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News Blog News Feature

Memphis One of TIME’s Annual “Greatest Places”

Memphis made TIME magazine’s annual list of “World’s Greatest Places” this year. 

The third-annual list “highlights 100 extraordinary travel destinations around the world.” On the list, Memphis joins cities like Bangkok, Berlin, Seattle, and Santa Fe. 

TIME polled its contributors to find places “offering new and exciting experiences,” according to Memphis Tourism. Contributor Jenny Peters visited Memphis this spring to research the brief travel story included in the list. 

Peters focused on new things in the piece. She noted Graceland “is in the midst of an exciting evolution.” She pointed to the newly renovated Central Station Hotel, noting the Eight and Sand “listening lounge” and Bishop restaurant, in particular. Also mentioned were Hyatt Centric Beale Street, Memphis Chess Club, and Bain BBQ food truck.   

“This is a great honor for our city and destination from a globally recognized media outlet,” said Memphis Tourism president and CEO Kevin Kane. “This accolade from TIME showcases our diverse culinary scene and new hotel development that combine to create an authentic and exciting experience for travelers.”

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News News Blog

Bridges to be Lit Purple for Minority Mental Health Awareness Month

The Hernando DeSoto and Big River Crossing bridges will be lit purple Monday, July 19th, for TN Voices in honor of July being Minority Mental Health Awareness Month.

Officially recognized in June 2008, Bebe Moore Campbell National Minority Mental Health Awareness Month (also called BIPOC Mental Health Month) was created to bring awareness to the struggles that underrepresented groups face in regard to mental illness in the U.S.

The theme of the 2021 BIPOC Mental Health Month is “Strength in Communities,” with a focus on alternative mental health supports. “Our 2021 toolkit will examine community-developed systems of support created to fill in gaps within traditional systems that may overlook cultural and historical factors that impede BIPOC and QTBIPOC mental health,” states Mental Health America on its website. 

More information about TN Voices can be found at tnvoices.org.

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Film Features Film/TV

Music Video Monday: “Slide” by PreauXX and AWFM

Slide into the week with Music Video Monday.

As I detailed in this week’s Memphis Flyer cover story, Unapologetic is getting ready to transform Memphis with the Orange Mound Tower project. Right now, three of the Bluff City-based record label’s heavy hitters want to transform your earholes with the jam of the summer. “Slide” is the latest single by PreauXX (a frequent flyer on Music Video Monday) featuring a smooth guest verse by A Weirdo From Memphis. Produced and mixed by newly inaugurated Unapologetic president Kid Maestro and mastered by IMAKEMADBEATS, “Slide” is a sly groove for cruising in the whip.

“A ‘slide’ can be multiple things,” says PreauXX. “It can be a special person, it could be you visiting someone, and it could even be just hanging out. But ultimately, it feels good.”

The video is co-directed by PreauXX and Unapologetic visual leader 35Miles. It features the talents of Kierra Monique, Isadorabriony, Raphel Baker, Chris Craig, and R.U.D.Y. Drop what you’re doing and dig this earworm.

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

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From My Seat Sports

Birds and Buds

Last Saturday, I took a buddy of 38 years(!) to Busch Stadium for his first visit to the nest of the St. Louis Cardinals. Had the opportunity to introduce a long-distance traveler to several former Memphis Redbirds, in my happy place. Audie Artero didn’t grow up a Cardinals fan as I did (third generation), but he grew up a teammate of mine (basketball and soccer, in addition to baseball). We were small-town partners, and not just in the outfield for Northfield (VT) High School. We tended to travel as a tandem, at least when not on a date or scouting foreign turf (perhaps a party “way up” in Montpelier).

Ours is a cosmic friendship, of a sort, as the odds of the two of us ever crossing paths were astronomical. I was born in Tennessee and found my way to a small hamlet in central Vermont via California (among other family stops). Audie was born in North Carolina and found his way to Northfield via Texas (among other family stops). Our connective thread: Our fathers were hired, a year apart, by Norwich University.

Audie is now a lieutenant colonel in the Air Force, and has called Guam home for more than two decades. This makes the days we actually share a room — or baseball stadium — a little more significant than visits across a time zone or two. We tend to make the most of them, and we’ve managed to get together the old-fashioned way every odd year since 2009. (I trail Audie by a few ocean-widths of air travel.)

Qualities in a friend you keep on the other side of the globe? It starts, of course, with our high school experience. We “shared our morning days,” as Oliver Wendell Holmes put it. But I’ll note a couple of Audie’s shining traits. I’ve never witnessed him act cruel, in the slightest, to another person. (Except on a basketball court. He introduced himself in a pickup game and swatted my first shot with malice beyond the reach of most 14-year-olds.) This is a guy who excuses himself when someone takes his place in line. And Audie has virtually no ego, despite an abundance of smarts and talent. (There was no Mutombo finger-wag after that block. He took possession of the ball, and scored.)

Senior year in high school, I entered an essay contest in which we were tasked with writing about three people we admired, past or present. I wrote about Thomas Jefferson, Mohandas Gandhi, and Audie Artero. Took second place. Good friends, it turns out, make for inspired writing and good reading.

Audie and I have each been blessed with happy marriages for more than a quarter century. We’ve each raised a pair of daughters. (Like mine, Audie’s got his mother’s good looks.) Our friendship would make a decent Hallmark movie were it not for a few minor laws broken along the way. (In a small town, you can often answer the blue lights with a sincere apology.) The long distance component — Memphis is 7,500 miles from Guam — would be the tear-jerker, but our story has been packed with so much laughter, audiences would be too exhausted from the happy to waste any energy on the sad.

We followed our night at the ballpark with a Sunday tour of Anheuser-Busch. Audie and I have contributed to the company’s profit margin over the years, so a view of the Budweiser barrels, you might say, was overdue. It was one of those experiences, we often agreed, we’d enjoy someday. No need to write such plans down, or create a list, not even with 7,500 miles part of the equation. It’s funny. When “someday” arrives with a special friend, no matter how long it takes, it feels right on time.

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Film Features Film/TV

Space Jam: A New Legacy

If you were expecting a true sequel to the original Space Jam released in 1996, I regret to inform you that this is not that movie. If you were expecting a well-written cinematic masterpiece, I regret to inform you that this is also not that movie. Space Jam: A New Legacy is less of a sequel to the original and more like a modernized ABC Afterschool Special.

LeBron James plays LeBron James, a basketball superstar and bumbling dad insistent on pushing his sons to follow in his basketball footsteps. The movie opens with a flashback of a young LeBron heading into a school gymnasium before a basketball game and being gifted a hand-me-down Game Boy from his friend Malik. LeBron is so engrossed in this new toy that his coach must call him to attention during the game. Later, when he’s leading the charge on a final play, he misses what should have been the game-winning shot. After the game, his coach takes him aside to express disappointment that LeBron had been distracted by video games and had not given his all on the court.

Flash forward to present-day, where LeBron’s sons are on a private basketball court. Older son Darius (Ceyair J Wright) practices shooting while his younger brother Dom (Cedric Joe) sits on a nearby bench playing a handheld video game. LeBron joins the boys on the court, and calls out Dom’s halfhearted effort. 

Later, LeBron visits Dom’s room, where he plays a game his son created called “DomBall,” which combines realistic basketball moves with bonus video game abilities. Dom would rather go to a game design camp than basketball camp. Later, he accompanies LeBron to a meeting at Warner Bros. Studios, where two executives (Sarah Silverman and Steven Yeun) attempt to pitch LeBron on an augmented reality device called the Warner 3000, which gives users the ability to insert themselves into WB movies and livestream it to all their social media followers. 

Four-time NBA MVP and two-time Olympic Gold Medal winner LeBron James (left) with Tweety, the star of 1941’s “A Tale of Two Kitties”

SJ: ANL is doing a lot, and not in the best way. What it lacks in plot development it more than makes up for by packing in cameos and top-notch hand drawn and computer-generated animation. If you told me a group of executives sat around brainstorming how to cram in as many culturally irrelevant intellectual properties as possible, I would absolutely believe it.

The Warner 3000 is a creation of a sentient AI called Al G Rhythm (played fabulously by Don Cheadle), who tries to persuade LeBron to help him promote this new innovative technology. After LeBron rejects the pitch, Al G tricks him and Dom into entering “The Serververse.” He then kidnaps Dom and challenges LeBron to play a game of basketball to get his son back and free them from the Serververse. If he loses, they must stay forever. LeBron travels to Toon World to enlist Bugs Bunny in his quest to assemble a basketball team to beat Al G’s Goon Squad. LeBron and Bugs hijack Marvin the Martian’s spaceship and set off through the Serververse to collect various Loony Toons characters to build the Toon Squad: Daffy Duck, Yosemite Sam, Granny, Tweety, Sylvester, Porky Pig, Speedy Gonzalez, Foghorn Leghorn, Taz, Lola Bunny, and a hairy red monster called Gossamer.

The Toon Squad

Meanwhile, Al G exploits Dom’s resentment toward his dad, and convinces him to give up the code to DomBall. That makes the big game a lot more interesting. Al G’s Goon Squad includes characters based on, and voiced by, real NBA and WNBA players: Wet-Fire (Klay Thompson), Chronos (Damian Lillard), The Brow (Anthony Davis), White Mamba (Diana Taurasi), and Arachnneka (Nneka Ogwumike). TBS’s Ernie Johnson and Lil Rel Howery from Get Out are transported in to serve as play-by-play announcers. 

Whew. I told you this movie was doing a lot. It is not a great film by any metric, but Space Jam: A New Legacy does have something for everyone: feel-good family moments, Porky Pig dropping a rap verse, fictional character cameos, an entertaining battle of something akin to basketball, and a metric ton of CGI. 

If you have elementary school-aged children or nostalgia for the ’90s, this might be a movie for you. Everyone else can safely skip it.

Categories
Music Theater

Grants Boost Opera Memphis Performances

Opera Memphis will soon offer more public performances throughout the year, expanding beyond its traditional schedule of three to four operas per year plus 30 Days of Opera, its month-long series of free shows throughout the city. The expansion is a result of a $500,000 grant from The Assisi Foundation of Memphis, Inc., and a dollar-for-dollar matching gift from Miriam and Charles Handorf.

The money will be used to endow the Handorf Company Artist Program, which brings emerging artists from across the country to Memphis to perform throughout the city. The opera company will continue to present its masterworks at venues like the Germantown Performing Arts Center, Playhouse on the Square, and the upcoming Scheidt Family Performing Arts Center, but Opera Memphis can now present more performances annually and in additional locations as part of its effort to bring opera to every ZIP code in Memphis.

“At Opera Memphis, we pride ourselves on making opera that belongs to everyone,” said Ned Canty, Opera Memphis’ general director. “We know everyone can’t come to us, so we’ve committed to bringing opera to them – to every ZIP code in Memphis, and that requires singers with talent, charisma, and drive. The Assisi Foundation and the Handorfs are ensuring that we can always have access to singers who are true citizen-artists.”

Expanded opera performances will range from large-scale staged productions, to intimate chamber recitals, to free pop-up events in public spaces across the city. These community-focused activities fuel Opera Memphis’ goal, removing as many of the barriers to experiencing opera as possible, a process that began with the launch of its nationally recognized 30 Days of Opera series in 2012.

“Opera Memphis is an essential resource, not only in presenting professional operatic performances, but also in enriching people’s lives through music,” said Jan Young, executive director of the Assisi Foundation. “We’ve been amazed by how they’ve increased accessibility to the arts, especially during the past year, and we look forward to all the new creative and inspiring performances Opera Memphis will bring in the months to come.”

In addition to more performances, part of Opera Memphis’ expansion plans includes the company moving from its current headquarters, the Clark Opera Memphis Center at 6745 Wolf River Parkway, to a new, more centralized location in Memphis that is solely dedicated to rehearsal space and small performances.

The Assisi Foundation grant matches the first half of a $1 million matching pledge made by the Handorf family in 2019. The remaining pledge is yet to be matched, and opportunities for naming rights to various aspects of the program are still available.

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News Blog News Feature Uncategorized

Innovation: U of M Beetle Research Part of Global Biology “Moonshot”

Innovation is an occasional story series on Memphis’ continued push to the cutting edge. 

Duane McKenna is a key player on a global hunt for an economic friend and threat, and his team is now armed with a $1.3 million grant to fuel the search. 

McKenna is a Harvard-educated beetle expert at the University of Memphis (U of M). He teaches biology at U o M, but also founded the school’s Center for Biodiversity Research and the Agriculture and Food Tech Research Cluster on the campus.   

This year, he and his team won a $1.3 million grant from the federal National Science Foundaiton (NSF) to study how beetles taste and smell (chemosensation). Knowing how they find food and eat can, perhaps, allow scientists to find them more easily. 

The beetles are pollinators. So, knowing where they are can aid agriculture. The beetles eat wood. So, being able to find them, McKenna said, could avoid multi-billion-dollar destruction of forest land in eastern North America. 

(Credit: University of Memphis)

”We are going to learn things about the beetles that relate to how they find plants or even wood that they’re eating and how they find it,” McKenna said. “Knowing those two things, it provides us with mechanisms that facilitate control — or, in the case of invasives that come into the U.S. — an understanding of how to trap them and find where they are. This is actually very valuable because, otherwise, it’s sort of a needle in a haystack kind of thing, or looking for an animal that’s, you know, a centimeter long.”

The Asian longhorn beetle has been introduced in North America many times, McKenna said, but has been eradicated each time. These beetles are also threats to home property values, too, and were found to inhabit whole neighborhoods in places like Boston and Chicago. 

The new grant spans five years. With it, McKenna will work with Stephanie Haddad, a research assistant professor in U of M’s Department of Biological Sciences. They will hire some post-graduate students to help. But those students will also get training in the methods used by McKenna and other working scientists to “themselves become educators and mentors,” McKenna said. They will all work with other scientists around the world (specifically in Australia, South America, and Europe) as these beetles are found everywhere but Antarctica. 

The project has another global pursuit. McKenna’s team will also sequence the genomes of 15 beetles as part of an international effort housed at the University of California-Davis to sequence the genomes of representative groups of all life on Earth over the next 10 years.

The project could cost as much as $4.7 billion.

 The Earth Biogenome Project is called a “moonshot for biology” and a way ”to help discover the remaining 80 to 90 percent of species that are currently hidden from science.” The project could cost as much as $4.7 billion but could be a “complete transformation of the scientific understanding of life on Earth and a vital new resource for global innovations in medicine, agriculture, conservation, technology, and genomics.”

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News News Blog

Journalist Ida B. Wells’ Words Hit Mark More Than Century Later Regarding Byhalia Pipeline

This story is co-published with MLK50: Justice Through Journalism, a nonprofit Memphis newsroom focused on poverty, power and public policy — issues about which Dr. Martin Luther King Jr. cared deeply. Find more stories like this at MLK50.com. Subscribe to their newsletter here.

The prolific Black journalist Ida B. Wells toiled for justice in Memphis and across the world, speaking out against lynching and the unfair treatment of women and Black people.

“Eternal vigilance is the price of liberty,” said Wells, in whose honor a statue will be unveiled Friday morning on Beale Street.

The vigilance she speaks of doesn’t assume every act is sinister, but it does implore us —  especially journalists — to listen when disenfranchised people speak out, to be relentless in pursuit of truth in any issue, and never dismiss the plight of historically overlooked people.

Consider when Plains All American Pipeline announced in late 2019 its joint plans with Valero Energy Corporation to build the Byhalia Connection Pipeline through Black communities in Southwest Memphis. The multi-billion-dollar fossil fuel corporation, with a public relations machine, blitzed into Southwest Memphis with maps, charts, and donations to local nonprofits, as though the pipeline was inevitable.

And it might have been had Boxtown and other communities not vigorously wrestled the company in a battle of information to make their health and property concerns heard by elected officials and media.

The company tapped out and announced on July 2 that it would not proceed with the project.

Early news coverage of the pipeline mentioned the company’s plan, community meetings, and featured residents of North Mississippi, where most of the pipeline route would have run.

Few stories explored what a pipeline would mean for the Black, low-income Memphians in its path and the risks that it could pose. The residents were not just espousing unsupported fears; they were telling Memphis what they know through the experience of environmental degradation that spans generations. And those accounts are backed up by numerous studies as researchers and policymakers catch up to the realities of environmental injustice.

Additionally, few stories applied journalistic scrutiny to the company’s promises regarding the project’s benefits to the area.

MLK50: Justice Through Journalism centered Boxtown’s opposition in its first two stories about the project written last fall by freelance journalist Leanna First-Arai. The stories caught the attention of former Southwest Memphis resident Kathy Robinson, who sent it to another former resident Kizzy Jones, who shared it in a Mitchell High School alumni Facebook group where Justin J. Pearson, also from the area, read it.

Those stories brought together the three eventual founders of Memphis Community Against the Pipeline, and they attended what would be Plains’ last community meeting, in November. 

Knowing that the pipeline would run through the places they grew up and where their families and friends still reside led the trio to fight. Boxtown residents, many of whom are elderly, accepted the help of MCAP after elected officials ghosted the neighborhood associations’ previous efforts.

Months later, MLK50 was first to report on Plains’ use of eminent domain in Memphis to force access to land that owners wouldn’t sell to them. The frustration and pain of the residents came through in story after story, including one about a landowner who sued the company, alleging that a Byhalia Pipeline agent took advantage of her medical emergency to have her sign away an easement.

Another story, co-published with The Guardian and Southerly, took a broader look, calling the Byhalia Pipeline fight a “flashpoint in a national conversation about environmental justice and eminent domain.” The fight had already gained national attention, including from celebrities Justin Timberlake and Danny Glover, former Vice President Al Gore and the Rev. Dr. William J. Barber II, co-chair of the Poor People’s Campaign: A National Call for Moral Revival.

As the stories continued and more information about the company’s use of eminent domain and the risks of a spill became apparent, local politicians — who previously would not respond to residents’ requests for support — jumped on board.

Knowing the stories of property owners changed Westwood pastor the Rev. Melvin Watkins’ opinion on the pipeline.

And knowing the pipeline would have added risk to the Memphis Sand aquifer made Memphis Mayor Jim Strickland an opponent, but this was after the community’s many requests for his help.

The saying is that “knowing is half the battle,” but for the Byhalia Connection, knowing seemed to be all of the battle for pipeline opponents.

Community determination

At a November community meeting, Jones asked company representatives what residents would need to do to have Plains abandon its plans. One representative was Deidre Malone, a former Shelby County commissioner and public affairs consultant hired by Plains. At the same time, Malone served as second vice chair of the NAACP Memphis Branch, which accepted a $25,000 donation from developers.

Malone told Jones she didn’t know what it would take to stop the pipeline and that there is a “strong possibility” it would be built, and that the community should instead dialogue with the company on how to “work together.”

Plains representatives did not consider the option of not building a pipeline because the community doesn’t want it since fossil fuel companies historically have never been required to care what poor Black communities think of their business.

If a landowner doesn’t want to sell access to an oil corporation, the company can simply force their way onto the property through eminent domain. “No” was never a real option for someone who can’t afford to stand up to the multi-billion-dollar company in court.

Southwest Memphians should be able to veto projects that pose an immediate risk for their community. Furthermore, low-income communities of color should not be forced to host a contributor to a climate crisis from which they will be first to bear the most severe consequences. And the veto should be backed by elected officials and government institutions.

A Plains land agent said the route through the area was chosen because it was a “point of least resistance.”

The infamous one-liner highlights a fundamental question that’s larger than Memphis. Should Black people — including those with low wealth — control what goes in and out of their communities?

Some would say, yes, Black people should control the economics and politics of their community. But Plains representatives have argued that the pipeline was opposed by only a vocal minority.

I made cold calls to landowners who sold easements to the company in an effort to find a landowner or resident in the path of the pipeline that would say they were excited about the project. To this day, I’ve found none.

The Daily Memphian posed the question of whether pipeline supporters were being “drowned out.” But even that story did not include a single resident who publicly supported the project, only an anonymous Boxtown resident who said they were neutral.

I even turned to Plains’ representatives and asked to be connected with a landowner in support of the pipeline. They didn’t provide a landowner, and one representative responded saying, “Based on MLK50’s previous coverage around the project, I’d like to better understand your intentions.” However, no representative accepted calls or returned emails to discuss further.

No community is a monolith, and my goal is to amplify the voices I encounter in my reporting. The only Memphian I encountered who publicly claimed to want the pipeline was Malone, a public affairs advisor for Plains, and she declined to be interviewed.

What happened here sent a message: Billion-dollar companies must respect the agency and dignity of the people who would host their projects, regardless of their race and access to capital. Although that should be the norm — it’s not.

I wonder if it had been the norm decades prior, would Southwest Memphis have given the fossil fuel industry permission to move its polluting businesses to their community?

Credit due

For decades, Southwest Memphis has carried a disproportionate pollution burden and now has helped the entire city dodge an additional risk to its water supply. But a verbal thank you —  if Southwest Memphis receives one — won’t be enough for a community that remains over-polluted and one of the poorest ZIP codes in the city.

When the history of the fight is distilled, some will say aquifer advocates stopped the pipeline, some will say MCAP stopped it, others will say local elected officials did, and Plains will say COVID-19 stopped the pipeline.

But the ultimate credit must go to Boxtown and the other Southwest Memphis residents who were first to sound the alarm.

The Boxtown Neighborhood Association organized the first community meeting not hosted by Plains and community leaders invited elected officials to it; none showed up.

And it was Robinson, Jones, and Pearson — daughters and son of Southwest Memphis — who carried the fight to a national stage during a pandemic. 

It’s easy for the efforts of poor Black people and, in particular, Black women to be forgotten by history — or erased — to make more space for celebrities or people more palatable for white sensibilities.

But this example needs to be maintained accurately for generations to come. Because knowing about Southwest Memphis’ victory may be critical to how communities respond to the difficult environmental fights of the future.

Wells addressed this, too, in her 1892 book, Southern Horrors.

“The people must know before they can act, and there is no educator to compare with the press.”


Carrington J. Tatum is a corps member with Report for America, a national service program that places journalists in local newsrooms. Email him at carrington.tatum@mlk50.com

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News Blog News Feature

VIDEO: Beale Street Parade Honors Ida B. Wells

A new statue of Ida B. Wells, the civil rights activist and journalist, was unveiled at the corner of Beale and Fourth Friday morning.

A fun parade preceded the event down Beale and over to the unveiling site at Robert R. Church Park. Check out other events surrounding Wells’ birthday this weekend.

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Hungry Memphis

Whiskey, Spice, and Everything Nice

A synthesis of old and new have come together for something great. Old Dominick Distillery and New Wing Order will have everyone getting sauced with their newest collaboration. Well, in a manner of speaking, at least.

The two companies have been working in tandem for months on a new Maple Bourbon sauce that combines the flavors of both franchises. It’s now a permanent fixture on the New Wing Order menu, but bottled versions of the new sauce can be bought from local vendors starting next week.

The partnership came about from the food truck’s weekly appearances at Yorkshire Liquors. “They challenged us to make a bourbon-infused sauce,” says New Wing Order co-founder Cole Forrest. “We made that into a monthly special and it really took off. And after a few months, the guys at Old Dominick reached out and asked if we’d be interested in using a local product.”

After a few meetings, they decided to create a sauce based around the distillery’s Huling Station Straight Bourbon. Forrest says it’s reminiscent of a barbecue sauce, but with a hint of chipotle. The recipe also calls for real maple syrup. Like the rest of their sauces, everything is made from scratch.

“You also definitely do pick up on that Huling Station bourbon,” he says. “But it’s subtle. “You’ll know it’s there, but it won’t hit you over the head. You’ll get a nice little kick from it, but it’s not like you’re taking a shot,” he laughs. “We plan to sell it online too, alongside our award-winning Memphis Buffalo Sauce.”

New Wing Order’s and Old Dominick’s Maple Bourbon sauce. (Credit: New Wing Order)