Categories
Food & Wine Food & Drink

Hot Diggity Dog: Doghouzz Opens in Crosstown

Doghouzz is finally open, bringing gourmet hot dogs to the Crosstown neighborhood.

The humble hot dog has long been a fixture of birthday parties, baseball games, and 4th of July barbecues, so it’s easy to equate them with summertime. But after stumbling into Doghouzz on a cold, rainy November afternoon, it’s clear that hot dogs are more than just summer food — they’re comfort food in its purest form, and no one does comfort food quite like Memphis, no matter the season.

Lorna Field

You’re in the Doghouzz now.

“Everybody loves hot dogs,” says Joey Betterton, manager of Doghouzz. “But Memphis didn’t really have any good hot dog spots before.” So restaurant partners Ray Rico, Steve Murphy, and Robert Taylor sought to fill that void by bringing a gourmet hot dog bar to the old Metro space across from Crosstown Concourse. The 4,400-square-foot space is equipped with a full bar, a pool table, a jukebox, and a patio in the back.

“Renovations have been going on since about May,” Betterton says. “The roof fell in at the beginning of the year. After that, we got everything rolling, but it’s been an endeavor.”

The menu features a number of specialty hot dog selections, including a Chicago-style dog and a New York-style dog, but there’s also the option to build your own hot dog by choosing from a variety of toppings like bacon, veggies, avocado, and different slaws.

Doghouzz currently serves three types of dogs: a classic Hebrew National all-beef frank, a slightly spicy andouille sausage, and a vegan braised carrot dog (served on your choice of vegan bun).

“Get the cheese,” Steve Murphy whispers to me as I’m perusing toppings, but it’s not a hard sell. I’ll put cheese on just about anything.

It was the right choice. In fact, everything I tasted at Doghouzz was outstanding. As someone who lived in Illinois for a year and New York for six years, I’m no hot dog novice — and it’s worth noting these are not your typical boiled, bland, movie theater-style hot dogs.

Doghouzz dogs are closer to what you’d find at a family cookout: each dog bursting with the smoky, savory flavor you’d expect of a hot dog plucked straight from the grill. It tastes like everything you’d want a hot dog to taste like: Americana.

Murphy, who is originally from Illinois, oversees the kitchen and brings a little yankee flare to the menu. The mac and cheese is cooked on a griddle, which gives it a nice, crisp texture. The chunky potato salad is served with the skins on and with a hint of dill, giving it a sharp, almost piquant flavor. The Doghouzz-style slaw is fresh, crunchy, creamy, and tangy without being sour or slimy like some slaws tend to be. And all of the sides, except for the chili, are made in-house.

“All of these are Steve’s secret recipes,” Betterton says.

The grand opening celebration was held on November 18th, but the party didn’t stop there; Doghouzz will continue to host Saturday night dance parties with DJ Record Player every week.

“We’re going to try to make it like a club vibe here,” Betterton says. “We’re going to be 21 and up after 10 p.m., but before that, we’re all-ages.”

Doghouzz is open from 11 a.m. until 3 a.m. every day except Sunday, making it one of the few places for super-late-night eats in the area — especially on weeknights. “People need an addition to our constellation of bar-hops,” Betterton says.

Doghouzz is also available to host events, and they’ll offer food delivery via apps like DoorDash and BiteSquad.

They’re also continuing to flesh out the space itself: “We have this library ladder that we have yet to install, so we’ll be able to glide across the bar and reach everything really well,” says Betterton. “It’s going to be really whimsical. I like that a lot.

“It’s been a long time coming, but we love this space,” Betterton adds. “Everything we did in here, we did ourselves. So it’s all made with love.”

The Doughouzz is at 1349 Autumn, 207-7770.

Categories
News The Fly-By

MEMernet: New Pancho Man, Sno Way, Gears Ground

New Pancho Man

Pancho’s quietly rolled out its new Pancho Man for the lid of its iconic cheese dip last week. People expressed their feelings on the Flyer’s Facebook post about the change.

“Now my tattoo won’t make any sense!” said Lou Lou Brown.

Toni Lynn Campbell Bercha said, “Finally! It’s good to see the old racist cartoon go away!”

“So what they’re saying is a liberal complained it was racist,” said David Kiehna.

Richie Jarvis said, “The logo LESS likely to be tattoo’d on someone.”

“NOOOOOOOOOOO … I’ll still eat it,” wrote Ben Townsend.

Sno Way

Snow surprised many in Memphis last week. One University of Memphis student asked school president David Rudd to call off classes. He responded with a classic Rudd tweet.

Gears Ground

Posted to Reddit by u/amprather

Categories
News News Feature

Good Hair

A former Shelby County Schools (SCS) student started a petition last month asking that ethnic hair be a part of the elective cosmetology courses at SCS high schools.

Jazmyne Wright, a freshman at the University of Memphis studying political science and African-American studies, started the petition on change.org to address the lack of inclusion of lessons on natural, African-American hair in the courses.

“I think ethnic hair should be just as much a default in cosmetology as any other hair texture or origin,” the petition reads in part. “Black students should be able to learn about their community’s hair and even how to take care of their own hair. The cosmetology course of Shelby County Schools is not diverse or inclusive of ethnic hair.”

Change.org/Jazmyne Wright

“Black students should be able to learn about their community’s hair.”

As a junior at Germantown High School, Wright took one cosmetology course for half of a semester before realizing the course would not include instruction on ethnic hair and dropping the class.

“The fees for the class were $170,” Wright said. “It came with two mannequin heads. I was under the impression that one would be European and the other African-American. They were both European.”

Wright said this “perpetuates the normalization of only one type of hair.”

An SCS spokesperson said that the curriculum for the four-course cosmetology program currently offered in 14 of its high schools is created by the Tennessee State Board of Education as a part of its College, Career, and Technical Education (CCTE) program. The spokesperson added that SCS only offers CCTE programs approved by the state.

Wright plans to present the petition to the SCS board in January. In the meantime, she is looking for SCS students who have taken the cosmetology classes to speak about their experiences.

Wright hopes her effort will also help break down the stereotypes surrounding natural African-American hair, as well as start conversations on policies around natural hair in the workplace.

In July, Tennessee Representative Antonio Parkinson (D-Memphis) introduced the Tennessee Creating a Respectful and Open World for Natural Hair (CROWN) Act to address natural hair in the workplace. Like similar bills passed in California and New York, the legislation would prohibit workplace policies that discourage certain hairstyles.

Having been discriminated against because of his hair in the past, Parkinson said this issue is “near and dear to [his] heart.” As a lieutenant in the Shelby County Fire Department, Parkinson said he nearly lost his job because of his dreadlocks.

“I myself have been a victim of discrimination in the workplace for wearing dreads,” Parkinson said. “My job was threatened. Disciplinary action was threatened. And at the time there was no policy against wearing certain hairstyles.”

Parkinson was written up for his hairstyle of choice and, as a result, eventually cut his dreadlocks.

“A lot of people don’t understand African-American hair,” Parkinson said. “People have one idea of what beauty is and what the standard should be. And in a lot of cases, the standard is European. African Americans are born with a certain type of hair, and there should be no discrimination whatsoever.”

Categories
We Recommend We Recommend

So Bazaar

Memphis College of Art hosts its 69th and final Holiday Bazaar this Saturday, offering an eclectic mix of handmade goods for sale by more than 120 local artists.

Wares produced by these artists will encompass a large selection of gift ideas for loved ones, with everything from handmade jewelry, textiles, pottery and ceramics to paintings, prints, photography, mixed-media pieces, ornaments, metalwork, and woodwork.

“Most of the proceeds will go directly to the artists, and that’s a great way for us to help the local arts community,” says Olivia Wall, coordinator of external engagement. “And a small portion will go toward the school’s budget to teach our current students.”

MCA

Hats off to a Memphis holiday tradition

The Holiday Bazaar tradition began in 1949 under the guidance of Edwin “Ted” Rust, director of what was then called Memphis Academy of Arts. The event took off and became a staple of the school’s holiday celebrations. And by 1957, the eighth annual Bazaar grew substantially enough to help fund the school’s move from its campus at the James Lee House on Adams Avenue into its current building, aptly called Rust Hall, at Overton Park.

Sadly, Memphis College of Art calls an end to the time-honored tradition this year as the school’s days conclude in May 2020.

“Like a lot of events we’re doing this year, they’re a little bit bittersweet in that they are our last one,” says Wall. “But we’re also very proud that we are able to continue the traditions that have been with the college for a number of years. We feel that it really adds and continues that Memphis College of Art community spirit, both for our current students and faculty, as well as the greater community we serve.”

sixty-ninth and Final Holiday Bazaar, Memphis College of Art, Saturday, November 23rd, 10 a.m.-5 p.m., free.

Categories
We Recommend We Recommend

Celebrate Shelby

This year marks the bicentennial of not only our city, but of Shelby County, as well. And, to commemorate the occasion, Memphis in May (MIM) hosts Celebrate Shelby at Shelby Farms this Sunday.

“We wanted to take it up to Shelby Farms since that’s kind of the jewel of Shelby County,” says Robert Griffin, vice president of marketing for MIM. “We wanted to be able to have it centrally located for all the municipalities, whether it’s Collierville, Germantown, Millington, Bartlett, Arlington, Lakeland, and of course, Memphis — right in the heart of it.”

Memphis in May

There’s a party goin’ on right here!

Local musicians Marcella & Her Lovers, Kevin and Bethany Paige, and Savannah Brister will perform.

“Shelby County has got a lot of local talent, and this gives us an opportunity to highlight that,” Griffin says.

Children and adults will remain occupied with a cornucopia of activities like cornhole, rock climbing, face painting, fireworks, free birthday cake, and Touch-a-Truck.

“The different municipalities will be bringing emergency vehicles, like fire trucks, police cars, and ambulances,” says Griffin. “Kids and adults alike will enjoy this, because, let’s be honest — adults would probably like to check out some of the equipment the local first responders are using.”

Attendees will receive passports to be stamped at each of the seven municipalities’ tents, where pieces of history will be displayed.

“Lakeland used to be an amusement park,” says Griffin. “Someone in the community found one of the cars from one of the amusement park rides, and it’s going to be on display in the Lakeland center.”

Ultimately, Griffin says it’s important to go celebrate. “I mean, the bicentennial only comes around once every 200 years,” he says.

Celebrate Shelby, Shelby Farms Park, Sunday, November 24th, 1-5:30 p.m., free.

Categories
Music Music Features

Kirk Whalum’s New Album, Humanité, is a Global Effort.

Kirk Whalum is a native Memphian, and, although he’s lived around the world and traveled widely as a star saxophonist, he’s living back in his hometown these days, and he’s a primary force in helping reinvent Memphis as a true city of the world. Nowhere is that more apparent than on his latest release, Humanité (Artistry Music), and the accompanying film, Humanité: The Beloved Community.

The new album is a truly global effort. It exudes a sort of international cosmopolitan spirit that could sound at home on radios from Jakarta to New York, evoking a sense of connectedness with the wider world, as experienced through the struggles of its least powerful citizens. Precisely because of its global vision, it may be his most personal record to date.

Kirk Whalum

Memphis Flyer: How would you describe the sound of your new record? I see it’s been produced using artists and studios all over the world.

Kirk Whalum: It’s definitely groovin’. That was one of the objectives. The narrative might lead you to believe it was kind of world music. But it’s only world music in the sense that there is really a world platform behind the idea of it. But sonically, it’s definitely pop, in the sense that it’s danceable and, you know, groovy.

How did this album come to be?

It started with this recurring scenario where I was encountering these artists, whether emerging or established, in some faraway lands. And I came to this point where I was looking at turning 60, and I was like, “Geez, wait a minute. That happened way too fast.” And that really sobered me. I said, “All right, dude, what are you gonna be doing? What you intended to do right now, are you doing it?” And the answer was no. You know, I consider myself kind of a global citizen, but I just didn’t feel like I was living that. So I was like, “Man, I’m gonna be all about it.” That’s when this project kind of coagulated, and I was off to the airport. I didn’t wait for a record company. I just started going. And I told my friend John Hanon, an award-winning filmmaker, about the project, and he said, “Well, let’s go. We’ll deal with the business later, but let’s get this done.” And sure enough, he made an amazing documentary, Humanité: The Beloved Community.

The things that you and I do to help facilitate a global perspective are more important than ever. I would be remiss to not mention this reactionary space we’re in as a country, and in our world right now. We need all the help we can get to just keep each other reminded.

Are there any of these songs in particular that address that need for global awareness?

I would point out two: “Now I Know” and “Kwetu.” “Now I Know” features the No. 1 artist in South Africa, Zahara. She lives in Johannesburg, and yet her story is about being from a little village out in the bush. The main thing you get in English is, “Now I know who you are,” and for me that would be God and Christ. “I’ll never be afraid again. Now I know who I am, I’m never letting go of love.”

And the other song, “Kwetu,” features the children of a neighborhood in Nairobi called Korogocho — and by the way, there’s another song called “Korogocho” — but on “Kwetu,” these kids are playing their instruments. And they live next to the city dump. When they burn all that refuse, the toxic smoke wafts over to their little school. But this little ray of hope is their music program, called Ghetto Classics. To have them in the studio was just precious, man. Those two songs really get to the heart of what the music’s about. You’ll feel a little more in touch with the global reality we’re in, in a positive way.

Hear Kirk Whalum with his regular concert series, Kafé Kirk at Crosstown Theater, with special guest Wendy Moten, Sunday, December 1st, 6 p.m.

Categories
Opinion The Last Word

Truth in Broadcasting?

Nobody should have to live like this: to have to go about your daily business while in the back of your mind there’s a constant nagging concern that the psychotic sonofabitch who occupies the White House will do something else insane. As the mounting evidence of his criminal activities creeps closer to the president during the impeachment hearings, expect his conduct to grow even more aberrant, lashing out madly at everyone or anyone who dares criticize him.

The latest victim of a Trump tweet-trashing is Fox News correspondent Chris Wallace, who dismantled Representative Steve Scalise’s GOP talking points justifying Trump’s conduct toward the Ukrainian government on Fox News Sunday.

Chris Wallace interviews Louisiana Congressman Steve Scalise.

In response, Trump tweeted professorially, “Steve Scalise blew the nasty and obnoxious Chris Wallace (will never be his father, Mike!) away on Chris’ lowest rated (unless I’m on) morning show. This kind of dumb and unfair interview would never have happened in the Fox News Past.”

Well, Roger Ailes died and Shepard Smith quit, so maybe some of the reporters over at Big Brother Central are developing consciences. Trump can still count on folks like Fox & Friends and the other half-wits who spew propaganda and lies on behalf of this president, but two scholastic studies, one by the University of Maryland, the other by Fairleigh Dickinson University, have determined that people who watch only Fox News are less informed than all other news consumers — and are much more inclined to believe false information.

There is a federal law called the Truth in Advertising Act, which states that “all ads must be truthful, not misleading, and, when appropriate, backed by scientific evidence.” The Federal Trade Commission enforces the law, whether it’s an ad online, in the mail, or on billboards and buses. For punishment, a federal court can demand a desist order, freeze the assets of the offender, and get compensation for the victims.

Why can’t we have a Truth in Broadcasting law as well, to halt the torrent of lies that create the dual realities in which we live? Basically, people who follow politics fall into two major categories: those who watch and read the news from a variety of sources, and those who watch Fox News. If you’re reading this, you most likely fit in the former category.

During the Nixon nightmare, the president railed against the media, charging the media with all manner of lies and slander, right up until the time it was proven that Nixon was the liar and the journalists had it right. Anyone who saw All the President’s Men knows that there are rules that professional journalists must follow to protect their paper’s integrity and abide by the First Amendment. If there were a Truth in Broadcasting law, Fox News would either have to change its name, like World Wrestling Entertainment, or conform to the principles that govern legitimate news organizations.

Any real journalist worth his salt would love to work for The New York Times or the Washington Post. Since those papers have been proven right many times before, I’d believe them before I would the inane tweets coming from the carbuncle on the posterior of humanity.

While the impeachment hearings into Trump’s phone calls with Ukrainian President Volodymyr Zelensky make for great television, there’s an undercurrent of questionable behavior that’s much worse than trying to dirty up the Bidens. The Trump gang’s conspiracy theories about Joe Biden and his son, Hunter, are based on allegations already debunked by State Department officials. Far more ominous is this continual stream of information concerning Ukraine’s natural gas industry. The firing of Ambassador Marie Yovanovitch was less about opening investigations on Biden and Clinton and more about clearing the way for Trump’s allies to set up business deals with Naftogaz, the Ukrainian state-owned oil company. Trump initially tried to blame his disastrous call to Zelensky on Rick Perry, the secretary of the Energy Department he once vowed to dismantle. Trump claimed, “The only reason I made the call was because Rick asked me to. Something about a liquefied natural gas plant.”

This is where Lev, Igor, and Rudy Giuliani enter the plot. Igor Fruman and Lev Parnas were at the center of efforts to turn their ties to Trump into revenue-producing gas sales. The two were also instrumental in disseminating rumors about the Biden family and also behind the push to remove Ambassador Yovanovitch. The Associated Press reported, “This circle of businessmen and Republican donors touted connections to Giuliani and Trump while trying to install new management at the top of Ukraine’s massive state gas company. Their plan was to then steer lucrative contracts to companies controlled by Trump allies.”

Perry urged Zelensky to fire the Naftogaz advisory board and came up with a list of suggested replacements approved by the president. Perry only recently announced his resignation, and Parnas hinted he may testify before the House Judiciary Committee.

There’s another federal law called the RICO statute (Racketeer Influenced and Corrupt Organizations Act), which says the leaders of a criminal syndicate can be tried for any crimes they order. This makes asking a foreign leader to smear a political rival pale in comparison. It’s all about the gas. If the Judiciary decides to look into this, you can say goodbye to the GOP $1 million donor, Ambassador Gordon Sondland, and goodbye to Perry, Giuliani, Lev, Igor, Bill Barr, Mick Mulvaney, Don Jr., Mike Pompeo, and Donald J. Trump. The revolution will be televised.

Randy Haspel writes the “Recycled Hippies” blog.

Categories
News News Feature

Is This It?

Canada. Mexico. Just when it seemed the U.S. would be the last North American holdout on even considering cannabis legalization, Americans got a surprise Monday.

The House Judiciary Committee announced it would begin work this week on H.R. 3884, or the Marijuana Opportunity Reinvestment and Expungement Act (MORE Act). It is “comprehensive legislation to decriminalize marijuana at the federal level, reassess marijuana convictions, and invest in local communities.” Senator Kamala Harris (D-CA) introduced the companion bill in the Senate.

“Our marijuana laws disproportionately harm individuals and communities of color, leading to convictions that damage job prospects, access to housing, and the ability to vote,” said committee chairman Rep. Jerrold Nadler (D-NY). “Recognizing this, many states have legalized marijuana. It’s now time for us to remove the criminal prohibitions against marijuana at the federal level. That’s why I introduced the MORE Act, legislation which would assist communities disproportionately impacted by the enforcement of these laws.”

The MORE Act would: • Apply retroactively to prior and pending convictions. • Enable states to set their own policy. • Require federal courts to expunge prior convictions. • Allow prior offenders to request expungement. • Require courts to conduct re-sentencing hearings for those still under supervision.

It would also put a 5 percent tax on the sale of cannabis and cannabis products. That money would create the Opportunity Trust Fund. That fund would provide job training, re-entry services, legal aid, literacy programs, youth recreation, mentoring, and substance use treatment programs for “individuals most adversely impacted by the War on Drugs.”

The fund would also give loans to help small businesses in the marijuana industry that are owned and controlled by “socially and economically disadvantaged individuals.” It would also help minimize barriers to “marijuana licensing and employment for the individuals most adversely impacted by the War on Drugs.”

The MORE Act would also touch other areas of federal law including those around public benefits like housing, immigration, nondiscrimination, and more.

“Our federal cannabis policies have been rooted in the past for far too long,” said Rep. Barbara Lee (D-CA), a co-sponsor of the bill. “As states continue to modernize how we regulate cannabis, Congress has a responsibility to ensure that our policies are fair, equitable, and inclusive.”

Memphis Rep. Steve Cohen, a longtime advocate for cannabis reform, announced in July that he’d signed on to the MORE Act.

“Currently, our laws treat marijuana as more dangerous than cocaine, methamphetamine, or fentanyl,” Cohen said at the time. “This harsh policy has torn apart families and neighborhoods and disproportionately impacted communities of color. The MORE Act will fix this and give us a sensible and workable cannabis policy.”

Americans Agree

The MORE Act comes at a time when two-thirds of Americans say the use of cannabis should be legal, according to a new Pew Research Center survey released last week.

The group said the number of U.S. adults who oppose legalization has fallen from 52 percent in 2010 to 32 percent today.

Nearly 60 percent of adults polled told Pew researchers cannabis should be legal for medical or recreational use. Fewer than one in 10 (8 percent) said cannabis should remain illegal in all circumstances.

Millenials and Baby Boomers agreed (on something, finally) that cannabis should be legal. So did Gen Xers. But more Democrats than Republicans favored legalization.

Categories
Cover Feature News

La Lucha Libre: How Mexican Wrestling Came to Memphis

When he’s not stitching up car seats at Reyes Customs, Enrique Reyes is busy stitching up colorful lucha libre Mexican wrestler masks. Reyes, 39, also puts together la lucha libre matches in Memphis.

Lucha libre, which means “free fight,” is the Mexican version of professional wrestling. “It started back in the 1930s,” Reyes says. “The difference is all the Spanish wrestlers use masks, like back in the days of the Aztecs, who also wore masks.”

The Mexican wrestling technique is different from American professional wrestling, Reyes says. “The Mexican wrestlers, they fly a lot. They don’t do like the American wrestlers. They do a lot of high-flying air moves.”

Photographs by Justin Fox Burks

Hijo de Fishman and Blue Angel

During a recent lucha libre event in Hickory Ridge Mall, enthralled members of the audience munched snack bar chicharrones between cheers, as masked wrestlers did back flips off the ropes and front flips off the mat. The obvious favorite was bare-chested Blue Angel, who wore blue tights and a blue mask with wings made by Reyes.

Asked what draws people to lucha libre, the Dallas-based Blue Angel, 30, says, “I believe it’s the pace. The flexibility of the match. The match can be either comedic — jokes and laughs — or it can be fast-paced and serious, very acrobatic. It’s always fun to watch.”

Blue Angel says he has a “very traditional style. I’ve incorporated some of the new-school with strong styles — little flips here, a little flip there — but I always keep it very basic old-school: a little ground work, a little air, a little bit of everything, just to keep it interesting.”

Blue Angel’s father wrestled in Mexico. “He came to the United States and started wrestling under ‘Blue Angel.’ So I grew up going and watching him wrestle with other great wrestlers. I’ve gotten to train with each one of them. And taking the good out of each one just by watching them and practicing with them in my father’s gym. I’ve been on the ring since I was 3 years old. And I think that’s one of the advantages that I have. That really helps me draw the crowd when I wrestle.”

His mask was one of several Reyes has made for him. “I started off with one of the local mask-makers down in Texas. The first time I came out to Memphis, Reyes took a liking to my mask. Then he designed a better mask, added a little of his style to it, and this is the result.”

Blue Angel says he likes the stitching in a Reyes mask. “It fits really well. It hugs my chin really tight. It’s a very clean, well-made mask.”

Reyes’ office and workshop at Reyes Customs — where his work ranges from window tinting to making car upholstery — is a shrine to lucha libre. About 100 masks line shelves on all four walls. Some are masks Reyes has made himself, and others are masks he has collected or been given.  

Reyes’ interest in Mexican wrestling began when he was a child in Mexico City, watching lucha libre matches on Saturday morning TV.  “The real heroes in those days — you’re talking about El Santo, Blue Demon, Rayo de Jalisco,” he says.

He bought comic books based on his wrestling heroes, but he couldn’t afford to go to live matches, which were a couple of hours from his home. “We didn’t have that type of money to go all the way to watch those types of shows,” Reyes says.

Blue Angel poses with a fan at a recent MLLW event.

His interest in lucha libre was rekindled when he began going to American wrestling matches after he moved to Memphis in 2001. “When I saw this, I said, ‘Damn. I need to start doing something.’ That was my dream when I was a kid — meet one of the big wrestlers like the Mexican luchadores.”

Tattoo, an American wrestler/promoter, helped Reyes get into wrestling promotion, but Atlantis, “one of the legends from Mexico,” was the first luchador Reyes contacted. “I found him on Facebook,” he says.

When Reyes told the wrestler he wanted to start doing some lucha libre shows, Atlantis said he’d come to Memphis to wrestle, but Reyes would have to pay for his flight and hotel room. It cost more than $1,500 to bring Atlantis to Memphis, but he told Reyes, ”You’ll make your money back.” He almost did.

Enrique Reyes is hard at work on a colorful lucha libre mask at his business, Reyes Customs.

Reyes held his first lucha libre event — a match between Atlantis and Tattoo — in November 2013 at Porter Junior High School. Atlantis was the victor at the event, which drew around 300 people. “I didn’t make money,” Reyes says, “but I didn’t lose money.”

His next match, held in May 2015, featured “little people” wrestlers from Mexico, as well as wrestlers from around the country, including Memphis wrestlers Precious and American Gladiator.

Reyes, who spent around $4,000 for his professional wrestling ring, now presents his Memphis Lucha Libre Wrestling (MLLW) events once or twice a year at 3766 Ridgeway Road next to El Mercadito, a Mexican grocery store.

“A lot of people show up to my shows because this is a family show. The kids, they love it. The adults, they already know who it is because they watched it when they were kids.”

He also brings in women lucha libre wrestlers, including Lady Shani, who gave Reyes one of her complete outfits.

Memphis American-style wrestler Dustin Starr has participated in most of Reyes’ events. Starr and his wife, Maria, co-host Championship Wrestling Presented by Pro Shingle at noon on Saturdays on CW30.

Starr enjoys the Mexican style. “It’s different. Faster paced,” he says. “You see a lot of unique offensive and defensive maneuvers. It’s very colorful, especially the masks and the outfits. Those are always over-the-top and elaborate.”

Starr wrestles luchadores when he participates in Reyes’ lucha libre events. The Mexican wrestler usually is the victor, Starr says. “Whatever we do, people boo us like crazy. It’s an interactive crowd. They want to see the luchadores kick our butts. We’ve tagged up a couple of times, but most of the time, I’m the bad guy who wrestles with the good guy luchadores.

“Let me tell you,” he adds, “they can hit you whether you’re in the ring or out of the ring. You never know where they’re going to come from. Literally, nowhere is safe. If you’re in the ring, they’ll dive on top of you. If you’re out of the ring, they’ll dive on top of you. You’re not safe anywhere with those guys. They’re daredevils.”

Reyes began making masks after he asked Atlantis if he could buy his mask during his first MLLW event. “I said, ‘How much do you want for your mask?’ He says, ‘$300.'” The professional masks Atlantis wore sell for hundreds of dollars, but he also wore semi-professional masks. He sold Reyes one of the semi-professional ones for $50. “When I saw the masks, I thought, ‘I can make these,'” says Reyes.

The first mask Reyes made was called the Rey Mysterio Mask, in honor of the wrestler of the same name. Reyes even got Mysterio to sign it for him. Reyes then began getting requests for masks from other wrestlers.

He told Hijo de Fishman, son of the legendary luchador Fishman, who died in 2017, that he’d make a mask for him. “He says, ‘How much will you charge me?’ I said, ‘Nothing. I’ll make one, and you can use it.’ He gave me one of his masks to get the pattern, and I did the mask.”

Reyes says the vinyl green-and-yellow mask he made for Hijo de Fishman is his favorite. It includes gold lamé, which he attached to the mask with shoe glue and fancy stitches made with his sewing machine. 

Every mask means something, Reyes says. Hijo de Fishman was “supposed to look like a fish,” which is why Reyes used green and yellow.

A mask featuring a dragon on top was a copy of one worn by El Ultimo Dragon. A pink and purple-ish mask covered with numerals is a copy of one that belongs to a wrestler named El Matematico.   

Reyes has made about 30 masks, which he either keeps or sells to mask collectors for about $150. Many of the masks in his collection are ones he bought from luchadores, including Huracan Ramirez and Aguila Solitaria.

Reyes says he doesn’t want to open a mask business because it’s not cost-efficient. “I take maybe 10 hours to make one. You’re talking about another $30, $40 on material. That’s a lot of time and money. That’s why the wrestlers go to Mexico. Because in Mexico they pay like $40, $50 for the full mask.”

Reyes makes masks when he needs a break during his work day. “When I’m stressed, got a lot of things on my mind, I say, ‘Let me do one of these masks.’ Basically, that’s what I do for a hobby.” 

He has also made complete outfits for wrestlers, including Starr, who says he “felt like a kid in a candy shop” the first time he saw the masks lining the walls in Reyes’ office. 

“The quality of work, all the colors, the designs he makes, they all look really, really good,” Starr says. “So, he exclusively makes my gear now. He’ll do my kick pads, knee pads, jackets, shorts. He puts the designs on, the whole nine yards. And they look great.”

Asked what his mask would look like if he was a Mexican wrestler, Reyes says, “Maybe some Aztec warrior or something like that.”

Reyes’ passion for lucha libre has rubbed off on his 17-year-old son, Luis, who wants to be a wrestler. “He practices because we have a ring at my house,” says Reyes. There’s probably a nice mask or two in his future.

La Lucha Libre: How Mexican Wrestling Came to Memphis

Categories
Politics Politics Feature

Bogus Ballot Battle on Hold; Candidates Line Up for 2020

So what’s the status of the “bogus ballot” question, which was due to be given a post-election judicial hearing last week?

“On hold” is the answer. Several factors have intervened to postpone a final reckoning about the legality of sample ballots circulated at election time by entrepreneurs on behalf of candidates willing to pay potentially thousands of dollars to have themselves “endorsed” by shell organizations.

One factor was a heart attack suffered by retired Circuit Court Judge William B. Acree of Jackson, who was imported before the election to rule on the propriety of “pay-for-play” ballots circulated by organizations calling themselves the “Greater Memphis Democratic Club” and the “Shelby County Democratic Club,” respectively.

The former is operated by Greg Grant, the latter by M. Latroy Alexandria-Williams. Neither organization has an actual connection to any official organ of the Democratic party, and both “endorsed” candidates with demonstrable Republican connections in sample ballots mailed and handed out to prospective voters.

Lawyer John Marek, a candidate for Memphis City Council in the recent city election, the Shelby County Democratic Party, and the Young Democrats of Shelby County all joined on a request for an injunction against circulation of the ballots. Acree wound up hearing the case when all local judges, most of whom had previously patronized such ballots, recused themselves.

With three hours to go before the polls closed on election day, October 3rd, the judge issued a temporary restraining order against further circulation of the ballots and scheduled a follow-up hearing for last Wednesday, November 13th, to consider a permanent ruling on the matter.

Judge Acree’s heart attack was not the only event to intervene against that schedule. Defendant Alexandria-Williams, as was his right, filed a notice of removal of the case from state to federal jurisdiction. For his part, Grant has of yet not made a decision to join in the notice of removal. The case now rests in the hands of U.S. District Judge Sheryl Lipman, who has not yet ruled on whether she intends to keep the case or remand it back to state court.

Nor have the attorneys for the plaintiffs — Bruce Kramer, Jake Brown, and Melody Dernocoeur at Apperson Crump — decided on whether to seek the remand themselves. A goal of the attorneys, incidentally, in whatever is the final court of record, is a ruling of “unjust enrichment,” whereby the ballot entrepreneurs would be required to forfeit the profits they made from the sale of their endorsements.

• The 2019 Memphis city election may have come to a finish with the conclusion of last Thursday’s runoff elections for two city council positions in District 1 and District 7, won by Rhonda Logan and Michalyn Easter-Thomas, respectively.

But 2020, which will be chock-full of elections, is just two flips of the calendar away, and one of the races sure to draw much attention will be that for the position of General Sessions Court clerk, which will be vacated by current longtime clerk Ed Stanton Jr. (father of former U.S. Attorney Ed Stanton III).

Three of the known contenders for the clerkship are, like Stanton, Democrats and well known to followers of local politics. The first name in the hat was that of Shelby County Commissioner Eddie Jones, who filed two weeks ago. At about the same time, Commissioner Reginald Milton began informing people of his interest in the race.

The two commissioners were just joined on the ballot by former longtime state Senator John Ford, who filed for the race on Monday. Yes, that John Ford, the controversial member of the Ford political clan who ran afoul of the FBI’s Tennessee Waltz sting in 2005, was convicted of bribery, and served a term in state prison.

Ford formerly served a term as General Sessions clerk, simultaneous with holding his Senate seat. Having long since regained his citizenship rights, Ford aims to re-establish himself as a public official. Despite his notoriety, he was regarded as someone with an in-depth knowledge of the ins and outs of state government and as a go-to legislator for mental health and various other public issues.

Milton, a community organizer and chairman of the commission’s community grants committee, which he brought into being, was a veteran of several political races before his 2014 election to the commission and his 2018 re-election. He greeted the news of Ford’s filing by saying, “I’ve never run an easy race. I’m used to it.”

Confiding that he would make a formal announcement next week, Milton said, “I appreciate those willing to offer themselves for public office, and I look forward to sharing with the public why I feel I would be best suited for this position.”

• As was noted in this space recently, state Representative Jim Coley (R-District 97) has decided to retire and won’t seek re-election in 2020. So far, two Democrats have made known their interest in seeking the seat — Allan Creasy, who got 45 percent of the vote in District 97 in a race against Coley last year, and Gabby Salinas, who gave Republican State Senator Brian Kelsey a close race in his 2018 re-election bid.

Republicans will try to hold on to the seat, of course, and there is an active GOP candidate in the field — John Gillespie, who works as a grant coordinator at Trezevant Episcopal Home and is making his first try for political office. Gillespie issued a press release this week claiming receipts of $47,000 at a recent East Memphis fund-raiser — not a bad first-time haul.

Jackson Baker

Democrat Edmund Ford Jr. (left) and Republican Amber Mills (right) co-sponsored County Commission resolutions providing $80,000 to the County Health Department for testing children for alleged exposure to lead in water sources at Shelby County Schools and adding to the Commission’s legislative agenda an official notice of the issue to the General Assembly and Governor Bill Lee. The Commission approved both resolutions unanimously.