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TN Senate Leader Does Not Expect to Reject Federal Education Funds

A leader of the panel exploring whether Tennessee can reject federal education funding says he doesn’t expect the state to do so, even if it can find a way.

Sen. Jon Lundberg, who co-chairs the special legislative committee looking into the idea, said that based on what the panel has learned during two weeks of hearings that ended last week, it would be premature to make big changes in the funding streams for Tennessee students.

The Bristol Republican also expects the panel’s work to continue “well into 2024″ as members seek information from the U.S. Department of Education about rules and regulations tied to acceptance of federal funding.

“My expectation is that we’re not going to say no to federal funds. We’re not going to kick more than a billion dollars back to the U.S. government,” Lundberg told Chalkbeat on last week.

“But I do think that, as a legislative body, we are going to be more judicious in reviewing federal rules and proposals that are passed on to the state education department and state Board of Education,” he said.

Advocate for education equity: ‘We’re taking this seriously’

This month’s hearings by the GOP-led legislative group mark the furthest any state has gone toward forgoing U.S. education dollars, which typically make up about a tenth of a state’s spending on K-12 education.

The 10-member committee, created by speakers of the House and Senate, has a January 9th deadline to submit its findings and recommendations to the Republican-controlled Tennessee General Assembly.

House Speaker Cameron Sexton, who touted the idea in February, has said the state wants more autonomy over how its students are taught. He said the state would fill the federal funding gap with state money and continue programs that are currently federally funded.

Most of the federal money received in Tennessee — estimated at about $1.3 billion annually by state education department officials this week — provides additional support to low-income students, English language learners, and students with disabilities. Other federally funded programs target certain needs ranging from rural education to technology to charter schools.

The opt-out talk has angered many Tennesseans who pay federal taxes and whose children benefit from federally funded programs or receive civil rights protections through federal oversight. Advocates of historically underserved students are prepared to mobilize if the committee’s work generates legislation to reject any part of federal funding.

For now, they’re monitoring the panel’s work.

“We’re taking this seriously, because this would be such a consequential step for the state to take,” said Gini Pupo-Walker, who leads The Education Trust in Tennessee. “We’re trying to ensure lawmakers are getting accurate information during the discussions.” (Related: What it would mean for kids)

Tennessee-based advocacy groups such as The Education Trust and the Tennessee Disability Coalition, as well as those representing parents and educators, were not invited or allowed to testify during the hearings — a decision that Lundberg said was designed to keep the committee on mission. Instead, the testimony came mostly from state and nonpartisan researchers, officials with the Tennessee education department, four local school district leaders, and a federal policy expert with the National Conference of State Legislatures.

“Our charge was not to look at how to cut funding, but how to change that funding stream from federal to state dollars,” Lundberg said.

Panel leaders expect to gather more input

As of Wednesday, the U.S. Department of Education had not received questions from the Tennessee panel but stands ready to provide “technical assistance” as needed, a spokesperson said.

The federal department, which was listed on the agenda for one meeting last week, did not send representatives to testify because the agency never received an invitation, the spokesperson said.

Lundberg, who initially told the committee that federal officials were “unable to attend,” clarified on Thursday that the no-show was due to a “miscommunication.”

But he expects the panel will have numerous questions for federal officials, and that the back-and-forth process could take months.

Eventually, the committee may also seek legal opinions from the state attorney general’s office. Because no state has rejected federal education money before, Tennessee officials expect numerous challenges in court if the state takes a step in that direction.

“I notified the speakers that we potentially won’t complete our work by the January 9th deadline,” Lundberg said. “We have to get this right, not just quick.”

Rep. Debra Moody, the Covington Republican who co-chairs the panel, said in a statement that her intention is to “continue gathering pertinent information so the working group can release a complete and competent report.”

Lt. Gov. Randy McNally said he’s pleased the panel is taking its fact-finding mission seriously.

“I have no issue with an extension, if needed, and I look forward to reading the group’s final report when it is completed,” McNally said through a spokesman.

As part of their fact-finding mission, there’s no discussion of committee members touring the state to see the kinds of services provided under federally funded programs to determine whether the state has sustainable finances and operational capacity to continue them.

For instance, federal money helps support homeless students, career and technical education labs, and after-school programs that provide tutoring, enrichment, and meals to students from low-income families.

Pupo-Walker, from The Education Trust, said any comprehensive investigation should include that type of research.

“I think it would be a disservice,” she said, “not to see firsthand how those federal dollars play out in the lives of children and families and schools and their communities.”

You can see a state analysis of county-by-county budget information that includes public education, at the General Assembly’s website. The nonpartisan Sycamore Institute has also produced two recent reports about federal education funding in Tennessee.

Marta Aldrich is a senior correspondent and covers the statehouse for Chalkbeat Tennessee. Contact Marta at maldrich@chalkbeat.org. Chalkbeat is a nonprofit news site covering educational change in public schools.

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Beyond the Arc Sports

Another Grizzlies Comeback Victory in San Antonio

On Saturday night, the depleted Memphis Grizzlies erased a 19-point deficit to defeat the San Antonio Spurs, 120-108. 

It was reminiscent of last season, when the Grizzlies completed a 29-point comeback as they defeated the Spurs, 126-120, in overtime.

Memphis dominated the final quarter by outscoring the Spurs 33-14 and held San Antonio to 28.6 percent shooting.

The Grizzlies have now defeated San Antonio 11 consecutive times. This is Memphis’ longest active run of victories against a single opponent, and their longest ever against the Spurs.

Despite only playing seven minutes in the first half due to foul trouble, Jaren Jackson Jr. led the way with 27 points, five rebounds, and 11-of-12 shooting from the charity stripe. For the season, the 24-year-old is averaging 20 points, six rebounds, 2.1 assists, and 1.7 blocks. 

Desmond Bane ended with 26 points, five rebounds, and four assists while going 8-of-15 from the field. Bane is averaging 25.5 points, 4.5 rebounds, 4.5 assists, and 1.5 steals.

Bismack Biyombo put up 14 points, nine rebounds, and four assists.

Santi Aldama chipped in 17 points, 10 rebounds, and three assists.

Ziaire Williams ended with 17 points, seven rebounds, and five assists. 

Derrick Rose returned to the lineup after a nine-game absence with swift moves that led to the comeback. As a reserve, Rose contributed nine points. 

Injuries

Memphis has a long list of injuries, and only four players from the main roster have been available for all 12 games: Jackson, Bane, David Roddy, and Kenneth Lofton Jr. 

Marcus Smart would have been in that number, but he suffered a foot injury in the 134-107 thrashing by the Lakers on Tuesday night. 

Smart had trouble putting weight on his left ankle after landing awkwardly on Austin Reaves’ foot in the first quarter of the game in Los Angeles. He had to be helped off the court and did not return to the game. Smart appeared on the Grizzlies bench in a walking boot. 

The Grizzlies announced on Saturday that Smart had a left foot sprain and is expected to return within 3-5 weeks. 

Up Next 

No rest for the Grizzlies, as they will host the hot Boston Celtics Sunday inside FedExForum at 7 p.m. 

Return of 12

After tonight’s game the Celtics, it will be 12 more games before Ja Morant is eligible to return from a 25-game league suspension.

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WE SAW YOU: Healy’s Homecoming

Healy hasn’t played a show in his hometown since he performed at the 2019 Memphis in May Beale Street Music Festival.

His recent show, held November 16th at Growlers, was jam packed.

Ben Callicott, who traveled from Brooklyn to Memphis to play in the show, Chris Underwood, Healy, Ali Abu-Khraybeh, and Christian Underwood at Healy concert at Growlers (Credit: Michael Donahue)
Healy concert at Growlers (Credit: Michael Donahue)

What brought him back? “Homecoming show,” says Healy, who now lives in Brooklyn, New York. “I started working with a new booking agent and I just put out a new EP.”

And, he says, “I never had the opportunity to tour on my last project. So, I’m kind of checking the boxes right now. Testing the waters. There was an opportunity to play here. And I’ve never played Growlers before. So, I wanted to keep kind of diversifying the venue.”

 Asked what sets his latest EP, Look at God, apart from his previous works, Healy says, “I think the entire approach is a lot different. While I was making it I was shooting a music video and I tore my ear drum jumping into the water in Big Sur. And I lost half my hearing for the majority of a year. And that really affected the way that I just approached life, but also music, specificalliy. Like I really had to let go and I couldn’t really wring things dry. And nit pick them and have like 16 or 17 revisions for a mix for a song.”

It also explains the title of the EP. “You never really know what’s going to happen and what’s in store for you. So, I guess that’s the name of the project. Look at God. This realization that your life is out of your control and you’re just going to have to submit and enjoy the dance.”

The video was for his song, “2D,” Healy says. “The scene was just me jumping into the water. We were cliff jumping from 20 or 25 feet up.”

His life changed. “Immediately, people’s voices that I heard my entire life were different. And localization was crazy. Like there would be helicopters flying over me and I’d be like, ‘Oh, they’re all the way over there.’ And it would just be directly over to my left. It was one of the darkest moments of recent memory. But, really, it just showed me that when vocation is out of the way and you’re thinking things like your job or what you’re really passionate about is done and you might not be able to do it anymore, what’s left over is family and friends and love. So, it really just reoriented my life for me. It was the most beautiful silver lining I think I could ever have encountered.”

As far as his hearing loss affecting his creativity, Healy says, “I don’t think I ever thought it was messing it up. If anything, I think it made it more dynamic, in a way.”

He wanted to immediately get back what he had lost. “It inspired me to use different recording techniques. I started using this binaural microphone. It’s shaped like human ears and it records audio in 3D. I was using it, I guess, to give a new dimension to the music that had become somewhat flatter to me. I wanted to really give it more texture and give it more friction. So, if anything, it inspired me to just keep digging and figuring out how I could make things more multi-dimensional.”

Healy got his hearing back about five months later. He had a graft taken from his left ear to recreate his ear drum. “I had that surgery in November. Right before Christmas.  I still am without 20 decibels or so. Which is technically within normal limits.”

Asked if he began listening to lots of records, Healy says, “Immediately after, I listened to this one record, Roy Hargrove Quintet ‘Strasbourg/St. Denis.’ And put my headphones on and just closed my eyes. It was as close to a spiritual experience as I’ve come. Just to be able to appreciate all of the frequencies that I’d been missing for months. And things that I’m so used to.  And taken for granted.”

And, he adds, “I haven’t listened to this much music in so long because it’s like, ‘Give me all of it. I need it all.’”

Songs on his new EP include Amber. “I’ve always wanted to write a song about how whenever you either break up with somebody or stop being friends with somebody, when you combine with somebody to be friends with in a relationship you form a new version of yourself. And when you separate from them, you leave that version of yourself behind.

“The imagery that was coming to me was a mosquito trapped in amber like a fossil. And it’s stuck there forever.”

Healy has three more shows on the West coast. “So, I’ll probably just focus on that and family stuff up until then. But following that, I’ve been working on a long form album. Like 10 or 12 songs.”

Asked for some hints on the new album, which may be released in summer of 2024, Healy says, “I’ve been really trying to just throw paint at the wall and see what sticks. I’m really grateful that my fans allow me to be me and they don’t feel like — or I don’t feel like — they expect a specific type of music or version of me. And so there’s this flexibility that I have that’s really special.

“I’m screaming on a few of these songs. Some of them are very beautiful — like Americana singer-songwriter. Just classic imagery. Then others are using some newer recording techniques and newer instrumentation that I’m not used to. I’m just continually trying  to diversify my creative circle.”

While he’s in Memphis, Healy plans to check on his friends, Kinfolk restaurant chef/co-owner Cole Jeanes and Amy and Hayes McPherson from Comeback Coffee. “And I also stop by Novel and get the Poetry Foundation monthly edition because sometimes it doesn’t come to my steps in New York. I always like to get it in person cause it’s really a  nice source of inspiration. And I love Novel, too. It feels good in there.”

Healy plans to spend time with family. “I haven’t gotten to be with them for Thanksgiving in like three years. So, I’ll do that. I’m excited to just kick my feet up and drink a beer and watch football. Partake.”

Courtney and Cole Jeanes at Healy concert at Growlers (Credit: Michael Donahue)
Hayes McPherson at Healy concert at Growlers (Credit: Michael Donahue)
Tommy Tubbs, Jason Polley, Courtney Polley, Jamie Lassandrello, Kelly Healy, Allan Tillstrom, Billy Gray at Healy concert at Growlers (Credit: Michael Donahue)
Erin and David Williams at Healy concert at Growlers (Credit: Michael Donahue)
Spencer Knowles, Kendall Fox, Bridget Nicolia, Kyle Edmonds at Healy concert at Growlers (Credit: Michael Donahue)
Gabe and Rachel Courter at Healy concert at Growlers (Credit: Michael Donahue)
Austin Davis at Healy concert at Growlers (Credit: Michael Donahue)
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On the Fly: 11/17-11/23

📣 Spillit Grand Slam: The Moment
Black Lodge
Friday, November 17, 7 p.m.
The beans will be spilled. The tea will be spilled. The guts will be spilled. The … wait … are there any other idioms for spilling secrets? Well, the bit’s run its course, and the real storytellers are ready to take over. All the Spillit winners from this year are coming back for Spillit’s Grand Slam. They get seven minutes to tell their story, and in the end one will be crowned the Grand Slam Champion. Learn more about Spillit here and get your tix ($20) here

🩰 New Ballet’s NutRemix
Cannon Center For The Performing Arts
Friday, November 17, 7:30 p.m. | Saturday, November 18, 5:30 p.m. | Sunday, November 19, 2:30 p.m.
Did you read Alex Greene’s cover story this week? Well, you should ’cause it’s a delight and it’s all about dance in Memphis. One such performance is happening this weekend, thanks to New Ballet Ensemble’s NutRemix. NBE’s take on The Nutcracker is an electrifying and innovative production that takes the entire family on a captivating journey with a story set on Memphis’ iconic Beale Street. Tickets ($29-$52) can be purchased here.

🎶 Paul Taylor with Three Springs
The Green Room at Crosstown Arts
Friday, November 17, 7:30 p.m.
He’s back, baby! Paul Taylor, that is, and he’s coming to the Green Room this Friday for his first performance in Memphis in over three and a half years. This time around he’s bringing his brand new band, Three Springs, along with him all the way down from his new home of Door County, Wisconsin. Tickets are $20 at the door and $15 in advance. Oh, and, hey, Alex Greene just happened to write a really great music column this week all about Taylor. Just saying you might want to read it here.

🏋️ Memphis Fitness Fest
Renasant Convention Center
Saturday, November 18, 10 a.m.-6 p.m.
Let’s get physical! Not like you and, uh, me in, like, a physical way. But, you know, get physical with Memphis Fitness Fest! Immerse yourself in a day filled with energy, excitement, and empowerment. Participate in live demonstrations by the area’s top fitness trainers. Learn from expert nutritionists about the power of proper nutrition. Discover delicious and healthy recipes, sample nutritious snacks, and find out how to fuel your body for peak performance. Gain wisdom from featured speakers, and explore a marketplace filled with fitness brands, health and personal wellness products, and more. Tickets are $15

🏳️‍⚧️ Trans-Fest
Black Lodge
Saturday, November 18, 11 a.m.-4 p.m.
In preparation for Transgender Day of Remembrance on Monday, JennaOnFire Productions will host the first annual Trans-Fest, the biggest trans resource and vendor market in the Mid-South. There will be drawings for giveaways, and most of the tables will have goodie bags as well. The event is free and family-friendly. Each hour will have a family-friendly performance. Read more about the event in this article by our writer Kailynn Johnson. Also, check out OUTMemphis’ Transgender Awareness Week for more events elevating and supporting the trans community.

🍽 Eat This Book Festival
Cossitt Library
Saturday, November 18, 11 a.m.-3 p.m.
We don’t endorse eating books, but we do endorse Eat This Book Festival where you can celebrate Memphis food culture with vendors, free samples, crafts, and more! This year’s festival will be headlined by Chef Eli, who along with other local chefs will host live cooking demos.

✏️ The Mid-South Cartoonists Association Festival of Cartoon Art
Germantown Community Theatre
Saturday, November 18, noon-4 p.m.
Celebrating cartoon art in Memphis, this family-friendly mini convention will have free entry with lots of original art and prints for sale. Since 1987, the Mid-South Cartoonists Association has been the premier group promoting cartoon as art with its membership consisting of all kinds of artists with a focus on cartooning. This event will also be a closing reception for MSCA art show “Drawing Blood.” Art show artists who will be in attendance are Greg Cravens, Courtney Dunn, Charlie Forrester, Katie Jones, Dale Martin, Katherine Modlin, Lin Workman, and Kevin Williams. MSCA member Antonio Johnson and GCT friend Connie Lampen will also be in attendance.

🎄 Hallmark’s Christmas at Graceland Double Feature
Guest House at Graceland
Saturday, November 18, 7 p.m.
I’ve never been to Graceland, but I have seen Hallmark’s Christmas at Graceland … well part of it … I think. You know how those movies are: They all blend together, boy and girl meet, conflict happens at 1:35 mark, they make up, and, boom, Christmas and love are saved! And you bet your poinsettias I’m gonna keep on watching these type of movies and enjoying them. This Sunday, you can catch a double feature of Christmas at Graceland and its sequel, and you can catch it for free. Oh, and it’s Holiday Lighting Weekend, so there are a bunch of other events happening at Graceland that you can check out here.

🌳 “Shelby Canopy: Our Shared Connection”
Wolf River Greenline
Sunday, November 19, sunrise-sunset
Skies of blue, clouds of white, trees of … blue? Yes, blue — at least along the Wolf River Greenway, where a new free, immersive public art experience is about to open this Sunday, complete with blue trees and wind chimes. The experience, titled “Shelby Canopy: Our Shared Connection,” features two temporary installations: “The Blue Trees Environmental Art Installation” by international artist Konstantin Dimopoulos and “Tree Tones” by local artist duo, Belleau + Churchill. It’s pretty cool, I wrote about it myself, and it’ll be on display until April. 

👑 SIX
The Orpheum
Tuesday-Sunday, November 21-26
(Sing to the tune of ABBA’s “Money, Money, Money”) Henry, Henry, Henry had so many, six wives in all. Ohhhhh, all the things they could do, if they hadn’t married Henry. That was their downfall. Those, my friends, are the lyrics to the video my world history teacher made us watch in 10th grade, and, boy, do I remember them and always will. I bring this up because if one song about Henry VIII can linger in this ol’ noggin for years to come, imagine what a whole musical can do. That’s where SIX comes in. “The global sensation that everyone is losing their head over!” The six wives of Henry VIII take the microphone to remix 500 years of historical heartbreak into a euphoric celebration of 21st century girl power. Hell yea! Tickets for the show that’ll be taking over the Orpheum next week can be purchased here

👟 2023 BuffaGLO Run
Shelby Farms Park
Tuesday, November 21, 7 p.m.
Get ready, get set, glow at the BuffaGLO Run! And while you’re at it get the very first look at the lights of Starry Nights and grab a cool t-shirt. This family-friendly 2.25-mile fun run is the kick-off to Starry Nights. The race will be untimed, strollers are welcome, and dogs are allowed on-leash. Race registration fees ($25) benefit Shelby Farms Park + Greenline. Register here.

There’s always something happening in Memphis. See a full calendar of events here.

Submit events here or by emailing calendar@memphisflyer.com.

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News News Blog

Downtown Mobility Authority Updates Plans, Revenues

The Downtown Mobility Authority (DMA) has reported that the Downtown Mobility Center is causing revenue and net income to “trend above budget,” and that they are looking to get creative to attract new users.

“Revenue [is] ahead of budget by 3.6 percent and expenses under budget by 5.6 percent,” the authority reported.

The organization met in person on Wednesday, November 15 at 114 North Main Street, while the public was encouraged to join virtually via Zoom. This was the final meeting of the group until January 2024.

During the meeting, officials gave updates on the Downtown Mobility Center at 60 Beale Street. The center opened on August 3, and was a $42 million project. When announced, the Downtown Memphis Commission (DMC) said that there would be about 960 parking spaces, a biker commuter station, and commercial space.

To encourage use of the garage, the DMA has offered incentives with places like the Orpheum, where they encourage season ticket holders to use a special promo code for parking discounts.

“We’re really pleased that the Mobility Center has been trending above budget in terms of revenue,” officials said. “We have parking agreements already established with AutoZone with the parking on street corners. We’re working with Premium [Parking] to get creative with adding more subscriptions and helping the user utilization at the facility.”

The authority says it continually looks to plan and manage future hospitality and maintenance items for the facility. It is also looking to increase occupancy, and is selecting tenants for the retail space in the facility.

The DMA also reported other highlights in other garages such as First Park Place, Criminal Justice Center, and 250 Peabody Place. Officials said the First Park Place garage at 21 South Second Street is over budget (eight percent) in revenue, and noted that it is a “high performing facility across the portfolio.”

The garage at 250 Peabody Place has also seen significant growth, specifically between September and October, where officials say transient parking grew 60 percent. According to officials, this is due to the start of the FedExForum event season, as well as Memphis Redbird games.

Officials also discussed electric vehicle (EV) charging use, as the Downtown Mobility Center includes four EV charging spaces. Other DMA facilities have two of these spaces.

“[The] goal is to have 2 percent existing and 5 percent EV-ready capacity, ramping up as demand dictates,” said the DMA. “In every parking facility 2 percent of spaces are already open, with chargers on site, and five percent EV-ready, so they can be plugged in and installed as needed.”

The most used garage for EV charging is the Barboro Flats Garage at 100 Gayoso Avenue. DMA officials said that the DMC is working with Premium Parking and Blink, another electric vehicle charging group, to install additional chargers at the garage, with no purchase or installation charge to the DMA.

DMC president and mayor-elect Paul Young also announced that demolition can begin on the DMA’s 100 North Main Street, the city’s tallest building. According to Young, officials met around this same time last year to discuss interior demolition to start the project. Young said that they have not closed on the project, but expects them to in the coming months.

“The development team is ready to begin,” said Young. “They’re going to be doing a groundbreaking on November 30, where they’re going to kick off the start of the process. It’s been a long journey.”

Edge Development Growth Engine (EDGE) is providing a loan to the developer team for the project to cover some of the costs.

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News News Blog News Feature

Memphis Starbucks Workers to Strike In “Red Cup” Thursday Event

Memphis Starbucks workers will strike today at Poplar and Highland, joining the national “Red Cup Rebellion.”

The movement demands the coffee company to bargain with baristas over staffing, scheduling, and other issues, reads a news release from Starbucks Workers United. 

The strike comes on Red Cup Day, when the company hands out tens of thousands of free reusable cups, one of its busiest customer traffic days of the year, the union said. Earlier this year, workers filed an unfair labor practice charge with the National Labor Relations Board for the company’s refusal to bargain around these high-traffic promotion days. 

Customers flood stores on promotional days, like Red Cup Days, without any additional staffing to cover the influx of orders, the union said. On those days, “workers are left to handle angry customers” who have to wait longer than usual or are disappointed when those supplies of red cups run out and “often take their anger out on workers.”

“We’re inviting all Starbucks baristas and shift supervisors to join this year’s Red Cup Rebellion and walk out in solidarity alongside thousands of Starbucks Workers United baristas to protest Starbucks unfair labor practices,” reads the event’s website

Over the last two years, around 9,000 Starbucks employees have unionized at 360 stores. The union said the company has responded with “a coordinated, scorched-earth campaign” from its corporate labor office to stall bargaining. The union said the company has also given special treatment to non-union stores, like offering credit-card tipping and raises to non-union workers. 

An event map shows 233 Red Cup Rebellion events are scheduled today, from Boston to Miami and San Diego to Seattle. As of Wednesday afternoon, the Memphis event was not listed on the site.

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Art Art Feature We Recommend We Recommend

“Shelby Canopy” Brings Public Art to the Wolf River Greenway

Skies of blue, clouds of white, trees of … blue? Yes, blue — at least along the Wolf River Greenline, where a new free, immersive public art experience is about to open this weekend, complete with blue trees and wind chimes. The experience, titled “Shelby Canopy: Our Shared Connection,” features two temporary installations: “The Blue Trees Environmental Art Installation” by international artist Konstantin Dimopoulos and “Tree Tones” by local artist duo, Belleau + Churchill. This will be Germantown Public Art Program’s first public art installation since developing its master plan in 2019. 

For Australian-based Dimopoulos’ “The Blue Trees,” the artists and volunteers have, since November 1st, applied an eco-friendly pigment to the trunks of more than 100 trees, creating a striking landscape of ultramarine blue trees juxtaposed against the natural browns and greens of the forested area. The concept of the project was born out of Dimopoulos’ concern for deforestation. “In my environmental art installation, The Blue Trees,” he writes in his artist statement, “the colour and the Tree come together to transform and affect each other; the colour changing the Tree into something surreal, while the Tree, rooted in this earth reflects what we may lose.” 

And so, the trees are blue, simply because there are no blue trees in nature; thus, the viewer will pay more attention to them. Since its conception in 2003, “The Blue Trees” has traveled around the world, making Memphis its 36th stop. “This is the first time we’ve done it in a forest area, which is really exciting,” the artist says. “Normally it’s outside a library or a municipal thing; whereas, here it’s kind of like little sparks [of blue] everywhere.”

The pigment is essentially liquid chalk, the artist goes on to explain, and does not have a binder that paint has, which makes it safe to use in a project like this. Over time, the pigment will fade and wash away with rain. It’s likely the trees will remain blue at the Wolf River Greenway for six months.

Konstantin Dimopoulos’ “The Blue Trees” (Photo: Abigail Morici)

“There’s a pretty rigorous selection of trees [for this project],” adds Cat Peña, Germantown’s public art and design manager. “You have to have smooth bark, and we can’t have trees that have lots of moss on them, because it takes a long time for moss to grow, and deeply fissured bark trees that insects can be living inside of them. And so, a city arborist came, and we selected the site, we selected the trees, and we also did a health check like a month beforehand.” 

Further, to complement “The Blue Trees,” the Germantown Public Art program commissioned Belleau + Churchill, Raina Belleau and Caleb Churchill, to create “Tree Tones,” an auditory installation on the same trail as Dimopoulos’ trees. “Tree Tones” features 60 wind chimes, hanging from the trees. “There’s six different tones, and they relate to six different tree species on the trail,” says Peña. “There’s a cord between the six tones that’s scientifically proven to be very calming. And when it’s windy, you’ll be able to hear a little bit of the ecology of the forest.”

An audio tour, accessible through QR codes provided on trail signs, will accompany both installations in English and Spanish, says Peña. “Specifically for Tree Tones, you’ll hear voices of children who’ve worked on this project [with Belleau and Churchill] about their experience with trees and meditation,” she says. “We went to Carpenter Art Garden, The Overton Park Conservancy, Lamplighter Montessori School, and Crosstown High.”

Belleau + Churchill’s “Tree Tones” (Photo: Abigail Morici)

In a similar fashion, Dimopoulos during his stay in Memphis will visit with students at Dogwood Elementary, Farmington Elementary, and Riverdale School, where he will speak about the project and tint a few trees on their campuses. 

For Peña, including the next generation in this project was obligatory. “It sounds kind of cheesy,” she says, “but the children are our future. This project is about our natural resources, … so it’s kind of a way of making these things that are a part of us and we’re a part of just closer to us.”

In turn, Peña hopes these installations will encourage conversations about our ever-so precious trees, the environment at large, and what we can do to preserve and protect the resources we have. Plus, she says, “We are encouraging people to get outdoors and experience nature. We’re really encouraging people to use the trail throughout the county because we’re so lucky to have this trail system. People could be coming from the Germantown side or from the Memphis side [to see the installations], and it was really intentional to place them this close to a city border.”

“Shelby Canopy: Our Shared Connection” opens Sunday, November 19th, and will remain on display through April 19, 2024. The installation is located along a section of the Wolf River Greenway trail system, near the Memphis and Germantown border. (See map below.) The trail is open from sunrise to sunset, seven days a week. Find out more about “Shelby Canopy” here.

Konstantin Dimopoulos will give an artist talk about “The Blue Trees” at Germantown Community Library, Thursday, November 16th, 6:30-7:30 p.m. For more information or to register, call (901) 757-7323.

Park at Kirby Parkway Trailhead or Germantown Greenway West Trailhead for easy access to the installations, which cannot be seen from the road. (Photo: Courtesy Germantown Public Art)
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Music Music Blog

Bluesman R.L. Boyce To Be Honored in Como

When lung cancer claimed the life of drummer, guitarist, and singer/songwriter R.L. Boyce on November 9th, it left a gaping void in the heart of the North Mississippi blues. Indeed, over the course of his 68 years on earth, he emerged as one of our most powerful voices in that unique tradition, embodying its rhythms and harmonies with his very being.

When he was named a National Heritage Fellow by the National Endowment for the Arts (NEA) earlier this year, it only confirmed what many in the Mid-South already knew: that he was an integral player in the North Mississippi scene, having had a hand in some of its most distinctive music since at least the 1970s.

That was made clear soon after he passed away, when Dr. David Evans, who headed up the University of Memphis’ ethnomusicology program for many years, posted an image of a 15-year-old Boyce on social media.

R.L. Boyce (second from left) playing snare with Napoleon Strickland (left) in 1970. (Credit: David Evans)

Evans wrote that this image “might be the very first photo taken of him, at least in a musical setting,” adding that the occasion was a Labor Day weekend picnic at L. P. Buford’s place east of Senatobia, MS, on Sept. 4, 1970. “R. L., then aged 15, plays the snare drum,” wrote Evans, “with an unidentified bass drum player and Napoleon Strickland playing fife.”

His penchant for drums put him at the center of the vivid musical culture of North Mississippi for the decades that followed, as he played drum set for Jesse Mae Hemphill in the 1980s and ’90s, then bass drum and snare with fife master Othar Turner (whose wife Ada was R.L.’s relative).

He continued as part of the Turner drum corps for years, but also took to the guitar as this century dawned, and in recent years he was known primarily for his self-accompanied singing, releasing the albums Ain’t the Man’s Alright (Sutro Park, 2013), Roll and Tumble (Waxploitation Records, 2017), Rattlesnake Boogie (Waxploitation, 2018), and Ain’t Gonna Play Too Long (Waxploitation, 2018) under his own name, as well as being included on this year’s compilation Tell Everybody! on Easy Eye Sound.

Shanquisa Birge Boyce, Boyce’s daughter, remembers his guitar playing as an integral part of her life. “He had jobs as I was growing up, but music’s always been his passion,” she says. “Then, as he started getting older and stopped working, he went full time with his music.”

The music was something Boyce lived and breathed, according to Shanquisa. Even as he was nominated for Grammy Awards, Blues Music Awards, or named a National Heritage Fellow, it was the music that mattered most to him. “He was really excited [by such recognition] but the only thing he really wanted to do was play blues guitar,” she recalls. “If he didn’t make enough money, or would get down or sad or something, he’d pick up his guitar to bring up his spirits.”

R.L. Boyce with daughter Shanquisa. (Credit: Yancey Allison)

That took the form of many jam sessions in and around his home in Como, Mississippi. “There was always music in the yard,” says Shanquisa. “He’d start up in the yard and play day and night.”

Such festivities created many beloved memories for Boyce’s family over the years, even as his playing remains indelibly etched into the minds of the fans who witnessed his shows. This weekend his family will pay their respects — joined by the Como community and many the music lovers whose hearts he touched. Many around the world will pull out their R.L. Boyce albums to revisit his finely-wrought, rhythmic blues, and, as Shanquisa notes, that’s just what Boyce would have wanted. “I think he would like to be remembered as a Mississippi Blues Man.”

R.L. Boyce funeral service schedule details
Friday, November 17th
Visitation, 2 p.m. – 5 p.m.
Felix Cauthen Funeral Home
13653 MS-HWY 4
Senatobia, MS, 38668
662 562 8667

Saturday, November 18th
Visitation, 1 p.m. – 2:15 p.m.
Celebration of Life, 2:30 p.m.
Hunter Chapel MB Church
1654 Hunter Chapel Road
Como MS, 38619

Donations for flowers and other expenses can be made to Boyce’s GoFundMe page.

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Reharvest Memphis

In the U.S., 40 percent of the food produced goes uneaten and is sent to the landfill, yet the majority of this food is still good for consumption — a fact to which Project Green Fork (PGF), an offshoot of Clean Memphis, wants to brings awareness, especially with their upcoming Reharvest Memphis.

At the event, says program director Leann Edwards, local PGF-certified chefs will prepare hors d’oeuvres using surplus ingredients rescued from the Mid-South Food Bank and Cordelia’s Market. The chefs, whose PGF certification dictates that they have taken measures to practice sustainability in their restaurants, will be Don Gaines and Stephanie Blanda of LuLu’s Cafe & Bakery, Sarah Cai and Arturo Leighton of Good Fortune Co., Daishu McGriff from Shroomlicious Meals, Becky Githinji and Shane Wigginton from Tamboli’s, and David Self from Paper Plate Pavilion. “It’s important to support these restaurants who are taking sustainability measures,” says Edwards.

Prior to visiting the food bank and Cordelia’s on the Tuesday and Wednesday before the event, the chefs won’t know what ingredients they’re working with, which means they won’t know what dishes they’ll create. “That’s part of the fun of it,” Edwards says. “It turns into a really exciting, creative process for them as well. … [Last year at my first Reharvest] I was very excited by how excited they were — just the fun of chopping these ingredients and watching their wheels turn and figure out how they could use them in really creative ways. And people made desserts, savory dishes, and even though they had the same sort of components to shop from, everyone created something very different in their own wheelhouse.”

In addition to sampling the top-notch restaurant fare, attendees will be able to mingle with the chefs, ask questions about their dishes, and hopefully learn tips on how to utilize ingredients that might go otherwise to waste. “That’s really our intention — to rethink food waste in a way that’s delicious and sustainable,” Edwards says. “There’s sometimes a stigma around surplus food that might be appropriate for donation. And we really just want to show people through these creative chefs that surplus food can be super delicious and creatively used and nourishing and wholesome at the same time.”

This year’s Reharvest Memphis also happens to coincide with PGF’s Downtown leg of the new 901 Save the Food Challenge: Restaurant Edition, which has been working with restaurants neighborhood by neighborhood to reduce food waste. The event, Edwards says, showcases the impacts that initiatives like the 901 Save the Food Challenge and just minimizing food waste in general can make in the culinary landscape.

Tickets for Reharvest Memphis can be purchased at tinyurl.com/5n8542jm. Tickets include complimentary wine, beer, a signature cocktail, and a mocktail.

Reharvest Memphis, Beale Street Landing, 251 Riverside Drive, Thursday, November 16, 5:30-8:30 p.m., $75, 21+.

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MEMernet: Paint, Donuts and Such, and a Quick PSA

Memphis on the internet.

Paint

Some folks gently lost their minds recently as a crew was spotted painting the bricks of the former Nineteenth Century Club. The enormous mansion has been home to several restaurants lately and is now taking shape to become Tekila Modern Mexican.

Memphis Heritage said the move was the “last straw” and that the paint job will likely get the property removed from the National Register of Historic Places. One on the Memphis Masonry Preservation Society Facebook group suggested a protest.

Donuts and Such

Posted to Reddit by u/Memphronomicon

By now you’ve likely seen the video of a group of people (armed with pistols and rifles) brashly shutting down a stretch of I-240 to do donuts. It was one of several insane Memphis events caught on camera recently, including a theft raid on a gas station, people looting a FedEx truck, and a fight at Top Golf (below).

“This why I don’t do much in the inner city part of Memphis,” u/_kylanbrown said on Reddit. “I’m 20. I wanna have fun but Memphis just ain’t the place.”

Posted to X by @meka_badazz88

Quick PSA

“This Tuesday someone got caught crankin’ the hog at a popular local coffee shop (you can probably guess which),” u/skeleton_booger said on Reddit. “If you’re getting coffee keep an eye out for The Stroker.”