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Sports Tiger Blue

Penny Speaks, We Listen

Anfernee Hardaway hosted his first formal press conference as head coach of the University of Memphis basketball team last week. The pride of Treadwell High School spoke to more than 30 reporters for 30 minutes about his first 30 days on the job. He exuded a comfort with the position most rookie coaches would envy. He appeared to feel at home in the shiny new Laurie-Walton Family Basketball Center. And he said a few things we’ll remember when his first college team takes the floor in November.

“We got into the [recruiting] game really late, and to assemble the talent we did is a blessing.”
However Hardaway’s career as Tiger coach unfolds, his first month will be part of his legacy. With most of the nation’s top 2018 recruits having long signed with other programs, Hardaway managed to land a pair of elite local talents — East guard Alex Lomax and Cordova guard Tyler Harris — when either one would have been a blessing, of sorts, for the departed Tubby Smith. Add a third four-star prize (shooting guard Antwann Jones from Tampa) and Memphis has a class that would have earned plaudits even if it had not been an 11th-hour fix for the 2018-19 season. Quite a fix, indeed.


“Our message was, ‘We’re gonna teach you, develop you, get you better.’ That’s what the parents wanted to hear, outside the education piece, which is most important. Most of these kids want to go to the NBA. Who better to get them there than me and Mike [Miller].”
Hardaway has preached the importance of returning the Tiger program to its glory days, connecting the current program with teams older fans remember cheering when Larry Finch, Keith Lee, and Hardaway himself wore blue and gray deep into the NCAA tournament. But the future of the Tiger program is more about three letters: N, B, and A. Whether or not the professional league’s “one-and-done” mandate remains in place for draft eligibility, elite basketball players are drawn to college programs that will clear a path to professional riches. Hardaway’s Tiger past is a nice, sentimental coating to the story he’ll craft as a college coach in his hometown. But it’s his NBA pedigree that attracts the likes of Lomax and Harris. Add Mike Miller (with his own AAU connections) and Memphis has a recruiting tandem — a combined 1,736 games in The League — unlike any other in the country.

“I want to play the big boys. That’s how you measure yourself, especially early.”
Tennessee is back on the schedule. (The Vols will start the 2018-19 season among the nation’s Top 20.) Hardaway is pursuing a home-and-home series with Kentucky. (He drew laughter when he mentioned John Calipari asking for a neutral site.) Over an 11-day period last December, Memphis hosted the following four teams: Mercer, Samford, Bryant, and Albany. And people wonder why all the empty seats at FedExForum? The training wheels must be removed from the Tigers’ nonconference schedule. Hardaway seems intent on doing so.

“Everybody’s buying in. And that’s what we wanted, to get people excited about Tiger basketball again.”
Hardaway mentioned the standing ovations (plural) he’s received since being named head coach and the gratitude Tiger fans have shown for him being willing to “help us.” I can’t speak for the new coach, but this transition feels as much like a rescue mission as it does merely the return of a native son to a position of prominence. Furthermore, with Larry Finch dead and Keith Lee a recluse, there’s only one person on the planet who could spearhead such a rescue. The community feels this and Penny Hardaway is starting to feel it.

“First it’s compliance, then Tony [Madlock] who I call every day.”
Hardaway and Madlock made for a special backcourt the one season they played together, taking the Tigers to the 1992 Elite Eight. Madlock will now serve as Hardaway’s assistant with the most experience in the college game. Whatever value Miller brings as a recruiter, Hardaway will need some guidance when it comes to game management, coordinating a rotation, and simply communicating with each of his players. Madlock will be big in these areas. [Longtime NBA coach Sam Mitchell is expected to be the final assistant added to Hardaway’s staff.]

“The smallest thing is a no-no on this level. I’m very careful.”
Hardaway wasn’t allowed to join a celebration of East High’s recent state championship . . . and he coached that Mustang team. Such is life for a modern college basketball coach, maneuvering daily within (hopefully) the rules and regs of a governing body that sometimes seems unable to define its own legislating. The rookie coach is attentive to this new job structure and appears willing to take the necessary steps to ensure a clean program on his watch.

“We want to win a national championship. It’s not far-fetched.”
Hardaway mentioned Loyola-Chicago’s story, that no one picked the Ramblers to reach the 2018 Final Four. He doesn’t expect his Tigers to be placed in the category of Kentucky, Duke, or Kansas merely by his presence on the sideline. But Hardaway does expect such a standard to be the aim of his players and coaching staff. He’s not shying from the sport’s highest bar. “With the right mindset and the right coaches pushing you, anything’s possible.”

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Food & Drink Hungry Memphis

Michael Donahue’s Best Bets: Irish Car Bomb

Michael Donahue

irish Car Bomb at Sidestreet Burgers

An Irish Car Bomb explodes – with flavor – at Sidestreet Burgers in Olive Branch.

I tried the dessert created by the restaurant’s chef/owner Jonathan Mah. It’s fabulous.

I asked Mah to share the dessert’s history.

“Back in the day a lot of people were doing these ‘drop shots,’” Mah says. “Where you take some liquor and drop it in a glass and drop that in a glass of beer and you chug it. I wasn’t really into that, but somebody had told me about it and I said, ‘OK. I’ll try one of these.’ Apparently, it’s supposed to taste like chocolate milk. If it tastes like chocolate milk it’ll be OK.”

They gave him a shot of Bailey’s Irish Cream mixed with Irish whisky. “You drop that in a pint of Guinness and chug the whole thing. So, I did a couple of them. It was very tasty, actually.”

Mah remembered that drink when he was sous chef in the kitchen with executive chef Karen Roth years ago at Alchemy. “I was trying to help her come up with dessert items. Kind of cool stuff. It dawned on me, ‘Why not take bread pudding and make it chocolate and add some kind of a twist? Like Irish whisky with praline sauce.’”

So, that’s what he did. “It was very popular.”

He added the Irish Car Bomb dessert a year or so after he opened Sidestreet Burgers. “i’ve been selling it for six years,and people love it. It’s a big hunk of bread pudding. It’s not like your average bread pudding. It’s not soggy or anything like that. It’s got this amazing flavor to it. We make a little praline-like caramel sauce and hit it with some Irish whisky and finish it off with a little cream.”

Mah makes his bread pudding with French bread. “I dry it out and that’s my base.”

He used to offer other desserts at Sidestreet Burgers. “Over the years, I had some other chefs who worked with me and we would rotate that dessert menu quite a bit.”

Now, the Irish Car Bomb is the only dessert offered at his restaurant. “Occasionally, maybe once a year, I’ve done white chocolate and mixed-berry pudding. And that’s cool. Every once in a while I’ve made that praline sauce with bacon.”

Any way you look at it, this dessert is the bomb.

Note: Call the restaurant to make sure they haven’t run out of Irish Car Bombs that day. “We can sell all of them pretty quickly.”

Sidestreet Burgers is at 9199 MS-178 in Olive Branch; 901-596-4749


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News News Blog

RDC Rebooted as ‘Memphis River Parks Partnership’

RDC Rebooted as ‘Memphis River Parks Partnership’

The Riverfront Development Corp. (RDC) is now Memphis River Parks Partnership in a move announced Monday morning focused on realizing the Memphis Riverfront Concept Plan.

The group, soon to be led by Kresge Foundation fellow Carol Coletta, ”supports five connected park districts along six miles of the Mississippi River for the people of Memphis.” The Memphis riverfront is “ready for transformation.”
Memphis River Parks Partnership

”We chose the word ‘partnership’ intentionally as part of our name because this is and must be a partnership with the people of Memphis and the city of Memphis,” Coletta said in a statement. “The partnership is committed to delivering a fun, connected and catalytic riverfront.

“The new name and visual identity demonstrate the connection among the five park districts but, more importantly, our commitment to work alongside the community to unlock the transformative power of the riverfront.”

The new group’s brand represents five “distinct yet connected” park districts: Greenbelt, Mud Island, Fourth Bluff, Big River, and Martin Luther King. The black line in the logo represents the route of the coming RiverLine trail that will connect the river parks for cyclists and pedestrians.

Colletta

The partnership has also launched a new website and social media accounts.

Coletta, a native Memphian and a senior fellow at the Kresge Foundation will replace RDC president Benny Lendermon, who retires from the post this month.

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Film/TV Film/TV/Etc. Blog

Jones Rolling With Short Films

Mark Jones hasn’t made a feature film in several years, but he’s on a roll with short films.

“I’ve kind of stumbled upon something. ‘Winding Brook’ is the exception. But if you look at ‘Death In A Small Town,’ ‘The Best Wedding Gift,’ and ‘Henry,’ they all take place on one set with few characters.”

Corey Parker in ‘Death In A Small Town’

Jones will screen these four films at Studio on the Square on Tuesday, April 24 at 7 PM.

Taken together, the snack-sized scenes form their own universe of domestic drama with a cynical, sometimes soapy edge. The dark comedy “Death In A Small Town” contrasts the feel-good political speech of a small town mayor with the horrible reality behind his rise to power. The short is built around a pitch-perfect performance by Corey Parker.

“He’s a top-notch actor,” Jone said. “We’re fortunate to have someone like him in our community.”

Drew Smith in ‘Henry’

Jones loves to put the pieces on the table and watch them snap into place, as he does in “Henry”, which features a tour-de-force performance by Drew Smith as a single father having a heated conference call with his siblings about the arrangements for his mother’s death. Here, the big reveal is used for pathos rather than a punchline.

Savannah Bearden in ‘The Best Wedding Gift’

In “The Best Wedding Gift,” Savannah Bearden gets to go full soap opera anti-heroine.

“Savannah knocked it out of the park,” says Jones. “I’ve been wanting to work with her for a while, but it hasn’t been the right opportunity. So, when I conceived of this script, I thought, ‘man, Savannah will be great.’ She owns this film.”

Bearden is a bride to be who has an icy confrontation with the best man, played by Jacob Winfield.

”Jacob is a theater actor,” says Jones. “Usually, when I work with theater actors, they’re great, but their first three or four takes are huge. That’s not needed in film. Usually theater actors are playing to the guy in the twelfth row. But he played it so well, I had to tell him to play it up. He was too small.

Jones says careful casting and preparation is the key to a good performance.

“I really try to work with the actor individually, and then in pairs with their cast mates to give them the background of their character,” Jone says. “Why are you entering this scene thinking what you’re thinking?

“That’s something I really believe in as a writer: character motivation. I go to too many films and think, ‘Why is the character doing that? That doesn’t make sense. No one would actually do that. What’s their motivation?’ Jacob’s motivation in this film comes from a very good heart. He really thinks he’s doing the right thing.”

His care with the actors pays off in “Winding Brook”.

“Cecilia Wingate is only in about 45 seconds of ‘Winding Brook,’ but she does great,” Jones says. “That’s a great example of someone who has a really small role — she’s a nurse — but she owns that 45 seconds. There are no small parts.”

Corey Parker, Kim Justice, Ryan Azada, and Jack Prudhome in ‘Winding Brook’

Jones was recently named Honorary Director for Life of the Outflix Film Festival and is the primary mover behind Indie Memphis’ IndieGrant program.

All proceeds from this screening will go to the Indie Memphis Youth Film Festival. His next short film “Football Jocks vs. Theater Fags Memphis Style” is already in the can.

“It’s different,” he says with a laugh. “I want to make another feature, but I’m enjoying this two-year run of short films.”

The Mark Jones film showcase starts at 7 p.m. on Tuesday, April 24 at Studio on the Square. You can purchase tickets on the Indie Memphis website.

Categories
News News Blog

Southern Hot Wings Festival 2018

The Southern Hot Wings Festival was held last Saturday at its latest location, Tiger Lane.

The victors in the Battle of the Wings are as follows:

1. Smokin’ Gringos BBQ
2. New Wing Order
3. Sauced Up
4. The Unusual Saucespects
5. Wing Tang Clan

[slideshow-1]

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: Don Lifted

Today’s music video will have you cruising into Monday.

The second single from Don Lifted’s new album Contour, “Muirfield” is an older song revitalized by feature artist Healy. The video was shot by Kevin Brooks.

Don Lifted says this song is special to him. “Every time I listen or watch the video it puts me back to 17. Dropping you off before curfew, walking back to my car, and rolling my windows down and playing In Rainbows driving home. Every sense heightened in ways I didn’t know possible. I could smell the air and feel each instrument and vocal inflection by Thom Yorke as if he was singing in the car with me. I’d take the longest way home to feel for longer, close my eyes and put my hands out the window, sing, yell, cry, and be thankful for what I was feeling. For it was new and pure and untainted and we were new pure and untainted. Hope you enjoy.”

Music Video Monday: Don Lifted

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com

Categories
Politics Politics Beat Blog

Weekend Review: Confederate Statues Loom Over GOP Debates

Candidates Boyd, Lee, and Black at Halloran Center

If there was a common theme in the two important debates held in Memphis on Wednesday — one for three Republican county mayor candidates at the Marriott East and another for three GOP gubernatorial candidates at the Halloran Center Downtown — it was one that would surely have gratified the ghosts of Jefferson Davis and Nathan Bedford Forrest.

Both sets of Republicans criticized actions by the city of Memphis that resulted in the removal of statues of the two Confederate luminaries from their pedestals last December 20th, maneuvering around an unyielding state law by selling the parks containing the statutes to an ad hoc nonprofit that went on to have them removed legally.

Aside from the unanimity on the point in the ranks of Republican candidates, the most interesting aspect of things was that it was the local candidates — would-be county mayors Terry Roland, David Lenoir, and Joy Touliatos — who went on to justify the harsh action of the state legislature in punishing the city by voting to strike from the state budget some $250,000 previously earmarked for Memphis’ forthcoming centennial celebration. It remains to be seen how much such a stand will cost the eventual GOP nominee in the likely general election race with Democrat Lee Harris.

The visiting Republicans running for governor — Franklin businessman Bill Lee; Knoxville native Randy Boyd, the former state Commissioner of Economic Development Randy Boyd; and U.S. Representative Diane Black of the 6th District in Middle Tennessee — were more cautious, too much on their Ps and Qs to say anything untoward about Memphis (they were here to solicit votes, after all). But they all insisted that the statues should have been left in place and in peace — not as a matter of approbation but as “reminders” of our history. As warnings, if you will.

Right. Like all those statues of Hitler that never were in post-war democratic Germany and those of Stalin that were relegated to a junk yard in Moscow’s Gorky Park after the Soviet dictator’s posthumous fall from favor.

It was the first common appearance by the three GOP candidates to be televised statewide (originating via WATN, Channel 24, locally), and it was billed in advance (and again from the stage) as not being yet another meaningless forum in which everybody would end up restating the same platitudes, but a bona fide battle royal, a “debate.”

It wasn’t. There was little overt disagreement and minimal effort to create it. The Republican “debaters” observed uniformity not only in the politesse of not wanting to punish Memphis for its offing of statuary history, but the three of them — all Middle Tennessee residents — became an outright amen chorus to the idea that Memphis has been shafted by the state relative to other sections of Tennessee.

Black went so far as to say that the city had been the victim of “Nashville neglect,” though her prescriptions for remedying the problems of West Tennessee seemed to focus on doing something about the area’s putative high crime rate. Lee called for tailoring special incentives to West Tennessee, and Boyd, as is his wont, cited statistics to justify his efforts on behalf of the area as former Tennessee Commissioner of Economic Development.

There was a good deal of Pete-and-Repeat to the candidates’ responses on most issues — on their reluctance to consider granting in-state tuition offsets to children of illegal immigrants, for example, or on means of coping with the state’s opioid-abuse epidemic, the three concurring on what Nashville TV anchor bob Mueller characterized as a “treatment-first” approach. (Businessman Lee, who has often invoked his first wife’s accidental death as the impetus for his involvement in public life referred to it in his answer to yet another focusing tragedy, a death in is family from an opioid overdose but declined to discuss any details during his later encounter with reporters in the ad hoc spin room of the Halloran Center.

Some of the candidate unanimity was more apparent than real. When Mueller asked for a show of hands from those who approved arming teachers as a response to gun violence, only Lee shot his arm up right away. Both Boyd and, perhaps surprisingly, Black were more grudging with their immediate responses, each waiting several seconds before raising their hands — and slowly at that.

And Boyd would insist later that he had been more enthusiastic than the other two about pre-K education, allowing for state support of selected programs, whereas Lee and Black were dubious about the “mixed results of pre-K, though each would endorse the importance of “early childhood education.”

In addition to the questions asked of all candidates, the three panelists — Mueller; Richard Ransom of the host station, Channel 24 in Memphis; and Eric Barnes of WKNO-TV, the local PBS station — attempted to nudge loose specific answers with follow-up questions and one round of questions designed for the candidates individually.

Barnes prodded Boyd to explain the lagging development of the West Tennessee megasite (an area on which the former commissioner can expect more gigging from his opponents in time to come). Boyd answered essentially that other industrial sites elsewhere — the Volkswagen site in Chattanooga, for example — had experienced growing pains, too, but had turned out all right. He said that the West Tennessee megasite should be completed by the first summer of his initial term, if elected.

Ransom wondered of Rep. Black how her vote as a state Senator to ease the awarding of driver’s licenses to undocumented immigrants squared with her “no” answer on the matter of in-state tuition. She had done so at the urging of the Department of Safety, she answered, but had labored afterwards to correct the “mistake.”

The response of attendees at the Halloran Center was, by and large, guarded, in the same way that candidates’ answers had been, with previously known partisan of this or that candidate asserting that their favorite had triumphed but uncommitted persons remaining that way, as well.

It should be noted, however, that Black’s claque in the Halloran Center auditorium made conspicuously more noise when the candidates were first introduced to the crowd.

Sharper Contrasts — and Some Sniping

On the whole, sharper contrasts had been drawn at the earlier debate between Republican county mayor candidates — in the nature of specific answers to questions as well as in the idiosyncratic differences between the candidates. In general, Roland related most matters to his own actions and experience as an eight-year veteran of the county commission, including one term as chairman. Lenoir relied both on what he saw as his accomplishments and in specific, blueprint-like proposals for future action. Touliatos was more general and more attuned to a single theme — that of harmony between components of society and government, which she saw her personality as being well-suited to achieve.

A case in point was the way in which all three principals answered a question about racial and gender disparities in county business. Roland claimed credit for the very existence of a recent county disparity study and the creation of an MBWE program (for minority and women-owned business enterprises) on his watch as chair. Lenoir said he’d “put my money where my mouth is” by investing $30 million of county funds in Tri-State Bank of Memphis, a black-owned enterprise. And Touliatos said the county should provide potential applicants with assistance on paperwork and other obstacles.

On revenues and the stimulation of new economic development, Roland, as is his wont, criticized PILOT (payment-in-lieu-of-tax) arrangements and evangelized for TIFs, which adapt existing tax revenues to developmental purposes. Lenoir said there should be “real tax reduction” and attacked what he said was the “smoke and mirrors” of the 2017 budget resolution, which technically included a tax-rate reduction boasted by Roland but, Lenoir claimed, actually raised taxes on most citizens. Touliatos noted that anything the mayor did would be subject to a commission majority and said she would bend her efforts toward augmenting the relationship.

On that point, Roland said, in effect, that the cause of the ongoing power struggle between the commission and current Mayor Mark Luttrell was that the latter had never served on a legislative body and “never comes down except to fuss with us,” while Lenoir contended that he had worked on building a good relationship with the mayor and other officials.

On relations with Shelby County’s various municipalities and school systems, Lenoir said his preferred mode would be to use the prerogatives of his office to convene and call meetings where agreements could be hammered out. Touliatos said that county government had to “have some kind of control over education” other than merely appropriating money and promised to “talk with the people involved.” Roland said, “Nothing’s going to change in education unless we have overnight and a line-item veto over the school budget.”

All three candidates responded to a question about protecting schools from gun violence by saying beefing up a training security force would help. (Roland noted that sheriff’s deputies already patrol the high schools.) And all three said they would prefer returning to non-partisan elections for county government and abandoning the current party-primary phase of elections.

But there was occasional sniping, even on commonplace matters. Once, after Roland had boasted giving Moore Tech College of Technology funds for a welding curriculum, Lenoir began his answer by saying, “Yes, he gave them your money.”

There were no great surprises in the mayoral debate until there came a question about the best means for local government to resist state encroachments on its prerogatives, like wage and drug policy, matters of discrimination, and authority over local monuments.

That was when the statues matter came to the forefront. Roland said, “Until people quit thumbing their nose at Nashville, there’s nothing we can do.” He said that he and fellow Commissioner Walter Bailey had been working behind the scenes with private interests to remove the bodies of General Forrest and his wife to the general’s birthplace, but that those plans were scotched when the city “came like a thief in the night” to take the monuments down.

Lenoir said that he believed in both limited government and local control but agreed with Roland that the city’s action (technically that of the non-profit to which the city had sold the host parks) in removing the Forrest and Davis statues “late at night, on a Friday, under cover of darkness no doubt sent the wrong message.” And Touliatos agreed that the matter had been handled inappropriately. ‘If you’re going to go against state law, then there are going to be repercussions.”

Statements made at forums can have repercussions, too, and there’s not much doubt that brief moment of discussion about Confederate statues will be revisited, perhaps at some length, during the forthcoming general election. Either one of the two Democratic candidates running — Lee Harris or Sidney Chism — would doubtless make sure of that.

Categories
Music Music Blog

Keith Sykes Leads Ardent Into a New Era

Alex Greene

Keith Sykes in Ardent’s Studio B

The legendary Ardent Studios was dealt a major blow over three years ago, when John Hampton, one of Ardent’s chief producers, and John Fry, the studio’s founder and owner, passed away within five days of each other. Nancy Apple, Ardent’s night/weekend manager and director of social media, puts it this way: “Everybody was stunned. It wasn’t just John Fry who we lost, it was John Hampton too. Those are the two key figures of Ardent, with the exception of Jody [Stephens]. I think Ardent really needed that team feeling.” Then, mulling over the past few weeks, she adds, “And we finally have that feeling again. It feels like the old days. Even though we all miss Mr. Fry, it’s feeling like Ardent again.”

John Fry and John Hampton.

One reason may be the recent hiring of a longtime Ardent-associated artist, Keith Sykes, as the new chief manager. As a songwriter’s songwriter who’s had his work covered by the likes of John Prine, Jimmy Buffet, and Rosanne Cash, Sykes has traveled the world with his music, but has kept his home base in the Memphis area nearly all his life. His closeness to the Ardent “family” over the past four decades makes his new official post a very good fit indeed. I sat down with Sykes to hear how things are going today at the fabled studio.

Memphis Flyer: It must be a big change for you to move into a desk job like this.

Keith Sykes: You know, it’s like in 1986 I when quit playing. I was building up my publishing company, and I did that for fifteen years, from 1986-2001. But then, I went out and did a tour with Todd Snider, just opening his shows. We were just having fun, basically. But I got to thinking, “This is fun, the publishing companies are up to where they’re doing their own thing. It’s pretty level.” So I thought, “I’m gonna go back to playing and just end out my days doing that.” And I did and I had a great time. I’ve been doing it 16, 17 years now.

So, my wife is [studio owner] Betty Fry’s personal assistant, and Betty’s been asking me to do this job since last summer. But I just said, “I’m happy, I’m good.” Well, after listening to my wife and Betty talk, and just getting a feel for things, I realized I could help out here and still do my gigs that I wanna do. The nicer ones of the bunch. I think I can manage the studio about as well as anybody. And we’ve got great recording engineers and great staff.

It seems like the place is really bustling with activity. New chairs, new ceiling tiles…

We’re doing everything we can to get the place pretty again. The atrium is pretty again, the fountain started working again on Monday. The new roof, that’s the first thing Betty did when she took control. We’ve got Nancy down to doing the things that she does best. But we all three, Jody and Nancy and I, trade off answering the phone. We’ll do whatever it takes, clean up the place, whatever. We just want it to be a great place to record.

You go way back with Memphis and Ardent, don’t you?

I lived here in Memphis from 1957 to 1966, when I was just a little kid. I moved away for eight years, but then I passed back through; I was going to California, but I saw Jerene Rowe, who’s been my wife since then, and that was that. We’ve been together ever since. In 2001 we moved to Fayette County.

So I moved back to Memphis in 1974 and did the first record after that at Shoe Productions. And that did pretty good. I cut the first record that I ever cut at Ardent back in 1979. I’d done demos over here several times before, and it never really gelled until July of ’79. I cut I’m Not Strange, I’m Just Like You here and everything seemed to work with that. Everybody in my band had quit ‘cos I was on tour with Jimmy Buffet that year. So they took the core of the band and named it Uncle Tom’s Jam Band. It did good back then. But it left me with zero band to come over here and record with. And I was talking to John Fry and he said, “Well, you know Joe [Harding] plays bass, and the night guy plays drums.” And the night guy was John Hampton! So I ended up with two great musicians. I didn’t mean to, it just worked out that way. And they were both fabulous engineers and Grammy winners and all that stuff. Courtesy Jerene and Keith Sykes

Jerene Sykes, Keith Sykes, Joe Hardy at Ardent in the 1970s.

So you had a very personal experience of Ardent in its heyday. Has that informed your move to manager?

One thing that everybody told me when John died was, “What we’re gonna do is exactly what we’ve been doing.” I’m convinced that if we concentrate on it, and everybody uses their best intuitions and connections, we can make our mark again.

We’re getting the place together physically, going through the gear, making sure everything’s top notch, going over every microphone, every console switch. Everything. And hopefully we’ll get the kind of clientele that appreciates all that. ‘Cos one thing we can do that you can’t do in your bedroom is get a good band in a great room and get creative. That’s the magic in a bottle. You can get some great stuff in your computer, but we can still do that thing, where people get together and you just play it live.

There’s nothing like the air of a great room.

I consider us a Golden Era studio. Everybody’s got computers. Well, we’re in a lucky position where we’ve got this great old gear too. And it’s maintained really well. So many people are into the analog sound now. We’ve got three beautiful 24 track Studer [tape decks], ready to go.

What about other aspects of Ardent, like the label?

I’m not concentrating on the label, for the next few months at least, until we can really have our routine down. Right now, we’re promoting the studio. Now, John Fry really did great with the Christian music. They were selling millions of records. I’m not in that. I’m not opposed to it, it’s just not what I do. What I wanna do is get some great singer/songwriters in here and work around those people.

So I’m trying to use my connections. And you know, Jody’s a gold mine. He knows everybody in the business. I sit here with him at least thirty minutes to an hour every day, trading Rolodexes. Just call the people you haven’t talked to in a long time and say hello. One thing will lead to another after a while. And you may only get three or four big ‘uns, and have to throw some back, but that’s the way it goes, if we can get to fishing again, you know?

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We Recommend We Saw You

Drew Erwin opens downtown studio. Plus party news.

Jon W. Sparks

I’m not sure my metal act is what Drew Erwin (center) is looking for at his downtown studio, The Cabin. In fact, I know it’s not. Daniel Waterbury rounds out our ‘band.’

Singer-songwriter Drew Erwin’s recording studio, The Cabin, is open for business at 550 South Main.

“I’m calling it a ‘boutique recording studio’ ‘cause it’s obviously not commercial,” says Erwin, 22. “I definitely want to pick and choose who I work with. And that’s kind of like the cool part of me running it. I get to do that. ‘Cause I’ve been working on multiple projects. It’s like a one-man show down here as far as what I’m doing. It’s really hard for me to be in here countless hours working on something I’m not completely invested in.

“My overall vision for this was a place downtown where people around my age could go and just record and create with less pressure. I just wanted to create a really relaxed environment for younger creatives.”

Aaron James is one of the artists currently recording at The Cabin. Keynan Harden and other Unapologetic members are working with James on the record. “Aaron is getting a little more experimental with this record, so we’re getting some of the earthier stuff. Keynan and some of the Unapologetic guys are going to throw in some of their flavor.”

And Erwin says, “The other other night we did Bailey Bigger in here. She started tracking her EP and it was really cool ‘cause it was all live. Not to a click track. And it was really folky – mandolin, violin, and banjo. That kind of stuff. I would say the way it’s set up in here, it’s definitely more geared to live instrumentation.”

The Cabin formerly was the art studio of George Hunt. Erwin took out walls and built ceilings to adapt it to a recording studio. “This is a studio, but it’s also a basement. But the way that I see it, it’s my office. And I have everything down here that you need to record really high-quality stuff.”

The studio is in a basement, but, Erwin says, “It’s a basement on South Main.”

The Cabin, which has been open only four months, is taking off. “I’m just kind of taking it day by day ‘cause I’m still juggling school. I graduate in May. So, my goal was to set this up so I could hit the ground running in May. It already kind of looks like I will be, which is awesome.

“This is, obviously, something I’m going to be doing the rest of my life. I just needed somewhere to start and build a reputation. I just wanted it to be a place where people in college and people in high school feel like they can come and it’s a little more laid back than going to the bigger commercial studios. And there’s not a stigma behind it and it’s not intimidating. It’s just a little basement. You turn the lights down low and the vibe gets really cool. You light some candles and you just make some music.”

The Cabin’s Instagram is @thecabinmemphis

…….

Bryan Hayes was the headliner at Ave Maria Foundation’s 17th annual Silent Auction and Concert, held April 7th at Heffernan Hall at Christian Brothers High School.

Hayes, who grew up in Brownsville, Tenn., now lives in Memphis. His latest album, “Farther Down the Line,” was produced by Grammy Award-winning producer-engineer Andy Hunt.

About 250 people attended the event and $60,000 was raised. Proceeds will provide assistance for Ave Maria Home residents and will help fund resident programs.

Michael Donahue

Drew Sachenbacher at his Sachenbacher Crawfish Birthday Party Extravaganza

………

You know it’s Spring when Drew Sachenbacher throws his annual Crawfish Birthday Party Extravaganza.

About 100 people attended the party, where about 130 pounds of crawfish were consumed.

This is the fourth year I’ve done it,” says Sachenbacher, 28. “My birthday just happens to fall in crawfish season, so I figured it’d be a good time to have a crawfish boil.”

Midsouth Woodworks is the family business, so all those Adirondack chairs, the bar, the shed and the deck at Sachenbacher’s home were some of their woodworks. The 125 feet of fence for the backyard, was new this year.

………….

Michael Donahue

Lt. Justin McNeely of the Bartlett Fire Department and his wife, Megan, at their twilight Easter egg hunt,

I’ve never attended a children’s Easter Egg hunt held at night until I went to the one hosted by Danny and Melinda McNeely and their son, Justin McNeely, and his wife, Megan, at Danny and Melinda’s Cordova home.

Actually, it was twilight when about 75 kids were unleashed from the house, where they had been watching a puppet show on the patio. They used little flashlights and glow sticks to search for plastic eggs. Adults hovered nearby or relaxed by the fire pit.

This was the first time the hunt was held after dark, said Justin, a lieutenant with the Bartlett Fire Department. The Easter Egg hunt tradition began five years ago. “The kids are getting a little bit older, so it was a chance to change it up,” he says.

Will it be held at the same time of day next year? “Of course.”

All 850 eggs were found.

…………

Michael Donahue

New Wing Order tasting

New Wing Order, two-time grand champions at Southern Hot Wing Festival, held a taste test for their hot wings at a former art gallery on South Front.

“We started out as a competition cooking team and now we’re going to open a food truck in September,” says Jesse McDonald, who is in charge of New Wing Order operations. Cole Forrest is the marketing arm.

The purpose of the tasting was “to get feedback and get our name out there a little bit.”

They featured five wing flavors, including “Memphis Buffalo” and they gave guests “cheat sheets” so they could get some input on the wings. “I’ve been tweaking recipes a little bit from that.”

I was lucky enough to be one of the guests. My personal favorite was “Lynchburg Fire,” which tasted like whisky. “The name is kind of deceiving because of ‘Lynchburg,’ but it’s really named after the liquor (Tennessee Lynchburg Fire). It’s not really a hot sauce. We infused the liquor in there. It’s a tangy sauce. It sound like it’s going to be a real spicy one.”

New Wing Order, which will participate in Southern Hot Wing Festival April 22 in Tiger Lane, were grand champions in 2015 and 2017. They came in third place in 2016.

Michael Donahue

Wok’n in Memphis pop up at Porcellino’s Craft Butcher

………..

I tried Spencer Coplan’s fried wontons at his recent Wok’n in Memphis pop up at Porcellino’s Craft Butcher. I loved them.

“The fried wontons are called ‘crab rangoon,’” Coplan says. “They’re filled with crab, cream cheese and green onions.”

Coplan uses American ingredients in place of Chinese ingredients when he makes Chinese food. In this case, he said, “They don’t make them. It’s an American thing.”

[slideshow-1]

Categories
Film/TV Film/TV/Etc. Blog

“1,300 Men: Memphis Strike ’68” To Screen At Main Library

Reporting the story of the 1968 Sanitation Workers Strike is a lifelong obsession for journalist-turned-director Emily Yellin. Her parents David and Carol Lynn Yellin were founding members of a group dedicated to reconciliation and commemoration in the wake of the April 4, 1968 assassination of Dr. Martin Luther King Jr. in Memphis. Yellin was six years old at the time. “The first meeting of the Memphis Search for Meaning Committee was in our house on Park Avenue across from Audubon park. I begged my mom to go to the meeting, but she said no. I guess I was persistent enough, so finally she said I could come, but I couldn’t speak, only listen. I could be the secretary, and told me to take notes. At the end of the meeting, she asked to see my notes. The notes read ‘We had a meeting’…I consider that my first reporting work. I reported the facts, and I learned a very important journalism lesson: Listen more than you talk.”
Darius B. Williams for Striking Voices

J. L. McClain, a Memphis Sanitation worker who was among the 1968 strikers, is featured in ‘1,300 Men’.

In the 1990s, Yellin was reporting for the New York Times on assassin James Earl Ray’s quest for a new trial. “The big reporter who came to town [from New York] took me out to dinner before we started working on that case. I said to him, ‘Yeah, I’ve been reporting on this since 1968.’”

David Yellin founded the Film and TV department at the University of Memphis. “He had the foresight to go to the TV stations and ask for the film they shot during the sanitation strike. There’s 25 hours of film—it wasn’t video, it was film, much of which they would have thrown away—of the strike and the aftermath.”

Now, 50 years later, Yellin has used that rare footage and combined it with contemporary interviews of 30 surviving strikers and their families for Striking Voices, a multimedia project that tells the stories of the forgotten foot soldiers of the strike that changed Memphis and America. “We’ve gotten our funding from locals who believe in this project,” says Yellin, who organized the nonprofit project with the help of Community LIFT.

The premiere of Yellin’s web series “1,300 Men: Memphis Strike ’68” on TheRoot.com coincided with the 50th anniversary of the beginning of the walkout on February 12th. The 10 episodes trace the story of the strike from the point of view of the men on the streets and the women and children who supported them. “One of our overriding goals was to give a human dimension to these men who, if you knew about them at all, you only knew them as men walking down Main Street carrying I AM A MAN signs. There are whole stories there, and I think it will be very important for everybody to take time to know these people’s stories. It’s a lot deeper than you might have thought.”
Darius B. Williams for Striking Voices

Striker Baxter Leach

Yellin’s crew were all Memphians, including editors Laura Jean Hocking, Kevin Brooks, and Suzannah Herbert; producers May Todd, Kierra Turner, Asia Sims, director of photography Richard L. Copley, and photographers Stephen Hildreth and Darius B. Williams. “My instincts told me that, as a white woman who grew up in East Memphis, that I was not necessarily the best person to do this project,” says Yellin. “At every step of the way, I had to consider that and be sure I wasn’t imposing my world view on somebody else’s story.”

This Sunday, April 22nd, “1,300 Men” will screen at the Benjamin L. Hooks Library. “We’re really looking forward to Sunday, because that’s our chance to show what we’ve produced for a national audience to a local audience. We’re gong to binge watch the story that we created for The Root for a local audience, and we’re going to have some of the sanitation workers and their wives there for a talk,” says Yellin.

In addition to the “1,300 Men” screening, an photography exhibit called “Striking Voices: The Portraits and Interviews” will be on display at the library adjacent to the screening room. “We interviewed more than 30 people, the men, their wives, and their children. Everyone we interviewed, Darius B. Williams took portrait photographs,” says Yellin.
Putting this long-gestating project together brought home the immediacy of the Civil Rights era, and the work that continues to be needed in Memphis. “There’s a legacy of [white supremacy] that we’re living with here more than almost any other city in the country,” says Yellin. “We think of the the legacies of slavery and Jim Crow as being something that happened to another generation. But what I really see is that it’s still happening in our generation right now.”