Categories
News News Blog

COVID-19 Response Lead: Signs of Cautious Optimism After ‘Brutal’ July

Shelby County Health Department

David Sweat

David Sweat’s team is usually chasing food-borne illnesses this time of year. Salmonella. E coli. Legionnaires’ disease. Maybe they’d be watching for mosquitos carrying West Nile virus, too.

But there’s nothing usual about 2020, of course. Now, Sweat’s team is chasing COVID-19. That chase in July was “just brutal” as the virus surged in Shelby County and in many parts of the country.

Sweat is the Deputy Division Director for the Shelby County Health Department. He’s the person in charge of the COVID Response Unit. He’s also the health department’s Chief of Epidemiology, too. So, he chuckled a bit when asked if he’s been keeping busy.

His team wrangles data from far-flung sources and streams it into those charts and graphs that make news in Memphis every single morning. That data is the data. It’s how we gauge the spread of the virus in the community.

His team also has those contact tracers we’ve heard so much about. They talk to those newly diagnosed with the virus, ask them where they’ve been, who they’ve seen, and contact those people. They’ll put them in quarantine, too, if necessary.

July was brutal, as Sweat said. But he see hints of optimism out there. Though, he warns, “we’re not out of the woods yet.” — Toby Sells

Memphis Flyer: What does your team do on a daily basis?

David Sweat: Our unit is responsible for receiving reports of cases, to make sure that they’re not duplicates, and that we don’t start investigations on cases we’re already investigating.

Once we’ve sorted out the duplicates and teed up things for the investigators, we start the investigation process. That’s surveillance, that’s the incoming data from laboratories. We initiate from there — the investigations start.

They get moved over to the case investigation specialists, the contact tracers as they’re popularly known. They do the investigations. They find the case. They interview the case. They talk to them about the contacts they’ve had. Based on the symptoms, they figure out what the infectious period was for the case. Then, they talk about the people that they came in contact with during their infectious period. Then, they chase down those contacts.

They place the case in isolation for whatever amount of time is appropriate. Then, we look for their contacts that need to be quarantined and try to contact with those folks and talk with them and make sure they understand that they need to be in quarantine, and put them under quarantine measures.

Then, we gather all this data and feed it back into the process. The teams do data entry into the surveillance system and that’s where the numbers come from. It’s from the analysis of the data stream of data that’s collected about these individuals and their patterns in the community.

We also receive reports inbound from people reporting clusters in a nursing home or a group home or wherever. We also receive reports of death. So when someone has a COVID related death, we bring all that together and put that into various databases that get analyzed.

Then, we begin the process of generating the numbers for the nightly report, which feeds into the website for the next day. There’s a whole process of analysis that goes on with that, so they have to sort and do the spreadsheets that drive the visualizations, that drive the slides, that drive the website to update the numbers on a day-to-day basis.
[pullquote-2-center] Through the course of the day for the data team, they’re probably pulling a 10-plus hour day, every day, seven days a week, so we have to schedule people to do this and give people days off. We have to have multiple people who can do the same things so that we can rotate the workforce.

We get our data sets from the state every day between 10 a.m. and 2 p.m., usually. Some days they’re running slow. So, some days it 3 p.m. to 4 p.m. before we get the data. Then, they generate the analysis between whenever they get the data set into the evening. Usually, they wrap up around 6:30 p.m. everyday. That’s what has to be done to produce these visualizations for our website and the (Memphis and Shelby County Joint Task Force) briefings.

MF: So, very different from a a regular year.

DS: Historically, or when we’re not in a pandemic, what are we doing? We’re looking at disease patterns in the population for all the reportable conditions. We’re monitoring for outbreaks. We’re investigating. We’re applying control measures.

In a routine year when we’re not in a global health pandemic, right now, at this time of year, in July, this would be a very heavy food-borne illness season. We’d be doing a lot of salmonella investigations, a lot of E. coli investigations, Legionnaires’ disease, West Nile virus.
[pullquote-3-center] It’s not that we’re not doing those things, but we are prioritizing COVID-19 because it’s a pandemic, a global public health emergency. It’s an emerging disease that we did not even have in the county until February and now we’ve got 20,000 confirmed cases.

From one perspective, this is what we do. From another perspective, we didn’t plan to have 20,000 cases of an emerging disease here when we were planning for this year.

So, we’ve had to pivot our workforce, pivot what we do on a day-to-day basis to handle the demands of the epidemic. But we’ve got a group of epidemiologists, and data analysts, public health nurses, and environmentalists that routinely work on infectious reportable diseases. It’s just that I’ve had to deploy almost all of them into the COVID response.

For the people who did not get deployed, they have to do everything else. Usually, that’s a workload that’s shared by about 13 people that’s pushed down on two people. Then, the rest of them are all redirected right now to COVID response.

MF: When the numbers come out in the morning, I look at them as a gauge of the COVID health of the community. Is that the right way to look at those numbers?

DS: Well, certainly there are right ways and wrong ways to use the data. But that idea is certainly the right idea. That’s the point of it. We’re trying to show the pattern to the community to help the community understand.

Why are we taking the measures that we’re taking, for instance. When we issued Safer At Home orders: Why did those go into place? Why are we pushing masking? Why did we close the bars? Why did we put a 10 p.m. curfew on alcohol sales? Why have all these things been done to try to interfere with the virus’ ability to find hosts?

To illustrate the importance of it or to give a justification for the region to take these measures, (we show) the force of infection, the spike in the cases, the acceleration in reports, and positivity rate of tests. We show all of these things to help publicize it so that people can understand the rationale (of implementing health measures) and why it’s important to take these control measures.

MF: Is there is there a piece of data that you look at every day that kind of helps you best kind of understand where we are in this pandemic?

DS: Obviously, I look at the cases counts. I look at the cases by specimen collection dates and how big of a lag is there between when the disease was tested for and when the results come in.

How far behind are the labs? That is a key thing that we look at. What’s the positivity rate by day and the overall positivity rate, in general? Those are some of the key ones that we look at because we will learn different things from different parts of that. Part of knowing the cases reported per day and the specimen collection, in addition to the calculated positivity rate associated with a given day’s specimens.

We also are really interested in the reproductive rate of the virus. So, how rapidly is it reproducing? We calculate that. We call that Rt or some people call it R nought (R0).

Another way of looking at that is: How fast are we doubling our cases? So, right now, we’re doubling our cases about every 29 days. So, 29 days ago, we had half as many cases reported as we have today. In the early days of the epidemic say in March, late March, we were doubling our case count about every four to six days. That’s very rapid.

[pullquote-5-center] Then, we were able to stretch that out over time to where the case count was doubling every 34 days. So, we have really pushed that number out, and that represented a lower reproductive rate of the virus. Then, in July, we saw that contract back to 26 days. So, we got to the point in July where we were doubling our case count every 26 days. Now, we’ve been able to stretch that back out as community to 29 days. So, we’re starting to get into the ground or get back some of the ground we lost.

MF: For, maybe the first two months of the pandemic, I reported the daily positivity rate. I’d take the number of tests given and divide that by the number of new cases. I stopped reporting it because it didn’t take into account any lag in testing. The new cases weren’t from the tests done the day before. So, that’s not how you do it, right?

DS: Methodologically, that’s not the way we do it. We want to know the positives associated with a specific date and time. So, what we look for is…the denominator is all the specimens that were collected on that day. Then, the numerator are the ones that were collected that day on positives.

The case reports that came in yesterday, 400 or so. Those represent two weeks worth of collection days. So, we distribute those back onto the date they were collected. That’s how we calculate the daily positivity rates associated with them.
[pullquote-6-center] MF: The weekly positivity rate fell on July 19th. That was the first time that figure has gone down since May 4th. I took it as a sign of optimism. Are there signs of optimism out there?

DS: Yes, there are. It’s a little early and we don’t want to make too much of it and it certainly doesn’t mean we’re out of the woods.

July was brutal. July was just brutal. The first 20 days of July were really hard for us.

But now now we’re seeing that the daily case counts, the daily positivity rates since around July 20th or so, are starting to come down again.

Beginning with the week of May 17th to May 23rd, we went from 4.5 percent positivity to 5.6 percent positivity. Since then, we’ve have nine straight weeks of climbing positivity ratings. Last week — finally — it started to go down again.

We do believe that the best explanation of health directive No. 8 (that closed bars and closed restaurant at 10 p.m.). There was also a mask mandate written for the whole county, and the city of Memphis, and other local ordinances requiring people to wear masks.
[pullquote-1-center] The University of Memphis did a study … and we saw that pre-ordinance and pre-health-directive requirements, only about 50 percent of Memphians were wearing a mask. After those measures went into effect, mask compliance went up to 90 percent.

That’s a big improvement in the number of people who are wearing a mask in public. That makes a difference. It really interferes with the virus getting from one person to the next.

The bar closures are also probably contributing to the number declining again because 54 percent of our cases are between 18 and 54 years old. So, over half of the cases are in that demographic.

One of the things we’ve noticed all around the country is outbreaks associated with bars. There’s a bar outbreak in Michigan with 187 cases. Cohorts in in Jacksonville, Florida went to the bar together and all 17 of the friends got coronavirus. That was on the first night the bars reopened in Jacksonville, Florida. So, there’s reports out there of widespread bar-associated transmission of COVID-19 all over America.

That’s why we took measures to close the bars. Because we know from experience and other communities that it is a high-risk setting for transmitting COVID. The population that is more likely to be in bars is the population that is more likely to have COVID.

Categories
Beyond the Arc Sports

Grizzlies vs. Trail Blazers Preview

The Memphis Grizzlies return to regular season action Friday afternoon after nearly a five-month absence. The Grizzlies will face a hungry Portland Trail Blazers squad that has playoff aspirations. 

Grizzlies vs. Trail Blazers Preview

Memphis leads the Trail Blazers by 3.5 games in the Western Conference standings. The Grizzlies have to keep the momentum ahead of the five trailing Western Conference teams in order to keep the eight seed and advance to the playoffs. Here’s the play-in scenario for the eighth seed:

If the Grizzlies are more than four games ahead of the team in ninth place, Memphis qualifies for the playoff berth. If the team in ninth place is within four games of the Grizzlies, those two teams would compete in a play-in tournament for the eighth seed in the playoffs. The ninth-place team must win two games before the Grizzlies wins one to clinch the eighth playoff spot.

This is a pivotal game for both contenders and “must-win” for both teams, much like a playoff game. 

Keys to a win for the Grizzlies

Kyle Anderson continues his offensive swagger

In the three scrimmages, Kyle Anderson averaged 14.0 points, 6.3 rebounds, and 1.33 blocks in 23.5 minutes. After going 16–59 from three in the regular season games before the season suspension, the UCLA alum connected on seven three-point shots during the scrimmages. 

If Anderson can play at this level during the eight seeding games, it will be a huge lift for Memphis. Anderson’s aggressive play will be a problem for the Blazers. 

Bench production must be on point

During the regular season before the hiatus, the Grizzlies ranked in the top five in efficiency. The Memphis reserves bench ranks first in the NBA in field-goal percentage (.479) assists (12.1) and steals (4.1). The bench averaged 41.4 points per game before the league stoppage. 

Tyus Jones, a key member of the bench unit will be out of action due to knee soreness. Memphis will miss his leadership on the second unit. Jones is a great facilitator who knows how to take care of the ball. The Duke alum leads the NBA with an assist-to-turnover ratio of 5.2. 

The Grizzlies will likely have to rely more on DeAnthony Melton to run the second unit in the absence of Jones. Ja Morant and Anderson might have to play heavy minutes with the bench as well. 

Jaren Jackson Jr. must control his fouling

Jackson Jr. is prone to foul trouble. The 6–11 forward fouled out in 8 of 54 contests during the regular season and in two of three scrimmages at the restart. The Michigan State alum averaged 16.9 points and shot nearly 40 percent from three in 28 minutes before the hiatus. Jackson must learn to defend without fouling because he is needed on the floor in order for the team to be successful — against the Blazers and in the other seeding games. During a recent media availability Zoom session, Jackson said, “I don’t think I am nearly at my potential level  —  definitely a lot of decision-making with or without the ball on offense, and defensively limiting fouls.” 

Memphis Grizzlies vs. Portland Trail Blazers
Friday, July 1, 2020
3 p.m. CT Tip-Off
TV: FOX Sports Southeast
Radio: 92.9 FM ESPN

Categories
Music Music Blog

Listen Up: Branson Summers and His Zen Drumming

Branson Summers



Branson Summers now lives in Nashville, but he’ll return to Memphis at the drop of a yoga mat to demonstrate the soothing tones of his crystal bowls and steel drums.

“I’m calling it ‘Zen drumming,’” says Summers, who will release his EP Harmonic Circulation on July 31st.

Summers, 27, and his brothers, Jared and Wesley, cut their musical teeth in Memphis when they were teenagers and played in their first band, “The Summers.” They continued to play in bands together after their family moved to Nashville. After the loss of their parents in the Gatlinburg wildfire in 2017, the brothers went in different directions.

Last December, Summers began playing on crystal bowls and steel tongue drums. “I started doing my own thing, creating something I had never done before,” he says. “Crystal bowls are used in meditation and ceremonial gatherings. It’s very peaceful. It has one long tone that kind of resonates throughout your whole body. The bowls are made of crystal quartz. And then I have a rubber mallet and a stick that’s wrapped in cowhide.”

Summers runs the mallets around the bowls. “The cowhide creates a more distinct, clear, prominent note. And the rubber mallet is more of a softer note, but it also is used to sustain the note.”

The steel tongue drum is “like a metal tank that has tongues carved into it that are all different notes. So, I had the one bowl and the one drum and started putting the two together.”

Summers posted a video of himself playing the bowl and drum on Instagram. “A friend hit me up and said, ‘I’m teaching yoga. I would love to have this as live music for my classes if you’re interested in coming. We do a weekly class every Sunday.’ So, I was instantly into the idea of providing live music for a yoga class.

“It just really inspired me to kind of run with this new idea of drumming that I’ve never really seen done before.

I don’t want to take credit for creating it, but I’ve done research and haven’t seen anybody do the combination of crystal bowls and steel drums. It’s meditative, peaceful. One of my favorite words to use in relation to it is  ‘Zen.’ It’s a very relaxing style of drumming. It’s the complete opposite of anything I’ve done before.”

Summers moved with his family from Louisville to Memphis in 2008. He and his brothers performed as The Summers, with Summers on drums at the Redbirds Stadium and other venues. They later changed their name to Cavalier. After moving to Nashville in 2015, the band changed its name to Renaissance Fair. They toured and they also recorded a couple of songs in the Boston area.

‘The Summers’ featuring Jared and Branson Summers, bass player Peter Armstrong, and Wesley Summers in August, 2011.

But the band began to break up. “Music was becoming too demanding. Practices became more scarce. We were butting heads more. We were starting to disagree. And we chose to end the band to preserve our friendships.”

They all were in Gatlinburg during the wildfire, where their parents were among the 14 people who died. Summers and his brothers were injured. “When I got out of the hospital, I knew that I wanted to get back into music. Because it has been my life since I was a teenager. And it’s hard for me to turn my back on something I’ve been committed to for so long.”

Summers currently is in a band, Mirror Mind, which he describes as “kind of like ‘90s grunge. We’ve got a lot of people comparing us to Smashing Pumpkins or Alice in Chains. Little bits of Nirvana and Rage Against the Machine. Our lead singer has this kind of Ozzy Osbourne sound to his voice a little bit.”

His girlfriend, Leslie Davis, gave him his first steel drum, which he’d seen in a drum shop, as a Valentine’s Day gift.  His brother, Jared, gave him his first crystal bowl as a birthday gift. “I just thought of putting the two together — playing the drum with one hand and swirling the bowl with the other.”

Summers, who sits cross-legged on a tapestry mat when he plays, gradually has been building up his set of bowls. “I’m up to four different notes. There are seven primary notes, so I still need three more to get the full set. But right now I’m making it work with the four I have.

And I have two different steel drums that have completely different tones. Different notes.”

When yoga studios began closing during the pandemic, Summers started live streaming his Zen drumming on Instagram. “I just started playing in front of a camera and letting people tune in when they want to.”

He gets “an extremely positive response. Everybody loves it. They feel at peace. It’s like a break in your day. A lot of times I do it around 11 or noon. And it’s like a chance to kind of take your mindset off what’s going on around you and just go inward. What the drums do is kind of create this atmosphere of sound you almost get lost in. It’s spiritual. It’s peaceful. It’s everything people want to calm down or zone out.”

His music is “pretty much all improvised. I do have a couple of patterns I consistently return to. I’m always experimenting with new patterns and melodies, if you will.”

Summers recorded his Harmonic Circulation EP with a former Memphian, producer Paul Ebersold.  “He’s up here in Nashville. He really connected with it when he saw what I was doing. He’s gone down the spiritual path. He’s doing yoga. He was very into the more ambient and atmospheric sound of the drums and the bowls.

“So, we got in the studio together, spent a day, and I just ripped it. It was all improv on the spot. Each song individually has a consistent feel to it, but if you play it from the first song to the last song, it slowly builds.”

The first track, “Outer Ether,” just features crystal bowls. The EP then progresses to more and more steel drums. It goes from “more spacious to more high energy.”

Summers is easing his way back into the yoga scene now that more studios are re-opening. He’d love to book his live Zen drumming gigs at Memphis studios.

He also plans to keep live streaming. “My goal is to live stream two to three days a week and offer it two or three times a day. And give people the option to get a little peace.”

Click here to view a Zen drumming video

To listen to Harmonic Circulation, click here.

Categories
Sports Sports Feature

901 FC Gathers Momentum with Saint Louis Looming

A draw in the USL gets you one point, but sometimes such a result can feel like a win or a loss. For Memphis 901 FC, it probably hews closer to the latter. Having dominated for almost 90 minutes during a first home game after project restart, Tim Howard and co. left home turf with a 2-2 draw against the visiting Charlotte Independence.

So far this season, 901 FC has two points off two losses and two draws. The last two matches have seen Coach Tim Mulqueen’s men put out some pretty impressive performances, but to keep the momentum going, they’ll need two things we saw last weekend against Charlotte: a collective commitment on both sides of the ball, and moments of individual brilliance. Yes, that may seem obvious, but when even the best laid plans aren’t quite coming off, it takes a little bit of stardust to unlock a stubborn defense.

Eric Glemser

901 FC celebrates Brandon Allen’s opener in the 16th minute.

Through the first quarter of an hour, Memphis kept Charlotte from having any sort of sustained possession in dangerous areas. That dominance paid off in the 15th minute via the left-sided players all working together. From a throw-in on Memphis’ defensive half, Rece Buckmaster made a long toss forward, which was flicked on by Rafa Mentzingen. Striker Brandon Allen, who had dropped deep, bodied a Charlotte out of the way to clear path for Keanu Marsh-Brown, who duly obliged and raced upfield. The winger drew the attention of two Charlotte players, leaving them disorganized in transition and opening up a large vacuum of space outside the Independence’s box. When Marsh-Brown was fouled on the wing, Mentzingen, who had followed up the play, latched on to the loose ball and drive into the 18. He easily skipped past the Charlotte backline before crossing to Allen, who tapped in at the back post. It was a good team goal, with players operating on the same wavelength, reading each others’ positioning, and playing off the open space to craft a quality goal.

Eric Glemser

Fullback Rece Buckmaster produced a fine individual effort for 901 FC’s second goal against Charlotte.

901 FC’s second goal encapsulated that oh-so-crucial individual magic sometimes required to win games, but again, was helped along by Memphis’ sustained pressure. Putting defenders through unrelenting spells of pressure is more likely to lead to a mistake, and that’s exactly what happened when Allen sent in a cross in the 56th minute. Charlotte centerback Hugh Roberts whiffed on his attempted clearance, leaving the ball bobbling in the box. Buckmaster, who had stayed forward after a counterattack, seized on the loose ball, faked out Roberts as he cut left, and then calmly slotted into the back of the net. It’s the kind of composure you expect from a seasoned attacker, not your fullback, but it was just rewards for Memphis’ dominant performance.

On the defensive end, both goals conceded can be chalked up to freak occurrences. The first Charlotte equalizer came out of nothing in the first half, the product of a set piece cheaply given away outside the box in the 51st. For the second equalizer, well, it sure looked like centerback Zach Carroll got shoved to the ground in the build up. Unfortunately, it was a no-call from the referee.

Either way, Memphis can take a lot of positives from last weekend’s performance. The Carroll and Triston Hodge pairing seems very solid defensively, while adding Leston Paul to the midfield gave it more steel, especially when Mentzingen and Michael Reed worked their socks off to help out the backline. That solidity will be crucial in tomorrow’s match at AutoZone Park.

The visiting Saint Louis FC is coming off two wins against quality opposition (Indy Eleven and Louisville City). However, Saint Louis was outshot 39-9 in those matches, also riding its luck against some poor finishing from the opposition. Tomorrow’s visitors don’t create many chances, but have proved to be clinical with what they do produce. Memphis will need another fully committed showing from its defense and midfield to avoid giving Saint Louis, and its danger man Tyler Blackwood, a sniff of goal. If 901 FC plays like it did last weekend against Charlotte, Bluff City may very well see a first victory of the campaign.

Quick Notes

– I’m curious to see what Cal Jennings can produce in a full 90 minutes. He’s had a huge impact off the bench, scoring late against Atlanta and creating a gilt-edged chance for Duane Muckette against Charlotte.

– Eleven of Memphis’ 17 shots came inside the box. If just one or two more of those goes into the back of the net, these tight draws will turn into wins.

– AutoZone Park deftly handled fans returning to the stadium. Craig Unger and 901 FC are certainly going the extra mile to ensure that everyone closely follows safety protocols to the letter.

Categories
News News Blog

New Virus Cases Rise By 415

COVID-19 Memphis
Infogram

New Virus Cases Rise By 415

* as of Thursday, July 30th

Shelby County added 415 new cases of COVID-19 on test results reported since Thursday morning.

The number is not the number of new cases on tests given yesterday. Tests results are now rarely returned within 24 hours and can take up to eight or more days. The new-case count comes from numerous tests over numerous days from numerous laboratories.

The latest weekly data available shows 15 percent of all tests were positive for the week of July 19th. The figure is down from the 16.2 percent rate recorded for the week of July 12th. It marks the first decrease in the weekly positivity rate rate since the 4 percent rate recorded for the week of May 4th, just as the county’s economy began to reopen.

The county’s overall average positive rate for COVID-19 was 10.3 percent on Thursday, according to the latest figures from the Shelby County Health Department, on all test results reported since the virus arrived here in March.

The total number of COVID-19 cases here stands at 20,797. Two new deaths were reported since Thursday morning. The death toll in Shelby County now stands at 275.

The total of known COVID-19 cases now diagnosed in Shelby County is 5,176. The figure is just lower than 25 percent of all virus cases recorded in Shelby county since March. There are 8,164 contacts now in quarantine.

Categories
Film/TV Film/TV/Etc. Blog

Bob Marley, The Beatles, and The Force Awakens This Weekend at the Drive-In

Bob Marley plays the December 1976 Smile Jamaica concert in the documentary Marley.

Five months into the pandemic, the Malco Summer Quartet Drive-In is one of the few places in America where you can see a movie with an audience. This weekend’s mixture of new releases and legacy titles looks to be the best crop of films at the drive-in since the beginning of the theater shutdowns in March.

Robert Nesta Marley would have been 75 last February, had he not died in 1981 at the age of 36. The Marley estate commissioned a new documentary series on the reggae artist’s impact for YouTube, and has re-released the 2012 documentary Marley to drive-ins this month. Marley is as close to a definitive biography of the artist as is possible to take in in one sitting. The portrait it paints of Marley is of an imperfect man elevated to the status of a world leader by the dint of his musical genius.

Marley’s crossover into the political realm births one of the most remarkable scenes in the documentary. In 1976, Marley became embroiled in a bitter presidential election in his native Jamaica. Two days before he was scheduled to play at the Smile Jamaica concert, a hit squad attempted to assassinate Marley in his home. His wife and manager were seriously wounded, and Marley was hit in the arm and chest. The day of the show, after Marley announced he had enough strength for one song, 80,000 people showed up in a park in Kingston. Marley came out, showed his wounds to the crowd, and played an incendiary, 90-minute set.

Bob Marley, The Beatles, and The Force Awakens This Weekend at the Drive-In (7)

Marley is paired in a double feature with a different kind of music film. Yellow Submarine is a landmark 1968 animated feature that set original compositions by The Beatles to some of the grooviest images psychedelia ever produced. In addition to the famous theme song, the soundtrack features some quality post-Pepper jams like George Harrison’s ethereal “All Too Much” and John Lennon’s stomper “Hey Bulldog.” It’s the most artistically important of the three films the Beatles starred in during their decade in the spotlight, and just plain fun to boot.

Bob Marley, The Beatles, and The Force Awakens This Weekend at the Drive-In (2)

Over on screen three, a double feature of recent blockbusters will scratch your itch for big summer movie fun. Star Wars: The Force Awakens was the first installment in the sequel trilogy. Beginning the saga of Rey, the novice Jedi, and ending the story of Han Solo, it’s also the best film J.J. Abrams ever made. The 2015 trailer is an all-time classic teaser that set the franchise reopener on track to gross over $2 billion.

Bob Marley, The Beatles, and The Force Awakens This Weekend at the Drive-In (3)

TFA is paired with Jumanji: The Next Level, the 2019 sequel to the surprisingly watchable Jack Black/Karen Gillian vehicle that also starred some guy named Dwayne “The Rock” Johnson. I feel like that guy could go far.

Bob Marley, The Beatles, and The Force Awakens This Weekend at the Drive-In (4)

On screen four, the highest grossing movie of 2020, Bad Boys For Life, continues its improbable afterlife. As I said in my review from the long-ago days of January, “The thing you need to know about Bad Boys For Life is that Michael Bay didn’t direct it.”

Bob Marley, The Beatles, and The Force Awakens This Weekend at the Drive-In (6)

Paired with Will and Martin is the latest grindhouse horror revival from IFC, which has released a string of low-budget horror titles to what passes for success in the movie business this year. The Rental is billed as the first AirBnB horror film, and it looks like some sleazy fun.

Bob Marley, The Beatles, and The Force Awakens This Weekend at the Drive-In (5)

You can buy tickets to the Malco Summer Quartet Drive-In double feature specials on the Malco website

Categories
Intermission Impossible Theater

Ostrander Award Nominees Announced

Despite the havoc wrought by the COVID-19 pandemic, there will still be Ostrander Awards this year. Of necessity, however, it will be virtual and, thus, without the usual hubbub of well-lubricated, fashion-conscious elbow rubbing of the area’s theater community in and around the Orpheum.

Not that participants won’t still enjoy their beverages and dress in high style — they’ll just have to do it remotely. It’s what happens when there’s a plague on all our houses.

And on top of that, the Ossies will be honoring a shortened season. Elizabeth Perkins, Ostranders program director, says the last show to be considered closed around March 15th (the Ides of March, of course). The list of nominees, therefore, is slightly shorter than in usual years, but remains the best in Memphis theater.

The nominees were revealed this evening live on Facebook and YouTube. Already announced was that Ann Marie Hall would receive the Eugart Yerian Lifetime Achievement Award. You can plug into the awards ceremony scheduled for August 30th. More info is here.

The Ostranders are sponsored by Memphis magazine and ArtsMemphis.

NOMINEES, COMMUNITY AND PROFESSIONAL DIVISION

Set Design – Drama

Jack Yates, A Few Good Men, Next Stage at Theatre Memphis

Megan Ward, When We Get Good Again, POTS@TheWorks

Phillip Hughen, Indecent, Circuit Playhouse

Tim McMath, On Golden Pond, Playhouse on the Square

Set Design – Musical

Brian Ruggaber, Jelly’s Last Jam, Hattiloo Theatre

Daniel Mueller, Memphis, Playhouse on the Square

Jack Yates, Cats, Theatre Memphis

Jack Yates, Mamma Mia, Theatre Memphis

Props – Drama

Eli Grant, Book of Will, Playhouse on the Square

Eli Grant, On Golden Pond, Playhouse on the Square

Eli Grant, When We Get Good Again, POTS@TheWorks

Laurie Boller, The Pillowman, New Moon Theatre

Terry Dean, The Complete Works of William Shakespeare (Abridged), Harrell Theatre

Props – Musical

Eli Grant, Memphis, Playhouse on the Square

Jack Yates, Cats, Theatre Memphis

Jack Yates, Mamma Mia, Theatre Memphis

Jack Yates, Ruthless! The Musical, Next Stage at Theatre Memphis

Lighting Design – Drama

Justin Gibson, Book of Will, Playhouse on the Square

Mandy Kay Heath, A Few Good Men, Next Stage at Theatre Memphis

Trey Eikleberry, Indecent, POTS@TheWorks

Trey Eikleberry, On Golden Pond, Playhouse on the Square

Trey Eikleberry, The Humans, Playhouse on the Square

Lighting Design – Musical

Becky Caspersen, Matilda The Musical, Harrell Theatre

Justin Gibson, Memphis, Playhouse on the Square

Mandy Kay Heath, Cats, Theatre Memphis

Mandy Kay Heath, Mamma Mia, Theatre Memphis

Tao Wang, Jelly’s Last Jam, Hattiloo Theatre

Sound Design – Drama

Carter McHann, Indecent, Circuit Playhouse

John Phillians, A Few Good Men, Next Stage at Theatre Memphis

Zach Bederrine, Detroit 67, Hattiloo Theatre

Sound Design – Musical

Carter McHann, Memphis, Playhouse on the Square

Joshua Crawford, Mamma Mia, Theatre Memphis

Reyn Leyman, Cats, Theatre Memphis

Costume Design – Drama

Amie Eoff, A Few Good Men, Next Stage at Theatre Memphis

Kathleen R. Kovarik, Book of Will, Playhouse on the Square

Lindsay Schmeling, Indecent, Circuit Playhouse

Costume Design – Musical

Amie Eoff & André Bruce Ward, Cats, Theatre Memphis

Amie Eoff, Mamma Mia, Theatre Memphis

Andrea Washington Brown, Jelly’s Last Jam, Hattiloo Theatre

Kathleen R. Kovarik, Memphis, Playhouse on the Square

Hair/Wig/Makeup – Musical

Buddy Hart & Rence Phillips, Ruthless! The Musical, Next Stage at Theatre Memphis

Karen Reeves & Brooklyn Reeves, Cats, Theatre Memphis

Grace Wylie, Memphis, Playhouse on the Square

Music Direction

Angelo Rapan, Memphis, Playhouse on the Square

Gary Beard, Cats, Theatre Memphis

Jason Eschhofen, Next To Normal, Germantown Community Theatre

Jeff Brewer, Mamma Mia, Theatre Memphis

Tammy Holt, Jelly’s Last Jam, Hattiloo Theatre

Choreography

Emma Crystal, Jelly’s Last Jam, Hattiloo Theatre

Travis Bradley & Jordan Nichols,, Memphis, Playhouse on the Square

Travis Bradley & Jordan Nichols, Cats, Theatre Memphis

Whitney Branan, Head Over Heels, Circuit Playhouse

Whitney Branan, Mamma Mia, Theatre Memphis

Ensemble – Drama

A Few Good Men, Next Stage at Theatre Memphis

Eclipsed, Hattiloo Theatre

Indecent, Circuit Playhouse

The Complete Works of William Shakespeare (Abridged), Harrell Theatre

The Humans, Circuit Playhouse

Ensemble – Musical

Cats, Theatre Memphis

Jelly’s Last Jam, Hattiloo Theatre

Next To Normal, Germantown Community Theatre

Supporting Actress – Drama

Caroline Simpson, When We Get Good Again, POTS@TheWorks

Jessica Jai Johnson, Detroit 67, Hattiloo Theatre

Raven Martin, Eclipsed, Hattiloo Theatre

Rebecca Johnson, Indecent, Playhouse on the Square

Rekeitha Morris, Women In The Pit, Hattiloo Theatre

Supporting Actress – Musical

Daneka Norfleet, Jelly’s Last Jam, Hattiloo Theatre

Jenny Odle Madden, Memphis, Playhouse on the Square

Katy Cotten, Next To Normal, Germantown Community Theatre

Lindsey Roberts, Mamma Mia, Theatre Memphis

Nichol Pritchard, Ruthless! The Musical, Next Stage at Theatre Memphis

Supporting Actor – Drama

Gabe Beutel-Gunn, A Few Good Men, Next Stage at Theatre Memphis

Isaiah Rosales, Indecent, Playhouse on the Square

J.S. Tate, Detroit 67, Hattiloo Theatre

John Maness, Book of Will, Playhouse on the Square

Steven Burk, The Humans, Circuit Playhouse

Supporting Actor – Musical

Bruce Huffman, Next To Normal, Germantown Community Theatre

Jarrad Baker, Memphis, Playhouse on the Square

Kevar Maffitt, Kinky Boots, Playhouse on the Square

Oliver Jacob Pierce, Next To Normal, Germantown Community Theatre

Willis Green, Jelly’s Last Jam, Hattiloo Theatre

Featured Performer

Crystal Brothers, Cats, Theatre Memphis

JoLynne Palmer, The Humans, Circuit Playhouse

Justin Allen Tate, Memphis,  Playhouse on the Square

Leading Actress – Drama

Bianca McMillan, Detroit 67, Hattiloo Theatre

Brooke Papritz, The Humans, Circuit Playhouse

Donita Johnson, Eclipsed, Hattiloo Theatre

Pamela Poletti, Women in the Pit, Hattiloo Theatre

Leading Actress – Musical

Amy P. Nabors, Cats, Theatre Memphis

Dawn Bradley, Memphis, Playhouse on the Square

Lorraine Cotten, Next To Normal, Germantown Community Theatre

Renee Davis Brame, Ruthless! The Musical, Next Stage at Theatre Memphis

Leading Actor – Drama

Dave Landis, Book of Will, Playhouse on the Square

Donald Sutton, Indecent, Circuit Playhouse

Emmanuel McKinney, Detroit 67, Hattiloo Theatre

Ryan Scott, Quills, New Moon Theatre Company

Stephen Garrett, A Few Good Men, Next Stage at Theatre Memphis

Leading Actor – Musical

Johann Robert Wood, Jelly’s Last Jam, Hattiloo Theatre

Justin Allen Tate, Kinky Boots, Playhouse on the Square

Nathan McHenry, Memphis, Playhouse on the Square

Direction – Drama

Courtney Oliver, When We Get Good Again, POTS@TheWorks

Dave Landis, Indecent, Circuit Playhouse

Lawrence Blackwell, Detroit 67, Hattiloo Theatre

Maya Robinson, Eclipsed, Hattiloo Theatre

Tony Isbell, The Humans, Circuit Playhouse

Direction – Musical

Cecelia Wingate, Mamma Mia, Theatre Memphis

Dennis Whitehead-Darling, Jelly’s Last Jam, Hattiloo Theatre

Olivia Gacka, Next To Normal, Germantown Community Theatre

Travis Bradley & Jordan Nichols, Memphis, the Musical, Playhouse on the Square

Travis Bradley & Jordan Nichols, Cats, Theatre Memphis

Best Production of a Drama

A Few Good Men, Next Stage at Theatre Memphis

Book of Will, Playhouse on the Square

Detroit 67, Hattiloo Theatre

Eclipsed, Hattiloo Theatre

Indecent, Circuit Playhouse

Best Production of a Musical

Cats, Theatre Memphis

Jelly’s Last Jam, Hattiloo Theatre

Mamma Mia, Theatre Memphis

Memphis, Playhouse on the Square

NOMINEES, COLLEGIATE DIVISION

Set Design

Brian Ruggaber, Inherit the Wind, University of Memphis

Karen Arredondo, Hamlet: Fall of the Sparrow, University of Memphis

Lighting Design

Anthony Pellecchia, Hamlet: Fall of the Sparrow, University of Memphis

Jameson Gresens, Inherit the Wind, University of Memphis

Sound Design

James Baker, Hamlet: Fall of the Sparrow, University of Memphis

John Phillians, Inherit the Wind, University of Memphis

Costume Design

Alexandra Filipovich, Hamlet: Fall of the Sparrow, University of Memphis

Bruce Bui, Hissifit, McCoy Theatre at Rhodes College

Hair/Wig/Makeup Design

Alexandra Filipovich, Hamlet: Fall of the Sparrow, University of Memphis

Juliet Mace, Hissifit, McCoy Theatre at Rhodes College

Music Direction – one nominee

Supporting Actress

Azaria Henderson, A Raisin in the Sun, Southwest Tennessee Community College

Camille Long, Inherit the Wind, University of Memphis

Dinah Mitchell, Hissifit, McCoy Theatre at Rhodes College

Jordan Cardell, Hamlet: Fall of the Sparrow, University of Memphis

Raina Williams, Hissifit, McCoy Theatre at Rhodes College

Supporting Actor

Elijah Bienz, Inherit the Wind, University of Memphis

Joshua Payne, A Raisin in the Sun, Southwest Tennessee Community College

Lance Raikes, Hamlet: Fall of the Sparrow, University of Memphis

Featured Performer

Maya Bhutwala & Annabelle Babbitt, Hissifit, McCoy Theatre at Rhodes College

Sarah Guinee, Inherit the Wind, University of Memphis

Syndei Sutton, A Raisin in the Sun, Southwest Tennessee Community College

Leading Actress

Ariona Campbell, A Raisin in the Sun, Southwest Tennessee Community College

Mary Ann Washington, A Raisin in the Sun, Southwest Tennessee Community College

Chloe Violet Tibbett, Inherit the Wind, University of Memphis

Leading Actor

Toby Davis, Inherit the Wind, University of Memphis

Willis Green, A Raisin in the Sun, Southwest Tennessee Community College

Ensemble in a Drama – one nominee

Ensemble in a Musical – one nominee

Best Original Script

When We Get Good Again, POTS@TheWorks

St. Paulie’s Delight, Circuit Playhouse

Direction

Joy Brooke Fairfield, Hissifit, McCoy Theatre at Rhodes College

Sheila Darras, A Raisin in the Sun, Southwest Tennessee Community College

Best Production

A Raisin in the Sun, Southwest Tennessee Community College

Hissifit, McCoy Theatre at Rhodes College

Inherit the Wind, University of Memphis

Categories
News News Blog

Pediatrician: ‘No Good Choice’ for Schools, Contact Sports ‘Not Safe at This Time’

City of Memphis/Facebook

Dr. John McCullers, Pediatrician-in-Chief at Le Bonheur Children’s Hospital, speaks during the Memphis and Shelby County Joint Task Force briefing on Thursday.

No good choice exists for parents of Shelby County school children heading into the 2020-2021 school year this year, and contact sports, like football, are not safe.

That’s all according to Dr. John McCullers, Pediatrician-in-Chief at Le Bonheur Children’s Hospital and a professor in and chairman of the Department of Pediatrics at the University of Tennessee Health Science Center. McCullers’ remarks came during Thursday’s press briefing of the Memphis and Shelby County Joint Task Force.

McCullers said he and others at Le Bonheur had received numerous calls from school districts, parents, and local leaders for advice on how to approach the coming school year as the COVID-19 pandemic continues. So, nearly three weeks ago, he and others formed the Back to School Task Force at Le Bonheur. The group has since issued a set of guidelines and published other resources on the Le Bonheur website.

The main questions McCullers said the team has heard over the many weeks are: Should schools be opened or closed? Should I send my child to school?
[pullquote-1-center] “We’re in a status as a community with high levels of transmission,” he said. “From my standpoint, there is no good answer to this.”

Sending students back could boost transmission rates even further, with students spreading coronavirus at school and bringing the virus home to parents and grandparents. However, “having kids in school is the best way for kids to learn.” In the end, though, McCullers said school officials and parents have to make individualized choices about it all.

Dr. Alisa Haushalter, director of the Shelby County Health Department, said there are “inherent risks” on contact sports. But she said the task force would wait to make a formal statement on whether or not to hold events until it received the exotic language from an executive order from Tennessee Governor Bill Lee.
[pullquote-2-center] McCullers said, as member of the task force, he, too, would wait on Lee’s order. But his opinion as a pediatrician was straightforward.

“It’s clear from a medical perspective that with the degree of transmission in out community, it is not safe to go back to contact sports like football,” he said. “I can’t say what the transmission rate would need to be [before such sports could resume], but it is not safe at this time.”

Categories
Music Music Blog

The Flow: Live-Streamed Music Events This Week, July 30-August 5

Lipstick Stains

This week, we not only have an extra show from the live-stream stalwarts at B-Side Bar, there’s an award show dedicated to the great country music of Arkansas. All of this, plus the regular performers who keep the live-stream flames burning, make for another great week of Memphis music.

REMINDER: The Memphis Flyer supports social distancing in these uncertain times. Please live-stream responsibly. We remind all players that even a small gathering could recklessly spread the coronavirus and endanger others. If you must gather as a band, please keep all players six feet apart, preferably outside, and remind viewers to do the same.

ALL TIMES CDT

Thursday, July 30
Noon
Amy LaVere & Will Sexton
Facebook

Noon
Live DJ – Downtown Memphis Virtual Carry Out Concert
Facebook

7 p.m.
The Rusty Pieces
Facebook

8 p.m.
Lipstick Stains – Ixora Sessions
Facebook

8 p.m.
Devil Train – at B-Side
Facebook

Friday, July 31
Noon
Alex Walls – Virtual Fridays in HSP
Facebook

8 p.m.
The City Champs – Music Export Memphis COVID Relief Fund Benefit at B-Side
Facebook

Saturday, August 1
1:30 p.m.
Michael Graber – Microdose
Facebook

8 p.m.
Sheiks & Toy Trucks –  at B-Side
Facebook

Sunday, August 2
3 p.m.
Dale Watson – Chicken $#!+ Bingo
Facebook

4 p.m.
Bill Shipper – For Kids (every Sunday)
Facebook

Monday, August 3
8 p.m.
Arkansas Country Music Awards
Facebook     Arkansas Music

8 p.m.
John Paul Keith (every Monday)
Facebook

Tuesday, August 4
7 p.m.
Bill Shipper (every Tuesday)
Facebook

8 p.m.
Mario Monterosso (every Tuesday)
Facebook

Wednesday, August 5
8 p.m.
Richard Wilson (every Wednesday)
Facebook

Categories
News News Blog

Federal Legislation Would Ban Greyhound Racing Nationwide

Southland Casino Racing

New federal legislation would end greyhound racing nationwide and also ban the use of live animals for greyhound training.

The bill, known as the Greyhound Protection Act, was introduced Wednesday by Rep. Steve Cohen (D-Memphis) and Rep. Tony Cardenas (D-San Fernando).

“Greyhound racing will soon end in the United States, and this bill allows for a managed phase-out of the activity to enable planning to provide homes for the dogs and certainty for the owners, workers, and breeders in the industry,” said Wayne Pacelle, president of Animal Wellness Action. “Greyhound racing is dying, and it’s best to manage the shutdown of the industry to allow for a soft landing for the people and the animals involved.”

The bill comes in the wake of a national investigation by GREY2K USA which found rampant cases of animals abused in Oklahoma, Kansas, and Texas. The investigation found evidence of “farms” training dogs by allowing them to chase and maul live animals to accustom them to chasing the mechanical lure used for racing.

“Our new investigation of greyhound breeding farms shows that dog racing is cruel from start to finish,” noted Christine A. Dorchak, president and general counsel of GREY2K USA. “This is an antiquated industry with a compulsion for cruelty.

In June, Texas’s last track became the most recent one to announce an end to live racing. Alabama’s lone track announced an end to live racing effective in April. Last October, Southland Casino Racing stated that they would close their West Memphis track by December 2022.