances.

On the Greensward, uniformed officers stood in groups to monitor the protestors and zoo visitors. Officers in in Kevlar vests kept watch from a distance of the protesters outside the Greensward wall.

MPD mobile units were visible on the zoo grounds across the fence east of Rainbow Lake. An unmarked blue-and-white helicopter circled over the Greensward for at least 45 minutes Saturday morning. It wasn’t clear if the helicopter was police or local television news media.

The wall provided fodder for many protests signs, some comparing it to the Berlin Wall.

But the wall also organized the event, assuring distances between protesters, police, and zoo visitors. A protester said the wall served to keep zoo parkers from driving the length of the rest of the Greensward, as some have done in the past few weekends.