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WE SAW YOU: Dolly Parton-Themed Party for a Cause

You could call it a “Hello, Dolly” party, but it had nothing to do with the Broadway musical. But just about everywhere you went at the event hosted by Brantley Ellzey and his husband, Jim Renfrow, on April 16th was a depiction of Dolly Parton. Paintings and other art work featured an image of the singer in some way.

P(ART)ON, which was held at Brantley Ellzey’s Summer Studio, was a fundraiser for Liz Grauer, the wife of the late Shea Grauer, and their children. It was reported Shea was killed last February in Midtown.

“An Art Benefit Celebrating the Life of Shea Grauer” was the subhead on the poster. Beneath that was written, “A Silent auction featuring Dolly-inspired art from Memphis’s most dynamic creatives.”

A large photo of Shea hung over the stage, where Tennessee Screamers, Papa Top’s West Coast Turnaround Band, and two “Dollys” — Miss Pattie O’Furniture and Hunny Blunt — performed.

P(ART)ON (Credit: Michael Donahue)
Tennessee Screamers at P(ART)ON (Credit: Michael Donahue)
John Whittemore at P(ART)ON (Credit: Michael Donahue)
Jacob Church at P(ART)ON (Credit: Michael Donahue)

“Jim and I were close friends with Shea,” Ellzey says. “And, like a lot of people in Midtown, we would always see him when we were out in the evenings. Shea was one of those people who was a Midtown fixture for many people. And after he was tragically murdered I think everyone was kind of at a loss. But at the same time looking for a way to respond to that horrible event.

“I was familiar with his passion for Dolly Parton and I just started talking to other artists and realized maybe we could all come together and — it sounds cliché —  try to make something good out of something that was so terrible.”

Brantley Ellzey, Gail and Kevin Grauer at P(ART)ON (Credit: Michael Donahue)

They raised almost $28,000 at the event, which included donations as well as the silent auction, says Ellzey, whose rolled paper piece, Dolly of Many Colors, was the event’s highest-selling artwork at $1,300. It was “rolled copies of People magazine’s tribute issue, ‘Dolly at 75,’” Elzey says.

A total of 49 pieces of art were included in the auction. “All of the art was sold,” he says.

Dolly of Many Colors by Brantley Ellzey at P(ART)ON (Credit: Michael Donahue)
That Parton Fink Feeling by Matthew Hasty at P(ART)ON (Credit: Michael Donahue)
Backwoods Barbie by Frances Berry at P(ART)ON (Credit: Michael Donahue)
The Seeker (pink figural lamp) by Colleen Couch at P(ART)ON (Credit: Michael Donahue)
Dolly Mama Quilt by Jenean Morrison at P(ART)ON (Credit: Michael Donahue)
Ste. Dolly by Melissa Bridgeman at P(ART)ON (Credit: Michael Donahue)

Tiger Bryant provided the food, which included barbecue from Tops Bar-B-Q.

P(ART)ON (Credit: Michael Donahue)
Tops Bar-B-Q was served at P(ART)ON (Credit: Michael Donahue)

P(ART)ON was gratifying, Ellzey says. “When you try to create something beautiful out of all of this bad news we’re hearing, you feel like you’ve done something positive not only for the charity or family, but for the whole city.”

The GoFundMe for the event is still live for those who want to contribute.

Philip and Mark Handwerker and Gail Handwerker Grauer at P(ART)ON (Credit: Michael Donahue)
Chris Davis at P(ART)ON (Credit: Michael Donahue)
Joe Lackie and Gary Beard at P(ART)ON (Credit: Michael Donahue)
Linley Schmidt and Jonathan McCarver at P(ART)ON (Credit: Michael Donahue)
Klay Lester, Laurie Brown, Matthew Hasty at P(ART)ON (Credit: Michael Donahue)
Kevin Keough at P(ART)ON (Credit: Michael Donahue)
Robyn Maxwell, Kelli de Witt, and Stephanie Wexler at P(ART)ON (Credit: Michael Donahue)
Emily Duke and Blakney Gower at P(ART)ON (Credit: Michael Donahue)
David Royer at P(ART)ON (Credit: Michael Donahue)
Pinkney and Janice Herbert at P(ART)ON (Credit: Michael Donahue)
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Film Features Film/TV Uncategorized

Now Playing In Memphis: Fear The Evil Dead

I know I say this a lot, but this time I really mean it: It’s a big weekend at the movies. While The Super Mario Bros. Movie continues to stack coins, there’s a whole slew of new releases, and a bunch of them look good.

First up is Evil Dead Rise. Sam Raimi’s 1983 horror film The Evil Dead slowly revolutionized the genre as its cult spread via VHS. In the 2000’s, the director would revolutionize the superhero genre with his still-undefeated Spider-Man trilogy. Now, Raimi has passed the reins to Irish director Lee Cronin for Evil Dead Rise, which has caught a lot of buzz in horror circles. In true Evil Dead fashion, it’s cheap ($15 million) and nasty. This is the Flyer, so I’m linking to the Red Band trailer.

Coming off an Indie Memphis preview screening, How To Blow Up A Pipeline is only playing on one screen in Cordova, but it may be the most consequential movie of the year. Director Daniel Goldhaber and actor Ariela Barer adapted author Andreas Malm’s 2021 nonfiction book about radical eco-activists. A diverse group of people, radicalized by different things, band together to destroy an oil pipeline in West Texas.

Ari Aster is nothing if not divisive, and his latest is no different. Hereditary was a startling adrenaline rush with an all-time great performance from Toni Collette. Midsomer was a super creepy folk horror riff that helped make Florence Pugh an A-list actor. With Beau Is Afraid, Aster is again teaming up with an actor willing to do anything: Joaquin Phoenix plays Beau, who exists in a constant state of low- to medium-level panic attack. Co-starring as people causing Beau discomfort are Patti Lupone, Nathan Lane, Amy Ryan, and Parker Posey.

Chevalier de Saint-Georges was a French musician widely regarded as the first African-descended person to achieve musical success in Europe. He fought racism in the aristocratic circles where he played, then put down his violin and picked up a sword to fight in the French Revolution. Kevin Harrison, Jr. stars as Chevalier and Lucy Boynton as Marie Antoinette.

On Wednesday, April 26th, at Studio on the Square, Indie Memphis is throwing a benefit for OUTMemphis. Dressed In Blue is a groundbreaking 1983 film from Spain about six trans women who were feeling out the new world after the country had just emerged from decades of fascism under Franco. Vestida de Azul, as it is known in Spain, was directed by Antonio Giménez-Rico, and was unseen in the English speaking world for decades.

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Tennessee Legislature Dismisses Gun Bills In Rush to Adjourn, Defying Protests After School Shooting

Tennessee’s legislature raced Thursday to complete its business early for the year while refusing to take up gun reform legislation from Republican Gov. Bill Lee or Democratic lawmakers, three weeks after a mass shooting at a Nashville school.

The inaction on guns came despite weeks of daily peaceful protests by thousands of students, parents, and gun control advocates calling for new laws to restrict gun access. 

From the Senate floor, Majority Leader Jack Johnson announced the legislature was on track to wrap up this year’s session by Friday after his chamber approved the state’s nearly $56 billion budget for next year — the only measure it’s constitutionally required to pass. The House approved the spending plan a day earlier.

Several recent surveys of Tennessee parents and voters show strong support for gun safety measures such as background checks and so-called red flag laws to prevent people who may be experiencing a mental health crisis from having access to weapons. Authorities have said the Nashville shooter, who was shot and killed by police, had been under a doctor’s care for an undisclosed “emotional disorder” before killing six people at The Covenant School on March 27.

But with prospects for gun reform dimming this year, Tennesseans who have been raising their voices were aghast Thursday at the Republican super-majority’s unwillingness to look seriously at their concerns about lax gun laws. 

“They are shrugging their shoulders at us and ending their session quickly. But we are not going to stop,” said Nashville mom Leeann Hewlett, who was among the first demonstrators to show up outside of a legislative office building on the day after the shooting.

“We are not going to forget the children and adults who died at The Covenant School. We’re not going to forget that guns are the leading cause of death for kids in Tennessee,” said Hewlett, who has an 8-year-old daughter.

Lee, whose wife was a close friend of one adult victim in the Nashville shooting, offered up his own proposal Wednesday after lawmakers ignored his call last week to bring him legislation that would help keep guns out of the hands of people deemed at risk of hurting themselves or others. Nineteen states have such a policy. 

Meanwhile, the National Rifle Association mobilized its Tennessee members this week against any legislation that resembles a red flag law. And the House Republican caucus released a statement labeling any such proposal a “non-starter.”

In a last-ditch effort on Thursday, Sen. Jeff Yarbro delivered an impassioned speech on the Senate floor asking his colleagues to take up gun reform legislation stuck in a key committee that voted to defer action on any gun-related bills until next year.

Yarbro said his legislation is based on Florida’s 2018 red flag law, which passed with bipartisan support after a shooter killed 17 people at Marjory Stoneman Douglas High School in Parkland. The Nashville Democrat is also the sponsor of a so-called safe storage bill to require people to secure weapons left in vehicles and boats so they don’t fall into the hands of criminals. 

“How do we not feel shame for failing to do anything?” asked Yarbro, noting that Nashville also has suffered mass shootings at a church and a Waffle House restaurant in recent years.

“We have the substance, we have the process, we have the time. The only question is whether we have the will,” said Yarbro, pleading for at least 17 of the Senate’s 33 members to support his request to call up his bill. 

The Senate responded by voting 24-7 to table his motion, mostly along partisan lines.

Afterward, Yarbro tweeted that adjourning the session without voting on a single bill to limit gun access means the legislature is betting voters will “move on” to other issues when it reconvenes next January.

“Prove them wrong,” he said.

The developments came as the legislature has been under national scrutiny over the House’s expulsion of two young Black lawmakers, who have since been reinstated, over their demonstration on the House floor to highlight their body’s inaction on gun violence.

Still, lawmakers sent a bill to the governor this week to shield Tennessee gun and ammunition manufacturers and sellers from lawsuits. That measure had been in the works before the shooting.

Thursday also marked the 24th anniversary of the Columbine High School massacre in Littleton, Colorado, in which two students shot and killed 12 classmates and one teacher before taking their own lives.

From the Columbine shooting in Colorado to the Covenant shooting in Nashville, 175 people have died in 15 mass shootings connected to U.S. schools and colleges, according to a database compiled by The Associated Press, USA Today, and Northeastern University. (The database defines a mass shooting as resulting in the death of four or more people.)

Victims in the Nashville shooting were students Evelyn Dieckhaus, Hallie Scruggs, and William Kinney, all age 9; and three school staff members: custodian Mike Hill and substitute teacher Cynthia Peak, both 61, and Katherine Koonce, 60, the head of the school. 

Marta Aldrich is a senior correspondent and covers the statehouse for Chalkbeat Tennessee. Contact her at maldrich@chalkbeat.org.

Chalkbeat is a nonprofit news site covering educational change in public schools.

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Music Music Blog

Acoustic Music Project Brings Together Youth Who Love Traditional Sounds at GPAC

The Bluff City and the art of song go hand in hand, as the Memphis Flyer’s April 19 feature on a Grammy Week songwriting workshop revealed. Such fascination with songcraft isn’t limited to professionals only, however; there are budding troubadours honing their skills privately across the city, the country, and the world. Now some young American musicians and songwriters are gathering in a workshop of their own right here in Memphis, thanks to a new program launched by the Germantown Performing Arts Center (GPAC).

The Acoustic Music Project (under the rather ironic acronym of AMP) brings talented young song-oriented musicians from around the country together to hone their skills with GPAC teaching artists and visiting headliners. Eleven students aged 16 to 22 were selected, having proven their proficiency in the realms of classical, bluegrass, folk, Americana, Celtic, or any other traditional music played largely on acoustic instruments.

The nine-day immersive experience, now approaching its end, has included study with AMP Artistic Director, Grammy-nominated guitarist Darrell Scott, Native American guitarist and flutist Bill Miller, and Nashville Songwriters Hall of Famer Beth Nielsen Chapman. And the students have also counted master-level acoustic musicians such as Béla Fleck, Edgar Meyer, Shawn Colvin, and Marc Cohn among their teachers.

Beyond workshopping songs and arrangements, the students have been immersed in Memphis-based music, visiting historic recording studios and meeting with award-winning producers, engineers, and recording artists.

On Saturday, April 22 GPAC will present a very special performance of the Acoustic Music Project participants as a culmination of their time here. The eleven young players will perform their original works, created and refined during their project experience.

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Music Record Reviews

Shirley Scott feat. George Coleman: A Record Store Day Revelation

Befitting a veritable capital of Vinylandia, Memphis is all over Record Store Day (RSD), and not just because Memphis Record Pressing produces such a large percentage of the nation’s LPs these days. The city also boasts a large roster of bands currently releasing product on vinyl, from the Turnstyles‘ new album to Ibex Clone. But look no further than the RSD homepage to see more: their partnership with Sun Records has now led to a 10th anniversary edition of the Sun Records Curated by Record Store Day releases; and two clicks below that one sees a celebration of the debut full-length album from boygenius, which includes Memphis’ own Julien Baker.

Yet there’s another side to Record Store Day, having arisen gradually over the years, in which it’s a chance for previously shelved recordings to see the light of day in special editions. And that’s the real gem of this year’s RSD, scheduled for this Saturday, April 22, in the form of a new release on Jazz Detective, the label of Downbeat Producer Of The Year Zev Feldman, and Reel to Real Records, the partnership between Feldman and Vancouver-based impresario and musician Cory Weeds. Included in the labels’ new trio of previously unissued LP releases of archival performances (by groups led by Walter Bishop, Jr. and Sonny Stitt) is an organ lover’s dream album: Shirley Scott’s Queen Talk: Live at the Left Bank (Reel to Real).

Taking its name from Scott’s moniker, “the Queen of the Hammond B-3,” this gig showcases the organist’s soulful side in a trio setting featuring Memphis native George Coleman on tenor sax and Bobby Durham on drums. Captured at the Famous Ballroom in Baltimore, Maryland on Aug. 20, 1972, the band is a study in chemistry, especially when jazz vocalist Ernie Andrews sits in on three of the album’s ten numbers.

If Scott isn’t quite the household name that Jimmy Smith or Jimmy McGriff are, she’s no less of a player for it. The late jazz organ star Joey DeFrancesco once said of Scott: “Her legacy is her tremendous contribution to jazz organ that will live on forever. … She has some great records, but live is a whole other thing because the people are so free to go in whatever direction they like.”

And that’s exactly what this trio does, as Scott leads them through her grab bag of covers, many with a decidedly pop provenance. The title tune is of course a 1944 pop-tune-turned-standard, but she gets quite contemporary as well with “By the Time I Get to Phoenix,” “You Don’t Mess Around With Jim,” and, perhaps of most interest to Isaac Hayes (and Michael Jackson) fans, “Never Can Say Goodbye.”

And yet, such is the gravitas and groove of Scott, who pedals some very hip bass lines as her choppy chords and melodic flurries percolate on top, that these tunes — and even sentimental favorites like Charlie Chaplin’s “Smile” — come out swinging. It’s a testament to the organist’s sympatico with drummer Durham that the forward momentum never lapses.

And the pop nature of this workout is especially interesting in light of George Coleman’s career. With what may be considered his edgiest work with Miles Davis eight or nine years behind him, it’s interesting to see Coleman in league with Scott’s embrace of radio hits of the day. Ultimately, it’s a testament to not only his versatility, but his tone. With Coleman, the edge is always there in the voice emanating from his horn.

And if “edge” isn’t quite the right word for the undeniable warmth that’s also there, let’s just agree that he contains multitudes. With “Witchcraft,” Coleman even get’s to wail over a neo-bop uptempo workout, complete with humorous interpolations. Then Scott, with her thrilling, trilling, glossy sound, takes it up a notch, as her seeming telepathy with the drummer produces time-defying hits and accents whenever she scrambles over the keyboard.

As Coleman himself says (in the LP’s excellent liner notes) after recently hearing this album’s version of a John Coltrane tune: “I was amazed, especially, by ‘Impressions.’ I don’t think I really played it that well with Miles, but on this, with Shirley, the tempo was right. And Bobby Durham was real good on it. He kept everything really in focus and so did she.”

As it turns out, Record Store Day itself contains multitudes, across a spectrum that runs from gimmicky colored discs to true vinyl gems. For fans of jazz organ and/or George Coleman, this live set by three masters of their craft is a multifaceted example of the latter, a jewel in any collection.

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Juneteenth to Be Recognized as a Paid Holiday in Tennessee

Juneteenth will now be recognized as a paid holiday in Tennessee.

The bill was passed by the Tennessee Legislature on Thursday with 61 ayes, and 18 nays.

As the Flyer reported, the bill was sponsored by Senator Jack Johnson (R-Franklin), but it had stalled in recent legislative sessions due to fiscal concerns.

Information provided by the Department of Human Resources on the fiscal note of the bill assumed that “approximately 4,000 employees earn compensatory time or some type of overtime annually on July 4th. It was estimated that the value of “earned time, based on the hourly rates of employees,” was $691,890.

“Due to multiple unknown factors, the precise amount of any such increase in expenditures cannot be quantified but is reasonably estimated to range from $173 per employee per holiday ($691,890 / 4,000) up to $691,890 for all employees per holiday. Therefore, the annual increase in fiscal liability to the state is up to $691,890,” the note said.

Juneteenth has been observed for 156 years and, according to the Smithsonian Institute, this holiday commemorates the emancipation of enslaved people on June 19, 1865. While the Emancipation Proclamation was issued on January 1, 1863, the Smithsonian Institute said everyone in “Confederate territory” did not become free until two years later.

“Thank you so much to my colleagues who voted to recognize Juneteenth as a holiday in Tennessee,” said Tennessee House Majority Leader Karen Camper (D-Memphis). “It is so important for us to reflect on the history of our nation – AND for history to be taught and acknowledged. On the road to freedom, every signpost should be celebrated.”

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Beyond the Arc Sports Uncategorized

Tillman, Jackson Help Grizzlies Even Series, 1-1

After losing Game 1 at home to the Lakers on Sunday, the Memphis Grizzlies had something to prove. And since Ja Morant’s availability for Wednesday night’s Game 2 was in doubt, many prematurely declared the series over. The Grizzlies were written off by some pundits and fans. 

Morant had been a game-time decision due to a right hand injury re-aggravated in Game 1; however, it was announced an hour before tip-off that he was out. Despite it all, the Grizzlies went on to beat the Lakers, 103-93, to even the best-of-seven series, 1-1.

X Gave It to Them 

Xavier Tillman, Sr. had himself a game on Wednesday night. He led his team to victory by dropping a career-high 22 points and grabbed a season-high 13 boards off of 10-of-13 shooting.

“I think it’s a true sign of a winner,” Grizzlies head coach Taylor Jenkins said of Tillman. “It’s a true sign of a pro, and that’s why we love X, a guy who always stays ready. He wants to impact winning in whatever his role is going to be.”

“[He] comes out in the second half of the regular season and makes a tremendous impact. Does it tonight in the biggest game of the season for us. True testament to him for keeping his body ready, his mind ready. For him, it’s just, ‘Let me get ready for the next challenge, the next day.’”

Jenkins added, “Obviously, this is a big win for us and a great performance by him and other guys as well. No highs, no lows. We just have to keep focusing ahead, and that’s what he’s been a prime example of: a guy, when he’s played well, when he’s gotten his opportunities, he’s just focused on the next challenge ahead.”

“I’m just trying to assert myself, watch the film,” Tillman said after his breakout performance. “The first game, I didn’t really assert myself. I was kind of going through the motions. Coach had mentioned it in the couple meetings we had about the urgency that we need to play with. I just felt like I need to turn that up and turn on my energy level and be more assertive and more aggressive early on.”

Tillman is the epitome of the next-man-up mentality. Due to injuries to Steven Adams and Brandon Clarke, Tillman’s playing time has increased. 

Tillman, who has had stints in the Summer League, the G League, and several DNPs, has now come full circle. Right now, he’s on the biggest stage after leading his team to a playoff victory over LeBron James and the Lakers. 

“You couldn’t write this, bro — it’s humbling, it’s humbling,” Tillman said with a laugh when asked about his journey this season. “It lets me know that no matter what I’m going through, it will always pass. I just saw a video about it yesterday. Life is like a wave. Like, you’re on your wave feeling good, and then it might crash. You might be down for a little bit, waiting for your next wave to come, but it’ll come. That’s just how life works. As long as you keep working and keep trusting, everything that you’ve been putting in, it will come to fruition, and it is crazy though. I’ll tell you that.”

Observers often say he’s undersized against other bigs, but the Michigan State alum is confident in his abilities. He said, “It’s probably my ability to rebound with the best of them. I accredit that to my God-given length. I got a 7’2” wing-span. Shoutout to my mom and my dad. I got a 7’2” wing-span. I know how to use my body before the ball hits the rim, so I have an advantage to get offensive or defensive rebounds. That’s probably what they mean about me playing big, it’s just me being able to rebound with the best of them.”

They call him Jitty

John Konchar didn’t see the floor in Game 1 but came up huge for his team defensively in Game 2. People will be talking about his block against Anthony Davis for years to come. 

Luke Kennard said the dunk was insane. “Jitty [Konchar] is a guy who is selfless and he will do whatever it takes to help the team win,” Kennard said.

Konchar told reporters after the game: “I went up for it and I got it —that’s about it.”

DPOY 

Prior to the game, Jaren Jackson, Jr. was given the 2023 NBA Defensive Player of Year award before the home crowd. 

Jackson finished the game with 18 points, nine rebounds, three assists, and three blocks in 40 minutes of play.  Jackson also had a huge highlight block of his own against Davis. 

Up Next 

The series shifts to Los Angeles on Saturday night for Game 3 at 9 p.m. CST. Local broadcast on Bally Sports Southeast and on ESPN nationally. 

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We Recommend We Saw You

WE SAW YOU: Rajun Cajun: A Raging Success

It was easy to spot Rob Hughes in the crowd at the Rajun Cajun Crawfish Festival benefiting Porter-Leath.

He was the one wearing a crawfish on his head. Other people carried crawfish in buckets.

Actually, Hughes, who is Porter-Leath’s vice-president for development, was wearing a crown with a red crawfish hat pinned in the inside. “It’s the official crown for the ‘King of Crawfish,’” Hughes says.

And who bestowed that title on him? “I just did. In the last five seconds.”

Crown or no crown, Hughes was the happiest “crawfish” at the festival.

The crowd was estimated to be in the 30,000 to 35,000 range, Hughes says. For their estimates, he says, “We usually rely on our food trucks and our food vendors and certainly the [Memphis] police department.”

And, he says, 16,000 pounds of crawfish were sold. “We sold every last pincer down there.”

Rajun Cajun Crawfish Festival (Credit: Michael Donahue)

Ethan Sao, Jennifer Rogers, Sarah Straub, Perri Chan, Hayden Perez, Aubree Vaccaro at the Rajun Cajun Crawfish Festival (Credit: Michael Donahue)
Tre’ Matthews, Alaina Matthews, Timothy Matthews, and Tyus Matthews at the Rajun Cajun Crawfish Festival (Credit: Michael Donahue)
Austin Prudhomme at the Rajun Cajun Crawfish Festival (Credit: Michael Donahue)

Vendors were on hand with culinary items, including corndogs, for those who didn’t want to stand in line for mudbugs.

Michael Galindez and Elysia Green at the Rajun Cajun Crawfish Festival (Credit: Michael Donahue)
Justin and Kiara Hughes at the Rajun Cajun Crawfish Festival (Credit: Michael Donahue)

The festival, which celebrated its 30th anniversary, moved to a new location this year. Actually, moved over is more like it. The event was usually held between Beale Street and Union Avenue. This year, it was moved between Union Avenue and Jefferson Avenue. “Obviously, a little bit of nervousness any time there’s a new layout. Kind of like moving to a new house.”

But the new location “allowed us to do some new things,” Hughes says, adding: “The new space allowed us to spread out and bring green space.”

People watched the river go by and enjoyed the breeze, Hughes says. And they got to take advantage of Fourth Bluff Park and River Garden.

The festival also raised a lot of money for Porter-Leath, Hughes says. “It should be right at six figures. It’s still a little early. But signs are pointing in that direction.”

The festival wasn’t held in 2020 because of the pandemic. And Hughes believes they skipped a year in the early ‘90s. 

So, 2023 marked the official 30th anniversary of the Rajun Cajun Crawfish Festival. “We definitely celebrated in style. And everybody came out for the party.”

Brian Litaker, Leior Jones, Mack Robinson, P.J., and Wenshawn Green at the Rajun Cajun Crawfish Festival (Credit: Michael Donahue)
Mariah Anderson and Percy Bullard at the Rajun Cajun Crawfish Festival (Credit: Michael Donahue)
Sarah Straub and Hayden Perez at the Rajun Cajun Crawfish Festival (Credit: Michael Donahue)
Anna Owens and Steven Ash at the Rajun Cajun Crawfish Festival (Credit: Michael Donahue)
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My Sistah’s House Calls For Equity and Leverage In Nonprofit Sector

The Shelby County government recently announced an investment of $194,000 into transitional housing at My Sistah’s House.

The organization was founded in 2016 by Kayla Rena Gore and Illyahnna C. Wattshall, two trans women of color who, according to My Sistah’s House, “sought to bridge a gap in services for trans and queer people of color (TQPOC) in Memphis, TN, with a focus on transgender women of color. 

The organization focuses on building and renovating homes in hopes of helping trans women move towards home ownership. They provide emergency housing for trans and gender nonconforming people on a temporary basis. According to My Sistah’s House, housing is a safe zone and drug free.

According to Gore, executive director of My Sistah’s House, the mayor’s office reached out a few months ago in hopes of exploring some of the organization’s properties. Gore said that her organization had garnered a lot of national attention from outlets such as USA Today and CNBC. She said it wasn’t necessarily a surprise that Mayor Lee Harris knew about their project, however she said that it was an amazing experience for the mayor to “come view your work.”

“After viewing some of the houses and meeting some of the homeowners, they had a great opportunity for us to be able to continue the work,” said Gore. “We were there at some of the lots that we planned on developing.”

Gore said that this investment into transitional housing for the transgender community specifically speaks a lot to Memphis, and what the city is, which she said is a city that really cares about its people.

“These last couple of years have not been the best for the trans community when it comes to our elected officials,” said Gore. “This sends a clear message to a lot of people here in Memphis that there are people, who are in power, that are looking out for us. It’s a momentous occasion because trans-led organizations don’t get that type of support very often. So, being able to accept this grant on behalf of the community from the mayor was really mind blowing.”

This investment gives My Sistah’s House the opportunity to continue building homes, said Gore. The organization currently has seven homes that are complete, and they currently have four lots that they plan on developing this summer.

While this has been a step in the right direction for the trans community and city government, Gore said that the community also needs leverage. She explained that Memphis is a city of nonprofits, however she said that it has gotten to where they have to “compete a lot more for funding opportunities,” and they don’t have the necessary resources to do so.

Around 11,505 nonprofit organizations operate in Memphis, according to Cause IQ. These organizations employ 89,422 people, the agency said.

Gore said that it can be harder for new nonprofit organizations to get the funding and recognition that they need, because she said oftentimes organizations that have been around for 10-plus years get priority. Gore added that it usually takes 10 years for nonprofits to get off the ground.

“We need for people to be able to leverage what they have,” said Gore. “That could be connections, status, position. Whatever it is that they have that can make things better for trans people. I think that could be used universally for anything and everybody, where we have to take what we have and make it work for the good of not just ourselves, but for other people as well … Equity if you will. Some people need a little bit more than others”

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Mayors from Tennessee Cities Ask State Leaders for Tighter Gun Laws

Mayors from Tennessee’s four biggest cities asked state leaders to implement new “common sense” gun laws in a letter Wednesday.

Gun safety has has been a dominant topic during the latter half of the Tennessee General Assembly’s legislative session this year, pushed to the top of debate by a deadly shooting at a Nashville school in March. Republicans in the legislature have shown little urgency on the matter, even passing a measure Wednesday to protect gun companies from lawsuits. 

Meanwhile, mayors from the state’s most-populous areas called for action Wednesday. A letter to the governor and Speakers of the state House and Senate was sent by Shelby County Mayor Lee Harris, Nashville Mayor John Cooper, Chattanooga Mayor Tim Kelly, and Knoxville Mayor Indya Kincannon. Memphis Mayor Jim Strickland did not sign onto the letter.

In it, the group said Tennessee has the 12th-highest rate of gun deaths in the country over the last four years, citing data from the National Center for Health Statistics. They said nationwide data shows a clear correlation between the strength of a state’s gun laws and the rate of gun violence, but they did not cite a source for the information. 

“Now is the moment to turn statements of support and sympathy into action,” reads the letter, referring to the March shooting at Nashville’s Covenant School that left dead three students and three teachers.   

The group laid out 10 “common sense” proposals they want state officials to consider to ensure gun safety.

They include:

• background checks for all gun purchases

• extreme risk protection orders

• changes to the state’s concealed carry laws

• a minimum age of 21 to buy firearms

• new laws on gun storage

• limiting gun thefts from cars

• banning high-capacity magazines

• prohibiting convicted stalker from owning guns

• providing funds for school threat assessments

• mandatory reporting of lost or stolen guns

“We can incorporate these policies into legislation immediately,“ reads the letter. “Working together, we can keep guns away from people who shouldn’t have them, and out of circumstances that are likely to result in more dead Tennesseans.”

Governor Bill Lee urged Assembly leaders Wednesday to bring legislation on his “Order of Protection” proposal that would limit gun sales to those who might hurt themselves or others. However, no GOP bill to carry the idea to law has been filed.

Sen. Jeff Yarbro (D-Nashville) tweeted Wednesday night that he planned to bring to a bill that “would enact Extreme Risk Protection Orders” to the Senate floor Thursday. 

“With votes from 17 of 33 senators, we could consider & pass this legislation,” he said. “There’s a way. But is there the will?”