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Opinion Viewpoint

Dangerous Diplomacy

If he were alive today, Mark Twain might say the following: “There’s lies, damned lies — and Donald Trump.” The president of the United States not only lies routinely, but he believes other people’s lies without a modicum of skepticism.

Mark Twain

Last week, the liar in question was North Korean leader Kim Jong-un, who claimed to have known nothing about what appears to have been the torture and, ultimately, the murder of American college student Otto Warmbier. After holding a second nuclear summit for which he was grossly unprepared, this time in Vietnam, President Trump said Kim “tells me he didn’t know about it, and I will take him at his word.” He added that Kim “felt badly about it. He felt very badly.”

Right. Because Kim’s empathy and compassion toward his starving countrymen and those he has had killed, including his half brother, are legendary.

It is mind-numbing and breathtaking to hear such nonsense from a president who, if normal, would vindicate the victim through punitive actions rather than side with a violent dictator in some weird, contrived, nonproductive chitchat about nuclear weapons. Warmbier’s parents were appropriately outraged by the president’s cavalier comments — especially since he had used the Warmbiers as props during his 2018 State of the Union address — and they issued a harsh rebuke.

The 21-year-old Warmbier had been touring North Korea when, on January 2, 2016, while going through airport security to leave the country, he was detained by North Korean authorities. He was accused of stealing a propaganda poster from the Pyongyang hotel where he was staying. No conclusive evidence was provided that he did so, but he was sentenced to 15 years of hard labor.

After 17 months, Warmbier was sent home in a coma, having suffered severe brain damage from possible multiple beatings, and he died a few days later. His brutal death was surely no accident, as Cindy and Fred Warmbier asserted in their statement rebuking Trump, nor was it likely unknown to Kim, whose supreme leadership doesn’t leave much wiggle room for independent action. No one familiar with North Korea believes that Kim wasn’t well aware of his American captive. How could he not have been after a year-and-a-half of international news coverage and outreach from the State Department? Thus, make no mistake, Warmbier’s death was as much an assault on America as it was on this young American.

But Trump, who confessed to having a “warm relationship” with Kim, based presumably on whatever pheromones passed between them, said he believed the man he previously called “little rocket man.” This is because the president is a) a useful idiot; b) a malevolent force in the universe; c) a small-pawed, big-dog fanboy; d) a strategic genius.

I think most of us can eliminate option “d.”

Option “c” is probable, given Trump’s attraction to tyrants, dictators, murderers, and thieves. He has used similar terminology with other strongmen, with whom he has been equally credulous. Trump believed Russian President Vladimir Putin when he denied knowing about Russian interference in the 2016 election. And he believed Saudi Crown Prince Mohammed bin Salman when he denied knowing anything about the torture, murder, and dismemberment of Washington Post columnist Jamal Khashoggi.

At the same time Trump believed their lies, he disbelieved the conclusions of U.S. intelligence agencies, which, in each case, pointed a finger at the top guys.

Even if we pretend that Trump is a strategic genius who is flattering his foes by faking belief in their lies, one is left to wonder to what end? To win their approval? To charm them into believing he’s one of them, that they are essentially the same but for minor differences resolvable through the art of the deal?

If only he were trying to seize a widow’s home to make space for a new limo parking lot at one of his casinos. Or negotiating Trump Tower in Moscow. But the stakes are a little higher now. And Trump, in trying to be a tough guy, has created the opposite perception.

What every foreign ruler, dictator, president, or potentate now knows is that every American tourist, journalist, college student, and diplomat is fair game for capture, arrest, hostage-taking, torture, or murder — all without consequence. All they have to do is lie to the president, a proven weakling, and the bad thing that happened will just go away.

The American people must not let him get away with it.

Kathleen Parker writes for the Washington Post Writers Group.

Categories
Music Music Features

Low Cut Connie Brings Raucous Rock to Minglewood

Pounding and standing on the piano he calls “Shondra,” Adam Weiner cranks out some serious rock-and-roll with his band Low Cut Connie. A Jerry Lee Lewis-meets-Little Richard-on-Broadway showman, Weiner comes by his brand of distinctly American music naturally.

“When I was 13, I bought a Lead Belly album,” Weiner says. “My music listening has been chronological, almost. I got into country blues, then blues, then Elvis, Jerry Lee, and the Sun stuff, Little Richard, and the New Orleans piano guys, and then Ray Charles. I grew up in New Jersey, so Springsteen in the 1980s is a big touchstone. Then Bob Dylan. What’s the bottom line in all this? American rock-and-roll.”

courtesy Missing Piece

Adam Weiner of Low Cut Connie

So what exactly is American rock-and-roll? “Boogie, soulful,” Weiner says. “It should touch your heart, making you want to dance. And it’s about freedom. Free your body, free your mind. What was Prince’s music about? Freedom of spirit, freedom of sexuality. More than being cool, it’s about letting go, being free.”

In other words, something like what’s captured on Dirty Pictures (Part 2), a joyous 10-song ramble Low Cut Connie recorded along with its predecessor — Dirty Pictures (Part 1) — at Memphis’ legendary Ardent Studio.

Adam Hill, who worked at Ardent at the time, recalls, “Adam Weiner worked for Beale Street Caravan years ago, when he was going to U of M. Early on, they played a show at The Buccaneer that was recorded by Beale Street Caravan, and they liked my mix, which led to us making Dirty Pictures (Part 1) and (Part 2). I’ve been engineering for them the past year, working on their next batch of songs in various locations. The band is tight and loose, in all the best ways. We’ve been cutting basic tracks live with everyone in the same room.”

Dirty Pictures (Part 2) starts with the taut, driving “All These Kids Are Way Too High,” which finds Weiner looking out at zombies standing at a show rather than dancing up a storm to the rollicking piano and the big beat. It’s his job, Weiner says, to get the walking dead to put away their phones and get moving. And that’s a different challenge every night.

“Every city has a different culture,” he says. “Every country has a different culture. Daytime versus nighttime, outdoor versus indoor. Do they know our songs, or do they have no idea who we are? Every show should be different. You try and make people free, to put them in the moment. I’ve got to be aware of what’s going on in the moment … what’s going on outside the walls of the club. I’ve got to bring all of that into the moment.

“At the end of the day, I try to give people what they really want,” Weiner says. “They’re in a communal situation, they’re part of the moment. They feel their feeling and release that feeling. It’s not a total escapism, but a tension and release.”

This winter and spring, Weiner will be getting the crowds going with a run of headlining dates in the U.S. that extends into May, before heading to the United Kingdom and Europe. It’s the latest series of shows in what has become a never-ending tour for Low Cut Connie. It’s the kind of work that needs to be done by a band that, little by little, is breaking out.

Formed seven years ago, and named after a waitress who wore low-cut tops, the band released its first recordings as Get Out the Lotion, and followed that album with 2012’s Get Me Sylvia and 2015’s Hi Honey — all critically acclaimed.

The band got its biggest shot of attention in 2015, when President Barack Obama put “Boozophilia” — a 2012 song Rolling Stone described as “like Jerry Lee Lewis if he’d had his first religious experience at a Replacements show” — on his Spotify summer list.

That got Weiner a White House visit. Earlier this year, he had another summit meeting, talking with Springsteen after attending one of his Broadway performances. The Boss, it turns out, is a Low Cut Connie fan — which thrills the New Jersey-born Weiner.

The attention, the recordings, and Low Cut Connie’s never-less-than-great live shows are now paying off, bringing the band an ever-larger audience. “The word is spreading,” Weiner says. “The tent is expanding. We’re a cult band and people are finding us, coming to see us.”

Low Cut Connie plays the 1884 Lounge at Minglewood with the Klitz and Louise Page on Saturday, March 9th, at 9 p.m.

Categories
News The Fly-By

Fly on the Wall 1567

Elsewhere, TN

It’s old news by now, but Fly on the Wall wouldn’t be Fly on the Wall if we didn’t point out that the biggest news out of Tennessee last week wasn’t related to Governor/Confederate cosplayer Bill Lee’s general support for the continued public veneration of Southern general/klansman Nathan Bedford Forrest.

It was the story of a disgruntled East Tennessee delivery driver who sacked some salsa and put it on the internet. Bonus points to the WMC story, “man accused of dipping testicles in customers salsa,” which carries the surgically precise, yet innuendo-laden subhead, “he was mad about a small tip.”

Migratory Workers

Following news of his retirement from The Commercial Appeal it’s since been announced that award-winning reporter/columnist David Waters, is joining the Institute for Public Service Reporting, the University of Memphis’s professional newsroom.

Waters will serve as the assistant director alongside director and fellow CA alum, Marc Perrusquia. The Institute for Public Service Reporting was created to give students practical newsroom opportunities. It collaborates with daily not-for-profit newsroom/primary refuge for former CA journalists, The Daily Memphian.

Verbatim

“I’m usually hearing about people getting shot, but a 2-by-4? That’s treachery.” — Memphian Shaun Sian, quoted by WMC on news that several people attacked another man with lumber in the parking lot of a Church’s Chicken.

Categories
News The Fly-By

Helping the Homeless

Two organizations cut the ribbon last week on a new health clinic in Midtown that is solely for Memphis’ homeless population.

The Baptist Operation Outreach Clinic, located inside the Catholic Charities of West Tennessee (CCWTN) building on Jefferson, is spearheaded by Baptist Memorial Health Care in partnership with Christ Community Health Services (CCHS). The new clinic is meant to work in tandem with the organizations’ existing mobile outreach clinic for the homeless, which was established in 2004.

Since then, the mobile clinic has treated patients around the city by traveling to various locations with high homeless populations, like near the Memphis and Shelby County Office of Re-Entry in Midtown. In 2018 alone, the clinic had more than 3,000 patient encounters — up from 500 during its first year.

Community Alliance for the Homeless/Facebook

the first of its kind here.

Jason Little, president and CEO of Baptist, said since 2004, the goal has been to establish better ways to provide health care to the city’s homeless population, which he said is an important part of the organization’s mission.

“When we started the mobile clinic in 2004, our goal was to find a better way to care for the health needs of the homeless and uninsured in our community,” Little said. “Through our partnership with CCHS, we’ve been able to make significant gains in caring for Memphis’ homeless population and helped many transition out of homelessness to healthier and more stable situations.”

Now, the new brick and mortar clinic, equipped with a lab, two exam rooms, a waiting area, and office space, will provide free health, dental, and vision care Tuesday through Thursday to those without permanent housing.

Kimberly Alexander, public relations manager for Baptist, said the clinic will offer total primary health care services, including immunizations and other preventative care, treatment of minor injuries, behaviour health services, screening and diagnostics of medical issues, as well as treatment and management for certain conditions like hypertension and diabetes.

For example, Alexander said patients diagnosed with diabetes are given medication, a machine to check their blood sugar, and educational materials.

Alexander said patients receive free prescriptions for any medication they require — with the exception of narcotics. For services the clinic can’t provide, like x-rays, child immunizations, or specialty care, patients will be referred to a specialist or other provider.

In addition to medical care, the clinic’s location will enable patients to easily access housing, food, clothing, and other support services through the CCWTN.

Alexander said the new clinic is likely the first of its kind in Memphis.

“As far as we’re aware, it’s the first clinic that provides this extent of services in one location — access to health care and dental, vision, and mammography services, plus a wide range of enabling services.”

Those experiencing homelessness in Shelby County on one particular night of the year decreased from 2012 to 2018, based on the city/county 2018 Point-in-Time report. The report found that there were 1,226 homeless individuals here on the night of January 23rd last year, which was a 41 percent drop from the same night in 2012.

Categories
Sports Sports Feature

Defending Memphis: Memphis 901 FC Gears Up for Opening Weekend.

The Bluff City gave a very Memphis welcome to its new soccer team, teasing players with a hint of sun before throwing severe wind-chill and a week-long thunderstorm at them. If that made the first month of a preseason a bit of a grind, well, all the better for helping the athletes acclimate to the city’s sporting culture.

Turn on the TV to NBC Sports, ESPN, or even TNT to see the growth the soccer phenomenon has been enjoying. Local bars like The Brass Door and Celtic Crossing have provided spaces to watch games, but Memphis needed a bigger outlet for its soccer fandom. Two members of the Redbirds ownership group were happy to oblige.

Bryan Rollins

Memphis 901 FC

Peter Freund and Craig Unger are part of Trinity Sports Holdings, whose portfolio includes interests in the New York Yankees, Memphis Redbirds, 901 FC, and recently Dagenham & Redbridge FC, a soccer club in East London. Since the Redbirds season ended last year, the two have been working hard to ensure that all the necessary infrastructure is in place for a soccer team. Recently branded Memphis 901 FC, the team will play in the United Soccer League (USL).

Unger, the organization’s president, started by hiring sporting director Andrew Bell, a league veteran who led the Charleston Battery to the USL championship in 2012. That appointment aligned with Unger’s goal of aiming high in the team’s first season. “We want to win the USL Championship,” says Unger. “Crazier things can happen, even in year one. But our immediate goal is to reach the playoffs.” In addition to a regular league season, USL teams are also entered in the U.S. Open Cup, which will see occasional clashes with Major League Soccer (MLS) franchises, the highest level of the sport in America.

While Freund and Unger already had extensive experience running a sports franchise, they needed someone familiar with the soccer landscape to be part of the leadership group. Luckily, one of Memphis’ own fit the bill. Nicknamed “Superman” or “Captain America” after his heroics for the United States at the 2014 World Cup in Brazil, Tim Howard has called Memphis home since the early 2000s. The goalkeeper, who plans to retire at the end of his upcoming MLS season with the Colorado Rapids, heard about talks for a Memphis team early on and approached Freund about becoming a part-owner. Howard’s name brings instant credibility to the organization.

Finding the right coach goes a long way to ensuring success, and the candidate chosen for the position has his own history with Howard. Tim Mulqueen showed his eye for talent when he discovered Howard at a clinic in New Jersey and has been a mentor ever since. Howard believes Mulqueen has the right mentality to make the team successful in its first season. “Tim is tough, a great man-manager, and knows soccer inside and out,” Howard says.

Mulqueen is essentially working with a group of strangers for the first time, but he’s excited. “Their effort, their commitment to getting better and getting to know each other has been tremendous,” says Mulqueen. “We’re a good team, and with the effort and commitment the guys are putting in, we can’t help but get better.”

With Terminix recently announced as the shirt sponsor and several preseason skirmishes with other USL teams under its belt, the organization and Memphis are counting down the days until kick-off. When the Tampa Bay Rowdies arrive for opening day this Saturday, March 9th, both the players and crowd will be ready to match the 901 FC’s motto to “Defend Memphis.”

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We Recommend We Recommend

Mad Men

There’s a mismatched quality to David Tankersley and Don Meyers. As artists working in two dimensions, their work couldn’t be more different or more complementary. Their group exhibit, “2 for the Show at ‘KNO,” collects more than 70 examples.

Tankersley came late to drawing and takes an almost journalistic approach. The dark, pointillistically rendered places and faces he depicts feel sturdy and lived in. By contrast, even when they’re inspired by gray days, clouds, and rain, Meyers’ abstract paintings are unfailingly colorful, airy, and suggestive of a larger, more mysterious universe.

David Tankersley

Huey’s

“Don’s photography is so colorful and artfully done, when you look at it initially, you might believe it’s painted,” Tankersley says.

Meyers is a retired creative director whose bio reads like the lost season of Mad Men. He started professional life working at Playboy as a photographer’s assistant and would work alongside Pulitzer-winning cartoonist Jules Feiffer and Missing Piece author/illustrator Shel Silverstein.

“He was always drawing,” Meyers says of Silverstein, who he describes as a mentor. “He’d say, ‘Don’t worry about structure, just draw. Just get back into your childhood where kids don’t worry.””

Like Meyers, Tankersley is an independent filmmaker and a veteran of the publishing and advertising worlds. He describes his art education a little differently though. “I just hung around public restrooms,” Tankersley says.

Meyers describes his half of “2 for the Show” as a garage sale. “My wife said everything must go, so I’m taking my prices way down!”

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We Recommend We Recommend

Revolutionaries

Close to the ending of 1776, the enduring Sherman Edwards and Peter Stone musical on America’s struggle for independence, the contrarian patriot John Adams sits all alone in Philadelphia, talking to himself like an American Hamlet. Once upon a time, this man, who will one day become president, dreamed of a new nation, conceived in liberty and dedicated to the proposition of equality. Why was that dream met with such ugly resistance by his fellow countrymen? And can you prevail against all that without becoming ugly and shrill yourself? It’s a sentiment anybody who follows contemporary politics or has ever drifted too close to online debates about virtually anything knows in our bones, and the question he asks is one any company mounting this 50-year-old meditation on America’s stormy birth must also ask: “Does anybody care?”

Cecelia Wingate, the award-collecting actor/director best known for her work staging extravaganzas like Young Frankenstein and The Producers, knows people are raw and worn out on politics, but she thinks the answer is yes, and she’s returned to Theatre Memphis with top-shelf acting talent like John Maness, Bill Andrews, and Kevar Maffitt in tow, to see if she can make something at least a little bit revolutionary on Perkins Ext.

“Our watchwords for this have been ‘passion and urgency,’ and we hope it works,” Wingate says. “There’s so much noise out there emanating from a political system that seems broken — the ‘I’m right, you’re wrong’ mentality. Now is the perfect time to be doing this.”

1776 loosely follows events leading up to the signing of the Declaration of Independence. Its songs address everything from the literal and figurative temperature inside Independence Hall to the slave economy’s tangled web. “It’s my favorite time period to read about,” Wingate says, in a characteristically salty turn. “I research the shit out of this stuff.”

Categories
Editorial Opinion

Trump Lite: Governor Bill Lee’s State of the State Address

So what to make of our newly elected governor’s State of the State message, delivered Monday night?

Governor Lee

The case could be made that it was Trumpism, put forth via good manners and a likeable disposition. What else could be made of Lee’s “unapologetic” vow to propagate the doctrine of “American exceptionalism?” Or his masking a call for compulsory teaching of unbridled capitalism in Tennessee schools as “civics”? Or as a corollary to this curriculum, his endorsement of pedagogical hunt-and-destroy missions against “socialism,” as if economic policies adopted in some moderate measure by virtually every country allied to America — and in minute quantities in various eras of American government — amount to some pernicious form of enemy infiltration, needful of extirpation.

Does he not realize that the education vouchers he disguises as “education savings accounts” are the same sour spinach that most good Republicans in the suburbs of Shelby County recognize as serious threats to the health of the municipal public school systems they now willingly spend tax money on? As for his evangelism on behalf of charter schools, these were regarded as subversive of education by the self-same suburbanites who controlled the old, pre-merger Shelby County Schools system.

The weakest part of the State of the State, and the part to which Lee offered only minimal, even desultory attention, was health care. A key portion of that — the key portion in that it indicates the way in which the professed opponents of Medicaid expansion under the Affordable Care Act beg the question — was this line: “Another way to lower health care cost is to combat Medicaid fraud.”

This is, of course, the usual right-wing delusion — expressed most bigly by the current president — that all governmental problems stem from “waste and abuse” and all can be solved by curbing them. It is a belief, contrary not only to common sense but to all practical experience, that the administration of public affairs is really only a matter of working around the edges, of sealing the leaks caused by big-government wastrels.

Oh, and there’s this: “We will also be exploring ways to build off the important efforts of the Trump administration to promote price transparency.” The governor would be well advised not to hold his breath waiting to see such efforts become real. We would suggest that they will appear about the same time as does the “great” replacement for “Obamacare” that Trump once promised would cover “everybody.”

Never mind that the number of Tennessee hospitals closed  for lack of funding is now in the double digits. Easy to remedy, says Lee: “Despite the closure of rural hospitals across the state and country, there are many opportunities to transform care in these communities through smart reforms, increased innovation, and a new business model.”

To be sure, Lee offered some encouragingly salvific rhetoric about easing the re-entry of released prisoners into society and making expungement of nonviolent criminal records less expensive and troublesome.

There were places in Governor Lee’s address that contained good sense. If we have emphasized the less salutary moments here, it is out of simple caution.

Categories
Cover Feature News

Splashdance: Announcing the Winners of the Flyer’s Beer Bracket Challenge

Meddlesome Brewing Co.’s 201 Hoplar is (once again!) the best beer in Memphis, according to the 1,634 voters in the 2019 Memphis Flyer Beer Bracket Challenge, graciously sponsored by all of the great folks at Aldo’s Pizza Pies.

The Dirty ‘Dova dudes were just getting off the ground when they took home the coveted VanWyngarden Cup last year. They brought the cup back to us during our Match-Up Monday event at Aldo’s at the beginning of this year’s challenge. After a quick trip to C & J Trophy and Engraving, we gave the cup right back to Meddlesome last week during a Facebook Live event. By now, they’ve surely returned the cup to its spot in the Meddlesome taproom, where it will reside for another year.

Meddlesome brewer Ben Pugh

“We’re still blown away,” says Meddlesome co-founder and brewer, Ben Pugh. “It’s crazy. We didn’t expect it the first year. We definitely didn’t expect it in the second year. It’s been wild and humbling.” 

Says co-founder and brewer Richie EsQuivel: “Last year was, like, ‘what the hell?’ I was hoping we could get into the last four this year, but definitely did not think it’d be 201 [Hoplar] again.”

EsQuivel calls 201 a West Coast-style American IPA, “straight up and through and through.” He says new IPAs are “soft and fruity,” while 201 Hoplar meddles with that. (Don’t worry. You’ll see that pun again later on.)

Chris Hamlett and Skyler Windsor-Cummings of Meddlesome with Flyer writer Toby Sells.

“This beer is intended to be kind of aggressive and bitter,” says EsQuivel. “It’s super-pineappley with citrus fruits.” 

We changed up the Beer Bracket Challenge this year. We did away with the four categories — light beer, dark beer, IPAs, and seasonals — and let the breweries choose any four beers they wanted to compete, regardless of style. This made for some interesting matchups. Ghost River’s Grindhouse vs. Crosstown’s Margarita Gose, for example.

In the first round, 624 people cast 3,416 votes. Most of these voters were in Midtown, but there were a surprising number from New York and Massachusetts. Somebody voted in Spain. In round two, 571 voters cast 2,911 votes from as far away as Miami to Bellingham, Washington, a town just outside Vancouver. 

Meddlesome dominated our Final Four with Broad Hammer, 201 Hoplar, and Brass Bellows all taking slots. Memphis Made’s Fireside was the fourth member of the dance.

“Fireside is easy-drinking,” says Memphis Made co-founder Andy Ashby. “It’s super-laid-back, just like Memphis. It’s accessible and easy to fall in love with.”

But it was Meddlesome’s Broad Hammer brown ale and that aggressive 201 Hoplar IPA that went to the title fight. It was a close battle; 201 Hoplar won by only five votes.

Water. Malt. Yeast. Hops.

I’ve made beer for years now. Here’s my latest recipe. 

• Walk into Sweet Grass Next Door.

• Find Bailey (or Dougan, if you must).

• Say, “Bailey, may I have a” and then say the name of a beer they have.

This produces optimal results every time. I get that perfect blend of roast-i-ness, bread-i-ness, hop-i-ness, with a perfect mouth feel and a cold, clean finish. Every. Single. Time. 

Listen, I don’t know shit about beer. I can confidently say that after spending a week visiting the crazy-smart, hardworking brewers at Ghost River, Meddlesome, Memphis Made, High Cotton, Wiseacre, and Crosstown. Those folks know a LOT about beer. 

They can trace a beer style back in time and across a world map, like a genealogist with a family tree. They can trace the ingredients they use back to their literal roots. They can talk about beer and sound like a fanatical foodie and a chemical engineer in the same sentence.

On the Facebook Live stream for our Match-Up Monday event, I said some of the best beer in America is made right here in Memphis. I stand by that. I drink local beer wherever I go, and I always compare it to stuff back home, asking myself, “Is it as good as Traffic IPA, or Tiny Bomb, or Mexican Lager, or Fireside, or Brass Bellows, or Grindhouse?” And no matter what I think, I’m always glad to come home to my Memphis favorites. 

I decided to fix some of my beer ignorance. I talked with brewers about their processes and their ingredients. I broke it down to beer’s four basic elements — water, malt, yeast, and hops. I learned a lot and have a new appreciation for brewers and the beer they make. But I’m not quite smart enough to change up my recipe anytime soon. 

Water

The skies above Meddlesome Brewing are a dark battleship gray. Inside, a heavy quiet lays upon the bar. But through a door and around tall, silver tanks, a gleaming white light exposes a scene that could be a laboratory, a laboratory that smells of bread and plays Alice In Chains over a noisy din of equipment whirring.

It’s a brew day, and the brewhouse is busy. Guys in rubber boots climb steel ladders to open steaming lids on massive silver tanks and check the couplings on long black hoses that snake across the ground, round as a python and tough as a snow tire. After the work of the day and a few weeks to ferment, they’ll have Broad Hammer and McRoy’s Irish Stout. 

“Our [Memphis] water is a fantastic vehicle for our beers,” says EsQuivel. “Beers are 90 percent water. So, it’s obviously super important.” Meddlesome’s Pugh says it takes about eight gallons of that famous Memphis water to make one gallon of beer. But Meddlesome reclaims and reuses much of that water.

EsQuivel says they may adjust the pH of the water and add some salts or acids to it sometimes. But mostly they don’t “meddle” with it, he says in a self-aware, corny dad joke.

Soft rain beats against High Cotton’s taproom windows. The room’s big “BEER!” sign bathes upturned barstools in a soft, yellow glow.

Through two enormous doors, bright lights fall on brick walls above a concrete floor and massive copper-colored tanks. It’s a brew day, and the brewhouse is busy. Guys in rubber boots check gauges and climb steel ladders to open steaming lids on those massive, copper-colored tanks. They’re making a batch of High Cotton’s new Thai IPA and a batch of Scottish Ale. 

“As Memphis brewers, we really don’t have to do anything to the water to make good beer,” says High Cotton co-founder and brewer Ryan Staggs. “We also don’t have to install a super-expensive, water filtration system. Out west, water is super-expensive, but it’s also terrible. A lot of places in California will even have to use reverse osmosis just to get that blank slate that we get right out of the tap at a great price.” 

Water is also the most local ingredient source Memphis brewers can use in their beers. The rest of the main ingredients have to be shipped from specialty sources (for now, anyway). 

Malt

Crosstown Brewing’s massive, yellow logo pops off the side of its massive, gray building. Inside, huge silver tanks sit in neat rows under high ceilings. Those tire-tough and python-thick hoses snake along the floor.

The place is nearly deserted, until two brewers come along, each with a French Truck Coffee in one hand and a pastry in the other. Soon they are busy, making a double batch of Traffic IPA. 

I point to a large bag of something with the word “Canada” written across it. Clark Ortkiese, Crosstown Brewing co-founder and brewer, says it’s their base malt.

The very patient brewers of Memphis explained to me that malt is malted barley, the same grain as in a beef and barley soup. Ortkiese says maybe 90 percent of every beer made in the world is made with a base of malted barley. If you ever see a plant that looks like wheat on a brewery logo, it’s probably barley. 

Brewers will use malt and some other grains for different kinds of beer. The list of all grains used in a beer is referred to as the beer’s “grain bill.”  

Barley is grown and harvested and then sent over to a malter. There, the grain is soaked for a time, dried, and roasted. That roast time will determine much about the beer. Lightly roasted malt will give you lighter beers, a pale ale or a pilsner, maybe. A golden-roasted malt will give you a Scottish ale or an Oktoberfest. A dark roast, of course, will give you darker beers, like a Guinness.

Ortkiese explains that the big Canada bag contains “just plain malt. You can call it two-row or pale malt. It’s a base malt. It’s all that goes into Traffic.” 

Steve Winwood’s “Roll With It” blares over the darkened taproom at Memphis Made. A pallet jack, tools, and sacks of grain spread across the floor where typically sit neat rows of tables and benches. 

By the late afternoon, the brewers are working on their second batch of the day. Back in the lighted brewhouse, they gang around a silver tank, opened at the top and just bigger and taller than a pool table. It’s filled to the brim with what looks like oatmeal. It’s not, of course. It’s that famous Memphis water and that malted barley combined to make a sugary water. One day, that hot, sweet-smelling oatmeal-looking stuff (called a mash) will somehow become an ice-cold Fireside amber ale.

Memphis Made co-founder and brewer Drew Barton says a lot of his company’s grain comes from Germany, but they get some speciality stuff from the U.S., Canada, and England. Outside of water and know-how, you can’t really source a lot of beer ingredients locally, he said. 

“We don’t grow hops around here,” Barton says. “We don’t grow barley around here. There’s no yeast labs around here. At this point, it’s more of the skill set … of the brewer and the equipment you use that’s more important than if you got the ingredients right down the street. The source is important but not the locality of it.”

Yeast

Barton says much can be done along the brewing process to change the flavor components of beer. Yeast, he says, is one the biggest contributors to flavors “that people don’t realize.” And it’s not just the casual beer drinker who doesn’t get it. 

“The most important ingredient in brewing was the last one discovered, because yeast is a single-celled organism that is invisible to the naked eye,” according to All About Beer magazine. “Still, brewers have long known that some unseen agent turned a sweet liquid into beer. Long ago, the action of yeast was such a blessing, yet so mysterious, that English brewers [in the Dark Ages] called it ‘Godisgood.'”

Barton says yeast is vitally important to flavors. “We can have 500 gallons of wort [beer before yeast and fermentation] and split it up into five 100-gallon tanks with five different kinds of yeast in them,” Barton says, “Even though everything started out the same, you’d get five very different beers.” 

Ortkiese rattles off the name of the yeast used at Crosstown — US-05 California Ale yeast — quickly, from the top of his head. But then, his eyes light up as he courses through the history of that yeast strain from a now-defunct California brewery to its rediscovery and “rescue” by Ken Grossman, billionaire founder of Sierra Nevada. 

“I’m guessing here, but I’ll bet half the beers in the United States are fermented with that yeast; it’s just a workhorse,” Ortkiese says. “It’s very neutral. So, it lets all the hop flavors come forward.”

Yeast also gets you drunk. 

Those little fungi eat all that sugar we made with the water and malted barley, remember? It chews it up somehow and poops out — you guessed it — alcohol. Thanks, yeast. You really are the best. 

Hops

But for the gentle hum of some equipment and a hiss of running water somewhere, things are quiet at Wiseacre, relative to the size of its big brewhouse. The brewers are busy, but they’re spread out, working somewhere amid silver tanks that seem two stories tall. Somewhere in here, I think to myself, is an Ananda that I will drink sometime in the future. Weird.

Inside a walk-in cooler, brewer Sam Tomaszczuk pours bright green pellets from a futuristic, metallic-silver pouch. While you might not recognize them in their pelletized form, you’ve seen hops before. Have another look at a brewery logo. You might find a small, green plant the same shape as strawberry. Heck, a hop plant is the central feature of Meddlesome’s logo. 

Hops are little green flowers, cousins to marijuana. Brewers primarily use hops to bitter beer, to balance out that sweetness from that sugary barley water.

“There are a lot of beers that are quite hoppy out there that aren’t bitter at all,” Tomaszczuk says. “We have people who say they don’t like a hoppy beer and then we have them try something like Adjective Animal. It’s 8.6 percent alcohol … so it has a lot of sugars to it. It’s actually kind of sweet, compared to some of our other beers. So, when people try that, they tend to like it, even thought that’s a ‘hoppy beer.'”

Tomaszczuk pours those green, pelletized hops into a the steaming hole of a massive silver tank. In a few weeks, it’ll be a Hefeweizen, a light wheat beer, just in time for spring. 

Chunky, heavy-metal guitar riffs blend somehow over the hiss, clatter, and conversation spilling out of the open bay door of Ghost River. It’s a canning day, and the brewers are canners for the day. 

A pallet of naked, empty, silver cans glide from their stacks in satisfying single file through a machine that would make Willy Wonka smile. The cans are filled four at a time, sealed with a lid, twirled with a label, and six-packed by hand. It’s the very first time Ghost River has canned its new Grind-N-Shine, a light cream ale with coffee and vanilla. The beer is cold, and the freshly filled cans sweat in the tropical brewhouse environs. 

Back in the quiet of the taproom, Ghost River head brewer Jimmy Randall explains that it was “time to move forward.” Ghost River replaced its 1887 IPA with Zippin Pippin, and hops were a big reason why.

“We really wanted something … that would reflect those flavors that you get in IPAs and the hop profile was a big one,” Randall says. “We wanted to give it those big, up-front hops, the aroma, the flavor of them. So, we changed the way we hopped the beer completely.”

Add hops to the end of the boil, Randall explains, the more aroma you’ll get. Boil them longer, you’ll get a more bitter beer. Add hops at the end, you’ll get different flavors. And the types of hops you use will change everything. 

“So, take your Centennial hops, for example, which are kind of your classic, American IPA hops,” Randall says. “Bells Two Hearted IPA? That is 100 percent Centennial hops.”

Mosaic hops will give you juicy, tropical-fruit flavors, he says. Citra will give you citrus flavors.  

Get Crafty

There are about 100 craft breweries in Tennessee. About two dozen of those are in Nashville. Knoxville has 15 along its “Ale Trail.” 

The craft beer scene is still fairly new in Memphis. Boscos was Tennessee’s first brewpub, opening in 1992. Ghost River opened here in 2007. We’re now about five years from the Great Craft Awakening of 2013, the year that saw High Cotton, Wiseacre, and Memphis Made open. Since then, the city has added Meddlesome and Crosstown, each of which has been open for just more than a year. 

The Memphis scene isn’t small. It’s right-sized, and more is on the way. We’ll hopefully see Grind City Brewing in next year’s Beer Bracket Challenge. They’re planning to open in July. Plans to open Soul & Spirits Brewing in Uptown were revealed last week. There are more breweries coming, I’m told, but nothing we can report just yet. 

Until then, support your local craft brewers. Go drink a beer. And feel free to use my recipe.

Categories
Politics Politics Feature

State of the State

NASHVILLE — Tennessee Governor Bill Lee delivered his first State of the State address Monday night in the House chamber of the state Capitol to an enthusiastic audience composed overwhelmingly of representatives and senators belonging to the current Republican super-majority.

In a State-of-the-Union-like format involving several nods to individuals, symbolic of his themes, seated in the balcony, the governor stressed four major aspects of state government: education, the criminal justice system, health care, and governmental economy.

His two key points regarding education were his support for “education savings accounts” (ESAs), voucher-like outlays to reinforce what he sees as necessary educational “choices” for parents and for stepped-up backing of charter schools as a means to the same end. Apropos the ESAs, Lee promised to infuse the existing public education system with an additional $25 million by way of balance, and to fully fund the state’s BEP (Basic Education Fund), conspicuously underfunded in recent years.

Jackson Baker

Bill Lee’s State of the State

As he has indicated previously, Lee is proposing a package of criminal justice reform that, he says, would maintain “swift and severe” justice for violent offenders but ease and assist the re-entry of nonviolent offenders into society and reduce or eliminate the costs of their efforts to expunge their criminal records.

Lee’s prescriptions to improve health care were somewhat piecemeal, involving such matters as more money for medical instruction and for safety-nut funding in rural areas, and task forces to deal with suicide prevention and mental health.

Finally, the governor promised “that government [will] be operated with integrity, effectiveness, and as little cost as possible.” (Governor Lee’s complete remarks are posted on the Flyer‘s “Political Beat Blog.”)

Memphis state Representative Karen Camper, the Democrats’ minority leader in the House, rebutted the State of the State in an event held later in the Old Supreme Court Chamber in the Capitol. Most notably, she took Lee to task for shying away from embracing Medicaid expansion, maintaining that the failure to do so is somewhat responsible for the current rate of hospital closures and the consequent delay in response time for medical emergencies in the state’s hinterland.

• The campaign for positions in Memphis city government is well under way, and we will make an effort to document them.

One of the most serious coming-out events of late was a reception/fund-raiser held last Thursday evening at the home of Lisanne and Tom Marshall in support of Jeff Warren, a physician and former long-term member of the former Memphis School Board. He is now a candidate for the Super District 9 position on the council being vacated by Reid Hedgepeth.

Warren’s bent, as he indicated on that board during the tempestuous period leading to the ultimately abortive merger of city and county school systems, was to try to reconcile the contradictory positions of others. That aim proved to be beyond his, or anybody else’s, ability during the pre-merger period, when he resisted the Memphis board’s majority in favor of surrendering its charter.

In any case, Warren has fairly successfully yoked some unusual companions in support of his council campaign. In his corner at the initial event were numerous representatives of the established local order. Typical was host Marshall, architect of several significant local projects and influential former councilman himself. Jack Sammons, a running mate of Marshall’s during their council years and now a groomer-in-chief of council members acceptable to the power elite, was on hand, as were such traditional political patrons as Billy Orgel and Ron Belz.

Warren also would seem to have support among established political liberals. He has enjoyed support in the past from Memphis Congressman Steve Cohen, longtime governmental activist Sara Lewis, and David Upton. He’ll also have lots of money. None of this makes him home free, but all of it together is enough to make Warren the candidate to beat.