Categories
Letter From The Editor Opinion

Electric Dream Machine

My dad used to sing backup for Robert Johnson. No, not that Robert Johnson. I don’t mean the famed blues guitarist who allegedly sold his soul to the devil for unmatchable guitar chops. The Robert Johnson I mean was a local cat. He collected guitars and had a real love of ’50s-style rock-and-roll. He auditioned for the Rolling Stones, played lead guitar for John Entwistle, and ran with some of the guys who formed Black Oak Arkansas, but if listeners know his music, they probably know him as the skinny guy wielding a Les Paul and smiling from under Coke-bottle glasses on the cover of his solo album Close Personal Friend.

Anyway, my dad carried gear and sang backup for Johnson. He’s told me stories about playing The Fillmore, and true to fashion for my pops, he was more interested in talking about nailing the drummer’s kit to the stage — “I mean, he whacked those drums real hard” — than about basking in memories of his glory days.

All this to say, my dad didn’t really plan on a career. I know that seems naive to the point of being unbelievable in this day and age, but it’s the truth. He’s told me that he thought he’d get a decent factory job and that would be enough to live a modest but comfortable life. I think he just wanted to sing in bands, read his Bible, and play with his kids. Clock out, go home, and leave work at work. Of course, that was around the time most U.S. factories were moving overseas, chasing low wages and more relaxed environmental regulations. Poor timing, but who can predict the future? I’m sure there were plenty of people who invested in commercial real estate in 2019. People will always need office space, right? Right?

This all brings me to the news that Ford Motor Company, along with SK Innovation, has announced plans to build an electric vehicle and battery manufacturing plant at the Memphis Regional Megasite. It’s exactly the kind of factory job my dad wished he could have had. Construction won’t begin until January and the plant isn’t projected to open until 2024, so I don’t want to count my chickens before they hatch, but this sounds like good news to me. Kudos to the folks at the Greater Memphis Chamber and everyone else here who has paved the way for this investment. The project is expected to bring 6,000 new jobs and $5.4 billion to West Tennessee.

There will be hurdles, of course, and I’m sure I’ll be critical of some components of the plan in the future. (I’m not crazy about the proposed $500 million in state incentives, but even a humanities guy like me can do the math between million and billion.) For now I can’t help but think of 6,000 people with access to jobs, hopefully with good benefits. And getting in on electric vehicles is thematically appropriate for West Tennessee. Why shouldn’t we lead the nation in this arena? After all, we’re the home of refusing to build oil pipelines through residential areas or highways through parks.

And no, I’m not so hopeful as to think that electric cars alone will avert a climate crisis. Nor do I believe that one solution can fix any of the problems that we face. Climate change, poverty, public health, the resurgence of white supremacy — these issues demand a multifaceted approach. My hope is that more electric cars means fewer carbon emissions, greater investment in green technology. Also, it’s a hell of a lot easier to do the work to advocate for change if you’ve got a full stomach and rent is paid. I hope 6,000 more people will have more food security, more time to spend on things they enjoy.

When we talk about numbers like this, it’s so easy to forget that we’re talking about people. But if 6,000 more Tennesseans, some of them Memphians, have work that affords them a decent wage, some dignity, and time to spend on themselves, I count that as a good thing.

It’s probably a better gig than backup singer/drum kit positioner, anyway.

Categories
News The Fly-By

MEMernet: Live Music, Memphis Don’ts, and Cold Chicken

Memphis on the internet.

Back to Live!

Posted to Facebook by Graham Winchester

The MEMernet overflowed with live music last week. Gonerfest celebrated its 18th year at Railgarten. The Memphis Symphony Orchestra performed at the Botanic Garden. Opera Memphis sang at Latin Fest. Ensemble X performed at Collage Dance Collective. Scheidt at the Shell brought the University of Memphis Wind Ensemble to Overton Park’s Levitt Shell.

Memphis Don’ts

Posted to YouTube by Wolters World

Travel blogger Wolters World gave more than 16 minutes worth of “the Don’ts of Visiting Memphis” in a YouTube video published this week. Here’s a sample:

Don’t worry about walking with your beer on Beale Street. Don’t complain about the heat and humidity. Don’t expect the ribs to be “sauced up.” Don’t feed the Peabody ducks.

Mem-bership

Memphian astronaut Hayley Arceneaux punched her Memphis membership card last week.

“One week ago I came back to Earth and celebrated with the best cold fried chicken of my life,” she tweeted.

Categories
Politics Politics Feature

“Doing the Same Things Twice”

Where the Shelby County Commission is concerned, some issues would seem to be eternal. Several of them got their latest looking-over Monday, September 27th, at the body’s regular Monday meeting.

There was the issue of city-county governmental consolidation, an issue also being discussed on the City Council these days. Somehow a proposal from Commissioner Reginald Milton to develop potential concrete remedies for historically blighted Memphis neighborhoods had transmogrified into a discussion about the prospect of consolidation — one in which the usual discords and divisiveness associated with that issue came to the fore.

Milton listened patiently to the querulous back-and-forthing, and, as the matter devolved into a question of establishing a powerless ad hoc committee on consolidation, with himself as chair, Milton finally had enough.

As he saw it, the opportunity to come up with hard and practical solutions to an eternally intractable array of socioeconomic problems was being steered into the see-no-evil, do-no-good timidity of a study group.

“To hell with every one of you who let this happen, forget it! I’m out!” Milton said.

And so was the agenda item, never even subjected to a vote.

A vote did occur on another revived matter, this one the question of whether federal monitors should return to Shelby County to re-examine the status of Juvenile Court, which the Department of Justice had investigated and found riddled with bureaucratic and race-based issues. A 2012 Memorandum of Understanding between the county and the DOJ had resulted in specific remedies for improvement spelled out.

Some changes were made in accordance with the MOA, and in 2018, a request that had been initiated by then Mayor Mark Luttrell to remove the monitors was accepted by the DOJ.

A local group, the Shelby County Juvenile Justice Consortium (CJJC), which was dissatisfied with the rate and extent of reform in the court, had urged that the monitors return to re-evaluate court operations “as … relates to protecting the Constitutional Rights of the children of Shelby County, Tennessee,” and that request came to the County Commission for its approval.

After several citizens, including members of the CJJC, testified to continuing abuses at Juvenile Court, including an “appalling” rate of prisoner transfers to Criminal Court, members of the commission took sides on the matter, with the body’s conservatives tending to see the new charges as overstated and based on incomplete information, and others seeing that very lack of complete information to be suspicious in itself.

In the end, the commission voted 8 to 4 in favor of the federal monitors’ return with the four dissenters being Commissioners Brandon Morrison, Mark Billingsley, David Bradford, and Amber Mills, and with Commissioner Mark Wright abstaining.

Another revived issue on Monday was that of the creation of a “blue-ribbon” advisory committee on mayoral appointments to the Shelby County Ethics Commission, a controversial proposal which, in its final form, had been seriously watered down.

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We Recommend We Recommend

To the Max: Rachel Maxann at the Green Room

Memphis is a beacon. It attracts artists from the world over, inviting them to make a home — and an album or film or other work of art — here. One such artist is Rachel Maxann, the Ohio-born singer-songwriter who will be performing, with her band, on a double bill with Alice Hasen this weekend at Crosstown Arts’ Green Room.

Maxann first visited the Bluff City on a tour. “Memphis was one of my stops, and I fell in love with it,” she says. She adds that she thought it might make a nice place to make a home, though she didn’t expect to find herself back in the Bluff City so soon.

“I was doing cruise ships when the pandemic happened. Then of course everything sort of went to a halt. … I actually would consider Memphis my first actual ‘home’ in a while,” the singer explains, saying that while she enjoyed the freedom and the friends she made while performing on a cruise ship, even before the pandemic made it a necessity, she had begun to long for a place to settle down. To paraphrase the late country songsmith Tom T. Hall, that’s how she got to Memphis.

Now, with an ace group of Memphis musicians forming her band, Maxann is ready for her second performance at The Green Room — her first with a full group. Those performers are drummer Robb Aquadro, bassist Zach Riddick, and keyboardist/producer Doug Walker, and together they blend indie elements with what Maxann describes as “postmodern folklore.” “It’s becoming a very Memphis-made sound. It’s really exciting,” she says. That sound can be heard on the band’s recently released EP, Belonging to Forever. The EP’s “Goddess” is a stunning example, with haunting production and a soaring vocal performance from Maxann.

Alice Hasen + Rachel Maxann at Crosstown Arts, Saturday, October 2nd, 7:30 p.m.

Rachel Maxann’s Belonging to Forever EP
Categories
Music Music Features

Mempho Mingles Memphis Music with Megastars

With Memphis in May having canceled the 2021 Beale Street Music Festival entirely, back in those uncertain days of spring, concertgoers are thanking their stars that the city has a fall alternative. This Friday, the Mempho Music Festival launches its fourth iteration with a lineup that, true to form, mixes local luminaries with national acts. This year, it will be more convenient than ever, setting up shop in the Memphis Botanic Garden rather than Shelby Farms.

Everyone is pinning their hopes on their favorites. One friend is focused on Austin’s Black Pumas, described by some as “Wu-Tang Clan meets James Brown”; another lights up at the thought of seeing Memphis native Julien Baker; still others are dead set on hearing the gritty, soulful stomp of Nathaniel Rateliff & the Night Sweats. Mempho is sure to have all tastes covered, though there are markedly fewer hip-hop acts than ever relative to previous years, when such artists as Anderson .Paak, Nas, or Wu-Tang Clan were featured.

Black Pumas (Photo: Courtesy Chris Duncan)

Still, the diversity is impressive, and audience members can seamlessly see every artist on the bill. In addition to the Garden’s permanent Radians Amphitheater, a second stage will be set up. As one act performs, the next can set up in the other space, ready to hit it soon after the previous act’s finale. And then there’s the Incendia Dome, sponsored by Whatever, complete with pyrotechnics and DJs playing to wireless headsets issued to everyone who steps inside. Onlookers peeking in will see only a throng of dancers gyrating in complete silence.

One thing is clear: With all due respect to co-headliners The Avett Brothers, the kings of this event are Widespread Panic, who cap off both the sold-out Friday and Saturday slates. Mike Smith, the festival’s head of production, who’s also worked for years as Widespread Panic’s production manager, says that’s not unusual, especially with everyone’s favorite jam band.

“They almost never do just one night in a location,” he says. “They always play at least two nights everywhere they go. Usually three. Widespread Panic realizes that they’re creating music destinations for people, making it easier for ticket buyers who might say, ‘Hey, let’s go to Chicago for the weekend, or Memphis.’”

Indeed, for Panic fans, the uniqueness of each performance makes multiple shows a real draw. “One of the things with Widespread Panic is, they never repeat a song night to night,” says Smith. “Their repertoire is so large that it may be three or four or five shows before you hear the same song repeated in a set list. And there are literally songs that they may not play for two or three years at a time. There are fans out there ‘chasing that song.’ They come to every show, just hoping that that’s the night their song is going to get played.”

The band’s devoted following also brings a different demographic to bear on this year’s Mempho Festival. As Smith points out, “The Widespread Panic crowd is a very mobile crowd. If you look at our ticket sales, we’ve got a lot of people coming in from Georgia and the Carolinas. And a lot from Colorado. I think Denver’s one of our top three markets that tickets are sold in right now. Typically for any festival, you get some travelers, but this year, because of this lineup, we’re getting a lot more people from out of town.”

That also helps bring a fresh audience to Memphis-based groups, always an important ingredient in the festival bearing the city’s name. “We always try to incorporate what we consider to be some of the local stars that we have to offer,” Smith notes. “Memphis has some of the best talent in the world playing in our backyard. That’s definitely one of the missions of Mempho, to introduce those talents to new people.”

Mempho Music Festival takes place October 1st-3rd at the Memphis Botanic Garden. Gates open at 3 p.m. Proof of vaccination or a negative Covid-19 test is required. Covid testing available on site. Visit memphofest.com for details.

Categories
Food & Wine Food & Drink

Mario Gagliano is Making Music in the Kitchen

Growing up, Libro at Laurelwood executive chef Mario Gagliano would rather shred guitar than a head of lettuce.

“I was definitely musically inclined at a young age,” says Gagliano, 27. “I got a cheap guitar from my mom for Christmas when I was in the fourth grade. Just one of those things I picked up on pretty quickly. Just strummed notes, messing around with my fingers, putting them at random spots.”

He was serious about music. “I was a rapper. I was pretty mean with it, too. But there was so much money going in and none going out. I was paying for studio time. Paying for discs. At that time, I had to pay to perform for shows and all this. And one day I was just, ‘What am I doing this for?’”

He helped out at Fratelli’s, which at one time was owned by his mother Sabine Bachmann. Gagliano, who joined his brothers Armando and John-Paul Gagliano, began as a server and dishwasher and later became head cook.

But, he says, “It was just a job. Granted, it was my mother’s business and all. I was in my late teens, early 20s. I just wanted to do other things. I wasn’t really focused on that.”

Things changed after his mother opened Ecco on Overton Park. “I was at Rhodes College playing basketball one day a few months after Ecco opened and Armando calls me and says basically they need somebody on ‘garm’ [garde manger]. I didn’t really have a choice. I dropped the basketball thinking I’m going to come help one day. I came back the next day. I was on that cold side for five years.”

Mario eventually began cooking. And he got feedback. “You would get servers coming back, ‘Hey, compliments to the chef.’ Or seeing the plates come back empty. I really started getting satisfaction: ‘Hey, I made somebody’s night with that food.’”

His cooking career was sidelined for a few months after he fractured his wrist. He couldn’t go to work, but, he says, “I was infatuated with cooking shows. I was able to read books. I couldn’t do anything because this was right when the pandemic was going on. Nothing much to do. Nowhere to go. All I had was food and trying to figure it out, trying to get as much knowledge as possible.”

Mario then went to work at Libro, also owned by Bachmann, inside Novel. “I was pumped. I was super excited to get back there and put what I learned to use.

“It was the first time I was cooking without Armando being there. He was at Ecco all the time. Any time I had a question about anything I would ask him. Because he wasn’t there, I had to do things the wrong way and figure out the right way to do it by messing up.

“I would just tweak things. Instead of doing this like this, I’ll do it like this ’cause it seemed to come out better. Trial and error.”

Monthly specials were daunting. “I figured out how to come up with a good dish. However, I’m still not one to understand, really, what it means when someone ‘puts themselves on a plate.’ I get that it’s something you come up with. But I just need to really understand the ‘express yourself through a dish’ kind of thing.”

His popular jackfruit pulled-pork vegetarian sandwich is one of his recent specials. “It was kind of left field.”

Mario is confident in his career choice. “Oh, yeah, 100,000 percent without a doubt. I get far more satisfaction doing this than music or anything else. I can’t imagine what else I’d be doing if it wasn’t this. You’ve got the camaraderie of the kitchen. You have a high-stress job. You have a challenging position. You have to be creative. You have to put in long hours. You’re going to make mistakes. These are all things I don’t feel like I could do anywhere else and get as much fulfillment out of it.”

Categories
At Large Opinion

Midtown’s Apartment Boom Explained. Sort Of.

It’s a simple question, really, one I’ve heard numerous times in recent months: “Who’s going to live in all these new apartment buildings in Midtown?”

New complexes have sprouted all along Madison — across from Minglewood, next to Cash Saver, at the corner of McLean. There are new apartments at McLean and Union and more going up at Sam Cooper and East Parkway. There is no doubt that there is an apartment-building boom.

So, who’s going to live in all these new apartments? The question got even more interesting on the heels of just-released U.S. Census data that show Midtown and Downtown (where another apartment-building boom has occurred) both actually lost a little population between 2010 and 2020. There seems to be a disconnect.

I asked two developers (both of whom asked to comment anonymously) and a former president of the Memphis Area Association of Realtors. Interestingly, all pointed to the recession of 2008 as a major turning point in the housing market.

“After 2008, it was the same all over the country,” said one of the developers. “The single-family home building business got decimated, so the supply of new housing was constrained for a number of years. There was a demand shift to less owner-occupied housing, more rental housing. Some of that is still playing out.”

“Midtown is really hot,” said the other developer I talked to. “Houses go on the market and sell within hours. There’s not much new housing stock, really — nowhere to build. Developers develop what the market demands, and right now, that’s apartments. And these apartments are getting leased.”

Kathryn Garland, immediate past president of the Memphis Area Association of Realtors agreed that the Midtown market is tight. “It’s gotten to where some people might want to sell, but they’re afraid they won’t be able to get another house in the area, and they can’t afford to close on a new house before selling their old one, so they stay put, which keeps the market tight. And many landlords lost a lot of money during the pandemic because of the eviction freeze. I know some who are turning rental units into BnBs, just to try to recoup. And that also tightens the available housing.”

So how do we reconcile population loss with an apartment-building boom? There are several possibilities, not all mutually exclusive. It’s possible, for example, that Midtown’s population fell lower at some point, say 2015, and started to pick back up in the past couple of years, which looks like a boom. It’s also possible that the demand for Midtown housing and the attendant rental increases have driven the less-affluent to other neighborhoods, countering the population growth of new people moving in.

“I’m still not convinced the data has caught up with any of what’s happened in the past couple of years,” said one of the developers. “The pandemic has impacted housing in ways we’re still not completely understanding. People whose company headquarters are in New York or Chicago are now letting their employees work from anywhere. Some of those people are moving to markets like Memphis because they can afford nicer apartments and homes. We haven’t been able to quantify that yet, but it’s happening.”

“The pandemic is affecting the commercial market, as well,” said Garland. “Commercial realtors will tell you that the office space market has changed entirely. Companies are downsizing their space, moving to Zoom meetings, letting employees work wherever they like. Things are in flux.”

But what happens when all the young people moving in get older, have children, want a yard and a dog? Does the apartment bubble burst?

“Of course, the apartment bubble could burst,” said one developer. “You’re always trying to figure out your next move. Sometimes, you just pull in your wings and see where the demand goes.”

“Often, apartment buildings become condo buildings as demand changes,” said Garland. “There are lots of older folks, retirees, who are moving into apartments and condos in Downtown and Midtown when they downsize. Their homes out east get bought by young families. It’s all a cycle.”

Categories
Opinion The Last Word

Day of the Dog

In late April, the city of Memphis abruptly changed course and shut down access to records that show how the city-owned animal shelter treats the dogs and cats in its care. The map to reach this decision is familiar to those of us in the public records community and sobering to anyone who wants government to be open and accountable to its citizens.

It usually starts with a person inside government who doesn’t want particular information in the records to be revealed. Next is a call to someone in the government’s legal department and then another lawyer and another lawyer until a “case” can be made to withhold the records.

It often does not matter if the reasoning undermines the public records law, which the Tennessee Supreme Court has said “serves a crucial role in promoting accountability in government through public oversight of governmental activities.”

The result is that, bit by bit, the well-traveled path by some government lawyers feeds and breeds a culture of casual disregard for the transparency citizens deserve and expect.

A citizen’s only real option in the face of this type of defense of government secrecy is to hire a lawyer and file a lawsuit to try to enforce a law that no one inside government will enforce. And, as those who follow this road know, most citizens just don’t have the time and cash.

Here’s what happened in Memphis: A citizen, long involved with animal rescue groups in Memphis, asked for records related to a particular animal kept by Memphis Animal Services (MAS). These included medical records that would show the treatment of the animal by the city-owned shelter.

But a few months earlier, the animal service’s director, Alexis Pugh, had asked the city’s legal department whether such medical records could be withheld.

“MAS sometimes receives very broad requests for animal medical records from people who have no connection to the animals, so they are very interested in whether there is a statutory basis for withholding these records,” the city’s attorney wrote to the state’s Office of Open Records Counsel (OORC), an office created to help citizens and government understand the public records law. The city’s attorney was probing whether the state law that provides privacy for human medical records could also be understood to allow the city to deny access to animal medical records.

Lee Pope, the attorney in the OORC, said, “[I]t does not make sense that the provisions [in state law] governing patient records would apply to animal patients,” but he ultimately deferred to the Tennessee Department of Health (TDOH), which licenses veterinarians and vet facilities.

Paige Edwards, an attorney for the state health department, told the Memphis law department that animal medical records are not considered public records.

As the state sees it, as confirmed in an email to me, no differentiation exists in the law between human and non-human patients when it comes to a patient’s privilege of confidentiality. If you didn’t catch that: Dogs and cats possess a right equal to humans to keep their medical records private.

This was enough for the Memphis legal department, and MAS stopped fulfilling public records requests that would show medical treatment that its vets were giving (or not giving) to animals in its shelter.

“Effective April 26, 2021, the TDOH in congruence with the OORC determined that animal medical records are exempt from disclosure,” the Memphis law department told the citizen in an e-mail. (Later, the law department said euthanasia records could be released.)

For people concerned about such animals, this was a blow.

Under a previous administration, the city-owned shelter was raided by the Sheriff’s Department in an animal cruelty investigation. People were fired and criminal charges were filed. The city worked to turn things around, but now a new veil has been dropped to hide behind.

Are animals receiving proper medical care? Are they getting pain medication? Or are they being left to suffer without it in cages until their euthanasia date or until someone adopts them? Is the medical diagnosis of some animals such that it would be more humane to euthanize rather than wait several days for a possible adoption?

And, perhaps most importantly, why does MAS want to hide this information now, after all these years?

MAS has a $4.45 million expenditure budget. In addition to city funding, it gets donations.

Government officials often like to control the message about their programs, so they release information when they want and in the context they desire. The public records law operates differently. Citizens have the right to access information in public records, unfiltered. The public records law provides a check on what government officials say.

Remarkably, despite the city’s new reasoning that animal medical records are just as secret as human medical records, the Memphis shelter still gives out medical information in mass emails to rescue groups, hoping to find someone to adopt sick animals. But if a person were to ask for animal medical records as a check on how the shelter treated animals, the city says it doesn’t have to release them.

A record that documents how a city-owned agency treats a dog or cat in its custody is the type of public record that promotes accountability of government activities. Exploiting an imagined right of privacy of a dog is a twisted way to shield the government’s treatment of that dog.

Deborah Fisher is executive director of Tennessee Coalition of Open Government.

Categories
Hungry Memphis

Who Wants to Buy The Peanut Shoppe Sign?

“You see the big sign on the building where it says ‘Peanuts?” asks The Peanut Shoppe co-owner and long-time manager Rida AbuZaineh. “Who wants to buy a peanut sign?”

AbuZaineh is selling the gigantic arrow-shaped sign that vertically spells “Peanuts,” which graces the front of his legendary Downtown store. “That goes towards generating some money.”

The Peanut Shoppe at 24 South Main Street will close December 31st, AbuZaineh says. The building was sold and he’ll be forced to move.

The sign, which points downward, is “two-story height. The sign by itself. It’s a three-story building.”

Recounting the sign’s history,  AbuZaineh recalls, “We got it up in the early ‘90s. Either ’94 or ’95. But we got it from a factory and there were two signs. We got them and we had them restored and put them together in order to make it work. If I’m not mistaken, I think the name was Memphis Sign Co.”

The sign, he says, is made of “thin metal, a little bit of plastic trimming and those colorful lights. Blue lettering. White background behind it. The major frame is yellow with yellow lights. Those flicker. Go in sequence. It’s not neon. They are lit underneath the letters.”

(Credit: Mariah McCabe)

They had to have a crane move it, AbuZaineh says. The letters are all part of one sign. They don’t come off individually. “The facing of the letters come off in case we need to change the lightbulbs.”

Those are who interested in the sign can come by and talk to him, AbuZaineh says. “I don’t believe anywhere we go we can put it up, honestly.”

Whoever buys it can wait until the end of the year to get it, or get it now. “We can have them take it down. Bring it down and show the community that we mean business. That this is going to be closed. The Peanut Shoppe on this location at 24 South Main Street will not be in existence by December 31st. The oldest business/landmark established on Main Street, it will be history. It will be the end of an era. We are forced to leave the premises. We have no other choice.”

The Peanut Shoppe at 24 South Main Street. (Credit: Mariah McCabe)

The store, which opened in 1949, was the second store opened by Planters in Memphis, AbuZaineh says. He heard it originally was on Madison before moving to Main Street in 1951, but he’s not sure.

The AbuZaineh and Lauck families officially became the owners and partners of the establishment on January 8th, 1993, he says. 

The Peanut Shoppe co-owner Rida AbuZaineh. (Credit: The Peanut Shoppe)

An engineer by trade, AbuZaineh had been in the restaurant business on the West Coast. When The Peanut Shoppe came up for sale in late 1992, AbuZaineh’s wife and brother-in-law came to Memphis for a visit. They looked at the shop while AbuZaineh stayed in California. Then they moved to Memphis.

Abuzaineh says they weren’t told until a few months before the sale that the building was going to be sold and would be turned into apartments and condos.

To date, around $8,125 has been raised on The Peanut Shoppe’s GoFundMe page.

And that ain’t peanuts.

“My brother-in-law and nephew from Canada participated in it. And also my nephew from Malaysia. They donated a good number.”

AbuZaineh is grateful to everyone “for participating and making it happen.”

As for The Peanut Shoppe signage, AbuZaineh says, “I have a neon sign inside. It’s a very, very, very old sign. It says ‘Planters Peanuts.’ It’s red.”

Is he keeping that one? “Heck, yeah. If I move to a new place, I will put the new transformer on it and we’ll display it lit all the time for our customers.”

An old sign inside The Peanut Shoppe. (Credit: The Peanut Shoppe)
(Credit: The Peanut Shoppe)
Categories
News News Blog

2022 Memphis in May Moved to Liberty Park

Beale Street Music Festival and the World Championship Barbecue Cooking Contest will call Liberty Park home next year.

Memphis in May’s (MIM) usual home, Tom Lee Park, is under construction for a $60-million makeover. The project is slated to wrap before the MIM events in 2023.

Music Fest is now planned for April 29th-May 1st. Barbecue Fest is planned for May 11th-14th.

Liberty Park was selected “because of its unique size, uninterrupted layout, existing infrastructure, and the public’s familiarity as a long-time entertainment location.” Barbecue Fest was moved to the site in 2011 during the flood on the Mississippi River.