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REI Opens Next Friday

REI opens here next Friday in the Ridgeway Trace Center at Poplar and I-240.

The 23,000 square-foot store has taken shape in the space that once housed Sports Authority. The shopping center is also home to a Target, Best Buy, and more.  

REI is a specialty outdoors store, headquartered in Seattle, Wash. It claims to be the largest consumer co-op in the country with a dedicated following of more then 17 million members.

The store offers outdoor gear, expertise, classes, and trips. It has 152 stores in 35 states and Washington, D.C. The Memphis store, REI’s first in the city, will employ 50 and include a full-service bike shop.

“People in Memphis love the outdoors, whether it’s biking, paddling or camping,” said Annelise Danielson, REI Memphis store manager. “We are excited to join this community and help connect people in Memphis to a life outdoors. We’ll offer the best gear for the activities they already love, and in-store workshops for those who want to try something new.”

Starting in September, REI Memphis will offer in-store workshops including camping basics, backpacking basics and women’s kayaking basics.

To celebrate the new store, REI Memphis will host a party next weekend with free breakfast, music, games, giveaways, and REI Outdoor School programs. The activities begin at 8 a.m. Friday and 9 a.m. on Saturday and Sunday. Events end at noon on all three days.

The first 250 people (age 18 and up) through the door on Friday, Saturday, and Sunday will receive a water bottle with a $10, $50, or $100 REI gift card inside. Doors open at 10 a.m. on Friday, 9 a.m. on Saturday, and 11 a.m. on Sunday.

REI has partnered with Ghost River Brewing on a limited-edition India Pale Ale, Happy Herd IPA. REI and Ghost River Brewing will donate 10 percent of beer sales to Shelby Farms Park Conservancy.

The company has also donated $20,000 to three Memphis nonprofits: the Wolf River Conservancy, Overton Park Conservancy, and Shelby Farms Park Conservancy. Funds will support trail restoration and other improvements.

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News News Blog

Historic District Ordinance Tabled Over “Threatening” Letter from State

Facebook- Cooper-Young Community Association

Cooper-Young

The Memphis City Council was set to vote Tuesday on an ordinance that would provide more structure to historic overlay districts here, but the vote was tabled due to last minute concerns by the Tennessee Historic Preservation Office.

The decision to hold the vote was due largely in part to a “threatening” letter the council received Friday from the historic preservation office, Councilman Kemp Conrad, the sponsor of the ordinance, said. The letter said that passing the ordinance could negatively affect the city’s historic status with the state and the associated funding — $300,000 over the past 12 years.

“I didn’t know how this thing was going to go down tonight, but I felt really good about it,” Conrad said. “I’m truly sad.”

Jane Cottone, a representative from the state office, told the council that certain procedural provisions of the ordinance could compromise the city’s standing in the Certified Local Government program, which Memphis has been a part of since 1986.

“Our office has determined that parts of this ordinance contain certain inconsistencies with state law,” Cottone said.

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But, Conrad questioned why Memphis isn’t receiving the same treatment as other cities.

“You’re trying to treat Memphis differently than you treat other cities. This is the same group that would not allow us to do what we wanted to do with our Confederate statues. There’s a snake in the grass somewhere.”

Council Chairman Berlin Boyd called the state’s letter “extremely threatening and disrespectful.”

“Every time we get ready to do something in Shelby County, it’s always a problem with Nashville,” Boyd said. “We don’t like the state getting in our business.”

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Community stakeholders who have been worked with Conrad to draft the ordinance expressed frustration also over the delay.

One of them, Neil Prosser, a member of the Memphis Landmarks Commission called the state’s interference “unfortunate, ill-timed, and ill-advised.”

“I hope this compromise can be revived and salvaged,” Prosser said.

Cottone said the state is willing to work with the city on resolving the issues in the ordinance following its passing.

“The ball’s in you all’s court now,” Conrad said of the state. “It’s out of my control.”

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News News Blog

Convicted Rapist Gets New Trial Partly for “Dead Poets Society” Argument

Cinema Fanatic

Robin Williams in the famous desk scene from 1989’s ‘Dead Poets Society.’

A convicted rapist will get a new trial in part because the Shelby County prosecutor handling the case made part of his closing argument standing on the courtroom desk, to mimic a scene from Dead Poets Society.

The Tennessee Court of Criminal Appeals filed the ruling Friday on an appeal made by attorneys for Maurice Baxter last year. Baxter was sentenced to 58 years in prison in 2016 for the 2012 rape of a 64-year-old woman.

Baxter was linked to the crime scene with DNA evidence. But to drive home a point in his closing argument, former Assistant District Attorney (ADA) Joshua Corman asked the jury to ”try to see things from other perspectives.” To do that he stood on the counsel table in the courtroom, just like Robin Williams’ character in 1989 film Dead Poets Society, according to the appeal.

The trial court’s decision was also overturned, in part, because the defense team’s DNA expert changed sides during the case and testified for the prosecution.

The state, listed in the appeal as Tennessee Attorney General Herbert H. Slatery III, Assistant Attorney General Caitlin Smith, Shelby County District Attorney General Amy P. Weirich, and ADA Joshua Corman, argued Corman’s argument was “silly” but not improper.

But the appeal’s court disagreed and labeled the act as “prosecutorial misconduct.” Appeals Court Judge Norma McGee Ogle said in the ruling that Corman’s behavior was “childish, not unique.”

“We also fail to see, and the state has not explained, the point of the jury’s needing to ’see things from a different perspective,’” Ogle wrote. “The facts and evidence in this case were relatively straightforward: the victim gave a factual account of a rape, the DNA from the sperm in the victim’s rape kit matched the appellant’s DNA, and the appellant’s driver’s license showed he lived on the same street as the victim.

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“In our view, the prosecutor’s reference to a movie that was irrelevant to the facts and then standing on counsel table was an act of showmanship calculated to inflame the passions of the jury, and we cannot fathom why he would unnecessarily risk a mistrial or reversal knowing that the victim would be forced to testify again to the horrific ordeal she experienced.”

Weirich said Tuesday that her office had been in contact with the victim and, if the appeal is overturned by the Tennessee Supreme Court, “we are prepared to try the case again.”

Here’s Weirich’s full statement on the matter:

“The Court of Criminal Appeals reviews every jury conviction. In this case, the jury convicted the defendant of breaking in to the home of a 67-year-old grandmother and raping her repeatedly. He was identified through his DNA.

“As with any case, the trial judge in this case ruled on objections from both the state and defense. One of those objections related to the prosecutor — who is now in private practice — delivering his closing argument standing on a table. The Court of Criminal Appeals found fault with the prosecutor and with the judge for allowing that. For that reason, as well as others, they reversed the conviction.

“Nowhere do they accuse the trial judge of misconduct. And, as is Judge [Thomas] Woodall’s point in the concurring opinion [more on that below], it is unfair to do so with prosecutorial mistakes.

“We have spoken to the victim and, unless the Tennessee Supreme Court reverses the Court of Criminal Appeals, we are prepared to try the case again.”

Baxter’s defense attorney objected to Corman standing on the table during the trial in 2016. But Shelby County Criminal Court Judge James C. Beasley Jr. said, “It’s closing arguments. I’ll allow it.” During a motion for new trial hearing, a court official said Corman “made a point.”

“I’m sure that there are those within our profession and maybe on the Court of Criminal Appeals who think that such drama is not appropriate, but I’m not sure that I think that it’s something that if it were exaggerated or carried to extremes might be inappropriate but I think he made a point,” the official said.

Here’s how Corman’s Dead Poets Society moment went down, according to the appeal:

“During the prosecutor’s rebuttal closing argument, he stated as follows:

“One of my favorite movies is an old movie that’s called The Dead Poets Society. Remember the movie The Dead Poets Society, with Robin Williams?

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“He plays a teacher in a prep school. He does a thing in the movie where he stands up on the desk, and he has each of the students do it. And the purpose of that is to try to see things from other perspectives.

“I’m asking you to do the same thing in this case. This is a rape case, aggravated rape. There are two defenses in a rape case. It wasn’t me; I didn’t do it. We had sex, but it was consensual.

“The record reflects that the prosecutor was standing on top of counsel table at the time of his argument.

“Defense counsel objected to the prosecutor’s ‘standing on a desk as he’s talking to the jurors.’ The trial court overruled the objection, stating, ‘It’s closing arguments. I’ll allow it.’

“The prosecutor continued as follows:

“Those are the two defenses in a rape case. I didn’t do it, or it was consensual.

“In this case, with [the victim] up there, a sixty-year-old woman, no, you can’t go with this was a consensual sexual encounter. Right?

”You really can’t go with, ‘I didn’t do it,’ either, ’It wasn’t me.’ It’s your DNA. It’s your sperm that’s found in her vagina.

”So, see things from a different perspective.”

While the opinion called Corman’s behavior prosecutorial misconduct, Appeals Court Judge Thomas Woodall said the label was a mistake. Making such distinctions are the authority of the Tennessee Supreme Court, and the Board of Professional Responsibility of the Supreme Court of Tennessee, he said.

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“Also, it seems to be quite unfair that only prosecutors are caught up in the net of having their erroneous arguments defined by an appellate court in terms which infer that an ethical violation has occurred,” Woodall wrote. “I am not aware of any opinion of this court labeling an improper argument by defense counsel as ‘defense attorney misconduct.’”

At the time of the trial in 2016, Corman was an ADA with the Special Victims Unit, according to a news release at the time. He is now in private practice, according to his website, which describes him as a “former prosecutor fighting for you.”

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News News Blog

Rallings Calls Media Coverage of ACLU Lawsuit “Erroneous”

Brandon Dill

Michael Rallings with crowd during protest

In response to news coverage of a recent court ruling saying that Memphis violated a 1978 consent decree by gathering political intelligence on protesters, Michael Rallings, director of the Memphis Police Department (MPD), said Tuesday that some of the language in the reports “does not accurately reflect the department’s activities.”

Specifically, Rallings said the terms “surveillance” and “spying” are “erroneous.”

Rallings also said the city’s goal has been to be transparent about the issues involved in the case, ACLU of Tennessee, Inc vs. City of Memphis.

“In fact the only reason many of the articles were printed in the first place is because we voluntarily unsealed documents and posted them on the city website for the world to see,” Rallings said.

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Set to go to trial Monday, August 20th, the case is the result of a lawsuit against the city for gathering political intelligence on protesters over a two-year period through social media and other mediums. Rallings said he can’t speak at length about ongoing litigation but “feels compelled to explain a few things”:

-The terms “surveillance” and “spying” are “erroneous,” and were never used in the court’s order. “Those words conjure up images of officers in unmarked vans on the street corner listening to tapped phone conversations. This does not accurately reflect MPD’s activities, or its motivation, regarding the monitoring of events which are the subject of this lawsuit.”


-Officers look at social media posts to help us gauge the size and intensity of demonstrations so that we can properly provide for public safety. This is also an effective tool in stopping criminal activity such as sexual predators, domestic violence, stalking, and threats. We also use other technology, such as body cameras, SkyCops, and security cameras in our law enforcement efforts to keep Memphians safe.

-Monitoring of social media posts and the usage of modern technology such as body cameras are considered to be best practices in policing nationwide. Various media reports show that many other cities, such as Boston, Charlotte, Denver, Little Rock, San Jose, and Seattle, use social media monitoring. In the aftermath of last year’s Charlottesville riots that resulted in about 40 casualties, including three deaths, the after-action recommendation said that monitoring social media is crucial to protecting public safety.

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“We feel like we have been complying with the consent decree as it would apply to today’s world,” Rallings said. “We need to be able to read these posts and use them as part of our decisions about how we deploy resources, since we are responsible for the safety of all involved.”

Protest and counterprotest can cause “mayhem and loss of life,” Ralling said, but proper social media monitoring helps the agency prepare and respond to those types of events.

“These tools enabled me to ensure that the 2016 bridge protest was peaceful and without injury,” Rallings said. “Without these tools, I believe that night would have ended very differently We will, however, follow the judge’s order.”

Rallings said if the judge rules in favor of the plaintiff, then the department will “find a way to balance public safety with complying with the manner in which the court interprets the consent decree.”

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News News Blog

State Review of School Security Nearly Complete

Shelby County Schools/Facebook

Students across Shelby County walked out earlier this year to protest gun violence in schools.

A statewide assessment of the security of Tennessee schools is almost complete and $35 million in grant funds are available to help schools “address vulnerabilities and risks.”

Governor Bill Haslam said Tuesday that 1,796 schools, or 99 percent of the state’s public schools, have been reviewed. The remaining 1 percent will be reviewed by the end of the month, he said.

The Tennessee General Assembly included $35 million in this year’s state budget to help schools beef up their security measures. This includes $25 million in one-time funding and $10 million for ongoing safety and prevention programs. The money can be used for things like enhancing entry to and exit from schools, training and availability of school resource officers, and in-school mental health resources for students.

“All children in Tennessee deserve to learn in a safe and secure environment,” Haslam said in a statement Tuesday. “I am confident the significant work undertaken by our state and local officials as well as the funding to implement identified areas for improvement will serve to enhance the safety of our schools, educators, and students.”

Also, the Tennessee Department of Safety and Homeland Security is looking for a developer to create a statewide school safety application for mobile devices. The app would allow students, faculty, and staff to anonymously report “concerning or suspicious behavior” to law enforcement and school officials.

The moves to increase school security came after a shooter killed 17 in a school in Parkland, Florida, earlier this year.

Students in Shelby County protested school gun violence with a walkout in April. It was one of nearly 2,100 such walkouts across the country on the 19th anniversary of the shooting at Columbine High School, where 13 people were killed.  

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News News Blog

Convention Center Hotel Planned for Plaza East of City Hall

Townhouse Management Company/Lowes Hotel & Co

Proposed luxury apartments at 100 N. Main

The city’s new convention center hotel is now planned for the city-owned plaza directly to the east of City Hall, Doug McGowen the city’s chief operating officer announced Tuesday at a Memphis City Council committee meeting. 

The hotel is being developed by Townhouse Management Company in partnership with the Lowes Hotel & Co. The plans originally called for converting Memphis’ tallest building at 100 N. Main into the hotel, but representatives with Lowes said the plaza was the best option to create a hotel with a vibrant campus around it.

The convention center hotel is slated to rise 26 floors and house 550 rooms, as well as 55,000 square feet of meeting space. A 1,200-spot parking garage is planned for 80 N. Main next door. The plans also include a restaurant, cafe, and three bars.

McGowen said the convention hotel will be “world class and once again give Memphis the chance to host a significant number of meetings and events.”

“It’s a one-time opportunity,” McGowen said. “We must have the deal closed by end of year and the hotel must be open by year 2023.”

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The hotel “will be big,” developers said, designed to stand out in city’s skyline, “announcing that Memphis is open for business.”

The goal is span economic development over a two-block area, leading to a “broad revitalization in this portion of Downtown,” developers said. In addition to the hotel, luxury apartments, 30,000 square feet of commercial space, and 65,000 square feet of hotel amenities are planned for 100 N. Main.

Townhouse Management Company/Lowes Hotel & Co

Entire site plan

Jonathan Tisch, CEO of Loews Hotels said when a convention center hotel gets constructed, “all boats rise,” other economic development is spurred, and areas become 24-hour neighborhoods. A hotel, along with commercial and residential space, is the “holy trinity,” he said.

The plan was recommended for approval by the council committee, and the full council is set to vote on the issue in two weeks. An up vote will allow the project to move forward in the approval process to be designated as a “quality public use facility” within the Downtown Tourist Development Zone. The State Building Commission also has to okay the plan.

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Film/TV Film/TV/Etc. Blog

This Week At The Cinema: The Good, The Bad, and The Anime

Cowboy Bebop: The Movie

It’s a big week at the movies in Memphis, so we’ll get right to it.

Tonight, Tuesday August 14 at 7 p.m., Indie Memphis presents a timely documentary at Studio on the Square. At last year’s film festival, when director Adam Bhala Lough showed two of his films, the documentary The New Radical and his lost narrative feature Weapons, he teased his latest project, Alt Right: Age of Rage. The doc delves into the Trumpian explosion of hate-fueled political movements, centering its narrative around last year’s Charlottesville Unite the Right rally. Tickets are available at the Indie Memphis website.

This Week At The Cinema: The Good, The Bad, and The Anime

Then, a treat for anime fans. The first time Cowboy Bebop: The Movie played Memphis, it was for one week, and only at 9 p.m. I went three times to try to buy a ticket, only to find it was sold out. I finally got into the last screening and wondered, with the rest of the sold-out audience, why it didn’t rate a full screen to itself. Now, to celebrate the 20th anniversary of the Shinichro Watanabe’s groundbreaking series, Fathom Events is bringing the film (known in Japan as Knocking On Heaven’s Door) back to theaters. Cowboy Bebop‘s hyperreal fusion of American sci fi and western tropes and Japanese manga imagery has been often imitated but never equaled, and its kicking soundtrack by musical polymath Yoko Kanno remains fresh today. The series theme song “Tank!” ranks alongside “Peter Gunn” and the Mission Impossible theme. The influence from Watanabe’s masterpiece has reverberated through pop culture ever since, with entire sequences lifted almost verbatim in The Matrix, and Joss Whedon’s Firefly being practically a live-action adaptation. The big screen version lacks a little of the series’ snap, (and, inexplicably, “Tank!”)  but makes up for it with one of the best space battle sequences ever created. The subtitled version featuring the original Japanese voice actors is Wednesday at the Malco Paradiso, and the dubbed version familiar to American audiences, featuring Steven Blum as Spike, Beau Billingslea as Jet, Wendee Lee as Faye, and Melissa Fahn as Edward, will be Thursday.  See you at the movies, Space Cowboy.

This Week At The Cinema: The Good, The Bad, and The Anime (2)

Friday night, director Gina Prince-Bythewood’s cult classic Love & Basketball bounces into the Orpheum Theatre Summer Film Series. Imagine Fifty Shades of Grey, only without the sociopathic capitalism and bad S&M. Actually, forget about Fifty Shades entirely and just watch a movie where actual nice people like Omar Epps and Sanaa Lathan fall in love with each other for a change. Get your tix on the Orpheum website.

This Week At The Cinema: The Good, The Bad, and The Anime (3)

Then Saturday, the Orpheum invites you to indulge in your princess fantasies with Rogers & Hammerstein’s Cinderella. This production was originally made for television in 2000 and became a prized cultural artifact thanks to a fabulous late-career performance by Whitney Houston as the fairy godmother and teen sensation Brandy as the little peasant girl with the slipper. Get your tickets here.

This Week At The Cinema: The Good, The Bad, and The Anime (4)

But what’s that? You’re tired of actual good movies? You’re ready for first class trash? Saturday night, the Time Warp Drive-In has got you covered. Saturday night, the Worst Movies Ever program kicks off with, what else, 1959’s Plan 9 From Outer Space. Recently I was in Los Angeles, and got to visit the space where director Ed Wood had his production offices during his reign of cinematic error. Predictably, it was a dump.

This Week At The Cinema: The Good, The Bad, and The Anime (5)

Next up is the exact point where the horror boom of the 1980s went bust: Troll 2. Feel the terror if you dare:

This Week At The Cinema: The Good, The Bad, and The Anime (6)

Then brace for the Citizen Kane of kung fu rock n’ roll films, Miami Connection. They sing. They dance. They kick ass. They do none of it well.

This Week At The Cinema: The Good, The Bad, and The Anime (7)

Think they only made bad movies in the twentieth century? The modern anti-classic Birdemic will make you think again, and then not think about anything. Just stop thinking, OK?

This Week At The Cinema: The Good, The Bad, and The Anime (8)

Then, drive off into the sunrise with the infamous international production Manos: The Hands Of Fate. Then keep driving. And driving. And driving…

This Week At The Cinema: The Good, The Bad, and The Anime (9)

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Music Music Features

Payroll Music: Marco Pavé’s Fresh Approach

Marco Pavé raised the profile of political rap in Memphis considerably with last year’s Welcome to Grc Lnd album, in which he wove the narratives of Black Lives Matter activists into his lyrical flow. It proved powerful enough to spawn an opera based on the album, a segment of which was staged in April in partnership with Opera Memphis. That might seem like enough to keep an artist busy, but Pavé has already moved on. He’s now turning his voice to a more personal story, albeit with its political edge intact.

Appropriately enough, we met to speak about his latest work at his first place of employment: a McDonald’s on Union Avenue. “I got fired from here for eating food on the job,” he notes with a bemused air. “You do that, you out. So, chicken nuggets!”

But such high school-era drama is ancient history. “I haven’t worked a job since 2013. And I don’t plan on going back to any job in that kinda way,” he says. “That’s really what this new music is about, being self motivated and pushing yourself to that next level.”

His new single and its accompanying video, “Sell,” can be seen as the ultimate retort to dead-end jobs, through the enterprising eyes of a dealer who’s avoided doing time. “Never seen a cell/But I used to sell/Real n*gga DNA, all up in my cells,” he chants, celebrating the rewards of the entrepreneurial spirit.

Payroll Music: Marco Pavé’s Fresh Approach (2)

“‘Sell’ is one of my favorite records of late. It’s about the illegal or unfair drug policies that we have in places like the South, specifically Memphis. Last fall I went on a West Coast tour, all the way out to Seattle, to see what the differences are. St. Louis and Kansas City have both decriminalized, so you won’t go to jail for smoking weed. And in places like Denver or Seattle, you can get rich.”

Buying, selling, and surviving is the overarching theme to all of Pavé’s newest work, which he’s calling Payroll Music. Don’t call it an album; these tracks will be unveiled piecemeal twice a month, for the foreseeable future. “It’s a music series,” Pavé notes. “It’s me really just having fun and getting back to telling more of my stories. Wecome to Grc Lnd was something that needed to be responded to immediately. And that’s what we did. But other than ‘One Hunnid,’ I was not able to tell who I am as a person. So that’s what Payroll Music is really about. On the first and 15th of every month, we’re dropping a brand-new song and a brand-new video.”

This alternative approach to music marketing grew out of necessity, as Pavé, even after much critical and artistic success, had trouble drumming up local investment. As he sees it, the lack of support, even in a climate of local rappers regularly going platinum, is a Memphis thing. “In Memphis, there’s a total disconnect between what’s happening in the world and what people want to be happening in the world. Memphis made the deliberate choice in the 1970s to really not be about money over racism. Atlanta is in Georgia; it’s still a racist place, it still has a police state, it still has all these issues, but they choose money over racism. Memphis will cut its nose to spite its face, and lose all the money possible just to not support black people. You would think that hip-hop would be elevated and supported, not only because they need the support but because hip-hop is a multi-million dollar industry.”

Look for the Payroll series’ next video, “Neva Lost,” next week, featuring Pavé riding herd on a couple of boxers. “The video is super fun,” he enthuses. “We shot it with real fighters. Brandon Gaitor is the main guy’s name. I think he’s undefeated in his career, so it’s really hilarious for me to be treating him like that.”

And what of the opera, which so recently generated buzz? “We had some interest from some investors. We’re still gonna try to have something on a larger scale by 2020.” In any case, the experience has left its mark on his craft. “Writing the opera put me in the mindset of character creation,” he muses. “So I think I’m gonna be there for a while, for a long while.”

See a video interview with Marco Pavé below:

Payroll Music: Marco Pavé’s Fresh Approach

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Food & Wine Food & Drink

Lurking at the Green Beetle.

The popular spelling of “Bushwacker” leaves out the second H, possibly because its creator had too many of his own concoctions and didn’t care about proper spelling. That guy, likely a man named Thomas Brokamp, has “Bro” in his name, so it’s really no surprise that he created what amounts to a chocolate milkshake made with Bacardi 151. This alcoholic milkshake is not as popular here in Memphis as it would be at the beach, but it’s a popular item at the Green Beetle, where I enjoyed one this past weekend. They’re one of the few places in town that have Bushwackers, much to the delight of Wendy’s Frosty fans everywhere. It’s hot out, so now is the time to drink something you wouldn’t normally drink like, you know, a drink made with a rum that is essentially pure gasoline.

The Green Beetle has been around since 1939, but in its most recent form for about seven years. During that revamp, the bar on the north side of the wall was torn down and the current bar, a horseshoe-shaped one, was built out of old shuffleboard tables. Behind that bar was the lovely Krista, expertly battling an onslaught of people stopping in before a show at the Orpheum. No, really, it was completely packed, and she was keeping it together, despite 100 women in rompers ordering shots, which is my personal hell.

As the crowd moved on to the show, Krista and her friend Jeff, a regular at the bar, spent some time talking to us about the Beetle and its patrons. I’ve spent a fair amount of time there; it’s affordable, always full of South Main regulars, and has great food, but I had never heard about its being haunted. Krista and Jeff said that the ghosts are mostly mischievous, leaving sink faucets on in the restrooms and overturning salt and pepper shakers on tables. Krista said they won’t act up around just anyone, which is fine by me, as I already have enough issues without having to deal with a meddlesome ghost.

The Beetle is a small bar, with green walls and dark paneling on the ceilings, making it feel more like a lair. A bar that is a lair is a place where you lurk more than you sit, so it is fittingly appropriate that it caters to those who enjoy lurking (ghosts and people alike). It’s an awesome place to drink and eat before a Grizzlies game and it’s full of TVs for all your sports-watching needs. During the sports dead-zone that is August, however, we were treated to the Jimmy Fallon/Drew Barrymore classic, Fever Pitch, which I guess is only a few steps below ESPN “The Ocho” showing a ping pong game. But as Jeff pointed out, the reason that the Beetle is so popular with South Mainers isn’t owing to its status as a place to catch a game (or a rom-com); it’s because of its role as a gathering place, a bar where everyone there is a friend and neighbor.

The intimacy of the inside of the Beetle spills out onto the sidewalk, where several tables and umbrellas are out for those who prefer to drink beer al fresco. At any given point in the weekend, these tables are packed with Downtowners making the most of their days off. While Downtown is not lacking in bars, it is certainly not full of neighborhood joints that act as both the last stop on a Saturday night and the first stop on a Sunday morning. The Beetle is like that, though; it even takes on a third role as a great business lunch spot. The menu is typical pub fare, but kicked up a notch. You’ve had cheese fries, sure, but have you had Philly cheese fries? The menu used to be exhaustingly large, even leading to one South Main resident attempting — and succeeding — at eating every single item (Mark’s plaque for accomplishing this feat is still on the wall behind the bar). They’ve since pared it down a bit, but it still has something for everyone.

The Green Beetle may be one of South Main’s neighborhood bars, but it’s got the neighborhood bar feel that caters to everyone who walks in. Mosey in and grab a Bushwacker, limit your intake to two, and get some nachos to-go. And oh, if the faucet’s on when you walk in the restroom, run like hell.

Green Beetle, 325 S. Main, 527-7337, thegreenbeetlememphis.com

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Film/TV Film/TV/Etc. Blog

Music Video Monday: Aaron James

Float into the workweek with Music Video Monday.

Aaron James is back with a spectacular new video for his song “Kauri Woods”.

“The song was conceived during my hibernation in Pennsylvania this past December,” he says. “I woke up on a snowy morning to the sound of a bird chirping outside of my window. I found this to be very strange…because it was December. I felt like this bird had clearly lost its way and found itself on an unfamiliar path, separated from those who understand him. This is exactly how I felt while trying to write these songs while visiting home. I had realized how long I had been separated from my home, and away from those who truly understand me in ways that many other people don’t.”

The video, which takes James, Savannah Avery, and CJ Henry on a melancholy tour of Arkansas and Shelby Forest, is directed by Graham Uhelski of Mankind Films. It’s a parade of simple but arresting images. “When we think loneliness, we think melancholy, or being in a darker place mentally and emotionally, but we often forget about the beauty that can come out of solitude,” says James. “The video is a message to not dwell in your loneliness and to not spend time sulking and remaining stagnant in your path, but to instead use your solitude to become more self-aware, see the world and your surroundings through your own eyes, and learn more about yourself to understand better where you need to go to find fulfillment.”

Music Video Monday: Aaron James

If you would like to see your music video on Music Video Monday, email cmccoy@memphisflyer.com