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Food & Drink Hungry Memphis

Dory Is Closing

Dory restaurant is closing. The restaurant at 716 West Brookhaven Circle is owned by executive chef David Krog and his wife, Amanda.

“June 29th. That will be our final service,” Amanda said. “We’ll have regular service up until then.”

“It’s been coming since the day we opened,” David said. They opened in 2021 during the pandemic. “We were brand new and unestablished and not on anybody’s radar, either. We didn’t get the honeymoon. These aren’t excuses. These are just what happened. There is no excuse. It was sad. The restaurant business is tough. For us, we didn’t make it.”

Amanda said,  “This decision was only final just within the past days. It’s not like we were, ‘Oh, let’s just throw in the towel and just get jobs.’”

They wanted to give their staff plenty of notice. David said they wanted to “make sure we leave with the same integrity we walked in the door with.”

David and Amanda will continue with the Nine Oat One Granola business. “We have that other business that’s still operating,” Amanda said.

But, she added, “What comes next has to be the right thing.”

David is working with chef Ben Vaughn on Sow Project, a non-profit that deals with community and farming. It teaches the about health sourcing and growing healthy food so young people can take that knowledge back to their communities, David says. 

“I have no idea what the universe has in store for me. I’ve had a very long career. I’ve been in the restaurant business since I was 15 years old. It is something that I’m still incredibly passionate about. I’m still passionate about local food and farmers we work with.”

David and Amanda planned to open Dory on April 2020, but the pandemic hit. In an earlier Memphis Flyer story Amanda said, “Construction and deliveries and all of that slowed down. By the time we were able to actually open the doors, capacities at restaurants were 25 percent and we couldn’t open the bar.”

A tasting menu seemed like the best idea when the restaurant opened in 2021. “There’s no tasting menu in a restaurant in Memphis,” David told the Flyer. “So, us opening one under the conditions that we did with very little research was kind of like winging it.”

Those six-course dinners included an amuse-bouche,  intermezzo sorbet, entree, dessert, and mignardise. But they only saw some people on special occasions or once a month.

They decided to change to an a la carte menu, which went into effect August, 2023. They also implemented a kid’s menu, which was designed by their daughter, Doris Marie.

According to the Dory web page, “Chef Dave Krog moved to Memphis in ’92, and soon began an apprenticeship under Lynn Kennedy at La Tourelle where he later became sous chef.”

It says he “went on  to be executive chef at Madidi in Clarksdale, Mississippi. This was the beginning of a career that would set him on the path to restaurant ownership and becoming a respected teacher and leader in the culinary community.”

Before opening Dory, Krog was executive chef at the old Interim Restaurant & Bar.

People will miss the atmosphere at Dory. As David told the Flyer, “As I grew older and started running kitchens in my early 20s, I understood how important it was to treat the people in our dining room literally like our guests.”

Diners were constantly telling him how warm Dory made them feel.  “And that’s pretty cool.” 

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State Lawmaker Seeks AG Opinion on Trump on Tennessee Ballot

A state lawmaker requested a legal opinion from Tennessee’s Attorney General last week on whether or not Donald Trump qualifies to appear on Tennessee’s presidential ballot, following his convictions in New York. 

Rep. Vincent Dixie (D-Nashville) requested the opinion from Tennessee AG Jonathan Skrmetti, a Republican, in a letter sent Friday. In it, Dixie pointed to a Tennessee law that says anyone convicted of an “infamous crime” is “disqualified from qualifying for, seeking election to or holding a public office in this state.” 

Dixie said the law is meant “to protect the public from individuals who refuse to adhere to the laws they are meant to uphold.” He then pointed to Trump’s convictions on 34 felony counts of election interference last week.  

“It is crucial for Tennesseans to trust that their elected officials are held to the highest standards of legality and ethics,” Dixie said in his letter. “Allowing a candidate with such convictions to appear on the ballot would undermine this trust and the rule of law.” 

The law is meant ”to protect the public from individuals who refuse to adhere to the laws they are meant to uphold.”

Rep. Vincent Dixie

He continued, “The public’s interest in maintaining integrity in our electoral process necessitates that individuals convicted of serious crimes be held accountable and disqualified from holding public office.”

Dixie said the convictions “reflect serious criminal offenses,” including falsification of business records, “a crime prosecuted vigorously in both New York and Tennessee.”

“Given the severity and nature of these crimes, which include lying in official filings and engaging in deceitful practices to influence the outcome of an election, I seek your legal interpretation on whether Donald Trump’s convictions in New York constitute an ‘infamous crime’ under Tennessee law,” he said. “Specifically, does this disqualify him from appearing on Tennessee’s ballot for the U.S. presidential election?”

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Blackburn Pledges to Block Senate Business in Wake of Trump Conviction

Blaming President Joe Biden for the 34-count felony conviction of former President Donald Trump, Sen. Marsha Blackburn is pledging to block Senate business, mainly items dealing with White House initiatives.

Blackburn, a Tennessee Republican, joined seven other senators in signing a letter accusing the Biden White House of making a “mockery of the rule of law” and altering the nation’s politics in “un-American ways” by orchestrating the judicial proceeding.

Trump was convicted last week on 34 felony counts of breaking New York business laws in connection with a $130,000 “hush money” payment to adult film star Stormy Daniels just before the 2016 presidential election.“As a Senate Republican conference, we are unwilling to aid and abet this White House in its project to tear this country apart,” the letter says. It is also signed by Sen. Tommy Tuberville of Alabama and Sen. Rick Scott of Florida.

The senators promised not to allow increases in non-security funding or a spending bill that funds “partisan lawfare.” They also said they would block political and judicial appointments as well as attempts to expedite Democratic bills unrelated to the American people’s safety.

Democratic state Rep. Gloria Johnson of Knoxville, who is running against Blackburn this year, said Monday the pledge is “beneath the dignity” of a U.S. senator.

Tennessee Lookout is part of States Newsroom, a nonprofit news network supported by grants and a coalition of donors as a 501c(3) public charity. Tennessee Lookout maintains editorial independence. Contact Editor Holly McCall for questions: info@tennesseelookout.com. Follow Tennessee Lookout on Facebook and Twitter.

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I-55 Bridge to Close for Two Weeks on Sunday

The I-55 Bridge across the Mississippi River will close for two weeks or more starting Sunday. 

The Tennessee Department of Transportation (TDOT) said during that time contract crews “will hydro-demolition the bridge deck and provide a new polymer concrete overlay.” The overlay has strict temperature restrictions. So, all work is weather-dependent. 

The closure is the first of two allowed in the bridge contract. 

Here are details for local travelers: 

• Sunday, June 9, 8:00 pm through Sunday, June 23, 8:00 pm

• I-55 southbound will be closed at Bridgeport Road in Arkansas

• I-55 northbound will be closed at South Parkway. 

• Local traffic will be allowed to continue to the McLemore exit

• I-55 southbound ramp will be closed

• Crump Boulevard westbound will be closed

• A detour will be posted

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Grants Boost Community Organizations in Housing and Justice Reform

Grants totaling $475,000 will allow three community-focused organizations to expand their work in justice reform, landlord accountability, and structural barriers in housing, while also dispelling myths about who these issues affect.

The funding is a result of an initiative of Community Foundation of Greater Memphis (CFGM) to tackle housing reform and inequities, and marks a “radical reimagining” of its grant making process.

The grantees are The Greater Memphis Housing Justice Project ($165,000), Just City ($100,000), and Memphis Interfaith Coalition For Action and Hope (MICAH) ($210,000).

Aerial Ozuzu, director of community impact for CFGM, said the organization went through a rigorous consulting and strategic planning process from January to April of 2023. As a result, the organization’s consultants touched on themes of funding equity, exploring collective impact, and property usage of community data to name a few, Ozuzu said.

“The committee decided early on that they didn’t want to take a Band-Aid approach and offer short-term relief,” Ozuzu said. “While meeting the immediate needs of our community will always be essential, it tends to be a safe and conventional method that only leads to incremental change at best.” 

CFGM decided to tackle these issues, which resulted in its Reforming the Housing and Justice Systems grant initiative. The committee reviewed applications in late 2023, and considered solutions that would lead to “a more fair, thriving, and resilient region for all.” Out of 66 applicants, the grantees were narrowed down to the three organizations.

“These are organizations that are uniquely addressing root cause issues of housing injustice,” Ozuzu said. “They are taking an unconventional approach to making change in our community. They are also organizations that hold community trust.”

Ozuzu said since this is a new approach for CFGM, they are on a learning journey with their grantees. However, she added that they are investing in these organizations to do the work they’ve been doing for a majority of their existence.

Gisela Guerrero, lead organizer of MICAH; Josh Spickler, executive director of Just City; Jamie Johnson, Memphis Public Interest Law Center; and Shirley Bondon of the Black Clergy Collaborative of Memphis met to discuss their work and how they plan to tackle their respective issues during the Community Foundation Annual Meeting and Grant Panel in May.

Ozuzu mentioned that while certain systems are important, they can sometimes pose “inequities and problems” due to the way they have operated for years. Part of the work that these agencies are doing to tackle these inequities are by specializing in specific sectors such as court and policy.

Bondon added that the government systems are failing both the city and county and Spickler emphasized the failures of the justice system. Guerrero emphasized MICAH’s focus on tackling justice and equity regarding education, economics, and race and class. 

“It feels like there are so many things that are happening,” Guerrero said. “There are so many systems that could be better, that could be improved and are creating so much harm, but we believe is if we can narrow it down, or focus on a few, we can make some better progress that way.

The participants also discussed certain misconceptions about their approach to their work such as the idea that Just City “refuses to acknowledge that some people should be taken out of society,” and that MICAH and The Greater Memphis Housing Project “are against property owners and anti-development … they all just aim to agitate without providing solutions.”

“I have a lot of confidence that years from now, we’re going to find out these were the right decisions,” Spickler said regarding Just City’s work. “We’ve got to be very careful in these days ahead that we don’t undercut some really important rights, and that’s what we’ll be working on over the next few years.”

Bondon said the misconceptions they hear the most is that “renters are all bad” and “landlords are all bad.” While she said this isn’t true, she acknowledged that there is an imbalance of power. 

“There is this perception that ‘good enough’ is fine for the poor,” Bondon said. “It’s not … You have to understand the imbalance, and we hope to balance those scales. We want renters and landlords to balance — want equity.”

Ozuzu said the organizations have received their first year’s funding. She added that while this is a new way of doing things, it provides a different way of looking at how to implement change in Memphis.

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Former Airport CEO Passes Away

Larry Cox, the former president and CEO of the Memphis Shelby County Airport Authority (MSCAA), passed away, according to airport officials. 

Cox served in several leadership roles in his 41 years with the airport before taking the top job in 1985. He also served on numerous industry and community boards, including the Greater Memphis Chamber, Memphis Tourism, and the Mid-South Minority Business Council.

 “Larry Cox had a profound impact on the success and growth of Memphis International Airport and was a respected leader in the aviation industry,” said current MSCAA president and chairman Terry Blue. “More importantly, he was deeply committed to the Memphis community. We mourn his loss, and our thoughts are with his family.”

Cox received the Federal Aviation Administration’s 1996 Kitty Hawk Award and American Association of Airport Executives 2001 Distinguished Service Award. He was awarded the FedEx Bravo Zulu Award in 2004 and was inducted into the Tennessee Aviation Hall of Fame in 2005.

In remembrance, the family has asked that any charitable donations be made to the University of Memphis Larry Cox Scholarship Fund. Donations can be made here.

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Special Sections Sponsored Content

Twin Oaks Celebrates 40 Years

Almost 40 years ago, in August of 1984, entrepreneurs Carl and Brenda Carter recognized the need for a cemetery in DeSoto County where local families could bury and memorialize their loved ones. They embraced the challenge to establish a burial ground that was not affiliated with a church or a family cemetery. The result was Twin Oaks Memorial Gardens on Goodman Road in Southaven. At that time, the cemetery was across the street from a golf course and surrounded by nothing but vast, undeveloped land.
Fast forward to the early 1990s, when the Carters realized that a funeral home was needed, to better serve their clientele and the citizens of DeSoto County. Twin Oaks Memorial Gardens and Funeral Home opened as Southaven’s first and longest-established funeral home.
Carl Carter died in September of 2007 and his wife, Brenda, continued their legacy of operating the funeral home. In September of 2023, she decided it was time to pass the torch to new members of the funeral profession.
Dillon Dickey and Seanna Hamm purchased the cemetery and the funeral home from Mrs. Carter to continue the legacy that the Carters had begun. The facilities have undergone a complete overhaul with total upgrades to the lighting, flooring, painting, and furniture.
Dillon and Seanna plan to operate the funeral home and cemetery for many years, offering the same high level of service and dignity, with special attention to personalized services, that the people of DeSoto and Shelby County have come to expect from the Twin Oaks name. Striving to inform, educate, and assist their community, they partner with the local schools, colleges, chambers and other groups.
Today, Twin Oaks is proud to be a full-service funeral home offering any deathcare-related services such as pre-need planning, burials, cremations, cemetery, markers, and more.

Call us or visit us online for more information: 662-349-9720,
www.twinoaksfuneralhome.com.

PIctured, Owners: Seanna Hamm and Dillon Dickey

This article is sponsored by the Twin Oaks Memorial Gardens.

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Film Features Film/TV

Music Video Monday: “Hysteria” by A Weirdo From Memphis ft. RXK Nephew

Unapologetic artist A Weirdo From Memphis is hitting the road this summer with label mates PreauXX, Kid Maestro, and CMajor. They’ll be appearing at Offbeat in Jackson, Mississippi on June 15, at the California Clipper in Chicago on June 22, at Seasick Records in Birmingham, Alabama on June 28, at the Platypus in St. Louis on July 13, and then two nights in NYC at Heaven Can Wait on July 27 and the Bed-Stuy Art House on the 28th.

AWFM’s got a new single and music video to wow the crowds. “Hysteria” is a horrorcore-style grinder which features a guest verse from prolific New Yorker RXK Nephew. “Its an unexpected blending of universes between two unhinged artist that both value being themselves over more traditional approaches,” says AWFM.

For the video, AWFM and crew traveled to Los Angeles to work with filmmaker filo5ofi, with whom the rapper had collaborated early in his career. Instead of some some California sun-and-fun street footage for the video, AWFM says “it was filmed in an L.A. hotel in the middle of one of the most unprecedented rain storms in 20 years.”

Stay dry, stay fly, and take a look:

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

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Music Music Blog

Samara Joy at the Cannon Center

For lovers of classic jazz, witnessing the ascendance of Samara Joy has been a great … well, joy. Having been born in the last few weeks of the 20th Century, one might expect her to be mining the same vein as Adele or other pop stars, and yet she is that rare 24-year-old who’s devoted mostly to jazz, and not only that, but jazz standards written nearly a century ago like “Someone to Watch Over Me.” And, as her three Grammy Awards suggest, she brings a natural talent and interpretive verve to the material: a breath of fresh air indeed.

That’s why this Monday, June 3rd is a great day for jazz aficionados in Memphis, as Joy will be appearing at the Cannon Center for the Performing Arts then, thanks to Cultural Arts for Everyone. (Click here for tickets.)

Anticipating her appearance, the Memphis Flyer reached out to Joy via email to explore her thoughts on her musical upbringing, her love of jazz, and what Memphis means to her. Read on for a most enlightening interview.

Memphis Flyer: Your life in music echoes something often seen in Memphis: the musical family, strongly rooted in the church. Your grandparents co-founded the Philadelphia gospel group The Savettes, and your father is a professional gospel vocalist and bass player. What did you learn from your family that still informs your artistry today?

Samara Joy: I learned that performance, for me, is about connecting people to something greater than one can put into words. I can try to do a million cool things with my voice but, when I’m presenting music, the goal is to encourage people to feel and understand that, at the end of the day, there are life experiences and emotions that we all experience. Therefore, we’re all connected in more ways than we might think. Music is a great aid in realizing this connection, which is why I love singing for people.

Assuming you sang a lot of gospel music in your youth, did that prepare you well for jazz singing or was there a learning curve ? How did you came to embrace classic jazz to such a degree?

There was definitely a learning curve and it took a while for my voice to catch up to what I was hearing. But I think gospel prepared me to listen with intent. I didn’t have any knowledge of what jazz sounded like and in order to feel confident enough to sing it, I had to put it in my ears. Listening to gospel music growing up and trying to imitate other singers helped me to develop my ear for detail and I’m grateful for that musical influence.

I came to embrace jazz simply by listening to it. Because the genre was so new to me, I listened with open ears and allowed myself to be immersed in the sound of the artists who created it. As a result, my love for it grew stronger and I was able to use my voice in an entirely new way.

Should we look for more music from you in the vein of your latest single from the Netflix film Shirley, “Why I’m Here,” a song which is “pop” but also seems closer to contemporary gospel?

That was a special song for an incredibly important story and movie about Shirley Chisholm. My focus for my own music, as of now, is still jazz. What I love about jazz is the fact that even though I feel at home within the genre, I am also constantly being challenged to grow.

What specific thoughts or associations do you have about Memphis, whether it’s the jazz players from here, the gospel tradition here, or any soul/R&B artists from here?

One of the first documentaries I ever encountered was Wattstax (1973), which was a concert sponsored by Stax Records at the Watts Summer Festival. I was blown away by this footage of a completely different time in music and culture. Seeing the crowd’s response to Memphis artists like Rufus Thomas and Isaac Hayes was inspiring to watch and I’ve seen the film multiple times. That being said, I can’t wait to perform in Memphis!