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U OF M FOOTBALL: WHERE THERE’S LIFE…

WAITING FOR … JERIAH JIP?

“You’re out of your mind. You’re absolutely out of your mind…”

So spake my good friend Gordo McAlister, late last Saturday night from the cell phone in his Lexus, somewhere in East Memphis. Myself, I was in a late-night bistro in Tampa, Florida, dining alone and nursing the wounds caused by yet another Tiger defeat — our sixth in a row, actually — this time a 31-28 coup de grace administered by the South Florida Bulls, a now 7-2 outfit with more than a few reasons — talent and excellent coaching, for starters — to be bullish about its football future.

The Tigers’ future, on the other hand, appears decidedly bearish, so bearish in fact that our own bear of choice must of necessity be “polar.” How appropriate, then, that the Blue Boys were clad all in white on this meteorologically splendid but existentially gloomy night.

“You know, you were freaking there, in freaking Tampa!” Not for the first time, Gordo was on a rant. He had once been a dyed-in-the-blue University of Memphis football fan. Now he played a lot of golf and tennis in the fall, and took great delight in tormenting me.

“At least I didn’t have to see the game. Whooh, boy, that must’ve been a real treat. It was bad enough on radio, let me tell you…” To this point, I had, literally, not gotten a word in edgewise.

“Gordo, I hope you’re sitting down.”

“I am. It’s hard to drive standing up. So what?”

“‘Cause I’ve gotta tell you something. The second half of that game tonight?

That was the greatest gut-check performance by a Tiger football team since November 9th, 1996.”

Gordo no longer went to Highland Hundred meetings, but he knew full well the significance of that date, the date of our historic (and only) orange-crushing of the University of Tennessee.

“What are you smoking down there, friend?” Gordo was not even slightly amused.

“I’m not smoking, Gordo. I’m eating.”

“Well, be careful: something’s eating your brain, man!”

I let the compliment slide. “Listen, the Tigers were down 28-7 at the half, with absolutely nothing to play for. Wrap it up, pack it in, mail it home, right?

“Yes, but…”

“No buts. We had nothing to play for. We were in an existentialist void. We were waiting for Godot, Gordo. Just waiting for Godot.” My friend was a graduate of a prominent Eastern university, so I knew my use of five-dollar words and my reference to Samuel Beckett’s melancholy classic would get his attention.

“Okay. I agree. They were lower than pond scum. So what’s your point?”

“My point is this: Somehow, some way, the coaches got them up for the second half. And the players — nearly every one of them on the field — delivered. Delivered in spades. With nothing whatsoever on the line, the guys went out and kicked butt. And kicked it almost as far as a victory.”

“Give me a break!” Gordo was not going gently into the night. “Almost, buddy, only counts in horseshoes and hand grendades, you know.”

“Maybe, but you should have seen the transformation. The defense played with real fervor. And Danny… well, it was like Jeriah Jip in action.”

“Jeriah Jip.” Gordo was silent for a moment. “Don’t think I know him. Is he a linebacker? Maybe a freshman?”

I knew I had Gordo where I wanted him. “And you tell me you’re an educated man?”

“Oh, I see. This is one of your silly quizes.” He was correct; I was prone to stunts like this, especially when cornered.

“Jeriah Jip, yes. Just like Danny Wimprine,” I repeated.

And then so did Gordo. “Jeriah Jip. Hmmmm….” It is not generally known around town that he had been the first-ever medieval philosophy/twentieth-century world drama joint major at his very prominent college, although just about everybody is aware that he was captain, his senior year, of the varsity football team. A true Renaissance Man, that Gordo.

“Think about it,” I said. “Wimprine came out swinging, like some kind of Wild West gunslinger. Everybody in Raymond James Stadium knew he was throwing, including the janitors. The whole USF defense keyed on him, every single play. He got the stuffing knocked out of him a couple of times, but took to the sidelines for a play or two, caught his breath, and came back out for more. All told he threw 52 passes and completed 32: both all-time U of M single-game records. And…”

“Stop! I’ve got it!”

Light, I could tell, had dawned on Marblehead, at least as far as Gordo was concerned.

“Jeriah Jip. Bertolt Brecht. “A Man’s A Man.” That weird pacifist play from the 1920s. Jeriah Jip, formerly Gayly Gay. Jeriah Jip. “The Human Fighting Machine.””

Not just everybody is aware that the Jeriah Jip was the hero of German dramatist Brecht’s 1926 tragicomedy about a meek dockworker who transformed himself into a macho war hero, but I knew Gordo might be. Nevertheless, even I was impressed at his near-total recall of this obscure classic.

“Well, he certainly took a licking and kept on ticking, that Jeriah Jip,” Gordo mused.

“Just like Danny, Gordo; just like Danny. He’s a human fighting machine, trust me. You should come out some time and see for yourself, see how close the resemblance is. Bertolt Brecht would get it, I feel certain.”

“I’m sure he would, although being German, I think he was probably into soccer. You remember, of course, that Jeriah Jip came to a bad end?”

“That’s only fiction, Gordo. Make-believe. This is real life, Gordo.”

“Sure, Ken, sure. That’s what they all say.”

I could tell Gordo was using irony, and using it well. After all, who understands irony better than a U of M football fan? Who better to blur the distinction between life and death? Between victory and defeat? Between a half-empty bottle and a half-full one?

“Tell you what. I have an extra ticket for the Army game. Come on out and see for yourself.”

Gordo was silent for a moment. “I’ll think about it. I really will.” And then he hung up, without even saying goodnight.

I could tell I hadn’t convinced him, but this was probably asa close to a yes or no as I would ever get from Gordo.

READER REACTION

  • Keep us on track, Mr. Neil, keep us on track. There are those of us who

    publically admit to having “given up on the Tigers”, but in private still

    truly lurk about the TV or radio, waiting for the WORD, waiting for SOMETHING

    TO HAPPEN, and that something to be GOOD about Tiger football.

    To paraphrase, Oh ye of little Tiger Football faith, give heed to Mr. Neil’s

    words.

    Bill Butler

  • Categories
    News News Feature

    HUBIE BROWN’S IN TOWN

    As of Wednesday morning, the second-oldest coach in NBA history took the helm of the second-youngest team in the league.

    Memphis Grizzlies Majority Owner Michael Heisley and President of Basketball Operations Jerry West introduced veteran coach and television analyst Hubie Brown, 69, as the team’s sixth and latest coach at a noon press conference yesterday. The press conference immediately followed a two-hour, closed morning practice in which Grizzlies players got their first taste of a basketball legend that West has referred to as “the ultimate teacher” and a disciplinarian.

    One-time coach of the ABA Kentucky Colonels, where he won the league title, and the NBA’s Atlanta Hawks and New York Knicks, Brown has been out of coaching for the past 15 years, serving during that time as a ubiquitous television analyst for Turner Network Television, where his annual work on the station’s NBA draft broadcasts have earned a cult-following among a generation of fans who never really knew him as a coach.

    During his opening press conference, Brown was part doddering professor and part sharp-minded raconteur. Looking every bit his age, he nevertheless captivating the local media with what felt like a freewheeling, impromptu clinic on basketball history and philosophy. His commanding presence served as a noticeable contrast to the low-key (no pun intended) style of predecessor Sidney Lowe, who “resigned” his post Tuesday morning following an abysmal 0-8 start.

    Brown stressed three points for turning the Grizzlies around: chemistry, defense, and style. All are obviously key areas of improvement needed for a team that, through 8 games, played poor team basketball, gave up a league-worst 102 points per game, and found themselves forced into the playing style of their opponents rather then imposing their own will and style on the opposition.

    “Any team worth a grain of salt has a distinct style,” Brown said, “ and our Bible will be organization, discipline, and a commitment to offense and defensive philosophies that work.”

    Brown’s first move in putting his program in place during the team’s three-day break before their Friday night home game against the Minnesota Timberwolves was to restructure the coaching staff. Brown has retained Grizzlies assistant Lionel Hollins, but has also added three new assistants to the bench. Grizzlies Director of Player Personnel Tony Barone, a long-time Brown associate, will move to the bench, as will Brown’s son, Brendan Brown, who was already a member of the Grizzlies’ scouting staff. Brown is also bringing in longtime coach and scout Hal Wissel as the team’s primary shooting coach.

    The presence of Brown’s son, along with that of close friends West and Barone, gave Brown a particular interest in the Grizzlies progress, the coach said, revealing that he’d watched all eight Grizzlies games on Direct TV.

    Brown also reminisced briefly about games he coached in Memphis during his stint in the ABA. “I’m sorry that it took so long for an area that loves the game so much to get the game back,” Brown said. “So I feel a special obligation [to Memphis].

    But Brown also pleaded for patience. He and his staff have two days to install a system, and then have to play six games in nine days, three of them on the road. This quick changeover won’t be easy for anyone, but Grizzlies fans should know a lot more about there team after a couple of weeks under Brown.

    “Today is a new day for every one of those kids in there,” Brown said, in reference to the players in the adjacent locker room. “Nobody’s got a guaranteed spot here. But we’ll know after this 10-day period what is working and what isn’t.”

    Categories
    Music Music Features

    Local Beat

    For University of Memphis graduate Justin Moore, it’s a story that made the perfect song.

    “About four years ago,” he says, “I was on a trip to Europe, and when it was time to come home, we had so many travel problems — a bomb threat being one of them — that what should have been a one-day flight turned into an almost three-day scenario.”

    Moore, frontman for local rock quartet Ingram Hill, wrote the band’s signature song, the ubiquitous-on-local-radio “Will I Ever Make It Home,” about the frustrating flight back. “Once I even got back in the States,” he remembers, “I was stuck in Boston and still couldn’t fly home, and it got so ridiculous. All I really wanted to do was see my family and my girlfriend, and that song was written out of the frustration of having no control over being able to get back home.”

    In those days, before anyone knew him as the lead singer of Ingram Hill, he was just another wandering troubadour in search of an audience and the perfect song. Today, he’s the lead singer of the promising pop quartet who recently recorded their first proper album, Until Now, a collection of eight original tunes penned primarily by Moore and co-produced by Tonic lead singer Emerson Hart and Memphis producer Jeff Powell. The record was released in March and has sold around 5,000 copies since then.

    Moore is a striking vocalist, a tenor whose voice can soar with palpable sweetness, and he’s also an accomplished writer. He tends toward low-key, tastefully radio-friendly tunes such as “Will I Ever Make It Home” and “Your Smiling Face,” pop treasures that appeal to a twentysomething crowd that craves mellow gold over heavy metal.

    He’s lively and energetic when he talks about the band; sometimes, the words come so fast he stumbles and stutters over them. “Signing autographs,” says Moore, “is still a really big deal to us.” So too, he says, was opening for Blues Traveler at a concert in Atlanta in front of 45,000 people.

    The group keeps its schedule booked solid, playing mostly college and festival dates. On September 18th, they performed at the University of Memphis — a homecoming of sorts, since the band is made up of U of M graduates.

    The band formed in 2001, with Moore and lead guitarist Phil Bogard splitting from a band that, of all things, hated touring. Soon after, Moore was introduced to drummer Matt Chambless, a fan of everything from jazz to Jeff Buckley. With the final addition of bassist Shea Sowell, the only thing they needed was a name.

    Moore says the inspiration came from a road sign on the way back home to Memphis. “It actually came from a little town called ‘Ingram’s Mill,’ Mississippi, real close to the Tennessee border, right off Highway 78,” he remembers. “There’s an exit sign that says Ingram’s Mill. It’s the last exit before our exit to go home, and we used to travel Highway 78 a whole lot, so we just came up with different variations on it. Ingram Hill sounded the best.”

    One of the refreshing qualities about Ingram Hill is their endearing honesty. The band’s lyrics are very plainspoken –no clever turns of phrase or profound ruminations on life. It’s almost as if all the band knows how to do is mix honest sentiment with the crunching power of rock-and-roll riffs and backbeats.

    Take “Your Smiling Face,” the song that always closes the band’s set. The lyrics — “Sometimes, I think that you don’t see the difference between you and me/Sometimes, you got to let me be, I know the truth will set you free/But when I see your smiling face, I know I would not trade my place/I tell you, girl, I’m so in love with you” — offer a simple sentiment, but Moore’s black-velvet vocals and the band’s tight backing get the song across.

    Emerging quietly over the past year as one of the city’s most popular bands, Ingram Hill seems to have crossed a threshold: Now, they know who they are as a band and where they want to go. Watching them get there will be half the fun. n

    Andria Lisle will return to Local Beat next week. You can e-mail comments, suggestions, and tips to localbeat@memphisflyer.com.