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Beyond the Arc Sports

Beatdown in Brooklyn

The Memphis Grizzlies have won three straight games — beating the Lakers by 17 last Saturday, and thumping their last two opponents by 39 points each. On Monday, Memphis defeated the Atlanta Hawks 127–88 and had a similarly decisive victory over the Brooklyn Nets 118–79 on Wednesday.

In those three games, the Grizzlies have held opponents under 90 points. No NBA team has done that since the Utah Jazz did it back in March 2018. After these massive shellackings, like Jay-Z, this young team is saying, ‘Time to separate the pros from the cons, the platinum from the bronze  — that butter-soft shit from that leather on the Fonz.”

This team is not messing around. 

Beatdown in Brooklyn (2)

Memphis has improved to 31–31 on the season. 


Grizzlies bench
In the last two games, the Grizzlies bench has scored 133 points (72 vs Hawks, 61 vs Nets). Wednesday night, Josh Jackson led the way with 19 points and two steals as a reserve while going 4 of 9 from three and he’s feeling “pretty damn good” right about now. 

Beatdown in Brooklyn


Meanwhile, reserve point guard Tyus Jones added 18 points, six assists, and five rebounds off of 6-of-13 shooting and 5-of-6 from the 3-point line (career high) in 21 minutes of play. The Grizzlies connected on a season-high-tying 20 three-pointers.

Ja Morant chipped in 15 points, seven rebounds, and five assists. Jonas Valanciunas grabbed 16 rebounds, plus nine points and two assists. Dillon Brooks added 12 points on 5-of-11 shooting, and Kyle Anderson was also in double figures, with 12 points and five rebounds. 

Taurean Prince led the Nets with 15 points and five rebounds on 6-of-19 shooting, as the Nets dropped to 27–34 on the season. Joe Harris added 13 points, eight rebounds and two steals in 29 minutes. Caris LeVert totaled 14 points, six assists and four rebounds, while White Station grad Chris Chiozza chipped in with 14 points and three rebounds as a reserve. 

Up Next

The Grizzlies look to continue the winning streak as they visit the Dallas Mavericks on Friday, March 6 at 7:30 p.m. 

Categories
Letter From The Editor Opinion

Stupid and Dangerous

I remember it like it was yesterday — the morning of my 16th birthday! As I came down the stairs from my bedroom, my father grinned at me and said, “You’re legal to drive now, son! Here are the keys to the family car. Have fun!”

It was weird at first, because I’d never driven a car, so I had to figure out how to start it. But once I did that and discovered that the “R” on that stick thing behind the steering wheel stood for “reverse,” I backed out of our garage as fast as I could (scraping the fender, just a little) and hit the road. What a day it was! I picked up my friends and we drove all over town. I learned about stop signs and turn signals (Who knew!) and how to make the tires squeal and how to honk the horn at old ladies and all kinds of cool stuff. I did run over the neighbor’s dog coming home (Sorry, Bucky!), but hey, how else are you going to learn?

Governor Bill Lee

Okay, that was a lie. The truth is, I had to take a driver’s education course when I turned 15 and a half. Then I could only take the car out with one of my parents for a few weeks after that. When they were finally convinced I wouldn’t kill myself or anyone else, they gave me the keys to the family Bel Air for a night. I remember the rush of freedom and power I felt when I first got behind the wheel and headed out on my own. But I’d earned it.

That’s how it is with a lot of things in life. You pay your dues. You take lessons. You learn. Especially when it comes to activities that can endanger lives. Like driving a car — or owning and shooting a gun. It’s just common sense.

The state of Tennessee has traditionally had pretty loose gun laws, but on January 1st a new “enhanced handgun permit” came into effect. It allows you to carry a concealed weapon if you pay $65 for a permit and take a 90-minute training course, available at an internet near you. Not very reassuring. But, unbelievably, even that law is now perceived as too restrictive.  

Governor Bill Lee and his GOP posse in the General Assembly have decided we don’t need no stinking training or permits to carry around a gun. They think Tennesseans should be able to just go get themselves a firearm and strap it on, partner. You can carry it around on your hip or conceal it in your jacket. Doesn’t really matter. The important thing is that we have lots more guns among us, so we’ll be, er, safer. It’s called “Constitutional carry,” and it’s very likely going to become law.

It makes no sense. In fact, letting anyone over 21 carry a gun in public without restrictions or training goes against one of the core dictates (fantasies) of the NRA/gun fetishist doctrine: the idea of a “good guy with a gun” who will save you if a “bad guy with a gun” starts shooting. When the new law goes into effect, you’ll have no idea if that armed dude sitting next to you in Huey’s is a licensed, trained firearm carrier (good guy!) or a meth addict who just bought a gun at a pawn shop and might drop it on the floor and put a bullet in your kid (bad guy!). All you’ll really know is that he has a tiny penis and is terrified of being in public without having visible evidence that he can shoot you.

Seriously, who really believes this crap, anymore? More than 90 percent of Tennesseans think gun ownership should come with a permit, a background check, and at least some sort of requisite training. Law enforcement agencies are opposed to unrestricted carry, as are most major business organizations and corporations located in the state, as are many gun shop owners and most shooting instructors.

So let’s review, shall we? Those opposed to Constitutional carry: the great majority of Tennessee citizens, most law enforcement agencies, gun safety instructors, and most of the business community.

Those in favor: gun manufacturers, the NRA and other gun lobbyists, Republican lawmakers, and Governor Bill Lee. Any questions about who they’re working for?

I grew up in rural Missouri. I have shot and owned guns most of my life. I think Americans should have the right to own a firearm. But if you feel the need to carry a gun around in public, the public has the right to demand that you undergo at least some minimal amount of safety instruction and licensing. Allowing anyone who can afford to buy (or steal) a handgun to carry it around in public is stupid and dangerous. But “stupid and dangerous” seems to be the state motto these days.

Categories
Food & Wine Food & Drink

Huey’s Turns 50

Lauren Robinson, Huey’s co-owner, president, and CEO, is also the daughter of Thomas Boggs — the Memphis man who made Huey’s what it is today. Robinson looks back on the past 50 years and tells us what’s next for our city’s favorite burger place.

Memphis Flyer: What do you think Thomas Boggs’ greatest contribution to Huey’s has been?

Lauren Robinson: We’ve never met anyone like our dad. [Thomas Boggs] had an unwavering passion for helping people. And his way of loving on folks was serving them hot meals around two-, four-, and six-top tables. And as a musician and member of The Box Tops, which is a Memphis Hall of Fame Band, he couldn’t think of a better addition to those moments than live music. He had so many amazing contributions to Huey’s, but one of the best is that every employee who walked through our doors was family to him. He fought for them, fought with them, and always, always had their best interest in mind. It set an amazing foundation for our Huey’s family today, and we’re so grateful for that.

Photographs Courtesy of Huey’s

Thomas Boggs (center) with Huey’s family

How much has the menu changed in the past 50 years?

We actually have a wall of old menus hanging up in our corporate office! On the earlier ones, you can see that we had three specialty burgers, compared to 13 now. The earliest menu on the wall has a little over 30 items, including sides. Our newest has almost 60.

The recipes come from a variety of different people. Terry Gant, our head chef and Midtown kitchen manager, has been with us for over 35 years and has given us many recipes, as well as Wight Boggs and several other employees. We also have a food menu committee that comes up with potential menu items and tests them. While some of the recipes don’t make it, many of them are placed on seasonal table tents. And a lot of ideas come from our broader Huey’s team. We have over 600 employees, so there are always neat suggestions to choose from.

How did the toothpick-shooting begin?

It might sound crazy these days, but back then Huey’s customers would take the frill picks out of their burgers, shoot them from their straws, and see if they could get them to stick into the ceiling, and Dad definitely wasn’t going to stop them from having their fun. One of our customers, Craig Love, had the idea to knock them down to see how many were in the ceiling and create a contest based on which store had the most. Since Dad was always thinking about ways to benefit the community, he decided it was a great opportunity for a fundraiser, and our frill pick competition has benefited the Memphis Zoo ever since.

Huey’s at Madison and Thomas Boggs Blvd.

Describe the culture of giving at Huey’s.

It all started with our dad. He believed that giving back wasn’t just optional, but vital for us as a business and as community members. He especially loved the Memphis Zoo and served in several roles, including the president of the Memphis Zoological Society, throughout his time in Memphis. Today, we host an annual frill pick contest where customers can donate a dollar to the Memphis Zoo and shoot a frill pick in the ceiling. We’ve donated over $140,000 since the contest started. Starting this year, we kicked off the second University of Memphis scholarship in his honor, benefiting students in the Kemmons Wilson School of Hospitality and Resort Management. We will also utilize our 50th anniversary to donate funds to Church Health, another cause our dad was passionate about.

Our future of philanthropy is guided by investing in future generations through scholarships and learning opportunities, expanding our volunteer efforts through local organizations like MIFA, Memphis Athletic Ministries, and local schools and listening to our employees and managers when they tell us what they’re passionate about and want to get involved in.

What was one of the most memorable moments for Huey’s in the last 50 years?

One very special moment was when we were chosen as one of the top small businesses by the Memphis Business Journal in 1992. That was the first time we’d ever been recognized in that way, and they wrote an amazing article about us. We looked back at the article this week, and it mentioned that we were looking forward to celebrating 25 years in 1995. Flash forward to today and we’re celebrating 50 years in April. It’s crazy how time flies.

As far as events go, our 35th Anniversary at Midtown was one to remember. Looking back, it perfectly mixed the “old-school” Huey’s with who we are in 2020. We love anniversaries because vendors, customers, and our Huey’s family all make an effort to stop in. Plus, we always donate a portion of the proceeds to a nonprofit in the community. We also throw a huge Christmas party for our employees every year with food, drinks, and music at a cool venue. They dance, and we give away prizes. It’s so fun to see everyone together and to reward their hard work.

What’s next for Huey’s?

We’re excited to say that we just added two permanent items to the menu: the Beyond Burger and the Mac ‘N’ Cheese Burger. We will continue trying out specialty items on our table tents, and if our guests respond well to them, we’ll consider keeping them on the menu for good. Unfortunately, we are beginning to run out of space!

We’re opening a new location this year, tentatively in October, in Olive Branch, Mississippi. We’re excited to get to know the community [there] and add new employees to the Huey’s family.

A big ol’ burger with gigantic onion rings

What can we expect at the 50th anniversary celebration?

Wiseacre Brewing is creating a special Huey’s beer for the celebration. We can’t give you all the details, or it wouldn’t be a surprise, but it’s exciting. We’re also working hard on the T-shirts and promotional items, using a few of our past anniversary designs to create some very old-school swag.

Do you have a message for your Huey’s customers?

First and foremost, thank you for 50 amazing years! This goes without saying, but we truly wouldn’t be the company we are today without our customers. We have so many “regulars” that our employees get to know their names and orders. All of Huey’s growth, community involvement, and employment opportunities are made possible because they come and eat with us. They bring their families and invite us into their memories, and we can’t think of a greater honor than that.

Huey’s 50th Anniversary Block Party will be held on April 5th on the corner of Madison and Tucker, outside of Huey’s Midtown, from 3 to 8 p.m.

Categories
Opinion The Last Word

Tiger Hoops: How UM Basketball History Has Shaped Us

When you step into the Pink Palace Museum, you’re surrounded by the stuff of history: Native American tools, Civil War rifles, a reconstructed Piggly Wiggly, a sign from 1968 proclaiming I AM A MAN. Each artifact tells a story about who we are and how we got here. The stuff of history now includes a Memphis State T-shirt with a basketball drawn inside a pyramid, touting “THE TOMB OF DOOM.”

“Tiger Hoops,” a new Pink Palace exhibit, explores the history of basketball at what is now the University of Memphis. It is packed with objects that reflect the sport’s evolution over a century. You can check out pennants for the first teams at West Tennessee Normal School, an original women’s uniform with bloomers, a trophy from the 1957 National Invitational Tournament, the jerseys of Tiger legends Larry Finch and Penny Hardaway, and the astoundingly enormous sneaker of William Bedford.

Mike Olmstead Collection | Courtesy of Pink Palace Museum

Ronnie Robinson

But Memphis basketball is about more than Tigers on the court. It is about Memphians of all stripes.

What can sports tell us about who we are and how we got here? We wanted to understand what meanings Memphians assigned to the Tigers. As one way there, we asked people to lend their T-shirts. Eighty-four of those shirts now fill an entire wall of the exhibit, representing a passion for hoops.

The shirts chronicle great moments, including Final Four runs in 1985 and 2008. They highlight beloved players such as Andre Turner and D.J. Stephens. They shoot zingers at Louisville and Kentucky. Some feature a penny. Others celebrate the Pyramid, a.k.a. “The Tomb of Doom.” There are also some terrible, terrible puns (“I’m in the CAL-ZONE”).

While donating T-shirts, Memphians reflected on their fandom. Many talked about family and community. For a few, Tiger basketball connected them to a deceased spouse or relative.

On the exhibit’s companion website, (tigerhoops100years.com), fans considered the significance of basketball for the city. Steve Pike, the museum’s former executive director, sums it up as “community pride.” Memphis has much to offer but scuffles for national recognition. The basketball team, with its triumphs and trials over the decades, mirrors this scrappy ambition. As Pike states, “The Tigers are shorthand for us.”

Others emphasize the unifying power of sports. “Like no other sports team in Memphis, the U of M Tigers bring our city together,” states one typical entry on the website. “During the heat of the games, people are no longer black, white, or yellow, Muslim, Jewish, or Christian, Republican, or Democrat. We are all just Tiger fans.”

I admit to some skepticism about that sentiment. Upon moving to Memphis in 2004, I heard many stories about how Larry Finch and the 1973 Memphis State Tigers healed the city’s wounds after the 1968 assassination of Martin Luther King. I eventually researched and wrote about that moment. The truth, I learned, is more complicated.

Yes, there was extraordinary enthusiasm among both whites and blacks as the Tigers reached that NCAA championship game. But it occurred as a court-ordered busing program was integrating public schools. White flight was underway. City politics were polarized by race. Mayor Wyeth Chandler celebrated the racial healing of the Tigers but also stoked racial tensions over busing. How much did basketball matter?

That question informs our entire exhibit. In “Tiger Hoops,” basketball tells a story about Memphians — sometimes for the better, sometimes for the worse. It reflects our self-image as proud, modern, and together. It also exposes our patterns of racial and gender discrimination, our exploitation of amateur athletes, our anxieties about being a second-class city.

And now, I guess, it tells a story about me. For years, I was just a casual fan — I like basketball and I like Memphis, but as a Boston native and pro sports guy, I never got too wrapped up in the Tigers. I worked with the Pink Palace on this exhibit because of my academic interests in sports history and civil rights.

But this year, the Goudsouzians split season tickets with another family. And I’m hooked — absolutely, irrationally hooked on the athletic endeavors of 19-year-old kids, the same kids I see in my classrooms. On the way to school, I debate with my two young sons about the best lineups. On the way home, we tune to sports-talk radio. My daydreams often revolve around how Coach Penny can beat zone defenses.

So now we’re real Tiger fans — and real Memphians. But just a few years too late to have entered the CAL-ZONE.

Aram G. Goudsouzian is a professor of history at the University of Memphis and the guest curator of “Tiger Hoops,” which is on exhibit at the Pink Palace from March 7 to October 4, 2020.

Categories
Music Music Features

Stone Crush: New Collection of Modern Memphis Soul Released

“I knew from the beginning that you were the one for me,” are the first words heard on “Stone Crush on You,” the opening and title track of the new collection Stone Crush: Memphis Modern Soul 1977-1987, out April 3rd from Light in the Attic Records. The opening track, a more than 5-minute-long funky dance groove by C.W. Sykes, a.k.a. “The Singing Dentist,” makes for the ideal introduction to the collection. Its protracted groove sets the mood for Stone Crush, a collection of songs united by their status as once-overlooked passion projects, many of them extended dance grooves.

Courtesy Benjamin Jimerson Phillips

Captain Fantastic

And how passionate were these performers? Well, Sykes certainly earned his nickname. When the “Singing Dentist” wasn’t crooning over slide guitars and percussive riffs, he used to trade dental work for studio time.

Compiled by Memphis collectors and DJs Daniel Mathis and Chad Weekley, Stone Crush takes as its focus the soul and funk songs produced in the Bluff City after the closure of Stax. Though the biggest name in town had disappeared, Memphis had no shortage of musicians, smaller recording studios, and dreamers willing to spend their time and money chasing a hit.

A quick flip through the full-color booklet that accompanies the collection reveals some familiar Bluff City recording spots. Some tracks were recorded or mixed at Ardent. The collection sports extensive liner notes by Memphis-based Grammy Award-winning writer and Emmy Award-winning filmmaker Robert Gordon (author of the fantastic collection Memphis Rent Party), and artist interviews and bios from Memphis curator, writer, and sometimes Flyer contributor Andria Lisle. To further cement the Memphis look, the cover art and booklet paintings are by the late Memphis muralist and sign painter James “Brick” Brigance.

Courtesy Bobby Manuel

Libra

The songs that make up Stone Crush make the definitive soundtrack to cutting class to soak up the sun in Overton Park or spending Saturday night skating backwards under the lights of SkateLand. They’re fun, funky, and dotted with connections to the Memphis music scene. “Slice of Heaven” offers a slice of pure, dreamy, good-vibrations funk by Cato Walker, whose father’s gig as B.B. King’s driver got him an in. “Convict Me,” by The Bar-Kays’ former costume maker, Libra, is slinky and sexy, with a bassline that begs listeners to move their bodies.

To be fair, though, most of the songs on Stone Crush are made to get listeners grooving. Frankie Alexander’s “No Seat Dancin'” could just as easily have been the title track for the collection. When Alexander sings, “We gotta keep on dancing, girl … Get up from your seat. Get up on your feet,” he may as well be delivering a mantra. “(I’m) Choosing You” by Magic Morris, with its choppy guitar, big bass riffs, and synth accents, clocks in at more than 6 minutes and 58 seconds long. It’s an extended jam, fine-tuned to be an irresistible call to the dance floor.

Sir Henry Ivy’s “He Left You Standing There” begins with piano and a tight drum beat, lending it a closer link to the traditional Memphis sound. “You Mean Everything to Me” by Sweet Pearl may boast the most Stax-inflected soul delivery on the compilation. On the stranger side of the spectrum, “The Doctor” by L.A. starts with a bass riff and is followed up with almost new wave keyboards.

Coming just in time for spring, Stone Crush offers a deep dive into the post-Stax world of Memphis soul. And though these songs may not be as familiar to listeners, they offer a way into a world that is just as passionate, fun, and danceable.

The new collection Stone Crush: Memphis Modern Soul 1977-1987 will be released by Light in the Attic Records on Friday, April 3rd. The collection will be available in two-LP + 7″, two-LP, CD, and digital formats.

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We Recommend We Recommend

Dixon Hosts Women in the Arts Event

Dixon Gallery and Gardens has partnered with Theatre Memphis to honor women who have contributed to the local arts during its first Women in the Arts event this weekend.

The two-day event will bring together women from all walks of life in the art world who focus in all media, including makers, painters, actresses, dancers, musicians, and more, and they’ll lead performances, demonstrations, and dialogues.

Dixon Gallery and Gardens

Women in Arts

Margarita Sandino, director of education at Dixon Gallery and Gardens, says the inspiration for this event came from a brainstorming session between Karen Strachan, Dixon’s youth programs coordinator, and Claire Rutkauskas, community engagement coordinator of Theatre Memphis, who decided it was time to show appreciation for women, who are often under-recognized in the local arts community.

“We loved the idea so much, and it’s gotten really great support,” says Sandino. “It’s important to highlight all their successes, but also, this is a great time to talk about the challenges that women in the arts have in Memphis, from balancing life and work to opportunities. Having all of those things and having a conversation about it is important. So we thought this would be a really great opportunity to do that.”

Sandino says the idea of this event is to talk not only of obstacles, but also to discuss solutions — and it’s important to work from the ground up to get some forward momentum going.

“It starts at a very low level where you have the conversation,” she says. “You meet with people in the community, you listen to what their needs are and try to accommodate them. It’s a slow process, but you have to start.”

Women in the Arts, Dixon Gallery and Gardens, Friday, March 6th, 5-8 p.m., and Saturday, March 7th, 10 a.m.-4 p.m., free.

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We Recommend We Recommend

Dogs on Parade: Mardi Growl at Overton Park Saturday

Overton Park Conservancy and one of its partners, Hollywood Feed, hosts its inaugural Mardi Growl event this Saturday, featuring a Mardi Gras-themed dog costume contest, a crawfish boil with Local Gastropub, and a dog parade through the woods.

Melissa McMasters, director of communications for Overton Park, says the event was inspired in part by the conservancy’s Halloween dog costume event in October and that she hopes to see creative costumes like she saw at that event, such as two “hot dogs” in a hot dog cart accompanied by humans dressed up as ketchup and mustard bottles.

“The costume contests always seem to attract a lot of extremely creative people,” says McMasters. “So they’re really fun.”

Melissa Mcmasters

The canine krewe’s bacchus ball heads to Overton Park for Mardi Growl.

The conservancy will bring on three celebrity judges (Markova Reed, former WREG anchor; David Scott of Dave’s Bagels; and Lucy Furr, graphic designer for Hollywood Feed) to determine the winners, who will receive prize packs from Hollywood Feed and a gift card from Second Line.

McMasters says that the members of the park are looking forward to thanking Hollywood Feed, who sponsored the construction of Overton Bark in 2012, and the dog lovers who enjoy the dog play area every day.

“We really want to engage the community that uses Overton Bark and give them something fun and a thank you for being such great supporters — and also to bring in some new folks who may not have visited before,” says McMasters. “And it’s also a great opportunity for us to work with Hollywood Feed. We always enjoy hanging out with them.”

Mardi Growl, The Greensward at Overton Park, Saturday, March 7th, 11 a.m.-1 p.m., free.

Categories
Sports Sports Feature

The Return of Larry Finch

Larry Finch played his last game for the Memphis State Tigers 22 days after my fourth birthday. But if you looked at the current issue of Memphis magazine — and you can get over the Lester Quinones amount of leg players showed in 1973 — you’d swear the Tiger legend is alive, well, and ready for one more NCAA tournament run.

Among the joys of being a sportswriter is the rare feeling that I am in precisely the right place at precisely the right time. (No, this is not the Alcorn State game at FedExForum on a Tuesday night in November.) Most recently, when the University of Memphis football team won its conference championship and clinched a berth in the Cotton Bowl, the Liberty Bowl felt like earthbound heaven, at least for that moment, that night of fireworks and confetti, December 7, 2019. So many Memphians, so happy, and together, as one. This was Memphis Tiger football. The Cotton f’n Bowl!

This brand of euphoria doesn’t always require fireworks or confetti. It crept up and hugged me rather tightly over the course of several recent weeks in my day job as managing editor for Memphis magazine (the Flyer‘s sister monthly). It began with a business meeting at Spark Printing last December, in which a colleague and I were introduced to a machine called the Jetvarnish 3DS. The size of a computer from 1975 (smallish for the kind of press a magazine typically requires), this printer can apply foil and varnish — separately — to previously printed material. Like the cover of a magazine.

A few weeks earlier, I’d received a press release from the Pink Palace notifying the world that a special exhibit on Memphis Tiger basketball would open in March, one curated to celebrate the culture and impact of this city’s first true home team. It didn’t take long, upon meeting the good folks at Spark, for the staff at Memphis to realize, yes, a spark of inspiration. How might we help celebrate Tiger basketball culture with the new — literally shiny — technology available with that magic printer?

The question then became who might help celebrate Tiger basketball culture, and the answer was as swift as a Derrick Rose crossover, as resounding as a Keith Lee two-handed dunk. If we could find the right picture of Larry Finch in his prime, we had the chance to honor and salute the greatest Tiger of them all while bringing him to life in ways no print media ever had before.

You can now see — and importantly, feel — the result. And it took a village. The University of Memphis athletic department had the iconic image, back when media photos were the norm, before pregame videos became a team’s identifier. Printing the cover required more than Spark alone could provide. Toof Commercial Printing and LSC Communications took the floor in our multi-stage process, one that required well over 24 hours to complete.

Snags? Heck yeah, there were snags. Thankfully, all relatively minor. (I chose to ignore my dentist on a recent visit when he asked if I’d been grinding my teeth more than usual.) Printing to the standards of Memphis magazine is still as much art as science. Applying ink to paper — to say nothing of applying foil or varnish — can be precise, but it’s not a given, ever. Professionals, though, make this magic happen. They collaborate toward a reward that allows you to feel the fingers of Larry Finch’s left hand, to see the name “Memphis” shine as brightly as Finch himself did the night he scored 48 points in a single game.

I’ve missed Larry Finch since he died in 2011. The city of Memphis has missed his presence. An anonymous American once said of Franklin Roosevelt, upon the president’s death in 1945, “I didn’t know FDR, but he knew me.” Finch occupies that place in my heart, and in the hearts of countless other Memphians. I’m grateful to have played a role in bringing him to life on the cover of our March magazine. Stories — those we tell, and those told about us — are the closest any of us will come to immortality. By that measure, Larry Finch is indeed alive and well, among us even. Let him shine. Memphis magazine can be found at Novel (387 Perkins Extd.). To subscribe, call 575-9470 or visit memphismagazine.com.

Categories
Cover Feature News

Meddlesome Wins Bracket Challenge. Plus, News on Brews from All Over Town

Meddlesome Brewing Company’s West Coast IPA — 201 Hoplar — is the best craft beer in Memphis, according to the 530 voters in the Memphis Flyer‘s 2020 Beer Bracket Challenge, sponsored by our fine friends at the Young Avenue Deli.

This marks the third year in a row that 201 Hoplar has won the top spot in our challenge — a stunning three-peat made even more stunning as Meddlesome’s winning streak began the very first year of its operation.

“It’s an amazing feeling knowing that all of our patrons, fans, friends, and family care so much about us and our brand,” says Ben Pugh, who owns and founded Meddlesome with home-brewing pal Richie EsQuivel.

Each year, Pugh and EsQuivel have said they cannot believe their win and never expected it. Each win has been “crazy,” Pugh has said, leaving them feeling “blown away.” EsQuivel said of 201’s first-year win, “What the hell?”

According to EsQuivel, 201 Hoplar is a “West Coast IPA, through and through.” But while some new IPAs can be soft and fruity, EsQuivel says 201 Hoplar is “aggressive and bitter” but also “pineapple-y with citrus fruits.”

This year, we returned to our original format. The four bracket divisions separated Memphis craft beers into four very basic categories — light, dark, IPA, and seasonal. We blind-seeded the breweries’ beer choices in an event last month at Young Avenue Deli. Voters took it from there, moving 24 beers toward the championship.

Cheers to these meddling kids! (l-r) Richie EsQuivel, Ben Pugh, brewer Amber Rogers, and volunteer Larry Stone (back) celebrate Meddlesome Brewing Company’s three-peat victory in Memphis Flyer’s Beer Bracket Challenge.

Along the way, four beers emerged as winners in each of their categories. Wiseacre’s Tiny Bomb took top honors in the light division. Wiseacre’s Gotta Get Up to Get Down won in the dark division. Meddlesome’s 201 Hoplar was (obviously) the best IPA. Meddlesome’s Dirty Dova emerged on top of the seasonal division.

Here are some questions left after our fourth year of the Beer Bracket Challenge: Is Memphis an IPA town? What is Meddlesome’s secret sauce? And it appears new competitors will be lining up for next year’s challenge. So, can Meddlesome and 201 Hoplar do it again?

Meddlesome Brewing Company’s award-winning West Coast IPA 201 Hoplar is flowing into shiny, new cans — and hitting shelves this month.

Beer News You Can Use

The Memphis craft beer scene will look different this time next year. New breweries are on the way. New locations of existing breweries will come online. New beers will line local shelves. And familiar beers will line shelves farther from Memphis.

One brewery has new owners implementing a raft of changes. And, certainly, new beers will flow from all of the local brewers in the next 12 months.

In short, it’s a great time for Memphis craft beer and craft beer fans. And it’s about to get better.

There will be growth, for sure. But it won’t be like the rapid ramp-up of 2013 when three new breweries — Wiseacre, Memphis Made, and High Cotton — all opened within six months of each other.

But here’s a big win: Every craft brewery that has opened here since 2007 is still open. Maybe that sounds small, but it’s huge. Craft breweries in other cities open and close, sometimes with the regularity of local restaurants. That hasn’t happened here, and it speaks volumes about Memphis’ craft scene.

As craft beer’s profile has deepened, Memphians understand craft better than ever before. Our breweries continue to up production volume, settling their beers into more and more places and into the mouths of more and more consumers. And they ain’t slowing down.

The next 12 months will bring changes — big and small but all good — for the city’s craft scene. I’ll raise a pint to that. You should, too.

Ghost River

Bob Keskey and a group of partners bought Ghost River Brewing just more than a month ago. One of their first moves? They’re bringing back the tree.

Ghost River’s original, iconic logo — that spooky-looking bald cypress tree — will return soon to the spotlight of the iconic brand’s aesthetic. The tree was replaced with a lantern (another apt nod to the brand’s “wandering” spirit and to the Ghost River itself) in a brand redesign a few years ago.

Keskey says he started the pursuit to buy Ghost River about two years ago. It was an “on-again-off-again” situation for awhile with the Feinstone family (the previous owners). It was a “long dance,” he says, but the deal closed in January.

Keskey lives in Memphis but is a native of Milwaukee, Wisconsin, where “beer is a staple of our diet.” He originally fell for Ghost River Golden, a “nice, easy, drinkable beer.” Then he was “hooked” on Grind House, tried the rest of the beers, met head brewer Jimmy Randall, checked out the taproom, brought his investor group in to do the same, and began the pursuit to purchase the operation. He says Ghost River “just fit well with me.”

Changes at Ghost River will go well beyond the logo. The new group is investing capital (Keskey wouldn’t say how much) for a new canning line and a new keg line. He says they “completely redid the back production area” with new floors, new LED lighting, and new paint on the walls. “We’re giving the whole thing a facelift,” he says. Out front, work is underway for an expanded taproom to include a private area for indoor and outdoor events. All of it, Keskey says, will be complete by March 30th.

“Everything we’re doing comes either at the suggestion of the employees or customers or from [taproom manager] Victoria Keskey,” he says. “I’m not one of these owners that pushes his way through. So, this is about what the employees need, and I just made it happen.”

Memphis Filling Station

A simple question set Memphis Filling Station (MFS) on a new path, a journey that may conclude this year.

You may already know MFS, or think you do. The company began as a growler filling station, and they’ve poured other companies’ craft beers at dozens of events. But things changed when MFS co-founder Bryan Berretta was invited to bring some of his beers to an annual Brew Movement Against Muscular Sclerosis event.

“I was like, uh, no one drinks mine,” says Berretta. “I’m the only person who knows what it is. [The event organizer] said, ‘Well, bring it anyway.'”

So, Berretta and co-founder Heather Reed showed up with about 120 bottles and poured through almost all of them. At the end, Reed asked a path-changing question: “Why are we selling other people’s beer?”

That question led Berretta and Reed to negotiating on a space to allow them to sell MFS beer. The space would be shared with a food vendor in a sort of co-op situation. But Berretta isn’t providing more details than that.

As for beer, Berretta says he wants to do something different in the market. He says he’s into beers with “heavier, fruited, stronger flavors” and “crazy stuff” like a salted caramel pastry stout. “I want to be seen as the brewers’ brewery, where the other brewers feel comfortable coming in and doing collaborations with us, and it’s just fun and creativity and just forget the rest,” Berretta says.

Wiseacre

“We expect summer.” And that’s as close as Kellan Bartosch, owner and co-founder of Wiseacre Brewing Co., could predict for the opening of the company’s second location, a 43,500-square-foot, $7 million taproom and brewery now rising from the earth Downtown on B.B. King Boulevard between Butler and Vance. The taproom will make up only 5,000 square feet of the space. The magic for Bartosch and his brother and co-founder Davin Bartosch is in the rest of the space — the brewhouse, warehouse, lab, cellar, and grain mill.

“The biggest thing that [the new location] does for us is just allow us to fulfill our potential as a business,” says Kellan Bartosch.

Production capacity at the original Broad Avenue location was frustrating and tough, he says. The new location will allow growth. While many have asked, Bartosch says the opportunity for a regional brewery to go national (like Bell’s or Founders) just doesn’t really exist anymore, especially with the amount of breweries in the country now.

But for Davin Bartosch, Wiseacre’s head brewer, it’s more than that.

“The new location has more to do with us being able to make the best beer we can,” he says. “My goal, ever since we opened, was to make the best beer in the world. Having nicer equipment allows us to get much better at making beer.”

A new canning line will help eliminate more oxygen in the cans, which extends shelf life and creates consistency.   

For now, look for Wiseacre’s Regular Pale Ale year round, a fresh series of “new-age-y” IPAs, and new packaging, including 16-ounce cans, more 12-packs, and even 24-packs.

Crosstown

It was a hell of a party, especially for a 2-year-old.

The planning was intense, tons of new beer was made and poured, tons of friends came, and at its height, the party was a raucous, full-tilt boogie. It’s not every day a brewery turns 2. Even though Crosstown Brewing Company sold more beer on its second birthday than it did on its opening night, co-founder Clark Ortkiese won’t ever forget that first night.

“Of course, we’re better at serving than before, and our point of sale [system] didn’t crash, and the draft system wasn’t completely screwed up like it was on the first day,” Ortkiese remembers.

Two years on, it’s creativity that keeps Ortkiese feeling like work ain’t work.

“That’s how I get to cut loose creatively and how [head brewer] Stephen Tate gets to cut loose,” Ortkiese says. “We just figure out how we’re going to do this … and work toward it.”

Look for that creativity in new, seasonal cans including Delta Cat, a low-alcohol, Euro-born grisette (dropping this week), and a New England IPA called Chowda, out later in March.

Ortkiese says taking risks on esoteric styles comes easier as the Memphis craft beer market matures. For proof, he points to two “successful” sour-beer can releases over the last two summers.

“So, yeah, I trust the market enough to say let’s go do some weird stuff and some old-school stuff,” Ortkiese says.

Meddlesome

Meddlesome Brewing Company is readying to answer the question its fans have been asking since they opened: When can they find Meddlesome beers in stores?

“Every day we get phone calls and Facebook messages: Where can I buy your beer?” says Meddlesome owner and co-founder Ben Pugh. “Well, I can give you a list of places, but if you’re not going to bars or restaurants you’re probably not going to find it.”

Pugh says Meddlesome is a self-funded operation, and canning (either contract or in-house) was put on hold until they could afford it. Now that time has come. The award-winning 201 Hoplar is now flowing into silver cans, 12 ounces at a time. Pugh says to look for Meddlesome on shelves this month.

The brewery hit the ground running after they opened about two years ago, winning the hearts (and tastebuds) of Cordova craft fans and enough votes to win our Beer Bracket Challenge for three years in a row. They’ve been competing for taps all over town and will now compete for shelf space.

At the same time, they haven’t stopped meddling (you knew it was coming) creatively. Meddlesome did a special bottle release each Saturday in November, including Hot Mess, an imperial red ale made with Red Hots; All the Cookies, an imperial oatmeal raisin cookie brown ale; and Devil’s Water, a Belgian quad.

Memphis Made

You (probably) haven’t had a beer in the Ravine yet. But you (probably) will have come this time next year. The Ravine is a $5 million public greenspace concept now underway by Development Services Group and the Downtown Memphis Commission.

Before long, you’ll be Instagramming the hours away and drinking craft beer in a ravine on an old rail spur behind nondescript buildings between Union and Monroe (close to the old Commercial Appeal building).

“We kind of specialize in unique spaces here at Memphis Made,” says company co-founder Andy Ashby. “Our taproom is definitely different than a lot of others. So the unconventional design [in the Ravine] didn’t faze us in the least. We actually think there are opportunities there.”

New production space there will allow Memphis Made Brewing Co. to up its volume. It’s good timing, as the company readies to enter new markets after a recently signed distribution deal with Ajax. But the location came first and the distribution deal came second, says company co-founder Drew Barton.

“Finding that second location and knowing that we could push production was not a necessity to go find a distributor, but it definitely made the choice a little easier,” Barton says. “Had we not gone and found the second location or knew that we wanted to expand that way, we would have been totally happy just brewing on Cooper. But we knew that we could move beyond the volume we were doing to get to that next level.”

Timelines on projects like these can get squishy, but Barton says to look for the Ravine location to open “this year.”

Memphis Made also recently signed a separate distribution deal with Clark distributors in Mississippi. So, very soon you’ll be able to find Junt, Cat Nap, and more in stores outside of Shelby County for the first time.

Grind City

Back then, the area didn’t have a fancy name, really. There was a hill with a ragged collection of decrepit buildings. But there was that view. When Hopper Seely climbed the hill and saw the view, he knew.

“Once I saw that view, I was like, I don’t care how bad this place is to open …” Seely says, trailing off amid the construction noise. “Some days I wish I really didn’t ever say that. Once we got construction started — and if I’m ever having a bad day — I just look at that view and know it’s going to be worth it.”

Seely’s Grind City Brewing Co. sits behind the carriage and horse barns on North Second, above the east bank of Wolf River harbor. Signs in the area herald it as the “carriage district,” but it’s always kinda sorta been in the Uptown area and is now in what developers call the Snuff District.

All of it sits just north of Downtown, and now, atop that small hill, is a site under full construction, with one modern building that shines like an iPhone at a barn-raising. Walk out the back of Grind City Brewing’s massive taproom and onto its patio and you’ll see that view — the Pyramid, some of the city’s most iconic skyscrapers, and the big “M” of the Hernando de Soto Bridge.

Open in the “spring-ish” time, according to Seely, that patio and view should be very Instragram-friendly.

But Grind City is way more than a patio. Seely was 12 when he began brewing beer with his dad. He was 19 when he quit college and entered a brewing school in England. And in his early 20s, he won awards for his beers and business plans.

Seely and Grind City head brewer Mark Patrick are already cranking out beers. Out of the gate, Grind City will offer a light beer, an IPA, and a black (nitro!) lager. Later, they’ll begin offering up seasonals and one-offs. 

Soul & Spirits

“We are in very deep construction,” says Soul & Spirits Brewery co-founder and head brewer Ryan Allen.

Soul & Spirits is planned for an old building, also in the Uptown/Snuff District on Main Street. But Allen says it’s way too early to talk about a timeline to get the doors open, though the company’s Facebook page says “coming 2020.”

But Allen did talk beers: “We make a diverse range of beers for a diverse range of people,” he says. “We’re looking at both old-world styles and new-world styles and even being creative in our right, doing some of our own things that you may not have seen before.”

Allen earned his Masters Brewing Diploma in Germany. It’s much of that “old world” education that leads him to the mindset that brewers should really know how to brew “a great light lager beer.” Then, apply that knowledge to any kind of “new-world styles.”

High Cotton

You’ve definitely started to see more High Cotton out there. Thanks to a November distribution deal with Eagle, the Edge District brewery plays farther afield in the Memphis market (like the suburbs) in more grocery stores, convenience stores, and other spots.

Ryan Staggs, High Cotton Brewing Co. co-owner and co-founder, says for the first years of operation, “We were a man in a van. Now we’ve got dozens of delivery drivers and trucks that are out there every day, beating the street and putting more craft beer in more places than we can dream up.”

But those first years of self distributing were crucial, Staggs says, as the market was developing and they slowly ramped up production volume. 

Consumers are now well used to seeing three High Cotton beers in cans: Scottish Ale, IPA, and Mexican Lager. A fourth can — a seasonal — will be added later this year.

This spring, the brewery’s Thai Pale Ale will replace another saison as its seasonal beer. Staggs says the beer’s exposure in the Flyer Beer Bracket Challenge and the demand for the beer in the taproom helped High Cotton make the switch.

In the next couple of months, keep an eye out for a Flanders red ale. It’s been fermenting in wine barrels for two years, Staggs says, and so far, “It’s pretty phenomenal.”

Memphis Brewfest

If any of this has you craving a craft beer, you’re in luck. Memphis Brewfest is returning to Liberty Bowl Stadium. So far, 33 breweries and cideries are set to tap their stuff on the field on Saturday, March 28th, from 3 to 6:30 p.m. Tickets are $50-$100 at eventbrite.com.

Categories
Editorial Opinion

Bill Lee’s Surprise

During the 2018 governor’s race in Tennessee, the leading candidates were thought to be Diane Black, the ultra-conservative Congresswoman from the state’s Sixth District, and Randy Boyd, the affable social engineer and idea man behind many of then-Governor Bill Haslam’s governmental innovations.

Black had no trouble presenting herself as the right-wing politician and outright Trumpian that she was — supporting huge tax cuts for the wealthy, bashing immigrants, and expressing desires to curtail the EPA. Boyd was almost necessarily a moderate, given the progressive nature of the institutions he created — Tennessee Promise, Drive to 55, etc. — and their modest but real claim on the state’s exchequer.

But a strange thing began occurring during the gubernatorial race that year. Under pressure from his campaign advisors, Boyd began releasing ads and campaign bromides — loaded with hard-edged innuendo about the Second Amendment, potential welfare cheats, and illegal immigrants — that cast him in an altogether new light as some kind of hard-edged reactionary, determined to out-Black Black, or even to out-Trump Trump.

Meanwhile, on the stump, Boyd continued to talk reasonably about such subjects as education, health care, technology, immigration, workforce development, transportation, and urban strategies. Asked about his newly adopted public persona, Boyd said, “If I’m running to be the Republican nominee in Tennessee, I want Republican voters to see that I’m one of them.”

In the end, Republican voters failed to see either Black or the redesigned Boyd as “one of them,” opting instead for political newcomer Bill Lee, a Middle Tennessee industrialist/rancher who smiled winningly, avoided ideological abrasiveness in his speech, talked up his faith, and remained difficult to pin down on specific issues. A third-place candidate for most of the race, Lee became an obvious option to the mud-slinging match between Black and Boyd and ended up an easy winner, triumphing as well in the general election over Democrat Karl Dean.

So here we are in the second year of Governor Lee, no longer the Great Unknown. It turns out he has a few ideas, but most of those he has are far to the right of the spectrum — pushing school vouchers, vowing to end abortion, renouncing Medicaid expansion, denouncing “socialism,” rejecting adoption rights for LGBTQ parents, and — most recently — calling for “open carry” gun legislation, or “constitutional carry,” as advocates of unrestricted weaponry call it.

Cry your eyes out, Diane Black and Randy Boyd! Bill Lee out-Trumped both of you, even if it seems he did so by stealth. In a time when random gun violence increases apace, Tennessee’s governor has basically just called for more guns and the de facto elimination of curbs on their presence in the public sphere. Almost immediately, law enforcement officials, both locally in Shelby County and elsewhere in the state, expressed opposition to the proposed new legislation, and we fully support them. It will require serious effort in the legislature and luck, besides, to overcome this new threat. And let us hope, a la some famous musical advice, we don’t get fooled again.