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Never Seen It: Watching King Kong vs. Godzilla (1962) with Podcasters Mason Barton and Stephen Hildreth

With the arrival of Godzilla vs. Kong in theaters and streaming, I sat down to revisit the classic 1962 film King Kong vs. Godzilla with someone who has never seen it. Mason Barton is nine years old — the prime target audience for kaiju films. He reviews movies in his new podcast with Stephen Hildreth, a filmmaker who partners with Mason’s father Chad Allen Barton in the Memphis production company Piano Man Pictures. I edited our conversation for length and clarity.

Chris McCoy: It’s been a really long time since I’ve seen this movie.

Stephen Hildreth: I have never seen this movie.

Mason Barton: GO KONG!

CM: You’re rooting for Kong. What do you know about this movie?

MB: Absolutely nothing.

CM: Stephen, what about you?

SH: I know nothing about this movie.

MB: King Kong and Godzilla are going to fight, and they’re most likely going to end up fighting something else, because they would never say who would win or who would lose.

97 minutes later…

CM: OK! Mason and Stephen, you are now people who have seen King Kong vs. Godzilla. What did you think?

MB: It was great! I liked the stuff that didn’t make sense. It was funny, weird, and had really good fight scenes.

CM: The fight scenes were outstanding.

SH: They were really great.

CM: Some of the best in any Godzilla movie, I think. And they used everything! They had guys in suits, they did some stop motion. At one point, it was just a couple of hand puppets going at it. And the octopus! That was a real, live octopus, wasn’t it?

SH: Yeah, that was impressive. All of the practical effects were kind of amazing, like the entire sequence with Kong, where it’s rear projection, and we’re looking through the train car. Cut around to the reverse, where they have the little doll for him to carry, to look like the woman. That was all brilliant. I loved the real, live octopus. 

MB: Wait, what?

SH: The octopus that attacks Kong on the island was a real, live octopus.

MB: Is it that big?

SH: No, they just shot it to look big. They’re pretty big, but not that big.

MB: I have a question. The balloons they used to carry Kong—why were they yellow?

SH: I think those were weather balloons.

CM: So, Mason. You were rooting for King Kong. Do you think Kong won?

MB: Oh yes. He beat up Godzilla so hard, Godzilla just straight up left.

CM: That’s true. But there was that earthquake there at the end, so we don’t really know what happened while they were fighting underwater. I feel like if there hadn’t been that convenient electrical storm, Kong wouldn’t have won. He got re-energized. But since when does Kong get power from electricity? He’s like, Electro-Kong.

SH: WWE owes a lot to movies like this. It’s scripted like a wrestling match. Hulk Hogan totally stole his honk-it-up move from Godzilla. Watching this, I’m convinced. There’s a lot of little contrivances, but I’m willing to accept it to see two giant monsters fight one another.

CM: You’d think they could unite in their love of property damage. At the end, when they’re fighting over that giant pagoda, both of them were just like, “Yeah, let’s just smash this pagoda, then get back to fighting.”

SH: That reminded me of one of those bonus rounds of Street Fighter where you get points for just smashing the car.

Be glad that’s not your pagoda.

CM: Mason, why were you for Kong?

MB: Because I think he’s just cooler. And it’s a little bit unfair. Godzilla’s got like, five powers. And King Kong still just came around and beat the crap out of him.

CM: Stephen, what was your rooting interest?

SH: I was rooting for property damage.

CM: We’re all winners.

SH: There was a part at the beginning where I thought they were teasing that they would both be fighting Mechagodzilla. Maybe that was something they were teasing for the new one?

MB: I thought that the entire time, too.

SH: Like it was going to be, oh no, this is not really Godzilla. It’s evil Mechagodzilla.

CM: No, this was 1962. Mechagodzilla didn’t come along until about 1973. Terror of Mechagodzilla, in 1974, was Ishiro Honda’s last Godzilla film. It’s actually really good. All the Ishiro Honda films are. I mean, you could tell which parts were the Japanese parts and which parts were the American parts, couldn’t you?

MB: Yeah.

CM: The American parts were just three white guys standing in front of a sheet. But Ishiro Honda was a genius. He was also Akira Kirosawa’s favorite assistant director. He went from Terror of Mechagodzilla to Kagemusha and Ran.

SH: There are some really nice compositions in this.

CM: It’s gorgeous!

SH: And the matte paintings! Especially on the island, when they get there. We just reviewed the first Coming to America for our little thing. That was the one knock that I really had for Craig [Brewer]’s version. When you get to Zamunda in the second one, the palace doesn’t feel as epic as it does in the first one, Maybe it’s because it’s CG. Really, the palace, it’s not that big on the set. It’s just a matte painting beyond that, but I’m a sucker for a good matte painting. Cause they’re just gorgeous and they look fantastic. The ones in this were all incredible.

CM: All of the special effects were just perfectly executed. There’s just something about the guy in the Godzilla suit, stomping on little miniature buildings, you know?

SH: When he falls into the hole, after they have that whole blast setup to trap him, it has such a human quality, even though it’s this giant monster falling into hole. ‘Cause it is just a guy in a suit. Maybe it’s something like that that makes me identify with Godzilla. His face is a little inviting to me. Kong’s is kind of horrifying, a little bit…

MB: A little weird.

Kong faces off against an actual octopus on Skull Island.

CM: Have you seen the original King Kong?

MB: I tried to watch it for a little bit, but I couldn’t get into it.

SH: Black and white? Stop motion animation?

MB: Yeah.

CM: Do you not like black and white?

MB: No, there’s been one or two I’ve seen that I liked.

CM: What don’t you like about them?

MB: Usually, they’re so old, the sound is real bad. It’s not like I don’t like the black and white photography, as long as the sound quality is good.

CM: I get that. They perfected shooting in black and white long before they perfected sound. So you’ve never seen any Godzilla movies?

MB: None. The only thing I’ve ever seen close to this stuff is Kong: Skull Island.

CM: Well, you were the target audience for this in 1962. As time went on, they got a lot weirder. Three years later was Invasion of Astro Monster, which is probably my favorite. It’s got goofy aliens in UFOs, and I just love it. But at some point, you should go back to Ishiro Honda’s original Japanese version, Gojira. Have you ever watched a film with subtitles before?

MB: Yes, and I do not like it.

CM: Well, if you feel like trying it, the original Godzilla is an entirely different vibe. It’s genuinely scary. So, are you going to see Godzilla vs. Kong?

MB: Yes! I’ve already put a bet on it.

CM: You got your money on Kong for that one, too?

MB: Yes, but what I’m also thinking that they’re just going to team up and fight somebody else. And then that means that the person I bet with, we’re both going to get $15. 

Kong calls this move the “Arbor Day.”

CM: Did you feel like Godzilla was the bad guy in this movie?

MB: Yes.

CM: And what about Kong? Did he feel like a bad guy? 

MB: Not really.

CM: Kong is always sympathetic, because he was just minding his own business, and people come and Kong-nap him from his island. And whose bright idea is it to take the giant ape into the middle of New York City, anyways? Hey, let’s put him on Broadway! It’s just stupid. Carl Denham is the real villain of King Kong.

CM: I thought one thing was interesting. If you watch King Kong now, when they’re on Skull Island at the beginning, the racist caricature of the natives is really obvious. I can totally see a Black person watching this and saying, I’m not finishing it. You kind of have to divorce the special effects masterpiece part of it from that part. But in this film, they felt like they had to do the Kong origin story again. So they felt like they had to go and do that part again, too. But it’s Japanese people trying to do it. So maybe it’s not as racist, or it’s racist in a weird way I don’t even understand.

Kenji Sahara and Tadao Takashima get their first glimpse of King Kong.

SH: They’re still doing like, a form of brown face with those characters, but they’re Japanese people doing it.

CM: Some of those people were just different flavors of Asian, with darker skin, without much makeup. But some of them were obviously people who were painted up. And what’s even weirder is, it felt like a critique of colonialism, almost. Here were these guys in pith helmets giving cigarettes to the native children. Classic colonialist move. Those guys looked like buffoons. But when they were making the American cut, they were like, leave that stuff in there! Americans can relate to that! Those English punch-ins, they probably cost like $200 total. It was two white guys in front of a curtain explaining what happened.

SH: Yeah. It seemed like there were a lot of news reports in this.

CM: They’re not in the original. It’s more of a traditional …

SH: … flowing story.

CM: I guess the American producers thought there needed to be a play-by-play and color commentary on this thing.

SH: I wanted the United Nations Wide World of Sports, where Howard Cosell calls the fight between King Kong and Godzilla. That was the one thing that I was aching for at the end of the film. You get a little bit of that from the guys in the helicopter.

CM: I was just rooting for all the humans to die.

SH: They’re the real villains. Kong is the reluctant hero. Godzilla, he was asleep and his home, and they just busted up into his place…

CM: … with atomic weapons. And now he’s all radioactive. Like Mason said, the atomic fire breath really gives Godzilla the advantage. He can just roast Kong from afar.

SH: That’s why in the new one, they give him an axe.

CM: Kong’s got an axe?

SH: A giant axe, and he blocks Godzilla’s fire breath with it.

CM: I mean, why not just give him a lightsaber?

SH: And a Captain America shield. Let’s just throw all the properties in there.

Godzilla demonstrating the Flying Lizard technique.

MB: I would say the best scene of the entire movie is when Godzilla kicked King Kong. That looked amazing.

CM: And the tail flip!

MB: That was good too!

CM: It’s fun to watch it and say,”That’s how they did it!” And it’s fun when you say, “I have no idea how they pulled that off.”

SH: Their trickery was amazing. That was a great thing to see. I’m really glad you asked us to do this.

CM: OK, final verdict, Mason, would you recommend other people watch King Kong vs. Godzilla?

MB: Yes, and you should watch it before you watch Godzilla vs. Kong.


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News News Blog News Feature

Drake Hall Returns to the Airwaves on Flinn Broadcasting

Long-time Memphis radio icon Drake Hall is returning to the Memphis airwaves Thursday, April 1st, at 7 a.m. on FM 87.7, a Flinn Broadcasting outlet. In a press release, Hall’s return is touted as the “first business partnership directly between a radio personality and a corporate entity.”

In addition to the “Drake Hall Memphis Radio Show,” the partnership will include podcasts, video, email marketing, social media content, an app/web features, 24/7 streaming of two broadcasts (“The Drake Hall Radio Show” and “The Best Rock & Roll Ever Made”), plus live events.

“This is an ideal situation for broadcasters and broadcasting companies, built around partnering performers with visionary ownership to create a new and long overdue mode,” said Hall. “It’s a thrill to be given a blank canvas to create a rock radio station that focuses on the six decades of the best rock and roll ever made, not just the 300 songs that ‘test well.’”

“This is a new model in creating audio content,” said Shea Flinn of Flinn Broadcasting. “It gives the talent greater control of the programming and gives the audience a new personality-curated — as opposed to corporately curated — experience. It is targeting the rock-and-roll community, not statistical demographics.”

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News Blog News Feature

Water Park, Youth Sports Complex Planned in $140M Tunica Resort

A convention center, hotel, water park, and youth sports complex are planned in Robinsonville, Mississippi in a $140 million project in Tunica County. 

The project will redevelop the former Harrah’s Tunica Resort, which closed in 2014. It will feature:

• two separate hotel towers totaling 1,168 guest rooms

• a 50,000 square-foot convention center

• a 20-acre waterpark

• a youth sports complex

• an 18,000 square-foot spa and salon

• a 100-acre private lake with fishing and boating opportunities

• a 37,000 square-foot adult fun center

• a sporting clay and hunting center on 750 acres

• an RV park with 200 spaces

• a boardwalk with dining, retail, and live music entertainment venues

• an 18-hole golf course being renovated by Rees Jones

The project is expected to be complete in late summer 2022. Developers expect it will employ more than 650 people.  

“This property is truly one-of-a-kind, and we believe adding an amazing water park and other family-friendly amenities will enhance our guest’s experience and create a destination for all age groups in this region and beyond,” said co-developer Tom DeMuth, managing director of Summit Smith Development.

The project is led by Tunica Hospitality & Entertainment. The resort will be managed by Aimbridge Hospitality of Plano, Texas.

Water park plans include a lazy river; DownUnder drop capsule slides, a concessions area, two swim-up bars with tables and benches, restrooms and locker rooms, raft bowl slide, shallow sunning area with spray features, kids slides, floatable walk area, water volleyball area, water basketball area, flow rider area with bleachers, and more to be added at a later date.

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News Blog News Feature

Federal Mass Vaccination Site to Open at Pipkin Building

A federally run mass-vaccination site will open next week at the Pipkin Building, White House officials announced Wednesday, March 31st. 

The Memphis site is one of three such sites opening next week, Andy Slavitt, acting administrator of the Centers for Medicare and Medicaid Services, said in a briefing Wednesday morning. Other sites will open next week in Milwaukee, Wisconsin, and Greenbelt, Maryland. 

Each of these sites will be able to administer 3,000 doses of a COVID-19 vaccine each day, Slavitt said. They are also the first federally run mass-vaccinations sites in each of their respective states. 

On Monday, the federal government opened sites in Gary, Indiana, and St. Louis, Missouri. These are among the 25 mass-vaccination sites opened by the federal government. Together, these sites can administer 95,000 doses of the vaccine each day, Slavitt said. 

Slavitt said the sites are to accelerate the vaccine program and to “reach the communities that have been most hurt by the pandemic.”

We need to keep case numbers down so we can save lives and give people the chance to get vaccinated in April, May, and June so we can enter the summer on the strongest footing possible.

Andy Slavitt
acting administrator of the Centers for Medicare and Medicaid Services

“All these efforts are on behalf of one thing: saving lives,” Slavitt said. “We need to keep case numbers down so we can save lives and give people the chance to get vaccinated in April, May, and June so we can enter the summer on the strongest footing possible.”

For the federal vaccination program, Slavitt asked for help from local government leaders. He asked for governors, mayors, and other elected officials to reinstate mask mandates in their jurisdictions. 

Memphis Mayor Jim Strickland said resources in place now will be directed to other points of distribution (PODs) across the county.

Categories
News Politics Politics Beat Blog Politics Feature

Bidding Adieu to U.S. Attorney Role, Dunavant Hits New Gun Law

Mike Dunavant, the retiring U.S. Attorney for Tennessee’s Western District, declared Tuesday his concern about the constitutional carry bill that had just been passed by both chambers of the legislature and was sped on its way to being signed by Governor Bill Lee.

Speaking to a Zoom meeting of the Rotary Club of Memphis, Dunavant noted that he had been a member of the Memphis-Shelby County Crime Commission, whose members included Sheriff Floyd Bonner, Memphis police director Michael Rallings, Mayor Jim Strickland and “good and smart law enforcement leaders,” and that the Commission, “with my endorsement and blessing,” had publicly opposed the measure.
 
Said Dunavant: “We believe as a group  that that would increase the prevalence of firearms on the streets, and vehicles, and on people’s parcels, and would escalate and elevate violent crime. The last thing we need in Memphis is more guns and more violent crime. We believe that to be the case  and I’m sorry that that is the policy choice that has been made.”

Dunavant said that “the problem goes back farther than just this year’s legislation,” recalling the General Assembly’s passage some years ago of legislation extending “the castle doctrine of possession of firearms for your home to your business and your car.” That earlier change, he said, had occasioned a rash of car burglaries and shooting incidents in traffic and had made things “very difficult” for law enforcement.

However, Dunavant acknowledged one silver lining of sorts — that the new “constitutional-carry” bill did contain provisions strengthening penalties for gun crimes.

A Trump appointee, Dunavant was introduced by former U.S. Attorney Mike Cody, who observed that the two of them had in common that they had been named  by Presidents who served only one term. Cody had been appointed in the administration of Democrat Jimmy Carter.

Asked about the status of prosecutions following the January 6 insurrection at the U.S. Capitol building, Dunavant called that event “an attack on the very foundations of democracy in our constitutional republic” and said, “We all knew on the ground this was serious and it was going to take an immediate and serious turn for aggressive enforcement.” Federal law enforcement agencies intended to “spare no resource in cracking down and identifying” the participants in the Capitol attack, which threatened “the very seat of our government.” 

There was “nothing more serious,” he said, “and we had to get to work identifying those from West Tennessee  who had traveled there with the intent or purpose of participation in that violence.” The search continues, he said, with two people having been charged so far.  

Mike Dunavant

Looking back on his tenure, Dunavant noted that all three of the individuals who had served as U.S. Attorney General during that time — Jeff Sessions, Matt Whitaker, and Jeffrey Rosen — had made official trips to Memphis.

“The bad news is that we got the attention of these Attorney Generals, because we have an element of violent crime, obviously. The good news is that I was able to get the attention of the Attorney Generals to make sure that we were getting the resources in Memphis and the rest of the city, we needed to combat crime.” Much of that effort was in countering crimes involving firearms, Dunavant said. He credited two federal operations — Operation Relentless Pursuit and Operation Legend — with furthering significant reductions in such crimes.


Violent crime is not inevitable, he aid. “It’s not like the waves of the ocean or the wind. we can do something about it.” Among other operations of his office, he  touted a dragnet initiative called “Bluff City Blues” and one to counter heroin abuse, which netted several “misbehaving medical professionals.”

Asked if his future endeavors included seeking elective office, Dunavant said, “All I ever wanted to do was to become prosecutor, and I had to become a politician to do it.  Certainly if it is the right time and the right position, I’m always willing to serve in whatever way is necessary by putting my name on a ballot  or making myself available for future appointments.”

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Cover Feature News

Wingin’ It!: 8 Memphis Wing Experiences You Need to Have

How many places are there in Memphis where you can get chicken wings? I’m guessing 1,469. Close? I don’t know. I have no idea. No one does. You can buy chicken wings in trucks, in stores, in outlet malls, even in gas stations, for God’s sake. Wings are everywhere, and most of them are probably pretty good. But with so many options, you could probably use some guidance. As a public service to you, our faithful readers, (because we love you) some of us on the Flyer staff ventured out to try a sampling of various wings around town — from well-known to off-the-beaten-flight-path. Trust us, you can’t go wrong with any of these. — Bruce VanWyngarden

Uncle Lou’s Fried Chicken

Uncle Lou’s Fried Chicken

3633 Millbranch

Years ago, Food Network star Guy Fieri came to town to sample local delights, including getting splattered in the kitchen at Uncle Lou’s Fried Chicken. That happy visit inspired plenty of business for the eatery and the tagline “Sweet Spicy Love.” Now almost 20 years old, the chicken joint run by Lou Martin continues to churn out remarkable dishes, including stunningly good wings. Martin offers whole wings and buffalo wings alongside the usual menu array of chicken, tenders, burgers, and a few other choices. I opted for the whole wings with mild sauce and, despite an initial assertive vinegar attack on the nose, the flavor was perfectly balanced. The wings are hefty and delectable, with mouthfuls of tender meat and loads of crisp skin to savor. The sauce lingers on the taste buds and remains mild-mannered. If you manage to have any left over, heat them up the next day and they’ll still deliver the right amount of sass and joy. Wings and coffee make for a splendid breakfast, especially if you include some of his honey buttered biscuits that have the power to make a keto devotee fall off the wagon. — Jon W. Sparks

D’Bo’s Wings ’n More

D’Bo’s Wings ’n More

4970 Poplar; 4407 Elvis Presley

Is there such a thing as the Godfather of Memphis Wings? If so, the title would probably go to David and Leticia Boyd’s D’bo’s Wings ’n More.

The Boyds started their wing business with a dream and a trailer in 1990. That’s 31 years of wingin’ it, if you’re counting. David says when they started they were looking for a “sauce that could dance.” They appear to have found it — and more.

Now with two locations, D’bo’s serves a full menu that includes seafood, burgers, and other sandwiches, as well as some sassy margarita options. (“Panty Dropper,” anyone? Or maybe you’re a “Jungle Juice” person.) But it’s still all about the wings, which come with many sauce and size options. You can get party wings or whole wings from five to 100 pieces. Sauces include Suicidal, Teriyaki, Honey Hot, Honey Gold, Honey BBQ, and a few more. There are also several dry-rub options.

I went with Honey BBQ whole wings, and … dang! The wings are cooked to order, not sitting around in a warmer, and you can tell. Mine came out hot, meaty, moist, and spicy (but not with a burn). So good. After 31 years, D’Bo’s sauce can still dance. — BV

Riko’s Kikin’ Chicken
(Photo: Samuel X. Cicci)

Riko’s Kickin’ Chicken

1329 Madison

What makes the perfect wing? Is it a crunchy and crispy exterior holding in tender meat and juices? A blend of sauce exquisitely baked into the whole wing? Or is it actually extra sauce, dripping from each wing as it leaves the plate?

There might not be a right answer, but Riko’s Kickin’ Chicken ticks every box. Mariko and Tiffany Wiley have been doing this for years at both their brick-and-mortar and food truck locations, and they’ve honed their craft immeasurably. When my container of 15 extra-plump wings (talk about bang for your buck) slid across the counter, the sizzle and smell yanked me out of the restaurant and dragged me straight up to wing heaven.

Each one of the extra-large wings was coated with heat, the hot sauce evenly spread across and infused into all the drums and flats. And if that wasn’t even enough, there’s still plenty of sauce left in the box to add another layer. It’s a spice that sticks with you, cranked up to medium-high, but not too much (that’s what the Hot X is for).

But don’t take it from me; get yourself down to Riko’s and snag some grub. Maybe a little bit of hot sauce alongside another batch of the popular lemon pepper. Or perhaps seasoned. Or maybe even honey gold? Whichever flavor, it’s gonna be good. — Samuel X. Cicci

India Palace
(Photo: Chris McCoy)

India Palace

1720 Poplar

What? An Indian restaurant? In the wings issue? In Memphis? Have we gone mad? Hear me out.

As a response to the general popularity of wings in the Bluff City, putting your own spin on flats and drummies has become de rigueur for local restaurateurs. The wings at India Palace live on the appetizer menu. Instead of a variation on the standard, fried chicken parts tossed in a hot-sauce-and-butter combo, these flappers are swimming in a tamarind-forward curry sauce and served on a bed of caramelized onions.

The Palace’s secret weapon is the tandoor. The traditional South Asian oven is made of clay, and usually cone- or egg-shaped — although modern designs can be made with stainless steel exteriors. Powered by wood or charcoal, the interior of a tandoor can reach up to almost 500 degrees, cooking the chicken via convection heating and, as a cousin to the familiar Memphis smoker, exposing the fowl flesh to the smoke from the fire. The resulting meat is without the crispy, fried exterior, but much more tender and juicy than a conventional wing. It’s probably a lot better for you than fried wings, too. And let me put in a quick word for the onions. Nobody caramelizes like India Palace.

These wings might not replace mainstream hots in your diet, but they’re great for a change-up. They might also serve as an introduction to Indian cuisine for some picky eaters looking for a familiar hook. Give them a shot. — Chris McCoy

Habee’s Wings & Deli
(Photo: Alex Greene)

Habee’s Wings & Deli

3670 Summer

“Dry heat.” It’s something that Memphians don’t have to think about much — in their weather or their wings. And that’s precisely why that option caught my eye at Habee’s. They were doing a brisk business, and I had to think fast. Would it be one of the classic heavily glazed varieties that so many wing joints offer? Or something new? To a menu ranging from very mild to extremely hot — including honey hot, honey gold, and honey BBQ, as well as savory lemon pepper, garlic parmesan, or teriyaki — was added a note, tacked to the bottom. “New Flavor: Dry heat.”

Remembering all the sauced-up wings I’d ever known and loved around town, the dry option called to me. And it did not disappoint. The meat was not dry, but tender and succulent, and the skin had just enough crunch for contrast. Compared to typical wings, slathered in all manner of gooey sauces, this minimalist approach was a welcome change in texture and taste. Of course, nothing is technically dry once it’s dipped in ranch dressing, but even then, the crisper texture was a revelation and, with the dinner roll and carrot and celery sticks, a welcome contrast.

This Asian-American eatery serves a diverse clientele and everyone seemed to be a regular. Many were ordering combos of wings and fried fish, but I stuck with the pure experience. Like dry-rub barbecue, this approach to wings was a delicious change of pace, and will surely be a welcome antidote to Memphis summers, where the humidity is like a sauce unto itself. Sometimes you just want that crunch. — Alex Greene

(Photo: Jackson Baker)

The Wing Guru

multiple locations

The Wing Guru offers wing dishes in numerous combinations and with a wide variety of sauces, as well as lots of other menu options. Of an afternoon, I stopped by the storefront in Bartlett, along busy Highway 64, and ordered a plate of three whole wings with a generous side of fried okra and unsweet iced tea. If that sounds both urban and down-home, it surely is, in a sense that purists and wing aficionados can appreciate. The wings I had were not the dainty little sort you may be accustomed to as hors d’oeuvres at social events; they are fully sized, with a whole lot of succulent chicken meat, and three of them will definitely make a meal. All things considered, the price of just over $10 for this “small” combo was right.

The choice of sauces‚ some 21 in all, is downright extravagant, and I had my wings with the restaurant’s Triple J sauce, a seriously spicy barbecue sauce with a rich honey component, developed in tandem with forward Jaren J. Jackson of the Memphis Grizzlies. (The owner, the eponymous “guru” of the establishment’s name, is Billy Richmond Jr., a well-remembered basketballer himself, at the University of Memphis.) — Jackson Baker

Ching’s Hot Wings
(Photo: Toby Sells)

Ching’s Hot Wings

1264 Getwell

Memphis magic permeates Ching’s Hot Wings.

The restaurant is a lot like the city itself. It’s modest, situated in a row of strip-mall shops along a decidedly un-flashy stretch of Getwell. It’s authentic, its walls lined with handwritten notes (“These wangs are the bomb-diggity.”) and photos of Malcolm X and Dr. Martin Luther King Jr. hanging in the bathroom. 

It’s original, even down to two in-house soft drinks — Orange Mound Punch and G-Street Punch, which some just call “Blue Drink.” Ching’s is also unafraid to be itself and comfortable in its own skin; workers wear no uniforms and the whole thing has a gentle, down-homeness to it that makes you feel completely welcome. If you’re proud to call Memphis home, Ching’s will feel completely natural to you.        

And the wings? Ching’s is the king of wings. Fight me.

Ching’s wings come two ways: party wings (where the drummy and the flat are separated) or whole wings. You can get those bad boys dressed up in mild hot, seasoned, lemon pepper, dry hot, honey gold, honey hot, honey extra hot, and suicide.

Honey gold is supposed to be the Ching’s wing thing. But I needed a baseline and went whole-wing mild hot. The sauce is a classic orange Buffalo sauce that checked every single delicious salty/spicy box. The wings were perfectly cooked, juicy and easy to pull apart. The whole thing was perfectly sided with crinkle-cut fries, gently dashed with a bit of seasoning, and a big, red Orange Mound Punch. My trip to Ching’s felt like another lesson in my ongoing Memphis education. Eating at Ching’s made me a better Memphian. — Toby Sells

Belmont Grill
(Photo: Michael Donahue)

Belmont Grill

4970 Poplar

If you find somebody on the planet who’s never tried hot wings, take them to Belmont Grill. They serve the classic, tangy, tasty, messy hot wings I think of when I think of hot wings.

I recently devoured a plate of six Belmont wings, which come with coleslaw, ranch dressing, and a small loaf of crusty bread cut into eight pieces. I ate to the beat of Billy Idol singing “White Wedding” and ended up dipping the bread into the ranch dressing because the wings are so good by themselves.

“The sauce is a blend of Louisiana hot sauce and melted butter,” says manager/owner Jeff Anderson. “The butter helps the hot sauce stick to the wing. We don’t use a breaded wing. We use the real wing, so you can still taste the sauce and the meat from the chicken.”

The Belmont didn’t serve hot wings when it first opened, Anderson says: “I found an old menu from when we first opened in 1984 and it wasn’t on there. I went to another menu, ’87 or ’88, when we actually put them on the menu. Back then a lot of places that did them did the pieces, and not the whole wing. We wanted to be a little bit different and we did the whole wing. We’ve kept them on there ever since. They’re our version of the hot wing.” — Michael Donahue

Categories
Music Music Features

Prescriptions for Dreamers: Valerie June Offers a Healthy Dose of Memphis Soul

This month saw the release of a new album by Valerie June, The Moon and Stars: Prescriptions for Dreamers (Fantasy Records), which may be the singer/songwriter’s most fully realized work yet. Rolling Stone called it a “stunning song cycle of redemption and reclamation.” Essence pronounced it “a magical, country-soul offering.”

Ironically, for someone who has lived in Brooklyn for nearly a decade, this may also be the most Memphis-influenced record of her career. The city where she first honed her craft has always been an aesthetic touchstone, but, partly thanks to co-producer Jack Splash (Kendrick Lamar, Alicia Keys), June found herself discovering new things about the city’s heritage. After mentioning her imminent plans to return to Humboldt, Tennessee, to help her mother with the garden, the artist reflected on what she was still learning about the city where it all got started.

Memphis Flyer: This album takes a dramatic leap into orchestration. What prompted your new interest in richer, more lush arrangements?

Valerie June: I’ve worked and built up trust with my whole team, so they were like ‘Yeah, we’ll give you some backing.’ But that’s taken years, to prove myself, make the connections, meet the musicians. Like meeting [former Stax producer and arranger] Mr. Lester Snell. I lived in Memphis 10 years and didn’t even know who he was [laughs]. I felt so dumb when Jack Splash, the co-producer, said to me, ‘We’ve got to get Mr. Lester to do the string arrangements on this record.’ And I was like, ‘Who’s that?’ And he said, ‘You don’t know who he is, but you lived in Memphis for a decade?’ I was like, ‘Nope!’ But I went over to his house and met him and Miss Pat, and we worked on the songs, and it was so fun. From there we went over to Sam Phillips Recording. It was my first time being in there, working on my own stuff. And Jack made all of that possible.

Valerie June
(Photo: Renata Raksha)

The authentic old school soul of “Call Me a Fool” really gets a lift from Carla Thomas’ appearance on background vocals. How did that come about?

Boo Mitchell hooked me up with Vaneese Thomas, Carla’s sister, and I asked Carla if she’d sing on my song. And she said ‘Sure! I’ll meet you there at Royal Studios.’ Boo engineered the session for us. And as she talked to us, telling us stories about Stax and country music and how she loves it. I was like, ‘We’ve got to get you to read this African proverb, because your speaking voice is so incredible.’

And her singing voice is perfect. You can’t miss it. [Sings woooo-hoooo] All of that is her. It’s so good! So we have layers and layers of her beautiful soprano.

I needed her, because the record is a bunch of songs to inspire dreamers. I think the world needs more dreamers now, and as we look around at all the things that need to change, it’s like a dream journey. You always have to have what I call a fairy godmother, that wise voice. And Carla was the fairy godmother of this record. She might be the Queen of Memphis Soul, but for me, she’s my fairy godmother. She’s the wise voice.

Will you be doing a live-stream show to mark the release of this record?

Not that I know of. I do have a book coming out. It’s called Maps for the Modern World [Andrews McMeel], and it’s going to be in stores worldwide on April 6th. It’s a lot of poems and insights into mindfulness and sweetness in the world. More hopeful things. More presecriptions.

In the meantime, good luck getting down to Humboldt to do some gardening.

Yeah, I can’t wait! I’m excited.

Categories
News News Blog News Feature The Fly-By

MEMernet: Minecraft, Kroger, and Pooh Shiesty

Minecraftin’

Instagram user Eric Huber is recreating Rust Hall, the iconic building central to the former Memphis College of Art campus, in Minecraft. The whys of this project don’t matter at all. It’s simple internet genius.

Posted to Instagram by @erichber

Krogerin’

A Nextdoor Kroger bash is still burning after user Patti Ward complained last week that, after 30 years of shopping at the Union Avenue location, she’ll “never again” shop there.

The post racked up 229 comments. The discussion ranged from whether or not the issue was an issue at all, Big Brother, other Kroger locations, other stores, missing Seessel’s, and a proposed 30-day ban on bashing Kroger on Union. The post followed a March 15th post from Rita Baker calling the Union Kroger “the worst grocery store on the planet.”

Explainin’

This week YouTuber Memphis Newz broke down the confusion over rapper Pooh Shiesty’s recent diss of South Memphis, his own neighborhood.

“Sometimes when a rapper gets big, their neighborhood will turn against them,” Memphis Newz said. “A lot of the time, it’s the rapper’s fault because they’ll be doing some hoe-ass shit.”

Posted to YouTube by Memphis Newz

Categories
Letter From The Editor Opinion

Stop the Steal

In a democracy — or, if you prefer, a republic — the government’s actions are supposed to reflect the will of the majority. That’s why we vote: to discover who the majority of the citizenry wants to hold office and what policies they want to have put in place by those they have elected. That’s how it’s supposed to work. But the sad reality is that the United States has for years been ruled by a backward-thinking, repressive, xenophobic minority.

There are many reasons for this, starting with the fact that the nation’s most powerful legislative body — the U.S. Senate — is absurdly undemocratic. Republican senators haven’t represented a real majority of the country’s population since 1996, yet the GOP has managed to delay and obstruct the will of the majority for 25 years.

Currently, the 50 GOP senators represent 43.5 percent of the country’s population, mostly due to the absurdity of states such as Wyoming, which has 578,000 citizens (about half the number of people living in Shelby County) having the same representation in the U.S. Senate as California’s 40 million citizens. California has 80 times the number of people as Wyoming and both states have equal representation in the Senate. It’s ludicrous.

More than 56 percent of the country’s population is represented by 50 Democratic senators, but they can’t pass gun-control measures, election reform, healthcare reform, tax reform, or any number of mildly progressive laws, because Senator Turd Ferguson of South Dakota doesn’t like it.

There’s little likelihood real change will take place in the structure of the Senate, and the GOP knows the only chance of retaining power is to continue to thwart the will of the majority by making it harder for people to vote, especially people of color and people with limited resources, who tend to vote for Democrats.

All across the country in states controlled by the GOP, restrictive voting laws are being proposed and enacted, including reducing the number of polling places and early voting days, restricting voting by mail, purging voter rolls, limiting voter-registration periods, restricting absentee ballots, eliminating Sunday voting, and even banning anyone from providing water to people in long voting lines. It’s Jim Crow all over again. And it’s out in the open.

From last November through January 6th, the former president defamed the American electoral process. But those who went along with Trump’s Big Lie weren’t trying to “stop the steal,” they were trying to stop democracy. And they still are.

The U.S. House of Representatives recently passed (on a party line vote, naturally) a bill known as H.R. 1 — the For the People Act. It would eliminate the voter suppression tactics that Georgia just enacted, for example, and would codify the voting process to make it equal for all U.S. citizens, no matter what state they live in. The bill requires states to maintain a voter database with universal automatic registration. In other words, if you’re a citizen and can prove it, you’re registered to vote. No more jumping through hoops at the local level. H.R. 1 mandates at least a 15-day early voting period, and institutes independent commissions to set Congressional district boundaries to eliminate gerrymandering.

It’s a big deal, but it has no chance whatsoever to pass the Senate, since it would need at least 10 GOP votes. Which brings Senate Democrats to a crossroads decision: Should they attempt to eliminate the filibuster so that the bill could pass with 50 votes, plus one from the vice-president, or just let the GOP do what it’s done for the last 25 years: undermine the will of the majority?

Eliminating the filibuster means if the GOP gets control of the Senate back at some future date, they could ram through all kinds of racist and corporatist policies (kind of like they’ve done for the last four years). But this is no time to be timid. Democracy is in the balance. It’s time to take back the reins of power and respect the will of the people. It’s time to stop the steal.

Categories
Food & Wine Food & Drink Food Reviews Hungry Memphis

Memphis Chefs Talk Mashed Potatoes

After hearing about Memphis being recognized as the mashed potato capital of America by Idahoan Foods, I wondered how Memphis chefs used mashed potatoes at their restaurants. So, I asked around.

Kelly English, owner of Iris, The Second Line, and Fino’s from the Hill, says, “I love crawfish boil mashed potatoes — with everything you would get in a crawfish boil. Just fold some crawfish tails, crispy sautéed andouille, corn kernels, and roasted garlic into your potatoes and season with your favorite Creole seasoning. Saute a piece of fish from the Gulf and pour brown butter and lemon juice over the whole dish.”

Derk Meitzler, chef/owner of The Vault, Paramount, Backlot Sandwich Shop, and Earnestine & Hazel’s, says, “I’ve used leftover mashed potatoes to make loaded tater tots. Put the potatoes, egg, flour, shredded cheddar cheese, bacon, and chives into a bowl and mix together. Form into the shape of a tater tot and roll in panko bread crumbs. Then fry them golden brown.”

Acre Restaurant executive chef
Andrew Adams
(Photo: Michael Donahue)

Elwood’s Shack owner Tim Bednarski shared his warm German potato salad recipe. Boil two pounds of new potatoes cut into fourths in salted water until tender. Render four pieces of bacon. Drain the potatoes while warm. Combine one cup sliced green onions, one-half cup diced celery, one-half cup mayonnaise, one-half cup sour cream, two tablespoons Dijon mustard, one-fourth cup apple cider vinegar, one-half cup chopped parsley, one-fourth cup pimentos, salt and pepper to taste, and “hot sauce for a kick.” Give it “a light mash.”

Veteran Memphis chef Mac Edwards, hospitality director for The Paramount, makes Very Anglo Latkes: “To leftover mashed potatoes, add grated onion, eggs, a little flour, and baking soda. Press into a patty, pan fry in one-fourth inch of oil until crispy and brown. Drain on a paper towel and sprinkle with salt while hot. I make a horseradish applesauce to go with it.”

Karen Carrier, owner of The Beauty Shop Restaurant, Mollie Fontaine Lounge, and Another Roadside Attraction, prepares Green Herb Roasted Garlic Creamed Potatoes, made with Yukon golds and a parsley, mint, and tarragon puree, unsalted butter, roasted garlic, creme fraiche, and grana padano, with salt and pepper to taste.

Saito 2 chef Jimmy “Sushi Jimi” Sinh makes a sushi roll with mashed potatoes. “Inside would be a deep-fried panko chicken,” he says. The roll is “topped with mashed potatoes and thinly sliced avocado.”

Ben Smith, chef/owner of Tsunami, says, “Mashed potatoes don’t play a major role in my restaurant, even though it’s one of the most requested side items. They normally only accompany our grilled filet of beef, but some customers get creative. We frequently have people order our pork and lemongrass meatballs on top of mashed potatoes.

“I’ve also known people to order mashed potatoes with a side of soy beurre blanc, which is kind of overkill because our mashed potatoes are already loaded with butter and cream.”

Acre Restaurant executive chef Andrew Adams says, “When I worked in a restaurant in New Jersey, I would make mashed potato sandwiches at the end of the night when leftovers were mashed potatoes and sourdough bread. I’ve been told that I break some sort of healthy eating rule by eating carbs on carbs. Lately, I’ve been doing the same with leftover cornbread.”

Peggy Brown, chef/owner of Peggy’s Healthy Home Cooking, cooks homestyle mashed potatoes: “We use Irish potatoes. Peel, wash, slice them up, put them in a pot with chicken broth, and boil until they get completely done. I also put salt in my pot while they’re cooking. Mash them with a potato masher and put in real butter and black pepper. Sometimes we put a little cream in them.”

If you still don’t have enough mashed potatoes in your life, try making some of these dishes.

Former Memphis chef Spencer McMillin, “traveling chef” and author of The Caritas Cookbook:  A Year in the Life with Recipes, knows his mashed potatoes. “I’ve been making smoked mashed potatoes since 1995,” says McMillin, now executive chef at Ciao Trattoria and Wine Bar in Durham, New Hampshire. “Wash Idaho russets, peel them, simmer — always starting in cold water — drain, smoke with any wood but mesquite, fortify with unholy amounts of hot cream and cold butter, season — kosher salt only, pepper and garlic fight with the smoke — and serve them napalm hot. If the roof of your mouth wasn’t singed with the first bite,  they’re too cold. Smoked mash is the one side dish of mine that has been remembered, sought after, stolen, and stood the test of time.

“In the restaurants, I always make way too much and find myself trying to merchandise them in other dishes or turning them into new ‘brilliant’ preparations. A kicky shepherd’s pie, creative duchess croquette, savory pancake — so good with braised pork shoulder — or cheddar-laced fritters.”

But, he says, “None of those dishes were as tasty and as simple to whip together during a mad rush as smoked potato bisque. Sweat out some leek and onion in butter, add chicken stock — not that crap in the aseptic box at the grocery store, make fresh — maybe add a bay leaf or two, bring to a simmer, whisk in an appropriate amount of day-old smoked mash — they’re better in this soup — a touch of cream and bam!”

In addition to his sandwiches, Acre Restaurant executive chef Andrew Adams uses mashed potatoes in dishes served at the restaurant.

“I like to make the super smooth extremely rich Robuchon style mashed potatoes or potato puree,” Adams says. “Five large russet potatoes, one pound butter, salt, and a small amount of hot milk. I treat the process like any emulsion, similar to a béarnaise, by slowly adding the butter and then refinishing with milk.”

Mashed potato concoctions don’t need fancy equipment, Adams says. “Years ago, I was eating at a Michelin three-star restaurant in New York City. After dinner, I was having a drink with the chefs who worked there. I was complimenting their truffle potato foam — when that was still popular — on a seafood dish. The sous chef said he spent weeks with aerators, stabilizers, and other high-tech equipment only for the chef to walk by one day and simply toss a spoonful of mashed potatoes into a white wine sauce and blend. The texture ended up so airy and balanced. Fifteen years later, I tried that. I made a simple sauce with white wine, shallots, milk. Then I added saved mashed potatoes slowly until thickened. To this, I added a little brown butter. And that was it. Last year, this made it to our menu. Now I smoke the potatoes. The final smoked potato sauce goes with our potato gnocchi and short rib dish. The gnocchi with ‘smoked mashed potato’ sauce has been a hit. It’s not listed on the menu that way.”

And, Adams says, “If I have leftover chunky mashed potatoes or some with less butter and other liquids, I will use those sometimes to mix with duck confit or duck breast ‘pastrami’ to make potato-duck croquettes. I just mix duck, mashed potatoes, and egg. That gets molded and breaded, fried.

“On days when we make potato rosemary bread, I’ll ask the crew to save the potatoes for the next day. The potatoes get mixed into the dough. The bread is usually used as the base of our country pork pate.”

Justin Fox Burks and his wife, Amy Lawrence of The Chubby Vegetarian blog and cookbooks, shared their Mashed Potato Dumplings recipe: 

2 cups peeled, cubed potatoes

1 tablespoon water

2 medium eggs (beaten)

1 cup semolina flour

one half teaspoon kosher salt

“Place potatoes and water in a microwave-safe bowl with a lid or a plate to cover. Microwave on high for eight minutes and then allow potatoes to rest, covered, for another eight minutes in the microwave. Mash potatoes with a potato masher and add the eggs, four, and salt. Mix with your hands until just mixed. Pat dough out to about one half inch thickness on a floured surface. Using a pastry cutter or knife, cut dough into roughly one half inch rectangles. Bring a large pot of salted water to a boil. Cook gnocchi for two to three minutes. When they are ready, they will float. Use a strainer to remove them from the water.

For extra credit, extra flavor, and extra texture, sear the drained gnocchi in olive oil in a skillet on high heat before tossing them with your choice of sauce.”

Burks and Lawrence serve their gnocchi with “a garlicky parsley and walnut pesto or paired with a regular jar of tomato sauce and heaps of grated Romano cheese.”