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Letter From The Editor Opinion

From Intern to Editor

Hello, dear readers. You’ve probably seen my name within these pages by now, mostly in this space or in the back in Last Word or a byline to the occasional music or food feature. Today, you’re seeing it for the first time with me as this paper’s editor-in-chief. And I’d like to formally introduce myself.

I picked up my first copy of the Memphis Flyer more than 20 years ago as a fledgling writer — and an outspoken, screw-the-system teenager — on the newspaper staff at my northern Mississippi high school. Once a week, I’d drive to my favorite local music store, Disc-O-Tech (shout-out to Tomcatt who’s still keeping it going in Southaven!), and grab a copy. It gave me easy access to the big city that then felt worlds apart but lay just across the state line. In many ways, the paper’s voice — edgy, bold, and unapologetic — matched that of mine, even then, as a determined kid with much to learn.

It was nearly 15 years ago that I drove to the Memphis Flyer offices for the first time, then housed on Tennessee Street Downtown, with a slip of paper in my hand and a dream in my heart. On the paper were handwritten directions, given to me over the phone by senior editor Michael Finger, who I’d be interviewing with for an internship position. In my final year as a journalism major at the University of Memphis, I was nervous but excited at the prospect of seeing behind the scenes, learning from the company’s talented staff of writers and editors — and being a part of making the magic happen.

A bonus — for me, as a Mississippi Delta native who’d always yearned for big-city life — through an editorial internship, there were endless opportunities to learn more about Memphis from on the ground, by talking to community movers and shakers, artists, activists, entertainers, and leaders. And I’d come to do just that.

The first story I wrote for the Flyer was back in 2008, on Anthony Lee’s Modern Hieroglyphs art project along South Main at Central Station. I’d later cover controversies surrounding expansion at the Memphis Zoo, a host of events around town for the paper’s Steppin’ Out section, and — one of the strangest for a young reporter — the on-site auction of property left behind at the former Platinum Plus strip club. I learned more with every story, about myself as a writer, about how to ask the right questions, about what made Memphis uniquely Memphis. And I found my journalistic footing.

Once my internship was up, I stuck around, hoping to keep that foot in the door. Through the years, I worked in various departments within Contemporary Media, wherever they’d take me — selling advertising space, writing advertorial content and editorial features for Memphis magazine, taking the helm as the editor of Memphis Parent. And, in 2019, I circled back to where it all started, on the Flyer staff, this time as managing editor. It has been a hell of a ride.

I have profound respect for all of the people who keep the Flyer and its sister publications rolling, who’ve weathered stormy waters as digital media took its hold, who persevered through precarious times, including navigating an unprecedented pandemic. Our entire crew — reporters, editors, designers, sales executives, distribution and production facilitators, and management — are to be lauded for what they do day in and day out. It truly takes teamwork to make the dream work.

Through it all, the Flyer has been a beacon, representing the spirit and grit of the city and its people, covering the curious and quirky, the light and the dark — and maintaining its focus of giving a voice to the voiceless, telling the hard stories, doing the deep digging, and providing that work to the public, for free.

During my time here, I’ve gotten to know Memphis at its core — its humans, its hardships and successes, its scuffs and scrapes, its beauty. The stories I’ve helped tell, that came to life on the pages of these publications, are the stories of our city. There are many more to be told, and I look forward to — along with our outstanding (and ridiculously cool) team — sharing them with you all.

We wouldn’t be able to continue the Flyer’s 33-year legacy without you, and we’re grateful to have you on this journey alongside us. Thank you for reading.

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Memphis Zoo Animal Hospital Receives $800K Donation

The Memphis Zoo’s animal hospital recently received an $800,000 donation from Tommie Dunavant in honor of her husband, the late cotton entrepreneur Billy Dunavant.

“This is Billy’s gift. This is Billy’s request, and I am making it to that hospital,” she said.

“Billy made me the head of his foundation. He asked that I not give anything until the year after his death,” said Dunavant. “My Billy loved animals. The one thing that he always kept important was medical care for these animals.”

This donation was announced shortly after the Memphis Zoo announced a campaign to raise $1.5 million dollars for the zoo’s animal hospital.

The hospital was built in 1998, and according to the Memphis Zoo, the animal hospital “serves as a homebase for everything from check-ups and evaluations to major surgery.”

According to Matt Thompson, president and CEO of the Memphis Zoo, animals are at the forefront of what they do, however he said something that is not always at the forefront is “what happens with our animal health.” Thompson said this is the most important thing to them.

The Zoo said the animal hospital services more than 3,500 animals, encompassing 500 different species. As the number of animals began to increase, so did the needs of the hospital. According to the Zoo, some of the equipment that was used when the hospital first opened is still in use today.

“The customers, the patients here at the Memphis Zoo don’t have insurance, they don’t carry cash. We can’t always afford to upgrade things the way that we should,” said Thompson.

There are a number of major equipment needs of the hospital. At the top of the list is an OmniTom-Samsung 16-Slice Premium Small Animal CT Scanner that the zoo said costs $565,000. The Zoo also needs an LED lighting for their operating room, which comes in at $100,000.  The hospital is also in need of facility upgrades that are totaled at $664,000, including a floor crane to lift large animals, and other pieces of equipment such as a veterinary dental X-ray system.

Felicia Knightly, senior veterinarian at the Zoo’s hospital, said that when they are conducting things such as scheduled wellness exams, they have an elective procedure schedule, and “they have to keep up with these kinds of things.” This also means that the Zoo needs consistent and reliable equipment.

“You have to maintain that conservation-minded wellness,” said Knightly. “When we bring an animal in here for a physical exam, I need to know that I have delivery of anesthesia.” Knightly said that the animals do not come on their own, and that they are not on a leash. Most of the time the animals are sedated, and Knightly said that she needs equipment that is “absolutely reliable.”

“Anesthesia is always a risk, but boy it’s a worse risk if you’ve got dated equipment, or equipment that isn’t up to snuff. For me, it’s just having things that aren’t dry-rotted, that haven’t been used for years and years and years. Some people say ‘just buy a new one,’ but we just can’t buy a new one. We’re a non-profit organization, and a lot of these things are quite expensive in the medical field.”

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20 Under 30 Class of 2023 Nominations Are Open

The Memphis Flyer is seeking nominations for candidates for our 13th class of 20<30 — the class of 2023.

Simply put, we’re looking to find and honor 20 of the city’s best and brightest young people. Candidates must be no older than 29 on January 1, 2023. Send a brief bio/summary of the nominee’s work and activities and a photo to under30@memphisflyer.com. Use “20<30 Nomination” in your subject header. Deadline for nominations is December 13, 2022.