Categories
Food & Wine Food & Drink

Art, Drinks, and Copulating Lizards

Until recently, I never really felt comfortable in what I like to call “living room bars” — the type of space, usually dubbed a speakeasy, with deep, communal couches instead of traditional tables and stools. I always felt like I was crashing someone’s private party when I walked in the door. With limited seating options, I’d usually perch on the arm of a couch, or, somewhat uncertainly, flop down into an unoccupied chair as other bar patrons continued their conversations around me.

Yes, I could handle the couch that sat near Charlie Miller’s Elvis Matador painting and the Vampirella poster at the Lamplighter, but any casual seating arrangement beyond that was a lot for me to negotiate.

Crosstown Arts

The Art Bar

That said, I do love the environment at Dodici, the upstairs lounge with artisan cocktails that is accessible by a set of stairs inside Bari. Yes, sometimes I do feel like an interloper when I jog up the stairs to discover a full crowd, but when I’m early enough to grab a seat, I feel, well, like I’m home somehow — or in the home of a good friend who has a deft touch with artisanal cocktails.

I also feel at home at the intimate upstairs bar at Earnestine & Hazel’s, where, illuminated by twinkling fairy lights, bartender Nate Barnes mixes drinks. Once served, visitors tend to wander, settling down in the various eclectic, sparsely-furnished rooms that were once used by brothel workers.

The newly opened Art Bar at the Crosstown Concourse has been the real game-changer for me. Located in a somewhat hidden series of rooms on the second floor (start at the top of the red staircase, and look for the narrow entrance near Crosstown Art’s gallery spaces and Green Room performance space), Art Bar takes the intimate living room lounge concept to the next level.

Crosstown Arts’ Amanda Sparks decorated the bar with pet-themed “found” art — think porcelain Persian cats positioned on a coffee table beneath paint-by-numbers of English setters and Siamese cats. An interesting — dare I say intoxicating? — cocktail menu by bar manager Bart Mallard adds another creative layer.

Since it opened at the beginning of September, I’ve visited Art Bar numerous times: to catch up with old friends, to meet first dates, and to while away a few hours playing gin rummy. I’ve watched total strangers have fun, and, much to the amusement of a particularly sweet Tinder date, I’ve walked inside to discover that I know 95 percent of the bar’s inhabitants. I’ve sat at the edge of a chair for candid conversation, sprawled on a couch to shuffle playing cards (these, of course, featured fluffy kittens), and drank enough tequila to give me a vicious hangover. Headache and dry mouth aside, Art Bar has served me well on all occasions.

The cocktail menu itself can be disconcerting. Ordering a drink called “meditation of copulating lizards” with a straight face is tough on a blind date. Does the drink reference the sinister Aleister Crowley or bring to mind Night of the Iguana by Tennessee Williams? I just want tequila in my glass, please — and while the cactus pear and jalapeño honey combination sounds delicious, I prefer to gesture to the printed menu rather than utter the drink’s name aloud.

Mallard’s concoctions are delectable, but don’t be afraid to order more traditional drinks if that’s your preference. A few weeks ago, I sipped a bit of my drinking partner’s Old Fashioned and was astonished by how smooth it tasted. Maybe I could go back to brown liquor, after all.

The winding space — some rooms feel as narrow as a hallway; others are wide and open — feels easier to navigate once you have a few of Mallard’s drinks under your belt. I’ve picked up my drink and wandered through Art Bar like I was some part of Hemingway’s Moveable Feast, nodding to the Memphis-based artists and writers that have come like moths to a light to occupy this unique place.

Art Bar is open Tuesday through Saturday nights, beginning at 5 p.m. Check it out for yourself. Like the best living room bars in town, the not-so-serious vibe lends itself to some serious fun.

Categories
Politics Politics Feature

The Council Deadlock

On Tuesday, November 20th, when the Memphis City Council began to vote on a replacement for Bill Morrison, the District 1 councilman elected on August 2nd to serve as Probate Court clerk, the racial distribution on the council effectively shifted from a 7-6 African-American majority to one, for voting purposes, of 7-5.

Hold on to that fact for a few paragraphs of background.

Though the population of District 1 is a black-majority one, voting habits have made that gap more or less marginal, and Morrison, a white educator, had little trouble winning reelection since his first win in 2007, that one stemming from  a runoff victory over Stephanie Gatewood, an African-American candidate.

Given the district’s ambivalent demographic factors, it is hard to argue that a “gentleman’s-agreement” circumstance should have mandated a white-for-white replacement in the appointment process. It would be just as easy, if not easier, to suggest that District 1’s majority-black status calls for a credentialed African-American candidate to serve on an interim basis until next October’s regular election process can account for the election of someone to serve a full four-year term.

The elephant in this room is that special replacement elections on the regular November ballot, at negligible cost to taxpayers, could have been facilitated by the timely resignations of Morrison and two other council members who won elections to county positions in the August 2nd general election — District 8, Position 2 Council member Janis Fullilove, now Juvenile Court clerk, and District 6 member Edmund Ford Jr., now a member of the Shelby County Commission.

For whatever reason, all three county election victors chose to push their council incumbencies to the maximum 90-day post-election limit permitted by the city charter, thereby stifling the prospect of their replacement by constituent voters in November and making necessary an appointment process overseen by the remaining council members — already under suspicion, here and there, of tendencies toward bloc voting and collusion.

A note thereto: Current chair Berlin Boyd, an African American, has earned a reputation for siding consistently with the business-friendly, development-minded council bloc largely made up of the body’s white members.

Indeed, such votes go more toward defining Boyd’s profile than racial factors do, and he was the target of barbs from other black council members last Tuesday when he declined to add his vote, which would have been the seventh and deciding one, to the total acquired, over and over in the council’s more than 100 separate tallies, by District 1 applicant Rhonda Logan.

Lonnie Treadaway, Rhonda Logan

Consequently, Logan, president of the Raleigh Community Development Corporation and an African American, was unable to win a majority, while her main opponent, Flinn Broadcasting executive Lonnie Treadaway, a white man, topped out at a maximum of  five votes from white council members and, upon occasion, one from Boyd.

And now, with a new council vote scheduled for December 4th to fill the Morrison vacancy and Fullilove’s and Ford’s as well, that 7 to 5 ratio in which Boyd’s could have been the deciding vote is no more. The new arithmetic will be 5-5, an even ratio suggesting that, if the white and black members of the council continue to vote as racial blocs (as, for all practical purposes, they did last week), they will, in theory, have an equal chance of prevailing.

The fact is, though, that  two of Logan’s votes — those of Fullilove and Ford — will be gone, while all of Treadaway’s previous votes will still presumably be available, and there is no reason to suppose that his candidacy is anything but live and well.

It is fair to say that eyebrows were raised by Treadaway’s bid, given the well-publicized fact that Treadaway ran for an alderman’s position last year in Senatobia, Mississippi (“a community that all would be proud to call home,” his campaign literature proclaimed, along with the statement of fact that he had lived in that city’s Ward 4 for 16 years).

It is also fair to say that a cloud of suspicion for the origin of Treadaway’s ambition immediately fell upon Flinn Broadcasting general counsel Shea Flinn, a former councilman who later became a prominent Chamber of Commerce executive and promoter of various strategies to accelerate the economic growth of the Memphis community.

Flinn makes no secret of his confidence in the abilities and sense of purpose of Treadaway, Flinn Broadcasting’s national sales manager for many years (“Yeah, I support him”) but disclaims any responsibility for his council bid.

“I’m trying to live a Christian life. I’m steering clear of politics,” protests Flinn, a family man with children who also happens to be both a political natural and a wit of some talent.

He and other supporters of Treadaway note that their man has worked in Memphis for at least 20 years, now indisputably lives in District 1, and, they say, has a keen desire to serve the community.

Much the same is proclaimed by supporters of Logan, whose website describes her as a “community developer” and quotes her as saying, “My life’s work is devoted to counseling, advocacy, & help.”

For the record, she, like Treadaway, is a transplant to District 1, having lived much of her life elsewhere, though in the city of Memphis.

There’s no law of nature saying that the contest for District 1 must be restricted to one of Treadaway versus Logan, though those were the lines that held through multiple hours of balloting last Tuesday night.

Flinn offers the thought that the balance of forces on December 4th, when the council will try again, to select representatives for three council seats, not just one, will enforce the necessity for compromise, since neither side will be able to impose its will without enticing votes from the other side.

Given the demographics of the three districts in question, the question will likely turn on whether three new African-American members will be named, creating an 8 to 5 black majority on the council, or two African Americans plus one new white member, which would keep the present ratio intact.

In the long run, meaning by next October’s city general election, the same issue will be up for resolution again. That is, if the council meanwhile is able to name anyone at all to fill the three vacancies. Some observers are already imagining scenarios emerging from the current deadlock that will result in a special called election, after all — one that the taxpayers will be on the hook for, and one that may decide whether the city is governed by an economic vanguard or anew, from the grass roots.

Categories
News News Feature

Shop Local Midtown

This holiday season, we’re encouraging our readers to support local businesses by shopping right here at home. Consider these Memphis-area establishments for your gift-giving needs.

Cooper-Young Gallery + Gift Shop

This locally owned shop celebrated its first anniversary in November. Offering a variety of items from local makers, including Texstyle Bags and products from ARCHd and Lindsey Glenn, you’re sure to find something Memphisy here. We especially like this pretty and practical mug designed by owner/artist Jenean Morrison ($15 or two for $25). Visit Cooper-Young Gallery + Gift Shop at cooperyoung.gallery or 889 South Cooper.  

Maggie’s Pharm

Open in Overton Square since 1980, Maggie’s Pharm is Memphis’ quintessential purveyor of oils and herbs. Of course, the longstanding shop also stocks candles, cards, coffees, and jewelry, including variations of these beautiful earrings made locally by Insectsy (Rainbow Sunset Moth earrings pictured, $35). Visit Maggie’s Pharm at 13 Florence Street or maggiespharm.com.

Bingham & Broad

Located in the Broad Avenue Arts District, Bingham & Broad partners with local and regional artists to present a year-round makers market with everything from paintings and home decor to handmade jewelry and other unique items. These 901 tea towels ($16) by Statement Goods would be a great kitchen addition. Visit Bingham & Broad at 2563 Broad Avenue or binghamandbroad.com.

Categories
Music Music Features

A $25k Question

Music producers in Tennessee had much to be thankful for last week, especially with this announcement: “The Tennessee Entertainment Commission [TEC] Scoring Incentive Program offers a grant up to 25 percent on qualified Tennessee expenditures to companies producing original scores for film, television, animation, commercials, gaming, and multi-media projects within Tennessee.”

Jon Hornyak

For film producers to receive a rebate for hiring local soundtrack producers is a game changer for creatives in these fields. I sat down with Gebre Waddell and Jon Hornyak, president and senior executive director, respectively, of the Recording Academy’s Memphis Chapter, to find out more about how this program came to be, and what it might bring in the future.

Memphis Flyer: I’ve heard about this being in the works for a few years now. What finally made it happen?

Hornyak: The central roadblock on this was the minimum spend. When we started working with [TEC executive director] Bob Raines, the minimum was $100,000, and it just wasn’t gonna work for us. We couldn’t support that. Bob kept working on getting it down, and it still wasn’t down enough to make it work for us in Memphis.

Why was the minimum budget for scoring projects such an issue?

Waddell: With the TEC and the people that will have to administer the program, we’re talking about just a few people that have a large workload to deal with. They have to have some kind of limitation so things can work for their staffing levels. And I know these people; they are very passionate people who work till late at night every night, and to put more on their plate was just impossible. So there had to be something to manage the administrative workload.

Was this always for scoring projects only, or music production in general?

JH: If it was for regular album production, the major labels in Nashville would gobble that up. So we were trying to look for a niche that could help the music industry in Nashville and Memphis, but not the typical recording of albums and such. The answer was music for video games and independent films. Nashville was already starting to make music for video games. And in Memphis, when you look at some of the things that Ward Archer’s been doing at his studio or what Jonathan Kirkscey’s done or what Scott Bomar’s done, that niche would work here as well.

Justin Fox Burks

Gebre Waddell

GW: The Recording Academy didn’t want to support this legislation unless the threshold was gonna be $50K. But the problem was, that $50K level would have only helped Nashville. At a luncheon for this program, we asked all these music producers from Memphis, what’s the maximum you’ve had for a scoring project? And there was a resounding answer in the room: If we did not lower the threshold to $25K, Memphis would see no benefit from this legislation.I talked to Bob Raines afterward and said we should consider having different thresholds. Just getting from $100K to $50K took years. To get it down to $25K across the board didn’t seem like it was ever gonna happen. So I suggested one threshold for Nashville, and a different threshold for the rest of the state. And that one suggestion was like a Hail Mary pass. It sounds like a huge challenge, legislatively, but it made sense. There’s a primary market, meaning Nashville, set at $50K, and a secondary one that’s the rest of the state, set at $25K. That checks all the boxes for administrative concerns, and ultimately that’s what was adopted.

JH: From the beginning, Raines felt it needed to help the entire state, not just Nashville, for this to work. And we feel good about how it ended up. Because Tennessee is in the incentives game: That’s how Christmas at Graceland got made and how the Sun Records series got made. And this opens the door to future things we can do on a local level.

GW: It couldn’t have happened without building a bridge between Memphis and Nashville. We’re working together. It’s a healing thing. And in this instance, we came together and did something for part of our shared culture, which is music.

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We Recommend We Recommend

Magical Life: An Evening with Lawrence Hass at Beth Shalom Synagogue

“Let me tell you, it almost never goes up the sleeve”: Veteran educator and practicing sleight-of-hand artist Lawrence Hass drops some information on the audience in a TEDx talk. The PhD and former professor is working toward a philosophical understanding of stage magic. He wonders how magic performance can be so ancient and universal without having ever been seriously addressed by Western philosophy.

Hass was professor of humanities at Austin College before moving to Memphis with his wife, Rhodes College President Dr. Marjorie Hass. In addition to academic duties, he’s been known to teach magic to magicians at Jeff McBride’s Magic & Mystery School in Las Vegas. In his TED talk, he works toward a sturdy definition that separates magic from the the idea of “tricks.” He asks if techniques developed by magicians are somehow more manipulative, deceptive, or dishonest than any other kind of art or stagecraft. Magic, he ultimately determines, is “The artful performance of impossible things that generates energy, delight, and wonder.”

Lawrence Hass

For Hass, who makes his Memphis debut at Beth Sholom Synagogue Saturday, December 1st, the live performance of stage magic constitutes a message of hope and transcendence. “As we live our lives, we constantly confront limits,” he says, listing the usual suspects: sickness, loss, death, and transition, things we want but can’t have, and things we wish were true but aren’t. Then performers like Harry Houdini come along and show us we can escape. Illusionists like David Copperfield defy gravity and levitate. Magicians get their audience thinking big while working on a smaller scale. He’s a prestidigitator, a card manipulator, and a conjurer able to bring inanimate objects to life in his hand.

Impossible, you say? That’s the point.”When everybody wins in the world, that’s real magic,” Hass concludes at the end of one of his online card tricks. It’s a good line. It also seems to be a reasonable summation of this newly minted Memphian’s performance philosophy.

Categories
Opinion Viewpoint

Why Amazon Chose Nashville Over Memphis

Now that the election is over, let us get back to important things like comparing Memphis/Shelby County to Nashville/Davidson County.

We have the news that Nashville is getting a piece of the Amazon pie, 5,000 high-paying jobs. It comes at a high taxpayer price but is probably worth it. Why Nashville and not Memphis?

visitmusiccity.com

Comparing Nashville to Memphis has been a project for me for some time. It is not easy to go through all the published financial data and come up with understandable comparison data. However, let us start with a few facts.

Population: Shelby County: 936,961; Davidson County: 691,243;

Population of the core city: Memphis 653,236; Nashville 444,297

Area: Shelby County: 755 square miles; Davidson County: 525 square miles.

Area of the core city: Memphis, 324 square miles; Urban Nashville, 198 square miles. This means the population density of core city Memphis is 2,016 people per square mile, while the population density of core city Nashville is 2,243 people per square mile.

Memphis’ property tax revenue was $458,671,000 and Shelby County’s tax revenue was $793,849,000, for a total of $1,252,520,000 or $1.25 billion. Property tax revenue for Nashville Metro was nearly $1 billion dollars: $971,643,000.

The budget of Memphis and Shelby County is $1.88 billion, while the budget of Metro Nashville is $2.23 billion. Budget expenditures per resident for Memphis and Shelby County were $2,006; in Metro Davidson, expenditure per resident was $3,226.

A more concise budgetary measure is called the Statement of Net Position, which presents information on all of a government’s assets, deferred outflows of resources, liabilities, and deferred inflows of resources, with the difference reported as net position. Over time, increases or decreases in net position may serve as a useful indicator of whether the financial position of the government is improving or deteriorating.

Metro Nashville’s net position decreased by $266 million for the year ending 2017.

The city of Memphis’ net position decreased by $58 million for the same year, while Shelby County’s net position increased by $86 million.

I think Memphis is a great city, has beautiful trees, consistently great weather, wonderful people, and — compared to Nashville — a low cost of living. So what is the difference? Why did Amazon choose Nashville?

We are told that the 5,000 jobs Amazon will bring to Nashville have an average salary of $150,000 a year. They are jobs that require high-tech skills in management, engineering, computer science, and programming. It is a pleasure to go to the Amazon website, as its ease of use is outstanding and much better than its competitors. However, Amazon’s main business is selling things made by others and getting those things to you fast and at a low cost.

Memphis needs to compete in the area of technical job training and skills that are needed in the next few years in manufacturing, health care, auto and aircraft maintenance, warehousing, and transportation. Our new governor has promised to continue free junior college training (“Tennessee Promise”), and hopefully he will allow qualified nonprofits like our local Moore Tech College to participate in the Tennessee Promise program.

Our local shortage of trained people needed by companies like Amazon will not be solved in a few years. But while we upgrade our primary grade education, we need to emphasize trade school education to upgrade our local working wage level and reduce our comparative high poverty level.

Memphis is great, but we can make it grow and prosper with the right education policies. Education is the answer to luring companies to Memphis that need a highly skilled workforce.

Joe Saino is the proprietor of memphisshelbyinform.com, a website devoted to local economic watchdogging.

Categories
Opinion The Last Word

Immigration Struggles: What Gives You Hope?

Three weeks ago, I sat down with three inspiring folks in a panel on activism and advocacy. Chris Sanders had driven in from Nashville to represent the Tennessee Equality Project. Shahidah Jones from the Official Black Lives Matter Memphis Chapter sat to my right, and next to her was Justin Davis from the Memphis Bus Riders Union.

It felt like home, as if we were just about to have a regular conversation, the only difference being the 50 or so students sitting in rows in front of us and the fact that we were sitting next to each other instead of across a table or in a living room. Home, of course, is relative. It was not the physical elements of that space that made it home but rather the shared ánimo (energy) that I felt being in conversation with them and the students in the room, all of whom are involved in community service.

Latino Memphis

Everyone should have a reason to hope.

We covered a range of topics. Mostly, we defined activism and advocacy and were speaking on privilege, allyship, and sustainable change in order to problematize community service — because community service, particularly in higher education institutions, is often over-simplified. In other words, we are not grappling with historical and systemic conditions that create, and most importantly, sustain, inequity, but rather we engage in a short-term exchange of services through which, typically, while not intentionally, we as outsiders of xyz community are receiving greater benefits through knowledge and/or experience. All of that is to say, it was an incredible conversation that could have gone on for hours, especially given the breadth of experiences we could have pulled from through our various, intersecting backgrounds in community organizing.

One of the things that I left with that evening, that continues to linger in my mind, was this question that one of the students presented to us: What gives you hope?

I wasn’t surprised by this question. I even think that I expected it. It’s not the first time I’ve heard it asked at a panel or guest speaker event, and I would venture to say that it won’t be the last. We get asked about hope a lot. By “we,” I mean folks like the ones in the panel who are queer folks, black and brown folks, women, queer women, queer women of color, queer women of color who are immigrants, etc. The combinations of identities in just our four-person panel are probably endless if we go further into experiences shaped by race, ethnicity, gender, sex, sexual orientation, ability, and so on. But I list just a few to offer a glimpse into the intersectionality of identities that shape our experiences and thus shape the work we do in fighting against dominant systems that negate if not erase these experiences.

I think that’s why that student asked this question about hope. How do we keep pushing when there are larger structures, laws, and policies that continue to qualify structural racism and gender violence and limit our economic and physical mobility? The student didn’t add that much to the question, but that is what went on in my head and what I believe went on, if not in some form or variation, through the minds of Chris, Shahidah, and Justin.

We sat on that question for a little bit longer than the rest. The thing is, there’s no simple answer. Hope is complicated. It’s not as if we exchange our cup of coffee for a cup of hope each morning and we’re good to go. If anything, I would say that survival kicks in every hour, every day more than hope. When we lobby in Nashville, for example, it’s not because we’re passionate about politics. We understand the immediate effects that politics and policy have on the lives of people, and so we will travel miles to address immoral and unjust laws.

For the past month, both of my parents, along with about 50 volunteers in the Migration Is Beautiful group, have been getting up as early as 4 a.m. to meet refugees who have been recently released from U.S. Immigration and Customs Enforcement detention centers. Each day, they’re gathering and organizing supplies and resources for individuals, adults, families, and children who come into Memphis on Greyhound buses, many who haven’t had a real meal in days and are ill-equipped for cold temperatures. Folks in the Migration Is Beautiful group are responding to a crisis created by unstable refugee and asylum policies with no foreseeable end in sight.

While hope motivates many, the immediate response to this crisis is to offer support as much as possible for people to make it through in a healthy and safe way to the next city in their stops.

These action and response movements that exist locally, nationally, and internationally aren’t rooted as simply passions, extracurricular activities, or hobbies for people who are in some way connected to communities that consistently are under attack. This is about surviving this day in order to see the next. This is the ánimo that carries us.

Aylen Mercado is a brown, queer, Latinx chingona and Memphian pursuing an Urban Studies and Latin American and Latinx Studies degree at Rhodes College.

Categories
News The Fly-By

“Hot Mess”

With more than 100 rounds of voting, the meeting stretched into the early hours of last Wednesday morning, as the council stood deadlocked on the top two vote-getters from earlier rounds: Rhonda Logan, executive director of the Raleigh Community Development Corp., and Lonnie Treadaway, sales manager for Flinn Broadcasting Corp.

In the days following the meeting, Memphians turned to social media to express their disdain over the situation, saying that Logan, who’s been involved in the district for over 20 years, is the most qualified. While, Treadaway, a Mississippi transplant who has only lived in Memphis since July, has no roots in the community.

remains vacant.

Scott Banbury, a Memphis activist, said Logan is the “obvious choice” to represent Raleigh in a Wednesday Facebook post.

“Why would anyone vote to appoint a one-year transplant from Mississippi to represent Raleigh on the Memphis City Council over a woman with roots in Raleigh, who serves as executive director of the Raleigh [Community Development Corp.]?” Banbury wrote.

Desi Franklin, another Memphis activist, said Tuesday’s votes demonstrate the council’s intentions to appoint their associates to the council.

“This is your Memphis City Council,” Franklin wrote. “So, this plan to hand off council appointments to friends of council members, instead of letting the voters elect their own council members, is now even more obviously nothing but a bunch of shenanigans — by a council that can’t even execute their shenanigans.”

Similarly, Charlie Caswell, a pastor at The House Memphis in Raleigh, claims the council is seeking to enhance their own personal agenda “at the expense of an entire district.”

“Last night was truly a hot mess, largely because of the lack of leadership from Berlin Boyd, who was a disgrace,” Caswell said. “On December 4th at 3:30 p.m., we need every citizen to join us at city hall to stand up against the foolishness they call politics and demand the will of the people and not a few who are only benefiting themselves.”

Throughout the rounds of voting Tuesday, Logan repeatedly received six votes — one shy of winning. While Treadaway averaged about three votes.

Supporters of Logan were council members Jamita Swearengen, Martavious Jones, Patrice Robinson, Joe Brown, Edmund Ford Jr., and Janis Fullilove.

Council members Worth Morgan, Frank Colvett Jr., J. Ford Canale, Reid Hedgepeth, and — on a handful of occasions — Boyd supported Treadaway.

Nine hours in, despite objections, Boyd’s fourth motion to recess the meeting and the vote until the council’s next meeting passed.

Boyd’s earlier attempts to delay the vote were referred to as “corruptible” by Brown. That sentiment was echoed by Swearengen, who said that holding the vote means two supporters of Logan, Fullilove and Ford, won’t get to vote, as their resignations became official last week.

Now, a 10-member council will vote on the District 1 appointee at its December 4th meeting, and activists like Caswell are asking the public to show up and voice their opinion.

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We Recommend We Recommend

John Davidson at BPACC

Who is John Davidson? “My career has been very confusing,” the variety performer and network TV star allowed in a ranging conversation with the Flyer earlier this year. “Is John Davidson just a game show host?” he asked rhetorically. “Is he just a singer? Or an actor?”

The answer, of course, is that the indefatigable Davidson, who’s bringing his solo act to BPACC, has been all these things — and something else. As a frequent stand-in for late-night talk pioneer Johnny Carson and longtime host of the celebrity-oriented game show Hollywood Squares, he performed alongside, interviewed, and learned from generations of legendary showpeople.

Renaissance man John Davidson

Davidson describes comedy icon and film star Bob Hope as a primary influence. “He was an early supporter of mine, and he was a total performer,” he says. “I was always attracted to people who knew how to tell a story with a song … I’m sort of old school — you know, the performers that came on the scene in the ’50s and ’60s and before always thought of being multifaceted performers.”

An early manager told Davidson “don’t be a spear, be a pitchfork.” In other words, don’t do one thing, have “multiple points” of attack.

“The variety is what’s kept me going all these years,” says Davidson, a Broadway veteran who’s hosted beauty pageants, starred in Disney films, guested on countless TV shows, made records, and toured as a well-coiffed song-and-story man. “That’s the old-fashioned way of doing it,” he says.

Categories
News The Fly-By

Fly on the Wall 1553

Neverending Elvis

The web show “Good Mythical Morning” has been in Memphis visiting St. Jude Children’s Research Hospital, sampling barbecue, comparing beans, and ranking stuff like you do on the internet.

One segment, titled “We About to Stuff Our Face-land Up in Graceland,” found co-hosts Rhett McLaughlin and Link Neal sampling the King’s favorite dishes.

They were surprised Elvis’ infamous bacon-fried peanut-butter-and-banana sandwich contained no actual bacon. They also tried fried green tomatoes, banana pudding, Chicken à la King, and a fruit-and-nut-laden jello-mold called Pepsi Cola salad.

Verbatim

“Dang, it’s Thanksgiving. There’s people in Subway with their families, you know? Don’t be running around naked.” — witness to a Thanksgiving Day incident on Summer Avenue involving a mentally ill man and a bag of potato chips. As reported by Fox 13.

Hallmark

“Most Hallmark movies don’t take place in actual cities. Most Hallmark movies take place in Christmas landscape paintings, some blandly cheery small town with a cutesy name like Evergreen or Snowy Falls or Kringleville or Snugglytown.

“So, it’s amazing how different and unique a Hallmark movie can feel with merely a sense of location — as is the case with Christmas at Graceland, which (spoiler alert) is set in Memphis.” — Matt Mueller, culture editor for OnMilwaukee.com. He gave the Memphis-shot flick a score of “bless its heart.”