Categories
News News Blog

Bike Lanes and Plazas to Pop Up Downtown

Bike lanes and pedestrian plazas are on the way to downtown Memphis, as city officials plan to launch the Great Streets Pilot Project on June 26.

The project, which will run in conjunction with the national conference for the Association of Pedestrian and Bicycling Professionals hosted in Memphis, will implement protected bike lanes and pop-up pedestrian plazas along a space between east of the Fedex Forum and the riverfront.

Further information, such as infrastructure details and timelines will be presented by the city’s Department of Engineering and UrbanArt Commission at a public meeting on Tuesday, May 2, at the Crossit Library beginning at 5:30 p.m.

Bikeway and Pedestrian Manager for the City of Memphis, Nicholas Oyler, will be there to answer any questions.

Categories
Intermission Impossible Theater

Nuremberg Revisited: An Indie Theater Company Does its Homework

Warren Kramer (Center) talks to cast members from Judgment at Nuremberg.

Warren Kramer isn’t a hip-hop artist, but some of this elderly Jewish man’s stories would sound just fine with a beat under them. Like the story of how impressed he was by British law enforcement — when he finally got to England. Kramer was a good kid, but when he was a teenager, growing up in Nuremberg during Hitler’s rise to power, and the steady otherizing of the Jews, the Roma, homosexuals, and persons with disabilities, encounters with the police always meant trouble.

Kramer, who escaped Germany aboard the Kindertransport in 1939, sat center stage at TheatreWorks Wednesday night, and and told stories about growing up in Nuremberg, the site of major Nazi rallies, and namesake for the antisemitic Nuremberg laws. He also took probing questions from the cast and crew of Judgement at Nuremberg, a minimalist presentation of the epic trial drama closing in that space this weekend.

Kramer remembers the steady transformation from concern and anxiety to fear as life began to change. At first nobody took Hitler that seriously. He was a passing fancy. Then he wasn’t. Jewish faces were seen broadly cartooned in national media. Public school was made unavailable. And then Kristallnacht happened — the night of broken glass.

Kramer says his neighbors apologized before smashing everything in his house, turning the family’s life upside down.

Veteran actor/director Marler Stone launched his new CentreStage company with a production of Ibsen’s Enemy of the People. Judgment, which dissects the rise of inhumanity in Hitler’s Germany, is his second production. Stone says his aim is to present work that is majestic, fraught with struggle and heroism.

Kramer’s story has as happy an ending as one could hope for given the circumstances. His family survived the camps and were reunited in New York in 1947. His story is one of a time and place where heroes were desperately needed, but in incredibly short supply. His impact on the Judgment cast moving, if not actually majestic.

Judgment at Nuremberg is at TheatreWorks through April 30. Check out the slideshow. 
[slideshow-1]

Categories
Beyond the Arc Sports

Game 6: Spurs 103, Grizzlies 96: The End

Larry Kuzniewski

Zach Randolph’s return to the starting lineup is going to leave David Lee with some bruises for a couple weeks.

The Grizzlies’ 2016-17 season really ended on one San Antonio run with five minutes left in the game. One stretch where they couldn’t stop Kawhi Leonard and the rest of the Spurs’ shooters from hitting shots they’d been making in Games 5 and 6, and then they were done until September. But that was par for the course in this series, which many (myself included) thought would be much less of a contest once Tony Allen went down for good in the last game of the regular season.

But now, the Grizzlies are in a familiar place: they gave a better team all they could handle in the first or second round while missing one (or more, if you count Chandler Parsons, which I do) of their best players, and now their season is over. This was a quietly weird year, even as it followed the familiar contours of the Grit & Grind era: the offseason dedication to modernizing the way the team plays (except this time, under David Fizdale, the team actually bought into this and it mostly happened); the streak of wins against the best teams in the league; the “injury” stretch where the team is down to a single-digit number of players and still wins; the mysterious lack of effort from the opening tip in winnable games down the stretch; the absence of Marc Gasol from games in which he should be a factor; the presence of Marc Gasol as an MVP-level basketball player when he well and truly feels unguardable.

This was a new year, with new faces, and was supposed to be the start of a new era, but in a lot of ways it was more like a transitional phase, a bridge from one thing to the other. That came through in the playoffs when Mike Conley was going toe to toe with Kawhi Leonard and the Grizzlies were making more 3’s than San Antonio and winning through tough defense with TA in a suit. At the same time, it felt more familiar than ever, yet another variation on the myth as it passes down through the generations: Zach Randolph in the starting lineup bullying the Spurs to win a couple of playoff games. Growl Towels waving furiously as the home team attempts to withstand a furious takeover by the other team’s star player. The mascot choke-slamming people through tables. There are resonances, echoes, rhymes. This year is just like all the others.

Maybe that’s why, right now, none of it resonates emotionally on the same register as past years. It’s simply happened one or two too many times the same way. But what to make of that?

Larry Kuzniewski

Marc Gasol had a mostly quiet series, but hit some big shots.

The Series

I thought it was going to be over in four games, maybe five. I thought without Tony Allen to slow Kawhi Leonard on the perimeter, the Grizzlies didn’t stand much of a chance. I was wrong about that, and I’m glad, because even though it didn’t go the Grizzlies’ way in the end, this was yet another in the incredible run of cardiac playoff battles this team has been through. Game 4 was very probably the best playoff game I’ve ever been to, from a basketball-only perspective.

Ultimately the Grizzlies just never had the weapons to break the series open, especially on the wing. Missing the two best players in that rotation (and I’m not even ready to think about how good this team would’ve been with Parsons—certainly good enough to avoid the 7-seed altogether), they never got the production from those spots necessary to supplement the inexorable Spurs shutdown of the paint. They’re like kudzu, these Spurs. Eventually they choke out everything tall, everything trying to come up in the restricted area. When James Ennis, Wayne Selden, and Vince Carter couldn’t reliably produce 20-25 points between the three of them, the uphill climb became that much steeper.

That’s nothing new for these Grizzlies, but that doesn’t matter, not against the Spurs. After the game Marc Gasol said something about how tough the playoffs are, because by the end of the series the team you’re playing is specifically attacking the things you’re bad at. “It’s like the final test,” he said, “and either you know it or you don’t.” The Grizzlies moved the ball and shot the ball better this year than they ever have, and it still wasn’t enough. One can only hope that wing rotation is the team’s main focus this summer (again) while Parsons rehabs, so that next time, they’re able to rely on scoring at those positions when they need it.

[slideshow-1]

The Star

It was great to see Zach Randolph starting and playing aggressive basketball this series, but there was really only one star of the series for the Griz, and that was Mike Conley. He’s been good for a long time, but under Fizdale (and assistant Nick Van Exel, to whom Fizdale gave a great deal of credit for Conley’s growth), he’s been unleashed. Coming into the season, Marc Gasol was the sole captain and it was his team. That doesn’t seem to fit with reality anymore, as Conley hit big shot after big shot and played the best basketball of his career to keep the Grizzlies in the series.

Larry Kuzniewski

This is the series in which Mike Conley became the Grizzlies’ undisputed star.

This is his team now, no question about it. This series, on the national stage, is where he proved why he got such a big contract this summer: because that’s the kind of money you pay to keep the best player on your team. What that takeover means for the Grizzlies, and their pecking order, and their plans for the future (Conley is 30, after all, and age is usually not kind to smaller guards), remains anyone’s guess. But in this series, Mike Conley became the Grizzlies’ undisputed alpha, in a way that we always thought maybe he could, but were never quite ready to believe.

The Season

Obviously, the dissection of the 2016-17 Grizzlies has only just begun. I won’t write another 4000-word rant about the Communist Manifesto about how Sports Content leads to more Sports Content; you can read the last one and get back to me. But I do think there are a few little things to say right now:

★ It sounds cliche, but if they’d played hard in a few of the dumb losses, they’d have played the Rockets in the first round. I don’t know that that’s a better matchup, but it wouldn’t have been the Spurs.

★ I’m amazed that rookie players played so much this year. During the ill-advised Toney Douglas days, that seemed like a myth, a brief phase passing in the night, but Fizdale but his money where his mouth is and played Andrew Harrison and Wayne Selden as critical pieces of a playoff rotation, and didn’t get swept because of it. That’s a great sign for the future development of the Grizzlies, because players only get better by playing NBA basketball.

★ I’m not sure where they go from here. “Blow it up,” the grumpy fan’s refrain all year long, seems to be off the table given the way they conducted themselves in the postseason, but one never knows. It seems like there are multiple paths forward without tearing the team to the ground, and to me it’s much more likely that they avoid that route if possible.

★ It’s a shame that Tony Allen wasn’t on the floor for what might have been the last Core Four playoff run. That will never not be a shame. It’s sad that this era (Allen and Randolph are both free agents this summer) might have ended without an insane series-saving defensive stop, but rather with a limp to the locker room early in a dumb game. No way around that.

Larry Kuzniewski

A Closing Note

No matter what happens, and no matter how frustrating this year has been, and how much it sometimes feels like the Grizzlies are on a Hawks West trajectory that leaves them in the first round on a treadmill every year, this is still a special time for this team, and for Memphis as a whole.

There were reasons to doubt this season, maybe more than there ever have been: The Western Conference was not very good at the bottom this year, and that might be the only reason they even made the playoffs. Sometimes you need luck to keep an improbable streak going. But no matter what, this is a special team and a special run of seasons, and if the faces are different next year, it may have just passed us by without our knowledge. How’s the Rush song go? “Experience slips away.”

Even still, there is a pride around this team, and around this series, that is undeniable. As stunned as they were by their own elimination last night, every Grizzly player interviewed said they left everything on the court—that there wasn’t any more effort they could have given. And ultimately, isn’t that what we mean by Grit & Grind? Knowing the task is impossible but charging into the breach anyway? This season has been one of reflection, but let’s not get carried away eulogizing it. This was a great playoff series, and the Grizzlies did the best they could with what they had on hand, imperfect as it was—and they decided to make it as physically punishing for the other guys as they could on the way out the door. If that’s not “Memphis,” I don’t know what is.

Categories
Politics Politics Beat Blog

Field Is Set for June 15 General Election in House District 95

L to r: Vaughan, Ashworth, Schutt, Tomasik

After the tabulation on Thursday of the vote in the special Republican primary for state House District 95, the field is now set for the special general election of June 15.

Kevin Vaughan, an engineer, real estate broker and Collierville School Board member, narrowly edged former Germantown alderman Frank Uhlhorn to win the seven-candidate GOP primary.

Vaughan will vie in the general with trial lawyer Julia Byrd Ashworth, the Democratic nominee, and two independents, student Robert Schutt and Libertarian activist JimTomasik.

With all 18 precincts counted in the district which includes portions of Colliervile, Germantown, and Eads, Vaughan ended with 1,066 votes to Uhlhorn’s 1,017. The rest of the GOP field finished in this order: Billy Patton, 751 votes; Missy Marshall, 682; Gail Horner, 247; Curtis Loynachan, 134; and Joseph Crone, 58.

Ashworth, who was unopposed in the Democratic primary, had 363 votes. There were two write-in votes in her primary, and two also in the Republican primary.

Categories
News News Blog

Contemporary Media Inc. Hires Michael Donahue

Contemporary Media, Inc. has announced that the company has hired former Commercial Appeal writer and columnist, Michael Donahue. The official press release:

Contemporary Media Inc. Hires Michael Donahue

Contemporary Media Inc., publishers of the Memphis Flyer, Memphis magazine, Memphis Parent, and Inside Memphis Business, are pleased to announce the hiring of long-time Memphis journalist Michael Donahue.

Michael Donahue

Donahue began his career in 1975 at the now-defunct Memphis Press-Scimitar and moved to The Memphis Commercial Appeal in 1984, where he wrote about food and dining, music, and covered social events until earlier this year. He has received Hall of Fame and Distinguished Graduate honors from his alma maters, Christian Brothers High School and the University of Memphis.

Donahue will write for the Flyer, Memphis magazine, and Inside Memphis Business.

“We are pleased to have been able to bring such a skilled, veteran Memphis journalist on board to CMI,” said Publisher and CEO Kenneth Neill. “And we look forward to fully utilizing Michael’s many talents in both our print and digital products.”

Categories
Fly On The Wall Blog Opinion

You Look Like Money: Craig Brewer Teams up with the Memphis Comedy Community

I can’t remember when I’ve been in a happier, busier room. Everybody was grinning wide, and laughing, except for the writers — a who’s who of local comedy talent — who looked grave and anxiety-ridden, which is how you could tell they were in the zone and having a blast. Memphis’ man in Hollywood, Craig Brewer, has a plan. He wants to transform Katrina Coleman and Tommy Oler’s You Look Like comedy show/podcast, into digital content for streaming providers. The popular game of competitive comic put-downs has fantastic web-sharing potential. It’s exactly the kind of thing the internet was made for.

On stage the comedy is vicious. Things change after the loser makes a filmed “walk of shame.”

“You got robbed,” the winner of one round says, chasing down his not terribly disgraced opponent. “I know, I totally beat you,” he answers. Nobody’s mad. Love is thick. They’re all in this together.

“I’m not drunk enough to cry,” Coleman says, as the camera crew prepares to shoot the last five episodes of a ten episode trial season. “But set your watches.”

Katrina Coleman, Morgan Jon Fox

Coleman, who looks like the person most responsible for assembling the big tent of modern Memphis comedy, gestures to a ridiculous crown spinning on a turntable just offstage. That’s the winner’s prize. “It’s still the You Look Like show,” she assures the “studio audience,” acknowledging her shoestring budgeted show’s many physical upgrades. “I made that motherfucker in my living room,” she says, with a catch in her throat. A machine pumps fog into the room, standing in for the P&H’s famously thick cloud of cigarette smoke. Local writer/director Morgan Fox orders the cameras to roll and the games begin in earnest.

The rules couldn’t be more simple. Two comics stand face to face trading appearance-based insults like, “You look like heroin might improve your life.” That’s mild. Comics being comics, and built the way they are, the meaner it gets the more respect you can feel radiating from the combatants. When a roughing session ends the audience chooses a winner and the loser has to gaze into a mirror of shame and play the game all over again with his/herself. Simple. Perfect. And Memphis insult hero Tutweezy makes for an affable master of ceremonies.

Comic Amanda Walker and Craig Brewer.

Brewer discovered the You Look Like Show by way of the Memphis Comedy Festival. He had no idea that such a mature comedy scene had grown up in the tavern at the center of his own origin story. “I felt like grandpa,” he says of the revelation. 

Memphis Flyer cover art by Memphis comic/artist Mitchell Dunnam.

It’s epic deja vous seeing Brewer at work in the P&H Cafe. That’s where I met him. He was working on his first feature film, The Poor & Hungry and had had come into the bar to screen “rushes” of  footage he’d recently shot. Seemed like would be filmmakers were everywhere, back then, but Brewer was different. He was devoid of pretension, and radiated so much excitement for the work he was doing there was no way to inoculate against the infection. When The Poor & Hungry was accepted into the Hollywood Film Festival, I followed him and the P&H Cafe’s late great proprietress Wanda Wilson to LaLa Land to watch an emerging local talent be reborn as a hot commodity. And there he was, big as life, back at the old smoke-stained bar — the place where it all began — doing the kind of thing he fantasized about as a penniless beginner, driving around L.A. looking for a strip joint that might run his credit card and give him enough cash for dinner and parking.  

In the ‘writer’s room’ with Richard Douglas Jones and Hunter Sandlin

Brewer has always looked for opportunities to export Memphis talent and weirdness. In the 90’s he shot the city’s bourgeoning burlesque scene. His team-up with MTV on $5 Cover brought a semi-fictionalized version of the Memphis music scene to the masses. In some ways Brewer’s plan to turn You Look Like, into a streaming success is enhanced by a largely united comedy scene that’s already accustomed to collaboration. As soon as a comic advances to the next round he or she is in the back room working with a solid team of local comics including Hunter Sandlin, and Richard Douglas Jones.

“I get paid the same if I win or lose,” keystone comic Josh McLane says, praising a spirit of collaboration that brings competitors together to come up with the best worst things they could possibly say to each other. It doesn’t matter who wears the crown. All that matters: Is it funny? To that end the whole atmosphere feels a little like old-school Memphis wrasslin’. The outcomes aren’t predetermined, but everybody’s working together to bring serious pain from the top-rope.

Tommy Oler looks like a very handsome comedian. Hunter Sandlin looks like he shouldn’t have coveted the lost Ark.

For financing Brewer turned to past collaborator David Harris, an executive for Gunpowder & Sky, an LA based digital first studio  Harris had previously worked with Brewer on “Savage County,” a horror web-series. BR2, the “digiflick” company originally founded to market The Poor & Hungry is producing, as evidenced by a pair of director’s chairs printed with the company’s classic logo.

“We didn’t have chairs the first time,” Brewer quips as a Memphis media super team including co-producers Fox and Erin Freeman, Editor Edward Valibus, and Director of Photography Sarah Fleming all work the room.

I wish I had an appropriate insult to end this post. But all I can say is, You Look Like looks like it was a lot of fun to make. It’s bound to be a lot of fun to watch. Now it’s all about putting the pieces together, and taking it to market.

Fake smoke, real comedy.

Categories
News News Blog

Circuit on Street Safety Kicks Off

Memphis streets are becoming increasingly dangerous for pedestrians, as last year Memphis reported to have the highest number of pedestrians affected by traffic accidents anywhere in the state for the past 10 years.

Additionally, just this year, 15 pedestrians have died just by simply using the street.

In response, Bike Walk Memphis, a group advocating for better biking and walking experiences in Memphis, kicked off the “State of the Streets” circuit, which is an effort to inform various community groups about the current conditions of the city’s streets and what the city is doing to improve them.

The effort began today as Nicolas Oyler, Bikeway and Pedestrian Program Manager at the City of Memphis, spoke to the Frayser Exchange community group about the dangers of the Memphis streets and the need to invest in the 15,000 acres of public space that reaches every corner of Memphis, known as our city streets.

“Our track record today is not good,” Oyler said. “Our streets are dangerous by design, but we can improve that.”

Oyler told the group that as of now 30 percent of the city’s sidewalks are impassible and need to be redone today, but the problem is the high price tag these projects have, costing millions of dollars.

To make a dent in the problem, the city identified the 100 projects in the city that need the most attention in the Memphis Pedestrian Safety Action Plan.

From there, 20 were chosen and federally funded to be demonstration projects, in an effort to secure more funding allowing the entire project to be implemented, says Oyler.

Program Coordinator for Bike Walk Memphis, Bridget Mccall says the group hopes to reach more neighborhoods with the “State of the Streets” circuit to inform people that the city is aware of the problem and is moving in a direction of improvement.

“We want to start having more conversations at a neighborhood level about the fact that there are plans that will make our streets safer,” Mccall said.

Categories
Fly On The Wall Blog Opinion

Memphis is Ugly. Cleveland Still Uglier, According to BS List

Hey look, another bullshit list for people to click on and argue about. This time Memphis has been named the 9th ugliest city in America. Based on what criteria?

Jesus, do you really care?

 

Categories
Fly On The Wall Blog Opinion

Reading the CA: This Column by I. Dunno

Because I live in a glass house and everybody screws up sometimes and blogging without a copy editor is scary, I try not to get too hung up on the little things. But Goddammit, Gannett.

Categories
News News Blog

Revisions of Overton Gateway Plan Revealed

After receiving much criticism of the proposed Overton Gateway, the developers altered their designs for the five-story apartment building and townhouses that would line seven acres near Sam Cooper at East Parkway.

The developers, Makowsky, Ringel, Greenberg LLC, met with concerned members of the public on Wednesday, April 26, to discuss the changes to the plans corresponding to the feedback received after the design was initially proposed.

One of the key concerns of the first proposal was the intended heights of the buildings, inconsistent with the historical Lea’s Wood neighborhood.

Blair Parker, involved with site planning and architectural design for the project, said the concerns were heard and changes were made.

However, as the group laid out the changes which included the proposed five-story building being reduced to a three and four-story complex, tensions— and eyebrows—rose in the room.

“Overton Park is an amazing influence of all in this region and we found the survey reflects that,” Parker said.

But the concerns from the first meeting like the crowd that the complex would bring to the area, as well as, the amount of traffic, were still being expressed.

One attendee at the meeting, Marty Redding, says she sees little difference reflected in the revisions and is still concerned about how dense the complex would make the neighborhood, as well as the lack of parking, and the number of people who will be forced to park on the streets as a result.

“I just think it will complicate things,” Redding said. “My daughter lives in Parkway Place and I just want to have a place to park when I go visit her.”

The group announced that before moving forward with the project, many steps have to be taken, which includes taking the conceptual plan before the land use control board next week.