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Opinion The Last Word

Suffering From Trump-itis?

This president makes me sick. Literally. After enduring relentless night sweats during restless sleep, I felt light-headed and dizzy. Any exertion left me exhausted. I thought a nice shower might help, but I ended up having to lie down while attempting to zen away my rapid, palpitating heartbeat. Walking from bedroom to den was encumbered with an equilibrium imbalance that left me clutching the wall. I didn’t know what was happening to me. I tried to act calmly so as not to frighten my wife, but Melody could see through my charade and suggested we go to the emergency room.

Rather than go to the ER on a Saturday night, we instead called the doctor’s service, which asked if we had a blood pressure monitor in the house. When Melody hooked me up and the cuff finally loosened from my bicep, my blood pressure was off the charts. A Xanax eased the situation until I could call my doctor on Monday. By miraculous luck, someone had canceled their three o’clock appointment and I was able to grab it. When my blood work was suspect, I was sent to a nephrologist, then a urologist, before returning to my primary doctor. The prognosis? Hypertension combined with acid reflux was disturbing my stability.

So, now I’m on daily blood pressure and digestive medications. When I asked the doctor if he had any further instructions, he said, “Turn off the news and play more guitar.”

But it’s hard to ignore or escape the American Horror Story sitting in the White House. After the thoroughly co-opted and corrupted Republican Senate aquitted the president from two articles of impeachment, the gaseous windbag felt emboldened enough to take a couple of victory laps. After President Clinton’s impeachment, Wild Bill appeared in the Rose Garden alone, showed contrition, and apologized to the country for his indiscretions that prompted the R-rated ordeal that followed.

Trump chose to show up at the annual prayer breakfast, ordinarily a non-political event that focuses on faith, and launch a diatribe against his perceived enemies, calling the top FBI officials “scum” and questioning Nancy Pelosi’s faith while she sat just feet away. Trump addressed the gathering declaring: “As everybody knows, my family, our great country, and your president have been put through a terrible ordeal by some very dishonest and corrupt people.” He could just as well have been referring to his rotten cabinet that cheered him on.

Appearing in the East Room of the White House after the breakfast, Trump instigated a vendetta against impeachment witnesses that would have made Richard Nixon blanch. Referring to fired FBI Director James Comey as “that sleazebag” and Nancy Pelosi as “a horrible person,” Trump gathered his minions, sent them out on cable TV, and prepared to get some payback.

Gordon Sondland, the million-dollar Republican donor recalled from his post as ambassador to the European Union, was the first victim of Trump’s retribution. Then, “simmering with rage,” as his aides attested, Trump had impeachment witness Lt. Col. Alexander Vindman fired from his position on the National Security Council and escorted by security guards from the White House grounds — along with his twin brother, who had nothing to do with the impeachment, just in case Trump couldn’t tell them apart.

Only a month ago, Trump pardoned an Army soldier convicted of war crimes. Now he’s dismissed a decorated veteran who had earned a Purple Heart in combat. Trump then asked the Pentagon to investigate Vindman for any potential wrongdoing. The Pentagon declined.

The idiot man-child then demanded that the House “expunge” his impeachment, calling the whole thing a “hoax.” Like the Bizarro Superman of comic book fame, Trump protects the guilty while punishing the innocent.

Emboldened by his acquittal, Trump began to purge the unfaithful from his administration, enlisting the Justice Department and Trump’s slavish attorney general, William Barr, to exact revenge on his critics. Trump’s obedient protector immediately appointed an outside prosecutor to examine the origins of the investigation into the former National Security Advisor and disgraced convicted liar Michael Flynn. After that, Barr interfered with the sentencing recommendations of convicted comic villain Roger Stone. All four government prosecutors resigned from the case, prompting more than 1,100 former prosecutors and Justice Department officials to call for Barr’s resignation.

I say impeach his ass again. Seriously. This bloated megalomaniac thinks because he was acquitted by a fearful Republican Senate that he’s home free to continue his work as capo of the Trump crime family. There were at least 10 more charges of obstruction of justice outlined in the Mueller report. They weren’t included in this impeachment go-round because Robert Mueller wasn’t very telegenic and failed to move public opinion. Mueller clearly stated that the outlaw president could not be charged only because of a legal “opinion” that prevents a sitting president from indictment. Mueller told congress, “If we had had confidence that the president clearly did not commit a crime, we would have said so.” He never said so. In fact, Mueller reported to the shyster Attorney General that his probe found “multiple acts by the president that were capable of exerting undue influence over law enforcement investigations,” which translates into a profusion of abuse of power.

Mueller’s 448-page report was dismissed after most Americans didn’t bother reading it. I ordered the report in book form, but the print was small enough to require a magnifying glass, and was so dense, it was like trying to read War and Peace in Sanskrit.

It didn’t matter. All of Mueller’s evidence of criminality was ignored. No president in history has been more deserving of removal from office than this counterfeit con man. Until this cruel fool is displaced from our collective reality, I’ll be here at home — playing the guitar.

Randy Haspel writes the “Recycled Hippies” blog.

Categories
We Recommend We Recommend

Wine for Wishes this Weekend at Cadre

Make-A-Wish® Mid-South Associate Board hosts its 10th annual Wine for Wishes event at the Cadre Building this Friday to benefit local children with critical illnesses.

Make-A-Wish® Mid-South grants wishes to 300 children in the community per year, and members of the Associate Board hope to surpass last year’s $70,000 goal to help keep their mission going strong.

“We’ve got a lot of things that are in the works to help push us above what we did last year,” says Keith Montgomery, a member of the Associate Board. “So if we hit that $80,000 mark, we will definitely be on track to grant over 10 wishes for kids in the Mid-South.”

Addie Ray Photography

Make-A-Wish’s Wine for Wishes

Montgomery fondly recalls his latest opportunity to work hands-on to grant a wish to a young boy, whose only wish was to be able to pet a monkey.

“That was the wish that he wanted,” says Montgomery. “What we do is try to figure out how to take that to the next level, how to support that wish and make it really fun and bigger than that. We held his wish reveal at the Memphis Zoo, and we had a scavenger hunt where he found little monkeys, and when he found a stuffed monkey, we announced to him that we were sending him and his family to Florida to play with monkeys at a sanctuary.”

Montgomery says that it is important to provide opportunities like these to children.

“The idea is to take something really fun, really engaging, and to remind kids what life can look like, and hopefully will look like, for them and just give them a view outside of what they’re kind of locked into,” Montgomery says.

10th Annual Wine for Wishes, Cadre Building, Friday, February 21st, 6:30-9:30 p.m., $75.

Categories
News The Fly-By

MEMernet: Standing Brooms, Kind Strangers, and an MLGW Valentine

Swept up

The entire internet was swept away (don’t judge me) by a viral tweet that had folks all over standing their brooms upright. The tweet said that NASA claimed a day last week was the only day of the year brooms would stand on their own because of gravitational pull.

Our very own editor, Bruce VanWyngarden, got in on the miracle, uh, I mean action.

Posted to Instagram by
Bruce VanWyngarden

Kind Strangers

Reddit user u/trillsuave posted that one of his elderly co-workers rides his bike to work every day. But he had a wreck last week, messed up his bike, and needed a replacement.

Within a day, the co-worker was able to secure his friend a new ride, thanks to the folks on the Memphis subreddit. Thanks for the kindness, kind strangers.

CA on Valentine’s

The Commercial Appeal got downright funny (well, punny funny) on Valentine’s Day last week. They posted a series of shareable e-cards, made especially for the Bluff City.

“Let’s grit and grind,” reads one. “Like Peabody Ave., the road to true love was never smooth,” reads another. But here’s my fave.

Posted to commercialappeal.com

Categories
Cover Feature News

“Like Trying to End Rain”: Working to Solve Homelessness in Memphis

On a recent rainy Wednesday afternoon, Reggie, wearing an oversized poncho and carrying a backpack full of his belongings, walked into St. Mary’s Episcopal Church to attend a H.O.P.E. meeting.

H.O.P.E., which stands for Homeless Organizing for Power and Equality, is a grassroots organization under the Mid-South Peace and Justice Center (MSPJC) that offers self-advocacy support to those who are currently or have formerly been homeless.

Reggie was one of half a dozen attendees at the group’s February meeting. It was his second time going to a meeting since he came to Memphis a couple of months ago. He joined the others, making small talk as they sat around a table, sharing pizza, coffee, and soda. They got hygiene kits and bottled water to take with them.

Alice Petit, a MSPJC board member, brought two waterproof tents to the meeting. One was for a man who regularly sleeps on the church grounds, and the other was for Reggie.

Reggie is one of some 1,300 individuals without permanent housing in Shelby County. According to the Point-in-Time Unsheltered Count required by the U.S. Department of Housing and Urban Development (HUD) each year, in 2019 there were 58 unsheltered individuals, and 1,267 sleeping in transitional or emergency shelters here on the night of the count last January.

The numbers from this year’s count, which was done on January 22nd, will be available in March. The data will be submitted to HUD and used to determine what resources Shelby County needs to address homelessness and provide housing for unsheltered individuals.

The data shows only a snapshot of the county’s homeless population, says Cheré Bradshaw, executive director of the Community Alliance for the Homeless (CAFTH), which leads a community effort to end homelessness in Memphis and organized the local count.

Bradshaw says CAFTH is the lead agency for coordinating with HUD so that agencies here have the funds to continue their work. Each year, the county gets about $6.7 million from HUD to combat homelessness and provide housing.

Bradshaw says homelessness is a big issue in the county, “but we’re doing really well ending it, at least for a lot of people.” CAFTH’s goal is to end long-term homelessness and make future homelessness “rare, brief, and one-time,” Bradshaw says. “We know that people will become homeless, but they don’t have to sit out there for a year.”

Photographs by Justin Fox Burks

Without a Home

Reggie, who wished to keep his last name out of this story, has not had stable housing for nearly seven years. He was born in Columbia, Georgia, where he grew up in a lower-middle-class family. When he was 18, he was kicked out of his family home and left to fend for himself. Since then, and up until recently, unable to keep a steady job, Reggie moved around regularly, sleeping on friends’ couches, in shelters, and most recently in the woods near his hometown.

After hearing that Memphis had more resources and opportunities than Georgia, he saved enough money through panhandling to catch a Greyhound bus here in January. But Reggie hasn’t found the resources he hoped to find here. He spends his days walking around Downtown Memphis and his nights sleeping on park benches, in alleys, or in church doorways. His meals consist of sack lunches from churches or whatever he can find in Downtown dumpsters.

“I just look for unopened packages,” he says. “I found an unopened pack of Oreos today that someone had thrown away, so I ate that. I just eat whenever and whatever I can.”

After having a violent encounter at a shelter in Georgia, Reggie avoids going to emergency shelters or other places where a large amount of people gather to receive services. “Someone pulled a switchblade on me,” he says. “I thought I was going to die that night. I haven’t been back to a shelter since then because I don’t want any more trouble like that.”

Reggie says the life of a homeless person is constantly discouraging and every day he feels a range of emotions. “It rains and it’s wet and you can’t get dry,” he says. “I feel like there’s no way out. Sometimes I think it’ll be okay, then other times it’s back to being rough. Sometimes it’s depressing. It’s always lonely.”

On the streets, Reggie’s biggest fear is his safety. “People get robbed out here,” he says. “The homeless lifestyle is dangerous. You can’t really relax. You always have to have your guard up. There’s never a night when I can actually just sleep.” The hardest part, though, Reggie says, is not the weather or the lack of security, but the way he is treated. “It’s the way people look at me. They think I’m a criminal or a violent felon or I’m crazy. When people see me walking, they’re terrified just because of my appearance. I have no criminal record. I’m just a person who’s laid-back, quiet, and kind — and looking for help.”

Darius Clayton works with the Hospitality Hub outreach team to help individuals experiencing homelessness.

The Hub

Each day, the Hospitality Hub’s outreach team goes out looking to help people like Reggie.

The Hub, founded in 2007, is a resource agency located Downtown that works to help people exit homelessness.

Kelcey Johnson, executive director of the Hub, says outreach is an important part of the agency’s work “because a lot of people aren’t going to come to see us, so we try to find out where they are and go see them. … A lot of people have never heard of the Hub or don’t trust an agency or they received bad information on the street, like no one will help them or if you’re a felon you can’t come. None of that stuff matters. Anyone can come here.”

Johnson says the Hub is “not a traditional place where homeless people would come. We don’t do soup. We don’t do clothes closets. We don’t do stuff like that.” Instead, Johnson says, the Hub’s staff interviews clients to figure out their specific needs, what is causing their homelessness, and what’s keeping them homeless.

“The cause of your homelessness may be multiple incarcerations,” he says, “but the thing that’s keeping you homeless could be a drug addiction or PTSD from being in prison, the ability to get a job because of your incarcerations, or the ability to keep a job because of mental illness.”

Johnson says the agency works to “attack all those areas by wrapping the person up” and providing clients various types of case management. The Hub connects clients with partner organizations that do “anything and everything,” he says.

The main needs of Hub clients include finding housing and jobs, obtaining a state ID or birth certificate, accessing a mailbox, applying for food stamps, and paying for health care.

On a given day, about 125 people walk into the Hub, Johnson says: “Some people are waiting for us to open just to use the bathroom and get a cup of coffee.”

To better reach those who could benefit from the agency’s services, the Hub is opening a day plaza. It’s expected to open “any day now,” Johnson says, and it will be a “place of beauty where people can rest.”

Over the next year, the plaza will be expanded and more amenities will be added. Johnson says the space will allow the Hub to do a new kind of outreach. The plaza will be similar to a park, serving food daily and providing cooling stations and misters, water fountains, places to rest, and restrooms.

Case managers will also be on-site to talk with visitors and assess their needs. The plaza is only a piece of what the Hub has planned for 2021. The agency is also relocating and expanding into a new office next to the plaza that will house the Hub’s resource center and a new women’s shelter, something Memphis needs desperately.

Based on data from the Hub, 37 percent of Memphis’ homeless population are women, but only 6 percent of the beds in shelters are open to women.

“There’s so much work to do,” Johnson says of the new shelter. “It’s going to be different from every other shelter anywhere. We’re talking to women shelter directors from around the country and gathering best practices.”

The shelter will house 32 private rooms that are expandable to accommodate women with children. Most family shelters require a referral, but Johnson says the Hub’s will be “zero-barrier” and no referrals will be required. “If you’re a woman living with your kids and your boyfriend comes home and punches you, and you decide you want to leave, there’s nowhere for you to go that night in Memphis at this time.”

The goal will be for women to stay there for 21 days as the Hub helps them find sustainable, long-term housing.

Below the shelter, the building will house the Hub’s other services, making it a “one-stop shop, not just a shelter for women,” Johnson says.

Room In The Inn guests line up to enter a church for the night.

Room IN the Inn

Emergency shelters for women are scarce in Memphis, and because of this, Room In The Inn (RITI) gives women first preference.

RITI, which exists to “serve those experiencing homelessness in a safe environment of hospitality,” operates seven days a week, providing emergency temporary shelter at no cost.

Through partnerships with local congregations, RITI places guests at churches across the city for the night. There, guests are given a meal and a place to sleep, and sometimes access to showers and clothes closets.

Lisa Anderson, director of Room In The Inn, helps individuals experiencing homelessness at the RITI intake center.

Many of the guests have jobs, says Lisa Anderson, executive director of the program. And they are working on a plan to get out of homelessness.

“Some have settled into this life,” Anderson says. “Others are temporarily frustrated and need a place to get back on their feet.”

Autumn, a regular at RITI, is looking to get back on her feet. When her husband of 18 years had a stroke and died in 2017, she went from living a comfortable, stable life to living in group homes, on the street, or at RITI.

“My husband had a decent job and made good money,” Autumn says. “Our bills were paid and the kids were taken care of. I never worried, and I definitely never imagined I would be here. It can happen to anyone. It could be anyone.”

OUTMemphis

One demographic at high risk for homelessness is LGBTQ youth, ages 18 to 25, says Molly Quinn, executive director of OUTMemphis.

Nationally, one in four youth living on the street identifies as LGBTQ, according to a recent youth homeless study done by the Williams Institute. Quinn says there is not a lot of local data on the number of homeless LGBTQ youth here, but studies also show that the rate for LGBTQ youth is much higher in urban areas, urban areas in the South, areas with high poverty, and urban areas where people of color make up the majority of the population.

“And Memphis fits into all of those categories,” Quinn says. Over the past decade, she says, the center has received “tons and tons” of inquiries and walk-ins from LGBTQ youth experiencing homelessness or housing instability. “People came looking for everything from hygiene supplies and food to long-term housing.”

Quinn says the majority of displaced youth come to OUTMemphis for assistance because they have experienced “family conflict.” This could include being kicked out after coming out to their family, making their home a hostile environment. And a lot of it happens when youth turn 18, Quinn says. “Their parents no longer have a legal obligation to be a parent, so they’re like, ‘Okay, you’re on your own.'”

The majority of those who come seeking help are transgender youth of color, who have few places to go where they can be accepted and supported, Quinn says.

Many of the shelters in Memphis are segregated by sex, says Quinn. “This means transgender individuals either have no place to go or if they go, they have to be closeted or put themselves at great risk.”

Tennessee has no legal protections for LGBTQ people, she adds. This makes it “harder for agencies to rationalize doing the hard work, like working with the trans community when the state government consistently attacks our rights, like they are doing right now.

“Over the years, they’ve come to us and we’ve spent a long time trying to figure out what to do,” Quinn says. “Due to the lack of homeless services in Memphis in general and some of the more conservative politics around sexual identity and gender expression in the community, we basically decided five years ago to do it ourselves. We wanted to go from a place where you could go to figure out where to go to the place that could provide everything.”

OUTMemphis started the Metamorphosis Project in 2015 to respond to LGBTQ youth homelessness. The first piece of the project was the Youth Emergency Services Program (YES), which provides everything except for emergency housing, Quinn says. This includes case management, which helps youth get into college or find a job and housing. They are also provided with food, clothing, and hygiene supplies.

The second part, which began in 2017, is the rapid re-housing program, which works to get youth into permanent housing as quickly as possible and provide financial assistance for at least the first year. The last piece of the project is the Youth Emergency Center, which is slated to open at the end of March. It will be Memphis’ first LGBTQ-specific emergency shelter.

“We believe that LGBTQ people deserve to be and need to be fully integrated into civic life, but we also need spaces that are just ours, especially if you’re young,” Quinn says. “Many of them have never been in a safe space with people who are all either LGBTQ or LGBTQ-affirming like our staff.”

Quinn says OUTMemphis has been building the center at 2055 Southern Avenue for four years, and on Saturday, March 28th, following a ribbon cutting ceremony, the center will be previewed to the public for the first time.

The Youth Emergency Center will serve as a drop-in center for anyone under the age of 25 and won’t be restricted only to those identifying as LGBTQ. The services currently provided at OUTMemphis’ Cooper-Young office will be available at the new center, where, Quinn says, a social worker will be on-site at all times to help facilitate those services.

The new building will have a kitchen, dining room, computer lab, showers, and a laundry room. It will also house four dorm-room-like suites to serve as emergency shelters for LGBTQ youth. Each room is designed for one person, as Quinn says there is “value in youth having autonomy in their own space. The group setting in shelters can be just as traumatizing as living on the street.”

Adult shelters will take youths, Quinn says, but “we know that the needs of someone 18 to 24 years old are very different than someone who is 40 or 50 years old.”

Guests will be able to stay at the new facility for up to 30 days, but Quinn says that most people need between one and seven days in an emergency shelter before transitioning to something more permanent. “We’re hoping to help a pretty significant amount of kids every year.”

Quinn says the shelter could expand, but OUTMemphis “wanted to start small since we’ve never done this before.” Eventually, the additional land on the lot could be used to build more emergency housing or longer-term transitional housing.

Each day someone is homeless, the risk of danger and long-term effects multiplies. “From the day you become homeless to the day you find housing, every day that you’re on the street or homeless, you’re at such high risk for so many other things,” says Quinn.

There is a high risk for contracting HIV, as well as being exposed to drugs, targeted by sexual assault or violence, or soilicited for sex work. “All these factors can contribute to long-term homelessness,” she says. “The risk of long-term impact is so high, especially for trans youth of color.”

‘Like Trying to End Rain’

Kelcey Johnson of the Hospitality Hub says there is no ending homelessness in Memphis.

“If Memphis does a good enough job reducing homelessness, the word gets to Nashville and people there will come here,” he says. “You don’t end homelessness. Every day, people get out of the military and hit the streets. People leave jail or the hospital every day with nowhere to go. There’s no ending it. It’s like trying to end rain. But there is help, and there are options for everyone.”

Johnson says he is committed to the work the Hub and others around the city are doing to help as many people as they can exit homelessness.

“I see something happening every day,” Johnson says. “I see victories every day. I do it because people need advocates. They need someone to speak up for them. People need partners who have knowledge.”

Meanwhile, Reggie yearns to find those partners as he searches for stability and what he calls a “normal life and a way out.

“I just need something to help stabilize me,” Reggie says. “Without a house, you can’t clean up and get to a job, but without a job, you can’t get a house. So what do you do?”

For now, he’s grateful that he can replace his makeshift tent, made from tarps and sticks, with a real one. “That gives me some sense of security. If nothing else, at least I can stay dry.”

Categories
Music Music Features

Junior Brown Headlines 2020 Ameripolitan Music Awards

Junior Brown is a paradox: a songwriter with a keen sense of the wit and economy of classic country, but who nevertheless burst on the scene decades ago with some unorthodox ideas and a fierce playing style that ran the gamut from Buck Owens to Jimi Hendrix.

Almost 30 years on, all of those elements have survived intact — as has Brown’s unique style. His earliest songs still stand strong, even side-by-side with his 2018 release, Deep in the Heart of Me. For that, and for his unerring ear in capturing the magic of classic honky-tonk material, he’s a perfect fit with Dale Watson’s Ameripolitan Music Awards — four days celebrating honky tonk, Western swing, and rockabilly in all their contemporary permutations. Brown and Watson will kick things off on Friday night at the newly rejuvenated Hernando’s Hide-A-Way.

I recently had a chat with Brown, in which he waxed philosophical on just what makes good country music good, and how he walks the line between classic sounds and being true to himself.

George Brainard

Junior Brown

Memphis Flyer: I expect you’ll be a great fit with the ambiance of Hernando’s Hide-A-Way. There aren’t a lot of clubs left on the circuit anymore that capture that countrypolitan vibe so well.

Junior Brown: We’re just glad we can play anywhere because live music is really not what it used to be. Most people are getting their entertainment on computers and so forth now, instead of going out. There’s not much dancing anymore in dance clubs. But we’re just very grateful that we still have an audience that comes out and there’s still an interest among young people. We’re always getting new fans. A lot of ’em are people who will come up and say, “My father or my grandparents loved your music, and that’s why I’m here.” So it goes down through the generations.

This won’t be your first Ameripolitan appearance, will it?

We played the ceremony when I received an award a few years back. And then I was there to help present an award to Lloyd Green, a steel guitar hero of mine. So I’ve been in contact with Dale over the years. He’s been very gracious about including me in some of these things.

Dale’s a good songwriter. There’s a real talent to that, separate from the singing and the playing, that a lot of artists just can’t get ahold of. It’s a whole different side of music, the writing. The beauty of a good traditional country song is keeping humble, keeping it simple, and keeping it honest. Simplicity is not easy.

I don’t think there should be anything hip about country music. Don’t get me wrong: I think Gram Parsons was great, but I think the hippies really screwed country music up. And hey, I’m an old hippie myself, so I’m as guilty as anybody else. I’ve recorded a Jimi Hendrix song, for crying out loud. But although I’m a fan of the Flying Burrito Brothers, they turned country into something cool. And country’s supposed to be square. The coolness and the hipness come from appreciating it for its integrity, its humility. Once you try and hipify that, you’ve cheapened it. I think that’s a tightrope that Ricky Skaggs has always walked, and he’s come out on the right side of it.

Yet a lot of people think of you as that guy who can go from classic country to playing a Hendrix solo.

Yeah, or surfer music. Yeah, I still play the same mix as when I started. I do novelty songs. I do a song in Spanish once in a while. So I’m not a purist. And I’m not a country boy, per se. My dad was a college professor! But when I sing a country song, I put everything I’ve got into it. And I’m very conscious to try not to cheapen it. I’m very proud of my songs. They’ve stood the test of time.

The material you did 25 years ago still rings true.

Yeah! See, that’s what I like about country music. Once you find something good, it’s good forever.

The Ameripolitan Music Awards start Friday, February 21st, with multiple acts at various venues, culminating with the ceremony at the Guest House at Graceland on Monday, February 24th. Visit ameripolitan.com for details.

Categories
Film Features Film/TV

The Photograph.

In The Photograph, LaKeith Stanfield plays Michael Block, a feature writer for a fictional magazine called The Republic. As depicted on the screen, Michael’s job seems to consist mostly of lounging around the office looking really, really good — that is, when he’s not busy winging hither and yon on his unlimited travel budget. As someone who has actually made their living as a magazine feature writer, I have to give writer/director Stella Meghie credit for nailing the essence of the job.

I’m kidding. If Michael’s job was portrayed realistically, there would be a lot more hair pulling, imposter syndrome-inspired breakdowns, and late nights spent wondering if it’s too late to go to law school. He certainly wouldn’t be able to afford his spacious and immaculate apartment in New York.

Sorry to Bother You’s LaKeith Stanfield (left) and Insecure’s Issa Rae smolder sexily in Stella Meghie’s The Photograph.

But realism isn’t what people want out of a romantic movie. It’s one of the rules of the genre that our principals have to have aspirational jobs. Michael’s about-to-be girlfriend Mae Morton (Issa Rae) works as curator at the Queens Museum of Art — a job which would pay okay in real life, but not enough to afford an apartment with cathedral-high ceilings. It’s all part of the charm of the genre. Director Stella Meghie wants you to identify with Michael and Mae. They’re just like you, only a little better — the best version of you.

Besides posing in carefully placed pools of golden light, Mae’s current work duties include organizing a retrospective exhibit of her late mother’s photography. That’s how these two ridiculously good-looking people meet. Michael is working on a story about the disappearing culture of fishermen in rural Louisiana when he meets Isaac Jefferson (Rob Morgan). He sees a striking photograph on Isaac’s mantel, taken by Christina Eames (Chanté Adams). Christina, Isaac tells him, was once his girlfriend, but she moved to New York to become a photographer, and they lost touch.

When Michael returns to New York and tracks down the Louisiana mystery woman, it turns out she was Mae’s mother. When Michael and Mae come face to incredibly attractive face, sparks fly immediately. A few nights later, Michael scoops up an intern at the magazine office and goes to an artsy French movie at the Queens Museum, hoping to catch a glimpse of Mae. She sees him first, and their attraction is so electric, their respective wingman and wing-woman immediately fall into bed together.

Things take a little longer to develop for our classy protagonists, who, it cannot be emphasized enough, are just stupid hot. Before they get busy, they have relatable dinner conversation, like what the hell happened to Kanye West?

Seriously, what happened to that guy?

It will take an approaching hurricane to get them in the sack making the beast with two backs. As in King Lear, the intensity of emotion summons equally intense weather, only instead of grief and madness lashing the castle walls with rain, it’s the sexual energy released by these two hotties bumping uglies that’s knocking out power up and down the Eastern Seaboard.

Obviously, Michael and Mae need to be together for the good of humanity, but there are complications. Michael has applied for a job with The Associated Press in London, where he will cover Brexit with his smoldering sexuality several thousand miles away from his boo. Mae’s mom left her two letters when she died. One of them was for her, and the other for her father — but there’s no name on the father envelope. Turns out, the man who raised Mae was not her biological papa, and her mama has left her a posthumous parentage mystery.

So, in case you haven’t caught on by now, The Photograph is a fairly formulaic romance. As both a critic and a genre film fan, I don’t think there’s anything inherently wrong with following a formula. It’s how you execute that counts. Meghie knows what she wants, and she gets it from every aspect of the production. If anything, Stanfield and Rae are too perfect, and their relationship sometimes feels conflict-averse. The variation to the formula comes from the parallel story, told in flashback with the help of some acid-washed ’80s costume design, of how Christine escaped from poverty in Louisiana to become a famous photographer in the big city, and the personal price she paid for her success.

The question becomes, will Mae and Michael make the same mistake of sacrificing happiness for success? One thing’s for sure: They’re going to look good doing it.

Categories
Art Art Feature

Jackie Murray Honors Harriet Tubman in One-Woman Show

The 2019 film Harriet is the most recent major artistic interpretation of the life of the abolitionist/activist/spy Harriet Tubman. The American heroine has long been celebrated in theater, opera, literature, postage stamps, and fine arts.

Jackie Murray knows all about that. Since 2012, the Memphis actor/singer has been performing a one-woman show of Tubman’s life to audiences around the region. There is a certain inevitability in how it came about. A few years before she embarked on her Tubman crusade, Murray was sick in a hospital in Washington, D.C. And she was frightened. She remembers it as something of a Danny Thomas moment before he made the big-time in entertainment and was inspired to create St. Jude Children’s Research Hospital: “I said, God, if you let me out of this situation, I will go back to Memphis, and I’m going to sing and act and do what you put me on this earth to do.”

Harriet Tubman (left) comes to life in Jackie Murray’s one-woman show.

She got out of the hospital and headed back to Memphis. “As soon as I put my car in park, my phone rang and it was one of the local theaters asking, ‘Are you back? Do you want to do a show?’ I was like, well look at that!”

Murray got into productions at Playhouse on the Square and other theaters around town. She became a member of the company at Hattiloo Theatre. And soon enough, she felt the need to write a play. The Imperial Dinner Theatre in Pocahontas, Arkansas, encouraged her, and she determined she’d do a biographical play.

Tubman kept coming to the fore. “The more that I did my research, the more her personality started to shine,” Murray says. “I also read that she had a one-woman show after the Civil War. She needed a way to make money, and one of her gigs was to go around and tell about the atrocities of slavery through her performance. So I was like, well that’s it.”

The next performance of Murray’s Tubman tribute — Harriet Tubman: One Woman’s Journey — is at 7 p.m. on Thursday, February 20th, at Elmwood Cemetery (elmwoodcemetery.org).

She’s done dozens of performances in the Mid-South since the first one at Hattiloo in 2012. “It’s said that Harriet had a beautiful singing voice,” Murray says, “even though it was raspy because of what she had gone through as a child when she got really sick.

“I envisioned her standing on the bank of the river, speaking and singing to these folks, those enslaved Africans, and letting them know, okay, this is what’s up and this is what we needed to do,” Murray says. “So that’s how the whole premise of how I was going to present it happened — I turn the audience into the runaways, and we’re taking this trip together.”

She booked the show in Arkansas mostly, then into Mississippi and Tennessee. She became a teaching artist with the Tennessee Arts Commission, and that expanded the performances of Tubman’s life around the state, particularly in schools.

That eventually led to Murray being contacted by a booking agent who needed someone to play Tubman at an event in Nashville. “I was to be in character and walk around with other historical figures like Abraham Lincoln and Ulysses Grant,” she says. The event was sponsored by the A+E Networks, which includes the History Channel, Lifetime, FYI, and Biography, among others. And that gig led to her being asked to attend the upcoming A+E HISTORYCon the first week in April in Pasadena, California, where she’ll perform and be part of a panel discussion.

It just shows how busy Murray’s life has been. She’s been nominated as Best Actress by PLAY Enterprises, publisher of PLAY Magazine that covers urban theater. That event is the end of March in Las Vegas. Meanwhile, she’s working on another play, Aspire, about a young gifted girl who must, in adulthood, rediscover her inspiration.

And when she’s not doing all of this, she is a guide with A Tour of Possibilities that gives visitors a look at African-American history in Memphis. The tour goes from Downtown to Cotton Row to Slavehaven to the Mason Temple and the National Civil Rights Museum. She puts her all into conducting those tours, just as she does her Tubman performances and everything else she endeavors. “I give it some soul and bring the city to life to let people know there’s way more to Memphis than Elvis and barbecue.”

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Sports Tiger Blue

Tigers 77, East Carolina 73

A win is never ugly when it ends a three-game losing streak.

The Tigers witnessed the evaporation of a 16-point lead over a ten-minute stretch of the second half Wednesday night at FedExForum, but managed to prevail courtesy of two late shots by Boogie Ellis and Precious Achiuwa‘s 15th double-double of his freshman season. Memphis improved to 18-8 on the season and 7-6 in the American Athletic Conference while East Carolina dropped to 10-17 (4-10).

Larry Kuzniewski

Boogie Ellis

“It seems like once we get a lead, guys start trying things,” said Tiger coach Penny Hardaway, who notched the 40th win of his two-year career (matching Tubby’s Smith’s two seasons in Memphis). “I hope we’re learning [from games like this], and can finish stronger. But I’m very happy to get a win. It doesn’t matter if it’s by one or by thirty. Just getting a win is statement enough. It’s tough to win in this league.”

The Tigers had an unusually strong start, taking a 20-8 lead midway through the first half. Even with Pirate star Jayden Gardner held to four points, ECU managed to close the deficit to six (33-27) by the break. Back-to-back three-pointers by Ellis and Lance Thomas gave the Tigers that 16-point cushion (49-33) with just over 16 minutes left in the game, but the Pirates enjoyed a 27-11 run to tie the game at 60 with 6:20 remaining on the clock.

Gardner tied the game at 69 with a jumper at the 2:15 mark, but Ellis banked in a leaner on the Tigers’ ensuing possession. An Achiuwa layup and a pair of Thomas free throws provided enough for Memphis to earn its first win in two weeks.

“Around five minutes [to play], I reminded the guys that it’s winning time,” said Achiuwa who finished with 24 points (on 9-of-13 shooting) and 12 rebounds. “We have to figure out a way to win these games. We can’t use the same excuses this late in the season. It’s a time for freshmen to become sophomores. Everybody was desperate down the stretch.”

“I just went with the flow of the game,” said Ellis when asked about his decisive late-game field goals. Coach [Hardaway] trusts me, with the hard work I’ve been putting in at the gym.” Ellis hit four of seven three-point attempts and scored 17 points.

The Tigers missed 13 of 31 free throws, but clamped down on the defensive end, holding ECU to 20 percent (4 for 20) from long range. Tristen Newton led the Pirates with  23 points and Gardner finished with 16.

The Tigers kept turnovers to a minimum (13) and handed out 15 assists.

“We’ve had opportunities to win games, with big leads that we’ve relinquished at home,” acknowledged Hardaway. “It’s frustrating. We know when we get a lead how we got it. The coaches are saying to take the high-percentage shot, make the right pass. Guys start looking for more.” He pointed out that Achiuwa is one who emphasizes simplicity, getting a stop when needed. Despite two first-half fouls, Achiuwa played 33 minutes and was, indeed, on the floor for “winning time.”

Memphis returns to action Saturday afternoon when Houston — leader of the AAC — comes to town. The Cougars are 21-6 and 11-3 in league play.

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Beyond the Arc Sports

In Shy’s Corner: These Grizzlies Exude Confidence

One thing that can be said about the Memphis Grizzlies is that the young team ‘ain’t never scared’ to compete with any team in the league. This bunch has told the entire NBA: “We ready, (we ready) … For y’all.”

Star rookie Ja Morant always exhibits with the confidence of David against Goliath: “Whoever I’m going against put on their shoes the same way I do, there is nothing I should be afraid of.”

In Shy’s Corner: These Grizzlies Exude Confidence (2)

Morant and his teammates truly believe they can compete against any team in the league — and it’s showing. The team has a chip on its shoulder and is proving doubters wrong.

After a recent win against the Washington Wizards, Morant talked about the mentality of the team. He said, “It feels like we’re all just preaching the same thing. We have this mentality to just fight to the end, go out and compete. At the end, just try to get a win.”

In that interview, the three-time NBA Rookie of the Month took a shot at the haters for doubting the Grizzlies, “What were we supposed to win, 26 games this year? I think we just passed that. Appreciate you all who bet against us,” the Murray State alum said. 

The South Carolina native can back up his talk with his play on the court. In his first NBA season, Morant is averaging 17.6 points, 3.5 rebounds, and 7.1 assists in 29 minutes. He’s also Mr. Fourth quarter; Morant is ranked fourth in the league in fourth-quarter scoring with an average of 7.6 points. 

The 20-year-old is also the front-runner for the 2020 Rookie of the Year Award.

The other half of the dynamic duo, Jaren Jackson, Jr., has the same attitude as Morant. Jackson sat down with HoopsHype during All Star Weekend and shared his thoughts on proving everyone wrong.

The Michigan State alum said, “It was definitely motivating, because nobody really thought that we’d be in this position at this point. People just said to us, “Oh, you have time. Don’t worry about it! You’re young!” We kind of were just like, “We don’t care.” That’s how we play and how we are — we just don’t care.”

Jackson continued, “When we go out there, you have to put five on the court, just like we have to put five on the court. It don’t matter if you’re young or old. There’s only one basketball. You have to literally beat us down if you want to win this game against us, because we like to compete. We’ll have off nights, for sure. But at the end of the day, we’re going to play hard.”

Jackson also has the receipts to back up his talk. In his sophomore season, his TS% (true shooting percentage) is an exceptional 59 percent. Jackson is averaging 17.1 points, 4.8 rebounds, with 1.7 blocks (ranked 9th) per game in 28.1 minutes. 

Another young Grizz, Dillon Brooks, feels the same way as his teammates. (“Dillon Brooks always talks shit,” said one of my colleagues who covers an opposing Western Conference team.)

So it wasn’t surprising Brooks was the one who called out former Grizzlies asset Andre Iguodala near the trade deadline. According to the Commercial Appeal’s Mark Giannotto, Brooks said, “A guy that’s on our team doesn’t want to be on our team. I can’t wait til we find a way to trade him so we can play him and show him what really Memphis is about.”

Brooks got support for his remarks from his teammates and Grizzlies fans. Eventually, Iggy was traded in a deal to the Miami Heat, along with Jae Crowder and Solomon Hill. The Grizzlies ended up with Justise Winslow, Gorgui Dieng, and Jordan Bell when the dust settled. 

Brooks had some parting shots for Iggy after the trades were finalized. 

In Shy’s Corner: These Grizzlies Exude Confidence

Brooks is having a career year with 15.7 points, 3.4 rebounds, and 2 assists per game. The third-year guard only played 18 games last season due to injury, after playing all 82 games in his rookie season. Memphis is 17–1 when Brooks scores 20 or more points.

The Grizzlies are 28–26, two games above .500, and have a hold on the eight seed in the Western Conference, with a five-game lead in the loss column on Portland. 

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Food & Drink Hungry Memphis

Cordelia’s Market Opens Hot Bar, Offering Made-from-Scratch Meals Daily

Cordelia’s Market

Cordelia’s Market, a community grocery in Harbor Town, introduced a brand-new hot bar on February 18th. It’s a welcomed extension to the market and grocery that will allow them to serve more fresh, hot meals on a daily basis.

Every week will include a Taco Tuesday, but otherwise they plan to rotate the menu each day to serve a variety of foods.

“If our customers ask for more of a consistent menu, then we will explore doing more themed days in the future,” says Erica Humphreys, the general manager.

“We plan to launch with lunch from 11 a.m. until 2 p.m. and dinner from 5 until 7 p.m. daily. Brunch will be the next step on the horizon, and then breakfast,” she says.

Food on the hot bar will be served fresh and made from scratch, providing a quick and convenient new option for customers.

“Cordelia’s Market has always been committed to providing customers with a quality and convenient experience,” says Humphreys.

Cordelia’s Market –– formerly Miss Cordelia’s Grocery –– has been serving the Harbor Town neighborhood for more than 20 years. They offer a selection of organic produce, snacks, sandwiches, and beer and wine.

Cordelia’s Market is located at 737 Harbor Bend.