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Letter From The Editor Opinion

Experiencing Totality

Editor’s note: Other writers may occasionally share this space.
This piece was originally published in the Flyer in August 2017.

You can’t prepare for magnificence — not really. Months ago, I blocked off August 21st on my Outlook calendar — “TOTAL SOLAR ECLIPSE” — knowing that Something Was Going to Happen, and that I needed to put myself in its path.

I remember as a child spinning a globe, lightly tracing the sphere with a fingertip as it slowed, hoping to rest on a city with an entrancing name where I might one day travel. My strategy for picking an eclipse-viewing location was not terrifically more sophisticated. I looked at the path of totality on a map and picked the town within a day’s drive with the most entrancing name: Cadiz, near the southwest corner of Kentucky.

In search of a singular experience, I didn’t want to be in a crush of people, a crowd of awestruck gaspers all wearing our cardboard ISO-certified glasses. And the name — Cadiz, after the ancient Andalusian city in Spain — resonated in my mind, sufficient mysticism right there in Kentucky, 196 miles from my front door.

My eclipse companion and I never made it to Cadiz. We didn’t need to. Close to our planned destination, we crossed a long, gracefully arching bridge over the “lake” part of Land Between the Lakes, and we knew: this bridge, this height, this dark water beneath glinting silver and deep.

We parked in a parched, rutted field flanking the bridge, walked past the makeshift tent city occupied by hundreds of people and onto the bridge itself, which, to our surprise, wasn’t crowded — barely a couple of dozen people across the length of the span. Traffic thinned as the moments of totality approached. From our perch, we could see boats below drop anchor, waiting; the birds above, which I had read might fly into full-throated frenzy, were silent.

The light shifted, dimmed, slanted eerily sideways. And then: All light was evacuated. There was no noise from traffic, and little from other watchers. The temperature plummeted by what felt like 20 degrees — the difference between day and night. The wind died; the sky became ink-black. At the moment of totality, it’s safe to remove the special solar-eclipse glasses, so I did, and saw the entire bright body of the sun obscured by the interjecting moon. Solar flares escaped from the sides of the interlocking spheres, bursts of bright energy flashing in a wild halo.

It’s hard to know what to do in those two minutes: try to capture the event with a photo? A video? Leap up in sheer confused wonder? Laugh, overcome by the strangeness of it all, the overpowering perspective shift? Stare and stare and stare some more, trying to imprint the darkness, the coolness, the sun’s energy unfurling frilled fiery ribbons from behind the moon — as if there were any chance in the world you might forget this moment? I seem to recall doing all of these. A kind of eternity opened within those two minutes.

It’s hard to know what to do after those two minutes, too. The sun began to escape its temporary obscurity, and brightness returned to the early afternoon. Everyone looked a little dazed, like people staggering from the doors of a cosmic cinema back into summer afternoon.

There are certain things we think we know for certain, like: what is day, and what is night? Totality spun my certainty around like a globe, and when the sun returned, I found myself slightly but indelibly shifted.

Categories
Opinion The Last Word

BDSM 101, and Why the Kids Are All Right

Late last week, a series of news alerts broke that centered around a term not often seen in Memphis headlines: BDSM. Specifically, there was a kerfuffle at Rhodes College about the area of erotic expression (BDSM stands for bondage, dominance/discipline, sadism, and/or masochism): A seminar had been planned for students curious to learn more, with guidance from the campus chaplain, Beatrix Weil, who organized the event, and a professional dominatrix. Information about the scheduled seminar began to circulate in an alumni Facebook group called “Rhodes Alumni for Amy,” assembled in support of ultra-conservative Supreme Court Justice Amy Coney Barrett ’94, and elsewhere, and the college quickly canceled the event, noting as their oh-so-convincing reason that it had not been properly sanctioned by the administration. (I am going to hazard a guess that if a knitting circle had not been properly sanctioned, no one would have been made to pack up their yarn.)

I was fortunate to grow up a campus kid at Rhodes, where my mother, the late Dr. Cynthia A. Marshall, was a Shakespeare professor and chair of the English department. Many of my tenderest, most crystalline early memories are of moments at Rhodes: tucking myself into the stone window recesses in the ground floor of what’s now Southwestern Hall; cavorting with dogs and Frisbees on the back forty; acting in tiny, child-sized roles at the black-box McCoy Theatre and feeling very grown-up, indeed; curling up with a book on the floor of my mom’s office, whose windows were just below the giant iron clock ticking away on the granite wall outside.

Beyond the physical spaces, I remember sensing an atmosphere of free discussion in the classroom and beyond — at least, that was the idea. My mother taught Shakespeare, but she taught his plays through lenses of psychoanalytic theory, feminist and queer studies, and a spirit of ongoing reimagination. No question was off the table; no intellectual discussion was off-limits. For her later writings, on the nature of selfhood in Early Modern literature, she read broadly into narratives of martyrs but also of, yes, bondage, sadism, and masochism. On our drives to my high school, we might talk about what tests I had that day — and we might talk about the latest account she had read in John Foxe’s Actes and Monuments (commonly known as Foxe’s Book of Martyrs) or a passage from the Marquis de Sade. She wasn’t giving me an instruction manual, or if she was, the how-to was a lesson in curiosity and rigorous research — together, the essence of liberal arts. Her former students tell me that Coney Barrett took at least one of Mom’s classes, which … makes my head spin.

I imagine my mother, if she were still alive today, at 70, would have been delighted to see a seminar scheduled for students to experience a safe discussion about BDSM. I bet she would have been pleasantly surprised (but definitely surprised) that the campus chaplain organized the event — a breath of fresh air! Pastoral care, indeed! But I am quite certain she would be gobsmacked to learn that a faction of alumni malcontents successfully stifled the conversation. What precedent does it set if students — all of them young adults, emphasis on adults — cannot gather in a safe and respectful setting to learn about and discuss a valid, common element of sexuality?

Yes, the social-media graphic announcing the event appeared intentionally provocative: “BDSM 101” does, indeed, sound like a practical introduction to kink. But — so what? Not only is that not what was planned for the event, had it been what was planned, I still fail to see cause for outrage. In an age when college campuses are reckoning with rampant sexual assault and striving to educate students about the importance of consent, surely providing language and context for safe, healthy sexual practices — BDSM or otherwise — can only help. Also — and this cannot be overstated — the event was voluntary; no one was mandated to sit through a BDSM seminar who didn’t want to sit through a BDSM seminar.

One of the knocks on Gen Z is that they are too fragile, too coddled, made too immune from reality by trigger warnings and so on. In my experience, that’s garbage. From conversations I have had with contacts at Rhodes, the seminar was organized because students asked. Rev. Weil teaches a first-year seminar that touched on the topic, but in a smaller setting; many more people were curious, and thus the event was born.

I try to imagine myself at age 19 or 21 being bold enough to ask for … anything — of a romantic partner, of a professor, of anyone. I didn’t know how to do that yet, and wouldn’t for many years more. College students who learn to be clearer advocates for themselves, their needs, and their desires will be better equipped to leave campus more confident in every area of their lives.

Anna Traverse Fogle is CEO of Contemporary Media, Inc., parent company of the Memphis Flyer.

Categories
News News Blog News Feature

Announcing Several Flyer Promotions

I am excited to announce that the Memphis Flyer’s next editor will be Shara Clark. Shara officially took charge on November 1st, but she is no stranger to the paper, having been its managing editor since 2019. Her commitment to editorial excellence and integrity has been clear throughout her time not only with the Flyer but at CMI broadly, where she has worked since 2008.

In those years, Shara has helped guide and strengthen nearly every facet of our editorial products. She has worked extensively on Memphis magazine as senior editor, producing an impressive array of memorable feature stories as well as special sections. Since 2018, she has edited Memphis Parent, where her dedication and talents have been evident in every issue of the evolving publication. In her early years with the company, Shara was involved in sales, so she truly understands all aspects of CMI. Most recently, in her time with the Flyer, Shara has helped the paper weather several leadership transitions while maintaining its high quality.

Shara possesses a specific array of skills that make her well suited to the role of Flyer editor, excelling in the realm of process and detail and in that of vision, leadership, and values. We are confident that under her guidance, the Memphis Flyer will provide its readers with the blend of news, views, and culture they have come to expect, while continuing to evolve its valuable place in the local media landscape with an increased commitment to arts and culture coverage. We could not be more thrilled to usher in the bright new ‘Shara era’ of the Flyer.

Two other promotions within the Flyer’s editorial team also took effect November 1st. Samuel X. Cicci takes on the role of managing editor. Sam is a CMI veteran in his own right, having been with the company since 2016. In that time, he too has worked on a blend of special projects and core publications, most notably as editor of Inside Memphis Business, the local business vertical that is a part of Memphis magazine. Sam is an excellent editor himself, and possesses a wide range of expertise, writing about everything from business to dining to soccer to home remodeling. He will continue to supervise Inside Memphis Business and write restaurant reviews for Memphis while serving as managing editor for the Flyer. We are grateful to Sam for always stepping up when called upon (and volunteering when not), and we know he will be an adept managing editor for the Flyer.

In line with the Flyer’s commitment to arts and culture coverage, we are promoting Abigail Morici into the new role of Arts and Culture Editor for the paper. Abigail started at CMI as an editorial intern in the spring of 2021. When her internship concluded, we were fortunate that she agreed to join our organization full-time. In the not-quite-two years she has spent with us, Abigail has demonstrated her prodigious talent for writing, editing, and developing ideas. She has been working as calendar and copy editor for the Flyer, as well as associate editor of Memphis magazine. She has shown a special skill for capturing the essence of arts assignments (though she’s not to be missed when writing about anything), and we will be looking to her to guide and develop the Flyer’s arts and events coverage, while also ensuring that the paper continues to be an authority on what makes Memphis so peculiarly and particularly itself.

Finally, we would be remiss not to extend our sincere thanks and respect to those who have worked to keep the Flyer running smoothly during the transition between editors. Special appreciation goes to Toby Sells, Bruce VanWyngarden, Jon Sparks, and of course Shara, Abigail, and Sam.

Please join me in congratulating Shara Clark, Sam Cicci, and Abigail Morici.

Categories
News News Blog News Feature

Brooks Museum of Art Unveils Design for New Location

In major news for the city’s cultural future, the Memphis Brooks Museum of Art unveiled Friday morning the official plans for its new home on the bluffs of the Mississippi River. The design for the new location was created by international firm Herzog & de Meuron, working in collaboration with local firm archimania. The museum is scheduled to open Downtown in 2026; until then, it will continue operations in its Overton Park structure, where it first opened 110 years prior, in 1916.

The Downtown location promises expanded gallery space (allowing more of the permanent collection to be on view at once), a variety of spaces for community and educational events, and several outdoor spaces open to the public at no charge.

In a release, the Brooks identified the move Downtown as part of a broader revitalization of Memphis’ riverfront.

The base of the new structure is to be “forged out of the river bluff,” and will include parking and support for the museum itself. All the galleries will be accessible within a single floor of the museum, allowing for natural flow. The museum will circle a central outdoor courtyard, and will also include a rooftop pavilion, café, museum store, a 175-seat box theater, and more.

In terms of the art the museum will contain, the Brooks has noted that it intends to “dissolve the usual dividing lines between eras and mediums,” weaving together art from a diversity of geographical areas and increasing visibility of African-American art in particular, of which it is in the process of acquiring new pieces (by Sanford Biggers, Rick Lowe and Vanessa German, among others).

Courtyard, facing east toward the theater | Memphis Brooks Museum of Art (© Herzog & de Meuron)

Jim Strickland, mayor of Memphis, commented, “The new Brooks will become an essential civic space for the people of Memphis and visitors to our city. Our city has long been known for its rich culture and history; soon we will be able to better share the visual art of our region and the stories embedded in Memphis’ art collection at the Brooks.”

Carl Person, president of the museum’s board of directors, said, “The Brooks asked the architectural team for an inspiring work of architecture that would welcome the local community, the surrounding tri-state region of West Tennessee, Arkansas and Mississippi, and, indeed, the entire world. We got that, and more.”

Groundbreaking will begin in 2023. The museum has reported that of the $150 million needed for the project, more than $90 million has been raised to date.

Front Street, entry court, facing west | Memphis Brooks Museum of Art (© Herzog & de Meuron)
Categories
News News Blog

Call for Artists: The Second Annual Memphis Flyer Coloring Book

In the strange summer of 2020, we decided to make a coloring book. Featuring work produced by Memphis artists especially for the project, the coloring book offered a chance to soothe pandemic-rattled nerves. It turned out to be one of our most-loved projects of a dreadful year. 

We’re bringing back the coloring book this summer. Things may be less dreadful now, but local artists — and local journalism — can still use our support. 

Truth is, it’s never a bad time to highlight the work of local artists who make our city more vibrant, more beautiful. And it’s rarely a bad time to take a break with a fistful of colored pencils. (Don’t tell your boss we said so.) 

Once again, we will charge $35 per printed coloring book and $20 for a printable PDF version. Proceeds will be split 50/50 between the Flyer and the artists. We will promote the coloring book through all our channels, and the artists are invited to do the same.

Artists who submitted in 2020 (including artists whose work was selected) are welcome to submit new work in 2021. 

DETAILS:
• Deadline: Extended to Friday, July 9, at 5 p.m.
• Email to: anna@memphisflyer.com
• Size: 8 inches wide and 10 inches tall
• Hi-res PDF, 300 DPI, black-and-white artwork only. 100 black (not CMYK) ink.
• Please provide the name you would like to use, plus your website, social handles, and anything else you would like to include for folks to find you and your work.
• Please provide a brief bio.

Thank you all, and please stay safe and healthy.

Anna Traverse Fogle
CEO, Contemporary Media, Inc.
anna@memphisflyer.com

Memphis Flyer Coloring Book 2020, cover art by Bryan Rollins
Categories
News News Blog

The Memphis Flyer Announces Its New Editor

I am pleased to announce that the next editor of the Memphis Flyer will be Jesse Davis. 

Outgoing editor Bruce VanWyngarden first announced plans to step back on January 30, 2020. Then Covid-19 changed so many plans, including his: Better to maintain continuity in a time when not much felt familiar. His ongoing leadership over the past year-plus has been invaluable. Now, it’s time to let him step off what he has called “the editor’s weekly treadmill.”

VanWyngarden has served as editor of the Memphis Flyer since 2001. Over the past two decades, his guidance has kept the paper relevant, progressive, and fiercely independent. His weekly editor’s column is a mainstay in the local conversation. He will transition into a new editorial role with Contemporary Media. In this role, he plans to continue writing a regular column for the Flyer, while also using newfound time to tackle larger feature stories. 

Davis is uniquely fit to step onto the editor’s treadmill. A native Memphian and 2009 graduate of the University of Memphis, he has worked for over five years at the Flyer, serving as chief copyeditor, calendar editor, and staff writer (all at the same time). He also is our resident book critic, penning book reviews for the Flyer as well as Memphis magazine and Memphis Parent. Jesse possesses a rare blend of abilities that position him well to occupy to this important role: attention to detail; passion for big, bold ideas; and a sense of how to nurture and inspire a team. 

There is much more to say about Bruce VanWyngarden and everything he has done for the Flyer, and by extension for Memphis. In his words, “It’s been a wonderful 20-year run as Flyer editor, and I’ve been blessed to work with so many marvelous and talented folks, now, and over the past two decades. But it’s time for me to change gears. The editor’s job is a weekly carousel that doesn’t stop. It’s been a great ride but I’m stepping off. I know Jesse will do great things with the paper. He is blessed to be able to work with an amazing team of writers, editors, and designers, sales execs, and management staff — as I have been.”

Davis comments, “In the time I’ve been with the Flyer, the publication has seen its share of shake-ups. That’s natural in any industry, and print journalism is no ordinary industry. It seems the world changes a little more and a little more quickly each day, and we’ll do what it takes to keep up. Part of that means challenging ourselves to grow, to meet the needs of all Memphians. To be snarkier. To cover something even weirder than the crystal skull found in The Pyramid (for more on that particular piece of Memphis trivia, check out our recent “?s Issue”). 
As editor of the Flyer, I plan to expand and deepen our coverage, to meet our readers wherever they find themselves, and to bring you news, reviews, and opinions that are relevant to you, that serve you in some way. There’s more to say, of course, but plenty of time in which to say it. In the meantime? See you next week.”

Categories
News News Blog

Terri Freeman Talks About Her Resignation from NCRM

Editor’s note: The Flyer is sharing this story from the Memphis magazine website because of its timeliness.

Each December since 2013, Memphis magazine has named a Memphian of the Year. 2020 marks the first year that our selected Memphian of the Year announced she is leaving her post and, in fact, the city, just two days after the December issue was published. That’s what happened this morning when news broke that Terri Freeman would be resigning as director of the National Civil Rights Museum, effective February 3, 2021.

I interviewed Freeman for the December cover story at the end of October; we went to press with the issue the day before Thanksgiving, not knowing that the Memphian of the Year article would be transformed into a sort of thankful farewell by the time most readers picked up a copy or read the story online. When I saw the news this morning of her resignation, I was certainly surprised. Freeman had not mentioned any plans to depart during our extensive conversation; she told me today that she had considered whether she ought to bring it up, and decided that it wouldn’t be right to share the news with a magazine before telling many of those closest to her. And anyway, the Memphian of the Year honor is a marker of what someone has accomplished already, not what that person may or may not do tomorrow. Freeman’s existing contributions to Memphis are undeniable.

One strand of our October conversation stands out vividly today, in my memory: She and I empathized about the difficulties of being in a marriage that requires commuting. Her husband leads a congregation in Baltimore; mine teaches at a law school in Alabama. It’s tough dealing with chronic separation from the person you lean on most in the world, and keeping up the commuting lifestyle for months and then years doesn’t magically make it any easier — if anything, the opposite is true.

I spoke with Freeman this morning to ask her to shed some light on the news of her departure. She noted that “2020 was a really hard year for me” – beginning with a bad car accident in January, followed by the pandemic and associated shutdowns, and then losing her mother midway through the year. Her husband has been commuting between Memphis and Baltimore for six years, and Freeman says the two had decided that by the end of 2021, they needed to find a way to get their family back under one roof. Her husband “had tried to get a church here,” she said, “but it just didn’t work. He didn’t push me, and the job wasn’t something I was looking for.” Indeed, when she got a call from the Reginald Lewis Museum in Baltimore that they were looking for a new executive director, she said that initially, she “was not in the mindset to be thinking about this stuff.” But they pursued her, and she ultimately decided that this was the right time to make the move: the NCRM is in a stable position, and she feels good about handing over the reins.

“We don’t know what the future holds,” Freeman commented, “and neither one of us [her or her husband] is getting younger. We would like to be together.”

Before we hung up, Freeman told me that she has great love for Memphis. “I will always be an adopted child of this city,” she said, “and I am happy that I have been able to leave something behind that’s beneficial.”

Anna Traverse is CEO of Contemporary-Media and the editor of Memphis magazine. 

Categories
News News Blog

A Note From Our CEO: We’ll Be Closed on Juneteenth. Here’s Why.

Much of the work needed to heal centuries of racist harm will take time. Finding our way to a more whole, more equitable future will take time, and contemplation, and strategy, and heart, and anger, and listening, and love, and all the determination and courage we as a community can muster.

Within this long journey, though, there are moments of simplicity.

One such moment of simplicity: This Friday, June 19th, is Juneteenth, commemorating the end of slavery in the U.S. On June 19, 1865, Union General Gordon Granger informed enslaved African Americans in Galveston, Texas, that the Civil War had ended and that they were free. More than two-and-a-half years after Abraham Lincoln issued the Emancipation Proclamation, it finally took effect.

Starting this Friday, and every June 19th thereafter, Contemporary Media Inc. will mark Juneteenth as a holiday, in recognition of freedom, joy, and Black lives.

In a year that has felt often crushingly complex, it’s helpful to be reminded that sometimes progress looks like merely choosing to make the immediate changes we can, while keeping sight of farther-reaching goals.

Categories
News News Blog

Flyer Joining Colleagues at MLK50, Chalkbeat, High Ground to Answer Community Needs

The Memphis Flyer is working with media colleagues at MLK50: Justice Through Journalism, High Ground News, and Chalkbeat Tennessee to serve as a community resource. Understanding that many in the Memphis area, particularly more vulnerable Memphians, have questions and concerns about managing the practical aspects of Covid-19, the media collaborative has launched an SMS (text messaging) system to serve as a guide to food, jobs, housing, health, safety, schools, and more.

“The focus will be on ZIP codes that have the lowest broadband internet access and residents’ responses will be used to guide reporting,” said Wendi C. Thomas, editor and publisher of MLK50.

Funding for the project comes in part through a grant MLK50 received from the Facebook Journalism Project’s Local News Relief Fund.

The text-messaging model is based on a service launched in Detroit in 2016 by Sarah Alvarez of Outlier Media. Candice Fortman, CEO of Outlier, commented to MLK50, “Providing residents, especially those most underserved by traditional media, with direct access to high-value, fact-checked data allows newsrooms to redistribute some of their watchdog function and then focus scarce reporting resources on the accountability projects likely to have the most community impact.”

Reporters from the Flyer, MLK50, High Ground, and Chalkbeat will work together to address community concerns and questions. Listening to the community’s needs is especially critical during a crisis such as Covid-19, these journalists believe. MLK50 managing editor Deborah Douglas said, “We want folks to experience being seen and heard, so we can produce the kind of journalism and community engagement that will make a difference in their lives.”

To participate in the text-messaging project, locals may text the word “MEMPHIS” to 73224.

Categories
News News Blog

Flyer to Print Bi-Weekly, Offers Home Delivery


Memphis Flyer
readers:

We hope you are holding up okay in these challenging times. More than ever, we’re grateful for you — for your readership, your support of our mission, and your individual contributions to helping make Memphis safe, sane, and vibrant.

We wanted to make you aware of an upcoming change to the Flyer’s print frequency, in light of the ongoing COVID-19 situation. We will be temporarily publishing a print edition of the Flyer every other week, rather than every week.

This decision was made as a middle-ground solution, allowing us to continue sharing news and information with you both in print and online — while also facing the fact that Memphis is in a very different era than it was only a few short weeks ago. Many of our distribution points have been closed, as non-essential businesses; many of our readers are staying home as much as they possibly can. We are also taking this measure, in part, as a means to reduce our own expenditures to accommodate understandable dips in revenue.

Fortunately, we do distribute the Flyer in a number of local businesses that are on the “essential” list, and we continue to offer many strong distribution points. We’ve shared an updated distribution map on our website (click here to view).

We will print the April 2nd issue of the Flyer. Our next print issue after April 2nd will be April 16th, and we will proceed on a biweekly schedule thereafter. We plan to reevaluate our status and the community’s status in June, and to consider ramping back up to a weekly schedule at that time.

Importantly:

We are also offering a new option to you: home delivery(!). We’ll mail a copy of each print paper to you for just $5 per month — enough to cover our costs. If you’d like the Flyer to come to your mailbox, please call (901) 521-9000 or email flyerathome@memphisflyer.com.

We are here for you now. And we will be here for you when we can all resume the normal courses of our everyday lives.

This, too, shall pass. No one knows exactly when — but if we know anything about Memphis, it’s that this city is full of resilient people. We’ll make it through this together.

Please feel welcome to reach out with any questions or ideas. We’re here for you. In the meantime, please be well, and take care.

With best wishes,

Anna Traverse Fogle
CEO, Contemporary Media, Inc.