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Beyond the Arc Sports

Beyond the Arc Podcast #82: Is JaMychal Green the key to the summer?

This week on the show, Kevin and Phil talk about:

  • Is JaMychal Green the key to the offseason, or is it what they do with the veterans? Can they replace Zach and Tony? Should they?
  • The launch of the Memphis Hustle D-League team
  • Why it’s worth watching the draft even though the Grizzlies don’t have a pick
  • The whole Lonzo/LaVar Ball… thing.
  • how Zach Randolph should’ve been 6th Man of the Year
  • The NBA Finals so far, and how boring it’s been to watch blowouts.

The Beyond the Arc podcast is available on iTunes, so you can subscribe there! It’d be great if you could rate and review the show while you’re there. You can also find and listen to the show on Stitcher and on PlayerFM.

You can call our Google Voice number and leave us a voicemail, and we might talk about your question on the next show: 234-738-3394

You can download the show here or listen below:


Categories
Food & Wine Food & Drink

Super Bowl

As a child, Zach Nicholson built elaborate structures with paper and tape.

“I think I tried to attempt a cathedral, but I don’t remember which one it was,” said Nicholson, 31 “It was impossible, essentially. Two, three feet tall. Which seemed to be incredible. I was probably seven or eight years old.”

When he turned 11, paper and tape gave way to flour, milk, sugar and eggs. Nicholson looked for the “most incredible” cake in his mother’s Good Housekeeping cookbook. “I would always try to make this Black Forest cherry thing. It’s a chocolate cake with multiple layers and with cream, cherries and stuff. My sisters helped me a little bit. We would curve the cake layers and make sure it was all aligned perfectly. That probably set the foundation for future technical skills.”

As chef/owner of Lucky Cat Ramen restaurant, Nicholson still is assembling. His creations may not be tall, but they’re complex and flavorful. He often uses several ingredients, but all the dishes use ramen noodles as the base.

Nicholson and his wife, Sarah, who began making and selling ramen dishes last December at Lucky Cat Ramen pop-up restaurants around town, will move into their first – but temporary – brick and mortar restaurant Friday June 2nd at 247 Cooper. Dinner will be served four nights a week until November when the restaurant moves to its permanent location in the Crosstown Complex.

“The lights are repurposed from my wedding,” said Nicholson as he sat on one of the metal IKEA stools in the restaurant on the corner of Cooper and Peabody. ”I wish you could come back here in about four hours when it’s dark because the lighting in here is so spectacular.”

Nicholson and his wife were the interior designers of the restaurant, which includes furnishings made from materials bought at The Home Depot. “We wanted a minimal Japanese inviting feel to it, but also we want it to feel casual. We want it to feel back yardy.”

For now, the menu will not be extensive, Nicholson said. “Unfortunately, our kitchen here is very small and very limited equipment wise in what we can do. It will not be anywhere close to the menu available at Crosstown.”

But, he said, “It will be double the size of our pop ups. We normally had three bowls at a pop up – two pork or two meat and one vegetable bowl. We’ll probably do five or six ramen bowls.”

The pop up restaurants, which were featured on Sundays for several months at The Cove, weren’t easy to operate, Nicholson said. “Every time we’d go out it was loading up equipment, unloading. You’re talking about a full day. Two cars full. It was just physically demanding. Plus, the limitations of our menu.”

A native of Biloxi, Mississippi, Nicholson was intrigued by the physical demands of the chefs on TV’s “Iron Chef America” cooking show.. “I thought it was pretty incredible. I really thrive under high pressure situations.”

He loved “this kind of tension and make-or-break atmosphere, where, literally, these guys have an hour to make something happen and there was no surrender. It was just ‘You can’t give up. Can’t quit. You’ve’ got to get it done.’ That kind of energy, I think, is what sparked my curiosity toward cooking.”

A culinary career wasn’t Nicholson’s first choice. “I was going to the University of Memphis (majoring in) political science. And at the same time I was enrolled in Army ROTC. I was training to be a military officer in the Army. I conceived a child in the middle of all that. And then it became apparent that I should not pursue the military path if I was bringing a young person into the world. I should be around. That set in motion the sort of frantic look for a new direction.

“Through that soul searching is where i realized that maybe I needed to find something that was more satisfying to my soul. Something I really enjoyed. Not just doing something because it felt like it was the right thing to do. Which was what I was doing with the Army.”

Cooking, he said, “was what I appreciated most when I was a kid and loved doing.”

He made a list of the best chefs in Memphis. Erling Jensen, chef/owner of Erling Jensen: The Restaurant, was No. 1 on his list. “I walked in his back door and I asked to see him. And there he was. He invited me out to his dining room to talk to him and I explained, ‘I’ve never really been in the kitchen before in my life. I want to be a chef. And I hear you’re the best.’ As cliche as it sounds I said, ‘I’ll wash your dishes for free if you let me in your kitchen.’ He said, ‘OK. Come in tomorrow.’”

Nicholson’s first job at the restaurant was making salads. “ Not for free. He was paying me. He put me on the garde manger station immediately. Just threw me in there. Here I am sitting in front of the salad station on a busy night and he’s got this guy teaching me how to peel an asparagus. He’s like, ‘You don’t know how to do this? You don’t know how to hold a peeler right?’”

Nicholson stuck with it. “They don’t have time to baby people. It’s like you’re either going to figure it out or someone else will want your spot.”

After a few months, Nicholson got in the swing of working in a kitchen. Jensen was pleased, he said. “I think he liked my attitude. Just the desire to learn.”

Nicholson worked for Jensen on and off for the next nine years. “I’d go off, work for someone else, come back a little more knowledgeable, a little more experienced. He encourages that. He knows if you go and work for someone else you’re going to gain more experience. You’re going to touch different ingredients and different techniques and come back stronger.”

One of Nicholson’s stops was Austin. “I hopped on a bus with literally $50 in my pocket and a backpack full of clothes. I just got on a bus to Austin with no plan. Within two days I had a job working at one of the best restaurants in Austin.”

He met Sarah at a restaurant in Syracuse. ”She was the executive pastry chef and I was hired as a sous chef.”
They moved to Austin because they got tired of the depressing, cold Syracuse winters. “It was there that I took a second job working at a ramen restaurant.”

The couple fell in love with ramen the first time they tried it. It was affordable and satisfying. “Ramen was originally brought over by the Chinese to Japan. And the Japanese adopted it as their national dish. Ramen noodles are springy and chewy because of their high alkalinity. They’re unlike any other noodle.”

The ramen flavors they tried were “more the traditional flavors. Sort of the core basic flavors you’ll find in any ramen shop.”

“I’m a vegetarian,” Sarah said. “And I find it kind of difficult to find complex vegetarian options that have bright flavors, deep flavors, good textures. The whole savory sweet esthetic. Everything about ramen was extremely balanced. It’s very umami. It’s a complete meal in one bowl.”

Nicholson proposed to Sarah beneath the waterfall in the Japanese garden at the Zilker Botanical Garden in Austin. They decided to make Memphis their home. “Memphis right now is a hot bed for so many things that are new and perceived as experimental,” Nicholson said.

They were married in the backyard at his parents’ home. “We did our own food. We roasted a whole pig. We made our cake.”

Last August, the Nicholsons, who now have two sons, decided to open a ramen restaurant. They chose the name “Lucky Cat Ramen.” “In Japanese culture, you see the ‘lucky cat’ a lot of times. The little statues in shop windows. That’s supposed to be a good luck charm.”

Nicholson didn’t want their restaurant to be the typical ramen restaurant. ““Basically, what I wanted to do was take whatever we had already learned and bring that level of ramen, which was absent here, to the city. We were taking techniques and then sort of building on those with other techniques we’ve learned cooking in other restaurants. Taking sort of the best of everything that we experienced and find a way to make it affordable food.”

Said Jensen: “He’s a good guy. He’s come a long way. He’s an excellent chef. He’s married to a strong little girl. They know exactly where they’re going.”

When Lucky Cat opens its doors open to the public Friday, diners will discover ramen dishes that could be a mixture of Japanese, French, Thai or other influences. “There are so many rules and we don’t want to be bound by any of them,” Nicholson said. “We just try to pick the best of what we’ve learned and just make the best food possible. Once you’re really set free from the rules, then you can really get creative and do what you want.”

‘Mazeman,’ a dish they’ve made in the past, is a “dry ramen dish. It’s a brothless ramen. It’s basically a ramen with sauce that coats it. It’s almost like a normal pasta dish in a way.”

Many of their ramen ideas “come from just sort of reminiscing about our most profound food experiences,” Nicholson said. “We think about, ‘What were the best things we’ve ever eaten? And can we replicate those textures and flavors through the lens of ramen?’”

Categories
Music Music Blog

Respect for An Unsung Hero of Jazz: Jimmie Lunceford

In 1927, a young athletic director and English teacher at Manassas High School volunteered to teach music to interested students in addition to his regular duties, thus becoming the city’s first public high school band director. The teacher, a Mississippi native, had studied several instruments in Denver with the father of the great Paul Whiteman. Perhaps this inspired him to think big for his kids, whom he dubbed the “Chickasaw Syncopators”. Or perhaps his students were already accomplished, having grown up playing in local churches. For whatever reason, this high school band began performing professionally by 1929. The following year, they made their first recording. By then, of course, they had ditched their original stage name, taking instead the name of their teacher and director: the Jimmie Lunceford Orchestra.

After some years of touring, they took up residence at The Cotton Club in Harlem, where Duke Ellington and Cab Calloway were already featured. They soon became recognized for their tight ensemble playing and humorous theatrics, with songs like “I’m Nuts about Screwy Music”. This was when they really hit their stride, beginning a long run of vinyl releases on Decca through the rest of the 1930s. Then, in 1947, it all ended suddenly with Lunceford’s sudden heart failure before a show in Oregon.

The tradition he began at Manassas persisted though, with that high school spawning some of the greatest jazz players the city has seen, including Phineas Newborn, Jr., Booker Little, George Porter, Harold Mabern, Charles Lloyd, and Frank Strozier. As Miles Davis wrote in his autobiography, “Before I left for New York, I had had tryouts for the band and that’s where I got all those Memphis musicians — Coleman, Strozier, and Mabern. (They had gone to school with the great young trumpet player Booker Little, who soon after this died of leukemia, and the pianist Phineas Newborn. I wonder what they were doing down there when all them guys came through that one school?)”.

Local musician and activist Ron Herd II, aka R2C2H2, has personally taken on the mission of remembering the great Jimmie Lunceford here in the city where he was laid to rest. Tuesday, June 6, Lunceford’s birthday, will mark the first annual Jimmie Lunceford Wreath Laying Ceremony at his graveside in Elmwood Cemetery. A free, family-friendly event with cake and other refreshments, it could prove especially lively if guests accept Herd’s invitation to bring instruments and pay honor to Lunceford with an impromptu open-mic jam.

Jimmie Lunceford & His Dance Orchestra, ca. 1936:

Respect for An Unsung Hero of Jazz: Jimmie Lunceford (2)

When: Tuesday June 6, 2017

Where: Elmwood Cemetery (The Lord’s Chapel & graveside)
824 S. Dudley Street. • Memphis, TN 38104

Time: 10:30am-1pm Central
(Wreath Laying Ceremony begins at graveside, located at South Grove 10, Lot 437. The rest of program will be conducted at The Lord’s Chapel, located across from the administrative building near the front entrance of Elmwood Cemetery).

For inquiries, call Ron Herd II at (901)299-4355.
http://www.jimmielunceford.com/

Categories
Music Music Blog

It’s Bonnaroo Time, Hippies!

FilmMagic58

The annual Bonnaroo Music & Arts Festival in Manchester, Tennessee — just outside Nashville — turns 15 this year. This is also the year that U2’s The Joshua Tree album turns 30, so the mega-famous Irish rockers will play their first-ever U.S. festival show as the Sunday night headliner for Bonnaroo.

The festival kicks off this Thursday, June 8th and runs through Sunday, June 11th. More than 80,000 music fans will descend on this tiny town to catch bands playing ten-plus music stages. New this year: The Other Tent, once a small tent for lesser-known acts, is being upgraded to a major stage on par with What Stage and Which Stage. The Other stage will be dedicated solely to dance, electronic, and hip-hop acts.

Joining U2 on the music line-up: Red Hot Chili Peppers (a strange choice of headliner since they just played the fest a few years back in 2012), The Weekend, Chance the Rapper, Major Lazer, Flume, Lorde, The XX, Future Islands, Glass Animals, Francis & the Lights, and many, many more acts spanning multiple genres. See a full music line-up here. Headlining the comedy tent is Jessica Williams and Phoebe Robinson of 2 Dope Queens and Hannibal Buress. More on the comedy line-up here.

The annual fest will also feature the old standards — a water park, a Ferris wheel, a food truck court, a craft brew tent, and more. For those who can’t let their workout routine slide for a weekend, there’s a full line-up of yoga classes and a 5K run. There are multiple parades planned, and there are plenty of costume theme parties to keep party animals busy all weekend. Fest-goers can keep cool inside the air-conditioned Cinema Tent, where cult classics, contemporary movies, and documentaries screen all weekend. Napoleon Dynamite — Jon Heder — himself will make an appearance at the screening of that film on Saturday night.

Check back here for a festival recap later this weekend.

Categories
Food & Drink Hungry Memphis

On the Scene at the Italian Festival

The 28th Annual Memphis Italian Festival was held in Marquette Park last weekend and photographer Frank Chin was there. Think grape-stomping, bocce ball, live music, cornhole, cooking demos, and gravy, gravy, gravy!

[slideshow-1]

Categories
News News Blog

New Festival Honors Memphis in Poland

The year was 2015. The scene, a dinner held in recognition of that year’s Memphis in May honored country, Poland. Former Polish ambassador to the U.S., Ryszard Schnepf was so impressed with Memphis in May that he declared then and there that Poland would have its own festival honoring Memphis. Members of the Polish-American Society of Memphis, who were at the dinner, thought he was joking. He was not.

The Memphis in Poland festival will be held in Sopot, Gdansk, and Warsaw, June 12th-18th. The week-long event is designed to highlight the parallels in food, music, and civil rights between the two places.

Jacek Dutkiewicz and Pawel Jankowski, members of the Polish-American Society of Memphis, were at that dinner. The society coordinated the festival.

(An aside: the Polish-American Society of Memphis was founded in the late ’70s after Len Jankowski opened a phone directory and started calling Polish-sounding names.)

According to Jankowski, they began by thinking small — perhaps they would have a couple of concerts and call it done. But they reached out the Memphis Convention and Visitors Bureau who hooked them up with the Blues Foundation. And then they started thinking about Poland’s recent history with the Solidarity Movement, which led them to the National Civil Rights Museum. (Poland’s President Lech Walesa was given a Freedom Award by the museum in 1999.) They also knew that American-style barbecue had become suddenly popular in Poland. Plans started to gel.

The festival kicks off with the opening of an exhibition from the Civil Rights Museum at the European Solidarity Center. The museum’s director, Dr. Noelle Trent, will later give a speech.

Blues Night Shift, a popular Polish blues band and onetime competitor at the International Blues Challenge, will perform, as will the Memphis-based group Memphis Mix, which features Marcin Arendt, Joe Restivo, and Susan Marshall, among others. There will also be a performance of “Rock for Human Rights,” a multimedia show with music, visuals, and speakers.

The festival will feature a mini Barbecue Fest, with chef Edward Nowakowski, who lived in Memphis for a bit and now live in New York, doing the cooking.

Finally, there will be a virtual chess tournament with the champs from Douglass taking on two Polish schools.

Closer to home, the Polish-American Society regularly holds events in Memphis, including a special Christmas Eve dinner and Poland’s independence Day on November 11th. In 2006, they founded the School of Polish Culture and Language.

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: The Give-Outs

Today’s Music Video Monday is not feeling respected.

Jay Hines says the Give-Outs are what happens when “two bass players walk into a bar.” Hines has played bass for Memphis rock bands, most notably The Subteens, since the 1990s. Richard Branyan is also a bassist who started out with the revered Memphis power poppers and proto-punkers The Scruffs. The pair enlisted River City Tanlines drummer John Bonds and flipped a coin to decide who had to play guitar. Their self-titled record, which was done at Memphis’ Five and Dime Recording, is ready for your earholes.

Hines cut together a little bit of classic can can to create the music video for “Butthurt Blues”, a song about getting your feelings hurt on the internet. We’ve all been there, but it isn’t usually this fun. Take a look:

Music Video Monday: The Give-Outs

If you’d like to see your music videos on Music Video Monday, email cmccoy@memphisflyer.com

Categories
News News Blog

The Memphis Mayhem Storm: What Actually Happened

As the city slowly puts itself back together, the question hovering at the back of many people’s minds is “What the hell just happened?”

Dr. Dorian J. Burnette, Assistant Professor of Earth Sciences at the University of Memphis, studies severe weather of all kinds. (As you might recall from my April cover story, he is also a climatologist.) He says the storm was not a tornado or ordinary thunder boomer. It was a derecho, a term that comes from the Spanish for “straight ahead”. 

“Derechos occur when a line of thunderstorms produce widespread wind damage along a path of 250 miles or more.  There has been a proposal in the weather community from Stephen Corfidi and others at the Storm Prediction Center in Norman, Oklahoma, to revise the definition of a derecho to include a damage swath of 60 miles in width occurring along a path of 400 miles or more, but that is not official yet.  However, even by that revised definition, the windstorm back on the 27th would still be classified as a derecho,” he says.

Burnette says meteorologists concerned with the potential of severe weather were monitoring the Mid South all day on May 27. “Though there were uncertainties in how the storms would evolve during the day, we knew the environment was prime for a derecho. Derecho environments have an extreme amount of instability due, in part, to a large amount of low-level moisture. We also look for decent winds and drier air between 10,000 and 18,000 ft aloft. These conditions not only allow thunderstorms to develop and organize, but the drier air aloft helps intensify thunderstorm downdrafts aiding in the development of high straight-line winds.  Finally, we look for a front oriented in such a way that storms can use it as a “train track,” move east or southeast, and continuously feed on the warm air moving into the region in the low- to mid-levels of the atmosphere.  All of these conditions need to extend from where storms are expected to develop downstream 250 miles.”

All of these conditions were present on May 27, leading to what Burnette called “strongly worded” statements from the Storm Prediction Center in Norman, Oklahoma. That night, line of thunderstorms merged together in a pattern meteorologists call a “bow echo”, after its distinctive radar signature. The storm system bore down on the city from the northeast, bringing sustained winds of 65-80 mph. “These wind speeds would make this event weaker than the derecho, known by Memphians, as Hurricane Elvis in 2003.  By power loss numbers from Memphis Light Gas and Water, the event on Saturday would rank 3rd behind Hurricane Elvis in 2003 and an ice storm in 1994.”

Sustained winds of 80 mph are no laughing mater, but there is evidence of another phenomenon at work. The damage was not uniform across the Mid South, with some areas devastated and others escaping relatively unscathed. Some of this discrepency could be attributed to chaotic wind patterns caused by the urban environment, but Burnette says the severe damage around the Memphis Police Academy area in Frayser, in which downed trees and power lines were scattered in a radial pattern, is “strong evidence” of a phenomenon known as a microburst, which can cause localized extreme damage. “A downburst is a strong downdraft produced by a thunderstorm that causes damaging winds at the surface. Estimates based on the tree damage suggest these winds were around 95-105 mph. However, this level of damage was confined to a small area (less than 2.5 miles). Thus, the downburst is termed a microburst. In other words, the term microburst is describing the size of the downburst. If the damage was 2.5 miles or more it would have been termed a macroburst. Certainly, other microbursts could be one possible explanation for the different levels of damage around the city.”

Categories
From My Seat Sports

Phil Mickelson, Fatherhood, and the FESJC

With Tiger Woods now battling midlife demons, no player on the PGA Tour fills a gallery like Phil Mickelson. And the biggest galleries Mickelson sees this month, it turns out, will be right here in Memphis at the FedEx St. Jude Classic. The 46-year-old Hall of Famer will skip next week’s U.S. Open so he can attend his daughter Amanda’s high school graduation. (As class president, Amanda will speak at the ceremony.) With the Open concluding on Father’s Day, as it does every year, Mickelson is sharing some perspective on family and career that goes well beyond fairway-splitting drives or a smooth putting stroke.

Don’t forget, the U.S. Open is Mickelson’s white whale. He’s won each of golf’s other three majors, but has never been crowned this country’s national champion. He’s come tantalizingly close, finishing second on Father’s Day six times (first in 1999, most recently in 2013).

 And Mickelson is 46. The oldest man to win the U.S. Open? Hale Irwin, who did so at age 45 in 1990.

All this is to say: relish Phil Mickelson’s visit to the TPC Southwind course this week. This winner of five majors has become a regular in recent years at the FESJC, and is an eye-popping example of how superstars sell tickets. I’ve walked the Southwind course with groups ahead of Mickelson’s in which you can listen to the conversation between a player and his caddie. I’ve stopped to wait for Mickelson to arrive and it’s like an organized march ensues, younger fans sprinting ahead for a prime viewpoint along the rope or near the next green. Mickelson is a one-man brand in a sport lacking the built-in marketing tool that is a team nickname. He earns every dime he’s paid by sponsors, every check he cashes at the end of a tournament.

Mickelson tied for second at last year’s FESJC, three strokes behind first-time winner Daniel Berger. Here’s hoping he takes the winner’s check home this Sunday. It would be a nice graduation gift for Amanda.

• This week’s tournament marks the 60th consecutive year the PGA has called Memphis home for a week. Among the FESJC’s 10-year anniversaries, which tournament is most memorable? Curtis Strange won the 30th event (then the Danny Thomas Memphis Classic) in 1987. Ten years later, the Shark himself, Greg Norman, took the winner’s check. But I’d have to go with the 1977 event, in which Al Geiberger won by virtue of the first 59 in PGA Tour history. Geiberger didn’t break 70 in any of his other three rounds, but that epic Friday at Colonial Country Club made him a Memphis sports deity.

• This will be the first FESJC since longtime tournament director Phil Cannon died last October. If you’re among the thousands who enjoy the comforts of TPC Southwind this week, remember Phil and the impact he made over his four decades of involvement with the event. A convenient concession stand on the back nine? That’s Phil. A volunteer handing out free lip balm as the mercury rises? That’s Phil. Proximity to the best golfers in the world while feeling right at home? That’s Phil Cannon.

Categories
Opinion Viewpoint

Working to Bring Confederate Statues Down.

Memphis, my hometown, sits on a bluff overlooking the Mississippi River. In the center of that bluff sits a statue honoring Confederate President Jefferson Davis with an engraving that reveres him as “a true American Patriot.” This engraving is an error. In actuality, Jefferson Davis was a condemned traitor, slave owner, and racist. Far from an ideal American or a patriot.

Recently, I called for a public meeting for the people of Memphis to discuss our collective action to have the statues of Confederate General Nathan Bedford Forrest, first grand wizard of the Ku Klux Klan, and Jefferson Davis removed from our public parks. There is no justification for these statues to continue to stand. Removing statues does not erase history. Their names will still live in history books, museums, and in the memory of their modern-day followers. Built decades after the Civil War ended, these statues were not raised to remember history but to reestablish the prominence of the Confederate South. If we want a Memphis that is inclusive and equitable for all, the statues must come down.

Last week, Karl Oliver, a Republican state representative from Mississippi, said Louisiana leaders and anyone anywhere who moves Confederate statues should be lynched. Oliver represents Money, Mississippi, the city where Emmett Till was murdered by white men who were protected by their government. While Oliver has issued a vapid apology, the call for violence has been echoed throughout the country, and support for him continues.

I take Oliver’s threat of assault personally. Any elected official threatening assault against anyone should be forced to resign. He has made me, personally, feel unsafe and unprotected. In light of the recent murder of black college student Lieutenant Richard Collins III by a white supremacist, Oliver’s words are especially dangerous. His apology has no weight because you cannot unring a bell. While Oliver might not take up the noose himself, there are many who are emboldened by his call to action.

Threats against black people who fight for change are by no means new. For example, last summer, a white man threatened to throw me in the Mississippi River for speaking in support of the Memphis bridge protest. When we fight for justice, we put our lives on the line.

A week ago, Monday, I arrived at Memphis Park, formerly known as Confederate Park, where the Jefferson Davis statue stands. I was there for a television interview regarding the upcoming meeting to remove Memphis’ Confederate statues. During my interview, a group of Confederate memorabilia-wearing and flag-holding white people walked to our side of the park, and one of the men approached us. He stood directly behind my interviewer and waved his flag. When the interview was over, he attempted to greet me. I did not give my name but remained polite. The man said: “Take care of yourself.” I stiffened, hearing a threat in his voice and wondering if he was there to answer Oliver’s call to action. For a moment, I felt the fear which they hope will keep us in a state of inaction.

Unfortunately for people like the Confederate apologists I faced today and Oliver, I will not give up this fight. I will not give up even though I know that our country uses violence and murder to silence black people. I know that as I continue to engage in this movement to bring down these hateful reminders, my name will become familiar to those who will do anything to keep them where they stand. As Ida B. Wells, Fannie Lou Hamer, and others who have come before me, I am willing to stand in harm’s way for justice.

We invite all supporters to attend the community meeting to decide the next steps for Confederate Statue removal on June 20th at 6 p.m. at Bruce Elementary School. Updates on this cause are shared on the Facebook group Memphis for Removal of Confederate Statues. While the City of Memphis awaits news on the waiver request for Nathan Bedford Forrest statue, we will brainstorm and act upon ideas brought by the public. For more information on the Tennessee statute that governs the statues, review the Tennessee Heritage Protection Act online.

I won’t be intimidated by the threats, and I know my fellow Memphians won’t be either. I hope to see us working together toward true racial reconciliation and progress through the removal of the Confederate statues and achieving equity in education and business contracting, and the many more steps we must take to get there.

Tami Sawyer is a social justice activist, speaker, and writer working for equity and equality. This story is supported by MLK50: Justice Through Journalism, a yearlong reporting project on economic justice.