Categories
Opinion Viewpoint

Providing Safe Spaces

“That’s so gay” is commonly and blatantly used among adolescents in schools. I can’t count how many times I’ve walked through a school hallway and heard this. What’s saddening is that it turns the word “gay” into one that describes someone society should be ashamed of — someone who isn’t “normal.” When name-calling is happening to our queer-identifying youth, who’s standing up for them? The fact that our children are still using the word “gay” as a derogatory term shows that our schools, teachers, parents, and community members aren’t doing enough to provide safe spaces that support our LGBTQ students.

Anu Iyer (she/they), youth volunteer coordinator at OUTMemphis, a nonprofit that serves the LGBTQ community through empowering, connecting, educating, and advocating, speaks on the issue: “There’s a big sense of isolation among LGBTQ+ youth.” Iyer has supervised OUTMemphis’ PRYSM youth groups for years. These are social groups coordinated for queer-identifying youth and allies between the ages of 13 to 17 and 18 to 24. As an intern, and later a staff member at OUTMemphis, Iyer has witnessed first-hand the effects that this sense of isolation can have on both LGBTQ students and their parents.

Iyer explains that due to the lack of safe and affirming spaces, parents of queer-identifying youth have been moving their children out of public schooling and into alternatives such as private schools or online schools. “There are some parents who are concerned about their kids and want to support them” she says. “They want to know how to take action against unconstitutional things that are happening. When kids don’t have a strong support system, it’s a slippery slope to anxiety, depression, and poor coping skills. Not feeling like there’s a sense of hope is probably the most dangerous feeling.”

This “sense of hope” not only depends on students, their attitudes, and responses to queer-identifying students, but it also depends on our schools’ teachers and staff members. A middle-school student in Memphis who identifies as nonbinary expresses that after months of being bullied for their gender expression, along with being name-called for being queer, their teacher did not stand up for them. “I feel frustrated and just nervous,” they explain. “I always feel like I’m on edge.”

Not only is it important to educate youth on how to give mutual respect to queer-identifying students, but it’s also important for teachers and staff to do the same. Part of the problem is that some adults may hold conflicting beliefs that cause them to ignore the topic or disregard what’s really happening. Some adults may find pronouns awkward or controversial, or may not understand that they are, indeed, a part of a person’s identity. Some may witness LGBTQ-related name-calling and bullying but not know how to handle it. Some may not understand why, for example, a nonbinary or trans student may feel unsafe in a boys’ locker room yet unaccepted in a girls’ locker room. The truth is that, quite often, our LGBTQ youth don’t feel safe.

How much do schools feel it’s their responsibility to hold space for topics that involve LGBTQ youth? The answer is that schools are responsible. Some students are queer-identifying. They are “gay,” LGBTQ, and everything else outside of the constructs society has created for us. Iyer says, “It’s important for people to pipe up when they see something happening to a kid. Teachers should be safe zone trained so they can be good mentors, good people for students to talk to if they’re going through something, and spaces where students can feel like their privacy and confidentiality will be respected.”

Safe zone training is recommended for anyone who wants to learn how to create safe spaces for the LGBTQ community and is something anyone can participate in. According to the Safe Zone Project, a free online resource for educators, “safe zone trainings are opportunities to learn about LGBTQ+ identities, gender, and sexuality, and examine prejudice, assumptions, and privilege.” There is no correct curriculum or course for safe zone training, but luckily, OUTMemphis provides such training as LGBTQ+ 101, Transgender 101, Creating a Trans-Inclusive Workplace, and Working with LGBTQ+ Youth and Creating a Safe School Environment.

At the school level, the goal is to work toward progression instead of regression. It starts with teachers and staff taking opportunities to stand up for LGBTQ youth and educate other students. Schools should provide resources for queer-identifying students — resources that they can relate to and find comfort in. As Iyer says, “If I had to say one more thing it would be a call-to-action for teachers, counselors, people who are working at the student level in schools to reach out to us and be the people in school who spread the resources.

“Come to us. Pick up some flyers, business cards, brochures. … We can give you all the literature. You don’t have to spend a dime, just help us spread the word.”

Categories
Art Art Feature

From Ari Rozario, With Love

Visual artist and native Memphian Ari Rozario believes that art is a feeling thing.

Rozario spent her childhood sketching and doodling. Through the years, she’d sketch the Memphis bridge and certain places and experiences on Beale Street that were significant to her. After spending time away living in Atlanta, which became her second home, Rozario now describes Memphis as more of a feeling. “There’s a different feeling to being home and being around all these people who have seen you through all your stages and transitions,” she says. “It makes me feel like this is the right place to be at this moment.”

The artist will host her first showcase back home in Memphis at Seraphim Gallery, December 16th through 18th.

Gold is a common theme in many of Rozario’s pieces, including “The Golden Hour” and “The Golden Hour PT 2,” which can be viewed on her website and will be on display at Seraphim. In these pieces, gold elegantly blooms from one corner of a matte-colored canvas and onto the center. “Gold has a very royal feel to me. It makes the piece captivating,” she says. The gold in Rozario’s art turns the work into what feels like a statement piece — one that belongs in the entryway of a grand home or a sophisticated space.

Though Rozario often has a vision of what her next pieces will look like, ideas are just the start of an ever-changing final product. “The original idea is kind of like the foundational idea. So it can change in the process. That’s pretty normal for me,” she says. Acrylic paint is her primary medium, and one of her favorite colors to use is Montana Black. On the other hand, she also chooses color palettes in the moment and even experiments with different textures.

For Rozario, art has no rules. A typical creative process includes putting her headphones on and getting lost in music as she works. She will listen to music that reflects her current mood or feelings, and those feelings then inspire the finished product. “While I’m creating, nothing else exists,” she says.

When asked what type of audience she hopes to capture through her art, Rozario says it’s all about deeper thinking. “I think oftentimes, people who see art in person kind of just go into a space and say, ‘Let me tell you what I can see.’ It’s unique because it’s different for everybody.”

There can be many perspectives, and Rozario captures this idea in one of her favorite pieces, “One Shot.” As a mixed media piece utilizing monochrome colors and outlines of what can be interpreted as a basketball and basketball net, it has a deeper background message. Captured in its title, “One Shot” is about taking chances and following your dreams. “Whatever it is that you’re going through in life, you got one life to do it. You got one shot to do it,” Rozario says. “One Shot” will be on display at the showcase.

Looking ahead, Rozario has plans for future creations and experiences in the works, like more public opportunities, releases, and speaking engagements. Currently, she is working on releasing merchandise, including T-shirts that say, “From Ari, with love.” Rozario chose this phrase because, she says, “We all just need a little bit of love out there.” She wanted to do something different, to spread love through something more personal. “Whenever I sell a piece, that’s how I feel about it. This piece is from me to you — with love. It’s like a personal little note. It’s like … my little doodle as a child.”

Ari Rozario’s showcase at Seraphim Gallery (437 N. Cleveland) runs December 16th to 18th. “The Path of an Artist” black-tie event will be held the 16th from 6 to 9 p.m. Formal attire is encouraged but not required. From the 17th to the 18th, hours will be from 10 a.m. to 6 p.m. with no dress code. Find Ari Rozario at arirozario.com, on Instagram and Twitter @AriRozario, and on TikTok @1AriRozario.

Categories
Opinion The Last Word

Burying the Time Capsule

Jesus Santa Cruz (he/they), a Los Angeles native and current high school English teacher in Memphis, thinks back to his English teacher of his freshman year in high school. “There was a section in my teacher’s library that said ‘LGBT Books,’” he says. “I will always remember that classroom library.”

Santa Cruz explains that at the time, he was intrigued yet afraid to pick those books up because, for one, they weren’t a common thing to see in a classroom, and two, he hadn’t yet felt comfortable enough to fully express that part of his identity. But now, as a proud queer individual in his 30s, he understands why that memory sticks with him. It was how that section of his English teacher’s classroom library made him feel. Every day, he stepped into that classroom knowing that someone understood him, that someone accepted him. He felt seen and accepted, simply because he was included.

Schools are where children spend most of their time developing and practicing their beliefs. In schools, children learn and internalize almost everything they hear and see. The classroom isn’t just a place for growing minds to learn how to be better writers, readers, and mathematicians, but a place for our nation’s youth and future leaders to socialize and explore in hopes of discovering their true identities and reaching their fullest potential. In order for children to feel safe in doing so, schools, classrooms, and teachers must create a safe environment, inclusive of everyone — but unfortunately, this is not always the case.

After reading that Tennessee lawmakers planned House Bill 0800, which “would ban textbooks and instructional materials that ‘promote, normalize, support, or address controversial social issues, such as lesbian, gay, bi-sexual, and transgender (LGBT) lifestyles,’” I was first reminded of where in the world I was. (I’m living in the South, so how can I be surprised?) Secondly, I came to a realization that this is much bigger than my current coordinates on the United States map but an issue that has repeated itself throughout U.S. history and across the map — the silencing of voices. Voices that have echoed throughout generations and centuries of suppression and dehumanization.

In other words, “Here we go again,” as Santa Cruz says. “In a non-pessimistic way, I’m upset but, living in this country for as long as I have, I’m not surprised.”

Another bill Tennessee lawmakers plan to include, House Bill 2633, states that “a teacher or other employee of a public school or LEA is not required to refer to a student using the student’s preferred pronoun if the pronoun does not align with the student’s biological sex.” To put it simply, a student’s pronouns will not matter. Teachers and other employees of public schools get to call students whatever pronouns they want, despite them communicating what they feel most comfortable with.

Santa Cruz expresses that living in Memphis as someone who is queer is like “living in a time capsule.” As for myself, I would describe my experience as living in a box. Constricting myself into walls that eventually cave in, suffocating my authentic self out of me and exhaling frustrations out onto this keyboard. That is the experience of a queer individual living in a society she is not sure is fully accepting of her.

When it comes down to the queer experience in Memphis, Tennessee, located deep in the infamous Bible Belt, I couldn’t have used a better metaphor than the “time capsule,” as Santa Cruz described. Many parts of the city remain untouched, including some outdated values and traditions — and Santa Cruz and I aren’t the only ones who feel this way.

Though most LGBTQ+ adults are aware of these issues, including other teachers and employees who work in our schools, our youth are not oblivious to them either. “It’s the 21st century. We should have been over homophobia by now,” explains a teenage student who attends public school in Memphis and identifies as queer. “Us children are discovering who we are earlier than generations before us. Banning textbooks and ignoring our pronouns won’t stop us from discovering who we really are.”

Another student politely joins the conversation, “When adults aren’t supportive of who we are, it makes people like us feel like it’s hard to be ourselves. It makes us feel like we don’t belong.”

The two students, who both identify as LGBTQ+ and gender-fluid, agree that if teachers normalized listening and allowed them material that is inclusive of their queer identities, it would help them build confidence in who they are and what they choose for themselves.

We still have yet to see our country’s leaders bury that time capsule so we can move forward. It is difficult to say that America is truly working toward positive change if our schools are not inclusive of all the diverse backgrounds and identities of our youth. America’s reputation for cloaking its regressions and immobilities in sparkling words, half-truths, or even complete silence remains.

Ashley Insong is a starving artist who is working toward being published in The New York Times while teaching full-time and freelance writing part-time. She enjoys singing and writing poetry and short stories about love, self-discovery, and her Filipina heritage.

Categories
Music Music Blog Music Features

Move to the Beat of the Banjo: Gangstagrass at Railgarten

Making their way across the U.S. from the East Coast to the South, and then ending in the West, Gangstagrass will finally present their fifth studio album, No Time for Enemies, on their first official U.S. tour since 2020. This high-energy band is hyped-up to show live listeners what bluegrass hip hop music is made of. Coming to Memphis at Railgarten on March 17th, Gangstagrass will move Memphians to the beat of the banjo. 

It all started with one man — Rench, vocalist and guitarist of Gangstagrass — and his vision to bring together a group of talented and well-rounded musicians. The band is now made up of five dedicated and synergetic band members based in Brooklyn, New York, and Philadelphia, who continue to prove that thinking “outside the box” can lead to some of the most impressive ideas. The multifaceted band fuses elements of hip hop’s strong beats and lyricism with the rhythmical and lively instrumentals of bluegrass music.

Gangstagrass spends time hanging in Fountain Square for a promo shoot. (Credit: Melodie Yvonne)

Each Gangstagrass member brings a unique set of skills and talents to the team: Rench (vocalist and guitarist), Dan Whitener (banjo) also known as “Danjo,” Brian Farrow (fiddle and vocals), R-Son the Voice of Reason (vocals), and Dolio the Sleuth (vocals). 

“When people see or hear us, we want them to already know that they’re going to get quality,” says R-Son, the Voice of Reason, vocalist of Gangstagrass. It’s easy to judge a book by its cover, or in this case, see the name of a band and assume what they’re all about. They’re not just “Gangsta” and they’re not just “grass,” they are “Gangstagrass,” a quintet of passionate musicians who courageously redefine the concept of musical genre. 

“Why do we have genres?” asks Farrow. “People often like to define music by genre and categorization,” he continues. “We just come together, collaborate, and create music while trying out new things in the process,” adds Danjo. Though each member comes from a different background, for example, Philadelphian R-son who started rhyming in

the first grade, and Danjo, who grew up in D.C. and always had a love for bluegrass or newgrass music (thanks to his Midwestern parents), Gangstagrass turns their idiosyncrasies into synchronicities. 

The band gained popularity after being awarded an Emmy nomination for FX’s Justified theme song. The television series aired in 2010-2015 and follows a story of a U.S. Marshal who took the law into his own hands. Their reputation grew even more after their appearance on the latest season of NBC’s America’s Got Talent. 

Gangstagrass puts their alliance to further use by telling stories that inspire change. “In our music, we like to tell stories that connect to feelings,” says vocalist Dolio. “We want those feelings to spur some kind of action or opinion about different subjects.” It’s all about making the public aware of issues going around in the world on a larger scale, having them “drop their armor” and being open to discussion. Over synchronized strings and heavy-hitting beats, Gangstagrass speaks on major societal and environmental issues such as water conservation, mass incarceration, suicide, loss and mourning, and poverty — just to name a few.

We like to tell stories that connect to feelings. We want those feelings to spur some kind of action or opinion about different subjects.

Dolio the Sleuth

Despite the solidarity of inspiring change, Gangstagrass has a special way of intertwining hope, encouragement, and liveliness into their music and performance. Gangstagrass simply wants Memphians to come to Railgarten to have a good time. “We don’t want people to overthink it,” Danjo says. “We want people to come to the show and have one of the most shocking yet wonderful experiences of their lives,” adds Dolio. 

In addition to their U.S. tour, Gangstagrass put out a series of mixtapes titled My Brother Where You At which includes the band’s own version of classic hip hop songs and another one titled Will the Cypher be Broken. By subscribing to being a “Barnstormer” with Gangstagrass, you can get exclusive content, such as new mixtapes, sent directly to you.

Gangstagrass will perform at Railgarten, Thursday, March 17th, at 8 p.m.

Gangstagrass performs live at the Hifi Indy presented by IndyMojo Presents, MOKB Presents, Sun King Brewery, Kolman Dental, P.C., and Do317 in Indianapolis, Indiana on Wednesday, May 15, 2019. (Credit: Melodie Yvonne)