Categories
Beyond the Arc Sports

The Grizzlies’ Bad Springtime Trip

Larry Kuzniewski

I thought it was the Jeff Green trade.

I figured it was because his total space-cadet lack of awareness on the court and his aloofness off of it had fatally disrupted the chemistry of the Grizzlies and that was the whole problem—that was the reason Marc Gasol looked like he was having a Ritchie Tenenbaum-style breakdown, ripping his jersey like shedding layers of signature Fila gear. My thesis in those days, well-documented on the back pages of this blog, was that once the Jeff Green Problem was sent to Siberia (or the Clippers, whichever is worse) the Grizzlies would get it together and play better basketball.

There’s no Jeff Green to blame this year. There was for a while, when Chandler Parsons briefly occupied the same “Marc Gasol hates playing with this guy” niche, but he was removed from the equation, things improved, and then things rapidly went right back to where they were.

Where they are is this: the Grizzlies are either not good enough to win without Marc Gasol expending superhuman amounts of energy, or they’ve realized that they’re going to lose in the first or second round and have decided not to care about their seeding situation. My fear, the thing that makes me question why I’m even still paying attention (other than the fact that I have to) is that it’s both.

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Let’s look at what’s happened to the Grizzlies this year. They’ve beaten some very good teams (Golden State twice, the Spurs twice, the Rockets twice) and they’ve lost to some very bad teams (the Nets, the Knicks, the Lakers). They show up when it’s an “important” game and they take the night off when they think they can afford to. There’s a problem with that approach that they don’t seem to think about, though: they can no longer afford to, because every dumb loss they take makes their playoff situation harder. The Core Four are all old enough that they’re simply not going to be physically able to bring the full Grit & Grind experience every night, period. And when they can’t, there’s pretty much nothing else for the team to do without a healthy Chandler Parsons. So while they look like world beaters and a real problem in the games where they store up their energy and come out guns blazing, they’re probably going to be the 7 seed instead of the 5 because they let so many stupid, winnable games get away through lack of focus.

Which is a self-fulfilling prophecy. They end up at the low end of the playoff seeding because of the bad losses, have to play a team with a much better record, and eventually they get exposed as the one dimensional team they mostly still are. Except this year the defense isn’t as good.


The NBA season is a long, long slog. With the end in sight, it’s hard to be mad at teams like the Grizzlies for getting senioritis: they know where they’re going to land, and they’re not terribly worried about what happens around them. So while other teams are scrapping to make the playoffs, or scrapping to prove which guys belong as part of the future on lottery teams, the Grizzlies are just strolling through the garden having a smoke break and checking their watch. In fact, this is pretty much an accurate recap of the Grizzlies’ entire spring so far:

And this has happened to them every year. Either at the beginning of the season, the end of the season, or both, or sometimes in the middle just for flavor. 2013? The middle, leading up to the Rudy trade. 2014? The beginning. 2015? The end. 2016? The beginning, and then everyone got hurt. 2017? The middle, when Conley came back from a back injury, and now also the end. This is a streaky team. They run on these big win streaks and then pull themselves back down to earth by playing big stretches of disjointed .500 ball in between… plus ça change.


I still believe this is a team that can make the conference finals this year if they catch the right breaks and the right matchups. They almost beat Golden State without Gasol on Sunday, and they’ve already beaten them in convincing fashion twice this year. The Spurs are a tougher challenge but they don’t seem as invincible as they have in the past (although last year they swept the Grizzlies while not even playing well). If they catch a first round matchup with the Rockets, who knows what could happen—they may out-physical and out-crazy the Rockets, or they may give up 65 three pointers a night.

It’s very up in the air. But you wouldn’t know that from watching them. From watching them you’d think they’d already wrapped up home court and they couldn’t move up or down no matter what happened. There’s a distinct lack of urgency around them these days, especially in third quarters, where they routinely clog the toilet on offense even when the defense is working, which it hasn’t always done reliably this year.

Eventually we have to admit that the inconsistency is just part of the program. If we’re going to be honest with ourselves (that rarest of things in sports fandom), “Grit and Grind” has never actually meant “playing all 82 games at a certain intensity level.” It’s meant showing up for about 60 of them and playing like your life depends on it, and just not being able to focus the beam on the other 20 or so. Which is fine. But let’s not act like what the Grizzlies are stumbling through right now is out of character, because at this point, we should all know better. They’ve been teaching us this lesson for five years.

Categories
Beyond the Arc Sports

Beyond the Arc Podcast #74: Good Gasol/Bad Gasol

This week on the show, Kevin and Phil talk about:

  • The Grizzlies’ bummer of a road trip
  • The difference in Good Gasol and Bad Gasol and why they show up when they do
  • Whether the mileage on Marc Gasol is finally starting to get to him
  • What rock band would the Grizzlies be?
  • The sacrifices the Grizzlies will have to make to keep JaMychal Green
  • How many more years can Vince Carter play?
  • What’s the Grizzlies’ plan for the future?

The Beyond the Arc podcast is available on iTunes, so you can subscribe there! It’d be great if you could rate and review the show while you’re there. You can also find and listen to the show on Stitcher and on PlayerFM.

You can call our Google Voice number and leave us a voicemail, and we might talk about your question on the next show: 234-738-3394

You can download the show here or listen below:


Categories
News News Blog

Pedaltown Bicycle Co. Headed to Broad

A “simple and unintimidating” bike shop is headed to Broad Avenue.

Clark Butcher, owner of Victory Bicycle Studio, will soon open Pedaltown Bicycle Company, directly next to Victory on Broad between Merton and Bingham.

Butcher said the new store is designed for more casual riders and will offer “a lower cost of entry to bicycling.” Bikes at Pedaltown will average about $350, Butcher said.

“I get it, new riders and people who haven’t ridden in a while aren’t looking to spend the same as enthusiasts, but they still want and deserve the same high-quality level of service that the market has grown to appreciate at Victory,” Butcher said, “and that’s what we’re providing at Pedaltown.”

The shop’s location was chosen to be close to Victory, on dedicated bike lanes, and to be close to the Carpenter Art Garden bike shop, which Butcher co-founded.

The news release for Pedaltown’s opening started this way: “There’s a new bicycle shop coming to town and if you instantly get worried about wearing spandex when you read that, then this shop will be perfect for you.”

Butcher plans to have the shop open in late May.

Categories
News News Blog

BBB Warns of Several Questionable Businesses Owned by the Same Person

Posted By Spool Post on Flickr

Would you want your ducts blown out with a leaf blower?

The Better Business Bureau of the Mid-South (BBB) has released a consumer alert warning potential consumers about dozens of business complaints from multiple specialty cleaning companies that are all linked to one owner, James E. Jones of Memphis.

After conducting an investigation, the BBB learned that Jones has done or is currently doing business under a variety of names, including Service Medics, Sounds Like Service, The Mold Guys, 1stChoice Home Services, and TruClean Home Services.

In total, Jones’ enterprises have racked up 130 complaints in six years from 11 states that allege false advertising, missed appointments, difficulty in reaching to resolve a complaint, and poor service.

One customer notified the BBB that one of Jones’ businesses showed up to clean her air ducts with a shop vacuum and a leaf blower.

Thirteen complaints tied to Jones’ businesses have remained unresolved, and scores more were resolved unsatisfactorily, causing the agency to issue “F” ratings across the board for all of Jones’ enterprises.

The consumer safety agency also warns that one such business, Service Medics, has falsely used the BBB’s “Accredited Business Seal” without the agency’s approval. In fact, non of Jones’ businesses are accredited by the BBB.

As a preventative measure, the BBB is urging customers to do their homework ahead of enlisting services, and to exercise particular caution with services advertised on social media.

For businesses that are accredited through the agency, you can quickly conduct research through the BBB’s website.

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: MonoNeon & A Weirdo From Memphis

And now, Music Video Monday brings you a new Weirdo.

I know what you’re saying. “If there’s one thing Memphis has plenty of, it’s weirdos.” But we (and by “we”, I mean “I’, because it’s pretty much just me doing this MVM thing) have a new weirdo for you, and he’s the kind of high quality weirdo you expect from Memphis. His name is A Weirdo From Memphis, and you’ve got to respect the fact that he’s just putting it all out there like that. Not only does he have a smooth, smart flow, but he tops it all off with a floppy pink anime hat.

In “America’s Perverted Gentlemen (Drawls)”, he’s joining bass virtuoso MonoNeon for a towed skateboard trip down Madison Avenue. The crew makes a short stop at venerable Memphis smoke shop Whatever, because this kind of weird doesn’t just make itself. You have to work at it.

Both artists come from the IMAKEMADBEATS Unapologetic crew, and he also directed the snack-sized music video. Peep it:

"America's Perverted Gentlemen (Drawls)" – MonoNeon & AWFM (A Weirdo From Memphis) from Dywane MonoNeon Thomas Jr. on Vimeo.

Music Video Monday: MonoNeon & A Weirdo From Memphis

If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com

Categories
Music Music Blog

Slideshow: Andy Hull and Dustin Kensrue at The Hi-Tone

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Categories
From My Seat Sports

Redbirds XX: 20 Years of Memphis Baseball

The Memphis Redbirds’ 20th season begins (unofficially) this Thursday, when the St. Louis Cardinals visit for an exhibition game at AutoZone Park. (Memphis opens the regular season April 6th at New Orleans. The home opener is Tuesday, April 11th.)

In celebration of two decades of Redbirds baseball, here are 20 historical facts to flavor your next conversation at AutoZone Park.

• The first batter in Memphis Redbirds history was none other than Vince Coleman on April 7, 1998. The outfielder who won six stolen-base titles with the Cardinals in the 1980s played just 20 games for Memphis (and stole eight bases) before retiring for good.

• Three Redbird pitchers have gone on to homer in their first at-bat in the major leagues (with the Cardinals): Gene Stechschulte (2001), Adam Wainwright (2006), and Mark Worrell (2008).

• In 2000, during a brief stint with the Cardinals, Redbirds catcher Keith McDonald became just the second player to homer in each of his first two big-league at bats. (The first was Bob Nieman with the St. Louis Browns in 1951.)

• Albert Pujols hit the most famous home run in Redbirds history, one that clinched the 2000 Pacific Coast League championship for Memphis on September 15, 2000. Pujols played a total of 14 games for Memphis and enters the 2017 season (with the L.A. Angels) nine homers shy of 600 for his career.

• Five former Redbirds have been named MVP of a League Championship Series: Adam Kennedy (Angels, 2002), Pujols (Cardinals, 2004), Placido Polanco (Tigers, 2006), David Freese (Cardinals, 2011), and Michael Wacha (Cardinals, 2013).

• No Redbird pitcher has thrown a no-hitter. Four have tossed one-hitters: Clint Sodowsky (1999), Britt Reames (2000), Anthony Reyes (2005), and Tim Cooney (2014).

• Adam Kennedy owns the longest hitting streak in Redbirds history: 20 games in 1999.

• Rick Ankiel has the Ruthian distinction of having led the Redbirds in strikeouts (as a pitcher) one season (1999) and home runs (as a hitter) another (2007).

• One former Redbird has earned more than 150 big-league wins: Dan Haren (153). The Cardinals’ longtime ace, Wainwright, enters the 2017 season with 134.

• Five Redbirds have won the PCL ERA title: Brady Raggio (1998), Clint Weibl (2000), Jason Ryan (2003), Kevin Jarvis (2005), and Mitchell Boggs (2008). But no Redbird has won a PCL batting title.

• Five members of the Redbirds’ 2009 PCL championship team also played for the 2011 World Series champs in St. Louis: David Freese, Allen Craig, Jon Jay, Fernando Salas, and Jaime Garcia.

• A former Redbird has appeared in every MLB All-Star Game since 2003.

• Two former Redbirds have compiled more than 2,000 hits in the major leagues: Pujols and Polanco.

• Only five Triple-A franchises have been affiliated with their parent club longer than Memphis and the St. Louis Cardinals: Omaha (Royals), Pawtucket (Red Sox), Iowa (Cubs), Toledo (Tigers), and Tacoma (Mariners).

• Before the Redbirds’ arrival, the longest affiliation Memphis professional baseball had with one MLB franchise was 11 years (1984-94) with the Kansas City Royals.

• He only played in 147 big-league games, but Nick Stavinoha dominates the Redbirds career-record book. The slugger ranks first in franchise history in games played (479), hits (531), home runs (74), RBIs (316), and runs (260).

• Stubby Clapp’s uniform number (10) is the only one to be retired by the Redbirds. It was painted on the bullpen wall at AutoZone Park in 2007. The number was removed, though, in 2012 when the St. Louis Cardinals retired the same number in honor of longtime manager Tony LaRussa. The Cardinals’ policy calls for a honored number to be retired throughout the farm system . . . for the same individual. (Clapp will, in fact, be wearing number 10 as manager of the 2017 Redbirds. You could say his number has been unretired twice.)

• Redbird first-baseman Larry Sutton hit the first home run in AutoZone Park history on April 14, 2000. (The Cardinals’ Eli Marrero and Mike Matheny homered in the inaugural exhibition game on April 1, 2000.)

• Three Redbirds have led the PCL in home runs: Ivan Cruz (2002), Kevin Witt (2004), and Brock Peterson (2013).

• Redbird outfielder John Rodriguez hit four grand slams in less than a month (June 15 to July 9) in 2005.

Categories
Music Music Features

Memphis Magic at SXSW

Rolling into Austin last week for South By Southwest (SXSW) was both exotic and familiar to me. Having first played there in 1990, this year offered more than five times as many bands, with more tech-oriented attendees (due to the growth of the non-musical conference) and a more pronounced Memphis presence than ever.

Right out of the starting gate, Austin saw a full slate of local favorites at The Memphis Picnic. Sponsored by the nonprofit Music Export Memphis, it featured catering by the new Austin branch of Gus’s World Famous Fried Chicken, as well as the new Austin branch of the Amurica photo booth and “a line around the block before we opened,” according to organizer Elizabeth Cawein.

The crowd flooded in to see opener Emi Secrest, a onetime Memphian now living in Los Angeles, who featured much-admired Memphis drummer Stanley Randolph, now playing for Stevie Wonder. One musician waxed enthusiastic about Randoph’s playing with Secrest, noting that their set pulled in the audience and “set a tone of ‘oh shit, this is good!’ for the day.” The show also featured Chris Milam, Marcella and Her Lovers, Dead Soldiers, and a fervent, soulful closing set by Southern Avenue. “It felt like being home,” said Marcella Simien. “Every guest felt that energy, and that’s why people stuck around all day. It was magical.”

Dead Soldiers, who release a new album on March 31st, reprised their set the next afternoon with wild abandon, in songs ranging from anthemic rock to klezmer-like frenzy. Show-closer “Sixteen Tons” culminated in soaring group harmonies and drummer Paul Gilliam leaping over his kit: One could only feel for the band that had to follow them.

Amid all this talent, foremost in my mind was Cory Branan and the Low Standards, for whom (full disclosure) I was playing bass. A North Mississippi/Memphis native who has recently returned to Bluff City life, with a new album coming in April, Branan led me and drummer Shawn Zorn through one full band show per day, along with many solo sets. The highlight of the latter was his appearance at the Moody Theater (home of Austin City Limits) for the Country Music Awards’ Songwriter Series, where his pithy lyrics and fiery picking brought the crowd to a standing ovation.

Scores of Memphians filtered into Austin as the week wore on, from new arrivals China Gate to the pedigreed Tommy Stinson-led Bash & Pop, featuring hometown guitarist extraordinaire Steve Selvidge, wrapping up their West Coast tour at Austin’s Hotel Vegas on Wednesday. The next night was capped off by rock-and-roll lifers Joecephus and the George Jonestown Massacre. And Saturday featured an unofficial celebration of bands on the Goner label, including Memphis’ own Aquarian Blood.

Bands rushed from one show to another, working themselves and crowds into a sweaty furor. Truckloads of tacos and coffee and alcohol were consumed, hearts and ears and minds caught in the sonic energy. Yet amid the clamor, more delicate moments also thrived. Mystic groove goddess Valerie June, now based in New York, was seemingly the toast of the town, with massive buzz and press coverage celebrating her new release. Coco Hames, newcomer to Memphis via Nashville, spun her classic pop songs with an assist from fellow Memphis transplant Mario Monterosso at the Merge Records Day Party, and again in a midnight show the following night. Meanwhile, Milam enlisted cellist Elen Wroten to add unique textures to his band. Both Hames and Milam have new albums arriving soon, as does Shannon McNally, another local favorite based in Oxford, Mississippi.

For her appearances at SXSW, McNally assembled a dream band featuring Memphian Stephen Chopek and the remarkable Charlie Sexton, best known for his guitar work with Bob Dylan. (Full disclosure #2: I joined them on keyboards at her Auditorium Shores show). Her liveliest show was at Lucy’s Fried Chicken, where her eclectic energy brought cheers from a packed house. “Who else can go from Stevie Wonder to JJ Cale at the drop of a hat?” Sexton asked the crowd, to which McNally replied, “Same station, baby! Same station.”

The most commercially promising acts at SXSW were arguably Memphis’ hip-hop artists. The genre is more fully embraced at SXSW than in the early days, and rappers Blac Youngsta, Javar Rockamore, and Don Trip all represented the Bluff City well. The king had to be Yo Gotti, whose Thursday show had crowds crushing the edge of the stage, as he pounded out his direct-message-themed hit, “Down in the DM,” as well as jams from his recent White Friday (CM9) album.

Finally, what could better evoke Memphis than the unique collaboration known as Big Star Third? Centered on original Big Star drummer Jody Stephens, with indie-rock luminaries such as Mitch Easter, Chris Stamey, Mike Mills, and others trading off vocals and instruments, supplemented with a string ensemble, the group recreates the lush and inventive sounds of the once-obscure band’s Third/Sister Lovers LP, as well as selections from earlier Big Star and Chris Bell records. Their SXSW show, in Austin’s Central Presbyterian Church, was reverent and tragic, occurring as it did on the seventh anniversary of Alex Chilton’s death. There was something magical in hearing Stephens’ powerful drumming echo from the church’s arched chancel. His singing captured the vulnerability of friendships formed in his teens; and Stamey and Mills captured the wry, blunt delivery of the band’s chief composer well. Yet one could almost sense Chilton himself, slouching in the back pew, making wisecracks about the gigantic crucifix hanging over their heads, wishing he could have a smoke.

Categories
Food & Wine Food & Drink

Vino Italiano

The subject of Italian wines always puts me back at Pete & Sam’s over on Park, inevitably two tables over from a quartet of priests gathered around their veal parmigiano and one of those grass-wrapped bottles of Chianti. Even at 10 years old, I knew — through a friend whose parents had emigrated from Spain — that the stuff was just awful. Although, at the time, I was under the impression that priests could do some wild stuff with wine, so I couldn’t be too sure.

This wasn’t always the case. Back in 1726, the Grand Duke of Tuscany issued a proclamation restricting the use of the name Chianti and setting a geographical boundary to keep the style’s integrity. Two hundred years later, the stuff was widely known for being just awful. The region’s growers thought this was being uncharitable as the sangiovese grape just needed to lie for a time. I don’t mean three or four years, but something a little more generational.

Food-micro | Dreamstime.com

In 1967, the Italian government stepped in to regulate the process, but that only codified Chianti’s wimpy, acidic badness. So awful was the wine’s reputation that it triggered something of a laid-back revolution among Italy’s more ambitious wine makers — called the Super Tuscan movement. Basically, they completely ignored government regulations regarding styles and regions. One man heavily credited with inspiring the revival of Italian wines was actually born in Minnesota. The son of Italian immigrants, Robert Mondavi established the first major American post-prohibition winery in 1966, after leaving the family winery due to a fight with his brother. The irony of Mondavi’s place in the rebirth of Italian wines is that he himself had his epiphany while touring France — and he wondered if he could achieve Old World quality with modern technology. Conventional wisdom said no.

This, of course, had the predictable effect on an American-born child of immigrants. Not only did he bring respect to New World wines, he inadvertently turned Old World winemaking on its head. Italian winemakers traveled from the old country to his winery to study and work with him. These days Tuscany is as dotted with Mondavi alumni as Napa Valley.

Officially, these “Super Tuscans” were classified as vini da tavola — a sort of nondescript peasant wine. Eventually, reality set in that all the better wines were the ones that ran afoul of regulations, so the government relaxed the rules. With the freedom to do it right, many of these winemakers began making a new and improved Chianti. Which is the long way of saying that Chianti, and Italian wines in general, have in a lot of ways outgrown the reputations held by earlier vintages.

I picked up a Chianti Classico as well as one of those unmistakable grass-wrapped bottles. Being a supporter of recycling, I figured I could always find a U of M student to jam a candle in the kitchy decanter … or turn it into a bong. The style, then and now, is still primarily the sangiovese grape. Or perhaps overwhelmingly is the better word. Gone is the wimpy-yet-astringent quality of old for a full-frontal assault by a wall of grape jam, with hints of more of the same. Not for me, really — but the Italians design their wine to go with a meal, and that does make a difference.

There is a certain harmony embodied in “what grows together goes together.” If you are at Pete & Sam’s sitting over a plate of pasta with red sauce or veal parmigiano, that overpowering jamminess gets cut drastically. You don’t even need a priest, really. Neither food nor wine seems quite as overpowering as before. Nor is it particularly quiet. The experience is big, loud, boisterous, and fun. Which is as good a description as any of the meals I’ve had at Pete & Sam’s.

Categories
News News Blog

Undocumented Students in Tennessee Win Small Victory on the Hill

One hundred and fifty undocumented high school students and educators, including 30 from Memphis, headed to the Capitol in Nashville on Wednesday, March 22, to meet with legislators, share their stories and goals, and ask for legislative support for equal tuition opportunities.

As a result, the Senate Education Committee voted 7-2 in favor of the bill sponsored by Senator Todd Gardenhire (R-Chattanooga) and Representative Mark White (R-Memphis), officially known as SB1014/HB0863, which would allow Tennessee graduates to receive in-state tuition regardless of immigration status.

The bill will now advance to the Senate Finance Committee.

The Tennessee Immigrant and Refugee Rights Coalition (TIRRC) has led the campaign for Tuition Opportunity since 2012, building a team of partners from the business and education community, to change the fact that undocumented students end up paying almost three times as much as their documented classmates for college tuition at public universities.

“While we still have a long way to go before Tuition Opportunity is a reality for undocumented students, yesterday’s vote was a big step forward,” said Cesar Bautista, the youth organizer for TIRRC.