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Sports Tiger Blue

Tigers 99, Tennessee State 41

Twelve games into his college coaching career, Penny Hardaway has a laugher under his belt. The blowout victory came Saturday afternoon at FedExForum, at the expense of the Tennessee State Tigers. Playing the fifth game in a seven-game homestand, Memphis dominated throughout, taking a 47-17 lead at halftime and almost doubling the margin over the game’s final twenty minutes. The win improves Memphis to 7-5, while TSU falls to 3-8. 

Guard Jeremiah Martin

Six players reached double figures in the scoring column for Memphis, led by senior Jeremiah Martin with 14 points. Isaiah Maurice scored 13 off the bench, Kyvon Davenport added 12, Antwann Jones and Mike Parks 11 each, and Kareem Brewton 10.

Memphis shot a cool 60 percent from the field and hit 34 of 45 free throws in the drubbing, the first game between these packs of Tigers since January 2011. Memphis has won all nine games in a series that dates back to the 1983-84 season.

The U of M now has a week off before hosting Florida A & M on December 29th, the final nonconference game on its schedule. Wichita State visits on January 3rd to open American Athletic Conference play.

Categories
Sports Tiger Blue

Birmingham Bowl: Wake Forest 37, Tigers 34

A record-breaking football season for Memphis ended in heartbreak at the Birmingham Bowl Saturday afternoon. Sophomore kicker Riley Patterson pushed a 43-yard field goal attempt just outside the right goalpost as time expired, giving the Wake Forest Demon Deacons the win and extending the Tigers’ losing streak in bowl games to four.

The Tigers led the game by 18 (28-10) in the second quarter, and took a four-point lead (34-30) on a 9-yard Patrick Taylor touchdown with just 1:15 left in the game. But after failing on a two-point conversion attempt, Memphis allowed the Deacons to drive 75 yards in 41 seconds, quarterback Jamie Newman rushing the final yard for what proved to be the game-winning points, his third touchdown of the contest.

The loss leaves Memphis with a final record of 8-6 for the season while Wake Forest finishes 7-6.

After falling behind 7-0, the Tigers scored on a 41-yard run by Tony Pollard not quite five minutes into the game. Pollard (109 yards on the ground) and Taylor (108 yards) absorbed carries that might have gone to All-America tailback Darrell Henderson who declined to play in the game as he prepares for next spring’s NFL draft.

Memphis extended its lead to 21-7 on a short touchdown reception by Taylor (who finished the season with 18 touchdowns) and 37-yard interception return by sophomore cornerback Chris Claybrooks on the first play of the second quarter.

Wake Forest closed the lead to 21-10 on the first of three field goals by Nick Sciba, a score that set up college football history. Pollard received the ensuing kickoff at the three-yard line and raced 97 yards for his seventh career kickoff-return touchdown, tying the mark of three other players.

Excluding Pollard’s heroics, though, a Memphis offense that entered the game ranked fourth in the country disappeared for most of the game. The Tigers went ten possessions without scoring a point, a period that allowed Newman and the Deacons to slice away at the lead, ultimately taking it (30-28) with a 39-yard Sciba field goal late in the third quarter. (The Tiger defense was compromised by injuries to linemen Jonathan Wilson and O’Bryan Goodson.)

Memphis quarterback Brady White completed a 43-yard pass to tight end Joey Magnifico on the Tigers’ final possession, setting up Patterson’s attempt to tie the game. He connected on two 38-yard attempts, though both were nullified, the first by a Wake Forest timeout and the second by a Tiger false-start penalty. The final kick had plenty of distance, but was just right of the target.

The Tigers completed the highest scoring season in program history, with 601 points over their 14 games. But they beat only one team (Houston) with a winning record.

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News News Blog

New Magazine Memphis Current Debuts

Memphis Current will debut at a launch party December 23rd at 409 South Main.

“It’s an arts and culture quarterly that focuses on the creative forces behind Memphis — the artists and musicians, restaurateurs that make Memphis unique,” says founder/editor-in-chief Sam Prager, 25, a native Memphian who graduated from Germantown High School and University of of Memphis, where he received his journalism degree.

Asked why he decided to start the magazine, Prager says, “I just needed a job in journalism.”

Actually, he says, “I just think Memphis deserves as much attention as it can get. There are not enough people to talk about it. And Memphis gets a bad reputation even from its own media a lot of the time. Those TV guys. I always think it’s good to shed light on the city. There are a lot of people’s stories that need to be told.”

The first issue’s music section will feature a story, written by Prager, on local band Spaceface. “I just think they’re a good band from the area and they have a good enough following,” says Prager, a veteran musician who plays guitar in Racquets.
And, he says, the members “are all real involved in the music community and other communities they serve.”

The restaurant Ecco on Overton Park is the subject of the first food feature. “Sabine Bachmann [owner/founder] has a super cool story,” says Prager, who also wrote that story. “She’s an immigrant woman in Memphis who came to the city without a lot of resources and had three sons here. She got divorced really early on and was in a strange country by herself with three sons.

“Those are the stories that need to be shared about Memphis — a city of opportunity, perseverance, and soul. And anything can happen here.”

The magazine, which includes staff and freelance-written articles, also features an outdoors section, a cocktail section with a bartender and one of their cocktails highlighted each issue, a history section, and a travel section, which will feature a destination within six hours of Memphis.

Memphis Current will include a heavy emphasis on art, Prager says. About half the magazine will feature full-page spreads on artists and photographers. “I think local artists and photographers are looked over a lot in the city and under-appreciated a lot as well. So, I think with the closing of MCA (Memphis College of Art) and Brooks (Memphis Brooks Museum of Art) moving, it’s important to appreciate the local artists we do have while we have them.”

The first issue is “100 pages from cover to back. We hope to expand it by 20 pages by the next issue.”

The public is invited to attend the Memphis Currents launch party, which will be from 7 to 11 p.m. December 23rd at 409 South Main. Spaceface will perform, Ecco is providing the food, Wiseacre Brewing Co. the beer, and Joe’s Wines & Liquors the wine. The cocktail will be “The Best Negroni in Town” made by Morgan McKinney. The cocktail and bartender are featured in the first issue. Tickets are $25.

“I hope the magazine not only sits on your coffee table but brings new people to surround it,” Prager says.

Michael Donahue

Sam Prager

Categories
Fly On The Wall Blog Opinion

Commercial Appeal Shares Holiday Story of Messiah-Like Christmas Stocking

When the holidays get hectic and stressful it’s good for the soul to pause and remember the true reason for the season: Selling shit. Anxious for this yearly opportunity to serve a special convergence of reader interest and advertiser need, many news organizations, including the one that publishes this blog, create special gift guides. That’s why it’s so nice that The Commercial Appeal went a completely different way and told the story of a magical Christmas stocking that suffers for your favorite cook.

Wait, never mind. It’s just another gift guide. That “suffers” bit was just a typo. Our bad. Fly on the Wall has been hoping for miracles lately, and we thought this might be one.

Dammit.

Categories
Opinion The Last Word

We Are Not Great Again

Okay, America, are we great again yet? Are we respected throughout the world? Are the Chinese quaking in their boots as we hike tariffs? Has Saudi Arabia come clean about murdering a Washington Post columnist after covering up the atrocity so clumsily that you could almost see blood dripping from the hands of the crown prince?

If America is great again, how come we grovel before a nation that needs us more than we need it? Tweet me an answer, Mr. President. But keep it short.

Has America reversed global warming by simply denying it? Are factory jobs up? How about iron and steel? The same. And coal mining — “beautiful, clean coal” in the hallucinatory words of the president? Not what it once was.

Gints Ivuskans | Dreamstime.com

President Trump

Is NATO stronger? Does America enjoy moral leadership? Would our allies rush to our aid, as they did after September 11, 2001? President George W. Bush’s grand “coalition of the willing” might be impossible to reassemble. President Trump has managed to unite Western Europe in one respect. All its leaders loathe him.

The president, like Gulliver, is being tied down by numerous investigations. The explanation is apparent even to Republicans. Trump is an immoral man, a chiseler and a liar and a deadbeat and a damned fool. His eccentric collection of aides are tiptoeing off the stage one by one, some to jail, some to ignominy, none to glory. And then, when they are gone, comes verbal abuse, sometimes in retaliation for a tardy admission of truth. Rex Tillerson said Trump does not read up to grade. For that, he got spitballed. “Dumb as a rock,” the president opined.

The mess is getting messier. Trump lies himself into one corner after another. Is there anyone in all of America who does not believe that Trump paid off two women for their silence? Whether these alleged payments were campaign finance violations or not is almost beside the point. We know the story. Trump is dirty and uses cash as a disinfectant. He thinks it can make any manner of sin go away. Maybe not this time, Mr. President. As with your former Atlantic City casino, you overpaid.

But blaming Donald Trump for behaving like Donald Trump is like blaming a scorpion for acting like a scorpion. The lie is his sting. He cannot help himself. He thinks only of himself because narcissism, like a sixth toe, is a condition of birth. There is no changing it. In the Trump White House, the president’s intense love of himself is about the only consistent policy.

But what about you, Chris Christie? I am talking of course of the former New Jersey governor who jumped from presidential candidate to Trump acolyte. Are you proud of what you did? Didn’t you see any of this coming? Didn’t you talk to any bankers or real estate people from just across the Hudson River? They wouldn’t do business with Trump. They don’t trust him. You knew all this but wanted a cabinet position anyway. What is the word for what you’ve done? It’s something like moral treason.

And you, Mike Pence. You won’t eat alone with any woman other than your wife, but you’d sup at Trump’s table, the womanizer, instead of the woman. Were you the only adult in Washington who had not heard the stories about him? What were you willing to do to advance your career? Is there a principle you hold dear?

I get it. Christie, Pence, and other Republican politicians — as well as financial figures such as Carl Icahn — had other considerations. Some wanted a conservative, anti-abortion judiciary; still others wanted lower taxes and fewer regulations. Steve Schwarzman, the billionaire head of the Blackstone Group, even said in 2016 that he preferred Trump because America needed a “cohesive, healing presidency.”

Trump, these savants thought, would grant all their wishes, and so they tossed the dice on a maniac, comforting us (or themselves) with the hope that once in office Trump’s inner Madison would emerge. Don’t worry, they said, he ran a business and, anyway, the solemnity of the Oval Office would sober him up. Didn’t Augustine of Hippo go from a libertine to a saint of the Catholic Church?

John F. Kelly’s leaving. Gary Cohn and H.R. McMaster are gone. Michael Flynn sings, and Paul Manafort lies. The stock market is tanking for the usual reasons, but this one as well: Investors know that no one’s home at the White House. Trump’s a human pinball, ricocheting off events and emitting tweets like a rundown smoke alarm. We’re not great again. We’re drifting toward disaster.

Richard Cohen writes for the Washington Post Writers Group.

Categories
We Recommend We Recommend

Lisa Gralnick’s “Scene of the Crime” at the Metal Museum

Visiting this year’s Master Metalsmith exhibit at the Metal Museum is a bit like walking into the most famous and frequently recreated panels in comic book history. Even if you’re not a funny book fan, you know the scene because no retelling of Batman’s origin story is complete without several close up images of Martha Wayne’s pearls as they fall away from her neck — falling, bouncing, and rolling in all directions as the bad guy gets away. The focal point of Lisa Gralnick’s “Scene of the Crime” installation is a similarly broken and scattered string of pearls, only in this case, the beads are bigger than bowling balls and the strand takes up the better part of a room.

The pearls are joined by enormous earrings, a fancy barrette, and a few other glittery objects spilling out of a Barbie pink jewelry box as big as a bed. There’s also a wedding band, an engagement ring, implications, and many things left unsaid. Inspired by the loss of the artist’s mother, the pop-artwork mixes childlike whimsy and wonder with an outsized sense of personal violation.

“Whether you are writing about the work, photographing it, or organizing loans from collectors, family, and friends, by accepting a role in the planning and execution, you are stepping into a personal space with the artist,” Metal Museum Executive Director Carissa Hussong writes in her introduction to the exhibit catalog. “You are accepting an invitation to take part in the artist’s journey.” The same can probably be said for observers.

This year’s Master Metalsmith retrospective also includes examples of Gralnick’s jewelry, which is inspired by architecture and industrial imagery, and sometimes asks just how much of the artist’s self can really be embedded in their work. “The Gold Standard” exhibit was inspired by a moment when the artist contemplated melting down past work in order to make a downpayment on a house. It’s comprised of many everyday objects cast in plaster and gold, with the amount of gold reflecting the monetary value of the represented commodity at the time of its creation.

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We Recommend We Saw You

Remembering a Legendary Midtown Party

Billy Gibbons from ZZ Top was a guest one year at ‘A Christmas Party,’ an annual Midtown party Peggy Burch and I hosted for about a decade from the 1970s to the late 1980s.

This week, I’m writing about one of my favorite Christmas memories. It’s the party my friend Peggy Burch and I hosted for a decade or so between the late 1970s and the late ’80s in my old Midtown apartment on Poplar at Avalon.

We dubbed it “A Christmas Party.” The premise was to invite everybody we knew and they were supposed to invite everybody they knew. Those people also were supposed to invite everybody they knew. And so on.

Each year I roasted three or four country hams and Peggy roasted several turkeys. Guests brought side items. One year, I made pumpkin pies from scratch.

Guests brought their own drinks. The first printed invitation for December 15, 1979 read “BYOB,” but Peggy decided she didn’t want to use that term. She came up with “Bring What You Would Like to Drink” for the next party. We used the same invitation wording each year.

I didn’t want to use plastic cups, so I bought cases of highball glasses, which we used from year to year.

I did make homemade eggnog with raw eggs, rye whiskey, rum, and real whipped cream.


The party always was held on the second Saturday before before Christmas. Each year, I bought the newest Red Hot Chili Peppers and Ashford & Simpson 33 rpm albums, which I played on my stereo. I periodically interrupted the recorded music and I played carols for sing-a-longs at the grand piano.

Our party began at 8 p.m. and usually lasted into the wee hours.

The main decoration was a gigantic live Christmas tree. I always had to cut off the top of the wide Fraser or Douglas fir tree because I always bought them too tall. They looked like they were growing through the ceiling.

The first year, my next door neighbor – a medical student – co-hosted the party with us. She made a total of 12 canapes as her offering for guests. She didn’t have a clue what the party was going to be like.

The “gathering” resembled the party scene from the movie, Breakfast at Tiffany’s, with people everywhere. About 700 people or so showed up each year. People crowded into my second story apartment, which had a big living room and dining room, two bedrooms – and one bathroom. People lined the hall stairs and waited for guests to leave the party so they could get in.

Strangers I invited at Huey’s Midtown or other watering holes usually showed up. And, of course, they were supposed to bring their friends and on and on.

It was noisy with people shouting so they could be heard over the other guests and the high decibel levels of the Peppers and Ashford & Simpson. People danced, screamed, and drank.

Each year, I watched as my apartment was destroyed before my eyes. I remember seeing a guest knock over an end table, which resulted in a glass of wine tipping over and streaming purple liquid down a white wall.

One year I saw my mother walking amidst the throng picking up an empty can here and there in a futile attempt to help clean up.

Lots of stories are connected with that party. Jill Johnson Piper and John Beifuss helped host the event one year. Jill, who brought a large cheese ball, asked me during the party where it was. She said she put it in a bag at the top of the back stairs. We finally found it way across the parking lot by the garbage cans. Guests who entered the party from the rear inadvertently kicked the cheese ball down the stairs and into the garbage area.

One year, I found cigarettes smashed into one of the pumpkin pies. Someone thought it was an earthenware ashtray.

Another time, a team of athletes from overseas was staying across Poplar. They saw the action going on and showed up. One of the guys picked up a whole turkey and began eating it. The next morning, we found a turkey carcass in the front yard.

I went to bed at 3:30 a.m. one year. The apartment still was jam packed. The next morning I woke up with a hangover to a freezing apartment. I walked in the living room, which, as usual, was a disaster with glasses, cups, bottles, cans, napkins, paper plates, plastic forks, and cigarette butts everywhere. Not a soul anywhere. All the front windows were wide open. A handwritten note on the stereo read, “I turned off the Christmas tree lights.”

Celebrity guests included Billy Gibbons from ZZ Top, Bobby Durango from Rock City Angels, and Mojo Nixon, who recorded the popular “Elvis is Everywhere.” I believe John Doe from the punk band, X, also showed up one year.

Musicians who appeared that weekend before Christmas at the nearby Antenna club attended.

The party came to an end after I bought a house and moved out of my beloved apartment, where I lived for 16 years.

People still speak fondly about that Midtown seasonal event.

Probably the worst memory from “A Christmas Party” occurred one year after everyone had gone home. I walked in the bathroom. Something about the bathtub caught my eye. I looked and I saw footprints in the tub. Facing the drain.

Bobby Durango from the Rock City Angels band was a guest one year.

I periodically played Christmas carols during the party. People actually sang.

Michael Finger, my Memphis magazine colleague and long-time friend, was a regular guest.

Jon W. Sparks, my colleague and another long-time friend, attended ‘A Christmas Party.’ He was with Carol Sheehan and Tom Walter.

Andy Hyrka dressed as Santa. Here he is on Poplar at Avalon in front of my apartment building.

Categories
Sports Tiger Blue

Tigers 99, Little Rock 89

“I watch a lot of Penny Hardaway highlights.” — Memphis guard Antwann Jones

During one of his first media sessions as Tiger coach, Penny Hardaway was asked a question nearly impossible to answer: Among current players, who reminds Hardaway of himself? Hardaway grinned and tilted his head, but didn’t dodge the question. He went with freshman guard Antwann Jones.

Larry Kuzniewski

Antwann Jones

Wednesday night at FedExForum, the pupil from Orlando showed flashes of the master who once owned Orlando as an All-Star with the Magic. Making his first college start, Jones scored 13 points, grabbed five rebounds, handed out six assists, and blocked two shots in 25 minutes on the floor. Jones had three assists over the game’s final four minutes to help Memphis pull away and improve to 6-5 for the season.

“Being in the starting lineup really energized [Antwann],” said Hardaway after the win. “He was really focused, and made plays defensively and at the offensive end. When you have an emotional player like Antwann, you just have to continue to talk to him in practice. That’s who he is. And that’s why it’s taken him a while [to get his first start]. He wasn’t emotionally into it. I like this side of him, when he’s happy. He has vision, a god-given ability to see the floor.”

Four days after an emotional loss to Tennessee in front of a packed house, the Tigers struggled to find any rhythm in front of 13,599 fans, their fourth of seven consecutive home games. There were 10 lead changes before halftime. The Trojans hit seven of their first 11 shots from three-point range, but the Tigers commanded the glass with 28 rebounds to Little Rock’s 11 over the game’s first 20 minutes. A Jones block of a layup attempt by 6’10” Trojan center Nikola Maric was followed by an Isaiah Maurice dunk to give the Tigers a 10-point lead shortly before the break.

But the lead changed hands six more times in the second half. Trojan guard Rayjon Tucker converted a three-point play to give Little Rock an 86-84 lead with just under four minutes to play. (Tucker finished with a game-high 29 points, nine more than his average.) But Jones answered with a layup and found Jeremiah Martin near the basket for another that put Memphis up for good, 88-86. Martin finished with 22 points, matching the senior’s season high.

Larry Kuzniewski

Penny Hardaway

Senior forward Kyvon Davenport scored only three points over the game’s first 28 minutes, but came alive down the stretch to post his fourth double-double (15 points and 15 rebounds) of the season. “I got off to a bad start,” acknowledged Davenport. “My mind wasn’t in the right place. But I got stronger in the second half, got some rebounds to help my team.”

Freshman guard Tyler Harris hit four three-pointers and scored 14 points for Memphis. Fellow freshman Alex Lomax came off the bench for the first time and contributed six assists in 20 minutes.

With conference play looming — the Tigers face Wichita State to open American Athletic Conference play on January 3rd — any win is welcome to Hardaway, but Wednesday’s came with more lessons on areas the team must address for sustained success. “Our transition defense was horrible,” said the rookie coach. “We work on this stuff, but it doesn’t look like it. Two guards back. We have to carry it from practice to a game. It’s like they don’t believe it. This is Division 1 college basketball. They have to do what we tell them.”

The Tigers return to FedExForum Saturday to face Tennessee State, the third and final opponent from the Volunteer State on the Memphis schedule. Tip-off is scheduled for 2 p.m.

Categories
Film Features Film/TV

Spider-Man: Into The Spider-Verse

All superhero movies should be animation.

It’s really not that far from where we are now. For large chunks of, say, Avengers: Infinity War, everything the viewer sees was rendered by a computer. It’s only the need to have Chris Evans and Scarlett Johansson appear as Captain America and Black Widow that keeps them from going totally CGI. This grounding in the real world is necessary in order for us to take seriously these stories of men in tights saving the world by punching each other.

The problem with “grounding” comic book stories in the real world is that you lose an essential element. Read Scott McCloud’s Understanding Comics: The Invisible Art, and you’ll never look at a Spider-Man comic book the same way again. Comics are not just a storytelling medium — they’re vastly inferior to the written word in that regard. There’s also visual and design elements that are unique to comics, the most obvious being combining words and design elements to evoke sound. Pow! Thwack! Bamf!

Ultimate Spider-Man — Miles Morales is the teenage superstar of the new spider-movie.

Divorced from the vibrant page layout, superhero stories can seem goofy. When Spider-Man is just lines on a page, you know how seriously to take his battles with Mysterio, the guy with the glowing fishbowl for a head. But every live action superhero movie since Tim Burton’s Batman has had to add a line or two about how funny it is that a guy dresses up like a bat to fight crime, because it’s frankly ridiculous to pretend people act like this in real life.

Spider-Man: Into the Spider-Verse uses animation to embrace the conceits and eccentricities of comics. It takes its cues more from Edgar Wright’s Scott Pilgrim vs. the World than Christopher Nolan’s The Dark Knight Rises. It also takes as its jumping off point a very comic premise, the “what if?” story. Sure, everybody knows Spider-Man is Peter Parker — a white, working class college student and cub news photographer raised by his aunt in Brooklyn. But what if Spider-Man was a Brooklyn teenager named Miles Morales (voiced by Shameik Moore) raised by a Latinx nurse (Luna Lauren Velez) and a black police officer (Brian Tyree Henry). And also, there are five other spider-folk.

Now, we’re getting comic book-y! Publishers like Marvel beta testing new takes on their cash cow characters led to superhero comics being the first sci fi-adjacent genre to embrace multiverse theory, which solves some issues in quantum mechanics by positing that ours is one of an infinite expanse of parallel universes where everything that can happen, does happen. Super-mobster Kingpin (Liev Schreiber) hires super scientist Olivia Octavius (Kathryn Hahn) to build a machine to access these parallel dimensions so he can retrieve fresh versions of his deceased wife and child.

Naturally, Peter Parker (Chris Pine) tries to stop him from running an unlicensed particle accelerator in Kings County. But when he fails, it’s up to Miles, who has been freshly bitten by a radioactive spider, to save reality. Since Miles can’t figure out how to stick (and more importantly, unstick) to walls yet, he needs help, which comes in the form of alternate spider-people. Peter B. Parker (Jake Johnson), is a down-on-his-luck, freshly divorced, middle age spider-dude. Spider-Gwen (Hailee Steinfeld) is from a dimension where the radioactive spider bit Peter Parker’s crush instead instead of him. Spider-Noir (Nicolas Cage) is a hardboiled, arachnid-themed crime fighter from a black-and-white universe. Peni Parker (Kimiko Glenn) co-pilots a mecha with an intelligent radioactive spider. And Peter Porker (John Mulaney) was bitten by a radioactive pig.

Freed from the dubious need for plausibility, Into the Spider-Verse spins wild visuals. Each character is drawn in the style of their own comics. Peter Porker, who looks like a Looney Tunes character, drops anvils on people and assaults his enemies with a giant cartoon hammer. Peni has an anime-inspired, epilepsy-unfriendly transformation sequence. The animators sometimes divide the frame into panel-like spaces. “Thwip” and “Pow!” appear to punctuate the action. During the dizzying finale, in which a newly empowered Miles tries to stuff the interdimensional genie back in the bottle, gravity and reality fail, and abstract bits of Brooklyn float by.

Impossible shots coupled with a breezy screenplay make this the most fun superhero movie since Sam Raimi shot an upside down Toby Maguire kissing Kirsten Dunst. With Marvel building toward an illusory finale and DC dead in the water, this is the fresh approach the genre needs. Don’t just take inspiration from cartoons, be a cartoon.

Spider-Man: Into The Spider-Verse

Categories
News News Blog

Companies to Offer Free Rides, Towing Over Holiday

AAA

The weeks between Thanksgiving and New Years Day is the deadliest time of the year as it’s related to impaired driving, according to the National Highway Traffic Safety Administration.

With more than 102 million people expected to travel by automobile this holiday – the most on record since AAA began tracking holiday travel in 2001, AAA, in partnership with Budweiser will offer free rides and vehicle towing to anybody in Tennessee and eight other states through its Tow to Go program.

So whether you’re doing a Santa pub crawl or knocking a few back at the company holiday party, you can enjoy your drinks without worrying about how you’ll get home beginning December 21st through Wednesday, January 2nd. However, AAA says the program is meant for a safety net for those who didn’t plan ahead.

A 2017 study by the AAA Foundation for Traffic Safety found that 20.7 percent of drivers who reported consuming alcohol last year, admitted to driving even when they thought they had consumed too much.

In its 20th year, the Tow to Go program aims to prevent those instances of impaired drivers from getting behind the wheel and risking the lives of other motorists.

“With millions of Americans expected to be on the roadways this holiday season, we encourage everyone to plan ahead for safe celebrations,” Amy Stracke, managing director of traffic safety advocacy for AAA, said. “Before getting behind the wheel impaired, we want to remind people that the Tow to Go program is available over the holidays.”

To date, over 25,000 impaired drivers have been taken off the roadways through the program.

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“The Tow to Go program is a smart option to promote the use of designated drivers and help reduce impaired driving,” Adam Warrington, vice president of corporate social responsibility at Budweiser, said. “We are proud to partner with AAA and their roadside assistance drivers to make our roadways safer during the holidays.”

To take advantage of the offer, drivers can call (855)-286-9246 and be transported to a safe location within 10 miles. Rides are free to both AAA members and non-members.

“No family should have to experience a needless tragedy during the holidays as a result of an impaired driver,” Stephanie Milani, Tennessee Public Affairs Director for AAA, said. “Whether you call Tow to Go, use a designated driver, or stay where you are celebrating, it’s critical to have a plan for getting home safely and never get behind the wheel impaired.”