Categories
Opinion The Last Word

Go Fund America

Memphians take care of each other. That’s not boosterism; it’s a proven fact. The city consistently ranks among the most charitable in America, year after year. So I wasn’t surprised at the turnout at last Saturday’s “For the Love of Luke” benefit to raise funds for one of Midtown’s most prodigious and beloved musicians. I wasn’t surprised by the silent auction bids or the GoFundMe proceeds, either — or the quickness with which so many people offered their time and talents. If you missed it, I’m sorry you weren’t there for a hell of a show, but there’s another benefit at DKDC this weekend, and the lineup is just as good.

In these moments, I’m proud to live in a place where people rally to help each other out when they need it. But something gets lost in all the feel-good vibes surrounding these inspiring tales of community: We shouldn’t have to do this. For one thing, in a town that markets itself as a cornerstone of “blues, soul, and rock-and-roll,” it’d be nice if our cultural torch-bearers were a little better taken care of. But big-picture, it’s fundamentally screwed up that health care is treated as a commodity, rather than a right and a moral obligation, and that’s putting it nicely.

Remember the migrant caravan the GOP tried to elevate during last fall’s midterm elections as a campaign issue? There’s actually another caravan that, I think, represents a much more troubling issue: people with type 1 diabetes who have to make regular bus trips to Canada to buy insulin. Because, understandably, they can’t afford to spend $300-plus on a single vial. Millions of Americans are diabetic, and prices have tripled over the past decade while drugmakers make bajillions of dollars. Meanwhile, 26-year-olds are dying because they’re fresh off their parents’ coverage and forced to ration their life-saving medication. So far, Colorado is the only state that regulates the amount patients can be charged: no more than $100 a month.

Worse yet are the stories — pitched as evidence that the kids are all right and the next generation isn’t fully empathy deficient — of elementary-aged students pooling their allowances or giving up their birthday presents to help a classmate get a new wheelchair or some other health-care necessity for which money absolutely should not be a barrier. “That’s raising ’em right,” says the commentariat. Sorry, no. I’m not sure it’s possible to “raise ’em right” in a nation where a child with a disability has to rely on the generosity of her classmates, who are also children. The only lesson that teaches is that only people with money are allowed to live semi-comfortably, and everyone else is at their mercy, even kids. While that’s probably true, it certainly doesn’t make it right.

Medical debt is the leading cause of bankruptcy because it’s next to impossible to budget for an unexpected health-care expense. On top of the bills, lost wages add up, and those rainy-day funds evaporate in minutes. Even for those with insurance, high-and-rising deductibles lead to high out-of-pocket costs. That means there are a lot of people out here with nagging pains and weird lumps they’re hoping will just go away on their own. And they’re waiting for the situation to get bad enough to justify the $500 or $1,000 or the firstborn child they’ll have to give up for some relief. GoFundMe, the most popular crowd-funding platform out there, has raised more than $5 billion and counting since its launch. Of course a third of their campaigns are for health-care costs. I bet another decent chunk is for vet bills, but I digress.

People seem to be more than willing, happy even, to contribute to these campaigns. I wonder if there’s an opportunity for GoFundMe to scale its platform. Maybe they can launch a national pilot program, where a little bit of money is taken from people’s paychecks and put in a big pool for medical care. That way, we all could just go to the doctor when we need to, without having to worry about missing a rent payment or getting a claim for cancer treatment rejected as unnecessary or getting sued by the hospital. Call it, I don’t know, “GoFundAmerica” or something. “GoFund Us All,” maybe. Sounds crazy, but it just might work.

Jen Clarke is a digital marketing specialist and an unapologetic Memphian.

Categories
Food & Wine Food & Drink

Bar Ware Brings Craft Cocktails — and a Juice Bar — Downtown

During these hot months, it’s important to drink lots of water and take care of yourself so you don’t stroke out on some patio in front of all your friends and their dogs. That’s why I support Bar Ware, Downtown’s newest bar, because they’ve mitigated the issue of the unhealthy habit of drinking by sticking a juice bar inside their place. The way I see it, they’ve damn near made drinking in a bar a step in the right direction.

The Ware in Bar Ware is Libby Ware Wunderlich, owner and founder. The where is 276 Front Street, near Old Dominick distillery. And the details? They’ve covered a lot of ground.

Featuring beautifully crafted cocktails, a state-of-the-art juice bar from JuiceBrothers, a delicious menu served all day, and Memphis’ only “frozen beer machine” that turns the head of your beer into a slushy (tried it, and it works: your beer stays ice-cold!), Wunderlich and her staff have thought of every conceivable way, short of an injection, for people to get food and drink into their bodies. Make no doubt about it, the Downtown bar scene lineup just got a little deeper.

Photographs by Justin Fox Burks

The vibrantly violet Madam Butterfly (above) and house-made tagliatelle

The bar manager, Jacob Leonard, developed the entire beverage program with the help of fellow bartender Sam Hendricks. The cocktail list is summery, with drinks based around fruit, light teas, and fragrant herbs. Leonard’s favorite drink to make is the current darling of Instagram, the Madam Butterfly, a blue drink made with butterfly pea tea and topped with flowers. “It’s delicate, but it has layers,” he says.

An added benefit of being a bar with a juice bar connected to it is incorporating fresh-squeezed juices into the cocktails. As Bar Ware continues to get up and running, Leonard and his staff will begin cultivating a drink menu that features their juices as well.

So sure, they’ve pulled off a juice bar and a full bar, but can they cook? Chef Kevin Quinnell, formerly of Southern Social and Itta Bena, is here to check that off the list, too. The menu has a little bit of everything, including a charcuterie and cheese plate, steamed sandwiches, a house-made tagliatelle pasta with vodka cream sauce, and Quinnell’s favorite, the beef Wellington.

But what of Libby Ware Wunderlich, who thought to pull all of this together under one roof? A woman of the people, she threw a central focus out the window and embraced the chaos of appeasing us all.

Bibi Janus, a friend of Wunderlich’s, helped her with JuiceBrothers. The concept, which Janus developed in her native Amsterdam and recently brought to Manhattan, and the recipes, are all hers. The Memphis location is just one of three in the United States (the other two being in NYC).

Wunderlich envisioned a place for people who enjoy drinking to drink, and she’s built it to suit. The interior is swanky without being pretentious. The ceilings and walls are dark, so one doesn’t feel very exposed while knocking a few back. The decorating is exquisite, from the gingko light fixtures to the Mongo for Mayor framed picture on the wall. The patio, which is under construction, will be a key addition once the weather cooperates.

And Wunderlich is back at work just days after having her first baby, because nothing makes one want a drink quite like childbirth. I respect this commitment, and have a drink in her honor.

Categories
Editorial Opinion

Crime and Punishment and Societal Problems

The issue of public safety is sure to surface sooner or later in this city election season. Fodder for it was provided on Tuesday during an address to the Rotary Club of Memphis from Memphis Police Director Michael Rallings.

MPD director Mike Rallings

As is usual under such circumstances, the head of MPD was prepared with plenty of statistics. In a nutshell, there were two sets of measurements: 1) the state of criminal incidents since last year, and 2) the state of things since the city’s high-mark for violent crime in 2006 — the year that the data-driven policy of Blue Crush took hold in the department.

By the second measure, progress is undeniable. The incidence of crime is down 6 percent since the advent of Blue Crush — and, as Rallings noted, that means 1,625 fewer victims per annum. As for violent crimes, there were 36,859 by this point in 2006; there are some 26,000 in 2019, thus far, an impressive decline.

Now for the bad news: “Homicides are still a challenge,” Rallings said. The number of murders has picked up this year by a margin of 13 percent over last year. Another issue is a drastic increase in the number of firearms stolen from vehicles since the passage of state legislation several years back that allows guns belonging to licensed owners to be left in automobiles. Rallings pointed out the irony that the state’s lawmakers were much more scrupulous about banning the use of cellphones in cars than they have been regarding guns.

The director said the ideal number of MPD officers is 2,600, adding that there are 2072 officers currently. He said he expects to see the force reach 2,300 officers by the end of 2020.

But, as Rallings noted, the best means of lowering the crime rate is not that of merely buttressing the police component. He pinpointed three predominant facts common to offenders: 1) the fact of being a high school dropout, 2) the subjection during one’s upbringing to an atmosphere of domestic violence, and 3) the incidence of transience in the life of offenders’ families. The best means of curtailing crime, Rallings said, would be to find solutions to these insufficiencies in the lives of the city’s less fortunate citizens.

This year’s mayoral candidates might take heed of Rallings’ findings, particularly his syllogism that “to improve literacy is to reduce crime.” That relates particularly to his first point. As for his second point, Rallings said there was a direct correlation between “intimate-partner violence” in the home to crimes committed later on by youths raised in those circumstances. Clearly, an increased emphasis on reducing domestic abuse is as relevant to crime control as it is to culture in general in the #MeToo era.

All in all, Director Rallings made obvious the connection between social attitudes, insufficient housing, poverty and its attendant social problems, and the crime rate. It behooves the mayoral candidates of 2019 to consider the facts and come up with strategies to improve the situation on all fronts.

Categories
Film Features Film/TV

The Lion King (2019)

Are you sitting down? ‘Cause you’re gonna need to sit down for this one.

Have I got a pitch for you. It’s an absolute, 100 percent, can’t-miss idea. I know you, the Walt Disney corporation, have billions of dollars already. But after this, you’re going to have roughly a billion more dollars, give or take.

You remember The Lion King? The 1994 animated film? Of course you do. You’re Disney.

There’s this lion, see. His name’s Mufasa, and he’s like, the king of Africa. It works, because the lion is the king of the jungle. So it couldn’t be the Ape King or the Cheetah King, because cheetahs never prosper.

That’s good. Write that down. “Cheetahs never prosper.” We’ll use that.

So this Mufasa, he’s animated, and James Earl Jones is the voice. He’s got a brand-new lion cub named Simba. When the movie starts, he’s presenting his new cub to the kingdom, which is, like, the animals. And they all bow down and say hail to the king and his new cub. And they sing a song about “The Circle of Life”!

It’s a musical, see. And who wrote the music? Elton freakin’ John, that’s who! And Sir Tim Jesus Christ Superstar Rice wrote the lyrics that the animals sing.

So anyway, Mufasa’s got a brother named Scar, who’s not handsome like Mufasa because he’s got this big scar on his face. Scar’s jealous of his brother and wants to be king. So one day, he takes Simba down into the gorge or canyon or arroyo, whichever one they have in Africa. And he tells him to stay there, and he starts a big stampede. And Mufasa tries to save Simba from the stampede, but Scar betrays him, and he dies. This happens after the whole “Circle of Life” thing because lions age faster than people.

Scar tells Simba his father’s death is all his fault, when it’s actually Scar’s fault. So Simba runs away in shame, and Scar becomes the new Lion King. And he’s got this army of hyenas, which is how you know he’s bad, because lions and hyenas don’t usually mix. It’s Shakespearean, like Hamlet, but with hyenas.

A skeletal Scar and his cackle of hyenas replace the colorful animation of 1994’s The Lion King.

Simba flees into the jungle to find himself, and he meets some new friends: a cute meerkat named Timon and a so-ugly-he’s-cute warthog named Pumbaa. And it’s funny because Pumbaa farts a lot. They teach Simba a song, “Hakuna Matata,” about how they just sit around and fart all day. Then one day, Simba’s old girlfriend Nala shows up and inspires him to go back to the Pride Lands and kick Scar out and become king, and they all live happily ever after. It’s the circle of life, baby!

Now, I know you’ve got to run off to another meeting where you’re counting all that money you made from the live-action Aladdin remake, so I’m going to cut to the chase here. We’re going to remake The Lion King

… with real lions.

And those lions? They’ll be singing.

How are we going to get the lions to sing? Computers.

James Earl Jones, he’ll be back. But for Simba, we’ll lose Matthew Broderick and get Donald Glover. No, not the guy from Lethal Weapon who’s getting too old for this stuff. I’m talking Childish Gambino/Lando Calrissian. For Pumbaa, Seth Rogen. That guy’s funny as hell, and he farts constantly. And Nala? Hold onto your mouse ears, folks. We got Beyoncé.

Cha-ching.

What did I tell you? Nothing can go wrong. The kids today, they want reality. Remember Beauty and the Beast? Remember how much better it was when that singing candlestick looked real? It was $1.2 billion better. Imagine that, but with lions.

It’s gonna look like Planet Earth on BBC, but instead of David Attenborough narrating, it’ll be Beyoncé singing. And I promise our “real” computer lions are not going to be much less expressive than the stylized, hand-drawn ones from ’94, even though real lions’ faces look the same whether they’re happy or sad. And the rest of the animals are going to be just fine, trust me. What’s cuter than a lifelike warthog that farts all the time?

As for the music, which spawned both a huge Elton John hit and the highest-grossing Broadway show of all time, we think it’s a little too edgy. We’re going to have to water it down a bit to make it more acceptable to Middle America. Did I mention Beyoncé?

I knew you would love it! This is going to be great, not boring at all. Circle of life, baby!

That’ll be $260 million.

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Categories
Music Music Features

Mellotrons Redux: “Mellotron Variations” Spawns a Record and Film

Regular readers of these pages already know about a particular musical niche in which Memphis has lately played a pivotal role: the Mellotron revival, which has slowly been gathering steam over the last two decades.

Collector and enthusiast Winston Eggleston, son of famed photographer William Eggleston, has instigated concerts featuring the 1960s-era keyboard, which uses analog tape loops to eerily recreate the sounds of real instruments and even whole bands at the push of a key. So far, the culmination of this has been the stunning Mellotron Variations concert in April 2018 at Crosstown Arts, in which local players Robby Grant and Jonathan Kirkscey were joined by Pat Sansone (Wilco) and John Medeski (Medeski Martin & Wood), presenting semi-improvised original pieces that showed off the evocative range of multiple Mellotrons being played at once.

Jamie Harmon

l to r: Robby Grant, Jonathan Kirkscey, John Medeski, Pat Sansone

This Friday, that concert will be released as a live LP on Spaceflight Records, with a film of the concert on the way. I spoke with Grant about how this project just seems to grow more legs at every turn.

Memphis Flyer: It seems like with Mellotron Variations, you’re making more use of the rhythm fill features, the stock rhythm section recordings featured in the old Mellotrons.

Robby Grant: Yeah, they call those the rhythm and fills. It might be due to the way we were writing these for the show. We didn’t really compose these to be on a record. Because Pat and John weren’t there, Jonathan and I spent a lot of time working on these songs, and I think maybe it was a shorthand way of experimenting with sounds. Certainly Jonathan had a couple songs that were very composed, but this was another way to play around and see what felt right. We wanted the hour-long show to be kind of varied. All you really have to do is dial up those rhythm and fills and add different noises and loops. It’s kinda like when you first get any new keyboard. The most innocent and fun part is just going through and finding sounds.

And due to John and Pat being busy elsewhere, you guys only had a limited number of hours to prep for the show, correct?

It’s like a yin/yang kinda thing. Jonathan and I had a really long time. From January to April of 2018, we were working on it at least three to four times a week. Pat and John were only there on a limited basis. Pat came in maybe two weekends in that span of time, and John came in just one weekend in February. So that was when we really got together for three days and wrote the songs. We developed some ideas, and then Pat and John came back for three days before the actual show in April and we rehearsed.
Were there particular challenges in mixing down recordings of a live show?

We didn’t intend to make this a record, honestly. It was all built around the performance. And that came out so well, we were like, let’s try this. Jonathan probably spent 100 hours mixing and editing it. Since it was recorded using direct output from the Mellotrons, we never had crowd noise. So it is a live album, but it doesn’t sound live.

And soon you’ll be releasing a film of the show?

Yes, Justin Thompson led a four-camera shoot that night. And Daniel Lynn at Music+Arts Studio is doing a surround-sound mix for the movie. So this thing just keeps going. We did the show last April, then were invited to play the Solid Sound Festival, and I was like, ‘Okay, that’ll be a good ending.’ Then I got a call from OZ Arts in Nashville. We’ll play that and a Tiny Desk concert on NPR in December. If people want us to do it, we’ll do it!

Categories
News The Fly-By

New NORML

The Memphis chapter of the National Organization for Marijuana Laws (NORML) was dissolved recently and re-formed last month with a new executive director, Sonny Linn. The new group officially launches Thursday with a rooftop party at Alfred’s on Beale from 6 p.m. to 9 p.m.

While some of the personnel has changed, one core thing remains the same for the group — the full legalization of cannabis for adults in Tennessee. State lawmakers got close to a medical cannabis bill last year. While Linn said we may get closer this year, full legalization here may take a change in the state constitution. — Toby Sells

Memphis Flyer: What are you hoping to get done?

Sonny Linn: Ultimately, our No. 1 goal is to get cannabis legalized in Tennessee, whether that’s medical or recreational. The end goal is always recreational. We believe in responsible use of cannabis, period. For consenting adults over 21, they should have no problem being able to go purchase cannabis.

No. 2 is just to get the general public in Tennessee active in lobbying and activism. When we do have rallies and marches, maybe 20 people show up. That doesn’t say to our politicians, “Hey, we really want this.”

MF: What does NORML say to lawmakers when you meet with them?

SL: Some of our board members met with Rep. Jeremy Faison [R-Cosby] and some of the other [lawmakers] who are pro-cannabis and they, basically, just tell their story. “I’ve been to other states, and I’ve seen this happen [with legal cannabis]. Look at the revenue they’re generating. Look at what we’re missing out on while we have an opioid crisis going on.”

MF: What do you think the chances are of any kind of legalization here in the near future?

SL: If our politicians won’t listen to the general public, we need to figure out a way to reorganize our constitution to allow ballot initiatives. They don’t have to wait on politicians. I think that will be our fastest and most effective way to legalization.

MF: What are the chances of getting legal cannabis through conventional methods, like a vote in the Tennessee General Assembly?

SL: I think it’s slightly higher than this year’s bill. Rep. Dr. Bryan Terry [R-Murfreesboro] said the bills can’t mention anything about recreational [cannabis legalization], not even hint toward it.

So if a bill does pass, it will be a very limited bill. Because [lawmakers] are really going to be looking at treating cancer or HIV, things like that. If that’s the first step, then that’s great. I would love for those people to have access to cannabis.

MF: What is cannabis culture like in Memphis right now?

SL: It is really becoming more mainstream in Memphis, and that really happened this year. The first few hemp and CBD shops opened their doors here last year in West Tennessee.

Cannabis in Memphis has always been very discreet, very, you know, hide it, hide it, hide it. Now I’m seeing more people come into hemp stores and say, “We really wish that the stuff would just get legalized.”

Categories
We Recommend We Recommend

Omar Higgins’ Legacy Continues with Return of Live Up Fest

Local reggae fusion band Chinese Connection Dub Embassy (CCDE) recently lost a member and a brother, lead vocalist and bassist Omar Higgins, but his legacy continues.

The band, founded in 2010 by Omar and his brothers Joseph and David, has always been known to be philanthropically spirited, with performances benefiting organizations like Le Bonheur Children’s Hospital.

Chinese Connection Dub Embassy

“It’s always been important to us to remain active in our community,” says Joseph, the band’s keyboardist and vocalist.

For the last six years, the reggae-rooted group has raised funds for Le Bonheur through their annual Live Up Fest, and this year is no different.

In addition to hosting a raffle benefiting the children’s hospital, this year’s Live Up Fest will feature a performance by CCDE and special surprise guests. Others taking the stage include Darius Phatmak Clayton, Johnny Love, and The Irie Lions.

“All of the artists playing have roots in reggae, but each of them have their own unique styles,” says Joseph.

Darius Phatmak Clayton (Memphis) exhibits hip-hop and spoken word styles, Johnny Love (Santa Anna, California) performs elements of Latin music, The Irie Lions (Fayetteville, Arkansas) combine jazz and funk sounds with reggae dub, and Flux (Florence, Alabama) plays experimental jam music.

“Ultimately, the goal of the festival really is just to bring people together, and, at least for a couple of hours, for everyone to forget about all the negativity in the world and have a good time,” Joseph says. “Expect good vibes, and nothing but.”

Live Up Fest, Railgarten, July 27th, 6 p.m.-1 a.m., $10.

Categories
We Recommend We Recommend

Ann Wallace’s One-Woman Play, Live Rich Die Poor, Comes to First Congo

At the time of her death in 1960, Zora Neale Hurston, the influential African-American author, anthropologist, and filmmaker, was all but forgotten. Now, Their Eyes Were Watching God is on almost every high school required reading list, thanks, in part, to the writer Alice Walker, author of The Color Purple, whose attention helped generate renewed interest in Hurston’s pioneering work.

Such is the subject of Live Rich Die Poor: A Zora Neale Hurston Story, the original, one-woman play by actor/playwright Ann Wallace. “There’s a saying that the richest place on Earth is the cemetery because there you’ll find books that were never written, arias that were never performed,” Wallace says.

Ann Wallace

“So the premise of the story is [Walker] accidentally awakened [Hurston] from her eternal sleep. And Zora, in a way, has forgotten all that she did and all she accomplished. So Alice Walker is saying, ‘You lived this rich life.'”

Wallace, a native Memphian with a theater degree from University of Tennessee Chattanooga, admits that this play represents a return to her own creative life. After a stint acting in Chicago, she moved back to Memphis to work in theater, but her life took a turn when she got married and had three children. “My oldest has an autism diagnosis, so I just suspended all my acting and concentrated on raising my children,” Wallace says. “In the past five years, I’ve come back to myself as an actor. And I made peace with the fact that I’m a writer. I’ve been secretly holding that within myself for so long … I’ve wanted to write this story, this one-woman play, for 20 years.”

Voices of the South presents Live Rich Die Poor: A Zora Neale Hurston Story by Ann Wallace at First Congregational Church, Friday July 26th, through Saturday, July 27th at 7 p.m., and Sunday, July 28th at 2:30 p.m., $25.

Categories
Politics Politics Feature

Commission Overrides Harris Natatorium Funding Veto

Despite some wishful advance indications that the county government’s division over funding the University of Memphis swimming facility (“natatorium,” in officialese) would end in some de facto kumbaya, the resolution of things on Monday — with the expected near-unanimous override by the Shelby County Commission of Mayor Lee Harris‘ veto — left some nagging questions on all sides.

The university got the $1 million county contribution that would keep the natatorium on course to completion, and former Commissioner George Chism made a case for the advantages of the facility for needy youngsters in Shelby County without current access to a pool.

But the university — as evidenced in the testimony Monday of Ted Townsend, its chief for economic development and government relations — was no closer to having a definitive target date for a $15-an-hour minimum wage for all its employees than it was at the time of the veto that the mayor imposed two weekends ago at the behest of various union and activist groups.

Jackson Baker

Union rep Webster: “To this day nobody has seen a time frame:”

Townsend, affirming that “we are all focused on attaining a living wage,” contended that a fixed date for imposing a universal $15-an-hour standard was difficult because future state contributions to the university were unpredictable, as were enrollment figures. He made a case that the existence of employee benefits could equate to a de facto $16.82 income package.

Jayanni Webster of United Campus Workers, to whom Harris deferred in lieu of remarks of his own, would have none of Townsend’s arguments. She pointed out that women and blacks constituted a disproportionate segment of the 300-odd employees paid less than the $15 hourly figure and said the workers’ “seven-and-a-half years of fighting for a living wage” had been ignored by the university. “You cannot eat benefits or pay your light bill with benefits,” she said, noting, apropos the university’s claimed intentions, “To this day, nobody has seen a time frame.”

Similar arguments were made by Democratic Commissioner Tami Sawyer, a candidate for Memphis mayor, who turned out to be the sole defender of Harris’ veto. She pointed out the discrepancy between University President M. David Rudd‘s $200,000 annual salary and the wages of the university employees making less than $15 an hour. Sawyer was scornful of the university’s promises that “maybe in four to six to eight years” their pay situation would be remedied.

Other Democratic commission members made it clear that their sympathies lay with the workers but suggested that other factors led to their inability to uphold Harris’ veto. Eddie Jones said, “I’ve never voted against unions, but in this instance there was another way to do this before we get to a veto.” Alluding to former County Mayor Mark Luttrell‘s several vetoes of commission actions, all of which were subject to overrides, Jones said, “The last mayor tried it, and it didn’t work so well for him. I would prefer to see if we could work this thing out.”

Commissioner Reginald Milton spoke of “a cast of characters with well-meaning intentions,” including in that definition “the mayor,  the county commission, and the university.” Calling for continued dialogue between the various parties, he said, “I will vote to override but will make sure that promises will be fulfilled.”

Commission chairman Van Turner foresaw a period of continued negotiation that would end in agreement with the university. Hopeful for change, Turner cited the memory of his father, who had been among the first African-American students to desegregate the university back in the early 1960s, a time, said Turner, when communication between whites and blacks was at a minimum.

Harris, who had largely left discussion to others, re-entered the debate to say that, while he had always enjoyed good communication with the commission, things were “not so good” with the university.

They were not exactly perfect with the commission, either. Commissioner Edmund Ford Jr., a persistent foe, released copies of a letter he had directed to Assistant County Attorney Marcy Ingram, asking for a ruling on whether Harris had, as university President Rudd suggested two weeks ago, committed an ethical breach by appearing to bargain with Rudd on the basis of a quid pro quo.

In the end, the 12-1 veto override vote spoke for itself.

Categories
News News Blog

Tennessee Legislature’s Anti-Refugee Lawsuit Defeated (Again)

Courtesty of U.S. Customs and Border Protection

Children line up inside a U.S. immigration detention center.


A Tennessee appeals court upheld a lower court’s decision Wednesday to dismiss a lawsuit by state lawmakers aimed at blocking refugee resettlement in Tennessee.

The Tennessee General Assembly sued the United States Department of State on the grounds that refugee settlement in Tennessee violates the U.S. Constitution.

The lawsuit alleged that though Tennessee had withdrawn from the federal Refugee Resettlement Program, the federal government forced Tennessee to continue funding the program by “threatening the state with the loss of federal Medicaid funding.” The state said it had to “expend a substantial amount of state taxpayer money” to fund the program.

The lawsuit was dismissed in March 2018 by a federal judge who ruled there was a lack of standing by the legislature to sue on its own behalf and that the state failed to show that refugee resettlement in Tennessee violates the Constitution.

The Sixth Circuit Court of Appeals upheld that decision Wednesday, also stating that the General Assembly had not established its standing

“Accordingly, we do not reach the questions of ripeness, statutory preclusion, or whether the General Assembly stated a claim upon which relief could be granted,” the court’s opinion reads.

[pullquote-1] Hedy Weinberg, executive director of the American Civil Liberties Union of Tennessee, said she “applauds the Sixth Circuit’s decision, which reinforces that this lawsuit should have never been brought in the first place.”


“What’s more, as a state and as a nation, we value fair treatment of refugees and compassion toward those in need,” Weinberg said in a statement. “Our country has a long tradition of honoring these values through our asylum system. There is nothing more American than allowing people the opportunity to seek safety and to work and care for their families.

“Today’s decision ensures that Tennessee will continue to uphold these important values. We will continue to remain vigilant and ready to act against politicians’ attempts to undermine refugee resettlement in our country.”

Lisa Sherman Nikolaus, policy director for the Tennessee Immigrant and Refugee Rights Coalition, said the legislature used this lawsuit to “stoke fear and division.”

“After two embarrassing defeats in the courts, the legislation must finally put this hateful lawsuit to rest and put our taxpayer resources to better use, such as funding public schools and increasing access to healthcare,” Sherman Nikolaus said. “Throughout the debate around the lawsuit, Tennesseans have shown up to defend the life-saving work of refugee resettlement.

“It is clear that our communities are ready and willing to welcome those seeking safety and protection in our country and will reject efforts by lawmakers to divide us.”