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We Recommend We Saw You

We Saw You: Elvis is Everywhere at Elvis 7s Rugby

One of my all-time favorite events to cover is the Elvis 7s, the annual rugby tournament honoring Elvis presented by the Memphis Blues Rugby Club. I’ve covered it for decades. It’s such a uniquely Memphis thing.

Games are played against the soundtrack of Elvis recordings, including, appropriately, All Shook Up and Suspicious Minds, the latter with its words “Caught in a trap.” (Or, more fittingly for the occasion, a “maul,” which means being physically detained by the opposing team). An Elvis trivia game is played and, there’s a “Mister Sideburns” contest, in which players with various sizes and shapes of sideburns compete against one another as they sing a snippet from an Elvis song. The winner is usually given some kind of an Elvis memento.

Elvis 7s, which celebrated its 35th anniversary this year, was held August 6th (the event is traditionally held the first Saturday of August). The tournament, which for some years was held at USA Stadium in Millington, was back at its old stomping (literally) ground at McBride Field in Toby Park.

Pablo Sierra at Elvis 7s (Credit: Michael Donahue)
Julie Sandridge and Shaniah Jones at Elvis 7s (Credit: Michael Donahue)
Billy Dyer and Sally Kissinger at Elvis 7s (Credit: Michael Donahue)
Ricky Speed at Elvis 7s (Credit: Michael Donahue)

In years past, the late Bill “Dollar Bill” Walker dressed as Elvis and his wife, now Sophie Duffel, dressed as Priscilla Presley. They were driven onto the field in a pink Cadillac. There also were Priscilla contests with competing women rugby team members in beehive hairdos.

The T-shirts are always great. This year’s shirt featured a drawing of Elvis in a rugby uniform with long socks. Troy McCall, a Memphis Blues Club alumnus came up with the image, which he’d used on previous T-shirts. McCall, a former Elvis 7s tournament director, has designed the Elvis 7s T-shirts for “at least 20 years,” he says.

Troy McCall and Alex Beckett at Elvis 7s (Credit: Michael Donahue)
Michael Donahue and rugby player John Elmore have a sideburns face off at Elvis 7s (Credit: Caleb Johnson)
Gerald Williams, Christian Flynn, and Reagan Rukstad (Credit: Michael Donahue)
Blink and Emac at Elvis 7s (Credit: Michael Donahue)
Watching the action at Elvis 7s (Credit: Michael Donahue)

Wally Dyke, who founded the event, wore one of McCall’s 2011 Elvis 7s T-shirts, which featured an image of Elvis’s face with a Maori tattoo. “That year the Elvis 7s T-shirts were based on the fact that Rugby World Cup was being hosted in New Zealand,” McCall says. “Maoris are indigenous to New Zealand and are part of the culture.”

Wally Dyke at Elvis 7s (Credit: Michael Donahue)

McCall attended the World Cup that year, and was wearing the shirt at a bar in New Zealand. McCall saw a Maori man with a tattooed face on the other side “staring daggers at us,” he says. He wondered if the man was disturbed by the shirt. McCall walked over and said, “Hey, man. We’re from the states and we’re here for the Rugby World Cup. I wanted to know, do you find this offensive?”

“He said, ‘Nah. That’s one of the best shirts I’ve ever seen. I’d love to have one.’ I literally took off the shirt I was wearing and gave it to him. And he gave me the shirt he was wearing.”

Another tidbit about that shirt: “If you look at the bottom left part of his face, the left cheek and jaw, it actually says ‘Elvis’ within the design.”

The first Elvis 7s event was in 1987. “It had four teams and he (Dyke) brought his stereo from home and hung his speakers from a tree,” McCall says.

“A cassette player,” Dyke says.

And, he added, “After that first year I think we had 12 teams. Then we got to our maximum of 16, the most we can do in a day.”

Taylor Osment at Elvis 7s (Credit: Michael Donahue)
Noelle Equi and Gerald Williams at Elvis 7s (Credit: Michael Donahue)
Ladarius Holt, Majors, D’untae Barner at Elvis 7s (Credit: Michael Donahue)
Lacey Magee and William Blake at Elvis 7s (Credit: Michael Donahue)

Tournament director Rob Reetz says 16 teams from the Mid-South (Tennessee, Arkansas, and Alabama) took part in this year’s Elvis 7’s.

Rob Reetz and Troy McCall at Elvis 7s (Credit: Michael Donahue)
Chris Lemons, Jonathan Brewi, Ian Rasmussen, Spencer Hansen at Elvis 7s (Credit: Michael Donahue)
Kathy Camire, Jen Johnson, Hayley Wood, Savannah Austin, Jessica Willis, Katie McCord at Elvis 7s (Credit: Michael Donahue)
Collin Kita at Elvis 7s (Credit: Michael Donahue)

“It went great,” Reetz says.”We had absolutely no issues at all.”

And no rain. I actually covered the event one year when it poured. I stood in muddy water in a tent with a bunch of soggy players while rain pelted the roof. I can’t recall if Kentucky Rain was playing.

“I’ve actually never been to an Elvis (7s) where it rained,” Reetz says.

Knock on wood. 

Or, as the King says, “If you can’t find a partner use a wooden chair.”

Oskar Recio at Elvis 7s (Credit: Michael Donahue)
Fara Captain and Cayden Michael Captain Claude at Elvis 7s (Credit: Michael Donahue)
Michael Donahue and August Moon Stevens at Elvis 7s (Credit: August Moon Stevens)
Jordan White at Elvis 7s (Credit: Michael Donahue)
Elvis 7s
We Saw You
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Film Features Film/TV

Music Video Monday: “Kill Everyone” by …And You Will Know Us By The Trail of Dead

This week, we have a Music Video Monday rarity. Since I started MVM many moons ago, it has been dedicated to showcasing Memphis artists, whether they are the musicians or the filmmakers. Normally, I have more than enough submissions—my backlog has been up to three months deep at some points. But this Monday, I found myself in a curious situation. I have several Memphis-based music videos scheduled for future dates, to coincide with record releases and upcoming shows, but none are available for this week. Luckily, I got a submission from a great band for whom I am willing to make an exception to my “Memphis-only” policy.

…And You Will Know Us By The Trail of Dead are an Austin, TX outfit whose 2002 album Source Tags and Codes was a seismic event in indie rock. Blending the thick-as-molasses guitars associated with shoegaze with the frantic tempos of pop-punk and a lyrical approach that is simultaneously intellectual and visceral, Conrad Keely and Jason Reece have been tearing up stages around the world for the better part of two decades.

When their 2020 tour was interrupted by the Covid pandemic, Keely and Reece found themselves faced with nothing to do for the first time in their careers. So they decided to take their time recording a new album, which would become XI: Bleed Here Now.

“We came up with a basic plan, based on VH1’s Behind The Music and Classic Albums documentaries of  the albums we loved––Led Zeppelin, Rush, Peter Gabriel, Kate Bush, Fleetwood Mac, Pink Floyd,” says Keely. “We would do it like a lot of them had done before. Instead of paying hourly rates at some hip, high-tech professional studio, we would find a spot we could afford to lease for a couple months so that we never felt stressed for time, and in a relaxing location that would put us at complete ease and make us look forward to showing up every day.”

Now, with an acclaimed new album, Trail of Dead is back on the road. One of their first stops on the new tour will be in Memphis on August 13 at the Hi-Tone. The video for “Kill Everyone” gives you a sense of what one of their legendary live shows is like. Directed by Sam Rich and Andrew Leeper, and filmed live at Austin’s Chess Club, is an old-school sonic blaster. Strap in:

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

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Food & Drink Hungry Memphis

Best Bets: Stuffed Celery (and Cool T-shirts) at Pete & Sam’s

I recently discovered two things I didn’t know about Pete & Sam’s Italian restaurant.

The stuffed celery I’ve seen on the menu for decades is absolutely delicious.

And they have a great T-shirt bearing a picture of the late Sam Bomarito as “The Godfather” from the 1972 movie of the same name.

First, the stuffed celery. Someone in the group I was with recently ordered it. It comes with black olives, peppers, and lots of lettuce with paprika sprinkled around. You get four celery sticks.

I was blown away. I took a photo and posted it on Facebook. As of this writing, that post has 222 “likes,”  69 comments, and four shares. And you know how we all like “likes.”

I called Sammy Bomarito, one of the restaurant owners, to ask him about the history of their stuffed celery and the T-shirts with the picture of his father, one of the founders of the restaurant.

The gorgonzola cheese-based celery sticks filling includes mayonnaise, garlic, and green onions, Sammy says. “We’ve always had it on the menu,” he says. “It’s been on the menu for as long as I can remember.”

He’s not sure who put it on the menu, but he thinks it was “one of Miss Vita’s dishes.” That’s the late Vita Gattuso, Sam’s sister. “Something she came up with.”

It seems like I’ve seen the stuffed celery sticks on the menu forever, but I never ordered them. “It’s always been popular,” Sammy says.  “It’s kind of one of those hidden things. If you’re zipping over the appetizers your eye might go to the toasted raviolis or something else. But it’s always been there.”

When I went to Pete & Sam’s the other night so server Gabe Roberts could take a photo of me for the story, I asked server Nick Musarra about the stuffed celery. He says, “I sold six or seven of them last night.”

Stuffed celery at Pete & Sam’s (Credit: Michael Donahue)

As for those T-shirts, they’ve been around for four years, Sammy says. His brother, Michael Bomarito, also an owner of the restaurant, designed it. “It was based on The Godfather and he substituted Sam’s picture for it.”

The T-shirts have been “very popular,” Sammy says. “We’ve had probably four or five T-shirt runs on those, for sure.”

And, he says, they’ve probably sold 1,000 of the T-shirts over the years.

So, slip on a T-shirt and kick back with a tray of stuffed celery sticks and maybe a basket-wrapped bottle of chianti and imagine Nino Rota’s theme from The Godfather playing in the background.

But it might have to contend with one of Pete & Sam’s Frank Sinatra recordings.

Pete & Sam’s is at 3886 Park Avenue; (901) 458-0694

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From My Seat Sports

Destination: Southwind

Nearing the end of his rookie season on the PGA Tour, Chad Ramey will be in the field at this week’s FedEx St. Jude Championship. Having earned his first win in March, Ramey has reached 80th in the FedExCup standings. (The top 125 players will compete at Southwind in the first of three playoff tournaments.) The Fulton, Mississippi, native — a graduate of Mississippi State —  shared some thoughts before making his playoff debut.

What have you learned about yourself as a rookie on the PGA Tour?

I’ve been able to go to a lot of new places, and play a lot of great golf courses. I can’t complain at all, picking up my first PGA Tour win. I wish I’d been a little more consistent, but I’ve learned a lot, and can build off that.

What stands out in your memories of that win at the Corales Puntacana Championship?

Those four rounds were really good, but they were far from perfect. You don’t have to be perfect to win. You’re gonna miss golf shots. It’s whoever moves on and gets over them the quickest. I can get in trouble with myself when I want everything to be perfect. Sometimes things can be good, and you create a problem in trying to make them better. I’m working on that.

Did nerves hit you on Sunday?

No doubt. They were there from the first tee to the last putt. I kept telling myself they’re just thoughts, feelings. Stay within myself and execute the game plan. Trust that hard work will pay off.

Have you played Southwind? 

I Monday-qualified [for the FESJC] in 2015. And being so close to home, I’ve actually played it quite a bit. I really like the course. I’ve never played it as firm as it was during the tournament. The PGA Tour is going to set it up as firm and fast as they can. I think it’s very fair. If you can get the ball in position off the tee, you’ll have enough scoring clubs in your hand. 

This is the first time in Memphis for the FedExCup Playoffs. What’s your perspective as a player on the magnitude of the event?

Everyone’s going to be on high alert, hoping to make the top 70 and get to Delaware [for the second playoff tournament]. This will be my first playoff experience. Can’t wait to be there.

Have you visited St. Jude? Any thoughts on the charitable impact the FESJC makes?

It’s absolutely amazing, what St. Jude does. I haven’t had the chance to visit the hospital, but I’d love to. The caddy bibs, with the pictures the children draw . . . it’s a great foundation. I couldn’t be more proud of what St. Jude does.

The Saudi-backed LIV Golf tour has shaken the sport this year. Do you have thoughts on the changing landscape?

Golf’s in a weird spot right now. I haven’t put a lot of thought into it, to be honest. I’ve tried to be focused on the PGA Tour. My entire life, this is where I’ve wanted to play. And I’m staying true to that.

You attended the Masters as a fan when you were 10 years old. What would playing at Augusta mean to you at this stage of your growing career?

It would mean everything. I’ve never played there. It would be special to finally get there. A dream come true. The ultimate goal was to play on the PGA Tour, but for the Masters to come along with it . . . that would be special.

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Music Music Blog

Remembering John King’s Passion for Recorded Music

This week’s cover story, The Vinyl Countdown, came out just as the city was reeling from the news of John King’s death at the age of 78. Sherman Willmott, who knew King well and helped create the Memphis Listening Lab last year on the strength of King’s thousands of records, CDs, and music-themed books, wrote on Facebook at the time:

Not going to lie. This one hurts. I’ve met so many great people in the music biz, but John King is Tops of the Pops. Huge loss for Memphis and a big loss personally. One of a kind person, always funny and so anti-cool, he’s too cool. Truly the Spirit of Memphis like Bowlegs Miller or Jim Spake — guys who get stuff done behind the scenes in a quality way and aren’t superstars but make things shake, rattle, & roll … defining exactly what people actually love about Memphis. Godspeed to the King of Memphis!

Indeed, King was a pivotal player in the city during its musical zenith, as a promoter, program director, and studio owner, having initially co-founded Ardent Studios with fellow teens John Fry and Fred Smith in 1959. I reached out to Willmott to hear more of his thoughts on the King of Memphis, the man who collected it all, John King.

John Fry and John King, experimenting with studio design as teens (Photo courtesy Memphis Listening Lab).

Memphis Flyer: John’s career was multi-faceted. He saw the Memphis music business from a lot of sides, wouldn’t you say?

Sherman Willmott: Oh definitely. From the little stories he would tell, his whole life was fascinating from the beginning, when they were kids, getting into rock and roll just as it was starting. He grew up with rock and roll, chasing the records. Whether it was him taking the bus downtown to Home of the Blues record shop on Beale, or later with Terry Manning and their buddies getting on the phone to call in mail orders of Beatles records from England. He was very aggressive and determined to get whatever it was he was searching for. And that paid off with his incredible collection.

His work as a record promoter also fed into that.

To me, some of the most interesting tales he would tell were from when he went on the road with the Stax PR people, or the radio people, and they’d go into mostly African American stations. John of course was the token white guy, pushing the rock and roll stuff, but he loved all the music. He particularly loved the hustle and working with the DJs and A&R guys and promo men. That to me is fascinating. It’s like that book, Hit Men. About how you actually got records played. John lived that life. And he lived a life of no regrets.

And one reason he did it was that [Stax president] Al Bell really took him under his wing. So he had an entrée into that world, because of Stax and their muscle. The Stax promotional team was great, with Deanie Parker and those folks. John may have not had an office at Stax, but he certainly knew everyone there. They were friends. There was a lot of overlap between John, Stax, and Ardent.

And he was like a kid in a candy shop. They had worked in radio as teenagers, but to visit stations in a city like Philadelphia was a whole other level. He was pushing records, but I’m sure it wasn’t “pushing” to him; he was just talking passionately about some record they were promoting. Of course, he also would have a tip sheet, and that was another way he had a reciprocal relationship. He would promote other people’s records, and that was a way for him to stay on top of things and get more records for himself, which was a perk.

His collecting covered a lot of genres, didn’t it?

He liked everything, and he had really good taste. So he was getting other people’s new releases, at a time when there was so much great music coming out in every genre. His timing in life couldn’t have been better, I think.

What had he been doing in more recent years?

He always had his hand in the music business. But once the Ardent label went on the shelf for a while (because it never really shut down completely), and Stax went out of business, people in the music business here either went to L.A. or Nashville, generally. Or they fought over the scraps that were left, in the “Disco Duck” era, when studios weren’t as busy. From 1967 to the early ’70s, when American and Stax were going, and Elvis was recording in town, and everyone from Paul Revere and the Raiders to Ronny Milsap to Dan Penn was here, Memphis was on top of its game. If you were there for that, and the rug got pulled out from under you around 1975, it’s like being at the club at three in the morning when the lights come on. It’s time to go somewhere else. I think there was a lot of that in general. And I think John moved around a bit, but he never completely got out of music promoting. It was his passion. He never stopped collecting.

In his collection, there’s a lot of stuff from the ’80s on 12″, when hip hop and dance music was starting to take off. And you wouldn’t think he’d be a big dance music guy, so that was a weird part of the collection. But I think he took whatever was happening in the music business.

I think the big turn for him was in 2000, or the late ’90s, when he started getting into internet radio. I think at that point he was formulating a game plan for what to do with his collection, and that was to make programs for this station, Tiger Radio. And he collected all these yearbooks and phone books and old radio clips and ads. What he wanted to do was make each internet radio show focus on a specific date. Like, April, 1967. And he wanted to pick out people in the yearbooks and talk about them going to a specific dance to see a band. That’s how into it he was. He would play the ads from that year along with the songs. When I met John, that’s what he was into. He basically had his own massive radio station and library, and all the things you needed to do an old school radio show.

So he’d sit there with selections from his collection and digitally record internet radio shows?

Yep, he was one of the first into broadcasting music online. And he had all formats: records, CDs, cassettes, everything. But when I walked into his office the first time, it was like walking into a 1960s radio station. He had shelves and shelves of ’45s that are now in the listening lab.

Are those shows still archived online?

I don’t think they are. It was tigerradio.net. Obviously named after the University of Memphis. He was a big fan.

How did John end up giving his entire collection to the fledgling Memphis Listening Lab?

We’ll call it the collection, but I call it his life’s work. But it wasn’t about him, it was about placing that collection into the best situation possible. He was searching for the proper place for it to end up, where it would get the most public use. He wanted it to be used in the best possible way. And he and I would talk about various opportunities out there, and how much they were or were not what he was looking for. Inevitably each one was a disappointment.

And that’s why the Crosstown opportunity was so appealing to him. Before that, he had resigned himself to the fact that his collection was going to live somewhere outside of Memphis. And that would have been bad for Memphis, a missed opportunity, but also, he was concerned it would be put in the back of some university collection somewhere. One archive I visited had some amazing records, all stuck behind a cage. There was no interaction with the collection by the public. Everything was done by appointment. It was more like the records were in archival prison. At universities who take in collections, there’s usually a hierarchy. Your stuff gets put in the back because some other dude’s collection comes in. Things get lost in the university shuffle. At least in the Memphis Listening Lab, you can come in and see everything that’s available. Those records and CDs are there to be used.

You can have a ton of stuff, it doesn’t matter what stuff you have, but if no one gets to see it and the passion you put into it, what’s the point? John’s collection is really well curated stuff. It’s in great shape, and it’s also really eclectic. There was a method to his madness, and only people who go really deep into it will see that.

When we opened the MLL, he was very pleased. He took great satisfaction in seeing how it finally got built, how much care was put into the design of the space, just like he put into the design of the collection. One thing he said was, “They’re thanking me — but I’m thanking them!” Seeing him in there and enjoying the space was very positive. The last time I saw him was at the listening lab. We had a ball, sitting around listening to music, and he was at peace. The best thing was, he and his friend Tim Riley, who’d worked in promotions at Stax, went over there about a month ago. Attendance has been picking up more and more since Covid subsided. Saturdays can get pretty busy over there. So John and Tim got to see the full-on appreciation and usage of the collection. That’s the ultimate, from my point of view. That’s what really made him happy. He wanted the collection to be enjoyed by the public, with the radio station nearby and the space and the programming. It’s fulfilling the mission he desired, and he got to see it in action. That’s the payoff.

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Art Art Feature News Blog

Zoe Kahr to Lead Brooks Museum

Zoe Kahr has been named as the next executive director of the Memphis Brooks Museum of Art.

Kahr comes to Memphis from her current position as deputy director for curatorial and planning at the Los Angeles County Museum of Art (LACMA), where she led a staff of 80 professionals and oversaw the museum’s artistic programs. At LACMA, Kahr produced more than 300 exhibitions and developed new museum partnerships in Asia, Latin America, Australia, and the Middle East. She also conceived and launched Local Access, which expands access to LACMA’s collections through a series of exhibitions touring to museums in Los Angeles County and adjacent areas.

She joined LACMA in 2010 and was previously the assistant director of exhibition planning at the Philadelphia Museum of Art.

Kahr holds a B.A. in Art History (Magna Cum Laude), and an M.B.A. with a specialization in Nonprofit Management from Yale University, as well as a PhD in Art History from University College London.

She was chosen by the Board of Trustees of the museum and starts at the Brooks on November 1st, 2022. Mark Resnick, who has been acting executive director, will remain with the Brooks to facilitate a smooth transition process.

“From our first meeting with Zoe, it was clear that she was the perfect person for this role: eminently qualified, universally well-regarded among her peers, and excited to lead our museum forward,” says board chairman Carl Person. “The process undertaken by our search committee was professional, thorough, and rigorous, and concluded with the selection of the perfect candidate. Dr. Kahr’s deep curatorial experience, global perspective, and managerial acumen make her ideally suited for this position.

Kahr also led DEIA (Diversity, Equity, Inclusion and Accessibility) efforts for LACMA through its exhibitions and acquisitions, as well as through the development of programs to attract and retain staff from diverse backgrounds in the museum field. She oversaw the gallery design for LACMA’s 350,000-square-foot David Geffen Galleries, currently under construction, and secured significant funding for the project.

She currently serves on the boards of the French American Museum Exchange and FEAST (Food Education Access Support Together) Los Angeles. In addition, she is an Accreditation Visiting Committee Member and Museum Assessment Program Peer Reviewer for the American Alliance of Museums.

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Politics Beat Blog

Harris, Mulroy, Sugarmon Win the Big Ones

While Republicans in Nashville were still smarting from the defeat — early in the week — of their hopes to host the 2024 Republican National Convention in the state capital, Democrats in Shelby County were rejoicing over their second straight sweep of countywide positions in the August 4th election.

To start with the most closely followed of all the races, the one for Shelby County District Attorney General: early voting totals, coupled with mail-ins, showed Democrat Steve Mulroy well ahead of incumbent Republican DA Amy Weirich, 76,280 to 59,364. As Mulroy correctly told his delirious election-night crowd at his Poplar Avenue headquarters, barring a statistical improbability, he had become the first Democratic DA in Shelby County history.

Fellow Democrat Lee Harris, operating out of the same HQ, was comfortably ahead of Republican challenger Worth Morgan, 78,552 to 56,789, thereby winning a second four-year term as Shelby County Mayor for his own reformist mission.

Completing a trifecta of sorts, Memphis Municipal Judge Tarik B. Sugarmon had apparently won out in a four-candidate race over Republican incumbent Dan Michael for the position of Juvenile Court Judge, with 53,267 votes to Michael’s 40,720. William Ray Glasgo and Dee Shawn Peoples were also-rans.

Though his was a non-partisan race, Sugarmon, who had lost to Michael eight years earlier, campaigned at times with Mulroy and Harris. The three of them had made a ceremonial visit, late on election day, to the statue of Ida B. Wells on Beale Street, where they had issued a call for late voters to turn out. 

In other results, who would have thought that Charlotte Bergmann, largely written off as a perennial candidate for the Republican nomination for Congress in the 9th District, would dust off a new face, entrepreneur Brown Dudley,  who had  lots of money and the apparent ability to make a real race in the fall against 9th District Democratic Congressman Steve Cohen (the odds-on favorite to win again)?

Bergmann prevailed over Dudley, 9,382 to 7,811, a win for long-term party fidelity. All bets are on Cohen, though, in November. The 9th District is wall-to-wall Democratic, the last such in Tennessee after ruthless GOP gerrymandering.

8th District Republican incumbent Congressman David Kustoff easily won out in a four-candidate race to seal his renomination and will take on Democrat Lynnette Williams in the fall.

GOP Governor Bill Lee will compete in the fall with Democratic nominee Jason Martin of Nashville, winner of a three-way Democratic primary with Memphians JB Smiley and Carnita Atwater. Smiley won in Shelby County.

Sheriff Floyd Bonner, the Democratic nominee and the Republican endorsee, finished with 96,289, blowing away two independent candidates.

Assessor Melvin Burgess, a Democrat, had fairly easy going over Republican challenger Steve Cross, 51,517.

Democrat Jamita Swearengen, 79,329,  defeated Republican Soheila Kail, 51,801, for Circuit Court Clerk.

Incumbent Trustee Regina Newman, also a Democrat, had similar ease over the GOP’s Steve Basar, 80,327 to 51,746.

Incumbent Criminal Court Clerk Heidi Kuhn won 81,223, over the GOP’s Paul Houston, 49,772.

Democrat Janeen Gordon was unopposed for Juvenile Court Clerk.

Democratic incumbent Wanda Halbert survived a scare from Republican Jeff Jacobs, with 65,520 votes to Jacobs’ 54,519. Harold Smith had 13,699 in third place.

As expected, Democrat Willie Brooks won Register of Deeds, 76,801 to Bryan Edmiston’s 50,191. George “Dempsey” Summers had 4,896.

Unofficial early indications were that all Shelby County legislative incumbents won their primary races. More details to come soon on vote totals and matchups for the fall.

As anticipated, there will be 9 Democratic members of the 13-member Shelby County Commission. Winners are Amber Mills, R, District 1; David C. Bradford Jr., R, District 2; Mick Wright, R, District 3; Brandon Morrison, R, District 4; Shante Avant, D, District 5; Charlie Caswell, D, District 6; Henri Brooks, D, District 7; Mickell Lowery, D, District 8; Edmund Ford Jr., D, District 9; Britney Thornton, D, District 10; Miska Clay Bibbs, D, District 11; Erika Sugarmon, D, District 12; Michalel Wehaley, d, District 13. 

The most competitive Commission race was between Whaley, with 7,036 votes,  and Republican Ed Apple, 6,702.

Judicial Results:

Circuit court Judge Division I, Felicia Corbin-Johnson

Circuit Court Judge, Division II, Carol J. Chumney

Circuit Court, Division III, Valerie L. Smith

Circuit Court Judge, Division IV, Gina Carol Higgins

Circuit Court Judge, Division V, Rhynette N. Hurd

Circuit Court Judge, division VI, Cedrick D. Wooten

Circuit Court Judge Division VII, Mary L. Wagner

Circuit Court Judge, Division VIII, Damita Dandridge

Circuit Court Judge, Division IX, Yolanda Kight Brown

Chancellor, Part I, Melanie Taylor Jeffe

Chancellor, Part II, Jim Kyle

Chancellor, Part III, Joe Jenkins

Probate Court Judge Division I, Kathleen N. Gomes

Probate Court Judge Division II, Joe Townsend

Criminal Court Judge Division I Paula Skahan

Criminal Court Judge Division II Jennifer Fitzgerald

Criminal Court Judge Division III, James Jones

Criminal Court Judge, Division IV, Carolyn Blackett

Criminal court Judge Division V, Carlyn Addison

Criminal Court Judge Division VI, David Pool

Criminal court Judge Division VII, Lee V. Coffee

Criminal Court Judge, Division VIII, Chris Craft

Criminal court Judge, Division IX, A. Melissa Boyd

Criminal Court Judge, Division X, Jennifer J. Mitchell

General Sessions Civil Court, Division 1, Lynn C obb

General Sessions Civil Court, Division 2, Phyllis B. Gardner

General Sessions Civil Court, Division 3, Danielle M. Sims

General ESessions Civil Court, Division 4, Deborah Henderson

General Sessions Civil court, Division 5, Betty Thomas Moore

General Sessions Civil Court, Division 6, Lonnie Thompson

General Sessions Criminal Court, Division 7, Bill Anderson

General Sessions Criminal Court, Division 8, Lee Wilson

General Sessions Criminal court, Division 9, Sheila Bruce-Renfroe

General Sessions, Criminal court, Division 10, Greg Gilbert

General Sessions Criminal court, Division 11, Karen L. Massey

General Sessions, Criminal Court, Division 12, Ronald Lucchesi

General Sessions Criminal Court, Division 13, Louis Montesi

Environmental  Court Division 14, Patrick M. Dandridge

General Sessions Criminal Court, Division 15, Christian Johnson

These judicial results, preliminary only, are subject to appeal and possible recount. Several races are very  close.

County School Board District 1: Michelle McKissack

County School board, District 6, Keith Williams

County School Board, District 8, Amber Huett-Garcia

County School  Board, district 9, Joyce Dorse-Coleman

Categories
News News Blog News Feature

Federal Menthols Ban Moves One Step Closer to Reality

The process to possibly ban menthol cigarettes got a step closer Monday, while the move got the nod from a high-ranking politician, and the disapproval from the convenience store lobby. 

The U.S. Food and Drug Administration (FDA) announced the long-awaited move toward a menthol ban in April. The agency has worked on the issue since at least 2011. A 2009 law banned all flavors in cigarettes, except for tobacco and menthol. 

The FDA estimated in 2019 that more than 18.5 million people aged 12 and up smoked menthols in the U.S. It recorded high rates of use by youth, young adults, African-Americans, and other racial and ethnic groups.

The FDA said banning menthol cigarettes in the U.S. would lower smoking by 15 percent nationwide in the next 40 years, and over that time, an estimated 324,000 to 654,000 smoking deaths overall and 92,000 to 238,000 African-American deaths could be avoided.

The FDA opened the proposal up for public comment in April, a necessary step in federal rule-making. The comment period was expanded by 60 days in June at the urging of lobby groups advocating for convenience stores, truck stops, and marketers of gasoline and diesel. That comment period closed, getting the move one step closer to reality, on Monday. 

U.S. Rep. Frank Pallone, chairman of the House Committee on Energy and Commerce, told the FDA he approved the move to ban menthols in a letter this week. He said menthols are the only flavored cigarette left on the market, they “make smoking less harsh and easier to inhale,” thereby helping people — and many young people — to start smoking. 

“Research has found that tobacco companies controlled the menthol levels in their cigarettes to increase brand sales among specific groups and gain market share,” Pallone said in his letter. “Even more concerning, the tobacco industry has aggressively targeted marketing of menthol cigarettes to specific populations and certain racial and ethnic groups, particularly Black Americans and young people.” 

In June, the Association for Convenience & Fuel Retailing (NACS) said banning menthols “would decimate businesses operated by hardworking men and women” who legally sell legal products. Banning menthols — or any legal product — “for consenting adults has never and will never be good policy.” 

NACS said the menthol market accounts for about 34 percent of cigarette sales, and that flavored cigars account for 51 percent of cigar sales. Banning these products, the group said, will push their sales to “the illicit market.”

“History has proven that prohibition of a legal product that has an established user base doesn’t work and has negative consequences for our communities,” stated Anna Blom, NACS director of government relations. “Unfortunately, many current users of these products will seek out illicit sources who don’t check IDs and who sell counterfeit products smuggled into the country.”

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Sports Sports Feature

901 FC Takes Three Points in New York

As Aaron Molloy’s 70th-minute cross curved closer to Phillip Goodrum, most fans could be forgiven for already being on their feet. For if there’s one sure thing this season, it’s that Goodrum is just going to keep on sticking the ball in the back of the net. But long before the forward headed in his 13th goal of the season, it was pretty clear that 901 FC’s winning ways would continue on a trip up East to challenge New York Red Bulls II. Before some hasty retyping during the last few minutes of the game, the bulk of my report simply detailed how easy it all was for Memphis. A late consolation goal for New York brought up a few nerves, but it didn’t really matter; Memphis was always the dominant side during a 2-1 victory at MSU Soccer Park.

Really, the game was all but wrapped up by halftime. But with one caveat: Somehow, Memphis had only managed to score one goal! After a first half in which 901 FC opened fire on the New York net, the boys in the white away kits had somehow only managed to score once. The first 10 minutes were a clear indication of Memphis’ dominance, with 901 FC recording a staggering 70 percent of possession and some nice passing sequences to get into good scoring positions.

The 17th minute opener followed one such passage, midfielder Chris Allan eventually finding a streaking Jeremy Kelly in the box, who despite sprinting all the way upfield, looked like he had all the time in the world as he steadied himself and shot past Red Bulls keeper Giannis Nikopolidis at the near post to make it 1-0 to Memphis.

All the while, Goodrum made himself a menace with a few good chances, and others chipped in as well. 901 FC’s sheer dominance, in terms of possession, winning the ball back, and locking down any Red Bull attacks never truly put the performance in doubt. In fact, New York only really had one chance of note coming in the 2nd half, with Zachary Ryan poking the ball wide in a 1v1 situation in the 60th minute. Otherwise, center backs Zach Carroll and Graham Smith, along with fullbacks Rece Buckmaster and Patrick Seagrist, locked down almost every New York incursion with ease.

And Goodrum scored what would be the eventual winner in the 70th minute, cushioning a header from Aaron Molloy’s cross past Nikopolidis. That made it a lucky 13 goals for Goodrum this season, and his fourth game in a row with a goal.

Then in the 76th, Seagrist rolled the ball across the box for substitute Derek Dodson, who just missed out on connecting for a tap-in, and the forward then couldn’t quite finish immediately after when pouncing on some slack New York passes. But shoutout to Dodson, who did what any good sub should do and made the most of all of his touches. Out on the right side, he had his way with the New York backline, frequently winning challenges, turning his marker and charging in behind, and delivering into the box to create chances for his teammates.

And honestly, other than missed chances, it was about as comprehensive a performance as you’ll see, the win almost as straightforward as they come. New York’s high defensive line and scattered pressing was suicidal against a team as adept to moving the ball upfield as Memphis. And even when a couple of the starters subbed out, the new blood kept the game ticking over nicely. After dominating possession in the first half, the second 45 saw Memphis take their foot off the gas a bit and swat away what little New York threw at them.

Of course, this is still soccer, so in the 87th, New York broke from their own half and charged into open space, Jordan Adebayo-Smith calmly finishing past Trey Muse to reduce the deficit to 2-1. Memphis quickly reasserted themselves just two minutes later, with Laurent Kissiedou playing in Dodson to a huge swathe of space on the right side of the box, but substitute David Egbo unfortunately couldn’t make a proper connection on his teammate’s inch-perfect cross. Egbo continued to get into good positions and had another late chance saved by Nikopolidis.

Ultimately, New York just didn’t really do enough to test Memphis. Now, 901 FC are up to third in the Eastern Conference, and next up this Saturday are Hartford Athletic at AutoZone Park.

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News News Blog

EPA Warns of Health Risks from Emissions at Memphis Facility

Citizens living around the Sterilization Services of Tennessee facility (2396 Florida Street) are at an elevated risk of harmful emissions and the federal government will visit with them soon. 

The U.S. Environmental Protection Agency (EPA) will visit 20 communities across the country to discuss the risks posed by air emissions of ethylene oxide (EtO). Those community meetings will also help inform the EPA as it develops tighter standards for the Clean Air Act as it pertains to EtO. 

“EPA analysis indicates that the air near facilities like Sterilization Services of Tennessee does not exceed short-term health benchmarks,” the agency said in a statement. “However, the concern is that a lifetime of exposure to EtO emissions could lead to long-term health impacts if some of the facilities continue to emit at the current levels.”

Sterilization Services of Tennessee uses the gas to sterilize medical equipment and has eight employees, according to the EPA. It has been in operation in Shelby County since 1976 and has been permitted by the Shelby County Health Department (SCHD) since 1985. 

The facility is in compliance with the EPA’s current rules. But the agency has “new information about EtO emissions at certain commercial sterilizer facilities” that will be shared during the community meetings. The community meeting in Memphis is set for September 8th. Click here for more information. 

Credit: U.S. Environmental Protection Agency

A risk map of the area around Sterilization Services (above) shows the lifetime cancer risk of those who live near the facility. The risk is greater for those who live next to the facility between Industrial Avenue and Bodley. But the risk map includes an area that spreads from Peebles in the south, South Parkway in the north, Lauderdale in the east, and (roughly) Riverside drive in the west.   

EtO is a colorless and flammable gas that is used in making other chemicals and products like antifreeze and plastic bottles, and to sterilize medical equipment and some spices, the EPA said. 

Exposure risks include eye pain, leukemia, and spontaneous abortion.

Here’s what the Occupational Safety and Health Adminstration (OSHA) says:  

“In addition to eye pain and sore throat, exposure to EtO can cause difficult breathing and blurred vision. Exposure can also cause dizziness, nausea, headache, convulsions, blisters and can result in vomiting and coughing. 

“Both human and animal studies show that EtO is a carcinogen that may cause leukemia and other cancers. EtO is also linked to spontaneous abortion, genetic damage, nerve damage, peripheral paralysis, muscle weakness, as well as impaired thinking and memory. In liquid form, EtO can cause severe skin irritation upon prolonged or confined contact.”

Here’s what the EPA says:

“Major effects observed in workers exposed to ethylene oxide at low levels for several years are irritation of the eyes, skin, and respiratory passages and effects to the nervous system (e.g., headache, nausea, memory loss, numbness).

“Some evidence exists indicating that inhalation exposure to ethylene oxide can cause an increased rate of miscarriages in female workers. Various reproductive effects have been noted in inhalation exposure studies of animals, including decreased number of implantation sites, decreased testicular weights and sperm concentration, and testicular degeneration. 

“Human occupational studies have shown elevated cases of lymphoid cancer and, also breast cancer in female workers. Ethylene oxide has been shown to cause lymphoid cancer and tumors of the brain, lung, connective tissue, uterus, and mammary gland in animals exposed to ethylene oxide by inhalation.”