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Food & Drink Hungry Memphis

Ghost River Brings Iconic Logo Back to Life

Ghost River Brewing Co./Facebook

Ghost River Brewing Co. has “gone back to our roots!”

In a series of Facebook posts Monday, the city’s first production craft brewery announced that its new brand design brings back the iconic bald cypress tree present in its original logo.

The brewery changed hands early this year. Bob Keskey, one of the new owners, told the Flyer in March that bringing the tree back was a top priority.

We’ve gone back to our roots!

We’re excited to officially announce our new look! While there will still be some of the…

Posted by Ghost River Brewing Co. on Monday, September 28, 2020

Ghost River Brings Iconic Logo Back to Life (3)

Here’s what we said in our Beer Bracket Challenge story back then:

Ghost River’s original, iconic logo — that spooky-looking bald cypress tree — will return soon to the spotlight of the iconic brand’s aesthetic. The tree was replaced with a lantern (another apt nod to the brand’s “wandering” spirit and to the Ghost River itself) in a brand redesign a few years ago.

Here’s what Ghost River said about the new design in Monday’s Facebook post:

“We’re excited to officially announce our new look! While there will still be some of the cans you’ve grown familiar with the last few years while we transition, over the next few weeks be on the lookout at your favorite Ghost River retailers for our brand new cans! #ourrootsrundeep”

Posted by Ghost River Brewing Co. on Monday, September 28, 2020

Ghost River Brings Iconic Logo Back to Life (2)

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We Recommend We Saw You

Jarvis Howard: On Being an Artist

Jarvis Howard and a painting he did for Oak Court Mall.

Once he began drawing, Jarvis Howard couldn’t stop.

Literally.

Take elementary school math class. “Every time we did a test I’d flip the paper over and I’d draw,” Howard says. “I wasn’t dumb, but at that that point I went to school to draw. I’d flip it over and do sketches. Doodling.”

After he failed math that year, he got a comment on his report card from his teacher, who wrote,  “For drawing in my class. I told you.”

Howard, 26, now has his paintings at various locations, including Oak Court Mall and J. Elite Salon and Studio. His work also has been featured in a children’s book and at private homes.

A native of Tunica, Mississippi, Howard became an artist in a roundabout way. In third grade, he wanted to win the $100 prize for best poster in the drug free poster contest. “I took the easy route. I had two cousins who could draw as well as I draw now.”

He enlisted one of them to make his poster. “I threw her a couple of dollars for her to do it for me. I knew I was going to win because of how amazing they drew.

“I got off the bus with my poster. I didn’t get in the classroom good my teacher snatched the poster from me. She was so excited, bragging about it to her students. I had a good feeling in the hall. Everybody was talking about the poster.”

He won the check for $100, but one of the judges then told his teacher, “It’s impossible for any third grader to do art work like this.”

They took the check away.

The cousin who did the poster for him was 22 years old, Howard says. “A hundred dollars at a time was a lot of money for a third grader. I got kind of sad. But that made my spark come. I promised I’d learn to draw some day. It motivated me.”

To gain accelerated reading points, Howard checked out comic books, including Rugrats, and Rocket Power, to get the feel of it. How to get the hang of the control of the pencil. I was making progress. I just kept going and going.”

By the time he was in the fourth grade, Howard was drawing portraits in class — while his teacher was in the hall. “I’d draw all my classmates. I had them look at me for five minutes and I’d keep going non stop. My sketch portraits. Man, they looked just like them.”

One of his teachers gave him positive feedback. “She just told me I’m going to be great one day.”

After his family moved to Memphis in 2008, Howard’s passion became baseball — pitching and playing short stop —  at Kingsbury High School. “I found my peak. I loved baseball. I was a baseball player and I was the water boy for football. That took most of my time.”

He continued to get encouragement for his art. “I was good at shading and my line work was real good.”

One teacher told him, “I like your style,” but he wanted him to work with different materials. “I was doing colored pencils and crayon-type work. He said to try something different. Like ink pen.”

Howard drew what he saw. “What I’d see in books or based on movies I’d see. I’d put all my inspirations together. I was doing a lot of graffiti letters, drip letters, and stuff like that. I’d see a lot of trains with graffiti letters, so that kind of inspired me.”

He gave baseball a shot after he entered LeMoyne-Owen College. “I tried out twice, but it felt like I was losing it.”

Howard then realized the other guys planned on making baseball their career. “I thought, ‘Man, they’re serious. I’ve got to find something else for me to do. Art. This is what I’m going to do.”

He majored in fine art until he transferred to University of Memphis, where he began working in graphic design.

But in 2017, his art direction changed. “My life really changed for the better, man.”

He was working on some of his drawings outside at U of M.  A woman near him was painting on clothes. “She said, ‘What are you going to paint on your jacket?’ I said, ‘I can’t paint.’”

She assured him he could. 

Then one day Howard painted “Blues Clues and different Nickelodeon characters” on his jacket. “Next thing you know I moved onto canvas.”

His first painting on canvas was  “a guy from the Wild Thornberries. It was pretty cool. I just kept at it ‘till I mastered it.”

People began asking if they could buy his paintings. “Man, when I started making a little money from canvases and stuff, I knew this was something special.”

Painting came naturally to him. “I felt like I already had it inside me. You just have to do it. Once you mess up, you can paint over it. You don’t have to get another piece of paper.”

He painted with acrylics, which he continues to use. “I’m the acrylic king. I love acrylic.”

In 2017, Howard won the NAACP Artist Expression prize for his paintings, which included “Black Card,” a Black Lives Matter piece. “A lot of people were falling victim to police brutality. Instead of using a serial number on the card, I put dates of black people that got killed, their birth date and the day they got killed.”

For the expiration date, he wrote, “Am I next?”

Howard’s art work took off in various directions. He began turning his sketches into comic books. 

He presented a portrait he did of Rich Homie Quan after the rapper appeared at a spring show at U of M.  Quan told him, “Hey, bro. You cold. You’re serious about your grind. You’re serious about what you do.”

Rich Homie Quan

Howard did a digital graphic for the manager of 2 Chainz to use for merchandise for fans.

A digital praphic Jarvis Howard made for 2 Chainz

His other works included “a little NBA poster for Tyree Black for The Tyree Black Foundation.” 

A friend suggested Howard could get his “name out there” by setting up an easel and painting during a U of M graduation. So, Howard did an on-sight painting that included “black hands throwing graduation hats in the air.”

U of M president Dr. M. David Rudd was impressed, Howard says. “He said, ‘Looking forward to meeting you on Friday and giving you a check for that great art work.”

Dr M. David Rudd and Jarvis Howard

Shortly after,  Howard was one of the founders of Artistry on Campus. “A group of visual artists, the majority black. I felt like there was a way for black people to showcase their talent. I felt like a lot of art students on campus, white students, had their art in a museum. But these talented black kids, maybe they were scared to get their work out there.”

Rudd was instrumental in getting a $5,000 mural commission for Green Animal Hospital for Artistry on Campus members, Howard says. “It’s just an ‘I Love Memphis’ wall with white dog paws going all around the building.”

Howard went on to do a solo commission for $1,000 at Oak Court Mall. The painting included the Pyramid, the B. B. King Blues Club logo, Harrahan Bridge, Choose 901, and the Redbirds and Memphis Tigers logos. 

His coloring books began taking off. “At the time I was just a young black man trying to make some money.”

He and Jonathan Russell, who was in the art group, did one at Custom Images 901 that included “Tops barbecue, street signs, and stuff like that.” 

The following year, they did a Memphis painting  outside Oak Court Mall.

Since graduating with a liberal arts degree, Howard has done everything from painting images and lettering on the glass door at Arnold’s Barbecue and Grill to painting a Lion King mural for a baby nursery. 

Last August, Howard did a painting for J. Elite Salon and Studio. “Just a business name and two silhouettes of black girls with different hair styles.”

Before the pandemic, Howard threw painting parties, where he would pre-draw the canvases and the guests painted them. “Like a coloring book.”

During the pandemic, he conducted a “virtual” painting party, where he demonstrated how to draw characters.

Howard did the illustrations for his first children’s book: “Spotted” by Sasha Owens. “A book about a lot of different animals that have spots. I just made it fun. To make people stop bullying.

“I just got working on my second children’s book by a girl I graduated with from high school, Alexis Young. This is ‘Vulture and the Sparrow’ about a vulture trying to come into a community of birds and try to be greedy and steal all their food.”

So, what keeps Howard going as an artist every day? “When people see me out here doing it, I give people that never had hope, hope.”

To reach Howard on all social media platforms, go to jrocjarvis. Or jrocjarvis@gmail.com.

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News News Blog

Virus Surge Pushed to March, Can Be Avoided

City of Memphis/Facebook

Shelby County Health Department director Dr. Alisa Haushalter during Tuesday’s COVID-19 Task Force briefing.

Virus trends here are headed in a “positive direction,” according to officials with the Shelby County Health Department (SCHD), and they now calculate a virus surge — if one comes at all — would arrive in March 2021.

Virus numbers rose slightly after the Labor Day weekend holiday but have returned to a downward trend, said SCHD director Dr. Alisa Haushalter. The average of new cases reported daily over the last week has been 128.

The reproductive rate of the virus has returned to below one. That means every one person with the virus is now spreading it (statistically speaking) to fewer than one other person, which shows the transmission of the virus is slowing.

The numbers pushed the department’s calculations of a surge — when we could see more than 300 COVID-19 hospitalizations in a day — out to March of next year. The new numbers, she said, are very small compared to the department’s original calculations.

“If we continue in the direction we’re going, we will continue to flatten that [epidemic] curve and we may not have a surge we were all concerned about in the beginning,” Haushalter said. “March is a potential [for a surge] but if we can bring our numbers down, we can avoid a surge.”

Categories
Theater Theater Feature

Ballet Memphis Breathes New Life Into Nutcracker

It looks like Christmas does come twice a year. With theaters closed and limited opportunities for in-person performances, Ballet Memphis has decided to head in a different direction this year for its annual marquee Nutcracker series. With the help of new sponsors and partners, the musical will be free to view through various channels during the winter months.


“This is different than broadcasting a stage performance; we are creating an immersive cinematic experience that will take dance off the stage and allow us to present a new viewing experience for the audience while telling the classic Nutcracker story,” says Ballet Memphis president and CEO Gretchen Wollert McLennon. “We are delighted to share this with the community and give the gift of joy and celebration during what will be an unprecedented holiday season.”

Ballet Memphis

2020’s production of Nutcracker: A Gift From Ballet Memphis will be shot on-location and at Ballet Memphis studios. Tchaikovsky’s original score will be performed by Memphis Symphony Orchestra.


The first performance will air live on WKNO on Friday, December 11th, at 8 p.m., and will continue to be rebroadcast as part of the station’s Christmas programming. Afterwards, Ballet Memphis plan to distribute the film to other public channels across Tennessee, Malco theaters, schools, and other digital platforms. All viewings will remain free.

Rather than being a simple camera recording, this year’s filmed version of the Nutcracker will be redesigned from the ground up for digital audiences. “It was important to me that we bring in cinematography from the very beginning,” says Ballet Memphis artistic director Steven McMahon. “This is much more than just a stationary camera recording the stage and what we have always done. This is a completely new way of presenting dance that lets us engage with audiences like never before.”

Categories
News News Blog

Virus Numbers Soften, No New Deaths Reported

COVID-19 Memphis
Infogram

Virus Numbers Soften, No New Deaths Reported

New virus case numbers rose by 71 over the last 24 hours, putting the total of all positive cases in Shelby County since March at 31,462.

Total current active cases of the virus fell to 1,660, down from the 1,687 reported Monday morning. That figure had dipped to 1,399 recently.

The Shelby County Health Department recorded 2,218 tests given in the last 24 hours. Total tests given here now total 451,558. However, only 276,896 people have been tested in Shelby County.

The latest weekly positivity rate fell slightly from the week before. The average rate of positive tests for the week of September 13th was 6.3 percent, down from the 6.5 percent rate recorded for the Week of September 6th.

No new deaths were reported in the last 24 hours. Total deaths now stand at 457. The average age of those who have died here is 73, according to the health department. The age of the youngest COVID-19 death was 13. The oldest to die from the virus here was 100.

There are 6,920 contacts in quarantine, down from the 6,995 in quarantine on Monday morning.

Categories
Book Features Books

Connor Towne O’Neill’s Down Along With That Devil’s Bones

America is having a moment of cultural reckoning — with a violent, racist past that still influences the current day. Often, the images look not unlike scenes from a Memphis park in December 2017, when, after protests and vigils, a statue of Ku Klux Klan Grand Wizard and Confederate General Nathan Bedford Forrest was removed. In some ways, Memphis led the nation that night, as similar scenes have played out in many cities in 2020. Connor Towne O’Neill’s Down Along With That Devil’s Bones: A Reckoning with Monuments, Memory, and the Legacy of White Supremacy (Algonquin Books) works to examine similar moments of social judgment. O’Neill will discuss his new book at a virtual Reader Meet Writer event hosted by Novel. bookstore Tuesday, September 29th, at 4 p.m. But first, the author spoke with me about truth-telling, the myth and reality of Nathan Bedford Forrest, and white supremacy.

Memphis Flyer: Did you have any idea the book would come out at a time when it would be so relevant?

Connor Towne O’Neill

Connor Towne O’Neill: No, I didn’t. Although, even though there have been a couple of these flash points throughout the course of reporting and writing this book — the Charleston nine murders that set off these protests, the Unite the Right rally in Charlottesville in 2017, and now the summer of toppling monuments in 2020. There have been these flash points in which it feels like it’s a very timely or topical book. But one of the things I realized while working on it is this is perpetual. The underlying tensions, the unresolved central questions of this country make for the fact that we’ll always have flash points like this. So no, I didn’t plan on it, but I’m not shocked it’s in the news again.

In researching your book, did you find any helpful strategies to get reluctant people to address racism and white supremacy?

Yeah, that’s the question, right? My approach was to seek out characters and have it have real people and real stories at the heart of it. It also needs to be more than that. Addressing these questions is more than just looking into the hearts of people and trying to decide if they’re racist or not. If we’re really going to address these questions, then we need to address them through policy. We have a 10:1 racial wealth gap in this country. You address that through policy, and that necessitates more than just statues coming down. It’s a really good start, and the stories that come out of protesting those statues and trying to remove them are incredibly important because it does reveal this underlying history. But it’s just a start.

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We had a Nathan Bedford Forrest statue come down in Memphis in 2017. It’s definitely not enough, but I also feel that it has to be a positive that people aren’t walking by it and thinking it’s normal.

I might have come off too glib there. Because I do think it is important, and I agree with what you’re saying; we do need to find a way to get on the same page, to have a shared common history. I think what’s happening in Memphis are important steps in that process. You know, the Forrest statue coming down, and soon after Calvary Episcopal Church in Downtown Memphis putting up a marker that tells the truth about Forrest’s role in this city and Forrest’s role in the slave trade. So I think that project of truth-telling that’s happening with Forrest and is also happening in Memphis with the Lynching Sites Project, that project of truth-telling and squaring to the darkest elements of our history I think is really important because it gets us on that same page. Because those policy measures don’t happen until we can come to that common understanding of what our past is and its consequences on our present.

Since you brought up truth-telling, can you talk about the myth of Forrest?

The myth of Forrest is that he was this cunning, shrewd cavalry tactician who pulled himself up by his bootstraps. He’s both like an everyman and a superhero of the South. And yet he’s also a slave trader, an accused war criminal, the first Grand Wizard of the Klan, ran a convict-leasing program on President’s Island. And the people who revere him don’t talk about that stuff because the myth requires us to look at his life and the history of our country at the time through rose-tinted glasses that’s unwilling to acknowledge the theft and violence that propelled it.

This isn’t a question, but I don’t see how anyone can look past the slave trading and convict leasing. Statues aren’t just historical. You choose who you honor.

It can feel perplexing, but it’s how we’re encouraged to think about American history so often, even outside of the context of someone as infamous as Forrest. We just think of it as “one of those things.” The stories we tell ourselves of American progress and exceptionalism teach us that we are a great country and our founding on freedom and liberty distinguishes us in the world. And yeah we might have made some mistakes along the way, but we’re constantly evolving and it was just one of those things. The “it” being slavery. It wasn’t great, but we’ve worked past it. I think that unquestioning belief in the unimpeachable goodness of this country is what allows some of us to try to overlook some of the horrific parts of our history that Forrest is a part of.

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Was it difficult for you to confront myths of America you’ve internalized? Even with research and study, you’ve grown up with these narratives, too, haven’t you?

Oh yeah, absolutely. Especially given my family’s history with deep ties to New England, coming over on the Mayflower, and having this really gauzy vision of what the origins of this country were. And that’s something that gets reinforced everywhere, not just school curriculums, but in public commemorations, holidays, political rhetoric. We’re swimming in it. It was only through the process of writing this book — and being around the past couple years when there has been a referendum on our history and our sense of our history — it’s only through that that I’ve come to see that our undoing was built into the founding of this country. Starting a settler-slaver society and trying to found a democracy on it was always going to lead to inequity and violence. But of course, when you’re myth-making, when you’re trying to create a national identity, that kind of stuff is convenient to leave out.

Do you have anything else you want to add?

The process of writing this book has been a process of squaring up to the darker aspects of American history and then being forced to connect that history and see its bearing and its consequences on our present. And I think that’s a process that a lot of people are coming to right now, and I hope that that resonates with readers.

Connor Towne O’Neill will discuss Down Along With That Devil’s Bones in a virtual event hosted by Novel. bookstore, Tuesday, September 29th, at 4 p.m.

Categories
Politics Politics Beat Blog

County Commission to Look At Voting-Machine Costs

UPDATED. Anybody who has followed county government processes knows how easy it is to get lost in the weeds of complex numeral series. Such was the case with the Shelby County Commission’s budget negotiations earlier this year, and such is the case with a key matter before the commission today, Monday, September 28th.

The commission is scheduled to take up the matter of new voting devices for Shelby County. This is an in issue that has been simmering for well over a year, and, amid a bidding process that engendered no meager amount of controversy, county election administrator Linda Phillips ultimately has recommended, and the Shelby County Election Commission has confirmed, the selection of new ballot-marking machinery from the ES&S Company, which dominates the election-machinery field.

The actual scheduled vote on Monday was for $5,815,405.00 for equipment including scanning equipment for prospective immediate use in regard absentee votes, with $2,410,000.00 of that offset from expected reimbursement funds from the State of Tennessee.(After some debate, the Commission voted 7-6 to defer the item until its next regular meeting).

A variety of other numbers figure into the respective bids, as well, and the expertise of the County Commission, the ultimate paymaster, in working with conflicting columns of numbers could be called on again at the Monday meeting. There are ample weeds to be dealt with.

Categories
Film/TV Film/TV/Etc. Blog

Music Video Monday: Bruce Newman

Music Video Monday is on the march!

Bruce Newman is a lawyer and accountant specializing in small business and entertainment law. He’s also the host of Folksong Fiesta, airing Wednesdays at 8 a.m. on WEVL. A true polymath, when he’s not helping his clients navigate the difficult world of the music business, he’s writing songs of his own. Like most people nowadays, Newman is concerned about the state of the world, and in the best folkie tradition, he lays it all out in his new tune “Doing The Best We Can”. It’s a song of protest and solution which urges us all to listen to our better angels.

To help record the song and film the video, he gathered a crew of Memphis all-stars including vocalists Susan Marshall and Reba Russell, James Alexander of the Bar-Kays, blues guitarists Eric Lewis and Doug MacLeod, horn players Art Edmaistan and Marc Franklin, keyboardist Gerald Stephens, and multi-instrumentalist Paul Taylor. Director Laura Jean Hocking combines footage of the musicians taken at Music + Arts Studio with extensive animation to create a lyric video which really gets Newman’s point across. Take a look, then make sure you’re registered to vote.

Music Video Monday: Bruce Newman

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com. 

Categories
News News Blog

New Virus Cases Rise by 164

COVID-19 Memphis
Infogram

New Virus Cases Rise by 164

New virus case numbers rose by 164 over the last 24 hours.

Total current active cases of the virus rose to1,687, up from the 1,631 cases active Friday morning. That figure had dipped to 1,399 recently.

The Shelby County Health Department recorded 12,183 tests given since Friday morning. Total tests given here now total 449,340.

The latest weekly positivity rate fell slightly from the week before. The average rate of positive tests for the week of September 13th was 6.3 percent, down from the 6.5 percent rate recorded for the Week of September 6th.

The total number of COVID-19 cases here stands at 31,391.

Six new deaths were reported since Friday morning. Total deaths now stand at 457.

The average age of those who have died here is 73, according to the health department. The age of the youngest COVID-19 death was 13. The oldest to die from the virus here was 100.

There are 6,995 contacts in quarantine, right around the same as the 6,991 in quarantine on Friday morning.

Categories
Politics Politics Beat Blog

“Live-Ins” Eligible for Medically Related Absentee Ballots, Judge Says

Elaborating on her earlier rulings at the request of plaintiffs in litigation regarding mail-in ballots. Nashville Chancellor Ellen Hobbs Lyle this week underscored the fact that any voter living with someone with an underlying medical condition is eligible to apply for an absentee ballot.

Chancellor Lyle

Chancellor Lyle pointed out in a new opinion that a state Supreme Court order of August 5th, issued in response to a state appeal of her earlier rulings, requires “that anyone residing with a COVID- vulnerable voter would be eligible to vote absentee in November.”

Lyle added that the Supreme Court order “required the State to make its concession clear to voters” and said : “We instruct the State to ensure that appropriate guidance, consistent with the State’s acknowledged interpretation, is provided to Tennessee registered voters with respect to the eligibility of such persons to vote absentee by mail in advance of the November 2020 election … .”

Memphis attorney Steve Mulroy, who represents several of the plaintiffs in the case, noted, as Lyle had, that, before the Supreme Court, the state had conceded “that if a person determines for him/herself they’re COVID-eligible, they can’t be prosecuted for perjury.”

Mulroy said further that the absentee requirements, issued as required of the state and noted on the website of the CDC (Centers for Disease Control and Prevention,), reference “all the many quite common underlying conditions—asthma, high blood pressure, diabetes (Type I and Type II), obesity, smoking,” and apply as well to “caretakers” of persons with qualifying conditions.

Said Mulroy: “Adding in anyone who ‘resides with’ such voters, and you’re probably north of 2/3 of voters. Unless you’re a perfectly healthy twenty-something who lives only with other twenty-somethings and doesn’t ever look in on Grandma, you’re probably absentee-eligible at this point.”