Categories
Cover Feature News Sports

The Grit and Grind of Spirit

For a few weeks since mid-December, the volleyball gym at University of Memphis has been transformed into a dance studio, mats taped over the court floor, with the recognizable Tigers flags and megaphones tucked to the side. Mirrors have been rolled into the end of the court. The Pom Squad and Ambush Crew have been practicing their routines there, with rehearsals ramping up to nearly every day, hours at a time, in preparation for the UCA & UDA College Cheerleading and Dance Team National Championship in Orlando, January 17th to 19th. 

At today’s practice, while I speak with Carol Lloyd, University of Memphis’ spirit coordinator and head dance coach, the dancers warm up, one doing aerials, flipping her legs over her heads. Another jumps, knees turned out with her toes meeting to form a diamond in the air before she lands; soon, back up she springs, another brief diamond formed. 

On the other side of the mat, a group goes through a part of their routine to be performed in a mere few days. Their footsteps are sharp, measured according to counts, heads turning in unison; there’s no music, but they are in sync. They lift one of their teammates in the air, effortlessly — or, so it appears to the untrained eye. Something’s off, though they haven’t quite figured out what exactly. Should so-and-so adjust her leg? Should it be bent at the knee? Lloyd asks for feedback from the athletes, pointing out collaboration’s role in their process. They run through the counts again, and again, and again, and will again many more times. This part is only a few seconds of an entire routine that they’ve been working on since November. 

“It’s so detailed,” says Lloyd. “I don’t think a lot of people realize how much goes into just dancing for this minute-50 seconds.”

The Pom Squad and Ambush Crew compete in three categories: game day, hip-hop, and pom. In a game day performance, dancers recreate the live game experience with a band, fight song, Pouncer the mascot, and lots of spirit. Pom uses poms and can be a mix of hip-hop and jazz. 

Last year, the team took home the national championship for game day and placed third in hip-hop and seventh in pom. That same weekend, the university’s cheerleaders won the national championship in small coed. 

Winning titles isn’t unusual for U of M’s spirit squads, which include the cheer team, the Pom Squad, and the Ambush Crew, which Lloyd started last year to specialize in hip-hop during game days and compete with the Pom Squad at nationals. The cheer team holds seven national titles. The Pom Squad has 16, including nine consecutive titles from 1986 to 1994. 

“It’s always harder to stay on top than it is to get there,” Lloyd says. “I always feel pressure, but pressure is a privilege almost. And they do have the pressure of [having won last year], but also we don’t really harp a lot on it.”

On the back of the mirrors that the dancers rolled into the volleyball gym, the athletes have posted a sign that says, “Go with the goal of hitting your shit, not with the goal of winning.” They even tally up how many “full-outs” they do — how many times they practice their routines as if they’re performing in front of an audience. That number will get up to the 70s by the time they leave for Orlando, the dancers say. It’s about quantifying achievements, big and small. 

“In our league, everybody’s top-notch; everybody is so good and so elite,” Lloyd says. “It’s kind of hard sometimes to realize we’re one of those people, too. Especially with Memphis, because everybody knows who you are [in the college dance world] and it’s such a legacy — the Memphis dance team. Everybody knows you’re from Memphis. They look up to you; you’re a staple in dance team history.”

Photo: Courtesy Memphis Spirit

It’s a Legacy

The first national collegiate dance team championship took place in 1986, and Memphis State, as it was then, won — and it won for the next eight years. 

Lloyd, a Memphis native, cheered throughout high school and was on the college’s pom team during its champion-winning streak from 1989 to 1993. She would go on to succeed her college coach Cheri Ganong-Robinson in 2004. 

While, yes, winning titles marked her time on U of M’s Pom Squad, she also recalls traveling to entertain at NBA games, even going overseas. “We don’t do that any more,” Lloyd says, “and I miss some of our halftimes ’cause we used to dance for four to five minutes every single halftime and nobody left their seats. I don’t miss preparing for it because it is a lot and they do so much more now. … This sport has become so big — way more athletic, technical — so to still be one of the top teams and still keep it at that level is great.”

Other dance alumnae and current athletes agree. Bella Roy, a senior pom dancer, speaks of watching videos of older routines with alumnae at a Christmas party. “They’re like, ‘That’s me, that’s me,’ but it’s just crazy how it’s changed so much. But then, it still is so similar. It’s that crazy drive and that Memphis family; the legacy is just like no other.”

And it’s that legacy that brought Roy from Franklin, Tennessee, to Memphis initially. “I knew from a very young age, I wanted to dance in college,” she says. “Memphis has been so well-known for so long as this amazing program across the nation in the dance world, so to be a part of it is absolutely amazing.”

University of Memphis’ reputation for its dance team also attracted freshman Linda Gail Rutland. She and Roy actually attended the same dance studio back in Franklin, and now they’re on the team together, if only for one overlapping year. For both of them, dance — more precisely dancing competitively on a team — has constituted most of their lives’ passion. 

“[Dancing on a team] comes to the point where, of course, you always want to win, but it’s not even about winning,” Rutland says. “It’s the memories and working for something bigger than yourself, being there for your teammates.”

“You’re all there because you chose to be there and you want to be there and you want to get better and be pushed to do good,” Roy adds. “Carol [Lloyd] is an amazing coach. She can be tough, but it’s in a good way. It’s in a great way. She gives us that tough love that we need.” 

For that matter, last year the National Dance Coaches Association named Lloyd College Coach of the Year. Having accrued so many titles as a student athlete and as a coach, this one speaks to Lloyd’s particular knack for leading her teams. After all, she’s been coaching since was 18.

Today, in addition to working for U of M, she coaches for the Collierville Middle School and Collierville High School cheer teams. Before accepting her position as spirit coordinator in 2013, she also coached for U of M’s cheer team, now under the leadership of Jasmine Freeman. 

“Seeing the athletes grow as individuals and as dancers, that’s always rewarding,” Lloyd says. “Plus, I mean, it’s challenging for them.”

The U of M cheer squad is known for cheers and stunts. (Photo: Courtesy Memphis Spirit)

It’s a Sport

“It’s easy to get so hard on yourself when you have all these long practices and you’re sore and ‘Oh, I can’t make it to my spot’ or this or that,” Roy says. “But then the alumnae are always like, ‘Oh, you’re flipping upside down, and you’re doing 12 turns,’ and we’re like, ‘Wait, we really are good.’” 

Yet neither the NCAA nor the Office of Civil Rights, which enforces Title IX, consider collegiate dance or cheer as sports, defining “sports” as activities whose purpose is competing, not “supporting” other sports on the sidelines. But the spirit squads consider themselves athletes, training hard and competing, albeit once a year, and even though they are at every football and basketball game, they’re also at community and philanthropic events because, as they would say, they’re the “face” of the university. 

While they receive some athletic benefits from the school like access to training and the athletic mental performance department, U of M’s athletics website doesn’t list the Pom Squad, Ambush Crew, or cheer team under women’s sports but instead offers a link in a sidebar, along with athletic news and a composite schedule, suggesting that their status as a sport is in limbo even at their home in Memphis. 

As it is, the spirit teams have to fundraise for the majority of their budget. Each year, the dancers and cheerleaders put on a golf tournament, host dance and cheer clinics, sell popcorn, offer appearances, and more. 

“It takes about $120 to $140 thousand each year to cover everything that we need,” Lloyd says. For reference, according to CNBC, U of M’s athletic program is worth about $148 million. That puts the school third among the American Athletic Conference, behind East Carolina University ($153 million) and the University of South Florida ($150 million). 

“We’re constantly looking for other ways to make money for them so they don’t have to keep fundraising,” Lloyd says.

The spirit squads also don’t have a dedicated facility, which can add another strain on the budget and affects efficiency. The cheer team practices at an All-Star gym out in Collierville, and the Pom Squad and Ambush Crew have bounced around for the past few years, last year renting a church gym and this year using one of the university’s rec gyms until the volleyball gym opened up. “This is my fourth year, and this is our third facility that we’ve been in,” Roy says. 

For each practice in the rec gym, the athletes had to tape down the 10-paneled floor mats they dance on, take up the tape back up, stack the mats on the side, and store away the mirrors and all their props like the megaphones and flags because it’s a shared space. “And that tape is extremely expensive,” Lloyd adds. “We need a facility for us.” 

Rutland puts a positive spin on it: “Even though we don’t have our own facility and sometimes it is a pain, doing it with your teammates, honestly, we bond.”

University of Memphis’ spirit squads perform at every football and basketball game (men’s and women’s). (Photo: Courtesy Memphis Spirit)

It’s a Family

At today’s practice, where 20 dancers are in the pom routine being rehearsed, a few who aren’t in the number have joined to cheer their teammates on. This is typical, Lloyd says. “It’s a good group of people. They’re grateful, very respectful. They’re hella talented. They’re supportive, and that’s important with anything.”

While we speak, Lloyd will interrupt with brief corrections and praises for the individual dancers, her eyes constantly roving the mat filled with multiple performers. “When you know that someone is struggling in a certain part, you’ve got to scream for them,” she says to her athletes. “If everybody gets in their head, start yelling. The mat talk is what’s going to help everybody.”

And so they scream and shout, and so does Lloyd. “This is their family,” Lloyd says, noting that out of 43 team members who are on Pom Squad and Ambush Crew, only four are local. 

“I wouldn’t want to be anywhere else,” Rutland says. “I got here and I don’t want to leave. It’s only my freshman year.” 

In a few days, Rutland will compete in her first showcase. “I’m so excited,” she says. “Scary, freaked out, I’m so excited.” She’ll compete in the game day category. “It’s like a big party. We really just have fun the whole time. I love cheering on the school and being at the football games and the basketball games and everything, so I just can only imagine how that will feel on the nationals floor.”

Roy, meanwhile, is competing in game day, pom, and hip-hop this year, her last year competing. Hip-hop, she says, has been the dance style that has challenged her the most but the one she’s most grown in since her freshman year. “I’ve learned so much from [Lloyd] and the upperclassmen, and then Ambush Crew took it to another level,” she says. “Everybody knows Memphis hip-hop in the college dance world, so to go out there and be a part of that is so special and fun.”

Memphis has consistently placed in the top four of the hip-hop division since the division started at the competition. “It’s very captivating, telling a story, being very much like, ‘This is us, we are who we are, watch us do our thing,’” Rutland says of the Pom Squad’s hip-hop routines.

“I feel like, too, it kind of ties into our T-shirts that say, ‘I am Memphis,’” Roy adds. “Like, ‘I am the city of Memphis.’ ‘I am Memphis Pom Dance Team Ambush Crew.’ ‘I am a part of this legacy.’

“But that first time my freshman year after we finished hip-hop for semis, when I did my last little smackdown and looked up, I just held my ending pose for at least 10 seconds,” Roy recalls. “It was that moment where I was just, ‘This is what I’ve dreamed of for so long. And I don’t want to leave.’ I was like, ‘I just did this.’ And then last year, that was always my lifelong goal to win a national championship. And to say that I actually did it is crazy, but it’s so worth it. Since I was little, that’s what I wanted.” 

Now, as Roy, a supply chain management major, looks to life after college, she says, “Since I’ve danced for so long, I think it’s going to be hard, that transition after college, figuring out what I’m going to do with my life. It’s been school, dance, school, dance, school, dance forever, so it’s hard to imagine a life without it, but I think I’ll continue taking dance classes here and there, doing a normal job. I have found a big passion, though, in teaching dance.”

Roy thought about professional dance in the NBA or NFL, a path that some alumnae have taken, so has Rutland, but neither are sure. “I’m set on living in the moment and enjoying my time here,” says Rutland, a finance major. 

Photo: Courtesy Memphis Spirit

It’s Game-Time

The spirit squads traveled to Orlando for the UCA & UDA College Cheerleading and Dance Team National Championship on January 15th, both the dance and cheer teams on the heels of last year’s wins. “We’ll stay true to what we do,” Lloyd says, “just being authentic to our culture. We’re very diverse. We’re a lot of fun, but we’re also very gritty, tough, and still dominating. We don’t try to do what other people do.”

When it’s all over, they’ll fly back on Martin Luther King Jr. Day, and the semester begins the next day. “I’m gonna be so tired,” Roy says, “but I would say I’m still kind of on a high a week after because I get to look at everybody’s videos and see how everybody did.”

The season won’t be over after the championship; the athletes will still perform at basketball games and other events, the spirit squads’ seasons lasting all school year. 

At the end of each practice, of which there will be more, the dancers come together in a circle and link pinkies. “Seniors or captains will give a little wrap-up of practice,” Roy says, “just to get everybody in a good headspace before we leave, and then we say the Lord’s Prayer.” The prayer then leads into a chant: “Five, six, seven, eight, whoo, MPDTAC.”

The MPDTAC would stand for Memphis Pom Dream Team (and) Ambush Crew. And, yes, the DT stands for dream team — not the expected dance team — because, according to Lloyd, she’s always coaching the dream team, win or lose.  

Follow the Memphis Pom and Ambush Crew here and cheer team here.

Categories
We Recommend We Recommend

Volunteer Odyssey’s MLK Days of Service

To celebrate the life and legacy of Dr. Martin Luther King Jr. this MLK weekend, Volunteer Odyssey is mobilizing Memphians to engage in service projects across the city. 

Throughout the year, the nonprofit connects other nonprofits with volunteers, provides a free platform for volunteer management, and coordinates corporate volunteer opportunities. “So MLK Days of Service is a great opportunity for us to gather several small projects from a lot of nonprofits around the city,” says Volunteer Odyssey executive director Caroline Norris, “doing everything from cleaning up T.O. Fuller State Park and making it even more beautiful, to working with Thistle & Bee to paint their new clinic and get it ready for some of their clients, to packing up food at the Mid-South Food Bank.” 

In total, there are 11 organizations for volunteers of all ages to serve this MLK weekend, with opportunities on Friday through Monday, at different hours through the day. “Our hope is that that will inspire every Memphian to find something, to find a way to plug in,” Norris says. “If it made them fall in love with Room in the Inn, and they had never heard of them before, and now they want to go and serve meals once a month, that can be transformational for some of these organizations.”

Photo: Courtesy Volunteer Odyssey

Spots for MLK Days of Service’s opportunities are already filling up, but Norris says not to worry. “Memphis is a last-minute kind of town, and so I know that there’s going to be spots available, especially down with the Wolf River Conservancy at T.O. Fuller State Park. They got hundreds and hundreds of spots.”

“What’s most important is rolling up your sleeves alongside your neighbors and getting your hands dirty, not just talking about what’s going on in our city, but really getting to work,” Norris says. “These organizations need people power, and so there is definitely an organization that is either the cause that you care about or is looking for the skills that you already have or simply just fits into your schedule.”

This year, for its MLK Days of Service, Volunteer Odyssey is also partnering with the National Civil Rights Museum (NCRM) and Leadership Memphis in promoting their celebrations. Leadership Memphis will host its MLK Health and Wellness Fair on Saturday, January 18th, from noon to 2 p.m. at the Hollywood Community Center, with the goal to promote health, wellness, and access to resources. In addition to offering free health screenings and activities for the kids, the fair will showcase organizations focused on healthy living.

On Monday, January 20th, 8 a.m. to 6 p.m., the National Civil Rights Museum will have its King Day, with free admission to the museum and a full day of activities including music, performances, children’s activities, and an online presentation. The museum is also asking for food donations to the Mid-South Food Bank in exchange for discounted admission to be used at a later date, and NCRM is hosting a blood drive. Those who donate blood will receive free admission for up to two people and an MLK Spirit of Service T-shirt (while supplies last). 

“We’re really trying to amplify what our community partners need,” Norris says of Volunteer Odyssey’s partnerships with Leadership Memphis and NCRM. “And so, this collaboration with MLK Days of Service is just a beautiful vision that there’s so much good happening. … Even if you can’t participate in the MLK days of service, use this opportunity to see how you might give back the rest of the year.”

Find out more about the volunteer opportunities available below or follow the link here, where you can also register.

Photo: Courtesy Volunteer Odyssey
  • National Civil Rights Museum: Passionate volunteers are needed to help coordinate #KingDay2025. This year’s celebration will also mark the launch of the museum’s yearlong observance themed Community Over Chaos, highlighting pivotal anniversaries in civil rights history, including the 60th anniversary year of the Selma March and the Voting Rights Act of 1965. | Monday, January 20, 8 a.m.-6 p.m.
  • Girls Inc.: Get your hands dirty for a great cause! Girls Inc. needs volunteers to prep their urban farm for the spring. This is a great way to support a mission that inspires and empowers young girls in Memphis. | Saturday, January 18, 9:30-11:30 a.m.; Sunday, January 19, 8:30-10:30 a.m.; Monday, January 20, 8:30-10:30 a.m.
  • Wolf River Conservancy: This MLK Day of Service event will focus on preserving T.O. Fuller State Park, a historically significant site for the African-American community. Volunteers will assist with hiking trail restoration, playground surface renewal, and invasive species removal. | Saturday, January 18, 10 a.m.-noon
  • Thistle & Bee: Thistle & Bee is transforming lives, and you can be part of their journey! Help paint walls, organize supplies, and clean their new clinic space. Your efforts will directly support survivors of trafficking as they rebuild their lives with dignity and hope. | Saturday, January 18, 9 a.m. to noon | Sunday, January 19, 9 a.m. to noon 
  • Memphis City Beautiful: Join Memphis City Beautiful and partners in Midtown and Orange Mound on Saturday or the Mitchell Heights community on Sunday. Volunteers will plant native trees, clean-up intersections, and help create more inviting spaces in our city. Wear weather-appropriate clothing and get ready to dig in. | Saturday, January 18, 10 a.m.-noon, Sunday, January 19, 10 a.m.-noon
  • Overton Park Conservancy: Repair the Limestone Trail after recent storm damage. Bring a pair of work gloves and a couple of friends. Meet at the East Parkway Pavilion in Overton Park. | Monday, January 20, 9 a.m.-noon
  • Room in the Inn: Room in the Inn provides a welcoming, safe space for those experiencing homelessness, built on love and respect. Lend a hand with projects that directly support their mission. | multiple projects and shifts available
  • Shelby Farms Park: Take part in the Helping Hands project, an ongoing effort to pick up 2,025 pieces of litter by the end 2025. By volunteering, you’ll contribute to keeping one of Memphis’ most cherished green spaces clean and beautiful for everyone to enjoy. | ongoing/open availability
  • Mid-South Food Bank: Join the Mid-South Food Bank to pack meal boxes for the Care Like King Days of Service. Your time and effort will help fight hunger and ensure families across Memphis have access to nutritious meals. | Friday, January 17, 10 a.m.-noon
  • V&E Greenline: Help out on the V&E Greenline. There’s plenty to do to prepare for the spring growth. Meet at Kirby Station (1625 Tutwiler) at 9 a.m. for donuts, coffee, community, and lots of hard work. | Saturday, January 18, 9-11 a.m.
  • Lichterman Nature Center: Helping with trail maintenance, invasive plant removal, trash clean-up, resetting the children’s Discovery Forest, and helping to plant native plants. | Saturday, January 18, 9 a.m.-12:30 p.m.
Categories
Art Art Feature We Recommend We Recommend

Q&A with Metal Museum’s Master Metalsmith

In October 2024, the Metal Museum named Preston Jackson as its 38th Master Metalsmith. “A Hidden Culture,” the exhibition now on display in honor of Jackson’s achievement, features 16 freestanding sculptures and four paintings by the artist, who describes the show as revealing “history that has been buried, forgotten, or deemed unimportant by society.” The Flyer had a chance to speak with Jackson about the show for our “Winter Arts Guide,” published in December 2024. 

Memphis Flyer: What was your reaction to being named the Metal Museum’s Master Metalsmith?

Preston Jackson: When I got the call to get involved in this, especially being in Memphis, you know, where my ancestors are from, I jumped at that opportunity, and I took it on, even preparing new works for the show. So it was an uplift to do what you’re supposed to. 

Your work goes into history and wants to uncover hidden histories, right?

Yeah, things that people feel uncomfortable talking about. … I find that looking back and re-understanding, rethinking things that were only a hint in your past because you didn’t have the facilities to understand them or express them, it’s almost like admitting it’s good to be human.

Preston Jackson, Madame Fruitvale and Her Dog, c. 2003. Courtesy of the artist.

Did you always know that you wanted to tell stories of other people, or was this something that you developed? 

A lot of these traits that I have today were discovered, as my parents tell the story of my growing up, many years ago, right at the beginning of my little life as a young kid. Growing up in Decatur, Illinois, a product of the great migration that happened, my life is so much a part of that history. My exhibit gave me a chance to express my feelings about that.

And when you’re looking at these stories, are you doing a lot of research? 

Yeah, you don’t want to be wild in your thinking because of how important it is to tell the truth. Just look at our politics today. Truth is sought after, and it’s valuable. If we live a lie or believe in lies, we’re going to sort of destroy the entire civilization.  

Metal Museum, 374 Metal Museum Drive, “A Hidden Culture,” On display through January 26. 

Categories
Art Art Feature We Recommend We Recommend

Scott Carter’s ‘Energy States’

Scott A. Carter has worked in art installation for years. He’s worn the nitrile gloves to handle priceless works, like when he worked as a preparator at the John Michael Kohler Arts Center in Shoboygan, Wisconsin. He’s hung framed photographs not to be touched on the walls of Christian Brothers University’s Beverly + Sam Ross Gallery, which he runs as assistant professor of art. He’s placed pieces in tempered glass display cases at local museums as an occasional art handler. It’s a delicate practice, art installation — a practice that Carter was ready to disrupt. 

It started with the display cases. As a sculptor, Carter says, “I was interested in using the surface to add jacks and cut holes, and treat them as a material, not so much like it’s going to preserve something.”

So, without much of a plan, he took a display case, laser-cut a hole, inverted a corner, added guitar cables, electronic components with exposed wiring, a silk plant, and topped it with a beer bottle. Now, it works as an amplifier of sorts. “You can plug [your instrument] in, and there’s three different modes you can switch between, and it’ll distort [the sound],” Carter says. “I ended up adding a contact mic, too.” Even without an instrument plugged in, the piece will make a loud buzzing sound, disrupting the typically quiet gallery space. 

This piece, titled Energy States and made in 2023, would become the first of many semi-functional sculptures by Carter. For the first time, when he goes in to create a piece, he doesn’t have a plan; he just lets inspiration take over. “It’s a mashup of all the things that I like, furniture-ish design, electronics, engineering,” he says. “For years, I tried to combine my musical interests, interest in electronics with art, but they were always separate things.”

Most of these pieces now make up the Dixon Gallery & Gardens’ “Energy States” exhibition, on display through January 19th. Like the first, many of the pieces have sound and interactive components built in, with their mechanics exposed to the viewer, wires and tubing looping through grids made by the artist. Carter evokes mid-century modern or art deco styles with clean lines and simple use of materials, like recycled Modelo beer bottles and hardware the artist 3-D printed himself. He wants viewers to get up close to his works to engage with the elements from all sides layered under plexiglass and in display cases. 

“I do get joy from looking at them and plugging them in a way that I haven’t gotten from other work I’ve made,” Carter says. “I think with this show, I finally got it to the point where I feel like, oh, everything together, I’m happy. Which is weird.”  

“Scott A. Carter: Energy States,” Dixon Gallery & Gardens, 4339 Park, on display through January 19, free. 

Categories
Art Art Feature We Recommend We Recommend

Edge District Has Its First Art Crawl

Before Covid postponed events or canceled them altogether, Marshall Arts hosted an open studio event each December, welcoming the public into makers’ creative spaces and boosting the artistic community’s spirits. But the gallery hasn’t hosted one since 2019 — a fact that wasn’t lost on Lauren Holtermann, aka Holtermonster, who started renting studio space from Marshall Arts post-pandemic.  

In fact, Holtermann didn’t even know about the previous open studio events until gallery manager Anthony D. Lee mentioned it one day. “I was like, ‘Let’s do that again,’” she says. “And then it turned into a whole thing.” 

By “whole thing,” she means the first-ever Edge District Art Crawl. With Holtermann’s excitement to motivate him, Lee wanted to make the usual open studio event bigger. “Now, it’s not just us, Marshall Arts,” he says. “We extended the invite to all the new guys [Sheet Cake, Ugly Art Co., and Solid Ground Studio]. So it takes it from us, an isolated venue, and now we kind of have a district. I always kind of knew that was coming because I’ve been here for 20 years, and Marshall Arts has been for 32 years.”

The “new guys,” as Lee calls them, have all opened their spots in the past year or so. Sheet Cake, owned by Lauren Kennedy, celebrated its first year with a party on December 14th, and Anderson Goin’s Ugly Art Co. opened this spring. Solid Ground Studio is artists Jodi Brewer, Pam McDonnell, Lisa Williamson, and Paul Behnke’s private studio that’ll be open to the public for the art crawl. These four artists just closed their show, “Something Solid,” on December 14th at Marshall Arts, the gallery’s first show since Covid.

For the art crawl, guests can expect special gallery hours as they take a self-guided tour of the four arts venues. Marshall Arts will have work on display by its artists, plus open studios by Lee, Holtermann, Emma Self, Wiley Bros Music, and others. Sheet Cake’s new exhibitions “Loose Ends” and “Back for Seconds” will be on display with work by Brittney Boyd Bullock, Roger Allan Cleaves, Melissa Dunn, Stephanie Howard, and Clare Torina. Meanwhile, Ugly Art Co. will have an exhibition by Sam Reeves Hill. 

“We want to let people know that the Edge is an active third space,” Lee says of his hopes for the art crawl. “The district’s still in its formation, but it’s a walkable locale with interesting things to do.”

“And it’s cool to show off that we have a blooming arts district popping up with some old heads, like Marshall Arts, and all these new bloods,” adds Holtermann. “It’s really exciting.” 

Edge District Art Crawl, Marshall Arts, 639 Marshall | Sheet Cake, 405 Monroe | Ugly Art Co., 635 Madison | Solid Ground Studio, 669 Monroe, Thursday, December 19, 5-8 p.m., free. 

Categories
On the Fly We Recommend We Recommend

On the Fly: Week of 12/13/24

Twelfth Night
Tennessee Shakespeare Company
Through December 22
A “holiday tradition.” “Shakespeare’s most charming comedy, cast in a topsy-turvy world of cross-dressing lovers, yellow cross-garters, and crossed identities.” Fine, yes, I’m quoting from Tennessee Shakespeare Company’s website and they might be trying to sell tickets to their latest production but they’ve never let anyone down. Performances are Fridays and Saturdays at 7:30 p.m. and Sundays at 3 p.m. through December 22nd. Tickets ($22-$44) can be purchased here

Fire Pit Friday
Tom Lee Park, Visionary Grove
Friday, December 13, 4:30-6:30 p.m. 
Get s’more time with the family on Fridays this December at Memphis River Parks Partnership’s Fire Pit Fridays. Each week features a fun new twist; this week is Salsa by the Fire! Enjoy a salsa lesson and lively performance beginning at 5:30 p.m., and Saqnta pics starting at 4:45 p.m. Limited free s’mores will be available at the first three events, so arrive early to enjoy this treat. Guests are welcome to bring (and share) their own s’more ingredients — skewers will be provided. On Friday, 13th, and 20th, Jasper Float & Spa brings the ultimate Dream Zone experience to the riverfront, featuring relaxing samples, sleep essentials, and a chance to win a 60-minute relaxation massage. 

South Main Songwriter Night
South Main Sounds
Friday, December 13, 7-9 p.m.
Kim Garmon-Hummel and Delta Joe Sanders return to South Main Sound’s stage and Lindsey Hinkle makes her long-awaited debut for South Main Songwriter Night.

Rachel Maxann’s Holiday Spirits: A Christmas Special with Friends
The Green Room at Crosstown Arts
Friday, December 13, 7:30 p.m.

Join singer-songwriter Rachel Maxann for a soulful Christmas celebration featuring heartfelt performances of holiday classics, original tunes, and special guests from the local music scene. Tickets are $20 in advance and $25 at the door. 

The Nutcracker
Orpheum Theatre
Friday, December 13, 7:30 p.m. | Saturday, December 14, 2 p.m. | Saturday, December 14, 7: 30 p.m. Sunday, December 15, 2 p.m.

As someone who takes beginner ballet classes at Ballet Memphis and is firmly a beginner as my mom likes to remind me whenever I show off my skillz, I might be a bit biased, but The Nutcracker sounds like a perfect way to spend an evening this weekend. This year’s production features the new costumes and Memphis-twist that debuted last season. Performances last approximately two hours, and tickets ($16-$91) can be purchased here

Christmas Fiesta
The Dixon Gallery and Gardens
Saturday, December 14, 11 a.m.-3 p.m.

Learn about Christmas traditions of Latin American and the Caribbean at the Christmas Fiesta, presented by Cazateatro Bilingual Theater Group, Opera Memphis, and Dixon Gallery and Gardens. Visitors will enjoy the Christmas traditions of Latin America and the Caribbean, and learn about parrandas, posadas, piñatas, and more. Enjoy traditional Christmas music in Spanish, Latin food, crafts, and activities. Admission is free!

2024 Memphis Tubachristmas
Crosstown Concourse
Saturday, December 14, 1 p.m.
Watch a bunch of tuba players come together in Christmas cheer. That’s what makes a Tubachristmas. (If you want to participate, find out more here.)

Memphis Holiday Parade
Beale Street
Saturday, December 14, 2 p.m.

Memphis will be alight with holiday cheer at the annual Memphis Holiday Parade down Beale Street, with marching bands, steppers, twirlers, floats, and all sorts of sights on Saturday afternoon. You can also get your picture taken with Santa Claus for free on Friday the 13th, 5 to 7 p.m. on Beale. The pictures will be available on Facebook the next day here.

Sheet Cake First Birthday
Sheet Cake
Saturday, December 14, 5-7:30 p.m.

Celebrate Sheet Cake’s first trip around the sun, with two new exhibitions openings, cake (of course), DJ Bizzle Bluebland, and more. The two exhibits are “Loose Ends” with work by Brittney Boyd Bullock and “Back for Seconds” with work by Roger Allan Cleaves, Melissa Dunn, Stephanie Howard, and Clare Torina. 

Time Warp Drive-In: Strange Christmas Vol. 11 – Holly Jolly Holiday Horror
Malco Summer 4 Drive-In
Saturday, December 14, 7 p.m.
Explore the demented side of the holidays with a thrilling and disturbing fright fest screening Christmas Bloody Christmas (2022) and Troll Hunter (2010). Tickets are $25 per carload. 

HoHoHo Burlesque Show & Silent Auction
Hi Tone
Saturday, December 14, 9:30 p.m.
Memphis Roller Derby presents its largest fundraiser of the year and so much fun. They’ll have burlesque performances, a silent auction (holiday shopping, anyone?), and a skate raffle. Admission to the amazing acts and local items is $15. 

Acoustic Sunday Live
First Congregational Church
Sunday, December 15, 7 p.m.

If you like music, you might want to check out the Acoustic Sunday Live concert, or you could just go for the sake of a good cause, that being to support Protect Our Aquifer. This year’s lineup features legendary folk singer Tom Rush, celebrated singer-songwriter Steve Forbert, acclaimed Canadian blues singer Shakura S’aida, and Nashville-based Americana songwriter Tim Easton, with special guests Memphis’ own Marcella Simien, as well as violinist Anne Harris, hailing from Chicago. Tickets are $50 and can be purchased here

Steve-O: The Super Dummy Tour
Minglewood Hall
Sunday, December 15, 7 p.m.

Television personality and YouTuber Stephen Glover, popularly known as Steve O, will perform live. Tickets ($65-$80) can be purchased here. 18+. 

Drew & Ellie Holcomb’s Neighborly Christmas
Orpheum Theatre
Wednesday, December 18, 7:30 p.m.
Catch a neighborly Christmas concert with Drew and Ellie Holcomb. Drew’s a Memphis native and Ellie’s from Nashville, and together they’ve achieved over 1 billion streams. Drew and Ellie Holcomb’s Neighborly Christmas is a special engagement event, allowing the couple to collaborate. Tickets ($39.50-$99.50) can be purchased here

Lindsey Stirling – The Snow Waltz Tour
Cannon Center for the Performing Arts
Monday, December 16, 8 p.m.

Lindsey Stirling brings her Snow Waltz Tour to Memphis, complete with holiday staples and originals, dance and acrobatics, and more. Tickets ($52-$199) can be purchased here

Cookies and Caroling
Abe Goodman Golf Clubhouse
Tuesday, December 17, 5-7 p.m.
Join the Overton Park Conservancy and Opera Memphis for an evening of holiday cheer with a caroling singalong, delicious treats, and time with your loved ones. Beverages and bites will be from 5 to 6 p.m., and the singalong will start at 6 p.m. RSVP here.

There’s always something happening in Memphis. See a full calendar of events here.

Submit events here or by emailing calendar@memphisflyer.com.

Categories
Art Art Feature

Greely Myatt’s Starry, Starry

You don’t need to look too far in the sky to see the stars, not at the Memphis Brooks Museum of Art. That’s where Greely Myatt has installed his Starry, Starry starscape for the museum’s inaugural Winter Art Garden. Consisting of four sculptural elements — Big Star, Star Fall, Star Sprays, and Sirius (Dog Star and Pup) — the starscape, which opened at the end of November, is a constellation of Myatt’s own creation, stemming from the artist’s recent obsession with stars. 

It all started with a show last year for Eagle Gallery at Murray State in Kentucky. For each show, as with the Winter Garden, Myatt notes that “space is crucial,” meaning that he curates his pieces to suit the space they’re shown in, often creating pieces if he’s so inspired. And for “tool,” as the show was called, Myatt was inspired by the reflective black floor of Eagle Gallery. “I wanted to do something with neon,” he says. 

What exactly, he didn’t know yet. Myatt toyed with the idea of ripples in water, but after playing with a metric folding rule and shaping into a five-point star, he found his subject. “It was a form that wasn’t just erratic. It was fun, and relatively easy to make,” he says. “And so that happened.” And he happened to have an extra five pieces of traffic sign post leftover from another project, so he made a “massive” star and “put neon under it to reflect light and bounce it back up.”

Now that massive star — aptly titled Big Star, with a nod to the Memphis-based band — sits against the Brooks Museum. To the side of it, on the pedestals where statues Spring and Summer once stood, another star is propped up, this one made of charred wood. 

“It’s a fragmented star,” Myatt says of Star Fall as it’s called. “When I was making the other stars [for previous shows], I kind of became interested in, instead of the completeness of it, letting the mind mentally finish it. And I kind of like the incompleteness.”

Star Fall

The wood of this fragmented star comes from a pine tree Myatt grew himself, starting in the third grade. “It was kind of a common tradition that teachers would give students, or at least in Mississippi, a sapling that you would plant and nurture if you were a reasonably good student,” he says. “So I did that, and I planted it behind my mom’s house. And 55 years later, my twin sister called me and said, ‘Hey, I cut your tree. Do you want any of it?’ I said, ‘You did what!’ But my sister was nervous about the storms blowing through and the trees coming down. This was about eight years ago.”

Meanwhile, Sirius (Dog Star and Pup), which is suspended between two trees near the plaza, is made of broom handles, and Star Sprays, which spring up from the umbrella holes in the plaza’s tables like bouquets of sparklers, are made of traffic signs. “I like to have all these materials around because I will use them eventually,” Myatt says. “My mom was like that — some people would call us hoarders. I remember as a kid she taught us how to pull old nails out and straighten them because we had plenty of wood, but we didn’t have any nails and we didn’t have any money. It’s always stuck with me, you know, that kind of idea of reusing material and seeing the good in something old.”

Star Sprays

All in all, though, as he reflects on the use of stars in his work, Myatt says, “They’re abstract, but they’re real. It’s kind of like Dave Hickey once said, ‘A Pollock doesn’t mean anything, but it has meaning.’” 

The installation was made possible through the work of Kristin Pedrozo, Jon Hart, Chris Little, Jennifer Draffen, and more, Myatt adds. 

Starry, Starry, Memphis Brooks Museum of Art, through January 2025

Categories
Art Art Feature We Recommend We Recommend

MadameFraankie’s ‘Intertwine’

Something was missing in MadameFraankie’s photography practice. At least, the artist thought so. She’d been able to capture stories of the Black community; she found that she preferred shooting in black-and-white and in film. “As soon as you are forced to have 36, 24 shots, or now 12 with the new camera I shoot with, you get real intentional,” she says. “I love a good black-and-white image; it stops the distraction.” But, so often behind the camera, she says, “I didn’t really have a way to bring in my own family or even myself.” 

Fraankie looked for inspiration in her mother and maternal grandmother, who use their own creative talents for commercial arts and sewing, respectively. Her mom even used to paint in acrylic; the family house still has a painting by her of Fraankie’s older cousin as a “grumpy baby” on a swing. “It’s like they have this thing, this gift,” Fraankie says of her mom and grandma, “and I have decided to accept the gifts that they have.”

With this mindset, Fraankie integrated their crafts into her photography, adding embroidery and painting watercolor elements onto her pictures. “It’s just my first iteration of the mediums sharing space with each other,” she says, “the intertwining of the mediums and the intertwining of the storylines.”

These are the pieces that make up her exhibition “Intertwine,” on display in the Beverly + Sam Ross Gallery at Christian Brothers University. The images she uses are a mixture of her own candid film photographs of her family and those from her family collection that she’s manipulated — the little moments, from relatives doing hair to family gatherings in the living room with pillows on the floor. 

“It just felt great to bring life back to them,” she says of the archived photos. “They’re not on anybody’s wall. They’re just kind of tucked away. So, to give a new purpose to the image, it was great.” Most of these have been transferred onto paper using a cyanotype process and toned with black tea. “I think having practices like this really lets you sit with the work,” Fraankie says. “It’s slow work.” 

Having spent so much time with the pieces herself, the photographer hopes viewers will do the same. “I hope they physically feel themselves slow down. I’m not asking you to do anything except notice these little moments in between. I’m aware how mundane this is, but it’s like, no, like your family is worthy of existing on a wall. You have a story to tell whether you think it’s slow or not.”

As for the photographer’s family, they’re delighted to be included in the gallery show, most of them traveling from out of town to see the exhibit. “They’re excited about the journey,” Fraankie says.  

MadameFraankie: “Intertwine,” Beverly + Sam Ross Gallery, Christian Brothers University, 650 East Parkway South, on display through Friday, December 13. 

Categories
Art Art Feature

DeMarcus Suggs Is Ready to Reframe Culture

Back in October, the city of Memphis hired its first-ever director of creative and cultural economy: DeMarcus Suggs. The arts, it seems, have taken priority in the Young administration, and Suggs, and the newly established Office of Arts and Culture where he will find his home, will lead the way. 

Suggs describes his position as one of a centralized collaborator and convener, supporting artists and cultural organizations while boosting their economic impact. It’s about making sure the city’s ecosystem — businesses, restaurants, hotels, sports, and cultural policy — complements, welcomes, and retains the arts on a citywide scale. 

“There are things we don’t always assume that are deeply connected to the arts,” Suggs says. “And so the role of this office, I think, is going to be helping to coordinate some major initiatives that can’t happen independently, but that we can coordinate and put government support behind.”

After all, not only are the arts an integral part of the “cultural fabric of Memphis”; they’re also an economic driver. “The National Endowment for the Arts produced a report that underlined that artists actually are three times as likely as any other industry to be entrepreneurs,” Suggs points out. “Memphis has a lot of really talented artists. We also have some really grit-and-grind entrepreneurs that have a vision. They have a dream, and they’re willing to build it.”

With this in mind, Suggs is ready to listen. So far, he’s been in conversation with arts organizations and philanthropists, and now he’s ready to talk to individual artists in a town hall listening event on Monday, December 9th, where wants to hear the strengths and weaknesses of Memphis. More listening events like this are to come.

“I’m an optimist that loves to have the full picture, and so I don’t ignore the challenges,” Suggs says. “I’m really excited to dig into what makes Memphis just so beautiful and amazing, in terms of our talent, in our artists, so that we can have more of that, and then really tackle the issues that make it prohibitive to experience those more of the good that we have.” 

Once a performing artist himself, a dancer, Suggs understands the life of an artist and wants to create more community and equity in that space — especially in Memphis. “I love Memphis,” says Suggs, who, outside of the month or so he’s lived here since this position, spent a yearlong stint in Memphis for another job in 2021.

“My grandmother was from here,” he adds of his fondness for the city. “She was my first dance partner.”

This first year, Suggs says, will be about “reframing culture.” “That’s really us being able to use [and collect] data [from conversations and events like the listening session],” Suggs says. “We’re going to be framing what success looks like for us as a city, moving forward.”

The City of Memphis – Artist Listening Session, Madison Tavern, Monday, December 9, 5-7 p.m.

Categories
On the Fly We Recommend We Recommend

On the Fly: Week of 12/6/24

Fire Pit Friday
Tom Lee Park, Visionary Grove
Friday, December 6, 4:30-6:30 p.m. 
Get s’more time with the family on Fridays this December at Memphis River Parks Partnership’s Fire Pit Fridays, starting this Friday (how many times can I say Friday in one sentence?). Each week will feature a fun new twist; this week is story time and photos with Santa! Limited free s’mores will be available at the first three events, so arrive early to enjoy this treat. Guests are welcome to bring (and share) their own s’more ingredients — skewers will be provided. On Friday, December 6th, 13th, and 20th, Jasper Float & Spa brings the ultimate Dream Zone experience to the riverfront, featuring relaxing samples, sleep essentials, and a chance to win a 60-minute relaxation massage. 

Season of Delight
Crosstown Concourse
Friday, December 6, 5-8 p.m.
Deck the halls with boughs of holly! Fa-la-la-la-la, la-la-la-la! ’Tis the Season of Delight! Fa-la-la-la-la, la-la-la-la! Go we now to Crosstown Concourse! Fa-la-la, la-la-la, la-la-la! That’s right, you can kick off the holiday season at Crosstown with a night of festivities at the Crosstown Concourse’s annual atrium lighting complete with live music, hot chocolate, seasonal cocktails, holiday-themed games, crafts, family photos, and more. Plus Crosstown Arts will screen A Christmas Story for free and will open its residency studios for its Open Studio event. Fa-la-la, la-la-la, la-la-la! 

Cabaret Noel 9 
TheatreWorks @ The Square
Friday, December 6, 8 p.m. | Saturday, December 7, 8 p.m. | Sunday, December 8, 2 p.m. 
Life is a cabaret, old chum, so head to the Cabaret Noel 9, presented by Emerald Theatre Company. Expect an evening of classic and modern Christmas- and winter-themed songs, hilarious slapstick humor, and the bringing together some of Memphis’ finest entertainers. Get your tickets here

Holiday Sip + Shop
Metal Museum
Saturday, December 7, 11 a.m.-4 p.m.
Last Christmas I gave you my heart, and I’m afraid I can’t top that this year. I’m pretty sure I’ll be able to find something at the Metal Museum’s Holiday Sip + Shop, where there’s a curated selection of handcrafted gifts and unique treasures from talented artisans. Even if I can’t find anything, I can enjoy a complimentary glass of bubbly cava and delicious cookies while I browse. (P.S. Don’t forget about the St. Jude Marathon that might affect your driving path. You’ll be able to access the museum via the highway and Crump Blvd.)

Raised by Sound Fest
Crosstown Concourse
Saturday, December 7, 1-11 p.m.
The best way to spread Christmas cheer is singing loud for all to hear. And there will be lots of singing — and just plain-old sound — at the Raised by Sound Fest this Saturday. Starting at 1 p.m., you can expect a lineup of free music from Blue Tom Records (revue), fosterfalls, HeartBreak Hill Trio, Cut Worms, and Hurray for the Riff Raff (solo). Then there’s the main event — J Spaceman & John Coxon of Spiritualized doing a live score to William Eggleston’s Stranded in Canton — but it’s sold out, so unless you already have tickets, you snooze, you lose, baby. There is a ticketed after-party with a DJ set by the Black Keys and performances by Lil Noid and Tommy Wright III. You can still get tix ($65.87) here.

A Charlie Brown Christmas: Live On Stage
Orpheum Theatre
Saturday, December 7, 2 p.m., 5 p.m., 7:30 p.m.
Christmas time is here. … I’m singing the song from A Charlie Brown Christmas if you can’t tell, not just making a statement. It’s also the only part of the song that I know. I usually just mumble the other lyrics. I never bothered to learn the song, or really most Christmas songs. Oh well. That’s not the point. The point is that A Charlie Brown Christmas: Live On Stage is coming to Memphis, bringing my mom’s second-favorite animated Christmas movie to the stage. Tickets ($30-$60) can be purchased here.

It’s a Bestie Silent Book Club Pajama Party!
Novel
Saturday, December 7, 2-5 p.m. 
Already tired of holiday parties? Or, at the very least, tired of adding them to your calendar? Here’s one that just might relieve your stress because all it calls for is a book and silence (you don’t even have to bring a book; you can buy one at the store if you so please). And pajamas if you’re bold enough to wear them in public. This event is free — no registration required, with complimentary hot cocoa. 

Autumn Art Party
Urevbu Contemporary
Saturday, December 7, 4-8 p.m. 
Urevbu presents this evening filled with art, music, food, drinks, and connections. This is more than an event — it’s an experience. Expect an intimate evening surrounded by inspiring art and passionate people. Dress to impress and prepare for a night of memorable connections and culture. General admission (free) and VIP tickets ($25) are available online only.

Christmas Ghosts: A Victorian Tradition
Woodruff-Fontaine House Museum
Saturday, December 7, 4 p.m. & 7 p.m.
Woodruff-Fontaine House Museum welcomes ghosts of Christmas past — just past, no future and present; this isn’t A Christmas Carol (you can see that at Theatre Memphis now through December 23rd). In 19th century England, Christmas tradition was to huddle around the fire with the family and tell tales of spirits and spooks while celebrating the holiday season. Relive that tradition this weekend with Woodruff-Fontaine’s ghost experts. Refreshments, including warm cider and hot cocoa, will be served prior to storytelling and there will be a stroll through the mansion afterward to view all of her festive grandeur and trimmings of the season. 

Stumbling Santa Holiday Pub Crawl
Flying Saucer Draught Emporium
Saturday, December 7, 7-11 p.m.
You better watch out, you better not cry, better not pout, I’m telling you why: Stumbling Santas are comin’ Downtown. They’re donating toys, heading to bars, spreading lots of Christmas joy at all of their stops. Join the Stumbling Santas Downtown. All you have to do is bring an unwrapped toy donation appropriate for a preschool-age child under 5 or a cash donation for Porter-Leath, and dress in your best festive attire! Planned stops include Rum Boogie Café, King’s Palace Café Tap Room, Silky O’Sullivan’s, The Absinthe Room, Blues Hall Juke Joint, Alfred’s, Courtside Grill, and Tin Roof. Those who can’t make it to the Stumbling Santa event can still donate online or by dropping off toys at Poplar Plaza (corner of Highland and Poplar) on Thursday to Saturday, December 5th to 7th; WMC Action News 5 (1960 Union) on Friday to Saturday, December 13th to 14th; or IKEA (7900 IKEA Way) on Friday to Saturday, December 20th to 21st. For more information and to view Porter-Leath’s wish list, visit here

Medical District Holiday Market
Memphis Made Brewing & Flyway Brewing Company (formerly High Cotton Brewing Company) 
Sunday, December 8, noon-3 p.m. 
Shop, shop, shop till you drop at this holiday market, presented by Memphis Medical District Collaborative at BOTH Flyway Brewing Company (formerly High Cotton Brewing Company) and Memphis Made Brewing Co. (For reference, the two venues are a three-or-so-minute walk from each other.) The full vendor list is here. I am far too lazy to type it all out; I hope you’re not too lazy to click on the link. But also I don’t care as long as you’re not too lazy to support local artists and businesses. 

Sippin’ with Santa Paws benefiting Streetdog Foundation 
Loflin Yard
Sunday, December 8, noon-4 p.m. 
Santa Paws has made a list and all the good boys and girls are on it. They might not all know how to sit or stay. Some of them may lick you; some may drool; some may demand constant attention. But they’re all good boys and girls. That’s just how Streetdog Foundation rolls. Your $25 donation at this event will get you a picture with Santa Paws (featuring you and your 4-legged bestie and/or your human kiddos), a Santa Paws cup, access to the free dessert table, and a wristband to enjoy drinks discounted to $5 each. Plus, there will be live music, adoptable dogs, a silent auction, and a pup costume contest. Purchase tickets at the door (cash, card, or Venmo).