Categories
Sports Sports Feature

MEMPHIS SPORTS SCENE

The football coach at my high school didn’t understand soccer so well. He said that “soccer players are frustrated athletes. They’re athletes but frustrated ones.” I, of course, didn’t argue (I was 14) but I felt like I should have. Not because I was some soccer star. I was the slow and oft-injured fullback who couldn’t last an entire season before turf toe or busted shin or bad back sent him to the sidelines.

In other words, I was a wimp.

But my fellow soccer players were not wimps. In fact they were 13 of the toughest kids I knew. I can say that our little single A school (the smallest variety, back when TSSAA still had those ratings) played every other school in the city, including squads that dropped more people on the first day of try-outs than we had in our school.

Let’s just say that the Commercial Appeal would only print the first-half score of our games to save us the embarrassment. Because while our opponents’ scores typically doubled from the first-half total, our score would double from zero. For those math whizzes out there, that equals zero.

Still, there’s no bitterness here, and it’s for the exact reason opposite of the unnamed football coach. These players were amazing. And it was fun to watch them. My seat was really quite good. When I wasn’t on the sideline, I was the one staring dumbly at the nearly mythic displays of grace and skill as a trained striker pounded the ball with ferocious finesse and beautiful joy. Granted, as a defender I should have tried to stop the display. But, hey, I was destined to write about sports. My real job is to chronicle these moments. Not impede them.

I did get in the way of the offense of some opponents but only rarely and with some luck. Then there was a shrug and a shake from my opponent and I was left behind, watching in the wake of the movement as my opponent, light and lithe, would strike deadly again at my goal, making another. The whole thing had a certain rightness about it. Who was I to stop it?

Other defenders– of course– don’t feel this way. In fact, it takes a certain sort of pride and courage to place oneself in front of the blazing speed and power of a well-kicked soccer ball. And placing one’s body on the line in the name of saving a goal is heroic.

There’s no need to tell that to the Germantown Women’s soccer team. The squad lost its two starting forwards (strikers) to heel and ankle injuries, leaving the offense in a bind. The squad, which won the TSSAA championship in 1994 and the National Championship in 1999, looked at its more than tough schedule and figured it had only one option for the season: Win.

And the squad has. 18 games later, the team has lost only two and tied three, piling up a bunch of wins in the process. Germantown coach Thomas Klingenberg says that that wasn’t so much of a focus. “We just practice very hard,” he says. “We don’t push wins and losses. We just teach soccer.” Klingenberg says that is why the team plays such a heavy schedule.

But that hasn’t fazed this team as it gears up for yet another trip to the TSSAA state tourney. The feat is remarkable not only in that the squad lost two starters but lost all but one of its starters just one year ago. The National Championship team featured 13 seniors. “It’s frustrating,” Klingenberg said, “[the championship] put a lot of pressure on [the players]. This year, we found our identity again.”

Germantown is back in the hunt for a championship after shutting down Cordova and Shelby County goal leader Lindsay Estes, 1-0 in order to get to the state championship tournament. “Our defense has really stepped up in the last couple of games,” Klingenberg says. The squad goes on to Chattanooga now to face Tullahoma for the first round of play and, if Germantown wins, the reward is the winner of the Franklin/Bearden match-up. “That’s going to be a game,” Klingenberg says. Franklin won the title last year and Bearden makes up one of Germantown’s losses this season.

So here’s to the ladies of Germantown and their quest to win the title. Let football coaches have their limited understanding of all sports not football and just enjoy the game of soccer for what it is: the poetry of a perfect loft pass combined with the jaw-breaking velocity of a well-kicked ball. The game is good. The players are definitely athletes. And frustration? That only happens when a lump of a defender like me gets in the way.

OTHER STUFF

  • What is Lou Holtz thinking? His South Carolina Gamecocks lose, 10-7, to the Arkansas Razorbacks at Fayetteville and Holtz blames crowd noise? In a recent press conference, as reported by Brett Jensen, Scripps Howard News Service, the coach said that the rowdy crowd of 55,000 Hog faithful screamed too loud and that cost his team the game. Why? The offensive and defensive units couldn’t hear the plays called, that’s why. Of course, things only get worse for the eldest Gamecock as he and his team visit Knoxville to take on Tennessee with its 104,709-seat Neyland Stadium.

    “That is totally unfair.” Holtz said, according to Jensen’s article. “But I feel quite certain that the officials will give us that opportunity to call our plays and snap the ball.” On the one hand, I can understand Holtz’s frustration of home field advantage. At the same time, football ain’t a chess match. Well, not one in which people are quiet anyway. But more importantly, Holtz just gave locker room material for the waves of Big Orange followers for game day. Does he honestly believe that the refs can keep the crowd quiet? After his comments about hating noise? That’s like poking the collective in the eye with a sharp stick and expecting each member to quietly bow and leave. That game is on October 27th on ESPN2 at 6:55(CT).

  • Well, the Grizzlies seem to be showing a different side to opponents on the road. After reeling off four wins at home, the Grizzlies have lost their last two. Granted, those two teams are Phoenix and the L.A. Lakers, two of the best teams in the West. Still, the situation looks to be grim for the squad on the road and considerably brighter at home. Still, a good home record (say, 25 wins out of 42) and a less than embarrassing road record (10 games? 15?) would place the team far and above expectations. And even that much faith in the home crowd means little until November 1st, when the Grizzlies start things up against the Pistons, luckily at home.

Categories
Music Music Features

Sacred Steel Live

Robert Randolph can’t wait to get to Memphis. The 24-year-old
electric pedal-steel guitarist has heard a lot about the Bluff City from
native sons Luther and Cody Dickinson, and he is as excited about the food as
he is the musical history. “Luther told me all about Memphis,” he explains,
mentioning Al Green and Aretha Franklin before asking, “Y’all got some good
barbecue?”

In six months, Randolph has gone from playing worship services at
the Pentecostal-based House of God Church in Orange, New Jersey (where he is a
parishioner), to becoming one of the hottest performers on the New York City
music scene. The sudden success has Randolph wide-eyed, but it’s obvious that
he takes whatever the Lord gives him in stride.

“I still can’t believe everything that’s happened,” he admits. “I
didn’t know this whole music scene existed, that people go to shows like this.
I only knew about the scene that you see on TV — and if you weren’t on TV,
then you didn’t get to play shows.”

According to the liner notes of The Word, Randolph’s
collaboration with the Dickinsons’ North Mississippi Allstars and organist
John Medeski, it was the Arhoolie compilation Sacred Steel Live that
set his secular career in motion. While on tour with Medeski, Martin & Wood,
the Allstars became fascinated by the House of God Church’s “sacred steel”
sound of electric steel guitars used to buoy the bluesy gospel hymns that
anchor their services. Randolph’s inspired version of “Without God,” the sixth
track on Sacred Steel Live, particularly resonated with Luther
Dickinson. Medeski shared the obsession, and following a long string of
coincidences, Randolph opened an Allstars show in New York in October 2000 and
began recording The Word two weeks later.

“Actually, I never really took it serious,” Randolph laughs. “One
Friday I met the Allstars — I opened up for them at the Bowery Ballroom —
and things just went from there! We talked about making a record the first
time I met them.”

Recorded in just four short days, The Word (named by
Allstars bassist Chris Chew) is much more than a concept record, more, even,
than a gospel album of a higher order. From the rollicking guitar play between
Luther Dickinson and Randolph on “Waiting On My Wings,” one of the album’s two
originals, to the group’s heady improvisations on North Mississippi classics
“Blood On That Rock” and “Keep Your Lamp Trimmed and Burning,” The Word
transcends all expectations. The five musicians organically coalesce into the
ultimate jam band — which, for all intents and purposes, they have
become.

“That’s how we play at church — very spontaneous, spur-of-the-
moment,” Randolph explains. “You can’t rehearse to play at church. I can tell
the bass player, ‘I want to play this, I want you to sing this,’ and it will
all come together on stage. The crowd will feed off it, and it’s a lot of
fun.”

Despite rave reviews in The New York Times and
Esquire, Randolph has had to fend off the disapproving elders in the
House of God Church, who resent his success away from the church. Randolph
easily brushes aside such criticism, saying simply that “church people are
church people and they don’t want you playing nowhere else but the church.”
Yet he will continue to play Sunday services for as long as he can.

After all, the House of God Church is where he discovered the
electric pedal-steel guitar. Randolph was 16 when he first picked it up, and
today he credits the instrument with saving his life. “The more I’d get into
playing, the more I’d hear that this friend or that friend was jumped or put
in jail or shot. And the more I heard things like that,” he says, “the more I
wanted to stay in my house and play the pedal-steel.”

While gospel remains his greatest influence, Randolph cites R&B
and hip hop as equal inspirations. “I’ve been getting into more stuff lately,
because people give me tapes of the Allman Brothers and Jimi Hendrix, the
Meters, and all these other people. But I only grew up listening to hip hop,
gospel, and R&B — no blues, no Southern rock, no nothing.”

Nashville session greats Buddy Emmons, Paul Franklin, and Lloyd
Green top his list of favorite electric steel players. But Randolph wants to
take the genre to a new level — and he must rely on his own resourcefulness
to do so. His most recent improvisation is a custom-made 13-string pedal-
steel. “The tuning is real weird, something I came up with on my own,” he
says. “The whole idea of the 13-string is just something crazy that I did. I
get a pretty good sound out of it.”

Someday he hopes to record with the likes of Michael Jackson and
R. Kelly. But for now, talk returns to Memphis and the two shows that Randolph
and his family band (cousins Marcus Randolph on drums and Danyell Morgan on
bass, with John Ginty on Hammond B-3 organ) are playing at B.B. King’s on
Beale Street. “We’re all ready to get down there — I’m packing my bags now,”
he says excitedly. Before hanging up the telephone, he has one question. It’s
mind-blowing, but given Randolph’s easy charm and spontaneity, it makes
perfect sense. “How far is Graceland?” he asks. “I wanna go see Elvis’ pad!”

Robert Randolph, B.B. King’s Blues Club, Thursday, October
11th, and Friday, October 12th – $10


Local Beat

by CHRIS HERRINGTON

THE NORTH
MISSISSIPPI ALLSTARS

On Friday, October 12th, at the Hard Rock Café,
GoGirlsMusic.com will present the Memphis version of a national
showcase series that also serves as a fund-raiser for the Nicole Brown
Charitable Foundation, which assists victims of domestic violence. The four
local artists who will play the event are JoJo Jeffries, Memphis
Troubadours regular Kim Richardson, Beale Street stalwart Reba
Russell
, and former Premier Player Award-winner Carol Plunk. The
show starts at 9 p.m. with an $8 cover. There will also be a silent
auction.

Another benefit concert this week will also showcase local
artists. A host of local bands will be playing at the Overton Park
Shell
on Sunday, October 14th, with all proceeds from food and beverage
sales donated to the Memphis Fire Department in honor of the
firefighters assisting with the efforts in New York. The show consists in
large part of up-and-coming bands with a rootsy bent, including The Gabe
& Amy Show
, Bumpercrop, The Great Depression, The
John Murry Band
, The Gamble Brothers, Johnny Romania, and
The Speakeasy Band. The concert is scheduled to begin at 12:30 and run
through 8 p.m. Admission is free.

Construction for the Stax Museum and Stax Music
Academy
is well under way — on time and slightly under budget according
to Soulsville, the project’s governing organization. But Soulsville is
still raising money toward the project’s $20 million goal (funding is about 75
percent in place) and WRBO-FM Soul Classics 103.5 will lend a helping
hand this week with Soulathon, a radio telethon that will broadcast from the
Stax site at 870 E. McLemore on Wednesday, October 17th, and Thursday, October
18th. Those wishing to donate to the Soulsville project can also call the
organization at (901) 946-2535 for details.

Odds and ends: The release of The North Mississippi
Allstars
‘ long-awaited, original-material-dominated new album,
Phantom 51, has been pushed back to November 6th. The Allstars
will be back in town next month for a show at the Young Avenue Deli on Friday,
November 23rd Also at the Deli next month is former Whiskeytown frontman and
all-around alt-country poster boy Ryan Adams. Adams will perform on
Wednesday, November 7th You can read plenty about Brooklyn rockers
Oneida elsewhere in these pages, but if you can’t make the band’s gig
at the Map Room on Monday night, October 15th, you can still catch them at
5:30 p.m. that afternoon at Shangri-La Records Finally, on a not-quite-
local note, the greatest rock-and-roll artist of all time — Chuck
Berry
— will celebrate his 75th birthday next week with a special concert
in his hometown of St. Louis. Berry will perform at The Pageant on Thursday,
October 18th, and will be joined by the second-greatest first-generation
rocker — Little Richard.