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Opinion Viewpoint

New Message Needed

Republicans won the May special election for Montana’s congressional seat even after their candidate throttled and body-slammed a reporter. The upcoming special election in Georgia remains close even with a weak Republican candidate.

Juan WIlliams

So, what will it take for Democrats to start winning?

First, the Montana fisticuffs showed that Republicans can react volcanically to questions about President Trump’s failed effort to repeal and replace the Affordable Care Act, also known as Obamacare. Their candidate went ballistic when the reporter, Ben Jacobs of The Guardian, asked about the projected higher premiums and fewer people insured under Trump’s health-care plan.

Second, last week’s poor jobs numbers and Trump’s lack of progress on tax reform offer more evidence that the GOP lacks a strong record for its candidates to run on. And, third, the Democratic base is fired up. With Trump’s withdrawal from the Paris climate deal, the party is unified in its fury at him.

But with the president retaining strong support among his GOP base, are these hopeful signs just mirages similar to the illusions that led Democrats to think Trump could never be elected president? Is there any concrete reason to think that the nation’s politics have changed enough to give the Democrats the 24 seats they need to take control of the House and set themselves up to defeat Trump in 2020?

In Montana, the Democratic candidate lost by only six points, while Hillary Clinton, the party’s 2016 presidential nominee, lost by 20. That margin narrowed even as the GOP outspent the Democrats. And most people voted long before the Republican, Greg Gianforte, resorted to violence.

Kyle Kondik, managing editor of the Crystal Ball newsletter from the University of Virginia’s Center for Politics, says: “Democrats can point to overall special election trends that suggest the opportunity for significant gains next year if they can be replicated on a nationalized scale.”

The Democratic Congressional Campaign Committee announced last month that it was expanding the targets for GOP-held House seats in 2018 beyond the 23 districts currently represented by a Republican but won by Clinton. They are now aiming at an incredible 79 seats.

Before he withdrew from the climate deal, Trump’s approval rating was underwater by 14 points: Gallup reported last week that the president’s job performance was approved by 40 percent of the country, while 54 percent disapproved.

And as the FBI, special counsel, and congress continue to probe into the Trump campaign’s ties to Russia, the GOP policy agenda could be derailed before the 2018 races.

A Politico/Morning Consult poll last week found that 43 percent of voters want impeachment proceedings right now. A Quinnipiac University poll last month found the president with the support of just 29 percent of self-described independents — a group with which he had scored plurality support last November.

But all that is noise inside a political bubble unless there is a winning message from Democrats that goes beyond another dose of fury at Trump.

Last week, a group of Democrats formed the People’s House Project to elect left-of-center candidates. The new group’s goal is to give Democratic candidates in the Midwest and rural areas a new look, with a jobs-first focus. It is one front in the battle to shape the Democrats’ future. That includes the search for an energetic, charismatic leader able to withstand Trump’s attacks.

Former Vice President Biden announced last week that he is forming a political action committee to support candidates in the 2018 congressional races. It is also a possible platform for him to run in 2020.

And two senators, Elizabeth Warren of Massachusetts and Cory Booker of New Jersey, also look to be auditioning for the role of leading Democrat. They offer different looks for the anti-Trump brigade.

Warren satisfies Democrats who want to go toe-to-toe with a president they view as illegitimate, corrupt, dangerous, and even treasonous. They want Trump treated by Democrats the way President Obama was treated by Republicans for the last eight years — with contempt and unrelenting opposition.

Meanwhile, Booker wants to offer a contrast to the president by branding himself and Democrats as a force for unifying the nation across political lines. “It’s gotta be about love. It’s gotta be about the connections we have to each other,” he told Vox recently.

The Democrats’ search for answers remains a work in progress.

Juan Williams is an author and a political analyst for Fox News Channel.

Categories
Food & Wine Food & Drink

Summer is Cappelletti Season

Last month, I wrote about the enduring appeal and easy sophistication of Campari and soda — and then I walked into my favorite liquor store for a bottle of Campari and walked out with something I love even better: Cappelletti. Billed as a vino apertivo, Cappelletti is, like Campari, a bitter, herbaceous mixer with a touch of citrus.

Both Campari and Cappelletti boast that gorgeous red color. Unlike Campari, Cappelletti is wine based rather than alcohol based, and, as a result, its finish is a bit smoother. Adding to its attraction, a bottle of Cappelletti costs much less than its legendary cousin. The bottle, too, is shaped uniquely — like a WWI-era morphine bottle, according to my savvy salesman. I’m not sure if it’s true, but it makes for a good story.

Since my indoctrination into the world of Cappelletti, I’ve noticed it on bar shelves across Memphis. At home, I prefer to drink it the easy way: over ice with soda, tonic, or Prosecco. At Acre in East Memphis, they up the ante by adding Cathead Vodka and tangerine to Cappelletti and sparkling wine for a cocktail called the End of the Line. Alchemy, at the north end of Cooper-Young, chose Cappelletti for its namesake cocktail, the Alchemist, which combines high-end bourbon, vermouth, and Peychaud’s Bitters with the aperitif. Cafe 1912, a few blocks up Cooper from Alchemy, has the familiar-shaped bottle on the liquor shelf behind the bar, where they’re happy to concoct a Cappelletti-based cocktail of your choice.

Now that the heat is here and farmers markets are in full swing, I’ve moved on to mixing Cappelletti with gin and basil, using a Tom Collins-esque cocktail I found on Food & Wine‘s website. Simple to make, the drink has high flavor rewards. Combine an ounce of gin, an ounce of Cappelletti, a half-ounce of lemon juice, a quarter-ounce of simple syrup, and three basil leaves in a cocktail shaker with ice. Do your thing for a few moments, then double-strain into a tall glass with ice. Garnish with extra basil leaves and lemon slices, and voila! Summer drinking at its finest.

Dinah Sanders’ acclaimed cocktail book The Art of the Shim recommends a drink called the Teresa, which combines two ounces of Cappelletti, an ounce of lime juice, and three-quarters ounce of crème de cassis. Shake until well-chilled, letting some of the ice in the cocktail shaker dilute the alcohol, then enjoy.

Another great cocktail for your repertoire: the Ruby Diamond, which I found on Epicurious. This elegant drink combines gin, mescal, Cappelletti, lemon juice, and orange juice. The ingredients are shaken with ice, strained, and served in a chilled Champagne coupe.

You can’t go wrong with Cappelletti — unless, like me, you decide to share your favorite new liqueur on social media. I Instagrammed a few cocktails — the bottle and its vibrant label in the picture — and the next time I needed a bottle, the liquor store was out of stock.

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We Recommend We Recommend

Unseen City at TheatreWorks

“Also in Raissa, city of sadness, there runs an invisible thread that binds one living being to another for a moment, then unravels, then is stretched again between moving points as it draws new and rapid patterns so that at every second the unhappy city contains a happy city unaware of its own existence.” — Invisible Cities, Italo Calvino

Where do we live? How is it usually described? How might it be understood? These are just a few of the questions posed by Our Own Voice Theatre Troupe’s latest offering, Unseen City. The new work, written and directed by Alex Skitolsky and choreographed by Kimberly Barksdale Baker, is inspired by Italo Calvino’s Invisible Cities, a brief novel short on narrative but rich in substance.

If on a summer’s night

Invisible Cities tells the story of Venetian explorer Marco Polo entertaining the great Kublai Khan with exotic descriptions of cities he’s visited. Polo’s colorful, often fantastical accounts contradict the Mongol ruler’s advisors and magistrates because of Polo’s tendencies to look beyond brick, mortar, and statistics to describe the real building blocks of every place in the world: ideas.

Unseen City is a collaborative work that began with tours through Memphis neighborhoods and conversations with residents. The theatrical event attempts to reimagine Memphis as a place that’s greater than “its past and popular associations” by telling the story of an “otherworldly conqueror” who wants to understand his latest acquisition. But the more he learns about the Bluff City and its people, the less he understands.

Unseen City‘s action isn’t confined to the stage or even the theater. Although the show’s first half employs dance and storytelling, the second act becomes an interactive tour of Overton Square.

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We Recommend We Recommend

901 Comics’ One Year Anniversary

901 Comics turns one year old this week, and Shannon Merritt, a co-owner of the Cooper-Young shop at 2162 Young, is unequivocal about the milestone. “This has been the best year of my adult life,” the lifelong comic book fan says.

In past lives, Merritt, who sports a forearm tattoo of Daredevil (original yellow costume, of course), has been a couple of different kinds of hero. He’s served his country in the Marine Corps, and he’s served his community as an officer with the Memphis Police Department. But secretly — and sometimes not so secretly — all he ever really wanted to be was a comic book store guy. The missing piece of the puzzle was partner Jamie Wright, a P&H Cafe barback and comic book collector who took a job helping Marvel’s Iron Man creator Stan Lee work marathon autograph sessions.

With Wonder Woman on top at the box office and comic book properties dominating screens large and small, there’s never been a better time to be a fan, and Merritt says business has been good. “This is the coolest neighborhood in Memphis,” he adds, stressing the need for a comic shop to be more than just a place to pick up graphic novels and superhero titles. Nestled between a record store and a coffee shop, it’s a location that attracts readers, writers, artists, and musicians looking as much for community as commerce.

Shannon Merritt (left) and Jamie Wright

“Now I get to try out all the things I thought would be great to do if I ever had a comic book store,” Merritt says. He’s particularly proud of his book club for comic readers and recent changes that make 901 Comics a more welcoming space for gaming culture.

This week, 901 Comics celebrates a year in business with in-store signings by Marvel and DC veterans Joe Staton and Pat Broderick on Friday and Saturday, June 9th and 10th. Saturday’s 5-8 p.m. music lineup at the Cooper-Young Gazebo features the Turn It Offs, the Gloryholes, Shamefinger, and comedian Brandon Sams.

Categories
News The Fly-By

Fly on the Wall 1476

CHOAS!

Google Trends recently tweeted a revealing map of America’s most misspelled words by state.

North Dakota can’t seem to get “dilemma” right, while South Dakota struggles with “college.” “Sauerkraut” defeats Pennsylvanians, while Wisconsinites seem to have the most trouble with “Wisconsin.”

Here in Tennessee, residents are given to rather chaotic spellings of the word “chaos.” This will come as no surprise to Fly on the Wall readers, who will be familiar with the catchphrase “Get CHOAS a copy editor.”

CHAOS!

While MLGW’s Twitter feed may have gotten a little testy from time to time, the Memphis utility company has been working overtime to serve those who lost power in last weekend’s devastating storm. That may not mean much to those who remain in the dark and have grown desperate enough to bribe hardworking linemen with cold beer.

Like the old saying goes, “If at first you don’t succeed, remind everybody that the beer’s getting warm.”

Categories
News The Fly-By

Mississippi River Mayors Say Climate Change Is a Real Threat

Mayors from across the country and up and down the Mississippi River (including Memphis Mayor Jim Strickland) vowed to keep working toward a clean future despite President Donald Trump’s removal of the United States from the Paris climate agreement.

Trump said last week that the deal was a threat to the U.S. economy and its sovereignty. He said he planned to negotiate a better deal on climate change with other countries.

The decision quickly made ripples at home as mayors with the Mississippi River Cities and Towns Initiative (MRCTI) said they were “disappointed” in the decision and that it removes the U.S. from the negotiating table on the details of the program.

More specifically, they said rising waters in the Mississippi River would threaten $146.6 billion in agricultural products moved up and down the river each year. Strickland said $6.3 billion of those products move through Tennessee to U.S. and foreign markets, noting that the Port of Memphis is the second-largest on the river and fifth-largest nationwide.

But Strickland took a broader look at the issue of climate change in a Friday statement, saying he “supports responsible climate policy and the goals of the Paris Agreement.”

the Paris Agreement.

“In fact, the city of Memphis started taking action years ago on many of the items outlined by this group of mayors,” Strickland said. “For instance, we’ve already completed a greenhouse gas inventory, and Memphis 3.0 will be working on a climate action plan.”

On Thursday, a group of 86 mayors from across the country (who call themselves the Climate Mayors) issued a letter on Medium, saying “the president’s denial of global warming is getting a cold reception from America’s cities.”

That letter said they’d push their own cities to increase investments in renewable energy, buy and create more demand for electric cars, cut greenhouse gas emissions, and more.

“And if the president wants to break the promises made to our allies enshrined in the historic Paris Agreement, we’ll build and strengthen relationships around the world to protect the planet from devastating climate risks,” the letter said. “The world cannot wait  —  and neither will we.”

The letter was signed by the mayors of the country’s biggest cities, including New York, Los Angeles, Chicago, Houston, and Boston. In Tennessee, it was signed by Nashville Mayor Megan Barry and Knoxville Mayor Madeline Rogero. Regionally, it was signed by the mayors of New Orleans and Little Rock.

Meanwhile, Memphis Rep. Steve Cohen said the U.S. stood to save $5.3 trillion in health-care costs by staying in the agreement. Beyond the financial costs, the decision “could prove to be a calamitous decision to humanity.”

“Without action, the continued effects of climate change will lead to increased instances of natural disasters, severe drought, and famine across the globe that could result in humanitarian crises and war,” Cohen said in a statement.

U.S. Sen. Bob Corker said he talked to Trump’s team “several times” last week about the decision.

“I appreciate the president’s desire to renegotiate an agreement that is more in line with what is achievable in a manner that promotes an increase in the standard of living of American citizens and protects our environment,” Corker said.

Categories
Politics Politics Feature

Looking Ahead: The Electoral Picture

Nature, rather famously, abhors a vacuum. And, for better or worse, few vacuums exist, year by year, in the calendar of elections for Memphis and Shelby County.  

Leap years occupy a special space on the election calendar by reason of their being the occasion for presidential elections. In recent years, however, including the whole of the 21st century, Tennessee’s ever-increasing reliability as a red state has significantly eroded the excitement that used to go with its former status as a bellwether state, partisan-wise.

Once in a while, a fair amount of drama might attach to a Super Tuesday presidential primary in Tennessee, as it did, for example, in 2008, when Barack Obama and Hillary Clinton each had significant statewide campaigns going on the Democratic side. But normally there is an anti-climactic sense to those preferential primaries here, generally held in late February or March, the balance in both parties having already been tipped elsewhere — in Iowa or New Hampshire or South Carolina.

State senator and gubernatorial candidate Mae Beavers

The same steady process of Republicanization (how’s that for a coinage?) has increasingly applied to the rest of the electoral menu — including the races in even-numbered years for governor, U.S. Senate, the U.S. House of Representatives, and the Tennessee legislature — though some suspense is often generated in primary elections.

Such is likely to be the case next year, in what is shaping up to be a hotly contested (and well-financed) GOP primary for governor — with former state Commissioner of Economic Development Randy Boyd and Nashville businessman Bill Lee, both well-heeled, already running, ultra-rightist state Senator Mae Beavers of Mt. Juliet just declared, and 4th District U.S. Representative Diane Black, also wealthy, expected to jump in, along with presumed Shelby County favorite Mark Norris of Collierville, the state Senate majority leader.

Democrats, too, will likely have a primary choice, with popular ex-Nashville Mayor Karl Dean already campaigning and another party favorite, state House minority leader Craig Fitzhugh of Ripley, seemingly sure to throw his hat in. (And hark!: Even so well-grounded a judge of the state political scene as the Tennessee Journal‘s Ed Cromer suggests this week that 2018 could be a comeback time for Democrats in the gubernatorial race.)

On the local election scene, next year’s Republican primary for Shelby County mayor is set for a showdown between Shelby County Commissioner Terry Roland and County Trustee David Lenoir. On the Democratic side, former commissioner and longtime political broker Sidney Chism is one certain candidate. Others may emerge, with former commissioner and assistant University of Memphis law dean Steve Mulroy, who sought the office in 2014, being one possibility.

The identity of the latest primary challenger to 9th District Democratic congressman Steve Cohen, who has fairly easily knocked off several in a row, is uncertain, and 8th District GOP congressman David Kustoff would seem to be home free at this juncture.

Looking ahead into 2019, rumored possibilities to challenge Memphis Mayor Jim Strickland include former Democratic chair Keith Norman, pastor of First Baptist Church on Broad; Memphis Police Association president Mike Williams, who ran for the office in 2015; and Terrence Patterson, president and CEO of the Downtown Memphis Commission.

Meanwhile, in the current electoral “off year” of 2017, there is a special election in state House District 95 (Collierville, Germantown, Eads) for the seat vacated in February by former Representative Mark Lovell amid allegations of sexual harassment.

Though two independents, Robert Schutt and Jim Tomasik, are on the ballot, the race — to be decided next Thursday, June 15th — is considered to be between Republican nominee Kevin Vaughan, an engineer and real estate developer, and lawyer Julia Byrd Ashworth, the Democratic nominee.

The odds would seem to heavily favor Vaughan in a district that normally votes overwhelmingly Republican, but several factors at least theoretically give Ashcroft a fighting chance.

Among them: Vaughan’s involvement in a controversial local shopping-mall project; the unpredictability of turnout characteristic of all special elections (and amply demonstrated for this one by skimpy early-voting totals); and energetic under-the-radar efforts by Ashworth, who hopes to build on the success enjoyed last year by state Rep. Dwayne Thompson, a fellow Democrat who pulled off an upset win in adjacent District 96.

Categories
Cover Feature News

Russia: Riddles and Realities

It is a time, as we all know, when relations have become complicated again between the United States and Russia, formal allies during two 20th-century wars, deadly opponents during decades of the undeclared Cold War, and, at least, theoretically, friendly for some years until the relatively recent past.

It is a time when many American politicians are again declaring that a resurgent Russia — no longer Communist and deprived of peripheral portions of the old Soviet Union that are now formally independent — has become this nation’s most formidable adversary once again.

But not all American politicians: Our chief domestic drama now centers on the fact that the administration of our newly installed president, Donald Trump, a man of uncertain purpose despite his ad hoc Republican identity and his shrilly stated “America first” declarations, is under suspicion of ongoing collusion with the regime of Russian strongman Vladimir Putin, a former KGB official who is suspected of having arranged the cyber-hacking and sabotage of Trump’s 2016 presidential opponent, Hillary Clinton.

Hopefully, a number of investigations now under way will clear up this mystery. But, for most Americans, another mystery remains. No longer an Iron Curtain monolith per se, Russia today has a formally democratic structure, and Putin, now president of his nation and ensconced in a dominant leadership position for the entirety of the 21st Century, is subject to election.

But there remain strong suspicions about the validity of Russian democracy, and numerous students of the country insist that dissent, whether by political opponents or by journalistic inquiry, is dangerous and potentially fatal. Meanwhile, Russia’s interventions in Syria and neighboring Ukraine have aroused fears of a renewed imperialism.

Though much has undoubtedly changed about Russia, a statement made by the great British leader Winston Churchill at the conclusion of the Second World War still represents the American state of mind: Russia, said Churchil in a description suggestive of the famous Matryoshka dolls that incorporate layered images within images, “is a riddle wrapped inside an enigma inside a mystery.”

Marshal Zhukov, the conqueror of Berlin, in front of the Russian Historical Museum

All of which encouraged me, in a bucket-list mood, to get a glimpse of the Russian reality for myself. Assisted enormously by the office of 9th District Tennessee Congressman Steve Cohen, I got my visa (no easy thing) and boarded a flight in mid-May for a week in Moscow. I am under no delusion that so brief an exposure entitles me to speak with authority about the nature of that aforesaid riddle. But it certainly opened my eyes.

There came an afternoon, early in my visit, when, in the course of doing a little sightseeing, I disembarked from a tour bus in the general vicinity of the Kremlin, thinking I could fairly easily find my way “home” to the Best Western Plus Vega Hotel and Convention Center some 12 miles away in Moscow’s Izmailovo District.

The problem was that the Kremlin is not a single place; it is a district in itself, a walled-in former fortress of almost 70 acres, encompassing five palaces, four cathedrals, a plethora of monuments, and various official buildings, including both the seat of government and the residence of President Putin, the successor in power to the various czars, Soviet premiers, and Communist Party general secretaries who have ruled the vast Eurasian land mass that is Russia.

It is said that that Moscow is some 20 times the size of Washington, D.C., and, while that is misleading, in that the American capital’s teeming Maryland and Virginia suburbs expand its metropolitan reach enormously, it is still likely that the enclosed Kremlin area is large enough to incorporate most of the important public buildings of Washington, including most of the mall that stretches from the Capitol to the Lincoln Memorial.  

Which is a way of saying that the periphery of the walled-in Kremlin (the word means “citadel,” roughly) is too extensive to function as a single landmark. And, further, that the Metro station I entered — the one embedded in a glossy, American-style shopping mall with brand-name boutiques and a McDonald’s that teemed day and night with Russian patrons — did not lead as directly as I would have liked to the Metro’s blue line, the one leading to the Partizanskaya station in the Izmailovo district.

Advice to future American travelers to Moscow (of whom, I suspect, there will be an increasing number, revived Cold War or no revived Cold War): While learning enough of the complex Russian language to get by as a tourist, unaided, is a seriously daunting task, one should at least try to master the phonetic sounds of the cyrillic alphabet. That will help somewhat  to distinguish one unfamiliar name from another, though there has been a tendency in recent years to render significant public signs in Moscow in both Russian and English. Restaurant menus, directional indicators to various important public places, and, yes, subway signs get this treatment.

Statue in Partizanskaya station of an 18-year-old Russian partisan, killed in the Great Patriotic War (World War II)

The problem is that this bi-lingualism, so clearly meant as a convenience to tourists, seems too new to have affected the mass of ordinary Muscovites. Stop someone in a central area of Berlin or Paris or Rome to ask directions in English, and there is a fair chance that, with a minimum of trial and error, you’ll manage to get yourself a serviceable dialogue. Not so in Moscow, particularly so in the city’s Metro (subway) stations, where the helpful English subscripts are less than a year old.

What can and does happen is that you often find yourself trying to communicate by a means uncannily like a game of charades, with hand gestures, purposeful pointing, and exaggerated facial expressions. In six days in Moscow, I never encountered anything remotely suggestive of an animosity to Americans, though I did suspect that the proud Muscovites found it not worth the bother to digest a foreign language, particularly one emanating from a once-rival superpower.

So getting to the Metro system’s blue line on the afternoon in question was, for me, a downright Odyssean quandary, involving any number of wrong-way wanderings and thwarted dialogues. In my less frantic moments, I harbored the sardonic thought that I would have been better off if some of the darker warnings I’d had from people back home (before the trip and via texts during it) had been on target.

That is, if I’d been under surveillance, shadowed by agents of this presumed adversary regime, one or more of my surreptitious minders might have broken cover long enough to point me in the right direction. The fact is, as I’d assured all my solicitous advisers back in the States, I was neither important enough to be shadowed nor so dull that I wouldn’t notice it if it happened.

And, as far as incriminating videos involving playfully incontinent hookers in my hotel room, a la circumstances imputed by one intelligence source to an erstwhile Trump visit, you can be sure that wasn’t going to happen.

A little more about the denizens of the Moscow Metro — and the population at large — before dissertating somewhat on my Moscow hotel, a revelation in itself.

the bridge

As I said in one of my fairly frequent Facebook posts during my several days in Moscow, the typical Metro rider is a jeans-wearing millennial glued to a cell phone. Having not ventured beyond the capital city itself, I cannot vouch for the rest of Russia, but, the aforesaid linguistic issue notwithstanding, the inhabitants of Moscow are much more like you and me than they are different.

Many of us — even our own millennial population — were raised on Cold-War shibboleths depicting Russia as a “third-world” nation despite its naked power as an “evil empire,” a place where hot water was not available, public transportation unreliable, cars unavailable, and public conveniences non-existent. The Russian subject (“citizen” seemed too free and easy a term) was characterized as a robot-like serf with a brain washed so much and so often to be barely capable of real thought.

In several of my Facebook posts describing the flora and fauna that I encountered (well, the fauna, anyway; my late wife Linda was the botanist, not me) or in conversations upon my return, I reported such phenomena as the multiplicity of BMWs, Audis, and Mercedes on the heavily trafficked (and well-paved) thoroughfares of Moscow; the plethora of hip oases in the mode of Cooper-Young or Overton Square; the ubiquity of American rock-and-roll in bars, bistros, and on elevators; and the even more obvious omni-presence of familiar commercial brands: McDonald’s, Domino’s, Prada, Apple, Canon, Sony, Levi’s, Colgate, Coca-Cola, Avon, Black & Decker, Dolby, G.E., Mary Kay, Dior, etc., etc.   (Not to mention the ever-available Uber!)

A friend in Memphis, mid-trip, emailed me to suggest — whether facetiously or in earnest — that what I was seeing could be branded by the name “Potemkin.” That was a reference to one Grigory Potemkin, a seedy courtier and entrepreneur of the 18th century who, in order to impress the touring Empress Catherine II, constructed a series of make-believe villages along the Dnieper River, using false fronts which he assembled and re-assembled in advance of the movement downstream of Catherine’s traveling party.

But no, the all-too-evident modernities of Moscow and the abundant splashes everywhere of urban affluence are not cases of the Potemkin village, unless the proprietors of the brand names sampled above are in on the scam. Making allowances for conspicuous differences of a linguistic, architectural, and, undoubtedly, political nature, the Moscow of 2017 would seem to be both more prosperous and more contemporary in its ways — even in the would-be hipsters sporting “Fuck You” and “Meh” T-shirts — than most Americans would imagine.

Some of this is undoubtedly due to Russia’s burgeoning trade in its sizeable oil and gas resources; much of it, too, has to do with commercial relationships with the West that are by no means one-sided. I mentioned my hotel: Its very name, Best Western Plus Vega Hotel and Convention Center, advertises its pedigree. It is one of numerous plush hostelries in Moscow that speak to the fact of multinational corporate affluence.

at the entry to the Kremlin

Numerous such high-rise palaces, many clearly foreign-owned, dot the city’s landscape, catering to both an international clientele and what would seem to be an indigenous upstart population. The unmistakeable sound of Russian was the dominant language in overheard conversations at the Vega, as in the pricey clothing stores in Moscow’s several multi-story shopping malls, the oldest and best-known of which, the government-owned GUM, directly adjoins Red Square and the Kremlin.

It is hard to tell whether a significant middle class is developing in Moscow (which, in the years immediately following the fall of the Soviet Union in 1989-91, experienced a fair share of oligarchic despotism) or whether it is the present status of fluctuating international currencies that favors the current conspicuous consumerism on display.

As of May 2017, the Russian ruble was worth a shade less than 2 cents on the American dollar. A charge of $50 (the cost of an opportunistic cab driver’s assessment for a roundabout ride to the hotel from the Domodedovo Airport, 37 miles away) required a payment of 3,000 rubles. Not bad, but I was reliably informed later on that I could have bargained that way down; I did, on the way out of town later on.

Forget the third-world stories. Everything in the Best Western Vega was new and shiny and well maintained. Everything worked. Besides a posh 24-7 restaurant, there was a sizeable dining area featuring three lavish buffets, each offering an abundance of well-prepared indigenous and standard international fare for the equivalent of $12. And we’re talking cuisine, of the sort requiring the expertise of Susan Ellis and the rest of the Flyer’s food-reviewing stable. Housekeeping and amenities were superb.

For purposes of comparison, the two hotels nearest the Tennessee state Capitol in Nashville might ask a minimum of $350 a night, depending on season and availability. A sum considerably less than that amount purchased five nights at the Vega, more than comfortable but mid-range price-wise by the measure of an online search of available hotels.

Numerous night spots were in the immediate vicinity, including a karaoke joint wherein, my ears suggested, some would-be mezzo soprano was having a go at a Dionne Warwick oldie, and, charm of charms, a short walk from the hotel was the Disneyland-like Izmailovo complex, whose fairy-tale towers — newish and candy-colored, but built in the country’s long-gone medieval style — housed a mile or two of stalls selling all kinds of souvenirs, including artifacts of the Soviet era. And offering free shots of vodka to the browser. Now, that was indeed a Potemkin Village, and Empress Catherine would have been as delighted by it as I was.

Changing of the guard in Moscow’s Red Square

For at least half of my stay in Moscow (and the most productive half, by far), I had the good fortune of being shown around by a talented young tour guide named Ksenia Terenteva. Still in her mid-20s and of provincial origins, she had mastered several languages, including English, in which her proficiency, though fluid and idiomatic, ranks in her estimation as being only third-best, after her prowess in her native Russian and Spanish.

We took a sight-seeing boat trip down the Moscow River, the main backdrop of which was the same Kremlin vista which forms the recurrent prop for nightly cable reports on CNN, MSNBC, and Fox. In that context, it always appears other-worldly and menacing, like the fortress it originally was. It appears otherwise to one floating downstream in an excursion boat, seeing the vast complex in bas-relief against a gorgeous blue sky, its several cathedral spires competing for the eye’s attention, with the whole of it set off the rest of an eclectically designed Moscow skyline and underscored by the steady stream of commuter traffic on the riverside roadway at its base.

Seen that way, the Kremlin comes off as part monument, in the manner of the Houses of Parliament in London, and part tourist eye candy — especially as one sees it in the context of the apartment buildings, hotels, greenery, and other official buildings and historical structures of its immediate surroundings.

Essentially, Moscow boasts three dominant architectures: medieval structures, like the beautifully ornate onion-bulb churches (one of which, the Cathedral of Christ the Savior, was razed under Soviet dictator Joseph Stalin but restored in the last decade); monolithic block-sized Stalin-era apartment and office buildings as well as several huge baroque-style structures (called the Seven Sisters) commissioned by the dictator; and modern, even ultra-modern, skyscrapers that suggest Atlanta, Manhattan, or, in fact, Anywhere, U.S.A.

On our boat trip, Ksenia pointed out an enormous amount of scaffolding on the far bank, just to the east of the Kremlin, where, she said, an oversized new park is under construction — a showcase playground (“a big Central Park,” she called it) that will be divided into four parts, each of which will somehow simulate the climate and characteristics of a different season. This new waterfront wonder is due to be finished by 2018, when Moscow will host the World Cup in soccer. The new super-park will co-exist with the sprawling, grandly landscaped 300-acre Gorky Park downriver, in effect, book-ending the Kremlin and the rest of the central-city waterfront.

Numerous signs around town, as many in English as in Russian, advertise the imminence of the World Cup, and elsewhere along the Moscow riverfront, as in the city center, new grand hotels are being built and others renovated under the aegis of Hilton and Radisson and other marquee chains to house the expected minions who dote on the game and are sure to be flooding Moscow.

An inevitable aside: No one should be surprised if, by the time of the first game of the Cup, due to begin in June of next year in Luzhniki Stadium, it should be complemented by some new structure bearing the name Trump. And that would be an appropriate symbol of the latest permutation in the affairs of the city of Moscow and the nation it administers.

That necessarily returns one to the subject of politics, which I expect to cover in more depth in a projected follow-up article in Memphis magazine. Some nutshell moments, for now: To my disappointment, while the cable on my flat-screen hotel TV could yield up some vintage Nirvana and other cultural offerings (including serious ballet, like the superb version of Tchaikovsky’s Swan Lake I saw done bravura-style in an adjunct building of the Bolshoi Theatre), it lacked access to CNN, MSNBC, or Fox, the main conduits of news from America.

The nearest equivalent were several Russian news channels, a couple of which, including the well-known RT, broadcast in English, as did a Chinese channel. All of those, during my stay, focused on what was then the ongoing world tour of President Trump, and, while they seemed reliably credible on the details of his itinerary, they avoided mention of the ongoing collusion investigation in America.

There was one exception — a Russian-language channel which offered a summary of the situation one night. I have no idea what the Russian commentary was saying, but the montage of images — Trump, FBI director James Comey, and members of Congress, among others — were familiar and in proper chronological order.

Such conversations as I had about political matters, mainly with Ksenia, suggested that Russians have a sense of things that is basically a mirror image of what Americans believe. In their telling, it is not Russia which meddles in the affairs of other nations and has committed atrocities in Syria, but America. (As if to support this notion, American commandos and air units operating in Syria did, in fact, account for inadvertent civilian deaths in a raid on a presumed ISIS stronghold that week.)

Trump is hardly regarded as statesmanlike (Ksenia referred to him as an “ill-prepared showman”), but former opponent Hillary Clinton fares worse. She is spoken of as harshly as Putin is over here, and the first time I ever heard the name Seth Rich was from Ksenia, who had picked up from Russian media the notion, pushed in America by Sean Hannity of Fox News, that Rich, a former Democratic National Committee staffer killed in a burglary last July, had been the actual donor to Wikileaks of material embarrassing to Clinton’s presidential campaign and had paid for that transgression with his life.

I had hoped to have a conversation with one “Susie,” a member of the dissident Pirate Party of Russia, about the Russian political climate as it affected her, but — no other way to put it — she had second thoughts about talking to me. And I can only conjecture as to her reasons.

For more from Jackson’s trip, see the July issue of Memphis magazine.

Categories
Editorial Opinion

Heavy Weather: The Politics of Climate Change

There is a serious argument to be made that the most important recent development on the national political scene is not the ongoing and inexorable rush to judgment on the troubling Russophilic foibles of President Donald J. Trump, a Barnum-

like figure who seems more and more out of his element, even dangerously so. That would be the alarming decision by Trump to remove the United States from the common-sense Paris Accord pledging the nations of the Earth to work together on a means to combat the unmistakable menace of climate change.

Trump’s decision puts the United States, formerly something of a leader on the environmental front, in the unaccustomed position of an international outlier — at variance not only with scientific consensus but with world opinion. As such, it is as much a scandal and embarrassment as is his cavalier disregard of the nation’s long-established NATO alliance. The president’s decision to jettison such environmental safeguards as currently exist (backed by his scofflaw appointee as EPA head Scott Pruitt) constitutes an immediate threat to public safety, which is more consistently threatened these days by unpredictable phenomena from the natural world than it is by ISIS, al Qaeda, Vladimir Putin, and all the country’s other potential political and military enemies rolled into one.

Memphians in particular have spent much of the last 10 days coping with the loss of power coming from the latest in what, in a very short number of years, has been a series of freak weather events. The swirling winds and seeming nonstop rainstorms of the weekend before last closely resembled, both in their severity and in the damage wreaked, the severe weather disturbance that, a decade or so back, we locals dubbed “Hurricane Elvis.” Just a tad further back than that was an ice storm that immobilized transportation, caused fatalities, and knocked out power on a scale comparable to the other mentioned events.

Beyond that, we residents of the Mississippi Delta area have learned to cope with frequent tornado watches and warnings and with the real thing itself — like the lethal one of the mid-’90s that laid waste to portions of Germantown — and with several successor tornados of similar intensity.

We’re talking about lives lost and endangered, billions of dollars in damages, nationwide, setbacks in urban progress, and, not least, the “fear itself” that President Franklin Delano Roosevelt once declared to be our worst and most crippling adversary.

That was a time, of course, when the leader of the nation could be trusted to deal truthfully and responsibility with reality. Virtually all the previous 44 presidents fell into that category. Now, we ended up with one who distrusts not only the consensus of the scientific community but, it would seem, truth itself.

There has to be a way out of this predicament. Hopefully, the voices which assured us at the resolution of the Watergate crisis that “the system worked” will be able to say that again. But it remains to be seen.

Categories
Intermission Impossible Theater

Teaching Moments: Theatre Memphis Visits South Pacific

[pullquote-1]South Pacific‘s a peppy musical and liberal touchstone — a Greatest Generation romance set in WWII’s Pacific theater and stuffed with 20th-Century standards in almost every sense of the word. But contrary to what the show’s famous song says about racism, when it’s so systemically ingrained audiences easily mistake the fetishization of submissive Asian girls for tragic romantic love, it has to be carefully untaught. Otherwise it perpetuates with the aid of broadminded heroes like Rodgers & Hammerstein’s Emile de Becque, the French planter who says all people are equal and totally had kids with a Polynesian woman but still parties with peers who pay indigenous laborers so little they need American soldiers to harass the competition. To borrow an obvious but useful line from New York Times critic Ben Brantley, “few things in showbiz date more quickly than progressive politics,” and today South Pacific — progressive to the point of being scandalous when it landed on Broadway in 1949 — plays out like U.S. Imperialism the Musical!

That’s an observation, not a complaint.

South Pacific has always been a conversation piece. Its creators fought hard against fierce pushback to make it so, and in that spirit Theatre Memphis’ production feels like a sparkling blue souvenir from a far away land — old and brittle in places, but kept in good condition to pass on to the grandchildren. The musical’s frame is naive but sophistication is evidenced in the character of Nellie Forbush a spunky self-described optimist who only sees the best in the world until she finds out the man she loves once loved someone of another race. Her racism is as naked as she is in the musical’s pinup-inspired shower scene. It’s as fine an example as the musical theater provides of otherwise good people unable to recognize their own prejudices, and ironic in an expansionist-friendly narrative girded with orientalism.  Will Nellie really wash that miscegenationing Emile right out of her hair?  Is extravagant romance in an exotic location with plenty of champagne a meaningful gateway to other kinds of love and tolerance? South Pacific remains vital because, like Nellie the lover who discovers she’s a hater in a personally jarring revelation, its ideological shortcomings are so vulnerable, begging for critique, conversation and correction.

Bloody Mary: Based on a real Tonkinese woman who led a revolt.

Theatre Memphis dares to be garish and when the community playhouse rolls out its big musicals extravagance pushes elegance under the wheels time and time again. Not so this round and even director Jordan Nichols trades his choreography-heavy style for restraint. In this South Pacific, relationships matter more than razzle dazzle. As a result “dames” keep their dignity, and so does the musical’s Mother Courage character, Bloody Mary.

Often presented as a Tonkinese cartoon hawking her trinkets and cursing in broken English, Mary’s easily criticized for selling her underaged daughter. In the context of privation, war and isolation it’s not so hard to see the caring mother trying to get her children out of the plantation system the best way she knows how.

I can’t say there’s any real spark between Kent Fleshman’s Emile and Amy P. Neighbors’ Nellie, but great voices and emotional vulnerability add up to great performances.  Noby Ewards sings and acts Bloody Mary beautifully, never allowing the profit-minded character to become a gag. Oliver Pierce makes the hustling sailor Luther Billis an affable clown, and Bloody Mary’s all-American counterpart. Bradley Karel cuts a heroic profile as Lt. Cable, without hiding any of his doomed character’s flaws. Ensemble characters are perfectly cast, sacrificing finesse for verisimilitude to great effect. But the real stars here are the songs: “Cockeyed Optomist,” “Some Enchanted Evening,” “Bali Ha’i,” “Wash That Man Right Out of My Hair,” “I’m in Love With a Wonderful Guy’, [DEEP GASPING BREATH] “Younger than Springtime,” “Honey Bun,” “This Nearly Was Mine” — and the list goes on. All of them perfect, and perfectly presented with lots of heart and little fuss.

South Pacific may not be the groundbreaking progressive statement it was in 1947. Nellie’s proud Little Rock heritage will never be as bracing as it was when the film came out in 1958, months after Federal troops rolled into Arkansas to integrate Little Rock Central High. Today a script once described by right-wing critics as a tool of Moscow is more likely to be criticized by the woke left. But for all of that, it holds up better than so many mid-Century musicals, wearing its flaws more like scars than medals. Even in 2017, it wants to foster more than just a bunch of “Happy Talk,” and that makes this artifact a keeper.

Why hate when you can love and exploit?

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