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News Blog News Feature

Alt-Christmas: Yule Blót at The Broom Closet

Thor’s hammer and a curved drinking horn sit among animal pelts, candles, and bowls covered in ancient runes. Last weekend, in the back room of The Broom Closet, around the table holding these items, gathered the Fellowship of Yggdrasil. The group was celebrating yule — the winter solstice — with a Blót, a sort of party to give thanks for the year’s blessings. The group, called a kindred, first got together last summer to celebrate Norse and Germanic culture. Its summer solstice event attracted 14 people.

We talked to kindred leader Emily Geunther, who is a co-owner of the South Main metaphysical shop. She hastens to say that her group’s appreciation for Nordic culture is unlike those of alt-right groups that have tried recently to co-opt Norse ancestry and traditions to create racial boundaries. 

The Fellowship of Yggdrasil, she says, simply celebrates the old ways and is open to anyone who wants to come. As for the Blót, it’s an event to celebrate, give thanks, and to drink, of course. — Toby Sells 

So, it’s the Yule … You’re going to have to say that “b” word.
Yule Blót? (Pronounced “bloat.”)

Yes. So, what is it?
The Yule Blót is specifically the Norse and Germanic way of celebrating the winter solstice. We are a pagan religion. There’s lots of them. Pagans celebrate the idea of yule, which is what we call the winter solstice. Lots of traditions or pagan religious groups celebrate it differently, but at the heart of it all is the idea that “we’re going to survive winter. Come on, sun!”

What about the Blót part?
Blót is an old Norse word that means ”sacrifice.” So, we get together to do a sacrifice, which sounds very scary. It’s not. But it’s for sacrificing our time. We’re getting together as a community. We are celebrating each other and honoring the old ways. There is, depending on who’s doing it, a little bit of sacrifice involved. Usually it’s a form of alcohol.

Mead is usually what I bring. Our ancient ancestors — the Vikings, the Norse — they drank mead. They drank ale, or whatever beer they made. So, yes, part of the Blót — the sacrifice we do — is pouring out some of the mead. 

Tell me more about the Fellowship of Yggdrasil. 
We are a Norse, pagan group. Anyone is welcome. Anyone at all who might be curious. 

Anyone is welcome.

Emily Geunther

But this is kind of a strictly Norse group. We work only with Norse deities and try to do it in a historically informed way. 

I am also Wiccan, and Wiccans can really worship any deity — whoever they feel attracted to. We call them kindreds in Norse culture. It’s not a church. It’s not a coven. 

How does the Blót work?
There’s the Blót, which is kind of a church service. Then, there’s a little bit of a break. Then, there’s what they call a sumbel, which is three rounds of making toasts. We’re drinking. 

The first round of a sumbel, everyone will take a turn if they want to. They can pass if they want. But you can toast a god or goddess who has gifted you with something this year. Since we’re talking about yule and the holidays, there’s a lot of gift giving and thankfulness going on. 

So, someone might say, “I toast so-and-so because they helped me get a new car.” Then, everyone’s like “hey” [makes an air toast]. Then, the next person goes like “hey” [makes an air toast]. Drink. We do that three times. People will say “I’m not coming if there’s not a sumbel.” That’s a required part. 

It also gives people a chance ot be part of it. It’s not just sitting there watching me talk. It gives everyone a chance to have a voice or to say something. 

What happens after the sumbel?
We hail the ancestors and the land spirits. Land spirits are very important to not just continental but European cultures. The idea is that there are spirits that are of the land and keep watch over it and protect it. Being on good terms with them is usually a beneficial. Then, we’ll do some readings. Kind of a “why we’re all here” kind of thing.    

As we’ve been doing all of this, I’ve been slowly pouring mead into a bowl. Then, I’ll take a little bit of evergreen and go around and flick everyone with a little bit of mead to give them blessings. 

That sounds awesome. 
It depends on whether or not I hit you in the eyes. 

Then, we wrap up and close and release all the energies that have shown up. Then, I’ll take the sacrificial mead outside to the tree and pour it out. And I have a little prayer I say while I’m pouring it out. 

Do you have to trace your lineage back to be in the group? Or, is it just an appreciation of the culture? 

So many alt-right, conservative crazy people have adopted this idea that ancient Norse culture was pure and idealistic.

It’s an appreciation of the culture. I’m not going to lie, because this one’s a hard one. So many alt-right, conservative crazy people have adopted this idea that ancient Norse culture was pure and idealistic. It wasn’t. They were people, too, and they were not a pure-bred race by any means. They’re not like the perfect Aryan race. They travelled. They interacted with the Moors and the Muslims. They were interbred and borrowed ideas. So, anyone is welcome. You don’t have to be Norse. You can just be curious. It’s just an appreciation of the culture.  

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News News Blog News Feature

Deadline Extended for Nominations for 20 Under 30 Class of 2022

Update: The deadline for nominations for the 20<30 class of 2022 has been extended to December 31, 2021.

The Memphis Flyer is seeking nominations for candidates for our 12th class of 20<30 — the class of 2022.

Simply put, we’re looking to find and honor 20 of the city’s best and brightest young people. Candidates must be no older than 29 on January 1, 2022. Send a brief bio/summary of the nominee’s work and activities and a photo to Jesse Davis at jesse@memphisflyer.com. Use “20<30 Nomination” in your subject header. Deadline for nominations is December 31, 2021. 

Categories
Politics Politics Feature

Kudos for Dick Klenz

Dick Klenz was a Wisconsin lad who went to the Korean War, serving there as a Master Sergeant. In civilian life, he became a U.S. postal inspector, serving in locations like Washington, San Francisco, Duluth, and Memphis — choosing to retire in the latter area. He settled in Germantown with his family (several of whom — wife Mickey, son Rick, daughters Vicki and Jan — had names that rhymed or resonated with his own).

He became a U.S. postal inspector, serving in locations like Washington, San Francisco, Duluth, and Memphis — choosing to retire in the latter area. He settled in Germantown with his family.

Dick, as he is universally called, is president of the Retired Postal Inspectors, both locally and nationally. He served for years with Barnabas Builders, Service Over Self, and Habitat for Humanity, and is on the boards of all three organizations. He is a member of the Racial Reconciliation Council at Christ United Methodist Church and has assisted in projects of the Public Issues Forum and the League of Women Voters.

A poll worker since 1996, he has served as an election judge for the Shelby County Election Commission.

One of his longest-standing commitments is with the Germantown Democratic Club, which he has served as an officer for decades, including 14 recent years as president. He has been largely responsible over the years for the healthy turnouts at meetings and activities of the club, which serves as an umbrella organization for Democrats living throughout Shelby County.

Dick Klenz has had sadness this year, having lost his wife of 71 years, Marilyn “Mickey” in August.

He was reminded, on his 90th birthday last week, of how revered he is, and not just on one side of the political aisle.

At the annual holiday party last Friday of the Germantown Democratic Club, Klenz was presented with four elaborate proclamations in his honor, all of them a surprise to the recipient. One came from Speaker Cameron Sexton of the state House of Representatives and was presented by state Representative Dwayne Thompson; another came from Shelby County Mayor Lee Harris and the County Commission and was presented by Commissioner Reginald Milton. Two more were, respectively, from Sheriff Floyd Bonner, who did the honors himself, and from Congressman Steve Cohen, through the good offices of current club president David Cambron.

We add our own kudos and best wishes.

• Two educationally related items at year’s end, both of which will warm some cockles:

(1) The Tennessee Department of Education, the state Achievement School District (ASD), and Shelby County Schools (SCS) have made a joint announcement that four schools previously administered by the ASD — Frayser Achievement Elementary School, Corning Achievement Elementary School, Georgian Hills Achievement Elementary School, and Whitney Achievement School — will return to Shelby County Schools following the 2021-22 school year.

The shift was welcomed by SCS Superintendent Joris Ray, as well as by state Representative Antonio Parkinson (D-Memphis), who has made the return of Memphis schools to local administration a major focus over the years. Said Parkinson: “I’ve always said, ‘If school improvement was easy, SCS would’ve already done it.’”

(2) Despite the state legislature’s having made a point during the recent special session of authorizing partisan elections for school board seats, the chairs of both Shelby County parties, Democrat Gabby Salinas and Republican Cary Vaughn, have said, at least for the coming year, “Thanks, but no thanks.” For which responses, we say thanks.

Categories
Film Features Film/TV

West Side Story

Over and over again in Steven Spielberg’s stunning adaptation of West Side Story, people face off against each other from the opposing sides of the screen. The Sharks and the Jets do it, as you would expect from theater’s dancing-est street gangs. Tony (Ansel Elgort) and Maria (Rachel Zegler) do it, first underneath the bleachers at the high school dance, then in the church where they declare their love. And the men and women of New York’s Upper West Side Puerto Rican immigrant community do it as they sing about “America.”

West Side Story is about the contradictions at the heart of the American experiment. Yes, we’re all created equal and, since we have the inalienable rights of life, liberty, and the pursuit of happiness, we are free to love whom we want. But, as lyricist Stephen Sondheim put it, “Life is all right in America/If you’re all white in America.”

Sondheim, who passed away at age 91 just days before Spielberg’s film was released, was the newcomer in 1957 when he co-created West Side Story with composer Leonard Bernstein and choreographer Jerome Robbins. It was Robbins’ idea to set Romeo and Juliet in what was then the poor neighborhood on Manhattan island and transform Shakespeare’s feuding “two households, both alike in dignity” into the Jets and Sharks, two groups of poor New Yorkers separated mostly by the timing of their ancestors’ immigration to America. Tony Kushner, who wrote the screenplay for Spielberg’s adaptation, makes this explicit when he has police Lieutenant Schrank (Corey Stoll) call out the Jets as the last white people who can’t make it in America.

Most of the onus of updating West Side Story for a 21st century America falls on Kushner as the screenwriter, and the Angels in America scribe succeeds beyond all expectations. This film is not a remake of the 1961 Best Picture Oscar winner; it’s an adaptation of the original play. The order of the songs reflect the play, which makes a lot more sense, plot-wise. The difference with the Robert Wise/Jerome Robbins version begins immediately. The camera pans across an urban wasteland of demolished buildings until it lands on a sign announcing the upcoming construction of Lincoln Center. The little square of turf the Sharks and Jets fight and die to control is doomed from the start. Later, in the Gimbels department store where Maria works as a cleaner (another Kushner addition), one of her co-workers expresses the hope that they will be able to stay in the neighborhood and live in a nice, new apartment. Another maid shoots her down — those apartments will be for rich people and we’ll have to move.

Spielberg has never made a musical before, although he has dabbled, such as the opening “Anything Goes” number in Indiana Jones and the Temple of Doom. I figured he would do a good job, but I didn’t think his first foray into the genre would be a perfect film. His staging and camera moves are on another level from everyone else working today. The dance at the school gym where Tony and Maria meet rivals the kinetic action sequences of Mad Max: Fury Road.

There’s not a sour note in the acting. Rachel Zegler is a first-time film actor who was one of 30,000 people who auditioned in an open casting call; her last role was as Maria in a community theater production of West Side Story in Englewood, New Jersey. She is absolutely radiant. Hamilton veteran Ariana DeBose nails the picture’s most difficult role as Anita, the Shark girl caught between love and anger. Just to add another layer of difficulty, DeBose has to play opposite Rita Moreno, who won an Oscar for playing Anita in 1961. Moreno takes on the shopkeeper’s role as Valentina and delivers a showstopper in a show made of nothing but showstoppers. In Moreno’s hands, “Somewhere” is transformed into a paean for an American dream of equality that always seems just out of reach.

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News The Fly-By

MEMernet: Forrest, Irony, Chicken, and Magic

Memphis on the internet.

GTFO

The other Nathan Bedford Forrest statue fell last week in Nashville. Hey hey hey! Goodbye!

Irony

Posted to Instagram by @thefilmfriendo

Work continues to remove Ku Klux Klansman Clifford Davis’ name from the federal building Downtown. The fence around the project (which reads “Restoring Memphis”) was knocked over last week, long enough for @thefilmfriendo to capture it and post it, saying, “Oh delicious irony.”

Legal chicken?

Posted to Instagram by By the Brewery

By the Brewery posted this photo of its Tennessee Street chicken biscuit, and we’re not sure it’s even legal.

Magical Concourse

Posted to Instagram by Crosstown Concourse

Crosstown Concourse posted video from its holiday lighting ceremony to IG last week and, honestly, it’s magical.

Categories
Opinion The Last Word

All That Jazz

A small choir shuffled through a throng of guests to take the “stage,” a corner in an office, performing for its grand opening. They honed in on their director Demetrius Robinson and launched into a gospel song. I don’t remember the song, but I remember the silence that fell over the crowd as these young people sent their voices to the heavens within the genre of gospel. The word “transcendent” comes to mind.

A recent article may have suggested that jazz and its incorporation in classroom instruction is a key marker of quality in high school music programs. Though I’m a lifelong student of jazz music, I still believe the following statement to be true: An educator’s lack of background in jazz should never be considered a hindrance to realizing the dreams of students or predicting student success in music.

Memphis undoubtedly left its mark on jazz history, but honing in on jazz as the sole predictor of teacher and student efficacy ignores the multitude of educators with no background in jazz who have helped students realize their dreams. The best educators of Memphis come from a variety of backgrounds, as diverse as the musical legacy of the city in which we live and treasure.

I’ve seen popular music, music production, and show-style marching band programs grow and expand in high schools. Are we in the educational field really committed to saying that jazz is the only way and any lack of it is a detriment to the level of quality a music program can reach? I firmly cannot nor will not. My jazz background is invaluable, but so are my experiences playing the blues, classical music, and with rock bands.

In high school I joined the Ridgeway High School choir. There I felt connected to music in a way I’d never felt. Literally resonating with classmates as we sang together was a revelation — a turning point that further convinced me music would be my path.

My choral teacher Jeff Brewer never professed to be a jazz musician, yet he is one of the finest educators to ever lead young people to musical excellence. Jazz is not the only path to success and to suggest otherwise discredits the efforts of music educators and students who choose a different path. So what indicates potential future success? A fierce commitment to young people and the pursuit of musical excellence regardless of genre. — Victor Sawyer

I am an advocate for music education and the teaching of improvisation in our school systems. I wanted to make sure that my statements were clear, as I am a product of school band programs. I truly enjoyed all of my junior high and high school band experiences. Additionally, I played in marching bands, orchestras, jazz bands, and wind ensembles throughout my collegiate career.

Improvisation and understanding music in relation to history and culture are skills that are one of the first tenets recommended by the National Standards for Music Education and were developed by the National Association for Music Education. With that said, Memphis is widely regarded as one of the most culturally rich cities in the world, and its music legacy has been verified by gospel, blues, jazz, rock-and-roll, R&B, and hip hop legends.

Memphis’ legendary musical status is connected with American Root Music, and it is a language worth continuing in our schools today. I am a fan of the current band directors/music teachers in the greater Memphis area because a lot of them are friends of mine and they have an incredibly difficult job.

Locally, there are several professional jazz bands that provide opportunities to play America’s original art form. There are even two New Orleans-style brass bands that use improvisation to extend their arrangements.

There are music support programs in Memphis like the Stax Music Academy (where I teach), which is an after school music program that offers classes to middle and high school students on how to improvise and play Memphis’ legacy music of both R&B and jazz. Additionally, Stephen Lee is founder/executive director of the Memphis Jazz Workshop and has one of the best youth jazz programs in the country.

Learning about improvisation through jazz offers the opportunity to deepen your musicianship in the area of self-expression. You have the chance to be spontaneous and create new ideas in the moment. Jazz encourages musicians to work together, and I have found that there is great joy that comes with emotional musical expression.

In conclusion, it is imperative that we support our music and fine arts programs, and it is my sincere hope that we continue teaching Memphis’ legacy music to all of our students of music.
— Paul McKinney

Victor Sawyer is a trombonist who works with Stax Music Academy and oversees music educators for the Memphis Music Initiative; Paul McKinney is a trumpet player and director of student success/alumni relations at the Stax Music Academy.

Categories
Food & Wine Food & Drink

Whisks of Doom: Sweet, Savory, and Spooky

Instead of hearts, flowers, and birds, the logo for Allie Trotter’s bakery is a skeleton in a black hood carrying a whisk.

“It’s kind of a play on the grim reaper,” says Trotter, owner of Whisks of Doom.

“I’m not a nice and floral person like a lot of bakeries are … very sweet and gentle. I wanted to make a brand that was more me. I’m very into metal music and tattoo culture.”

Her pies, which she sells online and at pop-ups, come in black boxes. “People love it. It’s definitely something different. It’s kind of like the same reaction people have to Halloween. They love creepy stuff. I love the heavy metal vibe. That’s what I’m going for.”

Allie Trotter as Frankie LaFemme; Whisks of Doom pie (Photo: Courtesy Allie Trotter)

Trotter is also a professional burlesque dancer known as Frankie LaFemme. And she’s the assistant taproom manager at Wiseacre Brewing Co. on Broad. “Three Bs rule my life,” she says. “Beer, burlesque, and baking.”

The bakery idea began about five years ago when Trotter, a native Memphian, entered a pie contest while living in Albuquerque. “There’s a town in New Mexico called Pie Town, and the only things there are four or five different pie shops. They have a big pie-baking contest and pie-eating contest.”

Trotter won first place. “I was like, ‘Holy cow!’ That pie was a sweet potato pie with coconut pecan streusel, which is something like my mom makes every year for Thanksgiving.

“I think after winning that award it was a nice affirmation: ‘Oh, you’re talented at this. You should pursue it a little bit more.’”

Trotter, who’d been in the brewery and beer business for six or seven years, decided to do bakery pop-ups at different breweries.

Her bakery, still “a work in progress,” features a limited menu from her 50 flavors of hand pies and slices at Whisks of Doom on Instagram and Facebook. “It’s usually all social-media based now. People order some pies, and I’ll either deliver them or give them a pick-up location.” Trotter also does bakery pop-ups at least once a month.

Red Chili Chocolate, a red chili chocolate ganache pie, is the most popular. “That’s from living in New Mexico. They put green and red chilis in everything. A lot of chocolate things have a little spice and kick. I don’t like things that are over-cloyingly sweet. It’s nice to have a little kick.”

She also makes savory pies. “My friend in New Mexico came up with a flavor, but I love making it. It’s a red Thai curry chicken pot pie.”

Trotter began her burlesque career about 10 years ago. “I would go to Memphis Belles shows, and I was just entranced by it. A young 20-year-old, it was really nice and exciting for me to see different bodies being displayed in such a nice and affirmative way,” she says. “I’ve always loved the vintage culture. It was something I’d never seen before. I was like, ‘Oh, my God. I want to do this. I want to have all the confidence these girls do.’ It just woke me up.”

Trotter, who began putting on her own shows at the Hi Tone, is more of a “solo performer,” but she also performs in Memphis Burlesque Productions and with Velvetina Taylor.

“As Frankie LaFemme,” Trotter says, “I have a big 1940s platinum blonde wig. I have different vintage showgirl outfits. Lots of feathers, rhinestones, and big feather fans. All the beads, the sparkle.”

Trotter, who describes her act as “vintage striptease,” says, “ I love long gloves and big ostrich fans. Like a blast from the past. Then we also do a lot of theme shows. Like we used to do a heavy metal burlesque show and sci-fi theme show. It’s really a very open world. It’s fun to do a different character and transform.”

She says baking and burlesque is “a crazy balance.”

Trotter hopes to go the brick-and-mortar route with her bakery business. “I definitely hope I can own a little bakery in the future. That’s kind of the goal.”

Categories
At Large Opinion

No Country for Us

In 2005, Cormac McCarthy released a novel called No Country for Old Men, a relentlessly brutal tale of a man who stumbles onto a drug deal gone wrong on the Mexican border and makes off with the loot he finds on a dead man. It doesn’t end well. Almost everybody in the book eventually gets murdered. No one gets a happy ending. The characters in the novel (and the subsequent movie) are driven by greed, revenge, grief, and blood-lust. There is no love story, no kindness, no forgiveness, no hero. Only senseless violence and death.

We learned a couple weeks ago that Memphis was no city for Young Dolph, a rising rapper who was assassinated at, of all places, Makeda’s Homemade Cookies. It was reportedly the third attempt on the artist’s life in the last five years. The first two were suspected of being the work of a rival rapper whose name I won’t mention here.

But Young Dolph was nothing if not resilient. Following a 2016 attempt on his life in Charlotte, North Carolina, which involved more than 100 shots being fired at his bullet-proof vehicle, he released an album called Bulletproof, which contained such songs as “100 Shots,” “In Charlotte,” “But I’m Bulletproof,” “I’m Everything You Wanna Be,” and “So Fuk’em.” Young Dolph’s response to a murderous attack on his life was to boast about his superiority to his attackers in his music and to gloat about their bad shooting.

Let me issue a “trigger warning” of sorts here: I — an old white guy — dug into the lyrics of Bulletproof, seeking to learn more about the art of Young Dolph, a performer who is revered by many hereabouts for his good works in the community. His was a name I’d heard, but I didn’t know his music.

Unsurprisingly, I guess, I found Young Dolph’s lyrics revolting. I get that the brutish misogyny, the profanity, the porn-ish sexual swaggering, the celebration of money, drugs, and violence found in Bulletproof’s lyrics is performative. I understand that it’s a genre, a trope; it’s “gangsta” — a celebration of outlaw life similar to Mexican corridos — songs that celebrate cartels, coyotes, and drug-runners. And I get that outlaws have been celebrated in country music and rock-and-roll forever. In “Folsom Prison Blues,” Johnny Cash brags that he “shot a man in Reno, just to watch him die.”

But this stuff seems next-level and not a healthy next-level. The language is disgustingly demeaning to women; it glorifies casual violence, avarice, and death. And it’s depressing to me that so many of America’s young people love this stuff and take it to heart — like whoever shot and killed two high school girls at a gas station drive-by shooting in Memphis recently. Gangsta.

But, here’s the thing: This toxic version of humanity is everywhere, and it crosses the country’s ethnic and cultural divides. You want to see another soulless, empty celebration of the cult of death? Look at Colorado Representative Lauren Boebert’s Christmas card tweet, wherein she poses with her young male children, all of whom are gleefully brandishing firearms. Listen to her intentional racism in video clips, read her blindingly stupid tweets. What the actual “fuk” is wrong with her? And with us, a country that contains districts in which a majority of the citizens vote for humans like this asshole?

And how do you explain Ethan Crumbley, the Michigan 14-year-old who took a gun his parents had just bought him and murdered four high-school classmates. I’d venture to say that his folks were not influenced by gangsta rap. They are more likely members of the far-right, white-supremacy death-cult that infests the Trump wing of the Republican Party. White American boys committing mass murder is no longer considered unusual. It’s just another trope. Like gangsta rap.

We are a wounded nation. We need to quit glorifying those who appeal to our basest instincts — guns, greed, racism. We need to rediscover the power of kindness and generosity, and do better. Or soon we’ll have no country for anyone.

Categories
We Recommend We Recommend

Opera Memphis and Cazateatro Bilingual Theatre Group Host a Christmas Fiesta

If anyone has a good holiday playlist, it’s going to be Opera Memphis. They know how to do Christmas carols, trust me. When asked for her favorite carol, Kerriann Otaño, Opera Memphis’ marketing and public relations manager, answers, “I would say ‘I’ll Be Home for Christmas’ has really taken on a special meaning in the past couple of years.” Meanwhile, Bethania Baray, director of education and civic programs, claims “Mi Burrito Sabanero” as her favorite holiday tune, a Latin American song about traveling on a donkey to Bethlehem to see baby Jesus. Both songs have a common thread — that of searching for a place of belonging.

Following that theme, Opera Memphis and Cazateatro Bilingual Theater Group are hosting a Christmas Fiesta at the Dixon Gallery & Gardens. The event holds a dual purpose: to educate and to welcome. “The goal is for the Spanish-speaking community to see their community represented and feel at home,” Baray says. “It’ll be a full celebration of all Latin American Christmas traditions.”

Opera Memphis will sing carols in both English and Spanish, and in a special performance, Carlos Romero will sing traditional Mexican carols while other performers will sing Venezuelan, Brazilian, and Puerto Rican tunes. “There’s going to be a lot of Latin music,” Baray says. “And a lot of Latin food. Cazateatro has been in charge of all of the vendors. There’s going to be a plethora of things. Lots of artisans, crafts.

“We also have a scavenger hunt around the garden for kids to be a part of,” Baray continues. Plus, she adds, Cazateatro has arranged for the Three Magi Kings to join in the festivities and to hand out a surprise present to each child in attendance.

The two groups have also put together a panel discussion for guests to learn more about the traditions in Latin America and the Caribbean. Otaño says, “It’s just a fun opportunity for these two organizations that are so community-minded to get involved and reach new audiences and share in such an exciting time of year.” In Otaño and Baray’s point of view, every tradition is worth sharing in, from piñatas and poinsettias to parrandas and posadas.

Christmas Fiesta, Dixon Gallery & Gardens, 4339 Park, Saturday, December 18, 11 a.m.-3 p.m., free.

Categories
News News Feature

Shop Local: Suburbs

This holiday season, we’re asking readers to support local and consider these and others for their gift-giving needs.

More Than Words
Jewelry, home decor, ceramics, lounge wear, 901-themed art, and so much more — there’s something for everyone here. The shop’s Spirit of Memphis collection features postcards, shot glasses, mugs, and magnets. Or add some fun to your holiday gathering with this deck of playing cards ($9.95). Visit More Than Words at 2135 Merchant’s Row #4 in Germantown or morethanwords.com.

Grivet Outdoors
For outdoor enthusiasts or athletic types — from sunglasses to sports watches, footwear to hiking gear, find practical items your giftee will actually use. This Amphipod Unisex Profile-Lite High Five-K belt ($40) can hold a phone or other small essentials in its zip pocket, and an insulated thermal sleeve keeps water bottles cool on the go. Visit Grivet Outdoors at 9067 Poplar, Suite 101, in Germantown (or the Cooper-Young or Olive Branch locations) or grivetoutdoors.com.

Sheffield Antiques Mall
With more than 72,000 square feet of antiques, collectibles, furniture, vintage clothing, lighting, and more — from more than 360 dealers — you’re sure to find one-of-a-kind gifts for your loved ones here. To add to the fun, shoppers will enjoy treasure hunting in this space “where the past meets the present.” Visit Sheffield Antiques Mall at 684 West Poplar in Collierville or sheffield-antiques.com.