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News The Fly-By

Bikesmith Opens City’s First Pump Track

Bikesmith owner Jim Steffen may have a hard time focusing on work these days.

Right outside his bike shop’s back window is a new bicycle pump track, and Steffen admits that all he wants to do right now is ride it: “I’d never ridden a pump track before this one, and it’s fun. I want to keep coming out on it. It might be tough working right next it.”

Chances are lots of Memphis cyclists haven’t ridden a pump track because, until Bikesmith opened their track behind the shop at 509 N. Hollywood, there wasn’t one in the city.

A pump track is a small, looping trail system of dirt berms and mounds intended for mountain bikes, BMX bikes, or other cycles designed for rugged terrain. Bikesmith’s 4,500-square-foot track features three 90-degree turns and three 180-degree turns built from packed dirt.

David Evans

Bikesmith’s pump track opened last weekend.

“It’s called a pump track because you’re not meant to pedal the whole time. Once you get going, you can get momentum as you pump the bike with your body,” Steffen said.

Steffen opened Bikesmith in a converted automotive garage in the Broad Avenue Arts District last fall after first launching the business as a mobile bike repair pop-up in spring 2014. The mobile business is still operational, but now Bikesmith has a home base.

Bikesmith isn’t your average bike repair shop though — there’s a bar inside serving locally brewed craft beer, so customers can hang out and have beers while their bike gets repaired.

On days when the pump track is open, parents can knock back a couple beers on Bikesmith’s patio while their child plays on the track. No drinking is allowed on the track though.

“If you’re drinking, you’re watching,” Steffen said.

The track is open to all ages and all levels, but Steffen said it will likely be especially appealing to kids.

“Parents can feel comfortable with their kids here because it’s fenced in, so they can’t wander off and there’s no traffic,” Steffen said. “Even for adults on mountain bikes, they can feel safe from traffic while they build up their skills to get out on the street.”

Riders will need to bring their own bikes. Bikesmith won’t be renting bikes — at least for now — but Steffen said they do have a few pump bikes for sale at the shop.

The track won’t be open every day since having it open requires having an employee outside “acting as sheriff.” But it will be open on Tuesday nights from 5:30 to 7:30 p.m. and on Saturdays from 11 a.m. to 5 p.m. The cost is $5 for Tuesdays and $10 to ride all day on Saturdays. Helmets are required, and users must sign a waiver before getting on the track.

Steffen said he hopes the pump track will inspire others across the city to build tracks. Currently, there’s the BMX track at Shelby Farms and some trails and jumps at Stanky Creek, but Steffen would like to see more pump tracks, which tend to be more inclusive for riders of all skill levels.

“We’ve talked with pump track owners in other cities, and they say when one pops up, a trend starts and more pop up,” Steffen said.

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Music Music Features

Golden Loneliness

Jesse Davis has one of those voices that will make you stop what you’re doing and listen. The son of long-time touring musician Jimmy Davis, Jesse began playing music as a child, developing his voice along the way. After cutting his teeth at the Burgundy Ballroom (the old Sheiks headquarters where Time, Moving Finger, and Jack Oblivian frequently played), Davis formed an all-star lineup to back him, featuring members of bands from Aquarian Blood, the Sheiks, and Magic Kids.

While the band has been making waves on the local circuit for a couple years now, the only way to hear Davis’ croon over top of soulful garage riffs is through the Chickasaw Mound Bandcamp page. That’s about to change. After saving money from local gigs, Davis said the band will be self-releasing their long-overdue debut 45 sometime soon, hopefully this summer. I sat down with Davis to get the backstory of one of Memphis’ most promising young bands before their show at Bar DKDC this Saturday. – Chris Shaw

Memphis Flyer: Chickasaw Mound started out as a solo recording project for you. How did it morph into a full band?

Jesse Davis: I got asked to play a Halloween show at the Burgundy Ballroom, and I played solo with a laptop playing backing tracks. An old buddy of mine, Zach Beerman, came up to me with Coletrane Duckworth, and they both told me they wanted to start a band. I think Coletrane was about 16 at the time. We started playing some of my originals, and eventually Keith Cooper (of the Shieks) ended up playing with us before I moved to Texas for awhile.

I recorded the demo album Magic Sounds of Our Sanctuary while I was living in Texas in a small town called Wimberley. When I got back to Memphis, Zach couldn’t be in the band anymore, so we asked Ben Bauermeister (Magic Kids) if he would play, and we were excited when he agreed. That’s been the lineup ever since. Everyone plays in different bands so it’s hard to get shows together, but it’s definitely a dream team.

Your dad has been a touring musician for most of your life. How has he influenced your music?

Growing up with him making music in the house definitely influenced me to be creative as well. There were times where I’d be recording in my bedroom while he’d be recording in his office; there was a bunch of creativity flowing around our house. I was born and raised in Memphis, but a few years ago he bought this place out in Texas, just southwest of Austin. He’s got about six acres of land filled with trails and tons of cedar trees, so it’s easy to go out there and get your brain churning.

So the place in Wimberley is responsible for a lot of the songs on Magic Sounds?

Definitely. Some of those songs had already been written, but most of the songs I wrote for that album were directly inspired by my time out there. I would take my kayak out to this spring that had a waterfall and just write songs all day.

How would you describe the music you make with Chickasaw Mound? I’ve heard people call it soulful garage, or doo-wop garage.

Anytime I get asked, I just tell people it’s Memphis garage rock. I guess I also call it soul rock. I don’t really like describing my own music. I have too many influences to call it one thing. I’m super influenced by David Bowie and Iggy Pop, but, I think for this project, I’m channeling Little Richard the most.

Even though you’ve been around for a few years, I feel like Chickasaw Mound is still an extremely underground project. The most high-profile show I’ve seen you billed on was the River Series show you played with NOTS last month.

Yeah, I think that was one of our biggest shows. I was pretty happy with that set, even with our weird cover of “Purple Rain.” I think that show put our music in front of a lot of new people, but in general I think the River Series is really great. I’m really happy that Goner puts it on.

The only way to hear Chickasaw Mound right now is on Bandcamp. Are you guys planning on releasing your music on any kind of physical format?

There’s been nothing physical yet. We haven’t even burned a CD. But we’ve got new recordings that we’ve been sitting on for almost a year. We’re going to do a 45 with the stuff that we recorded last July. Some of those songs were on the Magic Sounds of Our Sanctuary album, but we re-recorded them, and they sound a lot better. The 45 will be self-released and hopefully out really soon.

I think your song “Loneliness is Golden” perfectly sums up the Chickasaw Mound sound. What’s the story behind that track?

I don’t know that I’d say I struggle with it, but I’ve always had depression, and I guess it’s just an intimate song with my depression. The lyrics to the chorus are “loneliness is golden, bitter sweet melancholy to hold me,” and I guess what I’m getting at is that yeah, depression sucks, but there are aspects of it that are comforting because it’s familiar. That might also be a break-up song. I’ve always been into Belle and Sebastian, and I was listening to them a lot when I wrote that song. Their lyrics are similar. They are humorous but they still cover dark subject matter.

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We Recommend We Recommend

Dragon Boat Races at Mud Island River Park

What do 46-foot-long teak-wood Dragon Boats have to do with poetry and tasty rice dumplings stuffed with sweet treats? Today, in America, Dragon Boat racing exists primarily as a festival sport and corporate team-building exercise. Its Chinese origin dates back to 278 B.C. and is inspired by the death of poet and politician Qu Yuan, who, in despair following a rift with his king, threw himself in the Miluo River to drown. According to tradition, friends and fans took to their boats and raced to save the poet, or at least to retrieve his remains before it was eaten by fish or pecked apart by hungry birds. When nobody could find a body, the people tossed sticky rice balls into the water so the fish and birds would have something to eat other than Qu Yuan. This is said to be the start of both Dragon Boat racing and the banana leaf-wrapped treats called zongzi.

Gentlemen, start your dragons!

The traditional boats are awfully narrow, but there’s good news for everybody who’s over-indulged in zongzi — or barbecue, as the case may be. The boats used for Memphis’ Duncan-Williams/St. Jude Dragon Boat races are made of fiberglass. They still have the traditional dragon head at stem and tail at stern, but are specifically designed to accommodate American appetites.

Dragon Boats require 22-person teams. One person steers. Another pounds out a steady drum rhythm. The remaining 20 are charged with synchronized paddling.

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We Recommend We Recommend

I Hate Hamlet at Germantown Community Theatre

It’s the day of dress rehearsal, and John Moore, who plays the ghost of actor John Barrymore in Paul Rudnick’s comedy I Hate Hamlet, is about to get his tights. “Ah yes, the tights,” he says. “You know, they don’t hide a lot. Like Barrymore says, ‘This is the history of Prince Hamlet. Tight pants. That’s what Hamlet‘s about. A young man full of vigor.”

This year marks the 400th anniversary of Shakespeare’s death, and the Bard, whose work is always in heavy rotation, is getting a little extra love. In addition to producing his plays, Memphis companies are also staging works inspired by Shakespeare. As was the case with Theatre Memphis’ very funny production of The Complete Works of William Shakespeare (Abridged), one doesn’t have to know all that much about Elizabethan theater to get the jokes in I Hate Hamlet, though some familiarity will make for a better experience.

Hamlet — a man in tight pants

“It’s like being in the live studio audience for a sitcom,” Moore says. It’s a good description, too.

I Hate Hamlet tells the story of Hollywood actor Andrew Rally, the popular star of a TV show that’s just been cancelled. The good news, he’s been offered the title role in Shakespeare in the Park’s production of Hamlet. The not-so-good news: He’s not a fan. The weird news: He’s living in John Barrymore’s old apartment, and the actor’s martini-swilling spectre keeps showing up to offer acting and life advice.

“He’s called a ham,” Moore says of Barrymore, who swills, swaggers, staggers, and sword fights his way through the play. “So I’m playing him like he’s always on.”

Categories
Letters To The Editor Opinion

What They Said…

Greg Cravens

About Steve Steffens’ Viewpoint “Tear Down the Shelby County Democratic Party and Start Over” …

The current party is a bunch of jackals fighting over the scraps left over after the Republicans have torn the state apart. They have no desire to do their own hunting.

Jeff

About Kevin Lipe’s Beyond the Arc post, “Dave Joerger out as Grizzlies Head Coach” …

While I was initially shocked by this decision, after reading all the “behind the scenes” stuff, I agree with it. I’ve always thought coaching changes set back franchises, but obviously we had a coach who wanted no part of our team. He’d been here nearly 10 years. Thanks, Dave. It’s time to move on.

Midtown Mark

The shedding of tears was also a shot at front office, “Oh, woe is me, it was so hard, all the injuries, they traded Jeff Green, they traded Courtney, then had a carousel of D leaguers… and, oh yeah, they picked Jordan Adams instead of Rodney Hood ….”

It was a shot at front office, and I’m not saying he was totally wrong on everything, but that’s what it was.

His remarks the next day were actually in line with all his prior behavior, including the tear fest. He was thankful for his players, but had disdain for front office since his sponsor Jason Levien left.

Juce

About Frank Murtaugh’s From My Seat post, “Preferred Playoffs: Hockey” …

I am a hockey fan, not the best place to live for that. The Predators are having a good run. I am a Leafs fan. So that is the same as saying, ‘Hey, I am delusional,’ but I grew up in Ontario, so that is my excuse. The playoffs in the NHL are called hockey’s second season for a reason. Often all bets are off. Guys who bag it during the season suddenly come alive. Sometimes the big guns go silent. Always love watching.

Paula Langley

On J.D. Reager’s Local Beat column, “A New Booker in Town” …

Here’s hoping that he’s successful at broadening the mix of performers to appeal to a wider audience. And to appeal to folks truly interested in hearing good live music, not just in drinking and socializing with a live band as merely a backdrop. Much needed at Lafayette’s. (Special request: Please bring back Castro Coleman, aka Mr. Sipp, the Mississippi Blues Child!)

Strait Shooter

On the letter about “Madam President” in Last Week’s “What They Said” …

We elected a black man as president because people said that this country is more than ready for a black man to lead us.

They are and were right, but should we have ONLY one candidate of that sex or color represented?

Surely there are more qualified women to run for office than someone who is under federal investigation for mishandling of classified material and who has let an embassy be sacked and the ambassador murdered and dragged through the streets.

Besides,we have already had a woman president. When Calvin Coolidge had his stroke, his vice president did not want to assume the duties, so Mrs. Coolidge sat in the president’s place and made decisions for the country.

towboatman

Towboatman,

Pssst … it was Wilson, not Coolidge who had the stroke. And if Mrs. Coolidge took over after Mrs. Wilson poisoned the president, well, we got ourselves an HBO series!

CL Mullins

About Joshua Cannon’s News Blog post “Ghost River Requests $66,455 for Tap Room, Renovations”

I love Boscos and Ghost River. Corporate (and a lot of other) welfare, not so much.

ALJS

About zoo parking …

The parking problem will not go away with the Band-Aid proposed last week. Memphis artist Roy Tamboli’s suggestion to see the parking quandary as an opportunity to innovate and enhance the park landscape has been the only solution with a flicker of ingenuity. Surely we have enough great architects and civic-minded business leaders to turn this dilemma into a show-stopping solution. Don’t leave it to the clumsily thuggish zoo PR team or the big-business-indebted zoo board and City Council. Find a Tamboli-like solution that will enhance and resonate for decades.

P.Hall

Categories
Blurb Books

Writing in a Pinch

Our good friends at the Pinch Literary Journal have put together a series of writing workshops to be held in early June. Writing is a craft, and it’s hard, so if you want to get better it’s a good idea to listen to those who
do it.

From their website:

“If you are a fan of the Pinch, you know that we pride ourselves on selecting and publishing diverse poetry, fiction, and creative non-fiction. We are also a hardworking staff of graduate students in the English Department at the University of Memphis. We take and teach classes in creative writing at the university and we work hard for the Pinch. We write, we publish, we are the people we want to see in literary journals. We’d like to share some of that experience with the creative community in Memphis. We’ve got a plan. It’s a good one. Won’t you join us?”

Classes will be held at story booth (438 N. Cleveland), and run June 4th, 11th, and 18th. These dates correspond to classes in creative nonfiction, fiction, and poetry. Classes are taught by instructors and MFA candidates from the University of Memphis, which sponsors the Pinch.

For more information and guidelines on how to apply, visit the Pinch.

Categories
News News Blog

Pets of the Week

Each week, the Flyer will feature adoptable dogs and cats from Memphis Animal Services. All photos are credited to Memphis Pets Alive. More pictures can be found on the Memphis Pets Alive Facebook page.

[slideshow-1]

Categories
Music Music Blog

Landers Center Announces Jill Scott Concert

The Landers Center in Southaven has announced that multi-Grammy Award winning singer, songwriter, model and actress Jill Scott will bring her summer tour to the venue on Saturday, July 30th. Tickets for Jill Scott go on sale this Saturday, May 21st at 10 a.m. and can be purchased by stopping by any Ticketmaster location as well as the Landers Center Ticket Office. 

JIll Scott’s latest album, 2015’s Woman debuted at no. 1 on the Billboard chart and the singer is also the author of the New York Times Bestseller The Moments, The Minutes, The Hours. Check out a video from Scott’s 2015 album below.

Landers Center Announces Jill Scott Concert

Categories
News News Blog

Memphis City Council Considers Revising CLERB Ordinance

Worth Morgan

At the Memphis City Council meeting in two weeks, the council will consider a revised ordinance that ensures the Civilian Law Enforcement Review Board (CLERB) would not have subpoena power.

Memphis City Council member and CLERB board member Worth Morgan proposed the ordinance before the Public Safety Committee Tuesday afternoon, and the committee voted to move the matter to a vote at their next meeting. The CLERB was revived last year (after a long period of inactivity) to investigate civilian complaints about police misconduct. The board doesn’t have the power to issue punishments to police officers found guilty of wrongdoing, but it recommend action to the police director.

Morgan wants to make clear in the language of the CLERB ordinance, which was passed by the council in November of last year, that the board cannot subpoena witnesses and documents needed to investigate matters of police misconduct. 

Morgan’s amendment would also ensure the CLERB meetings remain open to the public in accordance with the state open meetings law. At the first official CLERB meeting last month, the board went into a closed-door session to discuss the case at hand. Media and the public were asked to leave the room. 

“We may have been in violation of state law when we did that,” Morgan told the council.

Morgan would also like to see the council member assigned to CLERB (that’s him) stripped of voting power.

Categories
Fly On The Wall Blog Opinion

WMC Putting Hair Extensions Under the Microscope —- Science, Y’all!!!

I hope they find tiny microscopic demons. 

But seriously, look. 

You know what else is unbeWEAVEable? Spell check.

Guess we’ll have to wait until tonight to find out if they’ve discovered ectoplasm. So far WMC has only posted a teaser video of this woman in a lab coat explaining how, “Hair has different thicknesses you can see with the “nekkid eye.” 

And something about “Fish Eyes.” Ew.

‘Nekkid Eye.’ It’s a solid band name if you’re looking.

Looks like this one’s going to be a two-parter with installments at 5 and 10.