Categories
Food & Wine Food & Drink

Gaucho Grapes

Fall is officially here, and our minds naturally turn from crisp and/or bubbly whites to reds.

Pinot noirs are a light, fruity option, and they aren’t as expensive as they were a few years ago when they were the cute, young thing. You might need to pay a little more for something that isn’t going to taste like alcoholic fruit juice, however. Beware cheap pinots.

But do consider the malbec. It’s called the “working man’s merlot” for a reason, although it’s not entirely clear what that reason is. It could be that the fabled South American gauchos (like our cowboys, but with a little more style) drank it, or that it was cheap when it was first discovered in the U.S., not by sommeliers and wine critics, but ordinary folks looking for an affordable and interesting bottle. Malbecs are typically a little less polished than merlots, but, from where I’m sitting, that’s okay. It keeps things intriguing.

It has only been in the last 10 years or so that the malbec varietal has come out of Argentina with any force. It’s got a lot of fruit in it and was traditionally used in France as one of the five varietals blended in the headier Bordeaux, until most of the European stock was destroyed by a major phylloxera epidemic in the mid-19th century. Malbec is a fussy vine, or at least it was in Europe; its root system rotted easily. After the epidemic crippled the French wine industry (and made absinthe a thing), the malbec vine stock largely fell out of favor in France. But around that same time, a Frenchman named Michel Pouget took some vines over to Argentina’s Mendoza region. In the high, hot, dry climate, malbec flourished. Gone were the rot problems it had had in France. For 100 years or so, the grape was grown and enjoyed in Argentina, with very little of it making its way outside the country.

But it’s here now and available at most local purveyors. And it’s probably here to stay, because it plays well with others, pairing nicely with lighter fare, on to the upper rungs of the gourmet ladder. If you’re into the wine’s gaucho heritage, it’s most in its natural element with grilled meat.

By the 1990s, Chilean wines had begun to put South American vintages on the world’s radar, so it was perhaps inevitable that Argentina’s malbecs would be discovered. Now, this working man’s wine has risen in popularity — and the experts and the market have taken notice — and prices have risen accordingly. But there is a wide spectrum of options.

If you’re looking for something special, say for an anniversary, there is a fine Chakana 2012 — with a groovy stylized jaguar on the label — that retails around town for about $28. More in the Saturday-night-dinner neighborhood is a 2014 Maipe that’ll set you back about $16. For just knocking back a glass on a random Wednesday, let me suggest Cigar Box Old Vine malbec for $11. It’s a little younger vintage, but it doesn’t really taste like a Wednesday-night wine. Hell, for as little as $7, you can buy Ché Gaucho, which isn’t bad for that price point.

That the Argentines could produce a great, easy-going wine from vine stock that had essentially failed elsewhere says as much about their national spirit as it does the terroir. According to a former Chilean president, “Argentines are Italians who speak Spanish and dream in French.” If you’re looking for decent wine with some soul, that’s not a bad combination.

Categories
Blurb Books

An Evening With William Ferris at The Cotton Museum

Acclaimed folklorist and author, William Ferris, will be presenting his newest book, The South In Color: A Visual Journal, this Saturday at The Memphis Cotton Museum.

Ferris is Joel R. Williamson Eminent Professor of History at the University of North Carolina at Chapel Hill

and a former chairman of the National Endowment for the Humanities. With Ferris’ two previous books — Give My Poor Heart Ease and The Storied South — The South in Color completes an informal trilogy of his documentation of the South’s tumultuous 20th century.

Since the moment his parents gave 12-year-old Ferris a Kodak Brownie Hawkeye camera for Christmas in 1954, he passionately began to photograph his world. He has never stopped. The 1960s and ’70s were a particularly significant period for Ferris as he became a pathbreaking documentarian of the American South. This beautiful, provocative collection of 100 of Ferris’ photographs of the South, taken during this formative period, capture the power of his color photography. 

The event is open to the public and includes a reception with light hors d’oeuvres, local craft beer, and live music by The Side Street Steppers. Tickets are $25.00 for museum members and $35.00 for non-members, and are available for purchase online. A portion of your ticket purchase is tax deductible. Attending this event supports the mission of the Cotton Museum: Preserving and promoting a historic space open to the public and devoted to sharing the story of cotton — a crop that created empires, transformed American culture and changed the history of a nation and the world.

An evening with William Ferris
Saturday, October 8th
The Memphis Cotton Museum
65 Union Avenue
6:00 – 9:00 p.m.
$25.00 for members, $35.00 for non-members

Categories
Beyond the Arc Sports

Grizzlies 102, Magic 97: Preseason Notebook

Larry Kuzniewski

Marc Gasol looked good in his first game action since last year’s foot injury.

I’m excited that NBA basketball is back. So excited that I took a lot of notes at last night’s preseason game in which the Grizzlies beat the Orlando Magic, 102-97. And, you know, the Grizzlies aren’t the only ones who are throwing out a bunch of weird stuff to see if any of it works in the preseason; it’s my chance to do that to. So, this is an experiment in conveying my observations from the game without having to form each of them into a totally fleshed-out thought, lest I write 4,000 words about a game that didn’t count. A “Game Notebook” in the tradition of weird nonfiction and a bunch of stuff I read for philosophy classes in college: no particular point, just thoughts.

Game Notebook

The first starting lineup (albeit in a preseason game without Tony Allen and Chandler Parsons) of the David Fizdale era: Mike Conley, Troy Daniels, James Ennis, JaMychal Green, Marc Gasol. How’s that for different? The rotation in the first half was a ten man unit, with Wade Baldwin, Andrew Harrison, Vince Carter, Zach Randolph, and Brandan Wright as the “backups”. There were all kinds of interesting lineups happening in there: two-PG looks with Conley and Baldwin, Baldwin at the point with Harrison off the ball, Wright and Gasol together, etc. There was not a five-man unit that played together in the first half that wasn’t at least interesting.

More than “interesting” was rookie Wade Baldwin IV. Coach David Fizdale warned in the postgame presser that there would still be games where he looked like a rookie, but last night wasn’t one of them. Baldwin looked comfortable on the court, and confident in himself, and for the most part played very well. He turned the ball over too much, and wasn’t always in the right place at the right time, but he seemed to do well both alongside Conley and running backup point.

Andrew Harrison had a rougher night, but he also spent most of the time in the first half off the ball, and had to try to guard Evan Fournier (whom I wish the Grizzlies had signed). Fizdale said after the game that he was intentionally putting Harrison in uncomfortable situations against Orlando to see how he would do, but just the same, Harrison’s discomfort was apparent at times. The Grizzlies Rookie Backup Point Guard Wars continue.

Another “new” guy who was on the team last year even though you wouldn’t know it because the previous coach never played him under any circumstances: James Ennis. Ennis started last night, and showed some flashes. Fizdale coached Ennis at Miami, so there’s a familiarity there, and from what I saw last night Ennis seems like a legit rotation player, anyway. Of course, he seemed that way to me last year before he got waived so Ryan Hollins could come back, but what do I know?

The second half gave way to preseason silliness. DJ Stephens proved he could dunk harder than anyone else, including this bit of ridiculousness:

And, honestly, he played just well enough to look like he belonged on the court. I think the odds he makes the final roster are still vanishingly small, but at least he’s already proven he wasn’t just a token signing. The crowd at FedExForum (such as it was–announced attendance was around 12,500) loved every minute of his game last night.

Perhaps most importantly, two guys seemed comfortable, and calmly determined: Marc Gasol and Mike Conley. Gasol moved well and fired away from beyond the arc (he took two 3’s, and Fizdale later said he wanted Gasol to take four), and seemed to be telling the truth when he said he felt better than he has in a long time. Conley was ever the floor general, and Fizdale even turned over the reins and let him coach for a stretch in the third. It may have seemed like a joke, but Fizdale insisted it wasn’t: he wanted Conley to become comfortable as a vocal leader of the team. This kind of coaching, this relaxed emphasis on communication and on growth, feels qualitatively different from the Hollins/Joerger coaching tree, and it’s going to be fascinating to see this team gel over the course of the next five preseason games.

Game Haiku #0A

Clearing the pipes and debating whether to do one of these for every single game this year:

Things that bring all joy:
Jeff Green is on the Magic
Not on the Grizzlies

Categories
Beyond the Arc Sports

Beyond the Arc Podcast: Injuries, Free Agents, Fizdale and The Future

The Beyond the Arc podcast is back for a third season! This week on the show, Kevin and Phil talk about:

  • Mike Conley’s five-year deal: was it the right thing to do given his injury history? Would he really have walked to Dallas?
  • The Chandler Parsons signing: was it too big of a gamble given his history? How does he make the Grizzlies better?
  • Who is Chandler Parsons going to kick the ball out to?
  • When the going gets tough, are the Grizzlies going to stick to Fizdale’s system or are they going to bail out?
  • Is it still Zach Randolph’s team? Are Mike and Marc the go-to guys now?
  • Is JaMychal Green going to make the roster?
  • What are the Grizzlies going to do if their rookies can’t reliably play the backup point guard spot?
  • Are injuries the only thing that can keep the Grizzlies from making the playoffs?

The Beyond the Arc podcast is available on iTunes, so you can subscribe there! It’d be great if you could rate and review the show while you’re there. You can also find and listen to the show on Stitcher and on PlayerFM.

You can call our Google Voice number and leave us a voicemail, and we might talk about your question on the next show: 234-738-3394

You can download the show here or listen below:

Beyond the Arc Podcast


Categories
Music Music Blog

Gonerfest Weekend: May The Circle Be Unbroken

Gonerfest Saturday is The Longest Day.

A pair of Goners feeling the love at Murphy’s outdoor stage.

OK, it’s not like D-Day or anything. It’s just 12 hours of rock, with a short break for Pho Binh in the middle. 

Archie and the Bunkers

The Saturday day show at Murphy’s split 10 acts between two stages, one indoors and one outdoors. With low humidity and the temperature peaking out at 85 F, the weather could not have been more perfect in the venerable Midtown venue’s shaded back parking lot where the outside stage offered bands from as far afield as Ireland. Oh Boland made the trek across the Atlantic to play some no-nonsense punk that, in the idyllic conditions, sounded more uplifting than angry. King Louie’s contribution to this year’s festival, Iron Head, on the other hand, was full of nonsense—and I mean that in the best way. Louie and his New Orleans cohort plowed through a sloppy, fun set punctuated by arguments over where the guitar solo was supposed to go.
Saturday’s afternoon show is not only the most communal phase of the festival, but it’s also prime time for unexpected discoveries. This year’s big reveal was Archie and the Bunkers, a pair of brothers from Ohio who channeled Quintron and The Damned in a frenzied half-hour set. These younguns were clearly the band most excited to be playing Gonerfest, and, despite the hours upon hours of garage punk variants I was exposed to over the long weekend, it was their cover of “Neat Neat Neat” that played in a loop in my head.

The World

The World, a postpunk band from Oakland brought a welcome change of pace outside some sax-driven tunes reminiscent of James Chance and The Contortions’ No Wave dance party. Then the soundtrack to the sunset on the crowd at Murphy’s grove was provided by Spray Paint, the beloved, Goner vet noise rockers from Austin.

Sick Thoughts

Weary Goners trickling into the Hi Tone that night were greeted with the anomalously chill sound of Couteau Latex from Geneva, Switzerland. But any peaceful vibes were quickly dispelled by Sick Thoughts, a Trampoline Team side project from New Orleans whose singer DD Owen bashed around the stage like a cocaine fueled bull in a nunnery. After repeated leaps into the crowd, he finished the set off by basing headfirst into the drum set, where he and the drummer lay for a long moment in a tangle of equipment. I was about to yell for a medic when they finally stirred to leave the stage. I guess they were just resting.

Control Freaks

One man band don’t get much weirder than Bloodshot Bill, the Canadian psychobilly rambler who had to take the stage as the sound guys cleaned up the destruction left behind by Sick Thoughts. You have to be brave to pull off a full solo routine like that, and Bloodshot Bill bantered fearlessly with the audience between strange songs where his voice veered between singing, screeching, yodeling, and a vocal fry that approached tibetan throat singing territory. Then the Control Freaks from San Francisco alternated between sounding like a Mack truck barreling down the 101 and a barrage of insulting anti-humor from Friday night’s MC Greg Lowery.

Kid Congo and the Pink Monkey Birds

The California trend continued with fellow San Franciscans Midnite Snaxx, and the Saturday night headliner, Kid Congo & The Pink Monkey Birds. Headlining Saturday night is a double-edged sword, because the crowd is going to be thoroughly worn out by 1 AM, but the best acts manage to overcome the audience’s rubbery legs. Kid Congo was one of those acts. I didn’t think I was going to make it more than one or two songs, but I ended up staying until the bitter end, and dancing harder than I had all fest. Big kudos to Kid Congo!

Rev. John Wilkins

I was going to write this blog post on Sunday, but I found my brains turned to mush, so my wife and I wandered over to watch Gonerfest end where it began, in the Cooper-Young gazebo. A few years ago, the Mid South’s own Rev. John Wilkins was introduced to the Goner crowd with a deep set of soul-tinged gospel delivered at the Murphy’s sunset slot. I wrote at the time that we here in Memphis are jaded by all the amazing soul and blues that permeates the air like the perfume of blossoms in the springtime, but the out-of-towners from Australia, New Zealand, Germany, Japan, The Netherlands, Switzerland, and the UK werre slack-jawed in amazement when presented with The Real Thing. This happened again on Sunday at the Gazebo, when the Rev led his impromptu congregation through soul claps and call-and-response celebrations of life, brother- and-sisterhood. By the end, he and his crack band had us all beseeching the heavans with a Stax-y rendition of “May The Circle Be Unbroken”. It was the perfect illustration of the Saturday night/Sunday morning dichotomy that defines Memphis music’s unique appeal, and the perfect capper for one of the best Gonerfests ever.

Categories
Memphis Gaydar News

Stay Calm and Prepare for the Queens

Kristofer Reynolds

Miss Gay America 2016, Asia T. O’Hara, will be on hand to crown the new winner for 2017.

When you think about the queer-centric areas of Memphis, the area around the airport may not be the first part of town that jumps to your mind. But, this week an otherwise bleak intersection will be infused with ample doses of glitter and choreography as the 44th annual Miss Gay America Pageant comes to the Holiday Inn on Democrat Road and Airways Boulevard.

Forty of America’s best queens will descend upon the hotel’s conference center for five nights
starting October 5 for the chance to win the most prestigious crown in all the land for female impersonators in the longest running female impersonator competition (sorry, RuPaul).

The new MGA will be crowned on October 9, after five days of pageant classics including Evening
Gown, On-Stage Interview, and Talent. Tickets to the crowning event are $45 and can be purchased here.

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: Chris Milam

Music Video Monday has news for you. 

Chris Milam’s new music video, “Tell Me Something I Don’t Know”, pays homage to one of the earliest, and most famous, music videos. In May 1965, documentary filmmaker D.A. Pennebaker had following Bob Dylan to London while filming his seminal rock documentary Dont Look Back. Dylan wrote the lyrics to his song “Subterranean Homesick Blues” on a handful of cue cards, and Pennebaker and crew popped out back of the Savoy Hotel to film a short title sequence for the documentary. The resulting promo clip was an instant classic that has been parodied, emulated, and revered over the years. 

Milam enlisted Memphis experimental film auteur Ben Siler to riff on the timeless concept for his song “Tell Me Something I Didn’t Know”. Where Dylan had a cameo by Beat poet Alan Ginsberg, Milam and Siler got a cavalcade of Memphians to silently confess their secrets on camera, ranging from touching to funny to harrowing. Milan says the total budget for the video, shot on an iPhone, was “about $9”, but the results prove that some ideas are evergreen, and you don’t have to have elaborate sets or costumes to make a great music video. 

Music Video Monday: Chris Milam

If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com

Categories
From My Seat Sports

Three Strong Opinions, Strongly Delivered

What’s a sports column without strong feelings now and then?

• No athlete should have to stand for the American National Anthem (or any anthem played before a sporting event). Such freedom of expression is part of this country’s foundation. That said, when an athlete chooses to make a point by ignoring this custom, he or she has earned questions, criticism, and from some corners, ridicule. Those reactions, of course, are part of a protester’s intention, for what they reveal about the larger population. Care must be taken in choosing when and how to protest a custom like standing for the anthem, the objective being (presumably) positive change and not merely back-and-forth among sports columnists and such. Once you’ve taken a knee during the anthem, what do you want to happen — what must you see? — before you stand again?

That said, we’ve arrived at a moment — thanks in part to Colin Kaepernick — where we should be able to intelligently discuss when and how “The Star-Spangled Banner” should be played. I’m of a mind the song should be played at significant events, but not necessarily every last pro (or college) baseball, basketball, and football game. The World Series, Super Bowl, NBA Finals, Final Four, college bowl games … these are events of a scale that merit a standing acknowledgment of our country’s freedoms, best symbolized by our flag and our national anthem. When the anthem is played on a Wednesday night in August at a Double-A baseball stadium with 600 people in the stands, is that saluting our country or making the anthem the equivalent of turning the lights on?

• College football needs to reduce its regular season to 10 games. If you were tracking AAC scores on the night of September 24th, you followed Houston’s 64-3 thrashing of Texas State, UCF’s 53-14 mauling of FIU, and the Memphis Tigers’ 77-3 destruction of a team once known as the Bowling Green Falcons. Every September, such scores are posted around each weekend’s thrillers — and yes, there are early-season thrillers between teams of similar collective talent.

But if we’re going to take seriously the health hazards of football, 77-3 “contests” must be eliminated. They are no longer interesting in the second quarter, yet large young men are forced to collide with one another for two more hours.

Let’s start with the elimination of games between FBS and FCS programs. (Sorry North Dakota State. Keep winning those national titles.) Every team will play eight conference games (no more), and thus have two non-conference tilts to schedule for cross-regional affairs like USC-Notre Dame or intrastate (non-conference) rivalries like Florida-Florida State. And that will be enough. Heck, with 10 regular season games (two bye weeks for every program), perhaps we can give some thought to an eight-team playoff.

• Athletes’ use of a name’s suffix on their uniforms has gotten out of hand. You’ve seen “Griffin III” on Cleveland Browns quarterback Robert Griffin III’s jersey. Or “Beckham Jr.” above the number 13 on Giants receiver Odell Beckham Jr.’s back. Someone named Carl Edwards Jr. pitches out of the bullpen for the Chicago Cubs. On the back of his jersey: “Edwards Jr.”

These are all misrepresentations. The Browns quarterback is Robert Griffin III (not “Griffin III”). The Cubs pitcher is Carl Edwards Jr. A suffix is applied to a person’s name when he (typically a boy) shares the given name of his father. Technically, every human being who shares a surname with his (or her) father is “Surname Jr.” So almost every jersey in professional sports could have “Jr.” or “III” applied … incorrectly.

The two most famous Juniors in baseball history — Ken Griffey and Cal Ripken — did not wear “Jr.” on their jerseys. And Junior Griffey was briefly a TEAMMATE of his father’s. If they didn’t add the superfluous suffix, no athlete should. I share this particular strong feeling as Frank Murtaugh III. I’m grateful for having been named for my paternal grandfather and my dad. But I’d be slighting my long-departed great-grandfather to suggest I’m merely “Murtaugh III.”

Categories
News News Blog

Bass Pro to Buy Rival Cabela’s in $5.5 Billion Deal

Bass Pro Shops will buy outdoor retail rival Cabela’s in a deal valued at $5.5 billion.

The two companies announced the deal Monday morning, noting “a driving force behind this agreement is the highly complementary business philosophies, product offerings, expertise, and geographic footprints of the two businesses.”

The 55-year-old Cabela’s has undoubtedly been one of Bass Pro’s biggest business rivals. It has 85 retail stores and over 19,000 employees, or “outfitters.” The stores are primarily in the western U.S. and Canada. Cabela’s also maintains large catalog and web-based retail operations.

While Bass Pro will own the Cabela’s brand, the company intends to “grow and celebrate the Cabela’s brand and will build on qualities that respective customers love most about Cabela’s and Bass Pro Shops.”

Johnny Morris, Bass Pro founder and CEO, will hold a majority stake in the new entity and will lead it. Cabela’s is currently a public company, traded on the New York Stock Exchange, but the combined company would be private, as is Bass Pro.

The news release issued Monday morning said Cabela’s is a leader in hunting, while Bass Pro is a leader in fishing. The deal will, of course, include White River Marine Group, a Bass Pro company that makes boats, boat motors, and boat trailers under the brands Tracker Boats, Sun Tracker, Nitro, Tahoe, Regency, Mako, Ranger, Triton, and Stratos.

Cabela’s announced in December that it was exploring “strategic alternatives.” The deal with Bass Pro gives Cabela’s shareholders a 19.2 percent premium above the stock’s close at the end of trading on Friday.

The deal was unanimously approved by Cabela’s board of directors and is slated to close in the first half of 2017, pending shareholder approval and a blessing from the the federal government.

Here’s what Morris said of the deal:

“Today’s announcement marks an exceptional opportunity to bring together three special companies with an abiding love for the outdoors and a passion for serving sportsmen and sportswomen.”

“The story of each of these companies could only have happened in America, made possible by our uniquely American free enterprise system. We have enormous admiration for Cabela’s, its founders and outfitters, and its loyal base of customers.

“We look forward to continuing to celebrate and grow the Cabela’s brand alongside Bass Pro Shops and White River as one unified outdoor family.”

Here’s the statement from Cabela’s CEO Tommy Millner:

“Cabela’s is pleased to have found the ideal partner in Bass Pro Shops. Having undertaken a thorough strategic review, during which we assessed a wide variety of options to maximize value, the board unanimously concluded that this combination with Bass Pro Shops is the best path forward for Cabela’s, its shareholders, outfitters, and customers.

“In addition to providing significant immediate value to our shareholders, this partnership provides a unique platform from which our brand will be extremely well positioned to continue to serve outdoor enthusiasts worldwide for generations to come.”

Categories
Sports Tiger Blue

Ole Miss 48, Tigers 28

A new month finally brought a competitive opponent for the Tigers, and then some. The Ole Miss Rebels showed the kind of talent that has a team ranked 17th in the country despite two losses in September. After falling behind 24-7 in the first half, the Tigers scored a pair of third-quarter touchdowns to close within six points (27-21), but the Rebels answered with three second-half touchdowns to avenge last season’s loss at the Liberty Bowl and improve to 3-2 for the season. 

Playing their first road game of the season, the Tigers fell behind 14-0 late in the first quarter when Zedrick Woods returned an interception of a Riley Ferguson toss 31 yards for a touchdown. (Memphis tight end Daniel Montiel didn’t turn around on the timing play.) A 64-yard Tiger drive ensued, capped by a 6-yard run by wideout Anthony Miller.

Reserve cornerback Jahmahl Pardner dropped an interception opportunity in the second quarter, allowing Ole Miss to convert a field goal. On the next Memphis possession, Ferguson fumbled as he was hit from behind with the Tigers in field goal range. Reserve quarterback Jason Pellerin ran for his second touchdown of the game on the ensuing possession to secure that 24-7 halftime lead.

A brilliantly executed fake punt — a throw from punter Spencer Smith to Arthur Maulet as he crossed laterally — spurred the Tigers in the third quarter. A 42-yard Ferguson-to-Miller pass led to an 11-yard touchdown run by Doroland Dorceus, the 20th score of the junior’s college career. On their next possession, the Tigers took advantage of an Ole Miss pass-interference penalty to march 99 yards, Ferguson scoring himself from the one to make the score 27-21. 

Ole Miss scored on its next two possessions, though, helped by a shanked punt off the foot of Smith. A Maulet interception of a Chad Kelly pass and a second Ferguson touchdown kept the Tigers’ hopes alive, but only until Rebel tailback Eugene Brazley scampered 32 yards (on third-and-15) for a touchdown with five minutes to play for a 48-28 Rebel lead.

Memphis entered the game allowing an average of 287 yards but gave up 620 to the balanced Rebel attack.
Kelly completed 30 of 44 passes for 361 yards for the Rebels, while Ferguson completed 30 of 46 for 343 with three interceptions (he had two in his first three games). Miller caught 10 passes for 132 yards and Dorceus led the Tiger ground game with 72 yards on 14 carries. Brazley (124) and Akeem Judd (108) each topped 100 yards rushing for Ole Miss.

The loss drops the Tigers to 3-1 on the season. They’ll open American Athletic Conference play Thursday night, when Temple (3-2) visits the Liberty Bowl. Ole Miss enjoys a bye week then resumes SEC play on October 15th when the Rebels travel to Arkansas to face the Razorbacks.