Categories
Cover Feature News

Dark Times: The City and MLGW Struggle to Keep the Lights On

Confusion reigned on Summer Avenue.

The August heat shimmered off the asphalt in Binghampton where cars were lined up nine-deep in the westbound lane. The cars tailed a line snaking around Memphis Light, Gas & Water’s (MLGW) community office next door to a Dixie Queen. Dozens milled around on foot outside the office with paper bills and cell phones in hand, tempers showing behind furrowed brows. 

Their power had gone off at home and they all hoped to talk to someone with MLGW to get it back, but their cell phones only gave them busy signals when they called the help line. The online payment page was jammed. When those in their cars reached a payment window on the west side of the office, they found no one, only blacked-out panes with signs reading “this is not a drive-thru window. Please use drop box>>>>.” Whatever that meant.

Kirill Shalmanov | Dreamstime.com

No one from MLGW was on site to aid people with bills, questions, and payments. It was 4:50 p.m. on Monday, August 24th, and the posted hours said the office was supposed to be open until 5 p.m. Only official-looking security guards were there to keep the traffic moving, to tell people to keep calling the number, and to receive the business end of tense frustrations.

“Mane, this is fucking bullshit, y’all!” one man yelled to the crowd gathered outside the office. “This is some fucked-up bullshit!”   

Temperatures hit 91 degrees on the day Memphis’ hometown utility decided to cut the power from 9,169 customers because they had not paid their bills. They cut their power even though it was in the heat of the summer and Memphis and the world were in the grip of a global pandemic. Dark times suddenly got even darker.

“Listen here,” said a man waiting in that MLGW payment line with his wife. He held his cell phone, bleating a busy signal, out the window. He wondered aloud if the MLGW number had been disconnected and if its website was down. The man said he works nights and was home in bed when the power went out. He only knew about it when his phone buzzed an alert from his alarm company. While he was planning to go to work that day, his wife would be left home in the heat with five dogs. She said she had no idea what she was going to do.

“I heard they weren’t supposed to be turning the power off,” the man said. “I’ve been keeping in contact [with MLGW], trying to keep my bill paid, but, y’know. Guess I’m just gonna wait in line and see if anybody can tell me something.”

MLGW suspended cutoffs on March 13th. It was part of the utility’s Pandemic Plan that also included a “no handshake” policy for employees and a suspension of business travel.

“Our customers are struggling at this time with a lot of uncertainty,” MLGW president and CEO J.T. Young said that day at a news conference. “We have made a decision for the time being that, until further notice, we will suspend disconnects for non-payment for water, gas, and electric services.”

On April 3rd, MLGW waived late fees on any bills issued that day until further notice. As of last week, MLGW had waived $7 million in late fees.

New virus case counts lowered and held in late May and early June. Memphis came out of the Safer at Home lockdown and entered Phase I of the Back to Business Plan, then Phase II. As the economy began to re-emerge, so, too, did MLGW.

Young told MLGW board members on June 17th that he and his team were preparing to restart disconnections. He said he wanted to give customers time to work on payments and that “we don’t want our customers to get into too deep of a hole of debt.” He promised he’d make an announcement on the decision “fairly soon.” It came two days later.   

“As our community begins to reopen, MLGW must now resume our normal policies, as many utilities across the country have done,” read a statement from the utility on June 19th. “Customer disconnects will resume Monday, August 3rd.”

If MLGW had pulled the plug on every residential customer eligible for a cutoff on June 30th, 10 percent of the homes it served would have gone dark. By that time, MLGW was owed $30 million in past-due bills. In a normal year, it would have been owed around $14 million.

At a June 30th board meeting, Jim West, MLGW vice president and chief customer officer, rolled out a number of programs to help customers pay their bills and keep their lights on. A deferred billing plan would spread a customer’s past due amount over 12 months. The clock was reset for those already on a payment plan. Down payments for extended payment plans for residential customers with hardships were lowered from 25 percent to 15 percent. Deposits for reconnections would be spread over five months. “In the end, we’re trying to do everything we can to help our customers avoid disconnections,” West said at the time. 

But before that initial August 3rd cutoff date, MLGW halted cutoffs again on July 30th — until August 24th.

“Many of our customers are facing major financial challenges during this pandemic and, while we must still run the business, we want to give our customers additional time to make payment arrangements and seek bill payment assistance if needed,” Young said in a statement at the time.

However, as promised, Monday, August 24th came, and on that 91-degree Monday, MLGW cut power to 9,169 customers. About 30,000 customers were behind on their bills. About 15,000 were eligible for a cutoff.

“My daughter called me and said the utilities were off,” said a man sitting in the MLGW payment line on Summer two weeks ago. “I looked at the amount, and it was $650. I thought, well, I’ll shoot over there and see what’s going on. This is the only place you can pay in person. I don’t think this is right, turning off people’s power right now. Clearly, they should reconsider this and think about pushing this back out another month or two, or maybe the beginning of the year.”

The Memphis poverty rate in 2018 was 27.8 percent, according to the latest Memphis Poverty Fact Sheet produced by researchers at the University of Memphis. The figure was climbing in 2019. The city usually finds its way to or near the top of lists of America’s poorest cities.

The Memphis-area unemployment rate more than tripled from 3.8 percent in March to 12.8 percent in April, according to the United States Bureau of Labor Statistics. The figure eased a bit (10.7 percent in May and 11.9 percent in June) but spiked to 13 percent last month. (State data puts the Memphis-only rate at 16.9 percent). That meant 82,000 Memphis-area workers were without a job last month. A year earlier, in July 2019, the Memphis unemployment rate was 5.1 percent and was 4.6 percent for Shelby County.

To some, MLGW’s cutoffs added a burden to a vulnerable and already burdened segment of society. Critics have abounded — before, during, and after the disconnections began. To cut utilities here and at a time like this shows “callousness,” says Elena Delavega. She’s with the U of M’s School of Social Work and co-author of the Memphis Poverty Fact Sheet.

“This utility is supposed to be a part of the community, part of the fabric of the community,” Delavega says. “Cutting [people’s utilities] is saying money is more important than people, and we don’t care about people. We don’t care about the community. It doesn’t matter that we have an emergency situation.”

Impoverished people in Memphis often have to make hard choices — between paying rent, paying utilities, or buying food, Delavega says. If they don’t pay rent, she adds, they may end up on the street. If they don’t eat, they may die. Without electricity, “you can still breathe, you can still be alive.”

Making matters worse, many impoverished people rent, rather than own their apartments or homes. They have little control over needed repairs of their homes — like leaky faucets or unsealed gaps that allow the weather to get in and heating and cooling to escape — which impacts their utility bills in ways they can’t change. 

Four days after disconnections began, Shirelle Brown activated her nonprofit network, The Independent Parent, with an email blast. She urged people to write MLGW’s Young, Memphis Mayor Jim Strickland, Shelby County Mayor Lee Harris, Shelby County commissioners, and Memphis City Council members to urge them to extend the moratorium on disconnections.

A former grant coordinator for the Shelby County Commission, upon retirement, Brown went full-time to leading her single-parent advocacy group.

“A lady reached out to one of my board members to say that her and her children had to sleep in their car because it was too hot to be in the house and they needed to charge their phones,” Brown said. “This just broke my heart to pieces because these people are really struggling.”

Last week, the MLGW board met — virtually, of course. Though members of the public could not speak directly to the board (due to limits of the video conference software), two Memphians submitted statements that were read aloud by West.

“Why is MLGW disconnecting power from customers in the middle of the summer, in the middle of a pandemic, and when so many families are going through virtual learning?” asked Lindsey Hammond. “Are students supposed to log in without power, internet, water, or air conditioning? Poor students will fall behind. This is egregious.”

MLGW worked closely with Shelby County Schools for weeks, in the run-up to the beginning of the unprecedented start of this unprecedented school year. While it did not publicize the move, MLGW suspended all disconnections the Friday before school was to start, the Monday school began, and the following Tuesday. The suspensions lasted for another two weeks, but more on that later.

Alice Miller, another public speaker at MLGW’s meeting last week, noted that “even Nashville Electric Service” has suspended cutoffs. “How can we justify doing it here, even in a poorer city, where we are not seeing the economy recovering, much less [seeing] substantial improvements in fighting COVID?” Miller asked.

Gale Carson Jones, MLGW’s vice president of community and external affairs, said MLGW worked its way carefully through the last five and a half months (after the time payments were suspended) by carefully monitoring cash receipts and disbursements. The $30.2 million cited by the utility ($22.5 million as of late last week) was money owed for services provided.   

“MLGW cannot provide free services,” Carson Jones said in an email to the Flyer. “To the extent that MLGW cannot collect outstanding balances, this creates upward rate pressure on all customers. MLGW has a financial responsibility to try to collect all that is owed.”

As for critics of the move to resume disconnections, Carson Jones said the utility spent months notifying customers of available assistance in the community. MLGW spread the word in news stories, social media posts, a mail campaign that put the word on utility assistance to every single address MLGW serves. Carson Jones also pointed to the myriad programs MLGW established to help its customers get back on track, like the extended payment plans with reduced up-front costs for those with COVID-19 hardships.

There is some help for Memphians facing hardships brought on by unpaid bills. Many agencies have funds they can give directly to those behind on their MLGW payments.

Perhaps the largest hub for these funds is the Metropolitan Inter-Faith Association (MIFA). Sally Heinz, MIFA’s executive director, says her group has helped 1,200 households since mid-March. This year, MIFA is already helping “record numbers” of people.

MIFA received $3.5 million from the Memphis City Council for the local COVID-19 response through the Coronavirus Aid, Relief, and Economic Security (CARES) Act. Those in need can get some of the money for rent and mortgage assistance and can also find emergency shelter, if needed.

Heinz said $1.5 million of those funds are earmarked specifically for utility assistance. Customers can get $200 and have to prove they have a need related to COVID-19. Word has gotten out about the funds and money is rapidly being dispersed. On one day, two weeks ago, MIFA received over 300 applications for utility assistance, Heinz says.

“We’re grateful these resources are coming into our community and, hopefully, everyone can be a little patient with us as we try to respond to all of this,” Heinz says. “It’s what MIFA has been doing for 50 years and we’re happy to continue to do it for our folks here.”

The Shelby County Division of Community Services gets about $10 million each year from the state for utility assistance. MLGW and the Tennessee Valley Authority also teamed up to donate $400,000 for COVID-19 response here, with $150,000 earmarked for MIFA.

The city gave MIFA $700,000 from the general fund for utility assistance. And there’s about $60,000 left from MLGW’s Save the Pennies program. The Shelby County government gave MIFA $1.5 million for utility assistance. All together, total funds available for utility assistance were around $3.9 million as of last week.   

Last Tuesday, the Memphis City Council began mapping all of these agencies and their funds. The council was discussing a proposal from council member Martavius Jones that would, eventually, offer MIFA another $5.7 million for its utility assistance fund for a total of $8.2 million from the council. 

The council began utility assistance discussions back in May, as they chopped up a portion of the $113 million the city received in federal CARES Act funds. That work was, perhaps, easier, as the federal money sort of fell out of the sky and the council only had to funnel it to the right spots in the community.

But Jones’ proposal was met with resistance — and was ultimately tabled for two weeks — because, while the money would ultimately come from CARES funding, it would have to tap the budgets of the Memphis Zoo, Memphis Police Department, and Memphis Division of Fire Services to get there.

Jones suggested the $5.7 million could come from CARES Act money destined for the zoo. To fill that budget gap, he proposed removing $5.7 million from the budgets of the police and fire departments, arguing the total funds equaled only 1.2 percent of their entire budgets.

“First thing I want to say is this is not an attempt to defund the police; it is not,” Jones said. “This is a way to help people who have gone through difficult times here.”

While Jones was drafting his resolution, Mayor Strickland’s office was already sending the $5.7 million to the zoo. Jones called the timing of that move “offensive.” Doug McGowen, the city’s chief operating officer (COO), said the mayor’s office had been trying to get the CARES money out the door into the community as quickly as it could. The scheduling of the zoo payment was not an intentional dodge, he said. It happened when the correct paperwork was in order.

Council member Chase Carlisle said with so much money already available for utility assistance, “we may be getting ahead of ourselves by allocating additional resources,” especially if those resources come at the expense of public safety. “It is imprudent to start arbitrarily cutting the city budget, specifically our public safety budget,” Carlisle said. “Keeping the lights on is a matter of public safety, no question about it.

“I do not support defunding the police. We can say it’s not defunding the police. It’s divesting, it’s cutting, it’s re-appropriating. At the end of the day, we’re moving funds from public safety to somewhere else. As far as I’m concerned, that’s defunding [the police] and I don’t support that.”

Even though he said he hasn’t been to the zoo in years, council member Edmund Ford Sr. said if anyone wants to take money from it, “I have an issue with that.” He also had an issue about exactly who would get help paying their MLGW bills and wanted names, addresses, and a report on which ZIP codes were getting what kind of help. He had issues with people not going to work because they were getting financial help from the government and not paying their bills.

Ford said to fellow council member Jeff Warren: “You said people were going to get ‘put out.’ Of course they’re going to get put out because they didn’t want to pay but they were getting this money. What did they do with it? Nike got rich, and I got issues with that. The wig place got rich. We’re trying to help somebody who took this money and … didn’t pay a bill at all, and I got an issue with that.”

As the council debated Jones’ zoo/public safety proposal, they struggled to find a more complete picture of all of the funds available for utility assistance. Ford asked if MLGW would consider a two-week moratorium on utility disconnections “until we can get this situated.” Then, the committee voted to table Jones’ bill for two weeks. Within minutes of Ford’s request, MLGW CEO Young joined the meeting with a surprise announcement.

“We will extend our moratorium until September 14th and allow our customers to explore their options,” Young said to the council members. “We would love to work with the council and make sure we can accommodate the needs. So a two-week extension is something we’re committed to doing.”

And just like that, the power was back on, at least until Monday. Stay tuned.

Categories
News News Blog

Local Coffee Shop Victim of Apparent Arson

Via Keedran Franklin

Mobile coffee shop The Check-In was the victim of a fire late Sunday evening.

The business was started by local activist Keedran Franklin. His goal was to provide a safe meeting place for Memphians that gave back to its community. The Check-In is also owned and operated by released felons, providing economic opportunities for those often overlooked due to their criminal records.

The brick and mortar section, called Kajie’s Cup, was destroyed in the blaze along with tables, chairs, and outdoor tents. Among the damaged goods were also projectors and other tools used by community organizers for event planning and teaching. The mobile coffee shop was undamaged.

Business owners said they were told the fire was set intentionally. However, there has not yet been an official confirmation from the Memphis Fire Services Division.

Local Coffee Shop Victim of Apparent Arson

In a Facebook video, Shannon L. Bourne became emotional as she recounted the event.

“The fire department received a phone call at about 8:20 or 8:30, saying that a building was on fire off of Winchester and Millbranch. When we arrived, we found out that the building had been set on fire and that it was intentional. We’re still working, we’re still moving, we’re still operating, but this is currently what we are dealing with. It hurts my feelings to see it. They don’t want me walking all the way through here, but this is currently what it’s looking like. ”

Despite the fire damage, The Check-In will continue operating normal hours out of the truck. The owners have set up a gofundme page to help cover the cost of the damages.

Categories
News News Blog

Five Businesses Closed on COVID-19 Violations

Five businesses — all along Winchester Road — were closed over the Labor Day weekend on violations of COVID-19-related directives from the Shelby County Health Department (SCHD).

“All these business had complaint calls into the Mayor’s Action Center and the County Attorney’s Office,” said Chip Washington, public information officer with the health department’s COVID-19 Response Unit. “These were the first businesses closed by the health department and there have been no previous closings to this point.”

Here are the five business closed this weekend:

• The Indulge Lounge, Winchester Road

• In Love Memphis, Winchester Road

• Dubai Hookah Bar, Winchester Road

• Menue Club, Winchester Road

• Height Lounge, Winchester Road

Washington said eight other businesses were visited over the weekend and were deemed to be compliant.

Here they are:

• Lafayette’s Music Room, Madison Avenue

• The Blues Club, Airways Boulevard

• Sweet Noshings, Madison Avenue (Only noncompliance was allowing self-service from candy jars)

• Robata Ramen & Yakitori Bar, Madison Avenue

• Local, Madison Avenue

• Blow Hookah Lounge, Exocet Drive (Cordova)

• Bayou Bar & Grill, Madison Avenue

• Golden India, Madison Avenue

Categories
News News Blog

Explore Bike Share Lowers Price for Longer Rides

Explore Bike Share

Explore Bike Share (EBS) is offering a new, lower pricing option for riders who want longer trips.

EBS is the city’s first and only bike share system. Leaders with the system say rider trends led them to offer a new payment option. Riders can now rent a bike for two hours for $5.

“Our data shows that the highest and most appreciated use is recreation,” said EBS executive director Anton Mack. “Commuters are opting for monthly or annual passes, but walk-up users are looking for an extended period to explore and enjoy the outdoors. We want to respond to the market.”

EBS said over 12,500 trip were taken from March through August by 4,979 users. The average ride is 4.58 miles, a mile longer than the same six-month period in 2019 (3.57 miles). For this, EBS leaders replaced the $1.25 per 15-minute “pay as you go” option with the new, two-hour option.

“Longer, recreational rides by walk-up users continue to be the highest use of Explore Bike Share,” EBS said in a statement.

Explore Bike Share

Between March and August, the system’s top five stations were Big River Crossing, two stations at Overton Park, Greenbelt Park, and River Garden.

“Our park system and bike share system truly have parallel missions,” said Nick Walker, director of parks and recreation for the City of Memphis. “They’re accessible, they’re equitable, they’re for everyone, and they serve as neighborhood conveners.”

EBS also wants to hire station managers. The neighborhood-focused representatives would maintain bike share and e-scooter stations on early weekday mornings. They’d also serve as liaisons between EBS and their communities.

For more information, visit explorebikeshare.com.

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday on Tuesday: The Justus Brothers ft. Katrina Anderson

Music Video Monday is here to smooth the transition.

Hope you all had a happy Labor Day weekend, and were able to wind down a little bit from the constant bombardment of crazy we’ve been experiencing this year. Our video today is from the Memphis jazz combo The Justus Brothers. Their cover of CeeLo Green’s classic “Crazy”, impeccably interpreted by singer Katrina Anderson, hit the Billboard Smooth Jazz charts this summer. Now they’re here to make the beginning of your workweek a little smoother. Take it away, Katrina!

Music Video Monday on Tuesday: The Justus Brothers ft. Katrina Anderson

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com. 

Categories
News News Blog

Active Cases Fall Below 2,000, Quarantined Contacts Below 10,000

COVID-19 Memphis
Infogram

Active Cases Fall Below 2,000, Quarantined Contacts Below 10,000

Shelby County added 146 new cases of COVID-19 on test results reported since Monday morning.

The figure is not the number of new cases on tests given yesterday. Tests results are not always returned within 24 hours. The new case count comes from numerous tests over numerous days from numerous laboratories.

The latest weekly data available shows 11.4 percent of all tests were positive for the week of August 23rd. The average is slightly up from the 11.1 percent of cases reported for the week of August 16th. The increase was the first in five weeks.

The county’s overall average positive rate for COVID-19 was 10.7 percent on Tuesday. It marked a slight dip from the 10.8 percent average that has held steady for many weeks. The number is the average of all positive tests from all test results reported since the virus arrived here in March.

The total number of COVID-19 cases here stands at 28,478. No new deaths were reported in the last 24 hours. The death toll in Shelby County now stands at 397.

The total current number of COVID-19 cases diagnosed in Shelby County was 1,825. The figure marks the first time active cases have been below 2,000 in many months. Cases active now are 6.4 percent of all virus cases recorded in Shelby County since March. There are 9,466 contacts in quarantine. The figure is another milestone as it has been above 10,000 for many weeks.

Categories
Sports Tiger Blue

Three Thoughts on Memphis Tiger Football

• No Norvell, No Gainwell, No Crowd . . . No Problem.

The Memphis Tigers won their season-opener. It’s what they do — seven straight years now, after losing nine consecutive openers from 2005 to 2013. Star tailback Kenneth Gainwell shook up the roster by announcing his opt-out a week before kick-off, so sophomore Rodrigues Clark rushes for 109 yards and a touchdown on 20 carries. Offensive wizard Mike Norvell departed for Florida State, so Ryan Silverfield takes command of a team that tops 500 yards (yet again), converts nine of 17 third-down snaps and a fourth down via fake punt, defensive lineman Joseph Dorceus (?!?) scampering 25 yards to retain possession . . . with Memphis up 17 points.
Joe Murphy

Rodrigues Clark takes the ball from Brady White.

Oh, and the Tigers’ passing game seems to be in capable hands. Senior Ph.D. candidate Brady White completed 26 of 36 passes and tossed four touchdowns, in so doing becoming only the third Memphis quarterback with 60 touchdown connections. Damonte Coxie caught eight passes for 90 yards (ho-hum), but tight end Sean Dykes did his best Travis Kelce impression, hauling in 10 passes for 137 yards and a pair of scores. It all felt normal, formulaic even. A primetime win on national TV for the University of Memphis? We’ve been here before.

• Pandemic football stinks . . . but it’s the best we’ve got.

Football was made for television. From the dimensions of the field to the contrast and collision of uniform colors, the sport provides an aesthetic — if such can exist in a game so violent — unlike any other. But there’s a sadness to football in 2020, starting with the virtually empty parking lots as kickoff nears. And no sound system can replicate the noise of a crowd (even as “small” as 20,000) celebrating a big touchdown. The pandemic conditions are especially cruel for the Memphis program, which has seen nights when fewer than 10,000 people chose to attend a game. (The Larry Porter jokes were flying over social media last Saturday night.) Here’s hoping college football finds ways to safely and gradually welcome more fans to stadiums across the country. Seems like a long shot, and against the grain in a world where college students are studying as much from dorm rooms as lecture halls. But let’s hang on to hope. In the year we’ll remember as 2020, it’s the best and only approach.

• Arkansas State felt right . . . but the Tiger program can do better.

Not that long ago, it seemed like former Memphis coach Justin Fuente and I were the only men in town not interested in seeing an SEC program on the Tigers’ schedule. (The year was 2013.) It was nice to see the Red Wolves (merely a Sun Belt foe) back in town for the first time in seven years, but Tiger athletic director Laird Veatch should aim higher, and ambitiously. It’s a crime against Mid-South football culture that the Tigers haven’t played the Arkansas Razorbacks in 22 years. The programs will meet again, but not until we have a new U.S. president (one way or another), in the year 2025. Mississippi State will visit the Liberty Bowl next year, but Ole Miss has fallen off future Tiger schedules and Memphis hasn’t faced Tennessee in a decade. (Imagine what the Memphis winning streak might be against the Vols.) One of these four programs should meet Memphis every season. Could be an eight-year rotation (home and away for each). The marquee home game on this year’s Tiger schedule is UCF (October 17th), a legitimate conference rival for Memphis. But the kind of game that could fill the Liberty Bowl to capacity (remember those days)? Hardly.  

Categories
Film/TV Film/TV/Etc. Blog

Tenet: Christopher Nolan Comes Unstuck in Time

John David Washington (center) and Robert Pattinson (right) are impeccably dressed secret time agents in Tenet.

Entropy increases. The Second Law of Thermodynamics is the ironclad rule of physics that most defines our universe. Entropy is a slippery concept. It’s much more complex than “disorder” or “energy flows from hotter objects to colder objects” or just “things fall apart.” The constant, incremental increase in entropy is what defines time itself. Einstein told us that time and space are inseparable, but how come you can move in two directions in the three physical dimensions — forward or backwards, up or down, left or right — but only one way through time — from past to future? Because entropy increases.

Throughout human history, our perspective was trapped in time’s relentless advance. But the invention of the film camera changed that. Very soon after the Lumiére Brothers and Thomas Edison figured out how to simulate motion by quickly flipping through sequential still images, someone had the bright idea to see what it would look like if you ran the pictures backwards. What they saw was something that never happens in nature: entropy decreasing. Broken shards of glass strewn across a floor suddenly rush toward each other, form a vase, and then leap into the air, landing in a waiting hand. Ashes sprout flame and re-form into a log. Waves rebuild sandcastles. Effects come before causes.

Movies have always been obsessed with time. What we film folk refer to as “structure” is really just the order in which events happen in a screenplay. But few filmmakers have been as obsessed with the increase of entropy as Christopher Nolan. His breakthrough film (and, for my money, still the best thing he’s ever done) was 2000’s Memento, a story told backwards to illustrate Guy Pearce’s lack of long-term memory. He loves playing with the rate of time’s passage, as in Inception and Dunkirk. In Tenet, he takes his temporal obsession to new heights.

Tenet begins with a literal overture. An opera house in Kiev, Ukraine, is taken hostage, and a group of CIA special ops troops, led by John David Washington, who is known only as Protagonist, effect a rescue. The bravado sequence is a direct reference to Hitchcock’s famous climax of The Man Who Knew Too Much, and it’s just the first in a movie comprised almost entirely of bravado sequences.

While in the opera house, the CIA team recovers a mysterious artifact. But things go sideways for our meta-named Protagonist, and he ends up the prisoner of a mysterious terrorist group. Rather than talk, he chomps down on a suicide pill, and quickly loses consciousness. Then, he wakes up. The suicide pill was fake, and the operation was part of a test to see if our Protagonist was worthy of joining a super-secret organization called Tenet. Physicist Laura (Clémence Poésy) briefs him on their mission. The mysterious artifact recovered at the opera house is part of an increasing number of objects uncovered worldwide that seem to be moving backwards in time. In other words, their entropy has been reversed. This is as unnatural as it gets, and Protagonist’s mission is to figure out what’s going on.

The search will lead Protagonist and his partner Neil (Robert Pattinson) on a worldwide hunt. Tracing the bullets from a reversed gun leads them to an arms dealer in Mumbai, India, named Priya (Dimple Kapadia) and a Russian oligarch named Andrei Sator (Kenneth Branagh). Sator, it seems, is in communication with people from the far future who are understandably pissed off about climate change, and have a twisted time travel-based plot that is not so understandable. If said plot comes to fruition, it will be the end of everything — or maybe the beginning of everything. It’s complicated.

Tenet mashes up the jet-setting glamor of James Bond with the hard science-fiction of Interstellar. Nolan’s script is as high-concept as it gets, and it uses the premise to stage insane sequences like a chase with half the cars going forward in time and half going backwards in time. But clarity is not Nolan’s strong suit, and by the time we get to the Bond-inspired, climactic paramilitary raid on an underground nuclear test site, I was hard-pressed to figure out who was fighting whom, and which direction we were traveling in time.

Nolan’s visual mastery is undeniable, and he gets brownie points for not leaning on CGI. The vast majority of what’s on the screen is staged in real life, and if there was an Oscar for backwards acting (an underappreciated skill that goes back to the silent era), Washington deserves it. But Tenet’s bloodless worldview is best illustrated by the name “Protagonist.” It’s a too-clever in-joke that covers up an active disinterest in the messiness of human emotion. Tenet addresses some important themes, such as the dangers of technology concentrating world-shattering powers in the hands of unaccountable individuals, but it treats the world as an abstraction of physics, not as a real place where real people live. It feels like an essay with explosions.

Tenet: Christopher Nolan Comes Unstuck in Time

Categories
News News Blog

Memphis Flyer Seeks News Reporter

Unsplash

The Memphis Flyer is a locally owned and operated alternative newsweekly now in its fourth
decade of asking questions, sharing stories, and keeping our community informed.

The Flyer seeks a curious and focused journalist who aims to make Memphis a better place. The reporter will conduct research, interview sources, and write engaging stories to inform, captivate, and grow our audience in the Flyer’s weekly print publication and on its daily website. The
successful candidate is self-motivated, a clear communicator, and dedicated to producing high-quality, original, local journalism.

Skills:

• Staying up-to-date on current events in Memphis to predict and cover rising news stories
Collecting, verifying, and analyzing newsworthy information through strong digital searches and a basic understanding of public records

• Strong writing skills and the ability to convey clear, concise information to the Flyer
readership

• Keeping an open mind to tell stories you won’t find in other Memphis media

• Understanding of basic AP Style and the ability to adapt to the Memphis Flyer style guide

• Interacting professionally, building a network of sources within the community, and
conducting thoughtful, direct interviews

• Shooting digital photos and videos on a smartphone

Duties and Responsibilities:

• Meeting weekly and daily story deadlines

• Evaluating leads

• Pitching story ideas to editors

• Revising and editing work for editorial approval

• Collaborating with other reporters, editors, and production staff

• Taking photographs and recording video and audio

• Analyzing facts and information to determine the most effective way to tell a story

• Abiding by journalistic ethics

Requirements:

• A creative and inquiring mind

• The ability to gather, write, and edit news

• Knowledge of current affairs in Memphis and of the Memphis media landscape

• Computer proficiency (word processing, web search, database search, photo and file
management)

• Excellent communication and active listening skills

• Integrity, morality, and grit

• Bachelor’s degree or higher

• 1-2 years relevant experience

All qualified applicants will receive consideration for employment without regard to race, color, religion, sex, sexual orientation, gender identity, national origin, disability, protected veteran status, or any other characteristic protected by law.

People of color, women, LGBTQ candidates, and others from groups underrepresented in the publishing community are strongly encouraged to apply.

To apply, please send a letter of introduction, resume, portfolio (links to digital stories are fine), and 2-3 references to hr@contemporary-media.com. No phone calls, please.

Categories
Music Music Blog

The Ellie Badge Releases Live EP

Courtesy The Ellie Badge

LIVE at Growlers in 2019!

The Ellie Badge released a surprise album today, Friday, September 4th. The album, LIVE at Growlers in 2019!, marks the band’s first release of a live recording. When, on a phone call with frontman Jeremiah Matthews, I suggested all the band needs to do now is release a double-length concept album, Matthews laughs and says he has a rock opera in the works.

Courtesy The Ellie Badge

Jeremiah Matthews

“It was about a year ago, when we opened for Listener and ’68,” Matthews says of the recording, noting that the band pushed themselves into “heavier,” more bombastic sonic territory — Listener and ’68 are both on the more face-melting side of the music spectrum. So fans of Matthews’ solo shows, defined by his proficiency with guitar and keyboard loops and his clear, angelic vocal delivery, might be in for something of a surprise. To help achieve the desired sonic intensity, the setlist was taken primarily from The Ellie Badge’s newest full-length release, Horse Stories + Personal Fables. “It’s four songs from the newest record and two from the record before that,” Matthews says.

LIVE at Growlers was recorded by Josh “Baby J” McKemey. It was mixed by Jim Gray and mastered by Joel Mariani of Endless Bummer Records out of Boston, Massachusetts. Endless Bummer has put out two of Matthews’ earlier releases, but that’s not the only reason he picked Gray and Mariani to mix and master the record: “Any money they raise off of any of their music stuff, they donate to BLM.”

The album is available via the band’s Bandcamp page, and Matthews hopes proceeds from the sales will help fund his next recording project, a pair of dual EPs. “The first Friday of every month, they waive their fee,” Matthews says of Bandcamp. “Hopefully we can raise a little money to record when everything’s calmed down.”

Courtesy The Ellie Badge

LIVE at Growlers serves another purpose: It’s something of a placeholder for The Ellie Badge, who have been dormant during the coronavirus pandemic. “I haven’t really seen any of them,” the songwriter says of his bandmates. “I’ve been writing a ton, I’ve been demoing at home. I have my drums set up, and I’m recording live drums. I’m just writing as much as I can so [we’ll be ready] when we can safely be together again.”

The players on the live record are Matthews on guitar and vocals, Eli Wilson on guitar and backing vocals, Wyatt Braden on bass and backing vocals, and Patrick Curran on drums. Matthews says the album represents an end of an era, in a way. It marks the last recording with Wilson, who has since moved to Knoxville. “This is the only live stuff we’ve ever released.”

As for how the record sounds? Though this listener is on record as a die-hard fan of Matthews’ quieter solo work, LIVE at Growlers is a welcome balm in these days of no live concerts. It’s loud, raw, with frenetic guitar riffs and Matthews stretching his voice to the breaking point. “Hospital Song” is excellent, Matthews’ vocals clearly audible above clean guitars and a driving drum beat. And “Just Stay Home” is a particular standout, combining Matthews’ ear for catchy melody with his band’s ability to harness wild riffage to rip the roof off. It’s well worth a listen, particularly for erstwhile concert-goers growing tired of just staying home.