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News News Blog

U of M Professor Receives $1M to Study Alcoholism in Young Adults

A professor at the University of Memphis received a $1 million grant to study predictors of alcohol abuse in young adults, the university announced today.

The grant from the National Institute of Alcohol Abuse and Alcoholism will allow professor James Murphy, also director of clinical training in the university’s psychology department, to examine the behavioral economic predictors of developing alcohol misuse in adults ages 21 to 24.

Murphy says the overall goal of the study is to learn about how alcohol use progresses as young adults develop.

He says young adults report higher drinking rates than any other age group. However, this is a temporary stage for many, which he says does not affect their ability to transition to adult roles, like keeping a full-time job or starting a family.

“For others, heavy or binge drinking during young adulthood leads to significant health and social problems and sets the stage for a developmentally persistent pattern of alcohol misuse,” he said.

Murphy says the 5-year study will recruit 700 young adults from the Memphis area in order to learn more about how the ability to value and work toward a future goal, as well as the ability to experience reward from non-alcohol related activities correspond to changes in drinking habits over time.

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Opinion Viewpoint

Back to Paper Ballots

What scares me the most about Russia’s intrusion into our election process are the reports that they may have had access to our voter rolls, voting booths, and voting results. This hacking into our computer voting mechanisms has been a concern of many for quite some time.

This country made a decision years ago to computerize our voting system. It’s not because it is more accurate. It’s certainly not quicker, and it’s definitely not more efficient. In the last three election cycles in Memphis, we waited until long after 10 p.m. for any results, and it was after midnight before we knew who won. It’s a scary mess.

Razihusin | Dreamstime.com

Before I was elected to two terms on the Memphis City Council, I unsuccessfully ran in 1977 for the same seat. The voting mechanism was not computerized. It was the old system, where voters went into a voting booth, pulled the switch to close the curtain, flipped the voting levers, then pulled the red switch to record the vote.

At 7 p.m., when the polls closed, the voting officials pulled the lever at the back of the booth and the final totals were spit out on a paper tally, much like a cash register tape. All the totals from the machines in each precinct were added together and the final results were phoned in by the precinct chairman to Election Central. Candidates were allowed to have a poll watcher witness the total being tabulated and phone them in to their candidate’s headquarters. The candidates knew whether they had won or lost by 7:30 p.m.

It was quick, efficient, honest, and had credibility.

Where are we today? Computerization has not made it quicker, nor more efficient, and we are now learning there is a real potential for dishonesty by hacking the vote. Most importantly, the system lacks credibility. Because of the possibility of hacking, confidence in the system is being destroyed. And once the people lose faith in the credibility of their voting system, democracy goes by the wayside.

This is not a partisan issue. Concerns about the lack of credibility in the system have been expressed by both parties. Never before have we heard the phrase “rigged election” expressed so often in campaigns.

Not only does credibility go, we are spending a fortune on these high-powered, inefficient, Rube Goldberg machines, when more reliable results can be achieved much quicker, far cheaper, and with the utmost credibility by the former system.

Yes, it’s time we go back to the old lever machines or, better yet, paper ballots. If a precinct has 3,000 votes with 12 precinct workers, the votes could be counted and verified in 30 minutes. There would also be a paper trail, should questions arise.

France uses a paper ballot system. In that country’s recent national elections, the votes were tallied and the result was known before midnight. Similarly, Canada uses only paper ballots for its national and provincial elections — ballots that afford each party the opportunity to inspect the counting.

Americans believe we’ve become so sophisticated with our computerization, polling, and exit polling, but all this really does is allow the media to project a winner five minutes before one of its competitors. The credibility and sanctity of the ballot far outweighs the importance of this media silliness.

It’s now time for the public to actively urge our Election Commission and state and federal legislators to immediately pass legislation mandating a return to the simplest, most efficient, most honest, and cheapest means to vote. And that’s the paper ballot and our former voting machines.

We know hackers can steal credit card information by walking by a user of an ATM. Do we believe the voting system that’s in place is not as vulnerable?

Our democracy is too precious to put it in the hands of politically motivated parties, rival nations, or angry computer hackers and geeks.

John Vergos served two terms on the Memphis City Council and has been active in Memphis and Shelby County politics for decades.

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Aaron James

Today’s Music Video Monday takes it all back home.

“I feel like to some people in Memphis, I’m seen as ‘that kid from Pennsylvania’, but I don’t think anybody actually knows what that means,” sats Aaron James. “Pennsylvania is very different from Memphis, and sometimes I worry about how my music will resonate with people that have grown up in this city, when a lot of my inspiration comes from the rural area I grew up in, and being in that nature.”

James—with a little help from his friends and his father—shot the video to “Ends/Means” last December while visiting his family. He and his friends hike through the bucolic environs of Amish country, build a fire, and catch up. “It’s just us being us. Intentionally not fancy, because I just want people to see what it means to be me. It’s a very raw insight into my home, friends, and life, and because of that it’s very special to me.”

Music Video Monday: Aaron James

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com

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From My Seat Sports

Memphis Redbirds’ All-time All-Star Team

A pair of Redbirds — catcher Carson Kelly and pitcher Ryan Sherriff — will represent Memphis for the Pacific Coast League in Wednesday’s Triple-A All-Star Game in Tacoma. This being the Redbirds’ 20th season in Memphis, the time seems right for an all-time All-Star squad.

An important note: This team is made up of players who made significant impact in Memphis, not necessarily later in the major leagues. So sorry Albert Pujols and Yadier Molina. Your greatness was clear, but we hardly knew ye.

• Catcher — Keith McDonald
McDonald spent parts of five seasons (1998-2002) with the Redbirds, the backstop for teams both good (the 2000 PCL champs) and bad (62-81 in 2001). He only played in eight big-league games but in 2001 became just the second player in MLB history to homer in his first two at-bats.

• First Base — Kevin Witt
This slugger played only one season for the Redbirds (2004), but what a year. His 36 home runs remain the franchise’s single-season record (and led the PCL that year) and his 107 RBIs are the second-most since the club’s arrival in 1998. Witt batted .306 yet was overlooked when the PCL’s postseason All-Star team was announced.

• Second Base — Stubby Clapp
As hard as it may be, forget the backflips. Clapp was a stellar second-baseman and offensive sparkplug over four years (1999-2002) in Memphis, the first at Tim McCarver Stadium. He led the 2000 PCL champions with 138 hits and 89 runs. Clapp is third in Redbirds history in games played (425) and hits (418). Hopes to match his championship as a player with one as the current Redbirds manager.

• Third Base — Scott Seabol
Poster boy for the “Four-A” player. Only played in 60 major-league games, but boy, was he good in Memphis. Enjoyed his best season in 2004 when he hit .304 with 31 homers, 78 RBIs, and compiled 156 hits (a franchise record that still stands). One of three Redbirds with 50 career home runs (56). Fourth in total bases behind three other players on this team.

Scott Seabol

• Shortstop — Tyler Greene
The Cardinals haven’t developed star shortstops over the last 20 years. Instead, they’ve relied on imports like Edgar Renteria, David Eckstein, and Rafael Furcal. Greene manned the position for the better part of three years, including the 2009 championship season. (He hit .320 as the Redbirds won all six of their playoff games.) Holds the franchise record for career stolen bases (68).

• Leftfield — John Gall
One of four men to play 400 games with the Redbirds, Gall ranks second in franchise history in hits (476), home runs (57) and RBIs (255). His best season as a Redbird was his first, in 2004, when he hit .292 with 22 homers and 84 RBIs. Played in only 33 big-league games but made a playoff cameo with the Cardinals in 2005.

• Centerfield — Adron Chambers
Chambers played stellar defense and was an offensive sparkplug over four seasons (2010-13) with the Redbirds. His 57 career stolen bases rank second in Redbirds history. Hit 10 home runs and stole 22 bases for Memphis in 2011 before earning a World Series ring with the Cardinals.

• Rightfield — Nick Stavinoha
Easiest selection for this team. The burly outfielder (and first-baseman) is the Redbirds’ all-time leader in games played (479), hits (531), home runs (74), runs (260), and RBIs (316). He played parts of five seasons with Memphis (2007-11) and went out with a bang: 28 homers and a franchise-record 109 RBIs in 2011.

• Starting Pitcher — P.J. Walters
The Redbirds have had their share of one-year wonders on the mound. Adam Wainwright, Dan Haren, Lance Lynn, Shelby Miller, and Michael Wacha all pitched here, but for little more than a full season (at most). Walters started 78 games over four seasons (2008-11) and won more games (32) than any other Redbird. He’s actually the only Redbird pitcher with as many as 30 career wins.

• Relief Pitcher — Victor Marte
Marte first pitched for the Redbirds in 2011, between big-league stints with Kansas City and St. Louis. He saved 31 games that year, the first and only Redbird to save as many as 30 in a season. His 45 career saves are also tops in franchise history.

Categories
Film Features Film/TV

Spider-Man: Homecoming

In the flurry of desperate corporate maneuvering in the wake of the 2014 North Korean cyber attack on Sony Pictures in retaliation for The Interview, the most significant move may be the return of the Spider-Man film franchise to Marvel control. Spider-Man is the crown jewel of the Marvel superhero stable, which is why the film rights were sold for big money back in 1985, way before the comic book company was mining its rich vein of intellectual property with Disney. Eventually, Sony ended up with the property, and, after the success of Brian Singer’s 2000 X-Men movie, the studio did three Spider-Man movies with director Sam Raimi starring Tobey Maguire as the webslinger. Raimi’s first two films are among the best blockbusters of the century, and, personally, I like the third one, even though that’s a minority opinion. Then the studio rebooted the franchise with The Amazing Spider-Man starring Andrew Garfield. While Garfield matured into a good actor, the two Spider-Man movies he starred in were clumsy and charmless.

Sony was reportedly planning on creating a Spider-Man series to compete with the Marvel Cinematic Universe, but after Kim Jong Il’s minions splashed the confidential contents of their servers all over the web, they needed to raise money in a hurry and preemptively surrendered to the Marvel juggernaut. It turned out to be the best decision Sony has made in a long time.

Spider-Man defines the Marvel approach to superheroes. He’s not a superhuman paragon of virtue like Superman. He’s young, flawed, often scared, and while his heart is always in the right place, his judgment is not always the best. Marvel head honcho Kevin Feige cast Tom Holland as Peter Parker and fed him through the Marvel Cinematic Universe assembly line with relative newcomer Jon Watts at the helm. In a Hollywood that is exhibit A for bad decision-making processes, Marvel got everything right this time.

What’s most appealing about Holland’s Spider-Man is that we get to ride along while he discovers his powers. But this is not an origin story; we don’t have to see poor Uncle Ben die again. Tony Stark recruited Parker for Civil War, and created a high-tech Spidey suit, partially as payment and partially as initiation into the Avengers clan of super-beings. But Parker’s still in high school, so he’s just as invested in his Academic Decathalon team and the homecoming dance as he is in what he calls “my Tony Stark internship.” Spider-Man may be on the A-list in the real world, but in the Marvel universe, he’s C-list at best.

Michael Keaton as Vulture in Spider-Man: Homecoming

Wisely, the villain of Homecoming is also a C-lister trying to increase his Q rating. In a bit of genius casting that was, in retrospect, blindingly obvious, Michael Keaton, formerly known as Batman and Birdman, plays the villain Vulture. The character is a scrap metal dealer who used the broken bits of alien technology littered around New York after the Avengers saved the city from the Chitauri invasion to build himself a flying super suit. Keaton deftly straddles the line between the realistic and fantastic with a riveting performance. The confrontation between Keaton and Holland prior to the big finish is the best single scene in the entire Marvel movie canon. The world is not in peril in Spider-Man: Homecoming, and it’s all the better for it. Instead of a city-destroying battle between the forces of good and evil, it’s just novice hero vs. novice villain. The human-sized stakes make it more exciting, and it’s considerably easier to follow the action with fewer moving parts. You don’t come out of the film feeling like you’ve been beaten over the head for the last half hour.

Another vital element done right is the strong supporting cast. Marisa Tomei represents a radical new version of Aunt May, which totally works. Jacob Batalon is excellent as Parker’s best friend Ned, and Disney teen star Zendaya is sharp as smartass classmate Michelle. Comedian Hannibal Buress is pitch perfect as Parker and Ned’s distracted gym coach. Unsurprisingly, Homecoming only falls down when it’s trying to connect with the bigger Marvel universe. Robert Downey Jr. is his usual snarky self as Tony Stark, but an extended subplot with Iron Man director Jon Favreau playing Stark’s henchman Happy Hogan periodically grinds the momentum to a halt. But that’s not enough to derail Spider-Man: Homecoming’s fun.

Spider-Man: Homecoming

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Categories
Politics Politics Beat Blog

Local Democrats Herald Bigger, Better Party to Come

JB

Cambron, Cocke, Shaw, and Inez explaiing new party organization

In reorganizing the local party organization that was decertified as “dysfunctional” a year ago by state party chair Mary Mancini, Shelby County Democrats are thinking big.

That’s “big” in several senses of the word, as four key members of the soon-to-be reorganized Shelby County Democratic Party explained in a press conference this past week at the IBEW meeting hall on Madison, a frequent party meeting spot.

The four were David Cambron, a state party committeeman, former party vice chair, and president of the Germantown Democrats; David Cocke and Carlissa Shaw, co-chairs of the ad hoc group that held four county-wide reorganizational forums over the last several months; and Danielle Inez, newly elected president of the county’s Young Democrats.

As the four explained to attending media, the newly reorganized SCDP will be numerically bigger, consisting of two separate bodies, an executive committee composed of two members (one male, one female) from each of the county’s 13 county commission districts and a few additional ex officio members; as well as a “Grass Roots Council,” consisting of 130 members.

Both the Council, which will meet quarterly, and the executive committee, will be elected at a convention to be held on Saturday, July 22, from 10 to 11 a.m. at Mississippi Boulevard Baptist Church. A second convention will be held at the same site two weeks later on August 5 to elect a local party chair.

“We think we’ve done it right,” said Cocke. “We intend to be an active party, not just a party that meets once a month to get in trouble….We need a big tent.” He defined the Grass Roots Council as an “activist,” issue-oriented body, whereas the exective committee wold conduct the routine business of party affairs.

Saying that “a lot of Democrats want to hit the pavement,” Shaw elaborated on the Council as a body “able to speak to the executive committee.”

As Cambron noted, “The world changed on November 8. We designed a new party to include new people, new activists, and new groups,” citing the recently founded grop Indivisible as an example of the latter.

On the thorny issue of defining who Democrats are, Cocke said certain requirements would be imposed but not so many as to inhibit party growth.

Inez said that the local party would be guided in large measure by the parameters for membership established by the state Democratic Party. And one thing won’t change: Both she and Shaw said that Robert’s Rules of Order would remain the basis for conduct of meetings and that members of the executive committee would receive training sessions on the parliamentary formula.

(Shaw had noted, in one of the forums conducted by the reorganization group, that confusion had resulted in meetings of the former SCDP because of the differing degrees of familiarity with Robert’s Rules by executive committee members.)

For those who want to know more about the new party and its new rules, Cocke credited Inez with the preparation of a “cheat sheet” on all the details, which can be found on the party’s website shelbydem.org.

Categories
Music Music Blog

MEMPHO: Your New Music Festival

Booker T. Jones

And just like that, out of the blue, we discover the inauguration of a new music festival here in Memphis. Dubbed MEMPHO , it carries the tag line “Music. Food. Nature.” Slated for October 6 & 7 at Shelby Farms Park, it
promises to offer generous portions of all three elements.

First of all, the music: It is a stellar lineup by any standards. Headliners include GRAMMY Award™ winning artists Cage The Elephant and Jason Isbell and the 400 Unit, GRAMMY-nominated Anderson .Paak & The Free Nationals, as well as Cold War Kids, Bishop Briggs, Robert Randolph and The Family Band, and Hard Working Americans.  On the local tip, Stax artists old and new will be performing as well, with Southern Avenue in the Friday lineup and Saturday featuring a special tribute to the music of Memphis, including Steve Cropper & Friends back to back with Booker T Presents: A Stax Revue and a Journey thru Soul, Blues, and R&B.

Of course, the presence of the city’s thriving food truck scene will be a given. With a name like MEMPHO, we can’t help imagining that some down home “Pho” from the thriving Memphis Vietnamese community will be there; and naturally there will be a healthy representation of BBQ. As for “nature,” we know that Shelby Farms Park has plenty of that. But how will it figure into the festival?

Chuck Leavell, erstwhile keyboardist for the Allman Brothers Band and the Rolling Stones, and founder of the Mother Nature Network (MNN), said; “As a special advisor to MEMPHO, I’m proud to help bring one of the greatest musical cities in the world a new kind of music festival. The setting is spectacular and the talent line-up is top notch with a combination of great new artists and some established fan favorites. As an environmentalist, I’m also very pleased that everyone involved has a high sensitivity to keeping the event clean and green, and in harmony with nature.”

This will be a welcome improvement on the ecologically backward approach of so many music festivals, which often do not even include recycling. Here’s hoping that promoter Big River Presents, founded by Memphis native Diego Winegardner, will take environmental concerns to the next level, especially with MEMPHO set in an area known for its bird and animal habitats.

Very soon, interested parties will be able to buy tickets, with a variety of package options:

Limited “Early Bird” Pre-Sale on Thursday, July 13th at 10 A.M. CST

Friday “Early Bird” General Admission Tickets: $35.00
Saturday “Early Bird” General Admission Tickets: $40.00
Two-day “Early Bird” General Admission Tickets: $69.00
Single Day VIP Package: $150.00
Two-Day VIP Package: $200.00
Early Bird pricing while supplies last, plus applicable ticketing fees

Tickets on-sale Friday, July 14th at 10 A.M. CST

Friday General Admission Tickets: $40.00
Saturday General Admission Tickets: $50.00
Two-day General Admission Tickets: $79.00
Single Day VIP Package: $150.00
Two-Day VIP Package: $200.00
Tier 1 pricing while supplies last, plus applicable ticketing fees
For more information, see: www.memphofest.com

And just to get fired up for October and its lovely autumnal breezes, here’s the latest video from Cage the Elephant, just released today:

MEMPHO: Your New Music Festival

Categories
Intermission Impossible Theater

Theatre Memphis Showcases Singers, TheatreWorks Gets Victory Blues

Kinon Keplinger in Victory Blues

Set in 1947 Victory Blues tells the story of  a combat veteran adjusting to postwar life. It’s the latest installment of Playhouse on the Square’s NewWorks@TheWorks series.

Theatre Memphis Showcases Singers, TheatreWorks Gets Victory Blues

Three Tenors… and a Baritone is an original cabaret performance featuring four Theatre Memphis mainstay performers, Philip Himebook, Charles McGowan, Joseph Lackie, and Charles “Chuck” Hodges. It’s a mix of Broadway and opera inspired by the Three Tenors. But, you know, with a baritone. Compiled by music director Jeff Brewer. [slideshow-1]

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Beyond the Arc Sports

Grizzlies sign Tyreke Evans to 1 year deal

Larry Kuzniewski/Memphis Flyer

The best photo I could find of Tyreke in a Memphis jersey.

According to reports, the Grizzlies have signed Kings/Pelicans/Kings guard Tyreke Evans to a 1-year, $3.3M contract. Evans’ Memphis homecoming was first reported, as far as I can tell, by Geoff Calkins of the Commercial Appeal before ESPN’s Adrian Wojnarowski reported it as well.

Evans at $3.3M is a “gamble on a guy with talent” deal I can get behind. Evans brings bench scoring, some ball handling, and size to the roster, and he can play with Conley as a guard or maybe also as a small forward in small lineups (though I don’t think that’s his strength). Plus, in Hoop City USA, there’s no real consolation for the end of the “Grit and Grind” era, but bringing back a Memphis Tiger from the most recent set of glory days can’t hurt.

The Grizzlies’ free agency period is not over yet. Decisions still need to be made about JaMychal Green, which are largely dependent on what other offers he’s able to get from other teams. Tony Allen is unlikely to return, but after a brief round of Clippers sign & trade rumors nothing has happened since. With Evans on the roster, it appears there are some further moves that will have to be made to get down to 15. Stay tuned.

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Food & Drink Hungry Memphis

French Truck Now Open in Crosstown


French Truck Coffee
has opened in the Crosstown Concourse.

The new location in the Central Atrium offers a healthy selection of coffee drinks from Cafe Au Lait and Cappuccino to iced. They are now serving a few pastries like coffee cake and croissants.

The New Orlean-based coffee company teamed up with Jimmy Lewis’ Relevant Roasters on Broad last year, merging operations under the name French Truck.

According to Lewis, French Truck will begin roasting at Crosstown as soon as they get all the necessary equipment. Visitors to Crosstown will be able to view the process through giant windows.

French Truck will also serve a full menu featuring breakfast and lunch in about two weeks.

Lewis says, “We’ve been vitally inspired by others, by that I mean Crosstown. We’re just a little speck on this big screen.”