Present Perfect Tense
This then is where we begin, leviathan,
take the shape of a democratic vehicle-
no no no Hobbes, I deny the head of,
I mean the Commander in Chief of,
these verdant splendid sawed fields
ever-rolling betwixt me and the next
(spread lovingly across the waist,
the middle west, the wide broad plain)
moment wherein I find another and
another much like this one here in
a thin cut of valley where most of us
are breaking up the endless boredom
of wartime with the busy fast colorbox
that candors along, idles in its lights,
flies forthwith from the front windows
onto porches lit sometimes with snow
or leaves left unraked, leaving me here
looking vigorously, faster than I should,
trying to find the perfect present that
I am convinced I can arrive at
even if it means forgoing all the things
that seemed to clog the arteries with clutter,
I mean, clog this here present heartily
with utter loss and disdain. Why
do we all not speak to each other
at times like this here and now?
is a question I have asked many people
and only gotten shrugs like those
a child might give if asked whodunnit
or if maybe they are sensitive they
might say something like Hey, you know,
no one ever talks to me and I’m lonely-
course if they admitted that then they’d
be hanging their ass in the breeze,
vulnerable to the person they’re talking to
much like meat is to the knife or snow
to the feet. And who are we to ask
anything of anyone anyway? we are people,
all people, a strange thing here in this world,
I might suggest, if the timing were right
and the moment didn’t pass like it can
when trucks pass or the dead pass
quickly and surely out of now forever
reminding us that what the dead say is:
don’t be afraid, the world is enough,
and when you find a good person,
hold them like right now isn’t going away
anytime soon and also try to be nice
at the grocery store to the girl who bags
or maybe even say please when want
arises like it does at times because people
like the idea of have much better than be
most of the time and are therefore
less likely to admit to our neighbors
that we like to be next to them, that
their house is warm and inviting at night,
that their tomatoes are perhaps better
than our tomatoes but we will give them
a few of ours anyway. And where
does all this lead? I mean this fear that I’ve
overwritten by several layers now,
could it be it is more in the way that we,
although occasionally satisfied, rarely see
over the chainlink fence to the garden beyond,
over the goldenrod to the other side where
a bathtub is buried and painted dark blue,
made into a pond with a statuette
with a hose that pours out solemnly water
that trickles and makes the back porch
nighttime air all the more radiant
even though it isn’t exactly Buckingham
Fountain, even though we are being
pleased by something so small, even
though we all know that we are at war
and that men are dying or will die or
have died, that we are doing all this,
that we could stop it maybe if we tried,
and then we could come pleasantly out
of our houses, shake hands and say-
Hello, I’ve wondered where you’ve been
all my life, this is my wife and she likes
to cook and we’d like to have you over
and we’d like to turn off the television
and just talk- and then years later,
having invited all their neighbors, even
the ones with the mean dog, they invite
the whole world and the whole world
comes with a passing dish and we all sit
and aren’t nearly so alone, aren’t nearly
so alone, nearly so much alone here now.
Sean Conrey‘s poems have either appeared or are forthcoming in Permafrost and Another Chicago Magazine. As an undergraduate he studied poetry at Western Michigan University in Kalamazoo, MI and in 2002 he completed an MFA in poetry at Purdue. He is currently working on a Ph.D. in rhetoric and composition at Purdue.
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\Dip”te*ra<\- An extensive order of insects having only two functional wings and two balancers, as the house fly, mosquito, etc. They have a suctorial proboscis, often including two pairs of sharp organs (mandibles and maxill[ae]) with which they pierce the skin of animals. They undergo a complete metamorphosis, their larv[ae] (called maggots) being usually without feet. Don’t Forget! Rodney Jones will be reading at the University of Memphis on
(Monday, February 10, 8 p.m.) at the Fogelman Executive Center in room 123. I can’t say enough good things about his work. For information call 678-4405. To hear him read two poems click on the following link:
http://www.theatlantic.com/unbound/poetry/antholog/rjones.htm
—L.H.