Categories
Food & Wine Food & Drink

Lead the Way

Everybody has his or her passion.

For Cristina McCarter, it’s food.

“I’m always looking for different places to eat, or if there’s a new place, I have to go try it,” the sales assistant says.

McCarter, a Flyer employee, knows something a lot of folks don’t — how to put that passion to work.

Recently she relaunched City Tasting Tours, a tour business that takes foodies or those who aspire to be such on walking tours to various restaurants in Memphis neighborhoods.

“Everybody has been so nice, making suggestions,” McCarter says. “It’s a lot of fun.”

McCarter originally worked as a tour guide for the business back in 2011, but eventually it was put on hold until McCarter got a phone call in October.

“The owner called me and asked, ‘Do you want to take our business and make it your own thing?'” she says. “I thought why not make a hobby into something I’m making money off of.”

That hobby started with Yelp, when McCarter would take photos of the food she was eating and post it on the website of crowd-sourced reviews.

Her reviews turned to blogging by way of her friends’ pushing her to do so, and lovingmymemphis.com was born.

Justin Fox Burks

Cristina McCarter and “tourists”

“Then it became ‘Cristina knows where to go.'” My friends would call me and say they were coming into town. I have a list I copy and paste now. I let them know about food and drink events or if there’s a festival going on. I’m like a concierge,” she says.

She first became a tour guide for City Tasting Tours when she saw an ad for the job.

“I thought, why not get paid to eat?” she says.

McCarter held her first tour as the “one-woman-show” that is now City Tasting Tours on May 14th, focusing on South Main and Beale Street.

Included in the tour was Central BBQ, Ray’z World Famous Dr. Bar-B-Que, Cafe Pontotoc, Alfred’s on Beale, and Dyer’s Burgers.

Each tour visits five restaurants, and the restaurants are the same for the month.

June will include Central BBQ and Earnestine & Hazel’s and a few other stops along the way, ending at King Jerry Lawler’s Hall of Fame Bar and Grille, where those lucky enough to have booked a spot will sample the King’s deep-fried ribs, homemade pork rinds, and crawfish corn chowder.

“The restaurants love it. It’s a gain for them. They potentially have 12 new customers in their restaurant each week, and a lot of them become repeat customers,” McCarter says.

Many of the stops feature a showcase of the chef — in the case of Ray’z, a tour of the pit — and every tour is dotted with morsels of stories, fun facts, and insider info from McCarter herself.

“I talk about what I love about the city, what locals do, what the city has going on, where it’s improving, a little bit of history,” the Memphis native says. “I’m still learning. They seem to like it. [The first tour] they told me I should be on Shark Tank.

Each tour is limited to 12 people and takes place every Saturday.

Dish sizes vary depending on the food. For appetizers like pork rinds, they’re served buffet style. Corn chowder, however, would be served in individual dishes.

Tours are $55 per person and 21 and up, with deals and discounts offered frequently.

Except for June 25th, tours are sold out until July. They run every Saturday until October, and all tours are rain or shine.

“I usually send out a list of tips two days before the tour, such as if there’s an event going on to park accordingly, wear comfortable shoes, bring shades. And I send the menu out ahead of time,” she says.

As of now, McCarter’s tours concentrate on the downtown area, but she plans on expanding to Midtown soon and eventually further east.

“I hope to continue to get a lot of locals. They can try something different and learn a little about Memphis that they might not know,” she says.

Categories
Theater Theater Feature

Some love for I Hate Hamlet.

What a piece of work is Hamlet. How evergreen. How ripe for appropriation and parody. Aye, there’s the rub. Will Memphis theater audiences be over Shakespeare’s original man in black when the curtain rises on New Moon Theatre’s February production? That may not be the question, but given all the Hamlet-related shows we’re seeing this season, it’s one worth asking. Or will productions of shows like The Compleat Works of William Shakespeare (Abridged) and One Ham Manlet whet appetites for the real, complete thing?

Paul Rudnick’s light comedy I Hate Hamlet is Germantown Community Theatre’s contribution to Hamletpalooza, and it sure is a mixed fardel. Rudnick’s script is a bumpy muddle of real-estate gags, sitcom hijinks, and splendid set pieces about celebrity, passion, immortality, and tight pants. An uncommonly engaging cast pulls it all together and keeps spirits high, even when the writing threatens to let everybody down.

So, who hates Hamlet? Andrew Rally, that’s who. He’s the smoking-hot hunk star of a recently cancelled TV show called L.A. Medical. He also co-stars with a sock puppet in a heavy-rotation commercial for some sugary breakfast cereal with more calories than lard. But is he an actor?

To answer that question, Rally moves from the Left Coast to a New York brownstone formerly occupied by a famous actor from Hollywood’s golden age. He’s tentatively accepted the title role in a free Shakespeare in the Park production of Hamlet, and boy, does he regret every bit of it. Enter the drunken glory-obsessed ghost of John Barrymore, lush, womanizer, hot mess, and the greatest Hamlet of his generation. What follows is a quirky mashup of Blithe Spirit and My Favorite Year, and watching Rally and Barrymore fence and fuss their way through a mutual identity crisis is great fun. It might be even more fun without all the melodramatic subplots, each one worthy of the trash Barrymore played on Broadway, back when he was a big-time matinee idol.

Enter the stock players. Deirdre is Rally’s girlfriend. She’s a 29-year-old virgin who’s saving herself for both the right man and the right moment. She also has an Ophelia fetish that’s weird and not very believable. Rally’s main super-bro Gary is a self-motivated “writer-producer-director” who thinks Shakespeare’s “like algebra on stage.” He has a big career opportunity in the works because, of course, he always does. Lillian, Rally’s agent, is an elderly German immigrant who lost a hairpin while having an ill-advised fling with Barrymore, back when she was young and he was loaded and lost. Felicia’s the clairvoyant real-estate agent who sets the old-fashioned farce in motion.

Ashley Trevathan is terrific as Felicia. In her own, self-parodying words, she “wins.” She’s not alone, either. Evan McCarley is deliciously shallow and smarmy as Gary. With eyes that bat and roll like a siren of the silent screen, Rae Boller’s Deidre charms her way through the play’s clunkiest lines, while Louise Levin makes Lillian’s last dance — aka the show’s most contrived moment — into something incredibly human and almost sexy. But I Hate Hamlet only ever soars when Gabe Beutel-Gunn and John Moore are on stage together as Rally and Barrymore. It’s their show, and both actors just go for it.

I’ve never seen Moore as alive as he is when he’s inhabiting the drunk, horny, undead corpse of John Barrymore. Moore stumbles across the stage with great determination and bounds through the air, saber in hand, playing to the cheap seats every chance he gets. His character may talk about the value of filling out the tights, but Moore’s performance is a lesson in filling the room. As Rally, Beutel-Gunn plays the straight man and earns his ridiculous bow.

It seems silly to write it down, but tastes have changed quite a bit since John Barrymore’s days on the Great White Way. There’s not much room in the modern theater for the kind of disposable material I Hate Hamlet aspires to. Jokes fall flat. Characters annoy. But just when it feels like the play’s about to devolve into a live action version Three’s Company, Rudnick’s comedy — aided by director John Maness and a terrific ensemble — taps into something genuinely Shakespearian.

Categories
Music Music Features

Spray Paint Live at the Hi-Tone

Austin, Texas, noise rockers will celebrate the release of their new album Feel the Clamps this Monday night in the Hi-Tone’s small room. Goner Records is releasing the album, and the vinyl was pressed at Memphis Record Pressing, making Spray Paint one of the newest out-of-town bands to take advantage of the pressing plant. After releasing records on notable underground labels like S-S, Upset the Rhythm, Homeless Records, and Monofonus Press, the Austin three-piece took their talents to Goner Records, a label that has already had a killer year with their release of the Angry Angles compilation. The show will serve as a release show for Feel the Clamps and for a single featuring songs that didn’t make the album. If post punk or noise rock is your thing, Spray Paint are certainly worth the price of admission.

Spray Paint

Rounding out the bill is Aquarian Blood, another Goner Records band who have been working on their new album for most of the year. The band features members of many notable local groups, but almost all the tracks the band plays were cooked up by singer/guitarist JB Horrell in his home studio/practice space. Goner Records has been staying true to releasing some of the best garage/punk the city has to offer, and many will be happy to hear a new LP from Memphis powerhouse NOTS is also coming sometime this year. As for the Hi-Tone, the venue has a stacked calendar throughout the summer, including shows from bands like Every Time I Die, the Black Lips, Chain and the Gang, and Goner alumni Guitar Wolf. Get to the Hi-Tone by 9 p.m. on Monday and start your week off with some noisy punk from two bands in their prime. What could possibly go wrong?

Categories
Music Music Features

Q&A: George Clinton is Still Funkin’

The New Daisy is turning 74 this weekend, and to celebrate, George Clinton will be on hand to make sure the party goes well into the night. The venue will be mounting memorable show posters on the walls throughout the night, including the Bob Dylan concert flyer, and a Big Star show poster. While those shows definitely deserve recognition, the real draw here is George Clinton. I caught up with Clinton over the phone last week to talk about the show and how he manages to keep it funky at the age of 74. — Chris Shaw

The Memphis Flyer: How often are you performing these days? Are you able to tour as much as you’d like?

George Clinton: I generally tour all the time. We live on the road. We’ve been doing a 30-day tour in the states starting tonight. Then we go to Europe for 30 days, and then we come back here and do the same thing. We’ve got a couple new records out and a new video with Kendrick Lamar and Ice Cube that we’ll be promoting.

George Clinton

You’ve worked with a lot of rappers throughout your career. Is there any current artist you’d like to work with that you haven’t yet?

The group Alabama Shakes. I really like them, that’s the rock side of me. The hip-hop side of me [would like to work with] J. Cole. My grandkids show me what’s hip, there’s about five of them in the group now, and they keep me up to date on what’s going on. Flying Lotus is who I’m touring with right now.

Your ties with Stax Records and Memphis run pretty deep.

Al Green, Isaac Hayes, and the Bar-Kays have all been on tour with us. I go way back with all of that. In the ’60s, those were our touring buddies, and we were united with Stax and a lot of other Memphis connections. It’s always good to play Beale Street Music Fest.

Back in ’76 we had the Mothership, and it really blew a lot of minds to see the spaceship landing, and people were freaking out when we brought to Memphis. The Mothership in ’76 and ’77 pretty much freaked everyone out across the country.

How do you feel about your music being sampled by so many artists over the years?

I’m proud of being sampled. The corporations that try to own the music is what I have a problem with. That’s the part I’ve been fighting, and I’ve got a documentary coming out about that. My latest album is going to tackle all these pharm drugs you see on TV that are actually worse than street drugs. It’s going to be called One Nation Under Sedation.

You’ve been clean for a while now. Can you still get funky now that you’re sober?

Definitely. As soon as you find something better than the habit, you don’t need it anymore. All that rehab shit is just for people to make money. I smoke weed. I got my medical marijuana card, and I get higher with that than I ever did smoking crack. The weed nowadays gets you much higher than the crack I used to smoke. I sprained my back and they gave me these painkillers, but I won’t take that shit. I’m happy being clean, and I’m not bragging. I’m just happy to be over with it, and I know people need to hear these things without being preached at.

What’s been the secret to your longstanding career?

I feel lucky, but coming through the ’50s when rock-and-roll was coming up and then working at Motown factory with the best songwriters in the world, you learned to respect all the different music coming along. I’m not afraid of the kids coming along today. I’m not afraid of them putting me out of business. I’m trying to work with them. I get on YouTube with my grandkids and hear their mix tapes, and then I work with them.

It keeps me relevant, just like when I worked with Kendrick Lamar. We are basically doing R&B with this 21st century dance concept. Snoop and all them from that era, they didn’t identify with R&B the way they do now. They are all really proud of R&B now, and so the younger generation respects the music itself. The new era of rappers appreciates blues and R&B. That’s what keeps the music alive.

Categories
Music Music Features

Memphis Punk Fest Turns Four

Now entering its fourth year, the sprawling Memphis Punk Fest is quietly becoming one of the city’s finest underground music festivals. Founder Tyler Miller, originally from Union City, Tennessee, is as invested in the Memphis punk scene as anyone could fathomably be. In addition to bringing countless touring punk bands to town all year round via his booking and promotion company, Memphis Punk Promotions, he’s also a well-seasoned musician with several local punk bands, including Los Psychosis, SVU, and Evil Army. Miller spoke to the Flyer this week about his three-day, multi-venue festival.

The Memphis Flyer: How did you first get into punk rock?

Tyler Miller: I liked bands like the Clash and Ramones like anyone else when I was younger. Then I started discovering more bands via dial-up connection when I got internet. I was around 13 when I started getting really into the music and went to my first concert, which was a battle of the bands in Paducah, Kentucky because a band on Myspace my older friends showed me was playing.

When did you get involved in the punk scene in Memphis?

I moved here in 2010 and was in college for two semesters. I lost my scholarships due to me skipping the first two weeks of music theory. From there, I started couch surfing again and living with people I met at parties. The McAdoo house was the first place I booked a show at for one of the house parties we threw, but as far as punk music, my first show was in 2011 at Dru’s Place. I couldn’t find anyone to play guitar in a band with, so I traded my guitar for a drum set when Los Psychosis told me I could play drums if I had a set. Next thing I know, there was a show booked, and I got booed off stage.

How long have you been in Evil Army?

I joined Evil Army in 2013 when I got a call from Rob Evil about how he heard I could play bass and asked if I’d be able to come over that night and learn their songs. We left, I think, the next day for Brooklyn and did around 15 cities. I remember listening to them on YouTube or maybe Myspace when I was younger, and the thrash metal part of me really dug it. I didn’t know they were from here until after about two years of living in Memphis. I enjoy the band and am always surprised with Rob’s talent no matter how many shows we play together. He’s a really amazing writer and underappreciated sound engineer.

What inspired you to put on the first Memphis Punk Fest?

I was living on Jack Simon’s (Brister Street Productions) couch when he was planning the second Brister Fest and throwing around ideas on his “magic board.” We talked about doing a DIY/grassroots-style fest like his but for punk bands. All the inspiration was carried with me from the all-ages punk scene in Paducah.

I noticed people didn’t communicate like that down in Memphis and thought it would be a good start to bringing together the music community. I started the “Memphis Punk Rock” group page on Facebook and Memphis Punk Promotions so the festival would have some sort of entity behind it rather than it being cast off. I’m proud to say I’ve hosted for over 250 bands on tour since I’ve started Memphis Punk Promotions and the Fest.

Did you think you’d still be doing it four years later?

I really enjoy the idea of doing the festival forever, but it is a lot of hard work and constant planning. I start booking bands as early as October for June of next year for the festival. Dedication to the music is very important to me, and it would mean the world if some people would help carry on the festival if I decide to not do it again. But, then again, pulling it off every year has been a miracle with all the costs. I pay for the flyers, badges, overheads, and do every bit of promotion virtually by myself. Sure, you can go to this other festival with $150 tickets sponsored by Monster Energy and Whole Foods or whatever, but when it comes to punk rock, I feel like this is more true to the roots. The show goers pay for the whole festival every year. I never make but a couple bucks, which is more than satisfying.

What are you doing differently now in year four?

Over my time here, I’ve met and learned from some of the greats of Memphis punks and heard stories about how things were at their peak, which inspired me to try to get more of these long-running musicians involved. I was stoked with how quick a response I got from bands like the Subteens, Pezz, Fresh Flesh, and the Drawls. Other than not having so many out-of-town bands on the festival, I’m keeping the same goal: make it affordable. Oh yeah, and BYO nerf guns.

How big is this year’s festival?

Thirty bands and eight comedians over three days in six different venues.

Categories
We Recommend We Recommend

Illuminated: Semicolon Tattoo Event at Underground Art

The semicolon, perhaps the most misunderstood punctuation mark, connects ideas that are closely related when an author needs a pause. The author could just end the sentence, but by using a semicolon, she chooses not to.

It’s that choice to go on that’s inspired the trend of semicolon tattoos as a form of mental health awareness. The “author” (a person struggling with depression, addiction, anxiety, etc.) makes the choice not to end their sentence and get help or just talk about what she’s dealing with.

On Saturday, June 4th, Underground Art is hosting Illuminated, a semicolon tattoo event and festival to raise awareness about mental illness. They’re selling small semicolon tattoos for $20 to $30 (depending on size and design) to raise money for the Memphis Crisis Center.

Besides tattoos, the outdoor festival, which will take up the block between Bruce and Philadelphia in Cooper-Young, will feature a silent auction, bands, food trucks, a storytelling area, and a chance for people facing mental illness to talk to other people who have the same issues.

“At the entrance, there will be a table and we’ll have red and green labels where people can write down whatever it is they’re struggling with,” says Underground Art owner Angela Russell. “If they write it on green, they’re willing to talk about it. So we’ll have pairs of chairs scattered about so people can sit down for five minutes and answer questions or ask questions. The point of that is to put a face on these issues and take that stigma away from that.

“If I were to wear a label, it would say ‘depression’ and ‘social anxiety’ and ‘self-harming,’ which isn’t something I do now, but I have experience with that. I can talk about what it feels like and what’s worked and hasn’t worked and just humanize these issues.”

Bands scheduled to perform include Name and the Nouns, the Right Mistakes, and the Pocket. Food vendors will include Hot Mess, Say Cheese!, Pink Diva Cupcakery, and the Creamery.

Categories
Editorial Opinion

Shelby County Democrats Need to Open Up

Among other significant matters that may go largely unnoticed by the general public this week will be a Thursday night meeting of the Shelby County Democratic Committee. The chief order of business will be the selection of a new chairman for a party that in theory should be the dominant political organization of Shelby County but, on the basis of actual election results for the last several years, manifestly isn’t.

Oh, the Democratic Party may come to look like the dominant local party for at least a week this November, when the county’s voters turn out to elect a president. If tradition holds, a majority of the vote in Shelby County will go for the Democratic nominee, who at this writing would seem to be almost surely former First Lady, Senator, and Secretary of State Hillary Clinton.

Of course, Vermont Senator Bernie Sanders might somehow still be the beneficiary of a miracle. That would be partly the result of his own impressively over-achieving primary-season campaign and partly the consequence of as yet unforeseen external events — e.g., possible legal complications stemming from the zombie-like email controversy bedeviling frontrunner Clinton. If so, Sanders, too, could probably count on a majority out of Shelby County. The demographics of Shelby County, so largely African-American and working class, favor Democrats (though the Republicans will apparently have a presidential nominee this year whose unpredictable appeal could, er, Trump expectations).

But, if Democrats usually prevail locally in presidential elections, they have fallen into a rut in the quadrennial elections for countywide political office, losing most or all such races and losing them badly. Such has been the case in every county election since the institution of local party primaries in the mid-1990s. In recent years, Democrats have at least managed, by dint of fielding clearly qualified candidates with crossover potential, to win the offices of Shelby County Assessor and General Sessions Clerk in off-year elections. (For what it’s worth, legislative changes in the election cycle leave that clerkship as the only county position on this year’s August 4th ballot.)

What accounts for the discrepancy between the outcomes of local races and those for president? One explanation — and, to be sure, it is controversial — is that, in an age of transformative and fluid political loyalties, local Democrats (or those who have prevailed in the party’s executive committee) have adopted a “closed-shop” view of party membership and have adopted rigid bylaws and policies that make it virtually impossible to attract converts of mixed political backgrounds or to license them to run for office under the party banner. Local Republicans have adopted, by contrast, a relatively “open door” policy, and their ranks teem with former Democrats — one possible explanation for their consistent primacy in races for local political offices.

When the Shelby County Democratic Committee meets to hold its ad hoc reorganization meeting, and beyond that point, for that matter, its members would be well advised to keep this thought in mind. While they’re jibing at Republican presidential candidate Trump for his infamous proposal to build an exclusionary wall, they should be on guard against self-defeating tendencies within their own party in favor of building one.

Categories
Politics Politics Feature

First Licks in the Tennessee 8th District

As introductory campaign events go, the forum for 8th District congressional candidates held Tuesday night last week by the East Shelby Republican Club at Germantown’s Pickering Center was somewhat tentative — as most such debut cattle calls are — but it contained plenty of foreshadowing of the slings and arrows to come.

Four of the main GOP players were there — state Senator Brian Kelsey, radiologist/radio executive George Flinn, Shelby County Register of Deeds Tom Leatherwood, and advertising man/consultant Brad Greer of Jackson. Missing among the touted contenders were former U.S. Attorney David Kustoff and Shelby County Mayor Mark Luttrell.

The outlier of the group, both geographically and, to a large extent, philosophically, was Greer, whose chances for prevailing are maybe not quite as good as those of then state Senator Marsha Blackburn when she ran for the 7th congressional seat in 2002 against three Shelby Countians— the aforesaid Kustoff, then Shelby County Commissioner (now state Senator) Mark Norris, and then Memphis City Councilman Brent Taylor

Blackburn, whose home base was Brentwood in Williamson County, campaigned well across the 7th District, even in Shelby County. She would win easily, taking advantage of the split vote among Shelby County natives, none of whom exactly ran like a house afire anyway.

But if Greer’s public image is not as well honed as was Blackburn’s, who at the time was one of the preeminent leaders of the anti-income tax movement in Tennessee, he has even more opponents from Shelby County than had Blackburn in 2002, and thus can count on an even more advantageous split.

Jackson Baker

(l to r) Brad Greer, George Flinn, Brian Kelsey, and Tom Leatherwood in Germantown

Flinn, Kelsey, Kustoff, Luttrell, and Leatherwood (to list them in the order of their campaign financial holdings) could very well divide the vote in their home county of Shelby, wherein resides 55 percent of the 8th District electorate. And that could pave the way for an upset victory for Greer, whose Madison County bailiwick is closer to the traditional heartland of the District, which since 2010 has been served by Crockett County resident Stephen Fincher, who is voluntarily relinquishing the seat.

That might especially be the case if the 8th District votes according to the same pattern as in March on Super Tuesday, when the distribution of votes for the hotly contested Republican presidential primary was, according to Greer, 60 percent in the non-Shelby part of the district and only 40 percent in the Shelby County bailiwick of Flinn, Kelsey, Kustoff, Luttrell, and Leatherwood.

To be sure, Greer has some competition of his own among fellow Jacksonians Hunter BakerDavid Bault, and George Howell, none of whom, however, have raised much money at this point or figure to run well-supported races. And prominent Madison County kingmaker Jimmy Wallace, a major force behind Fincher, is putting his eggs this time in the basket, not of Greer, but of Kelsey, who also has good support and fund-raising potential in the Memphis area.

For the record, candidate cash on hand, as of the first-quarter reporting period, was: Flinn, $2,930,885; Kelsey, $439,005; Kustoff, $319,682; Luttrell, $144,570; and Greer, $103,713. No one else had amassed $100,000, or anything close to it. (And Flinn’s total should be taken with a grain — or perhaps an airplane hangar — of salt. Like Donald Trump at the presidential level, he is wealthy enough to self-finance, and, unlike The Donald, actually does so to a substantial degree; he does minimal fund-raising as such.)

All of the foregoing is a recap of the basic paper facts. Last week’s forum at the Pickering Center gave a partial foreshadowing of how the race might be run and of some of the intangibles involved. Herewith are some (admittedly sketchy) reviews of how and what the participating candidates did:

First up was Greer, who established the fact that he represented rural Tennesseans and had handled 18 West Tennessee counties in the 2006 U.S. Senatorial race for Republican victor Bob Corker. He distinguished himself from the others when an audience member asked about trade policy, and Greer wasted no time blasting away, Trump-like at the purportedly ruinous effects of various free-trade pacts on ordinary working folk. “I don’t give a good rat’s ass about other countries before my fellow countrymen,” Greer declared, in what may have been the line of the night.

Flinn was next, and right away declared his fealty to presumptive GOP presidential nominee Trump. He went on to express, as he does in his now-frequently-appearing TV ads, some of the well-worn GOP shibboleths of recent years, fretting that “we’re being killed by entitlements,” and promising to “represent you to D.C., not D.C. to you.” (I can’t help fantasizing about what would happen if the genial and accomplished Flinn dispensed with such pedantic bromides and let fly something defiant about the independence secured by his self-financing, a la “If you like Trump, you’ll love me!”)

Kelsey was third to speak, and in his allotted two-minute introductory spiel, he must have used the self-defining phrase “proven conservative” perhaps 50 times. Okay, that’s hyperbole, but variations on the phrase dominated his brief remarks to an overwhelming degree. In fairness, he did get to elaborate on his record during the Q-and-A portion of the evening, touting his sponsorship of a constitutional amendment to ban a state income tax and his enmity-to-the-death for Medicaid expansion.

Most compellingly, Kelsey signaled his willingness and intent in the future to attack the absent Luttrell, a supporter of Governor Bill Haslam’s ill-fated “Insure Tennessee” proposal: “We have Republicans in this very race who supported extending Obamacare.” And later: “As I mentioned before, we have Republicans who want to expand Medicaid under Obamacare.” 

And there was Leatherwood, whose hold on his county register’s job owes much to a neighborly demeanor and a competent, customer-knows-best attitude but who, when running for offices of partisan consequence, prefers to present himself as some kind of avenging Robespierre of the Right. He vies with Kelsey in his contempt for “socialism” and regard for “free enterprise” and, on matters of education policy, gave notice of his wish to purify both state (“Frankly, TNReady is merely Common Core by another name”) and nation, promising to support the abolition of the Department of Education.

In brief, Flinn, Kelsey, and Leatherwood all essentially stuck to well-worn Republican talking points, and Greer evinced at least some disposition, in this year of Trump and Sanders mass assemblies, to go yellow dog.

The next forum for these Republican contenders is scheduled for this Thursday night in Dyersburg.

Categories
News The Fly-By

Fly on the Wall 1423

It’s a Sign

Your Pesky Fly is a longtime collector of strange, confusing, and misspelled signs, like this delightful message salad found in a Germantown convenience store at the corner of Poplar and Forest Hill-Irene. Although the information attached to the men’s room door is more of a collage than an individual sign, it still qualifies. What we see here is a standard men’s room sign that reads, “men,” of course, and also includes the universally recognized icon for “men.” In case that wasn’t enough to get the idea across, someone’s also taped a green strip of paper to the door with the handwritten word “MEN.” Then, as a bonus, there’s a large stop sign with the scrawled message, “Please knock on the door before you pull.” Have you got that, men? (Men?) (MEN?)

Frayser Man

Gary Johnson of Frayser was apprehended by a Kroger security guard who noticed grocery items falling out of Johnson’s pink pants, which were lined with plastic bags and bulging at the seams. Somehow the would-be shoplifter had managed to shove an entire shopping cart’s worth of toiletries into his britches. Items recovered included crotch-warmed razors, shampoo, deodorant, several bars of soap, some shaving cream, a variety of scented sprays and lotions and — maybe you should just see for yourself.

Categories
News The Fly-By

Timing of Zoo Study Release Draws Criticism

Questions remain about a conspiracy (or a conspiracy theory at least) that has bubbled in the background of the Overton Park Greensward controversy for weeks.

Memphis Zoo officials claim they released the full report of their economic impact study to the media back in 2015, but some Greensward supporters claim the zoo only put out a news release at the time, not the full study.

That is important, some Greensward supporters say, because the zoo has used the big numbers — $83.8 million in annual revenue and 879 jobs — to get special treatment from city leaders to use Overton Park for parking. Then, as the Greensward controversy boiled, some supporters say the zoo hid the full report fearing questions that its methodology would prove a lesser economic impact.

But zoo officials say that’s wrong. Zoo spokesman Laura Doty and Kelli Brignac, a zoo-hired public relations specialist from Obsidian Public Relations, said the news release was given to media on May 6th, 2015, and a hard copy of the full report was released the next day.

However, news reports of the study in 2015 didn’t carry information from the study itself, only facts and quotes from the news release. This led many Greensward supporters to question why the full study wasn’t cited, including the assumptions of the study used to prove such high figures.

Those supporters then asked for the full report from the zoo and the University of Memphis, which conducted the study. But those requests were denied.

The zoo’s study was commissioned after a six-month period in the spring and summer of 2014, in which zoo officials said attendance slumped 17 percent as the Greensward was off-limits to parking. Then-Memphis Mayor A C Wharton had banned parking on the Greensward at the time and said parking was “not the highest and best use” of the space.

Attorney Robert Spence denied Greensward supporter Scott Springer access to the report in an April letter, stating that the zoo is a private entity and is not subject to the Tennessee Public Records Act.

Then, on May 13th, 2016 — nearly a year after the study was allegedly given to members of the Memphis media — the zoo released the full study on its website. The release was due to “overwhelming public support and interest” in the zoo and the study, according to a news release at the time. That news release said the zoo “releases” the economic impact study, not “re-releases” it.

“It is standard practice to release high-level findings of a study in an executive summary or news release,” said a statement from the zoo’s public relations team last week. “The zoo did make the study available, but at the time, few outlets reported it. [The zoo] re-released it after fielding requests for it again this year.”

But that explanation nor the information in the study itself is good enough for a group called Physicians for Urban Parks, a group of dozens of Memphis-area doctors advocating for green space.

“It has now become clear that the information [the Memphis City Council was] provided is not valid or defensible,” Dr. Emily Taylor Graves said. “The city council and the citizens of Memphis have been misled. Now that this has come to light, it is time for the city leaders and citizens of Memphis to re-examine their positions on the Overton Park issue.”

In a May 20th editorial, the Memphis Flyer stated that the zoo “finally” released the full version of the study this year. Zoo officials called for (and were granted) a correction to the editorial to say the study was actually made public last year.