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Film/TV Film/TV/Etc. Blog

Music Video Monday: Indie Memphis Winners Chakcerine and Video Age

You’ll have to excuse this Music Video Monday, because it’s been at the film festival all weekend, and it’s tired.

At the awards ceremony on Saturday night, the Indie Memphis film festival gave trophies to two music videos. The Hometowner Music Video award went to director Ben Siler for “Memphis Beach” by Chackerine. The video won the jury over with its sheer sense of fun, but the climactic pterodactyl attack probably helped too.

Music Video Monday: Indie Memphis Winners Chakcerine and Video Age (2)

The general music video competition winner was “Dance Square” by Video Age, directed by Harry Bartle. Here’s a picture of the New Orleans-based filmmaker and band at the moment they found out they had won.

And here’s the dance crazed video:

Video Age | Dance Square from Harry Bartle on Vimeo.

Music Video Monday: Indie Memphis Winners Chakcerine and Video Age

Indie Memphis concludes tonight with several screenings, including Kallen Esperian: Vissi d’arte and encores of narrative feature winner AWOL and documentary feature winner Jackson. Tickets are available on the Indie Memphis website.

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Politics Politics Beat Blog

Harris, Cohen, Bill Freeman in 3-Way Love-Fest

JB

Nashville Democrat Bill Freeman, a potential gubernatorial candidate, greets David Upton and Kathy Ferguson at last week’s GOTV event and Lee Harris fundraiser.

As the presidential campaign comes to an end in Tennessee as elsewhere, at least local Get-Out-the-Vote event for Democrat Hillary Clinton functioned simultaneously as a prelude to the politics of 2018.

This was a fundraiser for state Senator Lee Harris last Thursday night at the Memphis residence of Linda Sowell. The event, which drew a decent-sized crowd of Democratic activists, doubled as a GOTV rally for Clinton, but it had a third purpose as well: It was a coming-out event for the likely forthcoming gubernatorial race of Bill Freeman, a Nashville Democratic eminence and one of the party’s chief donors.

Besides Harris and Freeman, a chief speaker at the event was 9th District congressman Steve Cohen, who bestowed compliments on both of the other principals — and would receive some as well. The event could accurately be described as a three-way political love-fest.

Introduced to the crowd by Harris as “our very own Congressman…the father of the Tennessee scholarship,” Cohen would say of the state Senator: “I’ve supported Lee in all his elections, except the first. When he ran against me in 2006, I was against him…..But he ran an issue-oriented campaign, and he impressed me greatly…. Lee’s a star up there [in Nashville], and is right on the issues.”

The Congressman described Harris as the “voice in the wilderness” in Nashville that Cohen thought he himself had often been as a state Senator.

An interesting sub-text of this was that Harris had flirted seriously with the idea of opposing Cohen in the 9th District primary this year before deciding against it in January.

The Congressman would also brag on Freeman, a near finalist in last year’s multi-candidate mayoral race in Nashville and a state co-chair for the Clinton campaign whose ulterior motive for being in Memphis was to scout out support for the aforesaid 2018 gubernatorial race. Cohen would say of him, “Bill Freeman might have further plans, and if he offers himself, he’ll be a fine candidate to be the head of the ship of state and do Tennessee proud and the Democratic Party proud.”

When Freeman spoke, he stroked both Memphians. He talked of how, in separate appearances at fundraising events in his Nashville home, Bill Clinton and Hillary Clinton made a point of asking, “Where’s Steve Cohen?” (Cohen, in Freeman’s telling, was either unavoidably in Washington or at some other event in Memphis.)

Of Harris, Freeman noted the state Senator’s status as Senate Democratic leader and said, “He has risen to the top…. There’s nobody better thought of in Nashville than Lee….The future holds great things for your state Senator. There’s no limit.”

In a summing-up for the evening, Harris mocked Republicans and said of both his special guests, Cohen and Freeman, “They don’t have talent like that on their side of the room.”

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Sports Tiger Blue

20 Years Later: Vol-slayer Chris Powers

Chris Powers has been flying FedEx planes for six years now (and before that, with Continental Express). But over the last two decades, he’s yet to duplicate the lift he helped create for a long-suffering fan base at the Liberty Bowl on November 9, 1996. A sophomore tight end for an underwhelming University of Memphis football team that night, Powers caught a touchdown pass from Qadry Anderson with 34 seconds to play to give the Tigers a 21-17 upset of Peyton Manning and the 6th-ranked Tennessee Vols. It was the first time in 16 meetings Memphis had beaten UT and the Tigers haven’t taken down Rocky Top since (0-7). If it’s not the biggest win in Memphis football history, it’s likely the most memorable upset. The crowd that night — 65,885 — remains the largest in 51 years of football at the Liberty Bowl.

“It seems longer than that,” says a smiling Powers when the 20th anniversary of the upset is mentioned. “It was a lifetime ago. I’ve stayed pretty involved with the program, from tailgating to radio. I’ve known people on the administrative staff for years.”

Powers has made Memphis home since his playing days, living downtown for several years before getting married and moving to Collierville four years ago with his wife, Ashley (also a U of M alum). He enjoyed four years (2009-12) as Dave Woloshin’s partner on Tiger radio broadcasts, but stays busy these days — when not flying — helping raise his two sons, Harrison (2) and Hayes (nine months). He acknowledges Ashley might roll her eyes at another mention of his most famous catch, but he looks forward to soon sharing details of the moment — and all the joy that moment helped create — with his boys.

Powers never tires of recognition for the play. “It’s better than being remembered for dropping a pass and losing to Tennessee,” he says with a laugh. Powers recently contacted a fencing company about some work he needed done at his home and was asked if he was the University of Memphis Chris Powers. “I think I’m that guy,” he said. Alas, no discount on the fence.

“People who know me like to introduce me as ‘the guy who beat Tennessee,’” says Powers. “It’s part of my history. And it doesn’t get old because people get such a kick out of it, a positive event that happened to the program. The details, after 20 years, start to fade a little bit, but you remember the big plays. I played four years and that happened my sophomore year. I could have quit right then and it wouldn’t have mattered.” Powers chuckles when a reporter has to be reminded that he moved to the interior line and started at center his senior season (1998).

There was little reason to believe the Tigers could beat that Tennessee team. They entered the game with a record of 3-6 (UT was 6-1). They’d lost four straight and had scored as many as 20 points exactly once (a 37-20 loss at Houston). But as preached in locker rooms from coast to coast, you have to play the game. “It’s so different being inside, as part of a team every day,” says Powers. “If we truly believed we had no chance, then what’s the point of practicing? You put the preparation in, and you’ve got to believe you have a chance. You need to play well, limit mistakes, and all the clichés. We had a great defense that year; we just struggled up front [on offense]. We beat Missouri up in Columbia that year.”

The most famous play of the game is not Powers’s catch, but Kevin Cobb’s 95-yard kickoff return to tie the game at 14 midway through the third quarter. Cobb appeared to be tackled deep in Tiger territory — so much so that many of the players stopped running, or disengaged their blocks — only to spring to his feet and escape to pay dirt. Powers occupied the middle of the Tigers’ blocking wedge on the return. “There’s a pretty cool TV angle, from the end zone Kevin was running toward,” says Powers. “You can see the wedge set, Kevin disappears, and I’m there in the middle. I blasted a UT guy off the camera to the left and Kevin cuts right behind me. I like to say I threw the block that sprung him . . . but that acrobatic flip, I had nothing to do with that!” The play earned Cobb an ESPY for Play of the Year from ESPN.

Down 17-14 late in the fourth quarter, the Tigers made it to the Vols’ 3-yard line thanks largely to a 41-yard pass from Anderson to Chancy Carr, followed by a 13-yard run up the middle by freshman fullback Jeremy Scruggs. Next came . . . The Play.

“[Freshman receiver] Damien Dodson brought in the play from the sideline,” explains Powers. “Qadry looked at Damien in the huddle and said, ‘I’ll be looking for you, so be ready.’ I was lined up on the right, and Damien was split outside of me. I was the secondary [target]. When I released, I saw the safety starting to trail me, so I knew it was man to man. Damien was getting jammed at the line of scrimmage. When I turned around, the ball was already in the air. It was just react, throw your hands up. It stuck.” Powers says he caught the back half of the football, an epic play literally inches from being merely an overthrow.

“I remembered it wasn’t over,” says Powers, when asked about the pandemonium that ensued. Manning would get another chance with the ball. Powers describes a tackle by Tavares Newsom (a freshman reserve linebacker) on the Tennessee kick return that may well have saved the game. “He transferred a year or two later,” says Powers. “That return would have gone a long way. It was a big play that nobody knows about.” Time expired when Manning was sacked a comfortable distance from the Tiger end zone.

Powers celebrated that night at Newby’s on the Highland strip, and later Neon Moon. He and a few teammates had gotten in trouble earlier that season for sneaking into the Liberty Bowl. (Imagine: Football players breaking into a football stadium.) They’d been under a strict curfew for several weeks, a curfew Memphis coach Rip Scherer removed after the goalposts came down.

The Tigers had two weeks to celebrate the takedown of mighty Tennessee, but came out flat in their season finale, losing to East Carolina. A 4-7 season followed in 1997, then a 2-9 struggle in 1998, the year a man still famous for playing tight end snapped the ball on Saturdays. Powers saw the move to center as a challenge, and still takes pride in having learned such a bruising position on the fly. He played the position at no more than 270 pounds. “My technique was pretty good,” he says, “and I was quick.”

Chris and Ashley Powers with sons Harrison (left) and Hayes.

Does Chris Powers miss football today? His answer echoes that of most men who once shared a uniform with teammates. “I miss the guys,” he says. “I miss the relationships with the guys. You’re in a situation where, like it or not, you’re with your best friends almost all the time, every day. I miss the process of everybody having a goal, and you get the feedback immediately, whether you won or lost.”
Powers remains close with Ron Sells, an offensive lineman in ’96, and Drew Pairamore, a punter (and now also a pilot).

Memphis will beat Tennessee on the gridiron again. (Yes, it will happen.) Powers likes the fact his 1996 Tiger team will always, though, be the first to beat the Volunteers. “I was part of that team, and played a significant role,” he says. “No matter what happens with Memphis football, that’ll always be the first time [we beat Tennessee]. With Peyton Manning, arguably the best quarterback to ever play the game. They were number six in the country. On national TV. Put it all together, and it’s one of those days I can look back on and enjoy the role I played. I made a play that helped all my buddies — my teammates — beat Tennessee.”

Cobb’s kickoff return recently aired during a Tiger broadcast, a game Powers watched at home with his family. Little Harrison pointed at the TV screen as he’s learning to recognize the look and sounds of football. Powers grabbed his remote, rewound the play, and paused as that wedge came into focus. He grabbed his firstborn, pointed at the screen himself this time, and shouted, “Look at Daddy!”

Categories
Beyond the Arc Sports

Trail Blazers 100, Grizzlies 94: Rust Never Sleeps

Larry Kuzniewski

Marc Gasol had a much better game against Portland after struggling against the Clippers.

Capping off a disappointing weekend of Grizzlies basketball, the home team fell to the Portland Trail Blazers yesterday afternoon, 100-94. It was the first time Ninety-Four Million Dollar Man Chandler Parsons took the floor in Beale Street Blue, and he mostly played like a guy who hasn’t been on the court in months.

The good news out of this weekend’s games, other than the fact that Parsons’ legs work and he is actually able to use them to do basketball things (albeit stiffly), is that even with all of the teething troubles the Grizzlies are having, they’ve still been in competitive games with some of the best teams in the Western Conference. It’s easy to find small things that would’ve made big differences in the last two games. If Marc Gasol doesn’t go 1-10 in the first half against LA, the first half deficit is likely more manageable. In last night’s game, Chandler Parsons looked so rusty that at times I couldn’t tell if it was Parsons on the court or the hulking underwater remnants of the Titanic. But if he goes 3-8 from the floor rather than 0-8, we’re more than likely breaking down a win and not a loss. Individual performances matter a great deal, and if those guys don’t have bad nights, the Griz are likely 5-2.

Which is not to say that’s an excuse, or that the Grizzlies don’t have real problems. Here, I made a list of those problems:

The Grizzlies’ Problems, In A Bulleted List

Larry Kuzniewski

Zach Randolph (shown here against Washington) has regressed on defense this season.

[jump]

  • Zach Randolph is not a credible defender anymore, especially in pick-and-roll situations, and so Fizdale has to make offense/defense substitutions to be able to use him at the end of games. He said in his postgame presser after the Portland loss that defense was the reason he didn’t have Z-Bo on the floor down the stretch, even when the Grizzlies desperately needed a bucket.
  • Chandler Parsons is back on the floor, sure, but he’s clearly not in game shape and also just doesn’t look comfortable with the way his body moves. Sunday night was far earlier than I expected Parsons to return in the first place, given what I’d heard, so having him on the floor at all is a pleasant surprise. Given that it’s been so long since he played competitive basketball, it’s going to be a while before he looks comfortable on the floor with a team he’d never played with at all until last night.
  • The defense—once the point of pride for this team—no longer does anything to contain dribble penetration. Once guards get into the teeth of the defense, they can do whatever—score, kick out, draw fouls. The new defensive scheme is clearly not burned into the brains of the Grizzlies yet, and they’re struggling to keep up with the rotations. And, to boot, CJ McCollum had 37 points on 13-23 shooting last night. No one could guard him at all. And here, I thought the Grizzlies had a fearsome perimeter defense, too.
  • Brandan Wright may have been kidnapped by aliens and replaced with an android facsimile that looks identical when wearing a suit.
  • Rookie point guards Wade Baldwin IV and Andrew Harrison are both less than great. Baldwin drew an inexplicable DNP last night; Fizdale said it was because he was struggling, Grizzlies Twitter was quick to chip in some black-eye-related conspiracy theories (which, if true, would not be the first time a player got a mysterious disciplinary DNP after some sort of behind-the-scenes altercation, but I can’t say much more about that). Either way, Harrison’s defense was pretty solid last night, which is a plus, because he has to be good on defense to make up for his offensive deficiencies. Neither is a reliable backup at this point.
  • Troy Daniels, who they signed this summer to provide outside shooting, was deemed unimportant enough to place on the inactive list to make way for Parsons’ return to the lineup.
  • No one knows whether any of this is sustainable. Conley was already listed as a game time decision with Achilles soreness—you remember, the Achilles tendonitis that cost him the entire last part of last season?—and Gasol has looked great at times and tired at others, and now Parsons is back but not quite moving well. This could all be signs that they’re still on the road to health, or signs that they’re not on that road at all, but another road entirely.

Why I’m Not Worried

Larry Kuzniewski

Seven games into the Fizdale Era seems too early to make a judgment.

No one’s ever accused me of being too optimistic. But in spite of all the problems I listed above, I’m really not concerned about where the Grizzlies are right now. I firmly expected there to be issues they’d have to work through—issues with health, issues with learning the new schemes that come along with a new coach from another organization, issues with learning how to play with each other, issues with young guys figuring out how to be professional basketball players. There isn’t really anything that’s happened this year that’s surprised me, other than maybe the sheer brutality and cratered desolation of basketball that was the Pelicans game last week.

“Somewhere around .500” is exactly where the Grizzlies need to be until January or so. The middle of the West pack is not really markedly better or worse than the Grizzlies are, and they probably just have to hang in there and keep contact while they find themselves. When Gasol has looked good, he’s looked really good. Chandler Parsons is just now getting back on the court, and is probably weeks away from being totally right. Baldwin and Harrison (OK, mostly Baldwin, but I’m feeling generous) will probably be fine as they learn the game more.

This is exactly the kind of season I thought the Grizzlies were going to have in the first place, and it’s the right time in the arc of this franchise for it. They need to figure out who they’re going to be for the next 3-5 seasons, and that’s what they’re doing. If they only make it to 7th in the West this year, I don’t think that’s a failure if it helps them to be a better team for the next two years. There are a lot of new things happening, and when you try to do several new things at once, it doesn’t always go smoothly at first. They’ll be fine. It’s all fine, and I’m not even being sarcastic for once. “Keep a cool booty,” as the man says.

Game Haiku #7

Someone guard CJ:
The shots only remind us
He broke Conley’s face

Categories
Film/TV Film/TV/Etc. Blog

Indie Memphis Sunday: Documentary Lives Restarted Celebrates Memphis’ Holocaust Survivors

Waheed AlQawasmi says his own experience as an immigrant colored his documentary Lives Restarted “I was born and raised in Jordan, and I emigrated here when I was 13,” says the director. “That was one of my main impetus for the story. You see a lot of holocaust documentaries, but they never really talk about what happened after, which was as much of a struggle as it was during the war. I had a couple of survivors tell me it was a bigger struggle for them, because they came here, they didn’t speak the language, they had no friends, and they literally didn’t know where their next meal was coming from.”

Director Waheed AlQawasmi conducts an interview with Memphis holocaust survivors for Lives Restarted.

AlQawasami’s company, WA Films, is a successful commercial video production house, and he used his considerable skills to tell this remarkable story of triumph over ultimate tragedy. “The way this project came together is, the Jewish Community Partners wanted to do a 3-4 minute video celebrating the accomplishments of the Holocaust survivors in Memphis to present it in their Yom Ha’Shoah program this year, which is a day of remembrance about the Holocaust. They approached a gentleman named Jerry Erlich, an advertising executive in town. I work with him a lot, we do commercials together. I said I would love to do it, and we just kind of went from there. We convinced them to turn this into a mini documentary to educate kids in schools about immigrants and their success stories, to show these people’s struggle.”

Lives Restarted skillfully combines archival footage of World War II and its immediate aftermath with contemporary interviews of Memphis holocaust survivors and their children. Much of the historical holocaust material came from Steven Spielberg’s Shoah Foundation. “I spent two weeks calling every day until I could get someone on the line. They were very kind and sent us that footage over to use. Between me, Brian and Ryan, we cleaned it up and tweaked the color. The reason I went out of my way to try to find those shots, is because of the educational nature of the venues in which this is going to be exhibited. Kids these days, if you put black and white in front of them, they’re not going to watch it. They’re just going to be bored. If it’s cut like a talking head documentary, they’re going to tune out. So we tried to cut it like a modern movie. We showed it at St. Mary’s, and none of the kids were on their phone the entire time.”

Although it is a historical documentary, AlQawasmi says he and his subjects found it remarkably—and depressingly—timely. “This was my way of dealing with the Syrian refugee crisis. I volunteered my time for this movie, although we had a budget. We put all the money on camera. I wanted to show people that this is a part of history that most of know about, and here’s what happened with the people after, and their struggle. Some of the survivors I talked to are really shocked at the way our politics are going right now. We just went through this, guys. And now you’ve got someone saying, ‘Kick everyone out!’ Most Americans associate Jews in America as being welcome in America, but history doesn’t remember it that way. What they’re saying about the Syrians now—that they’re spies and combatants who are trying to take over our country—are the same things they were saying about the Jews after the war. That’s why they didn’t come to America for up to ten years after the war, in some cases.”

The director says the film is also a way of giving back to people who came to his aid in his time of need, and he hopes his example will strike a blow against hatred. “I’m a Palestinian making a documentary about Jewish holocaust survivors. You have a lot of the Arab world who are not very knowledgeable about this material. They just see what they see on the news and say, ‘All Jews are bad.’ I never even met a Jewish person until I moved here at age 13. I had to meet someone to make an informed decision. It turned out to be one of the best communities I’ve ever witnessed in my life. They’ve been my friends, and I’ve worked with a lot of Jewish small businesses, and witnessed how to create a new life. When my dad left us, the only people who stood by me were my Jewish friends and employers. They helped me through my struggle.”

Indie Memphis Sunday: Documentary Lives Restarted Celebrates Memphis’ Holocaust Survivors

Lives Restarted screens as part of the Hometowner Cultural Documentaries bloc at Circuit Playhouse on Sunday, November 6 at 1:30 PM. You can purchased tickets and festival passes on the Indie Memphis website.

Categories
Sports Tiger Blue

Tigers 51, SMU 7

The Memphis Tigers are going bowling a third consecutive season. In thoroughly ruining SMU’s homecoming today in Dallas, the Tigers earned their sixth win of the season and ended a two-game losing streak. Memphis quarterback Riley Ferguson threw for 288 yards and four touchdowns (all of them in the first half) and junior wide receiver Anthony Miller followed up his record-breaking game last week against Tulsa with 102 yards and two touchdowns against the Mustangs.

The win improves the Tigers to 6-3 for the season (3-2 in the American Athletic Conference), while SMU falls to 4-5 (2-3), its two-game winning streak having ended with a thud.

The Tigers scored a pair of touchdowns in the game’s first five minutes, the first a 50-yard Ferguson-to-Miller connection, followed by a four-yard toss from Ferguson to reserve tight end Joey Magnifico. After SMU closed within seven points (14-7), Darrell Henderson set a new Memphis record with a 99-yard kickoff return, the Tigers’ third such touchdown this season after going nearly 20 years without one. Ferguson hit tight end Daniel Montiel and Miller for second-quarter touchdowns to put the game out of reach by halftime, 38-7.

Memphis rolled up 474 yards of offense for the game while holding the Mustangs to 305, the best defensive showing for the Tigers since a win over Bowling Green on September 24th. The Tigers forced three turnovers and sacked SMU quarterback Ben Hicks three times. (Memphis entered the game with seven sacks on the entire season.) Doroland Dorceus led the Tiger ground game with 77 yards rushing and a touchdown, the 22nd of his career.

The Tigers return to the Liberty Bowl next Saturday to face USF, a contender for the AAC championship. The Bulls are 7-2 (4-1) and enjoyed a bye this week. Memphis now has the luxury of finishing a rugged schedule — against USF, Cincinnati, and Houston — without bowl eligibility in the balance.

Categories
Beyond the Arc Sports

Clippers 99, Grizzlies 88: Fake Hustle, No Flow

Larry Kuzniewski

After the game, David Fizdale said it didn’t feel like a rivalry game. The Clippers, he said, came to play a rivalry game, but the Grizzlies didn’t bring that kind of energy. He was telling the truth. Last night, after a solid (if ugly) first quarter, the Grizzlies slumped into nothing, and they would’ve gotten mercilessly blown out if they hadn’t put together a frantic run of 3-pointers to close out the game. Nothing worked. Gasol shot terribly for most of the night, Conley was ineffective when his jumper wasn’t falling, Zach Randolph wasn’t able to do his normal damage, ending up with what counts as a quiet night by his standards. Wade Baldwin finally had a game where he looked like a confused rookie. The other confused rookies didn’t help much, either.

We came expecting another pitched battle in the long history of Grizzlies/Clippers animosity, and got a run-of-the-mill garbage regular season game. Continuing a trend from their games against the Wolves and Pelicans this week, shots weren’t falling. Movement on offense other than the Conley/Gasol pick and roll was minimal. The defense looked like work but accomplished little. (In fact, in his presser, Fizdale touched on the defense, saying the Griz were “gambling too much in the backcourt,” which he called “fake hustle. Insert eyeballs emoji here.)

There’s not really much more to it than that. Without focus on defense, without executing sets sharply on offense, this Grizzlies squad, still missing Chandler Parsons (until Tuesday, reportedly), just can’t get much done. The success they had in the first two wins came from effort and intensity, just like every other Grizzlies win of the last 7 years. When effort is there but intensity isn’t, they look like a middle-of-the-pack group of young players still learning how to win, rather than a team that’s been to the playoffs six straight times and intends to be there a seventh.

Tony Allen’s reinsertion into the starting lineup seems to have hurt things more than it’s helped. The promise coming into the season was that Allen would be used in new ways, featured as a cutter and maybe even a bit of a ball handler, but so far that hasn’t happened. Allen’s offensive role continues to be limited by the team’s overall struggles; when there’s no space on the floor because shots aren’t falling, there’s considerably less for him to do. But they continue to kick the ball out to an open Allen on the wing, and he continues to shoot it. His defense isn’t quite up to his normal standard either. Allen’s doing a good bit of the gambling Fizdale was talking about, and with so many young bigs, there’s not the solid interior backing Allen is used to playing with to catch whatever he lets past. It’s an adjustment to fit him into the “New Grizzlies Way,” and so far it’s been a rough start.

Overall, I’m not worried by much of this. The shooting guard situation is somewhat troublesome; when Parsons returns to action there’s still not much of a way forward there for the bulk of shooting guard minutes unless James Ennis plays out of position as an oversized two. Ennis showed some chops defending ball-handlers by guarding Chris Paul credibly in this one, so maybe there’s a future there. The Grizzlies continue to be a puzzle that’s about half put-together, and while it’s no fun to see them lay an egg against the hated Clippers, regaining Parsons and continuing to work through these execution issues is the name of the game at this point, trying to make sure they stay in contact with the top of the West standings.

Game Haiku

Larry Kuzniewski

I wrote these and haven’t posted them, so here’s a haiku dump:

Game Haiku #4 (Timberwolves)

“Let the young guys play!”
“That’s not what we meant!” they say.
“Let the old guys play!”

Game Haiku #5 (Pelicans)

Free basketball, yes
But at seventy-five points,
Get what you pay for.

Game Haiku #6 (Clippers)

Save the “Whoop That Trick”
Maybe next time there won’t be
Mostly garbage time.

Up Next

The Portland Trail Blazers on Sunday afternoon, and the Nuggets on Tuesday, and then a few days’ rest before playing the Bucks in Milwaukee. It’s been a tough-ish stretch to start off the season so far, but winning every other game is a good way to tread water at .500. I’m interested to see what the focus of the team looks like in a Sunday matinee game, given the issues they’ve had there recently (according to Fizdale, anyway).

Categories
Film/TV Film/TV/Etc. Blog

Indie Memphis Saturday: “He Could Have Gone Pro” Leads A Strong Hometowner Shorts Program

Last August, the first annual Memphis Film Prize awarded $10,000 to a short film produced in the Mid-South area. The winner was “He Could Have Gone Pro” by McGehee Montieth.

Actor/director McGehee Monteith (left) in her short film ‘He Coulda Gone Pro’.

“I’m an eighth generation Desoto Countian,” the director says. “I wasn’t one of these kids who always knew what they wanted to be. I’m a voracious reader, so I wanted to be a book editor when I was 7. I wasn’t one of these pageant trained children. I watched Mrs. Doubtfire for the first time when I was 12 years old, and I was completely captivated and mesmerized by Robin Williams. And I remember going to my mom and dad and say, ‘Do people do this for a living? Can I do this for my job?’ And they said yeah! My parents, who are the antithesis of stage parents, got me involved in theater in Desoto County. Got some attention in the theater as a local actor. Then Walk The Line came to town, and they did a national search for Reba Cash, Joaquin Phoenix’s sister. They were looking for the teenage version of her, and I went to an open call above Alfred’s on Beale. I had never been to any kind of scale audition like that before. So I auditioned, and I went home, and thought that was it. I thought I was just going to go back to high school. Then I got the call back that they wanted me to play the role, and also the adult version of the character. So that was the biggest event that probably changed the trajectory of my professional and artistic life. I made so many friends and relationships, and that led to agents and premieres and stuff like that.”

Monteith managed to create an acting career in New York and Los Angeles at the same time she was pursuing a Religious Studies degree from Ole Miss. “I would say you can see it in my work, the way people use religion, and cherry pick things they want from religion.”

She says she drifted into writing as she learned more about the film industry. “I’ve been doing this professionally for ten years, and I’ve seen the industry and the model change from when people are just actors, or writers, or directors. I noticed that people who were actors were writing their own work.”

She wrote a female-drivien romantic comedy called Ollie Stop, which is currently in development, before tackling her award winning short film. “I always loved specifically the term ‘He coulda gone pro’, because the writer in me always wants to know, ‘Why didn’t he?’ I’d written the outline and had the bones of what the story would be, and when I heard about the film prize, I thought, it’s time to finish this.”

Monteith both directed and stars in the film. “I went to film school on YouTube,” she says. “I have the sense enough to know, when you don’t know how to do something, surround yourself with people who do. Don’t get a camera. Find a great DP.”

Ryan Earl Parker, the genius Memphis-based cinematographer, came on board when she pitched him the story. “He moved heaven and earth to make it happen. It would not have been possible without Ryan believing in the project, and bringing his skill set. Filmmaking is not singular, it’s symphonic.”

Monteith’s co-star in the moving film is acclaimed actor/director Cecelia Wingate. She says it was a combination of the support of her veteran crew and tireless preparation was what allowed her to act and direct at the same time, which is among the most challenging feats in filmmaking. “I knew all the shots, I knew every line, mine and everyone else’s. I knew what I wanted. I had a roadmap. I just tried to make sure the people who I was working with had that roadmap, and we were all on the same page. That is what allowed it to be a nice experience.”

The director used the prize money “He Could Have Gone Pro” earned to immediately shoot another short film. “After the win, I felt an obligation to turn around and make more art. The real thrilling part for me was being able to hire and pay that same crew. You got to dance with the one what brung you. I could work with that crew for the rest of my life.”

“He Could Have Gone Pro” screens as part of the Hometowner Narrative Shorts bloc at Circuit Playhouse on Saturday, November 5 at 6 PM. Tickets and passes are available on the Indie Memphis website.

Categories
Music Music Blog

Weekend Roundup 86: Dokken, Mark Edgar Stuart, Thee Oh Sees

Mark Edgar Stuart plays Memphis made Brewing this Saturday.

Good evening and welcome to the 86th edition of my Weekend Roundup. There aren’t a TON of things to do this weekend, but there are still gigs worth your time, including the closing of the River Series at the Harbor Town Amphitheater and the Malted festival at Memphis Made Brewing. Both of those shows go down on Saturday. The Switchblade Kid also plays a rare live show at the Buccaneer this Sunday afternoon.

Friday, November 4th.
Dokken, 7 p.m. at the New Daisy Theater, $25.

Weekend Roundup 86: Dokken, Mark Edgar Stuart, Thee Oh Sees (6)

Shitstorm, Dracla, DJ Neutra Flex, 9 p.m. at Murphy’s, $5.

Brennan Villines, 10 p.m. at Lafayette’s Music Room.

Weekend Roundup 86: Dokken, Mark Edgar Stuart, Thee Oh Sees (8)

Elysian Feel with Agori Tribe, 10 p.m. at the Hi-Ton
e, $5.

The Sheiks, 10:30 p.m. at Bar DKDC, $7.

Saturday, November 5th.

Malted festival featuring Big Barton, Pezz, and Mark Edgar Stuart, 1 p.m. at Memphis Made Brewing.

Weekend Roundup 86: Dokken, Mark Edgar Stuart, Thee Oh Sees (5)

Jack Oblivian, John Wesley Coleman, 3 p.m. at the Harbor Town Amphitheater, $5.

Weekend Roundup 86: Dokken, Mark Edgar Stuart, Thee Oh Sees (4)

The Mayberry Ruckus, 8 p.m. at the Young Avenue Deli, $10.

mewithoutYou, Yoni Wolf (of WHY?), and Needle Points, 8 p.m. at Minglewood Hall, $16

Weekend Roundup 86: Dokken, Mark Edgar Stuart, Thee Oh Sees (3)

The MD’s, 10 p.m. at Bar DKDC, $7.

Sunday, November 6th.
Switchblade Kid, 3 p.m. at the Buccaneer, $5.

Weekend Roundup 86: Dokken, Mark Edgar Stuart, Thee Oh Sees (2)

Ghost Town Blues Band, 8:30 p.m. at Huey’s Midtown.

The Cleverlies, 8 p.m. at Lafayette’s Music Room.

Thee Oh Sees, Ex-Cult, Nots, Amplified Heat, 8 p.m. at the Hi-Tone, $15.

Weekend Roundup 86: Dokken, Mark Edgar Stuart, Thee Oh Sees

Categories
News News Blog

Tennessee Smashes Early Voting Records While Disqualifying Thousands of Previously Inactive Voters

Early voters in Tennessee are showing up in record numbers for this presidential election.

According to the Tennessee Secretary of State Tre Hargett, 1,675,679 voters have either voted early or cast their absentee ballot. This number easily surpasses the 1.24 million Tennessean that voted in the March presidential primaries, which was also a record-breaking number.

This election’s number of early voters has also passed the previous record of early voters in 2008 by more than 95,000.

“I’m thrilled that people are engaged and took advantage of the convenience of early voting,” said Hargett in a statement released today.

The Flyer is awaiting confirmation to make sure Hargett actually meant “engaged” instead of “terrified”.

Hargett may be impressed by the early voter turnout, but the American Civil Liberties Union of Tennessee is not thrilled with Hargett’s recent assertion that Tennessee has federally protected authority to “purge” voters who have not participated in prior local or national elections.

Recently, the United States Court of Appeals for the Sixth Circuit struck down an Ohio law that allowed for the purging of registered voters who had not participated in recent elections. Hargett has said that the Tennessee law allowing for the same end result is substantially different than the Ohio law that was struck down.

Taking a cue from Republican nominee Donald Trump’s best oratorical practices, the ACLU-TN said in a letter to Hargett’s office, “wrong”.

“Tennessee’s procedures are predicated on a person’s failure to vote and will undoubtedly be found to violate the National Voter Registration Act and the Sixth Circuit Court’s decision,” the letter said before going on to call for the state secretary to inform county commission offices that the law is invalid in order to prevent any additional voter purges.

One broadcast news station in Nashville reported that in Davidson County, 19,000 would-be voters have been disqualified.

The ACLU-TN is asking for any Tennesseans who feel they might have been deemed ineligible to vote due to previous inactivity to contact them.