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Opinion The Last Word

United in Grief

Ten people’s lives were stolen May 14, 2022, in a shooting fueled by white supremacy and bigotry. The wounds will never heal, and as a Buffalo native, I want to tell the story of Buffalo’s East Side before May 14th because this massacre isn’t the only tragedy it has faced. This is the product of decades of neglect, policy failures, inaction by those in power, and institutionalized racism.

Buffalo has the oldest housing stock in the nation. Many people live in homes that desperately need repairs and are a century old. Buffalo is also the sixth most-segregated city in the U.S. Decades of national and local policies — from redlining to neoliberalization to gentrification — created the conditions of this massacre. In the ’60s, Robert Moses cut the East Side in half and destroyed Buffalo’s Olmstead designed park system by replacing Humboldt Parkway with the Kensington Expressway. The expressway was seen as necessary because, at the time, white flight was occurring. As Black people began to invest in rooting themselves in Buffalo, white people departed to the suburbs. The continuity of the East Side was permanently ruptured, and in favor of white commuters. The pollution still poisons generations of residents, but they got good news on May 6, 2022: Lawmakers announced over $1 billion in support of an infrastructure project to restore Humboldt Parkway.

In the ’80s, the War on Drugs and policies of broken windows meant that many homes on the East Side were razed under the false pretenses of being suspected drug dens. Some homes were even occupied at the time, and their foundations still sit exposed underneath a layer of weeds that symbolizes a failure to address a racist past. In recent years, development via displacement has become the norm in Buffalo. Gentrifying forces slowly creep into depressed neighborhoods and increase property taxes. Lifelong residents, many living on fixed incomes, are pushed out.

Residents I spoke with during my MA research in Broadway-Fillmore, an East Side neighborhood, told me the story of their fight for a supermarket. The investiture of a supermarket by the powers that be is a blessing for growth, and a sponsorship of a future. A supermarket shows a commitment to care for residents, as all people need affordable, healthy, and accessible food. The Tops on Jefferson Avenue services much of the East Side because it is one of the only commitments to food justice in the area. And still, for some residents, that Tops is a 15-minute drive, or 90-minute bus ride. No matter how people get there, the supermarket’s significance is priceless.

Much of the national media attention has been focused on the Black community in the East Side, and that community has been harmed in ways I will never understand. But I’ve spent enough time in the City of Good Neighbors to know that the community extends well beyond race, religion, sexuality, gender, creed, politics. I have felt the love of people who are welcoming of everyone, including a naïve and green wannabe activist like myself. Buffalo’s East Side boasts a burgeoning immigrant and refugee population. At Public School 31 in Broadway-Fillmore, students speak a combined 24 languages. PS 31 is more cosmopolitan than some schools in New York City!

BIPOC are an important part of Buffalo’s tax base and also the most underserved. These are people who have historically been the subjects of violence by hateful people, and May 14th is not the first instance of violence directed at minorities there. The city is $20 million in debt, and more than $11 million is the result of civil lawsuit settlements with the city and the Buffalo Police Department. The world saw what BPD would do to an elderly white man, Martin Gugino, on June 24, 2020. That violence is enacted on BIPOC in Buffalo every day, and it often goes unseen.

I am pained by the fact that, weeks after this horrific massacre, our country seems to have moved on. And since, there have been more such tragedies. We need to continue talking about the societal ills that produce the conditions in which such hateful acts can occur. The problems that plague Buffalo are not unique — they are the status quo across the U.S. The history of the East Side I’ve shared is a broken record, and it should sound familiar to people here in Memphis. I imagine many Black parents in America had to explain to their children what happened on May 14th in Buffalo because the reality is too real.

There are two reasons people have made their homes on the East Side: They care, and they hope for a better tomorrow. Citizens fought tooth and nail to get a supermarket, and the Tops on Jefferson Avenue became an oasis in a food desert. That place of respite, nourishment, and interaction has been permanently stained. I hope that stain can be overcome, but I also understand that the pain, and the fear induced, cannot be forgotten. We must make sure not to forget, too.

Everyone on Buffalo’s East Side not only lost a loved one on May 14th — they lost a piece of themselves. Those lost were people guiding the future to something greater, and have been working for decades to better the lives of their neighbors. I am left asking myself: How much of ourselves can we lose before we’re damaged beyond repair? Will expressing our hurt ever close wounds, or are we doomed to continually reopen the trauma when the next racist massacre occurs? If we keep shelving necessary and uncomfortable conversations and continue to fail to give those most marginalized in our country a better future, we will only add to an always unfolding tragedy.  

Joshua Swiatek moved to Memphis in 2019 and graduated with his MA in anthropology from University of Memphis. He enjoys reading, writing, and reminding people that time is a construct. 

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At Large Opinion

Hold On, He’s Coming

You know, I’ve really tried to avoid writing about the most-recent former president. I was the Flyer editor during his tumultuous four years in office, and I had to write about him a lot, mainly because a week seldom went by without some sort of outrageous, over-the-top, unprecedented presidential antics. We were in a continuous reactive mode. He did what??? I had to write the column at the last possible minute, just to keep up.

Emotions were high from the very beginning of his term. (You may remember the Flyer’s infamous “WTF?” cover, which led many people to call our office to tell us they would never buy another Flyer. Yes, we’re free, but you know …)

Now, as Congress’ January 6th committee finally prepares to hold public hearings on the remarkable attempt to overturn the 2020 presidential election, I suspect emotions are about to kick into high gear again. The cast of characters in the plot includes generals, cabinet members, several congressmen, a few senators, sleazy lawyers, crazy lawyers, a pillow salesman, the wife of a Supreme Court justice, the minority leader of the House of Representatives, and the former president himself. 

The supporting cast includes Proud Boys, Oath Keepers, Roger Stone, Steve Bannon, and other white supremacists, plus several thousand assorted idiots from around the country who actually believed they could get away with pillaging the U.S. Capitol because the then-president told them to do it. (Not to mention that some of them actually thought they were going to hang then-Vice President Mike Pence.)

The schism in American politics was always there, but Trump drove a thick wedge into it, widening the divide like never before. Healing is going to take a while. With any luck, the former president will resist the temptation to run again and just keep operating the ceaseless “fund-raising” grift he’s been pushing since he left office. It’s not as much work and there’s more time for golf, so I’m somewhat hopeful.

As you may have gathered from various billboards around Memphis, Trump is bringing the circus to town, or rather, to Southaven, Mississippi, where the “American Freedom Tour” is slated to play the Landers Center on June 18th. Opening acts include Donald Trump Jr., his girlfriend Kimberly Guilfoyle, former paintball salesman and now sheriff Mark Lamb, plus other as yet unnamed “Top American Conservatives.” Tickets start at $45. Cultists and other suckers are advised to jump on these before they drop to, oh, I don’t know, free? The “crowds” Trump has been luring lately are not his best people. He’s got the usual six Black guys who sit behind him, a couple hundred Trump-heads who travel and never miss a gig, plus whatever assorted moronic locals show up to feed their id. It’s a party.

And there’s a Memphis angle now. After his speech at the NRA convention last week, Trump read the names of the 19 victims of the Uvalde shooting (mispronouncing many of them). Then, as one does following such a somber moment, he broke into a dance. That was bad enough, but making it worse was the fact that the music Trump was dad-dancing to was “Hold On, I’m Coming,” the iconic Stax tune penned by David Porter and Isaac Hayes.

Porter was not amused. He tweeted: “Someone shared with me Donald Trump used the song ‘Hold On, I’m Coming’ for a speaking appearance of his. Hell to the No! I did Not and would NOT approve of them using the song for any of his purposes! I also know Isaac’s estate wouldn’t approve as well!”

Such legal niceties will not stop Trump from using the song, and no doubt he’s doing so without paying royalties. But there may be a way to get a little payback. Memphis city council members Martavius Jones and JB Smiley have introduced a measure that would prevent the Memphis Police Department from escorting the Trump caravan from the Memphis airport to the Landers Center. They rightfully point out that Trump routinely stiffs local governments for any costs his visits incur, so why should Memphis put itself on the hook for those expenses? Trump’s a private citizen now. He’s got Secret Service protection. Let Mississippi take care of it.

I couldn’t agree more. When Trump lands in Memphis, let’s send him this message: Hold On, We’re Not Coming. 

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We Recommend We Recommend

Creative Aging Closes This Season’s Senior Arts Series at Theatre Memphis

At 16, you get your driver’s license. At 18, you are an “adult.” At 21, you can drink. And then what are you supposed to look forward to when it comes to age-determined milestones? Surely not that, at 45, you’re due for a colonoscopy. At least, here in Memphis, once you turn 65, you are eligible for Creative Aging’s programming, which, through partnerships with local artists, arts organizations, and senior communities, offers affordable arts classes and special performances and events just for seniors.

“There’s a lot of scientific evidence that active arts engagement can do amazing things to stimulate the mind and improve vitality, the sort of social-emotional outlook in older adults,” says Creative Aging director Mia Henley, who adds that older adults with an active arts engagement, when compared to those without, are less likely to be hospitalized, less likely to experience falls, and less likely to have a decline in motor skills like strength, speed, and dexterity.

With Shelby County’s population above the age of 65 predicted to grow from 135,281 in 2020 to 161,747 by 2030, programs offered by Creative Aging are becoming more and more vital to what will be 17 percent of the total population by the next decade. “Being a senior today is not what it used to be,” says Henley. “It’s a long time. It’s 65 to 105. That’s 40 years, and you’re changing, and your interests and your abilities and maybe your health and family situation continue to change during that period. … We have these wonderful assets in Memphis. And a lot of times they’re busy in the afternoon with kids, but they’re silent during the day, and that’s when seniors want to do things.” Currently, the nonprofit has more than 120 artists, all of whom are paid, teaching classes and workshops, ranging in topics from creative writing to playing the dulcimer to learning tap dance. 

In addition to classes, the group sponsors performances in various senior communities and throughout Memphis. For Wednesday, June 15th, Theatre Memphis and musical director Gary Beard have put together a musical revue with performers from past and present productions singing tunes from shows performed during Theatre Memphis’ 100-year history. This show will mark the last in Creative Aging’s sixth season of the Senior Arts Series of theatrical and musical performances on the Theatre Memphis stage. The 2022-2023 season is set to begin in August with a performance by Swingtime Explosion Big Band.

For more information on upcoming events or how to volunteer and donate, visit creativeagingmidsouth.org or check out the nonprofit on Facebook (@camemphis) and Instagram (@creativeagingmidsouth). 

Curtains Up! Theatre Memphis Celebrates 100 years & Beyond, Theatre Memphis, Wednesday, June 15th, 1:30 p.m.-2:30 p.m., $5.

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News News Blog News Feature

Greater Memphis Chamber Unveils Prosper Memphis 2030 Plan

The Greater Memphis Chamber is looking ahead, and it envisions a bright future. At its Mid-Year Chairman’s Forum Monday, the organization unveiled Prosper 2030, a strategic growth plan that aims to make the Memphis region more prosperous and inclusive.

The plan looks to leverage Memphis’ status as one of the largest minority-majority cities in the country to attract businesses that place an emphasis on diversity in their workforces. Specifically, Prosper 2030 will promote the city’s diversity and upskill its workforce to attract high-growth advanced industries like automotive or medical device manufacturing, which rely on workers with talents in science, technology, engineering, and mathematics (STEM).

“Equity is at the very center of this plan to create a more prosperous, more inclusive Memphis,” said Ted Townsend, chief economic development officer of the Greater Memphis Chamber. “As last year showed, we’re already in the economic development playoffs, but we want the championships. By the end of 2030, we want to be able to point at our regional scoreboard and do the Ja Morant victory dance.”

The Chamber is centering its plan around three key priorities.

Inclusive jobs: A prosperous Memphis is an inclusive Memphis. Goal: Create 50,000 high-quality jobs, with half of those jobs going to minorities.

Diverse industries: A healthy economy has a healthy mix of businesses. The Chamber plans to add to the goal: Add 700 new firms in advanced industries.

Future-ready talent: 20,000 STEM graduates per year, with 45 percent of those degrees going to Black students.

Currently, per the Chamber, Memphis is working on a total of 55 economic development recruitment projects, which represent almost 15,000 new jobs with salaries averaging more than $58,000, and capital investments of more than $10.6 billion. And 80 percent of those projects are in advanced manufacturing.

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News News Blog News Feature

Tom Lee Park Project Wins $3.7M in Fed Funds, Expected to Trigger Nearly $9M More

A key piece of the Tom Lee Park renovation project won a $3.7 million federal grant announced Tuesday and is expected to trigger nearly $9 million in additional funds. 

The Tailout Trail section of the park redesign is expected to give “visitors an immersive experience of an ecologically-diverse area at the far south end of the park.” The elevated walkways and Canopy Walk overlook there are the keys to the more-natural southern end of the park called Habitat Terraces in design documents.  

The $3.7 million grant is from the U.S. Commerce Department’s Economic Development Administration (EDA) for the Tailout Trail, a “canopy boardwalk” along the Mississippi River. The EDA said the grant will be matched with $6 million in local government funds and is expected to generate $2.8 million in private investment.   

“This project will provide a unique opportunity to experience the natural splendor that Memphis and the Mississippi River have to offer, while creating opportunities for new local businesses in river touring, biking, and hiking,” said Assistant Secretary of Commerce for Economic Development Alejandra Y. Castillo. 

Credit: Studio Gang/SCAPE

Habitat Terraces, where the Tailout Trail will be located, is one of four distinct segments of the new park design. The others, from north to south, are the Civic Gateway, the Active Core, and the Community Batture. 

Designers described the Habitat Terraces as “a more intimate experience of the natural landscape. It is expected to include a Canopy Walk that connects the park to the city by means of an elevated path through the biodiverse forest of Tom Lee Park’s southern zone and immersive platforms which offer park-goers a quiet acoustic environment to experience the sights and sounds of the Mississippi River.

“The Tailout Trail will be one-of-a-kind, inviting visitors up and (during high water) over river habitat for spectacular views of the Mississippi, the Arkansas floodplain, and the more than 325 bird species,” U.S. Rep. Steve Cohen (D-Memphis) said in a statement. “The project will draw national attention and support to Memphis and is expected to bring thousands of new visitors to the riverfront.  

Credit: Studio Gang/SCAPE

“These visitors will have a significant impact on nearby restaurants, music venues, and hotels. Once completed, the Tailout Trail will be a major focal point for eco-tourism in Memphis, spawning new small businesses associated with river touring, biking, and hiking, which will help increase employment opportunities, spur private investment, and advance economic resiliency throughout the region.”

The funding for the trail comes from EDA’s $240 million competitive American Rescue Plan Travel, Tourism, and Outdoor Recreation program.

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Music Music Blog Record Reviews

Rob Jungklas Wanders Beulah Land with Rebel Souls

An ill-informed music fan might mistake Rebel Souls, the latest album from Rob Jungklas, as a slice of Americana. And with titles like “Southern Cross the Dog,” “Beulah Land,” and “Down to the River,” who could blame them? Other details — the cover art by Brooke Barnett, suggesting a black-and-red rose wood print, or the presence of the Sacred Harp Singers of Cork, Ireland, on two tracks — only seem to confirm its Americana provenance.

But examine both the songs and the cover image a bit more closely, and something altogether more intriguing appears.

On closer inspection, that darkly sensuous rose is actually a kind of landscape, a hallway or tunnel ending in some sort of mandala, framed by broken chains. And the lead track’s title, “Ruination,” offers another hint. Open the book of lyrics that accompanies the CD, and you’ll see the full title is “The Body’s Ruination is the Soul’s Release.” The music isn’t the typical folk gospel that might accompany that line, but the modern drone of a synthesizer, leading a minor key dirge as Jungklas sings with an eerie desperation.

In “Beulah Land,” Jungklas “sees Death walking like a man” — a familiar figure in the universe of Rebel Souls. If the phrase carries echoes of ageless blue songs, that’s appropriate. The blues as an idea permeates the album, though the music itself is barely hinted at. Muddy Waters and Furry Lewis appear in different songs, and moreover, the specters of death and loss hover over nearly every word. “Love is the religion,” he sings in “Ruination,” “but Death is the deity.”

Make no mistake, love is present in this world, as crafted by Jungklas in deft literary touches. It’s just that it’s hard-won, coming only after one faces the costs of survival in a brutal land. “I paid in blood for all I have,” Jungklas sings. By the album’s end, one gets a sense of what his rewards might be, as the music turns to major-key hopefulness, albeit cautiously, in “Down to the River.”

The moon rose over Midtown
With a sweet narcotic pull
Shining down on the bleeding and the beautiful
Shining down on all the noble savages
And all the ragged saints
Those of us who are redeemed
And those of us who ain’t

The album’s atmosphere of creeping twilight owes much to the subtle arrangements, blending expertly crafted synthesizer textures with the sound of an organic band. Indeed, some tracks were even recorded live at The Green Room at Crosstown Arts by the inimitable Kevin Houston, who co-produced the album with Jungklas. Other tracks and overdubs were then recorded and mixed by Houston at Nesbit Recording Services. And the contributing musicians — including strings by Jonathan Kirkscey, Jana Meisner, and Krista Lynne Wroten, bass by Sam Shoup, guitar by Dave Smith, and percussion by Shawn Zorn — lend a human warmth to the dark proceedings.

Some music has the distinct ability to immerse you in a landscape, be it a mansion on a hill or the rains down in Africa. The latest from Jungklas has that quality, centered on Memphis, with a vision of the American South laced with dread and foreboding, and perhaps a shred of hope.

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MPD Arrests Four for Reckless Driving in Hilariously Named Operation

Won’t the cops ever do something about these reckless-ass Fin-Fins with drive-out tags? 

Well, they did. On Saturday. With arrests and a bit of humor. 

On Saturday, the Memphis Police Department (MPD) arrested four drivers in an operation it called Infinity War Car Take-Over. The operation was conducted by members of MPD’s Scorpion Unit and Vice Team around the 3400 block of South Third.     

“Detectives observed several vehicles driving recklessly,” reads an MPD statement posted on Facebook. “The cars were speeding, driving 70 [miles per hour – mph] in a 35 mph zone. 

The cars were disregarding red lights and producing circles, better known as donuts, in the middle of intersections throughout the city.

Memphis Police Department

“The cars were disregarding red lights and producing circles, better known as donuts, in the middle of intersections throughout the city. Some of the occupants were armed with assault rifles.”

Police arrested four drivers, towed their cars (below), and took 8.8 grams of cannabis. 

Here’s who they are, what they were driving, and what they were charged with:  

Defendant: Oneisha Godwin, 27

Vehicle: 2005 Chevrolet Impala

Charges: altering falsifying or forging auto title plates, forgery under $1000, possession of [cannabis], possession of drug paraphernalia, disregarding red light, driving while suspended/revoked/cancelled [license], financial responsibility, reckless driving, speeding, and violation of state registration

Defendant: Cherance King, 34

Vehicle: 2015 Infiniti Q50

Charges: possession of [cannabis], disregarding red light, financial responsibility, reckless driving, speeding, and no driver’s license

Defendant: Leonard Ticey, 21 

Vehicle: 2008 Lexus 250

Charges: disregarding red light, reckless driving, and speeding

Defendant: Martez Wilkins, 22

Vehicle: 2010 Infiniti G37

Charges: disregarding red light, driving while license suspended/revoked/cancelled, financial responsibility, reckless driving, speeding, and violation of vehicle registration.

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News News Blog News Feature

Governor’s Executive Order Fortifies Tennessee Schools, Won’t Limit Gun Access

Gov. Bill Lee signed an executive order Monday directing Tennessee schools and law enforcement to double down on existing school safety protocols in the wake of a shooting that killed 19 children and two teachers at a Texas elementary school.

But the Republican governor said restricting access to guns is off the table, and he called for continuing the state’s “prioritized practical approach to school safety.”

That means greater fortification of schools to make it more difficult for an intruder to enter them — a policy that former Gov. Bill Haslam, another Republican, stepped up in 2018 after a shooter killed 17 people at a high school in Parkland, Florida.

At a morning news conference, Lee said school communities can expect more unannounced security inspections to make sure all doors are locked so that visitors have only a single point of entry when the new school year begins. 

The governor directed the Tennessee Law Enforcement Training Academy to work with the state safety department to evaluate training standards in active-shooter situations, and announced required training for security guards at private schools. He called on state troopers to familiarize themselves with school patterns and school communities in their regions to become more involved in school safety.

And he directed the state education department to seek federal permission to use federal COVID-relief funding to conduct independent school safety assessments that identify needed building upgrades.

“There are things we can control, and there are things we cannot,” Lee said after signing his order. “And one of the things that we can control … (is how) to improve the practical, pragmatic steps to making a school safer.” 

Democrats, however, characterized Lee’s order as a photo opportunity that won’t lead to meaningful change.

“I reject the notion that we are helpless against confronting gun violence,” said state Sen. Raumesh Akbari, of Memphis. 

“Tennessee families believe in responsible gun ownership, and they support laws that would deny firearms and weapons of war to people who can’t pass a background check,” Akbari added. “That’s not radical. That’s just common sense.”

Lee’s four-page order comes two weeks after an 18-year-old legally purchased an AR-15-style rifle and opened fire on a classroom filled with children and teachers at Robb Elementary School in Uvalde, Texas, before being killed by law enforcement.

And over the weekend, a string of shootings left at least 15 people dead and more than 60 others wounded in eight states, including in Tennessee, where three people were killed and 14 were injured early Sunday morning outside a nightclub in Chattanooga and two people died of gunshot wounds in southeast Shelby County.

Chattanooga Mayor Tim Kelly, who described himself as an “avid hunter” and gun owner, called on Congress to enact “common sense regulations” such as mandatory background checks and a ban on high-capacity magazines that let shooters fire dozens of rounds without having to reload.

But Lee rejected those ideas when asked whether Tennessee would seek to issue its own regulations.

“We are not looking at gun restrictions or gun laws as a part of a school safety plan going forward,” he told reporters.

Tennessee has one of the nation’s highest rates of gun deaths, including murders, suicides and accidental shootings. But the state has loosened restrictions on gun ownership since 2019 under Lee’s leadership. Last year, it joined more than a dozen other states that allow most adults 21 and older to carry handguns without first clearing a background check, obtaining a permit, or getting trained on firearms safety.

Asked whether the rise in gun violence constitutes a public health crisis, Lee called it a “serious and rising problem” and added that his executive order is a “first step” in addressing it.

“If we work together and implement the things that we have put in place in our state and strengthen those things — and we will be strengthening them over the next months — then we can work together to ensure that our schools are in fact safe places,” Lee said.

He added that he wants every Tennessee K-12 campus eventually to have a school resource officer and noted that his 2019 grant program has helped place more than 200 officers in public schools.

Marta W. Aldrich is a senior correspondent and covers the statehouse for Chalkbeat Tennessee. Contact her at maldrich@chalkbeat.org.

Chalkbeat is a nonprofit news site covering educational change in public schools.

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We Recommend We Saw You

We Saw You: Wake Up and Smell the Gravy

I was a spaghetti gravy (don’t say “sauce”) contest judge once again at the Memphis Italian Festival presented by the Holy Rosary Catholic Church parish. In addition to getting a great purple (my favorite color)-and-white festival T-shirt, I got to taste gravy at three of the booths.

And, I have to add, all three were exceptionally good. They were so good, I asked for second helpings at each booth. 

I love to tell people I was a judge at the very first festival, which was held in 1990. That year it was called “Holy Rosary Spaghetti Festival.” Sixteen teams participated that year. Now, it’s a sprawling festival with numerous teams in Marquette Park.

I’ve been a spaghetti gravy judge many times over the years at the “Italian Fest,” including last year’s scaled-down-event. That festival, held June 5th, featured 27 teams, but the event wasn’t open to the public. It was held without the live music, throngs of people, and several days and nights of partying. It also was held in front of Holy Rosary school instead of in the park.

This year’s event, which was held June 2nd through 4th, was business as usual with 36 teams and live music each night on the Chuck Hutton Main Stage.

Maggie Miller and Anna Powell at Memphis Italian Festival (Credit: Michael Donahue)
Rhett, David, and Tyler Stamm at Memphis Italian Festival (Credit: Michael Donahue)
Johnny Fleming and Brian Fleming at Memphis Italian Festival (Credit: Michael Donahue)

It was fun talking to people on the teams.

I love the stories from gravy makers Anna Powell and Maggie Miller from the Meatball So Hard team.

The base of the recipe is from their grandmother, the late Anna Sabbatini Hill, Powell says. “She was our ‘Nona,’” she says. But, she adds, “Everybody put their own spin on it over the years. She changed it almost every time she made it depending on what she had in the fridge.”

Her grandmother also used to separate the various ingredients when she put them in the pot. “Your base always started with the celery, onion, and carrots. The carrots acted as the red of the flag, even though they weren’t red. She put them in that order so when you looked down in the pot you’d see the colors of the Italian flag. So, that way you knew you were going in the right direction.”

The first thing I noticed was how tomato-y their gravy tasted. Which is a good thing as far as I’m concerned. In their gravy, for the first time, they used tomato juice that a family friend bottled and saved when canning home grown tomatoes, Powell says.

Jay Foreman, who made the gravy at Bats Amore, is a professional chef. While talking about his gravy, he told me, “The gravy’s like the chef: thick and crunchy.”

I love the clever booth names. Looking at my map I saw “Foodfellas,” “Ciao, Y’all,” “Pastafarians,” and “Eat, Drink & Be Italian.”  

Teams get creative with their names and logos at Memphis Italian Festival. (Credit: Michael Donahue)
Julie Earnest and Jackson Earnest at Memphis Italian Festival (Credit: Michael Donahue)
Ciao Y’all team members at Memphis Italian Festival (Credit: Michael Donahue)
Members of the Ciao, Y’all team at Memphis Italian Festival (Credit: Michael Donahue)

Booths had themes. Pasta la Vista’s theme had to do with the 1980s. Team member Evan Wilson wore a pair of pink socks that weren’t Italian-centric. They featured a chicken-and-waffle design. But, Wilson says, “It was the hottest pink neon thing I could find ‘80s.”  

Pasta La Vista at Memphis Italian Festival (Credit: Michael Donahue)
Kyra Howard and Daniel Webster at Pasta La Vista booth at Memphis Italian Festival (Credit: Michael Donahue)

Vickie and Richard Ranson were back as cooking contest and judging team chairs.

This year’s Spaghetti Gravy Contest winners:

First place: Foodfellas

Second place: Thursday Night Italians

Third place: Italian Gravy Train

Fourth place: Pastafarians

Fifth place: Molti Cuigini (Many Cousins)

Sixth place: Venetian Villa’ns

Wood Rodgers and Caroline Peters at Memphis Italian Festival (Credit: Michael Donahue)
Gwendolyn and Ernie Vescovo at Memphis Italian Festival (Credit: Michael Donahue)
Hunter Black at Memphis Italian Festival (Credit: Michael Donahue)
We Saw You
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Politics Politics Beat Blog

A Witness to History

Journalism is, in a much-repeated phrase, the first draft of history. And Memphians had the opportunity last Friday to hear directly from one of the foremost active draftsmen when The New York Times reporter Jonathan Martin and 9th District Congressman Steve Cohen engaged in a dialogue at Novel bookstore.

The subject was This Will Not Pass: Trump, Biden, and the Battle for America’s Future, the best-selling volume co-written by Martin and fellow Times reporter Alexander Burns. (Simon & Schuster 455 pages, $29.99)

Acknowledging that a fair-sized library now exists of books written about the tumultuous rear-end of the Trump presidency, Martin explained: “We felt like we could do something that was more lasting, and that would have some more endurance, and perhaps even be looked back on by historians in the future, to get at what happened in this tumultuous period of American politics. But we had to do something bigger, too. Yes, 2020, but also 2021. And we didn’t just want to make January 6th a tacked-on epilogue, we wanted to make the 6th what it is — a central event in American history.”

The volume he and Burns ended up with, said Martin, “captures the totality of the American political system — president, congress, but also governors and mayors, too. We have a lot in there about politics beyond Washington, as well.”

Jested Cohen: “The title of the book captures that. When I first saw it, I thought it you were talking about all of the House bills. They shall not pass, either. But it’s about the fact that this is going to keep going.”

Confirming that last point, Martin said, I think that the larger thrust is that we’re still living this permanent campaign, that it’s not just Trump, it’s sort of the polarization in American politics that defines everything today in government. And that certainly didn’t end in November of 2020. That’s alive and well —  that sort of tribal tug between red and blue.”

The book begins in March of 2020, said Martin, “because two big things happen [then]. Biden gets the nomination and COVID hits America. I think those two events kick off more or less the 2020 campaign cycle.”

Martin noted, “There’s nothing in the Constitution about a losing candidate for President calling the winner or conceding defeat. It’s taken place over the years and we assume it will happen, but like a lot with Trump, you can’t make any assumptions about what is or is not going to happen.”

Cohen, playing the part of interlocutor, said, “I knew that he wouldn’t. He probably wouldn’t concede, he said in 2016. If he lost, he wasn’t  going to concede. It would depend on whether he won or not. But nobody really thought that he would go on for months and months and years and continue with this, the Big Lie. You did a lot early on in the book about Kevin McCarthy when he found out.”

Martin, in a tongue-in-cheek reference to the House Republican leader, said, “Yeah, your good friend and colleague, Kevin McCarthy.”

Cohen expanded: “Let me tell you, for those of you who don’t know much about Kevin McCarthy. Most of  y’all are old enough probably to know of a guy in Memphis named Clair VanderSchaaf. Clair VanderSchaaf was sharper than Kevin McCarthy.” (VanderSchaaf was a Republican member of the Shelby County Commission back in the early ’80s when Cohen was a Democratic member of that body.)

Martin described McCarthy as a onetime back-bencher from California, who, as a state senator there, had “loved the celebrity aura around [Governor Arnold] Schwarzenegger. That was a sort of magnetic thing for him serving with Schwarzenegger, and he gets to Washington in 2006.” Years later, in Donald Trump’s time in the White House, McCarthy had worked his way into the Republican leadership. “And here’s Kevin McCarthy. He’s flying on Air Force One. He’s at Mar-a-Lago. He’s at Camp David, he’s in the West Wing, and that is heavy stuff for Kevin McCarthy, because [he was] unlike a lot of senior lawmakers who’ve seen all the trappings. He really enjoyed that. So McCarthy realized that he had, in pretty short order, to get close to Trump and stay close to Trump. That was, for four years, the name of the game for Kevin, up until January 6th.”

One of the Martin-Burns book’s news-making disclosures involved excerpts from tapes that Martin got access to, making  it clear that McCarthy was aghast at Trump’s role in fueling the January 6th insurrection and was casting about for the best way of getting the defeated president out of office as quickly as possible — whether by the 25th Amendment or by persuading Trump to leave voluntarily. “He’s desperate to get Trump out of office,” Martin said. Finally, the GOP House leader decided “the Democrats are going to impeach him anyway.”

As we know, however, the impeachment by the House failed to get a conviction in the Senate, and McCarthy found it expedient to cozy back up with Trump.

Then there was the case of Senate Republican Leader Mitch McConnell, also repulsed by Trump’s role in the crisis. Said Martin: “I see McConnell late on the night of January 6, walking out of the Capitol, [about] one in the morning. He sees me, and beckons me, and says, ‘What do you hear about the 25th?’ And what he means by that is, what are you hearing among your sources, both in Congress and in the cabinet, about getting Trump out of office with the 25th Amendment? That’s a pretty extraordinary thing to even consider, but he’s looking for intelligence at one in the morning about how we get Trump out of office, the 25th Amendment, and I told him what I’d heard, which was mostly speculation. And then I turned to McConnell and said, ‘Well, how are you feeling right now?’ That’s not a question I would typically ask — how he’s feeling about things. He’s not the Barbara Walters type of guy.”

Martin said that McConnell told him he felt exhilarated. “How could he feel exhilarated? Given the last two days — including a Georgia Senate election that would cost McConnell his Senate majority? He said Trump put a gun to his head, ‘and he pulled the trigger. And he’s totally discredited now.’ Because the thought process then was, you know, this is [McConnell’s] Liberation Day. He got everything out of Trump that he could: Three justices,  a tax cut, and now this guy has gone and he’s discredited himself so he could wash his hands of the guy entirely. This is a win-win, right?”

But after a first-blush excoriation of Trump on the Senate floor, McConnell, too, would fall silent.

Asked by Cohen who had fared well in the crisis, Martin named, among others, the U.S. military (for steering clear of any complicity with the abortive presidential coup), Vice President Mike Pence, who resisted Trump and did his constitutional duty in certifying the electoral votes on January 6th, and House Speaker Nancy Pelosi.

Martin was one of the few reporters (“maybe the only one,” he said), who had first-hand experience of the forced removal of senators from the chamber during the insurrection. “All  those moments that you see in [the book] are what I witnessed, including [South Carolina Republican] Lindsey Graham, famously shouting as Capitol police officers were briefing the senators. When they were in seclusion, the Capitol police officers were trying to keep the senators apprised of what was happening. But they didn’t really have a ton of information, because they didn’t know if the Capitol was secure yet. And so this poor Capitol police officer is saying, ‘you know, we’re trying to figure out what’s happening over there, and we’re doing our best. Please remain calm here.’ He’s just biding time. And Graham shouts him down and says, ‘You do whatever is necessary. Use any force necessary. Retake the hill, but that’s the seat of American government!’ in a demanding sort of tone. And [Democrat] Sherrod Brown from Ohio is in the back of the room and says ‘Shut up, Lindsey!’ And then somebody else says, ‘There’s no cameras on, Lindsey!’ ” 

As in the book itself, there was more to talk about on Friday, much more, including the unhappy current predicament of Trump’s successor in the presidency, Joe Biden.

Will Biden run again? Martin: “The great question now that every Democrat is talking about privately at least is, what’s Biden going to do? And when’s he gonna do it? And I think if this midterm really turns out Democrats, and effectively it becomes a vote of no confidence in the current government, like you’d have in a parliamentary system, I think the pressure on Biden really increases to make up his mind. And I think that clock starts ticking on midnight of Election Day this year, that he’s got to start giving some guidance as well.”

Cohen’s response: “I don’t think he’ll run. Yeah, he’s got to say he’s gonna run because otherwise he’s a lame duck. Right. But I think the realities are it’s not going to be. The polls are atrocious and he’s getting older every day.”

The conversation was well worth a listen, and the book wholly deserving of a read.

Guilty disclosure: Martin, who passes through Memphis fairly often, credited the Memphis Flyer with being an important source of local information for him, political and otherwise. “I never fail to pick up a copy when I’m here.”