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Music Music Features

King Gizzard and the Lizard Wizard at the Hi-Tone Tuesday

Melbourne, Australia’s King Gizzard and the Lizard Wizard hit the Hi-Tone this Tuesday night in support of their latest LP, Nonagon Infinity. Since forming in 2010, the psychedelic powerhouse has released album after album of interweaving prog rock, working with labels like Castle Face, Heavenly, and, most frequently, Australia’s Flightless Records.

King Gizzard have made a name for themselves by taking the writing approach of bands like Thee Oh Sees and putting it in a blender with a few prescriptions of Adderall. The songs are spastic yet complex, and listening to a complete album by King Gizzard and the Lizard Wizard can definitely prove to be an aural endurance test. On record, the band’s songs run together seamlessly, but catching the seven-member band live is where their music is best experienced. Having toured the U.S. multiple times since blowing up in 2013, the band is a finely tuned machine when it comes to their live show, and their unusually large lineup (complete with two drummers) effectively freaks audiences out before completely winning them over.

King Gizzard

Touring with King Gizzard and the Lizard Wizard are Geelong, Australia, psych wonders the Murlocs, who are also on Flightless Records. While King Gizzard explore the frenetic elements of psych rock, the Murlocs explore the more traditional, 13th Floor Elevators-esque side of the genre. Both bands are at the top of the greater Australian psych scene, but their different approaches to the same genre are a testament to the versatility of what’s been cooking down under since bands like Tame Impala and Royal Headache opened the door for smaller, independent Aussie acts. Locals Spaceface also play this Tuesday night gig.

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Angry Angles

This Music Video Monday is moving at a breakneck pace. 

The late king of Memphis garage rock Jay Reatard was notoriously prolific—even his side bands had side bands. He formed the Angry Angles in 2005 with his then-girlfriend, rocker/model/DJ Alix Brown, and Ryan Roussau of Phoenix, Arizona psych rockers Destruction Unit. On May 20, Goner Records will release a compilation album with 17 songs recorded during the band’s 2-year tender. This video for the first single, a previously unreleased version of “Things Are Moving”, is by New Orleans video artist 9ris 9ris. It was created by combining footage shot at a pair of Angry Angles live shows with various gifs and video loops. Check out the crunchy video feedback action! 

Music Video Monday: Angry Angles

If you would like to see your video featured on Music VIdeo Monday, email cmccoy@memphisflyer.com

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Food & Drink Hungry Memphis

Guess Where I’m Eating Contest 99

Peace … 

The first person to guess where I’m eating wins a fabulous prize. 

To enter, submit your answer to me via email at ellis@memphisflyer.com

The answer to GWIE 98 is the Triple Decker from Say Cheese food truck, and the winner is … Meredith Taylor!

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News News Blog

‘Prophetess’ Indicted for Stealing Funds Intended to Feed Children

Kingdom Dominion Worldwide Facebook page

Jives-Nealy

A Memphis woman was indicted on charges last week that she allegedly stole federal grant money intended to feed hungry children. 

The Tennessee Comptroller’s office and the Tennessee Bureau of Investigation (TBI) allege that Jeannette Jives-Nealy stole $162,165 in grant funds through her Kingdom Dominion Worldwide Ministries, Inc.

Jives-Nealy got the funds through the Summer Food Service Program for Children, a U.S. Department of Agriculture (USDA) program administered by the Tennessee Department of Human Services (DHS). The program is intended to provide free meals to children living in economically disadvantaged areas during the summer months.

Jives-Nealy, who calls herself “Pastor Prophetess Jeannette Jives Nealy” on the ministry’s Facebook page, claimed she fed thousands of children, but investigators said all of the money was converted to personal use.

She got the money even though she did not give credible documentation to DHS verifying that her group actually bought, prepared, or gave any food to children. Jives-Nealy claimed those records were destroyed by flooding “earlier in the day,” according to the TBI.

DHS ordered Kingdom Dominion ro repay the grant money. Instead, Jives-Nealy was indicted by the Shelby County Grand Jury last week  on one count of theft over $60,000.

“It is disappointing to learn that such a large sum of public money could be provided without any credible documents to support the feeding of children,” Tennessee Comptroller Justin P. Wilson said in a statement. “The victims in this case include not only taxpayers, but the thousands of children who may have otherwise been fed.”

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News News Blog

New Traffic Flow for Overton Park Saturday

Overton Park Conservancy

Expect Overton Park to be packed Saturday with great weather and a raft of events; also expect to drive through the park Saturday in a whole new way, or take a new shuttle.

The Overton Park Conservancy (OPC) will debut a new traffic plan Saturday in which all park roads will flow one way. Also, shuttles will run into the park all day from two off-site locations.

This response plan came as OPC has “ been working with our partners to prepare for the inevitable parking and traffic congestion on that date.”

The inevitability comes as the Latino Memphis Festival gets started on the Greensward after a 5K through the Old Forest, Café du Memphis (a New Orleans-themed fundraiser for the Dorothy Day House) kicks off at 9 a.m., the Brooks Museum hosts its Party for the Century, exams at the Memphis College of Art (MCA) Saturday are followed by an Art in the Park artists market, and OPC said it expects the forecasted weather to bring many out to the park’s golf course.

Also, the Memphis Zoo is expecting peak crowds for its brand-new Zambezi River Hippo Camp, which opened last weekend. However, rain dampened attendance for the new exhibit.

“This is what we call a perfect storm,” OPC said in a statement on its website.

Traffic flow

All traffic around the heart of the park — from Poplar and Tucker around the Brooks Museum, to the Doughboy statue, around MCA, and back to Poplar near Cooper — will flow clockwise.

More Moss Lane and Prentiss Place will continue to flow both ways. Cars can enter at Poplar near Cooper but will be directed left at Golf Drive.

Old Forest Lane, the street that runs back to the Rainbow Lake Playground, will be closed. Museum Drive, the street between the Brooks Museum and the Levitt Shell, will also be closed.

Shuttles

Two pay shuttles will run all day to and from the park from First Baptist Church at Poplar and East Parkway and Idlewild Church at Union and Evergreen. The shuttles will run to stops near the Brooks and one near the golf clubhouse.

Parking in the lots will be free but the shuttles will cost $2 each way or $5 for an all day pass.

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From My Seat Sports

“Earnhardt Nation” — The Intimidator Lives

Dale Earnhardt would have put a bumper to the devil if need be.
– from Earnhardt Nation (Harper) by Jay Busbee

I’ll start this column with a comparison, one I don’t take lightly in making from Memphis, Tennessee. Dale Earnhardt was the Elvis Presley of NASCAR. Richard Petty, of course, is known far and wide as “The King,” but the fact is, Petty has lived too long (78 years) to achieve the brand of legend Elvis did in dying so young (42). But the Intimidator? Earnhardt died in the most dramatic fashion in American sports history: a wreck on the final lap of NASCAR’s Super Bowl, the 2001 Daytona 500. He was two months shy of his 50th birthday when pulled from the wreckage of his iconic number-3 Chevy. There will be no pictures of an old Dale Earnhardt. He was Elvis in a fire suit. And he died racing.

Jay Busbee has written the definitive book on Earnhardt’s life, racing career, and death. Earnhardt Nation goes even further, as it blends the rise of Earnhardt’s son (Dale Jr.) as NASCAR’S most popular driver with the growth of a sport that continues to tease calamity as new heroes chase checkered flags and the seven-figure paychecks that come with them.

It’s a brilliant book, really, as you don’t need to be a gear-head to fully appreciate Earnhardt’s place in American pop-culture history. Busbee provides context for the Earnhardt family’s place in racing history, with patriarch Ralph actually fueling the proverbial engine his son and grandson would rev to heights unseen by many athletes in more mainstream sports. (Busbee studied journalism at the University of Memphis and has written for Memphis magazine. He now calls Atlanta home.)

He was driving on instinct, balls, and will.

Books about auto racing — more specifically NASCAR — don’t fill shelves the way baseball, boxing, or golf literature does. Which makes Busbee’s tome so important, even educational. Now and then a sports book resets the standard for its genre. Think The Boys of Summer by Roger Kahn (about the 1950s Brooklyn Dodgers) or John Feinstein’s A Season on the Brink (Bobby Knight and the 1985-86 Indiana Hoosiers). Likewise, Earnhardt Nation brings to life a phenomenon appreciated even more in hindsight — in death — than it was as Earnhardt was piling up Winston Cup championships a quarter-century ago.

Racing, a sport that combined grit and daredevil grace with a chance to make a few bucks and pose with some pretty women in Victory Lane, stood at the center of the South’s rebirth.

The Earnhardt family was and is quintessentially Southern. Not unlike Elvis Presley’s. Its fan base would color an entire map of the United States, but the density of its devotion — particularly to the Number 3 car — would be heaviest here in the American South. Blue-collar. Rural. Largely white. It’s a fan base powerful enough to once attract the sponsor of all sponsors — Budweiser — to Junior’s team, and without a single season championship to the driver’s credit. All he needed was that name (its own brand), a heavy right foot, and that country smile for stand-up posters.

The All-Star race freed Earnhardt to unleash the last bits of bastard in himself. If his rival drivers failed to catch him, hell, it was their fault for not trying hard enough.

No driver has caught Dale Earnhardt, not even his extraordinarily popular son. He’s passed into the realm of legends, and his story will be told long after the automotive industry is again transformed. (Among the tragic ripples of Earnhardt’s premature death is never having a quote from the Intimidator about the concept of driverless cars.) Like Elvis, Earnhardt was a flawed human being, and by a few measures. But what he did well, he did better than anyone else. And with a style that makes for great reading.

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Food & Wine Food & Drink

Aaron Winters turns Miss Cordelia’s meat counter into a craft butcher shop.

Russell Smith, Miss Cordelia’s general manager, was impressed with the store’s history as a leader in the locally sourced food movement, but felt it had missed some key opportunities.

“Having a local meat source is something I was always interested in,” Smith says. “We had the equipment. It was just a question of figuring out how to shift from conventional beef and pork that comes in a box to bringing in sides of beef and whole hogs.”

To that end, Aaron Winters is one of Smith’s secret weapons in the campaign to enhance his store’s image. Winters has been charged with transforming the store’s meat counter into a craft butcher shop stocked entirely with locally sourced meat in addition to a range of house-made sausages, salumis, and smoked delicacies ranging from bacon to spicy tasso ham.

“With his background as a chef, Aaron’s been an awesome fit,” Smith says, describing the shift from buying primal cuts to sides of beef and whole hogs. “His cooking ability allows us to use all the animal — especially with hog because of the things you cure and things you smoke.”

“We only use farmers we know,” Winters says. He’s spent time working at Claybrook Farms, Newman, and Homeplace to determine whether or not the operations are truly sustainable. “I want to know the animals have had a happy life,” he says.

Even the humble ground beef at Miss Cordelia’s is currently being processed from a dry-aged cow. “So it’s not the yuck and the trim that’s been sitting in a bag for six months,” Winters says.

Justin Fox Burks

Aaron Winters, Miss Cordelia’s secret (meat) weapon

It may not always be evident on grocery store shelves, but there’s so much more to a cow than ribeyes, strips, chuck roasts, and tenderloin. Winters’ array includes lesser-known cuts like the bavette, inside and outside skirts, and spider steaks — the stuff people don’t know because it usually ends up in grind. Similarly, Winters, who trained in Italy, breaks his pigs down in a more European fashion. Nothing goes to waste. Soup bones not being frozen and sold are roasted and turned into rich, house-made stocks. Smoked ham hocks, bacon, and maple breakfast sausage are available all the time.

“I love tasso,” says Winters, who’s made his own version of the South Louisiana delicacy a staple of Miss Cordelia’s meat counter. “People think of it as a super spicy, smoked little chunk of meat that they throw in greens or red beans. My method is a little bit different, so you can slice and put it on sandwiches without completely blowing your head off.”

Beer brats and sweet Italian sausages are kept in stock due to popular demand, but Winters is always making specialty flavors that rotate in and out and run the gamut from Cajun spice, to an Argentinian chorizo.

“I’m making head cheese, pork terrines, capicola, and chicken liver mousse pâté,” he says, announcing plans to add even more specialty items like house-made ham, finocchiona, and lardo di Colonnata.

Winters and Smith are working together to build synergy between Miss Cordelia’s meat counter and its deli. Although only a few items are currently available, a new sandwich menu is on the works. Future offerings will include a pressed Cuban sandwich with cured Cuban-style pork, sour orange, cilantro, peppers, house-made ham, and pickles.

“I want people to tell me what they want,” says Winters, who enjoys preparing custom sausages and other items for his customers.

“It’s an interesting challenge to make people forget what they think they know about us,” Smith says. “Fair or not, this store has always had a reputation for being expensive. What I’m learning, the longer I’m here, is that the thing we can’t compete on are conventional groceries. I can’t sell Cheerios the way Kroger sells Cheerios.

“But we can do stuff like this that just blows other groceries out of the water, and we can be very affordable about it.”

Categories
Music Music Blog

Beale Street Music Fest Photo Recap: Friday

Local photographer Sam Leathers is on hand at Beale Street Music Fest 16 all weekend long. Here are a few shots Leathers Captured on the first day of the festival. Stay tuned for more photo coverage.

Julien Baker on the FedEx Stage at Beale Street Music Fest 2016.

Panic! at the Disco playing the Rockstar Energy Drink Stage on Friday night.

Julien Baker.

Neil Young headlining the FedEx Stage Friday night.