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Music Music Blog

Bonnaroo 2019, The Coolest On Record, Is Still Red Hot

Bianca Phillips

The Avett Brothers put on a lively show on the Which Stage Friday afternoon.

The 18th annual Bonnaroo Music & Arts Festival was a sell-out this year, thanks to a varied lineup featuring everything from jam band Phish to rapper Cardi B. Although most of the larger acts this year limited their photographers to large-name media outlets, the Flyer did get into the photo pits for the sax-playing DJ Griz, emo rapper Juice WRLD, folk rockers The Avett Brothers, songwriting legend John Prine, and — most importantly — comedy rap trio The Lonely Island. They put on a hilarious 12:30 a.m. show Sunday morning that was part-comedy skit/part-rap show, complete with a Justin Timberlake puppet singing “Dick in a Box.” Take a gander at our slideshow below for more… [slideshow-1]

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Music Music Blog

It’s Bonnaroo Time! Previewing Next Week’s Fun

Nathan Zucker

In just a matter of days, the small Tennessee town of Manchester (pop. 10,642) will be invaded by 80,000-plus fanny pack-wearing millennials (and a few old hippies still looking for a good time) for the 18th annual Bonnaroo Music & Arts Festival.

The fest, which runs from June 13-16 this year, takes place on a 700-acre farm in Manchester and tends to bleed out into the surrounding area. Just pop into the Manchester Walmart on any given day during Bonnaroo, and you’ll be hard-pressed to find any shoppers not wearing a brightly-colored cloth ‘Roo wristband.

The lineup this year leans more heavily toward newer, younger acts than it has in previous years — the major exception being a double set by Phish on both Friday and Sunday nights. Other headliners include the ever-present-on-the-festival-circuit, white-guy-rapper Post Malone (Saturday night) and the ever-present-on-the-festival-circuit, Latinx rapper Cardi B (Sunday night).

The Bellingham, Washington-based EDM duo Odesza will bring their haunting electropop beats to the stage on Saturday night, and Friday night will close out with a performance actor/hip-hop DJ Childish Gambino (aka Donald Glover).

Other highlights on Bonnaroo’s massive lineup: saxophone-playing DJ Griz, folk rockers The Avett Brothers, The Lonely Island (the comedy trio featuring Andy Samberg), emo rapper Juice WRLD, and singer-songwriter Brandi Carlile. Oh, and the 72-year-old songwriting legend John Prine will be there (#NBD). Nathan Zucker

All of this (and performances by more than 100 other musicians) takes place on five stages spread throughout the farm. Besides the music, Bonnaroo features parades (an out-of-season Mardi Gras parade, a mermaid parade, and a gay pride parade), a Roo Run 5K, plenty of outdoor yoga classes, a mini sandy beach oasis (minus the ocean), a massive blow-up water slide, a Ferris wheel, and much more. Stay tuned for a post-festival recap on this blog, once all the dust settles.

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Music Music Blog

Bonnaroo’s Sweet 16

aLIVECoverage

Bonnaroo Music & Arts Festival in Manchester, Tennessee, celebrates its Sweet 16 this year as the festival opens this Thursday, June 7 and runs through Sunday, June 10. That teenage energy is somewhat evident in the line-up, which, unlike years past, lacks an impressive veteran rock band headliner.

The 2018 lineup — headlined by The Killers, Muse, and Eminem — may appeal more to Millennials and Gen-Xers without much to offer for older Baby Boomer festival-goers. In recent years, the festival has wrapped up with performances by Paul McCartney, U2, Phish, Elton John, and the remaining members of the Grateful Dead. But, Eminem will close out the main stage on Saturday, promoting his new album, Revival, which has been widely criticized as a mediocre release that fails to adapt to the changing sounds of hip-hop. Long-time fans will surely be hoping Eminem plays plenty of his late ’90s classics, as he did at his last Roo performance in 2011. Andrew Jorgensen

The Killers close out the festival on Sunday. They’ll likely perform works from 2017’s Wonderful Wonderful, but they’ll certainly get the most fan reaction from 2004 breakout hits, like “Mr. Brightside” and “Somebody Told Me.” Andrew Jorgensen

Other lineup highlights include indie folk rockers Bon Iver, pop-country crossover artist Sheryl Crow, rapper Future, emo rockers Paramore, and electronic acts Bassnectar, The Glitch Mob, and Kaskade. Click here for the full line-up.

Those looking for more of a rave experience than a rock festival can dance the night away at the Kalliope stage, featuring both well-known and obscure DJs spinning into the wee hours of the morning.

Andrew Jorgensen

Bonnaroo is so much more than music though. The festival offers plenty in the way of cultural activities, and this year they’re pushing new “Campground Experiences” at plazas located across the general campgrounds. Family game nights, yoga, puppet-making workshops, and even a Roo Run 5K are among the highlights, along with the old standards — a water park, a Ferris wheel, a food truck court, a craft brew tent, and more.

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Music Music Blog

Bonnaroo 2017: The Wrap-up

I’ll be honest – I had low expectations for the Bonnaroo Music & Arts Festival this year. I’ve been covering the annual summer fest in Manchester, Tennessee, for the Flyer since 2010, and in my personal opinion, the line-up for the festival’s 16th year was the worst it’s been in those eight years. The headliners were U2 (not my thing), the Red Hot Chili Peppers (cool, but they headlined ‘Roo just a few years back in 2012), and The Weeknd (sad to say I’m not hip enough to know much about him). 

But they say the secret to happiness is low expectations. After all, you’ve got nowhere to go but up when your bar is way down low. I’m pleased to admit that I was wrong. This year’s festival was filled with pleasant surprises — new-to-me bands that literally blew me away, stellar weather for most of the weekend, and a new DJ/hip-hop stage that featured up-and-coming acts into the wee hours of the morning.

Nevermind the Thursday night arrest of 45-year-old David E. Brady of Albany, New York, for attempting to sell thousands of fake drugs (counterfeit ecstasy, acid, mushrooms, and more), claiming he was doing “God’s work.” Luckily, he was taken into the Coffee County Jail before he could do too much damage.

Thursday night is always low-key with lesser-known acts performing on the festival’s five main stages. We arrived in Manchester around 1 p.m. Thursday, picked up our press credentials, and set up camp. Then we headed into Centeroo — the name for the massive festival grounds — with no real agenda. We popped by a screening of the Nashville Predators Stanley Cup playoffs game at the Which Stage, our first Bonnaroo sports viewing experience (lots of disappointed Nashville-area locals there in yellow Preds tees). As for the music, we didn’t recognize a single name on the line-up for Thursday night, but we were eager to check out the new Other Stage. 

Bonnaroo’s five main stages are called What Stage, Which Stage, That Tent, This Tent, and in the past, there was an Other Tent. The tents tend to host smaller acts, while the What and Which stages are reserved for headliners and bigger-name bands. The former Other Tent was typically host to DJs and not-so-well-known indie acts, but the tent (literally a large tent shading a grassy area where fest-goers huddle to catch some respite from the summer heat) was upgraded to a full-on stage slightly larger than one you’d find at the Beale Street Music Festival. This new Other Stage was outfitted with lighting equipment capable of laser shows that gave the area a rave-like feel.

It was there, at around 10:15 p.m. on Thursday, that we stumbled upon Haywyre, a dubstep/glitch hop DJ and composer, who was seriously killing it with dirty beats and drops that could make your heart skip a beat. Just to the left of the new Other Stage was another complementary attraction called The Oasis — a sandy faux beach with blacklight faux palms, volleyball courts, and a Bacardi-sponsored tiki bar. We sat on the edge of the sand in the glow of purple palm trees and took in Haywyre’s set as fest-goers spiked balls behind us. Although the temps reached the high 80s on Saturday and Sunday, Thursday was actually quite chilly providing some relief from the warm weather to come.

On Friday, I popped by the What Stage (the largest venue on the farm) to catch a bit of Francis and the Lights, an energetic indie-pop solo artist whose stage show involves plenty of synthesizers and processed vocals alternated with some sweet dance moves that have Francis (“the Lights” is a reference to both stage lights and computer pixels) convulsing and spinning across the stage in a dizzying performance.

We caught a most of the Cold War Kids show on Friday, although I’ll admit that sort of indie bro rock isn’t my thing. But that didn’t stop me from signing along to their hit, “Hang Me Out to Dry.”

Later on Friday night, we stumbled onto, perhaps, our greatest (and most pleasant) surprise of the fest — the Preservation Hall Jazz Band performing at That Tent. This New Orleans-based funky jazz outfit has been around since 1963, and while I’d heard the name plenty of times, this was my first time hearing their music. Maybe it was the five or more beers I’d had by then, but I quickly learned that I’m quite the jazz dancer (or at least I thought so in my buzzed state). The brass beats and bass were infectious, and I felt as if I’d been whisked back to some 1960s jazz club, where Jack Kerouac himself would have been bopping and nodding to the music.

Bonnaroo always features at least one rock god-style main headliner whose fanbase spans multiple generations. There was Paul McCartney in 2013, Elton John in 2014, and the remaining members of the Grateful Dead in 2015. This year that act was U2 in a rare U.S. festival appearance, and plenty of people were genuinely stoked about that. It was, after all, also the 30th anniversary of The Joshua Tree album. I can’t say for sure why, but there’s just something I cannot stand about U2’s music (for the record, I have the same exact feelings about Nicolas Cage’s acting career). Anyway, the main headliner typically closes out the fest on Sunday, but in a rare twist, U2 was set to play on Friday night. My partner Paul lacks my irrational hatred for U2 and was excited to see them, so off we went. I’m sure any U2 fan would have been impressed, but something seemed off with volume on the vocals and the show felt like it lacked energy. That sa

id, even I caught myself singing along to nearly every song since they pretty well stuck to a setlist of hits.

Our Friday night experience closed out with a stellar performance by EDM/trap/electro-house DJ Major Lazer, one of the few names I was excited to see this year. He played well into the early morning hours with hits like “Lean On” and the Justin Bieber collaboration “Cold Water” as a pulsing light show and confetti rained over the crowd.

On Saturday, we caught a perfect daytime set by Canadian indie-pop/LGBT rights activists Tegan & Sara, who were joined on their last song by comedians/podcasters 2 Dope Queens Jessica Williams and Phoebe Robinson. The Queens had performed a set in the air-conditioned comedy/cinema tent earlier in the day. While we missed their set, we did catch a screening of cult classic Napoleon Dynamite and Q&A with Jon Heder (Napoleon himself) in that comedy/cinema tent later in the evening.

Well after sunset, we dropped into the last half of Chance the Rapper’s set, which ended beautifully with his 2 Chainz/Lil’ Wayne collaboration, “No Problem.” And then it was time for the Chili Peppers. As teen of the ‘90s, I was, of course, a Chili Peppers fan, and though I saw them headline ‘Roo just a few years back, this show didn’t disappoint. Anthony Kiedis, Flea, and company stuck to the hits, which lead to a crowd-wide 90s sing-along of epic proportions.

We had plans to head out of town Sunday before the sun set, meaning we missed the closing set by The Weeknd, but I’ll embarrassingly admit that I’m not terribly familiar with this Canadian R&B artist’s work. In fact, my lack of familiarity with most of the bands on this year’s line-up leads me to believe I may be getting old. I just don’t know what the kids are listening to these days, and I tend to get the most excited about the ‘90s acts.

That said, I did catch one last show on Sunday by up-and-comers Tank and the Bangas. This New Orleans-based funk-soul group has been getting a lot of press lately, after they won NPR’s 2017 Tiny Desk Contest. The vivacious lead singer, Tarriona “Tank” Ball, dropped slam poet-style verses to a rhythm of saxophone, synth, and bass as the large band performed in dayglo costumes in front of a colorful backdrop that looked to be inspired by an acid trip.

So while I wasn’t so impressed with U2 (other media reports from the weekend seem to show that most attendees were far more impressed than me), I discovered my love for 1960s jazz and some new, up-and-coming acts that just may be the best thing I’d never heard of.

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Music Music Blog

It’s Bonnaroo Time, Hippies!

FilmMagic58

The annual Bonnaroo Music & Arts Festival in Manchester, Tennessee — just outside Nashville — turns 15 this year. This is also the year that U2’s The Joshua Tree album turns 30, so the mega-famous Irish rockers will play their first-ever U.S. festival show as the Sunday night headliner for Bonnaroo.

The festival kicks off this Thursday, June 8th and runs through Sunday, June 11th. More than 80,000 music fans will descend on this tiny town to catch bands playing ten-plus music stages. New this year: The Other Tent, once a small tent for lesser-known acts, is being upgraded to a major stage on par with What Stage and Which Stage. The Other stage will be dedicated solely to dance, electronic, and hip-hop acts.

Joining U2 on the music line-up: Red Hot Chili Peppers (a strange choice of headliner since they just played the fest a few years back in 2012), The Weekend, Chance the Rapper, Major Lazer, Flume, Lorde, The XX, Future Islands, Glass Animals, Francis & the Lights, and many, many more acts spanning multiple genres. See a full music line-up here. Headlining the comedy tent is Jessica Williams and Phoebe Robinson of 2 Dope Queens and Hannibal Buress. More on the comedy line-up here.

The annual fest will also feature the old standards — a water park, a Ferris wheel, a food truck court, a craft brew tent, and more. For those who can’t let their workout routine slide for a weekend, there’s a full line-up of yoga classes and a 5K run. There are multiple parades planned, and there are plenty of costume theme parties to keep party animals busy all weekend. Fest-goers can keep cool inside the air-conditioned Cinema Tent, where cult classics, contemporary movies, and documentaries screen all weekend. Napoleon Dynamite — Jon Heder — himself will make an appearance at the screening of that film on Saturday night.

Check back here for a festival recap later this weekend.

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News News Blog

Downward Cat: Yoga With Kitties

“Lift your hips and press back into downward dog — I mean, downward cat,” instructs yoga teacher Adriene Holland, as the class of 15 or so students giggle and transition out of a plank pose to thrust their butts into the air.

Holland, who teaches regular yoga and hooping classes at Co-Motion Studio, worked as many cat puns and feline phrases into her two 30-minute yoga sessions at Saturday’s Yoga with Cats adoption event at Crosstown Arts. Hands became paws, and of course, she worked in a little cat/cow pose. As she led the class, several adoptable cats from Memphis Animal Services (MAS) slinked around the corners of the art gallery.

The event took place on the final day of Crosstown Arts’ We Need to Talk exhibition, which featured break-up art and artifacts from more than 40 local artists. Some of the artwork was humorous, but much of it — about broken marriages and broken hearts — had a bit of depressing feel. But with the combination of restorative yoga postures and free-roaming cats, everyone seemed to be in positive spirits.

“We’ve seen cat yoga in some other cities and thought it would be such a fun thing to bring to Memphis,” said Alexis Pugh, administrator of MAS. “We love that our sponsors, Crosstown Arts and Co-Motion Studio, are just as excited as we are to give our feline friends a chance to find forever homes.”
By the end of the event, which ran from 10 a.m. to 2 p.m., four of the 10 cats that MAS brought to the event had been adopted.

The hope was that the cats would be a little more participatory — maybe disrupting poses by laying on mats or curling up with students during the final corpse pose. In reality, the cats didn’t start to warm up to new people and a new environment until the end of Holland’s second class. Several chose to stay in their kennels, but volunteers from MAS stayed on the sidelines of class, coaxing a few of the more sociable kitties to get more involved. A few cats allowed students to hold them as they sat in seated postures. By the end of the second class, a black cat named Zepp tucked underneath one 
student’s hips as she lay in a supine twist (back on the floor, knees bent, and lying to one side)
(Former Flyer staffer Bianca Phillips the communications coordinator for Crosstown Arts.)


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Cover Feature News

Target Zero for Memphis Animal Services

As Memphis Animal Services (MAS) volunteer Jeanne Chancellor makes her way down the aisle in the shelter’s stray area, dogs of all shapes and sizes — a dangerously skinny white pit bull, a fuzzy chow chow, a hearty tan lab mix — jump up onto the metal bars of their kennels, tails and tongues wagging, as if they’re saying “Take me home with you!”

But statistically, many of these dogs won’t make it out of the shelter alive. Many will be euthanized as MAS makes way for more and more animals being surrendered by their owners or picked up from city streets.

As of July 2016, MAS had a 34 percent euthanasia rate, which is down significantly from years past, but it’s still much higher than the shelter’s new administrator Alexis Pugh wants it to be. Thanks to a new partnership with a nonprofit that helps shelters across the country move toward a no-kill model, Pugh believes that rate can be lowered to 10 percent.

The local animal welfare community has been pushing MAS to adopt a no-kill model for more than a decade. But past directors — most recently James Rogers (director from 2012 to 2015) and Matt Pepper (2010 to 2011) — either failed to even acknowledge those requests or hinted that such a standard just wasn’t doable in Memphis.

Pugh, who has only been on the job since May, has already made the first step toward significantly lowering the shelter’s euthanasia rate. She’s agreed to work with a nationwide charitable consulting group, Target Zero, which aims to bring city shelters to “zero kill,” which they define as a 90 percent save rate, in less than three years.

“At an open-admissions public shelter, there will always be some euthanasia. But it will be advanced medical cases and large dogs that are too aggressive to safely rehabilitate,” said Dr. Sara Pizano, program director at Target Zero.

Target Zero has already had success in other large city shelters, and they’ll soon be working in Memphis to identify some changes MAS, the city, and the animal welfare community can make to save more animals.

“Our goal is saving 90 percent or better, and we brought Waco, Texas, there in two years. We got Huntsville, Alabama, there in one year. And we got Indianapolis there in less than two years for cats, and we’re close on dogs,” Pizano said.

The first step will be a large public meeting at the Benjamin L. Hooks Central Library on Monday, October 10th, where representatives from Target Zero will introduce themselves to the local animal advocacy community and outline a few things they’ve done in other cities.

“We explain the old beliefs [on running an open-admissions shelter] and today’s best practices. We do this open meeting because we want people to support the shelter. We want to show the community where they fit in and what they can do,” Pizano said.

From High-Kill to No-Kill

For years, many in the animal welfare community have referred to Memphis Animal Services as a “high-kill shelter.” And the statistics certainly backed that up.

In 2011, under former administrator Matt Pepper, the euthanasia rate hovered between 75 and 80 percent. A couple of years later, under the most recent former administrator, James Rogers, that rate dropped to around 59 percent. But while the number of animals being killed was reduced during Rogers’ tenure, so were the number of animals being taken into the shelter. Rogers was often accused by various members of the local animal welfare community of deliberately taking in fewer stray animals in order to lower the euthanasia numbers.

“The easiest way for a shelter director to lower its euthanasia rate is to bring in fewer animals, and as a result [of that being done here in the past], we now have packs of stray dogs running through neighborhoods,” said Cindy Sanders of the local animal welfare group, Community Action for Animals. “When you stop the field operations for three years, then the animals are just out there.”

While both of the above-mentioned directors publicly expressed an interest in lowering the euthanasia rate, neither went so far as to actually attempt to bring that rate as low as 10 percent.

“I can’t speak to why someone would think it’s impossible, but I can say that I’ve seen it done in other communities that are similar to ours,” Pugh said. “I’m not going to focus on what can’t happen. I want to think about what can and keep striving for it every day.”

Unlike Rogers, who had previously worked in management at the U.S. Postal Service, Pugh has a background in working with animal organizations. Before coming to MAS, she served as the executive director of Mid-South Spay & Neuter Services and the Humane Society of Memphis and Shelby County.

“We have a mayor who cares how the shelter is run and a new director, and they’re both looking for ways the shelter can be a better facility. We haven’t had that in decades,” said Sylvia Cox, coordinator for local shelter reform group, Save Our Shelter.

Despite her willingness to work toward a no-kill model, Pugh already has her critics. The September MAS Advisory Board meeting turned contentious after several in the audience brought up a story of a three-month-old puppy that had been euthanized. An online petition is already calling for her removal, claiming she hasn’t made change fast enough.

“I’d only been here two months, and there were people calling for Mayor Strickland to get rid of me. When we’re talking about moving the Titanic, we’re talking about a massive operation with many moving parts,” Pugh said. “There are processes that have to change before we start seeing desired outcomes.”

One of the guiding forces for those process changes may be Target Zero. Shortly after she took the job at MAS, Pugh was contacted by the organization. Memphis had been on their radar for some time, but they’d hit roadblocks when trying to contact Rogers.

“We had several people tell us about Memphis and the need for help. We look for open-admissions shelters that are struggling, but we were never able to connect with the old director. When Alexis came on board, we reached out to her, and she was very positive about having us come in. That is the key. We can’t force our way in, and we don’t go where we’re not wanted,” Pizano said.

Pugh said she happily accepted Target Zero’s request to help. After all, she’d already begun making some changes on her own. She’s been tweaking various policies at the shelter, and she’s currently rewriting the shelter’s euthanasia policy.

“What we found is that when mistakes were happening, the policy was always brought up as the reason. The policy was bad, and there was confusion, or the euthanasia procedure wasn’t clear,” Pugh said. “So we started from the ground up with a consensus from a team of five staff members who participate in the euthanasia process, because I want a policy that is bulletproof. No one can say they didn’t understand it.”

Pugh has also made a change to the form pet owners fill out when they wish to surrender their animal to the shelter. Before, the owner simply had to check a box if they wanted MAS to euthanize that animal. Now, the owner must let MAS know why they’re requesting to have the animal killed, and they must sign for the service.

On October 1st, MAS ended breed labeling, which Pugh believes will increase the chance of adoption for some dogs, like pit bull or German shepherd mixes, which are often mis-identified or discriminated against.

She’s in the process of collecting brochures that tell pet owners how to find cheap or free pet food or how to apply for a CareCredit card when they can’t afford vet care. They’ll soon be available in the shelter lobby, and if a pet owner comes to the shelter to surrender an animal simply for lack of funds, shelter staff will hand them a brochure to help prevent them from surrendering that animal.

“There’s a long list of small changes we’re making that all add up to making us better at what we do,” Pugh said.

On Target

Such changes to shelter policy are one of the biggest recommendations Target Zero makes when they come to a city and assess how to get the shelter to a 90 percent save rate. They also recommend changes in city ordinances that may affect animals negatively.

“We’ve attempted to update ordinances in 10 communities, and we’ve passed all 10. We are very serious about educating our elected officials on best practices,” Pizano said.

For example, some cities have licensing laws on cat ownership or laws against cats roaming at large. But a big part of Target Zero’s initiative is aimed at changing the way cities deal with stray cats. Since many cat owners allow their cats to roam freely outside, Pizano said cities need to focus on trap/neuter/release programs rather than sheltering free-roaming cats.

“We’ve always told the public, if you see an outside cat, they must be lost. Take them to the shelter. Now we know differently. Most people leave their cats outside, and they’re not lost. They’re healthy. So we need to sterilize them and put them back,” Pizano said.

Such measures free up critical shelter space and, thus, lowers the euthanasia rate since most animals are killed to make space. Pugh said she does plan to get a trap/neuter/release program going by the first quarter of next year, but she’s currently trying to fill a few vacancies in the shelter clinic.

Another suggestion from Target Zero deals with targeted spay/neuter programs. Memphis already has a law requiring pet owners to spay or neuter their pets, but because the procedure has a price tag, many in low-income communities simply cannot afford to get their animals fixed.

“We need to convince our elected officials to subsidize spay/neuter for fixed-income pet owners who qualify because there is a direct link between doing that and decreasing shelter intake,” Pizano said.

Other ideas Target Zero will be pushing here include encouraging more people to foster pets and hosting more off-site adoption events.

After the town hall meeting on October 10th, the group will give Pugh a written assessment, and if Pugh expresses an interest in Memphis becoming a Target Zero Fellow City, they’ll form an official partnership and begin work to lower the euthanasia rate within three years. Other Fellow Cities include Nashville, Baton Rouge, Cincinnati, and Pensacola, Florida, among others.

It Takes a Village

Pugh knows that she cannot save the shelter by herself. She said it will take a serious effort by everyone in the animal welfare community — a passionate group that doesn’t always agree or get along.

“It’s going to take some sort of harmony, some sort of agreement to better segment their work. I’ve heard stories where this person wants to pull this dog [from the shelter], and this other person also wants to pull that dog, and they’re mad because each wanted that dog first,” Pugh said. “I’m thinking, we have many other dogs for you to choose from. Please don’t fight over this one dog.”

Many in the local animal welfare community quickly grew impatient when Pugh didn’t turn the shelter around overnight, but, she said, in order for Target Zero’s work to succeed in Memphis, the entire community will have to come together and help out.

“There are some people who feel like Alexis isn’t getting enough good stuff done fast enough, but I believe most of those people are pleased that the city is partnering with Target Zero,” Cox said. “I don’t see how anyone can criticize that.”

Sanders agrees: “I hope everyone comes to this meeting [on October 10th] with an open mind and is willing to listen to what is said. MAS has been broken for 80 years, and Alexis has been here about 80 days. A system that’s been broken for 80 years isn’t going to be turned around in 80 days, and I hope the animal community takes that into consideration.”

Pizano said in-fighting in animal rescue communities is common all over the U.S., and Target Zero has had success in what she calls “broken communities.”

“What we tell people is we know the power of collaboration. Jacksonville [Florida] was a broken community saving 30 percent of their animals, and three organizations came together and said ‘Let’s leave this bad blood at the door and capitalize on our strengths together.’ The only reason they’ve been in the 90 percent save rate for several years now is that collaboration,” Pizano said. “They checked the drama and the history at the door. Everybody needs to check their egos at the door and say, ‘We’re here to save the animals, so let’s figure this out together.'”

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News The Fly-By

Tale of Two Plans

Earlier this month, city officials unveiled a massive plan to revitalize downtown’s promenade with a music venue, an outdoor cafe, art installations, pop-up retail, and more. The city’s plan for Memphis Fourth Bluff looks incredibly similar to John Kirkscey’s Memphis Art Park plan, which he began developing nine years ago.

Kirkscey, the “idea guy” and developer behind Memphis Art Park, said he feels like he’s been “completely excluded” from the city’s discussions on redeveloping and activating the promenade space, which includes Memphis Park, the Cossitt Library, and Mississippi River Park. Kirkscey said he’s pitched his plan to city officials over the years, both to former Mayor A C Wharton’s administration and to current chief operating officer Doug McGowan.

“I’ve been pitching to these people, and I haven’t been considered in this process. I’m sure my business plan was considered, but as an individual, I haven’t been,” Kirkscey said. “Their plan is saying the same thing I’m saying — that arts and culture should be at the heart of the promenade, and we could have art galleries and performance spaces. Their plan isn’t as developed as mine, but it’s all about arts and culture.”

Rendering of Kirkscey’s Art Park

The city was awarded a $5 million grant from the JPB Foundation, John S. and James L. Knight Foundation, the Kresge Foundation, and the Rockefeller Foundation, and that will be matched by public and private donations. The Fourth Bluff project will activate the promenade spaces — Cossitt Library, Memphis Park, and Mississippi River Park —over the next three years.

Similarly, Kirkscey’s plan proposes new uses for the Cossitt Library and Memphis Park, as well as the Front Street fire station.

“The founders of the city bequeathed the promenade land over to the city, and it was put aside for public use. While the city may have been honoring the letter of it, it certainly hasn’t been honoring the spirit of it,” Kirkscey said.

Under Kirkscey’s plan, which was designed by Mario Walker of Self+Tucker Architects, the Cossitt Library would house a music/dance/performing arts center and a cinema and black-box theater. It would remain a library as well, but Kirkscey envisions it as a digital library. Under the city’s Fourth Bluff plan, the Cossitt would remain a library but would have more arts and culture programming, a music library, an indoor bar, and an outdoor café.

Kirkscey envisions Memphis Park would feature an outdoor café, an outdoor performance space, and an artist market. The city’s plan also features a plan for live music, as well as a beer garden, revolving food trucks, and LED light installations.

The city plan doesn’t include the Front Street fire station, but Kirkscey’s plan would convert the station into an art resource center and gallery.

Kirkscey said his plan would cost about $25 million, but he says he has a fund-raising plan in place.

“We wouldn’t be looking for city money, but we envision a public-private partnership,” he said. “The Riverfront Development Corp. could continue to maintain the grounds and pay utilities, and they could lease the buildings to a nonprofit for $1 a year.”

Kirkscey said he hasn’t given up hope yet and will meet with McGowan, who did not respond to requests for comment on why Kirkscey was left out of the process.

“I want to know if there will be a public process. Will there be a request for proposals? Can I submit my plan to be considered?” Kirkscey said. “This has been nine years in the making by a local creative. The city has this whole mantra about supporting the creative class.”

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News News Blog

Memphis Planned Parenthood Plans to Build New Health Center

Gloria Steinem at the PPGMR James Awards

Planned Parenthood Greater Memphis Region (PPGMR) plans to expand and enhance its patient services by building a second health center to complement its existing center on Poplar in Midtown, and it’s launched a massive fund-raising campaign to pay for it and other expanded services and education efforts. Those plans were announced on Thursday night at PPGMR’s 75th anniversary gala and James Award celebration at the Hilton Memphis.

The Now Campaign, which is intended to fund the local organization for at least the next 75 years, has a goal of $12 million, but so far, $10 million has already been raised. Of that, $4.5 million will go toward the second facility. Its location has not yet been revealed.

Another $750,000 from that $12 million total will be spent on education and outreach efforts, and the same amount will be set aside for advocacy work to ensure access to reproductive health services. The remaining $6 million will be set aside as an endowment for the future of PPGMR.

“While Planned Parenthood has evolved in amazing ways over the last 75 years, our core mission – providing care no matter what – has remained constant,” says Ashley Coffield, President and CEO of PPGMR. “The idea of providing compassionate, quality care in some ways remains as controversial today as it did 75 years ago. Even as we celebrate this milestone, we know that there are many in this community who would seek to eliminate our funding, terrorize our patients, and attack our facilities. The Now Campaign is about committing ourselves to building a fearless, empowered community of advocates and healthcare practitioners for the next 75 years. A new era of Planned Parenthood in Memphis begins now.”

Before the campaign was announced, feminist icon/author/lecturer/journalist Gloria Steinem gave the keynote address. She talked about intersectionality between feminism and anti-racism and the connection between global warming and reproductive rights.

“Forced childbirth is the single biggest cause of global warming,” Steinem said.

She also posed a question to the audience that brought plenty of applause and vocal praise: “Why is it that the same people who are against birth control and abortion are also against sex between two women or two men?” The answer, she said, is that those people “are against any sex that cannot end in reproduction.”

The recipient of this year’s James Award was State Representative Johnnie Turner, who has served on the PPGMR board of directors. Turner made a plea to the audience to vote for a presidential candidate that will assign a new Supreme Court justice that will be supportive of Roe V. Wade. She also asked the crowd to help elect local leaders who support reproductive rights for women.

“I need your help. Some someone to the Tennessee House to help me,” Turner said.

The Judy Scharff Lifetime Achievement Award went to Eddie Kaplan, an attorney who joined the PPGMR board in the 1960s and served two terms as president of the board in the 1970s.

The 2016 Volunteer of the Year awards went to PPGMR volunteers Rachel Ankney and Tamara Hendrix, and the Young Volunteer of the Year awards went to Norma Goodman-Bryan, Hannah Piecuch, Emma Wagner, and Annie Vento, the founders of PPGMR’s first community action team.

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News The Fly-By

Q&A with Scott Schoefernacker

A proposal by the Tennessee Valley Authority (TVA) to drill five wells into the Memphis Sand aquifer — the source of the region’s famously clean drinking water — and siphon up to 3.5 million gallons of water per day to cool its new, under-construction gas plant has been making waves among environmental activists and members of city and county government.

Just last week, a Shelby County Commission committee discussed the formation of a task force to study county regulations for well-drilling, and County Commissioner Steve Basar asked the Shelby County Health Department not to approve two of the TVA’s five drilling permits without the commission’s permission (the department has already approved permits for three wells).

The issue has led to a discussion about the health of the Memphis Sand aquifer. At a Sierra Club-hosted panel on the issue last month, Memphis, Light, Gas & Water (MLGW) president Jerry Collins said the aquifer is actually in better shape than it was 16 years ago when the average amount of water pumped from the aquifer daily was 159 million gallons. Last year, 126 million gallons per day were pumped.

The University of Memphis Center for Applied Earth Science and Engineering Research (CAESER) studies the aquifer, and program manager Scott Schoefernacker took a few minutes to discuss what makes the Memphis Sand so special and just how much water it holds. — Bianca Phillips

U of M’s Scott Schoefernacker

Flyer: Do we get all of our drinking water from the Memphis Sand?

Scott Schoefernacker: Mainly from the Memphis Sand but also from the Fort Pillow aquifer, which is below the Memphis Sand. Everybody in the area gets their water from either one of those.

What makes our aquifer so special?

It’s part of a large aquifer system that extends from Southern Illinois all the way down to Louisiana. There are six aquifers within that system. The Memphis Sand is the largest one. It’s anywhere from 600 to 900 feet thick. It’s a large body of sand, and it’s full of water. There are some clay layers in there, but for the most part, it’s mainly sand, and that’s fairly unique.

[MLGW does very] little processing to the water. They aerate it to put oxygen in it. They throw in chlorine and phosphate and fluoride. It comes out from the ground, and they do that quick process, and it goes straight to the tap. It’s cheap. We have some of the lowest water rates in the country.

Is it really the cleanest drinking water in the country?

It is some of the cleanest since we don’t have to do much to it to take out contaminants. In some parts of the country, they have to process their water to get it up to standards to put out there. We’re lucky.

Why is there very little contamination?

The sand is like a big filter pack. Contaminants do get into the aquifer, but it’s so large and so vast, and there’s so much water, so it typically gets filtered out.

How much water is in the aquifer?

[CAESER] director Brian [Waldron] always throws out the number of 57 trillion gallons, give or take, underneath Shelby County. If you took all the water from underneath Shelby County and you flooded the entire county, it would basically go to the top of Clark Tower.

Is 3.5 million gallons of water a day a lot?

In my mind, it’s not that much water per day. The [United States Geological Survey] has said, if they pumped just the 3.5 million gallons a day, it would change the water level by seven feet [at the plant site and four feet at a radial distance of one mile]. Typically, we don’t have the issue of quantity. It always comes down to the issue of quality of water, and we have good quality water, so you want to preserve that quality.

How quickly does the Memphis Sand recharge?

There’s a study being done out at a research site at Pine Crest, just east of Moscow, Tenn. It’s not very well-known how fast it recharges, but we’re working on it.

Recharge comes from unconfined areas (meaning there’s no clay layer) of the Memphis Sand, and in our case, that’s Fayette County. That’s our recharge area.