Categories
News News Blog News Feature

Report: Mississippi River On ‘Most Endangered’ List

The Mississippi River is one of the most endangered rivers in America for 2022 and several groups are asking Congress to protect it. 

American Rivers, a national river conservation group, ranked the Mississippi sixth on its top ten list for the year. Pollution and habitat loss are the major threats to the river that runs through 10 states, according to the group. 

The report says the Mississippi River is an “internationally important river ecosystem” and an “ecological lifeline” for North America. It provides “vital” habitat for more than 870 species of fish and other wildlife. It is also critically important to more than 325 bird species, dozens of migratory fish, and pollinating insects like the monarch butterfly.

The Mississippi River’s economic impact is $500 billion per year. It supports 1.5 million jobs.

The river is also a “crucial economic engine,” the report says. Agricultural economists have put the value at $400 billion annually. Closing the river would cost $295 million per day for shipping traffic, Gary Lagrange, CEO of the Port of New Orleans, told CBS News in 2019. American River’s report said its current economic impact is $500 billion per year. Manufacturing, tourism, and agriculture account for most of the nearly 1.3 million jobs provided by the river.  

The report says nearly 20 million people live in the 123 counties that border the Mississippi River. It provides drinking water for more than 50 cities and towns. But the river is threatened, the report says, primarily by pollution and flooding. 

Twenty million people live along the river. Fifty cities rely on it for drinking water.

Pollution is contaminating drinking water and causing toxic algae blooms in and along the Mississippi. For example, Des Moines, Iowa residents will pay $333 million over the next four years to remove nitrogen from their drinking water. Pollution in the river is delivered to the Gulf of Mexico where its has created a 6,000-square-mile “dead zone” that kills marine life. Microplastics and pharmaceuticals rise as new threats to water quality. 

Flood damages are escalating, according to the report, thanks largely to climate change. Damages hit hardest in under-resourced communities, especially those comprised of people of color, the report says.

“Historically, white colonists segregated indigenous, immigrant, Black, poor, and other non-dominant social groups to the Mississippi River floodplains,” reads the report. “They bear the brunt of flooding and poor river management to this day.”  

Flood damage hits hardest in communities of color and in low-income communities.

For all of this and more, a coalition of about 50 groups is calling for Congress to pass the Mississippi River Restoration and Resilience Initiative (MRRRI). It would coordinate and increase resources for restoration and resilience opportunities up and down the river. 

For one, it would set aside about $300 million annually for federal, state, tribal groups, cities, and organizations for improvements in and along the Mississippi River.  A quarter of that money would go to projects in in communities of color or low-income communities.

It would also set up a geographic program office within the Environmental Protection Agency (EPA) to do this. That office could work across state lines to better organize efforts by the many organizations working there. 

Restoration and resilience programs on the Mississippi River are disjointed and poorly coordinated.

Olivia Dorothy, American Rivers restoration director

“At the moment, the restoration and resilience programs on the Mississippi River are disjointed and poorly coordinated,” said Olivia Dorothy, American Rivers restoration director.

The EPA already has such geographic program offices that serve the Great Lakes, Puget Sound, the Chesapeake Bay, and the Everglades. 

The MRRRI bill is co-sponsored in the U.S. House by Rep. Steve Cohen (D-Memphis). 

Categories
News News Blog News Feature

Lawmakers Scrap Governor’s $200M Relocation Plan for Flood-Prone Schools

Two key legislative committees voted Wednesday to strip away $200 million proposed by Gov. Bill Lee to relocate 14 Tennessee schools built in floodplains, including three in Shelby County.

The amended spending bill, which will soon head to the full House and Senate, appears to shift that money instead into the state’s rainy day fund, which would grow to a record $1.8 billion.

The Republican governor had trumpeted his school relocation plan during his January state address, but in voting it down, GOP leaders in both the House and Senate pointed to confusion over the list of schools identified as being at high risk of flooding.

“At the end of the day, the two chambers negotiating with each other decided that we would not get into that kind of policy of building schools locally,” said Sen. Bo Watson, chairman of the Senate Finance Committee.

The change to the state’s 2022-23 budget plan comes as hundreds of students in Humphreys County attend school in a repurposed warehouse after surging floodwaters destroyed their elementary and middle schools last August near Waverly, a rural town west of Nashville. The disaster, which killed 20 people and destroyed hundreds of homes, was the impetus for the governor’s proposal “to ensure that no student in Tennessee attends a public school located in a flood zone.”

Lee’s press secretary, Casey Black, said the governor was “aware and monitoring” legislative changes to his spending plan but she declined to comment further.

Flood control advocates expressed shock.

“We can only imagine how many more lives would have been lost in Waverly if the flooding had happened during school hours instead of on the weekend,” said Dwain Land, the former mayor of Dunlap, who spoke with Chalkbeat on behalf of Flood Ready Tennessee, a coalition of local officials, homeowners, and first responders.

“This investment is important because we know this kind of thing will happen again and again, and it’s not worth losing more lives,” Land said. “We can’t predict where a tornado is going to hit, but we can predict where it’s going to flood.”

Some legislators and local officials were confused by the list of 14 schools the governor identified.

For one thing, the two Humphreys County schools wrecked in August weren’t on the list, frustrating officials trying to rebuild after the flooding, said Rep. Jay Reedy, a Republican whose district includes the Waverly area. (The amended budget provides up to $20 million to help Humphreys County Schools if insurance and federal disaster relief funds don’t cover the full cost.)

Multiple different lists of flood-prone schools have also floated around, including one that showed 25 Tennessee schools at risk of flooding.

In Memphis, where Wooddale Middle School was slated for relocation under the governor’s plan, administrators said they did not realize the state-run school was in a flood plain and have yet to be contacted by the governor’s office.

“This has all been news to us,” said Jocquell Rodgers, chief external affairs officer for Green Dot Public Schools, a charter network that operates Wooddale on a campus owned by Memphis-Shelby County Schools.

“We also didn’t understand how Wooddale Middle is in the flood zone but Wooddale High is not, because they’re essentially on the same block,” Rodgers said.

Rep. Patsy Hazlewood, who chairs the House Finance Committee, called the list of schools a “moving target” and said “there were just a lot of questions about that.”

GOP leaders didn’t specify where the $200 million removed for school relocation would go, but the budget amendment showed a $200 million addition to the rainy day fund, an emergency account the state can use to keep the government operating in case of a revenue shortfall.

“There were a few things we moved around in order to provide funding for non-recurring (expenses.)” Watson told the Senate panel.

That decision left other lawmakers questioning the state’s priorities.

“If your school’s in a flood plain, you’d probably prefer spending money to move before the next big rain rather than pumping money into the rainy day fund,” Senate Minority Leader Jeff Yarbro, a Nashville Democrat, said after the committee votes.

Marta W. Aldrich is a senior correspondent and covers the statehouse for Chalkbeat Tennessee. Contact her at maldrich@chalkbeat.org.

Chalkbeat is a nonprofit news site covering educational change in public schools.

Categories
We Recommend We Recommend

Spillit Prom

Maybe, you didn’t go to your prom; maybe, you did but it was pretty unmemorable … or maybe you did but don’t remember it all, or you wish you could erase that night from your memory altogether. In any case, you probably have a story to tell, and unless you’re fresh out of high school, the opportunity to talk about it probably doesn’t come up too often. Luckily, the folks with Spillit have curated the perfect moment and environment to do so this Thursday with its Spillit Prom.

Spillit’s typical format is a slam, where people can put their names in a bucket to be drawn to tell a true, personal story, usually prompted by a theme for the night, on stage. Audience members then vote from the 10 or so chosen storytellers to select the winner of the night, who will have the chance to return to Spillit’s Grand Slam event in November.

But the Spillit Prom goes beyond a typical slam by completely immersing you in the prom theme: The winner will be crowned as prom royalty before a night of dancing kicks off, complete with the expected decorations, a buffet by Black Sheep Catering, and you in your best prom garb. 

One thing that this prom doesn’t include, though, is that teenage anxiety about being judged by or in comparison to your peers. Instead, the night promises to be one of friendly competition. “One of the things people say is that they don’t want to tell a story because they’re not that funny,” Josh Campbell, Spillit’s creative director, says. “And I always say people want to connect more than they want to laugh, so sometimes there’s the really heartfelt stories that are the best of the evening, where as someone tells their story there’s a silence that comes over the room and everybody is in their feels a little bit. … You’ll laugh; you’ll cry.”

If the idea of standing on stage and telling a personal story to an audience gives you the heebie-jeebies, don’t worry, it’s not compulsory. If, however, you gain a bit of courage after a complimentary drink and perhaps another purchased from the bar, no one’s stopping you from dropping your name in the bucket. Plus, audience members are encouraged to write answers to an audience participation question that Campbell will announce at the start of the night, and Campbell will read out the responses in between stories, which last about seven minutes each.

Through this event and others by Spillit, Campbell says, “What we’re trying to do is change what people think of a storytelling event. [When it comes to storytelling] a lot of people think of rocking chairs or campfires or the children’s section of a library for storytime.” Storytelling, to Campbell and Spillit, is about connection and gaining new perspectives and inspiration. With that, Campbell hopes that Spillit can offer more specially themed events, like this one, that go beyond a slam. 

For more information on Spillit Memphis, visit spillitmemphis.org. Purchase tickets here

Spillit Prom, 409 S. Main St., Thursday, April 21st, 7-10 p.m., $35.

Categories
Music Music Blog

Open-Air Concerts Spring Back to Life

While many have been celebrating the return of indoor concerts for some time now, open-air concerts haven’t gone anywhere. They have an inherent appeal with or without the pandemic, especially from spring to fall in Memphis. In recent days and weeks, many of the key venues for outdoor concert series have released their planned line-ups. Here’s a roundup of all the acts to expect under the sun, moon and stars, from this weekend until October. Be sure to watch for our in-depth guide to the Beale Street Music Festival in next week’s issue of the Memphis Flyer

Click the link for each concert series to learn more.

Cooper-Young Porchfest
This Saturday, April 23rd, from noon til 6 p.m., the Cooper-Young neighborhood will run riot with live music as the Cooper-Young Community Association revives its annual Porchfest. This all-volunteer event will feature an eclectic mix of bands playing on residents’ front porches and at the Cooper-Young gazebo, not to mention a community yard sale that morning.

Cooper-Young Porchfest (Photo courtesy of CYCA).

Please see the Cooper-Young Porchfest website for a full listing of names, times and locations, but some of the highlights include Greg Cartwright, J.D. Reager, Bailey Bigger, Jeff Hulett, the Church Brothers, Los Psychosis, Alice Hasen, San Salida, Flamenco Memphis, the Turnstyles, and Model Zero.

The River Series
With an amphitheater boasting an incredible view of the Memphis skyline, as well as naturally superior acoustics, Harbor Town’s Maria Montessori School has made its bi-annual fundraising series a touchstone of musical happenings. Curated by Goner honcho Zac Ives, the artists are always intriguing, even as they depart from typical Goner fare.

Motel Mirrors at the River Series (Photo courtesy of Maria Montessori School)

This spring’s line-up features: Greg Cartwright’s Whelk Stall with Aquarian Blood (Saturday, April 30th), Jeremy and the Drip Edges with Tm. Prudhomme’s FAKE (Saturday, May 14th), and Mouserocket with Ibex Clone (Saturday, June 4th). All shows begin at 4 p.m.

Overton Park Shell
The newly rechristened Shell has not missed a beat as it moves into its next chapter, a fully Memphis-based nonprofit once more. Just as in the Levitt Shell years, the stage will host the Orion Free Music Concert Series through the summer and fall, along with a few ticketed Shell Yeah! events to serve as fundraisers.

The latter will include Durand Jones & The Indications (June 16th), St. Paul & The Broken Bones (July 16th), Almost Elton John Masquerade (September 15th), and an as-yet undisclosed fourth artist on September 23rd. As Overton Park Shell executive director Natalie Wilson notes in a statement, “In order to provide accessibility to our free concerts and events, we rely on revenue raised from Shell Yeah! Benefit Shows and generous donations from the Memphis community.”

1972 album cover by Trapeze, featuring an Overton Park Shell audience (courtesy of Overton Park Shell Archives).

As usual, the Shell will bring national and international artists to Overton Park, alongside many notable local acts. Memphis-related groups include the Memphis Symphony Orchestra’s Sunset Symphony (May 29th), which opens the season, followed by the Sensational Barnes Brothers (June 9th), Reigning Sound (June 10th), the Stax Music Academy (June 25th), Cameron Bethany (July 2nd), Don Lifted (September 16th) and the North Mississippi Allstars (October 14th). See the Overton Park Shell website for the full line-up.

Gonerfest
With Gonerfest 18 taking place entirely at Railgarten last year — a first for the festival — Goner Records is taking the same approach in 2022. Gonerfest will once again be centered on Covid safety, and while many slots still need to be filled, the marquee names have been announced and tickets are now on sale for the event, which takes place September 22nd through 25th.

Headliners will include Bay Area garage/soul weirdo masters Shannon & the Clams, wild lo-fi R&B rockers King Khan & BBQ Show, pre-Oblivians/Reigning Sound Memphis legends Compulsive Gamblers, lo-fi punks Gee Tee and garage rocker Michael Beach, both from Australia, and Nashville’s own Snooper. The complete festival will be live-streamed for those unable to attend.


Mempho Music Festival
Just as we are about to enjoy one major event, the Beale Street Music Festival, we’re also hearing about the finalized line-up for another, the Mempho Music Festival, scheduled for September 30th through October 2nd. Different ticket packages can already be found here, and, given the quality of the performers slated for the event, early ticket purchases might be prudent.

The Memphis Botanic Garden will thrill to the sounds of The Black Keys, alternative rock mainstays Wilco, and decorated Americana outfit Jason Isbell and the 400 Unit, as well as a double-dose of Athens-based ensemble Widespread Panic returning to the lineup by popular demand. Appearances by Portugal. The Man, Fantastic Negrito, Tank and the Bangas, Allison Russell, and Celisse will also be a highlight. Local favorites Bobby Rush, Big Ass Truck, Amy LaVere and Elizabeth King will also share the spotlight’s glow.

Categories
We Recommend We Recommend

Stax Hosts “Memphis” Book Launch

What makes our Memphis different from Memphis, Alabama, or Memphis, Ohio, or any of the other eight Memphises in the U.S.? Put simply, we do — our stories and our lives as everyday Memphians. “Memphis is this place that gave the world the music it loves,” says Hannah Hayes, “and yet it’s kinda this place that can also be maligned or misunderstood. And so much beautiful and amazing culture comes out of Memphis.”

Such a sentiment is the crux of Memphis (Wildsam), a field guide for which Hayes served as editor. And so, to do Memphis justice in this compact book about the ins and outs of the city, Hayes and Wildsam turned to the locals. “A lot of travel journalism is people parachuting into a place and trying to understand it really quickly,” Hayes says, “and with Wildsam, we try to involve as many locals as we humanly can because we want the people in that place to have a stake in it.”

Contributing writers Wesley Morgan Paraham, David Grivette, and Memphis Flyer editor Jesse Davis helped to compile iconic places and important topics, recommendations for authentic Memphis experiences, and more. The book also includes essays by writer and filmmaker Robert Gordon and Tara Stringfellow, whose recently released debut novel Memphis has garnered national recognition. Additionally, one-sided interviews with locals of note, such as Memphis Flyer’s food editor Michael Donahue, make up a significant portion of the book. “The interview session is done more like an oral history,” says Hayes. “We wanted the focus to be on the person and their story. We don’t want you to be distracted by us in the background.”

“Memphis means a lot to me personally,” Hayes adds, having frequently visited Memphis as a kid whose family lived a nomadic life. Her grandmother lived in the area. “The Peabody Hotel lobby is like the only place that I’ve been going to since I was an infant.”

To Hayes, the deep red in the Peabody sign was a homing beacon for Memphis, and this red popped up in the table cloths at Payne’s Bar-B-Que, the Stax sign, and more. Because of this, the “dirty soulful red,” as Hayes describes, is the color of the book’s cover and is interspersed throughout in the accompanying illustrations by local artist Maggie Russell that add a touch of whimsy to the pages.

“We want folks who live there to read this and to fall back in love with their city,” says Hayes. To celebrate the launch of the book, Gordon, Zaire Love, Davis, and Hayes will be a part of a panel at the Stax, where guests can enjoy Central BBQ and drinks.

Wildsam at Stax, Stax Museum of American Soul Music, Thursday, April 21, 6-8 p.m., Free, Rsvp at Eventbrite.com.

Categories
Music Music Features

Mario Monterosso Takes It Away

Mario Monterosso is no stranger to these pages, having moved here nearly six years ago from Rome, quickly becoming a fixture in the local roots-rock scene. He’s often seen accompanying Dale Watson at Hernando’s Hide-A-Way or, more recently, leading his own combo through a mix of originals, Louis Prima, and Chuck Berry. But anyone familiar with these outings may be surprised at Monterosso’s recent solo album, Take It Away (ORG Music), a largely instrumental affair that showcases the guitarist’s eclectic influences. Roaming effortlessly from spaghetti Western soundtracks to surf to blues to Mancini-esque jazz, Monterosso’s originals offer a guided tour through the instrumental sounds of the ’50s and ’60s. And that’s just how he wanted it.

“Early in the 2020 quarantine, Dale Watson recorded an instrumental album, Dale Watson Presents: The Memphians. I co-wrote four of the songs. And I thought, ‘Wow, instrumental albums are really cool.’ It’s a different way to conceive of and write a song, in terms of composition. When you have lyrics, they bring people somewhere through the words. But when you write an instrumental, it has to be the melody that brings people somewhere. And so instrumental songs have to be simple. From bossa nova records to Duane Eddy or Chet Atkins, they use simple melodies. That’s the one thing that remains in people’s heads.”

As the pandemic caused most gigs to dry up, Monterosso did what many of us did during quarantine: He watched TV. But inspiration waited for him there. “One night I was watching this very old edition of Zorro from 1975. I saw it with my parents in the theater when it came out. I was 3! And seeing it again, I thought the soundtrack was so cool. It was written by two Italians, the De Angelis brothers, also known as Oliver Onions. They wrote so many Italian soundtracks! So I thought, ‘Okay, I’m going to write a tribute,’ and I wrote ‘The Ballad of Zorro.’ After that, I kept writing instrumentals, and at one point I thought, ‘Okay, let’s do an album.’”

By then, with a host of new songs in his bag, the scenery had changed dramatically for Monterosso. “I went to Italy because my mother was dying. And it seems that some of my songs had been written for that event. It seems that way, but they weren’t. It was weird, writing a song entitled ‘Without You,’ with that atmosphere and even a theremin used like an opera singer or a ghost.”

The ghosts were especially present where Monterosso was staying. “I was staying in this old family house from 1701, about 10 miles from downtown Catania [Sicily] in Trecastagni, in the foothills of Mount Etna. That’s where I learned to play the guitar, when I was 13 or 14. So I called my friend Matteo [Spinazzé Savaris], who’s recorded all of my albums and some of Tav Falco’s albums in Rome. He came down to Sicily with all the equipment and we set it up inside my house. It was a great experience. We recorded live. I only did a few overdubs after. And I did it with all my old music mates, musicians that I grew up with. It was a beautiful experience.”

The final result is a genre-hopping tour through intriguing melodies and arrangements. It’s no surprise that Monterosso’s first instrumentals were made in collaboration with another great eclecticist, Arkansas native Tav Falco, who made his name as a music/art auteur in Memphis before relocating to Europe and recruiting Monterosso as his musical director. The instrumental version of “Master of Chaos,” which the two co-wrote, is a highlight of Falco’s Cabaret of Daggers album, and Falco’s recent Club Car Zodiac features an instrumental with a spoken-word monologue, “Tony Driver Blues,” based on a film of the same name. A similar Falco monologue lends Take It Away its only vocals as well, the noirish “Midnight in Memphis.” For Monterosso, it represents Falco’s profound influence on his life. “When he writes, Tav has the ability to bring you in and put you somewhere,” he says. Beyond that, Falco brought him to Memphis. “I will always be grateful because Tav was my boat to Ellis Island.”

Categories
News News Feature

Interactions Between Saving and Spending

In personal finance, we obsess about investment portfolios and income. Are they big enough? Can they get bigger? How can we improve returns? Can we ask for a raise, promotion, or new/second job? What about the dreaded side hustle?

The one thing we never spend much time thinking about is how lifestyle and spending play into retirement planning. It’s probably more important than any other single factor, yet it gets by far the least attention. Here’s an example:

Imagine two identical 21-year-old college graduates with exactly identical starting jobs. Both earn $50,000 to start, increased by 3 percent each year. Both earn 10 percent each year on their savings and investments. Both believe in the “4 percent rule,” which states that you are close to financial independence when in a given year your spending equals 4 percent or less of your investment portfolio — in other words, you might be able to retire if you have saved 25x your annual spending.

The only difference in these two cases is how much they save each year. In the first case, the investor decides to fund their Roth IRA with $6,000 each year for as long as they work. This is probably more saving than average early in their career, but not ideal later on. With these hypothetical facts, they will achieve retirement/financial independence after 46 years at age 67 — conveniently the current “full retirement age” according to Social Security.

In the second case, let’s say the investor is a very aggressive saver. Maybe they live at home after graduation, don’t need a car, and stay on their parent’s insurance. They manage to save 50 percent of their income. Even if they leave the nest after a few years and a few raises, they are accustomed to spending less so they manage to maintain that goal of saving 50 percent of their income as long as they work. Not surprisingly, their timeline is very different. They only have to work about 15 years to age 36 before reaching financial independence.

What drives the difference in their timelines? The obvious answer is that the 50 percent saver has a much larger investment portfolio, which allows them to retire early. The thing that most people miss, however, is that the only reason it works out in 15 years is that in creating that portfolio their spending had to be much lower than the $6K saver, so there’s less spending it has to cover. After 15 years when the 50 percent saver is financially independent, it’s because they are only spending $37K each year. The $6K saver is spending almost $70K a year at this point, which would take a much larger portfolio to replace. Even the 50 percent saver would have years more to work if they had a higher income such that they could save the same amount as before but spend as much as the $6K saver.

If $37,000 seems like not much money to live on, keep in mind that the median income in America today is about $36,000. More than half of American workers make less than $37K, which makes it seem very doable — especially if our hypothetical person is doing what they want with their time rather than reporting to a job five days a week! You can scale these dollars up or down or even add a zero — what matters is the savings rate, not the total dollar amount of income. It’s easier to save more when you earn more — at least in theory.

This is a dramatically oversimplified case, ignoring taxes, social security, and many other factors, but it demonstrates one of the most profound truths of financial planning. We don’t know what will happen with the stock market, especially in the short term. The one thing we absolutely control is spending — and if there’s any way to spend less and still be happy, it can dramatically accelerate your trajectory toward financial freedom, both because you’ll be saving more and have less income to replace in the future. In short, money not saved is spent, so a lower savings rate is a double whammy when it comes to planning for financial independence.

Gene Gard is Chief Investment Officer at Telarray, a Memphis-based wealth management firm that helps families navigate investment, tax, estate, and retirement decisions. Ask him your question at ggard@telarrayadvisors.com or sign up for the next free online seminar on the Events tab at telarrayadvisors.com.

Categories
Letter From The Editor Opinion

Winds of Whimsy, or Whither Went He, Wandering Wallaby?

As I write these words, the Memphis Grizzlies have not yet played game two of their playoff stint against the Minnesota Timberwolves. By the time anyone reads this column, in print or on the Flyer’s website, game two will be over, and the Grizzlies will have won or lost. I know most Memphians don’t even like to consider the possibility of a loss from Memphis’ most winningest team, but statistically speaking, it is within the realm of possibility.

Of course, I hope the Griz devour the Timberwolves, that the loss in game one of the playoffs is the only one the team has for the rest of the year. I’d be lying if I said I was anything resembling a devout sports fan, but like any Memphian, I have a possibly more-than-healthy dose of hometown pride. Besides, everyone in Memphis seems to have a little more strut to their step when the Grizzlies are on a winning streak. If a clip of a particularly gravity-defying dunk by Ja Morant is circulating on social media, there are sure to be a few more smiles gracing local faces. It’s a beautiful thing, but it puts a lot of pressure on the Grizzlies, though, doesn’t it? It must be hard to fly so high while simultaneously carrying the collective weight of a midsized American city’s hopes and dreams.

That’s why I was beside-myself excited — gleeful, even — about last week’s wandering wallaby news. The story was a flash in the pan, a two-day whirlwind as seemingly everyone in the city followed the news of the mischievous marsupial’s disappearance from his home in the KangaZoo exhibit and mercifully quick subsequent discovery in a service yard on zoo property. It took social media by storm, I heard people talk about it in the store, and I brought it up while sitting in the optometrist’s chair and getting my eyes tested. Weird as it was, the story lasted just long enough for its more ardent followers to begin to worry, then, bam!, it delivered a happy ending, complete with the wallaby’s reunion with his fellows in the zoo.

I love the absurdity of it. We needed a feel-good story, and to really hit Memphians in the feels, there had to be an element of “Wait, say what?” to the tale. After a month or so of increasingly dire news from the Tennessee legislative session, with tornadoes every other week just to add a little danger and destruction to the mix, the fugitive marsupial story felt nothing less than heaven-sent.

What makes the story even stranger, is that I don’t think the news would have gotten out if I hadn’t asked two zoo employees wading through Lick Creek what was going on.

“A kangaroo escaped,” one employee told me, confusing the missing wallaby for its larger and more famous marsupial relation.

“We haven’t seen a kangaroo,” he continued, “but we did see a beaver. It was this big.” He held his hands about three feet apart. I nodded my head, mumbled something about a beaver, and almost twisted my ankle running inside to call Jessica Faulk, the zoo’s communication specialist, for confirmation.

The details of the story came together (the fugitive mammal was a wallaby, not a kangaroo), people kept their eyes peeled for a glimpse of the creature, and the rest, as they say, is history.

Maybe it was the storm from the day before that cleared the air, but whatever it was, we needed it. Sometimes the monkeys have to escape Monkey Island, if I may reference another local legend.

So, as long as Tennessee legislators are gracing the home page of The New York Times website for things like child bride bills and praising Hitler as an example of turning one’s life around after a period of homelessness, we need the occasional lighthearted “WTF?” story to break the tension.

I propose a new Memphis rule, one to help us shoulder the embarrassment of being located in Tennessee and to take some of the pressure off our basketball team, at least as long as we’re also still in a pandemic. (Well, we are, even if we’re sick of talking about it.) Every so often, a prominent Memphis tourist destination needs to rock the news cycle with a preposterous story. The responsibility shouldn’t all fall on the zoo, either. Take turns getting in on the action.

So I’ll leave you with this question: After the next two or three times Tennessee makes national news for embarrassing reasons, who’s going to borrow Isaac Hayes’ Cadillac from the Stax Museum and go joyriding down 3rd Street?

Categories
Politics Politics Feature

Key Primary Races

All but one of the key contested races on the May 3rd county primary ballot are in the Democratic primary. The one exception is a grudge match in which four sitting GOP commissioners are backing newcomer Jordan Carpenter in District 4 (Germantown, East Memphis) against Republican Commissioner Brandon Morrison, whose sin was to cooperate too often with the majority Democrats on the commission.

The main race, in one sense, is between incumbent Democratic County Mayor Lee Harris and challenger Ken Moody, a veteran of city service in two city administrations. Harris hasn’t fully turned on the jets yet, but his backing is both more influential and more bountiful financially than that of Moody.

City Councilman Worth Morgan, a Republican, awaits the winner in August.

There is no sheriff’s race to speak of, since incumbent Democrat Floyd Bonner, unopposed in his own primary, has no Republican opponent — a fact attesting either to the Democrats’ demographic edge countywide or to the GOP’s genuine support for Bonner’s law enforcement policies.

Unquestionably the year’s most intensely competitive race, down the line in August and perhaps on May 3rd as well, is that for district attorney general. Three able Democratic lawyers — Steve Mulroy, Janika White, and Linda Harris — are competing in their primary, with Mulroy, something of an icon in civil liberties and voting-rights circles and the owner of impressive endorsements, presumably in the lead for the right to challenge incumbent Amy Weirich in August. The August race may involve more campaign spending — arguably up to or more than a million dollars — than any other local race.

A tight race is brewing in the Democratic primary for juvenile court clerk, with County Commissioner and community organizer Reginald Milton leading in endorsements and cash receipts in a field including local TV veteran Janeen Fullilove-Gordon, former school board member Stephanie Gatewood, and Marcus Mitchell, a major with the Memphis Police Department. Republican Rob White awaits in August.

Once upon a time, Cordova was a white-flight preserve. It is now fully diversified ethnically, with demographics that lean Democratic, and is to be represented on the County Commission by the newly shaped District 5. Three Democrats are vying in the primary.

If experience and sheer know-how count for anything, Quran Folsom should do quite well on election day. As chief administrator for the past several years, she is aware of all commission programs and protocols. And she’s raised a fair amount of money. The question is, does she have enough of a known public persona and political network to get her vote out?

The network question applies also to Reginald French, who has a lengthy pedigree of involvements with local government, most of it in the past and much of it with the late Herenton city administration, where French, a key figure, knew the ropes and incurred some rope burns, as well.

Shante Avant, from her recent school board work, is known to a constituency; the problem is that her constituency belongs to a South Memphis district, not the Cordova area which she now seeks to represent.

After a recent forum, all three candidates did well enough, addressing mainly residential matters and questions of public safety, to draw plaudits from the event emcee, local Democrat Jeff Etheridge, who expressed the wish that other ballot spots were filled by as many qualified candidates as there were.

The winner will face Republican Todd Payne in August.

Do as I say/Do as I do/do-si-do! Commission candidate Erika Sugarmon (second from left) takes her supporters through some line dancing in preparation for the May 3rd primary. (Photo: Jackson Baker)

More Commission Races:
Well-known Frayser-Raleigh activist Charlie Caswell seems to have an edge over prominent young Democrat Alexander Boulton in the Democratic primary race for commission District 6.

There are five Democratic candidates competing in District 7, including activist Kathy Temple, who has support from progressives; former Commissioner Henri Brooks, who is attempting a comeback; and Althea Greene, who has name recognition as a school board member. Also running are Cartavius Black and Orrden Williams.

Incumbent Edmund Ford Jr. is in good shape to hold off opponents Sam Echols and Sean Harris in District 9.

An interesting three-way in the Democratic primary in District 10 has Kathy Kirk Johnson of the public defender’s office and a well-known local political family competing with mega-activist Britney Thornton, who heads a nonprofit group in Orange Mound, and Teri Dockery, an activist in the Cherokee neighborhood.

Another three-way in District 11 features activist Candice Jones, the early leader by virtue of diligent campaigning; school board member Miska Clay Bibbs; and the Rev. Eric Winston, a repeat candidate for the commission who has support from educators.

In District 12, a battle royal of sorts is on between retired educator James Bacchus; the Rev. Reginald Boyce, senior pastor at Riverside Missionary Baptist Church; educator and voting-rights activist Erika Sugarmon; and David Walker.

Democratic incumbent Mickell Lowery is unopposed in the District 8 primary, as is Michael Whaley in District 13. The Democrats have one challenger each — Donna McDonald-Martin in District 1 and Britney Chauncey in District 4 — both heavily Republican outer-county suburban districts whereto Republican candidates should win handily in August.

Other Contested Democratic Primary Races:
Assessor Melvin Burgess is comfortably ahead of challenger Roderic Blount.

Incumbent Criminal Court Clerk Heidi Kuhn is running hard against a repeat opponent, Carla Stotts, and Maerne Bernard.

Circuit Court Clerk Temiika Gipson has a tough race with City Council Chair Jamita Swearengen, who has abundant name recognition and support.

Gipson’s daughter, first-timer Arriell Gipson, is hoping to get traction from an aggressive social media campaign against the heavily favored incumbent County Clerk Wanda Halbert, with William Stovall and Mondell Williams also running.

Incumbent Probate Court Clerk Bill Morrison is dealing with two sturdy challengers, outgoing County Commissioner Eddie Jones and William Chism of a well-known local family.

Incumbent Register of Deeds Shelandra Ford has a serious challenge from current County Commission Chair Willie Brooks and a late-breaking one from Wanda Logan Faulkner, who alleges “deed fraud” as an issue without much elaboration.

Categories
News The Fly-By

MEMernet: The Runaway Wallaby and #MEMthis

Memphis on the internet.

Walla B.

Last week, a wily wallaby escaped from the Memphis Zoo. The animal’s first order of business was to set up a Twitter account and record its exploits out on the town.

Walla B. (JA’WALLAMANE) cracked jokes about local breweries, wanted to hook up for drinks at Overton Square, went to Huey’s, hinted at a run for county mayor, asked to be a duck master at The Peabody Hotel, and asked if Malco was playing Kangaroo Jack.

Posted to Twitter by @MemphisWallaby

#MEMThis

Last week’s #MEMTHIS had the MEMernet talking on Twitter. Created by the Memphis Grizzlies, it was meant to hashtag the team’s playoff run.

“Whoever made the decision for #MemThis ……. Bruh, WHY do we need brand new, forced ‘tag lines’ for the playoffs?” tweeted @JBthegiant.

@Isaac_Rivals explained, “You read it like Mem This. Sort of like ‘take this’…we’re going to put Memphis in your face & you gotta deal with it type of energy.”

But even the explanation was roasted. @jmtigers1974 tweeted, “I’m not brilliant at marketing/advertising but…If you gotta explain it to Joe Public, then it isn’t any good.”

To it all, @jonah_kaufman tweeted, “It’s easy to get, it’s just awful.”