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Theater Theater Feature

A Blurry Portrait

Memphis debuts on Broadway. On October 19th, Beale
Street intersected with Broadway in a manner that would permanently
short-circuit MapQuest and should make local tourism concerns happy.
That’s when Memphis, the musical, opened on New York’s Great
White Way.

A bold attempt to encompass the spirit of our fair city,
Memphis begins in the 1950s with the entrance of young, white
music enthusiast Huey Calhoun (Chad Kimball) into the blues nightclub
owned by Delray (J. Bernard Calloway) and featuring star performances
by Delray’s sister Felicia Farrell (Montego Glover). Huey is met with
immediate suspicion; he is white, after all, in a black club. But once
he proves his love of the underground music — as well as some
affection for the attractive Felicia — he is gradually accepted
among the patrons.

Illiterate, unable to hold down a job, and basically directionless,
Huey’s life takes off once he experiences true Memphis blues. He hops
from a job selling records at a department store to a gig as a DJ at a
local radio station once his bosses catch on that “race records” sell
like hotcakes. The world changes, as if overnight, when Huey starts
spinning the music of Delray’s club on the Memphis airwaves — as
punctuated by jazzed-up, white-bread bobbysoxers and lettermen letting
loose on the song “Everybody Wants To Be Black on a Saturday Night” and
an impressive, desegregated double-dutch jump-rope display.

Meanwhile, Huey and Felicia inch toward coupledom. Huey’s racist
mother breaks the only copy of Felicia’s single, but Huey assembles
Delray’s club musicians to accompany her live on the air. She’s an
immediate sensation and her newfound success seems to seal the deal
that Huey might be the man for her. Before long, she’s on the fast
track to a record deal in New York and Huey goes from radio DJ to TV
dance-show host. Egos collide, racism divides, and eventually Huey must
decide which is more important to him — Felicia or her music
— and whether he can ever leave his hometown, even if it means
superstardom in New York.

Like Memphis or loathe it (I’m talking city now, not musical), there
is an unmistakable flavor to it. Thus, any musical distillation of our
hometown would be hard-pressed to get all of the ingredients just
right. Bookwriter/lyricist Joe DiPietro (who wrote the delightful stage
confection I Love You, You’re Perfect, Now Change) and
music/lyrics writer and Bon Jovi keyboardist David Bryan have painted
Memphis using broad strokes — a blurry portrait that evokes but
does not specify contributions made by actual figures in actual places.
Dick Clark gets more mention in Memphis than Martin Luther King.
We hear of the Orpheum and Overton Park but get little sense of the
rest of Huey and Felicia’s world. The “when” and “where” of
Memphis look and feel like places the authors have heard a lot
about but never visited; the characters familiar but unmet.

And yet, as fantasy, Memphis works just fine. Kimball and
Glover are canny performers with the right balance of optimism and
Mid-Southern weariness. In fact, if there is a specifically Memphis
detail in the production, it is Kimball’s Huey. He’s odd, squirmy, and
funky but bewilderingly endearing in a manner still findable in
Memphis. Thrift-store clothes, a bit of a stink on him, an infectious
smile … you’ve seen a dozen of them. This doesn’t compensate for the
predictable romance or lack of real chemistry in what should be an
ultra-charged, forbidden interracial affair, but it helps.

Glover and Kimball are offered show-stoppers in “Colored Woman” and
“Memphis Lives in Me.” The tunes themselves aren’t memorable (this
music is for tapping your foot to, not humming along with), but they’re
performed with such verve that you won’t mind not recalling them
later.

Ultimately, Memphis succeeds as Broadway musical but not as
Beale. In New York, it looked great. (The audience rewarded the
hardworking performers with a much-deserved standing O.) But Memphians
might not recognize much. There’s a street authenticity to what you
find in the better Beale Street clubs or, say, Wild Bill’s on Vollintine that can’t exist in the scrubbed-down Shubert Theatre in
Manhattan. Memphis is all glitz and gloss, with razzle-dazzle
smiles. It flatters but along the way loses the very real struggles
that can’t be solved with production numbers.

The real Memphis is grime and grit — with a grin.

Categories
News The Fly-By

Sustainability Shop

justin fox burks

Dominique Pryor-Anderson

When Kermit the Frog first sang “(It’s Not Easy) Bein’ Green” in
1970, he wasn’t just pulling your (frog) leg.

Environmentalism was synonymous with hippies, and recycling was
viewed chiefly as a cost-saving rather than planet-saving measure.

Almost 40 years later and most people agree that humans do, in fact,
have a negative impact on the Earth. Al Gore isn’t president, but his
brand of green zeal has brought him a Grammy, an Emmy, an Oscar, and a
Nobel Peace Prize. In short, green is cool.

But where the will may be strong, the wherewithal may be weak. Where
to start? How does one make the jump from excessive consumer to
sustainable smart-shopper?

Thanks to Jill-of-all-trades Dominique Pryor-Anderson, Memphians now
have a service that makes it easy to be green.

If Pryor-Anderson’s name sounds familiar, it may be from one of her
other business ventures. A veritable small-business mogul, she is the
owner of Mas Dinero Taxes, president of Vida PR and Marketing Group,
and a Spanish-language coach for Memphis’ branch of The Language
Lab.

Her latest venture with husband Tim Anderson is Luxe Green Gifts and
Concierge. Luxe Green, which officially kicked off in July, is a
personal shopping service, with consultation and event-planning thrown
in.

An initial service from Luxe Green might include the “Painless
Pantry Makeover,” in which a representative replaces all the “bad” food
and products in your pantry with the good stuff. A nursery audit will
take stock of what products (clothes, toys, paints) your little ones
are exposed to, while an office audit will do the same in the
workplace. Personal shopping will set you back $45 per hour (minimum
two hours), while prices vary on other services.

Pryor-Anderson began down the road of eco-entrepreneurship with the
birth of her daughter, now almost two years old.

“We were looking at all the baby food, and it was so gross,” she
grimaces. “So we decided to go organic. I thought about starting a baby
food company, but I had to stop myself.”

One thing she’s learned — and now teaches — is that you
don’t have to break the bank to shop and live sustainably. Many
lifestyle changes involve substituting one kind of item for another
that can save money in the long run (incandescent fluorescent light
bulbs, treating your baby’s crib with tea tree oil instead of paint).
Retail stores also are making it easier and more fun to eco-bargain
hunt.

“I was in Target even, and they had $1 recycled school products,”
she says. “Folders made out of Frito bags, pencil bags made out of
Capri Sun pouches. Very neat!”

Categories
Food & Wine Food & Drink

Salad Days

Mom and Dad never told me where potato salad comes from. I just assumed that, like babies and Vlasic pickles, the stork was somehow responsible. But while touring St. Clair Foods with Brian Edmonds, the vice president of operations, I discover an awesome fact of life: The preferred item of my workplace lunches — Schnucks-brand mustard potato salad — is conceived right here in this nondescript warehouse on the Elvis side of town.

“We manufacture various food salads,” Edmonds tells me as we tour the factory’s departments. “Cole slaw, chicken salad, potato salad. We put together carrot sticks and celery sticks. And we make frozen foods, side dishes like chicken and dumplings and broccoli, rice, and cheese casserole.”

Some offerings end up in grocery stores; others are found on the menus of Memphis’ best-known restaurants.

St. Clair is a family affair, with Edmond’s sister, Lauren, serving as a product developer and father, Oscar H. Edmonds, as president and CEO. Edmonds the elder bought the company in 1976 and has since grown the business, which ships its products as far as Ohio, Texas, Florida, and the Carolinas.

“Dad was what you might call a ‘shade-tree mechanic’ of the food industry,” Edmonds says of his father’s earliest days in the condiment trenches of St. Clair. “Our business was built on the idea that the customer will buy quality. We use butter because we like butter. We use sugar when we like it better than corn syrup.”

I insist on seeing the potato-salad-making process, and Edmonds obliges. But first, I must suit up in white lab coat and hairnet.

The first step in the tater-salad process is the arrival of potatoes by the ton. An accumulator/conveyor belt picks up the potatoes from their Idaho-stamped cardboard bins and takes them to a giant pressure cooker, where the skins literally explode off of the potato. The spuds continue through steam and brush peeling, and then two nice ladies — Lan and Thu — cut out the visible flaws, work that Edmonds informs me will one day be done by infrared machines.

Humans replaced by robots? Edmonds assures me that other tasks will be found for Lan and Thu, who wave us away with a smile.

“In the early ’80s, we started working with Catholic Charities of Memphis toward employing refugees from Asian countries,” Edmonds tells me. “When they got here, one of the first jobs we had them do was put carrot sticks into bags. They’d work hard to stack them very neatly side by side and on top of each other, like bricks.

“One day my father tells them to stop it — that it’s a waste of time and that they should just dump them into a pile. Well, customers started calling and complaining because they wanted their bricks back!”

But back to that potato salad: Unflawed and cooked, the potatoes continue on to the coolest part: the cooling. “The cooking of the potato is nothing special,” Edmonds explains. “But the way we cool it is very interesting. We use a vacuum. You know how you blow on a Coke bottle — you hear that ‘whooo’ sound? We cool the potatoes like that, moving high-pressure steam over an opening in the container holding the potatoes. The steam moves so fast, it sucks the heat out. Like in space — the potato would freeze solid because of the vacuum in space.”

The potato pieces are then mixed in with the relish and salad dressing, and the process is repeated to the tune of 20 million pounds of potato salad annually. Another 10 to 20 million pounds of other St. Clair products also are made each year. Translation: 90 to 100 million servings for the consumer.

I ask what’s in store for St. Clair’s future.

“Steady, controlled growth,” Edmonds tells me. “If you do not grow, you die. But if you grow too fast, that can be just as dangerous.”

Categories
Food & Wine Food & Drink

The Tao of Tapas

The dictionary tells us that a safari is a journey for hunting, exploration, or investigation. Faatimah Muhammad hopes that her Safari, Memphis’ newest tapas bar on South Main, isn’t merely a journey but a destination.

Safari is spartan, moodily lit. A giant paneled portrait of Warren Beatty greets guests at the door, a gesture of the eclecticism throughout the restaurant in its atmosphere and its menu. The tapas hop hemispheres: Caribbean jerk chicken, Southern-fried chicken, Thai shrimp curry, and falafel with hummus. A number of wraps are available, including chicken shawarma and fried tilapia. Everything’s home-made, courtesy of Chef Alvin Duplantier.

The lunch menu shifts focus away from the tapas and toward the wraps, pita pizzas (including deluxe chicken and veggie), and smoothies such as the “Wake Me Up,” a mix of soymilk, bananas, ginseng, bee pollen, and honey.

And yet one of the most interesting and affecting ingredients found in Safari are those in its story — how it came to be and what Muhammad hopes that it can be for her community.

The safari that led her to her current vocation began in 1991 with the accidental death of her 4-year-old son, Jabril, and the end of her marriage shortly thereafter.

“Even though tragedy happens in your life, God has another plan,” Muhammad says. “And God doesn’t make mistakes. The legacy of Jabril was, ‘Out of one comes many.'”

In 1999, Muhammad earned a degree in psychology from Christian Brothers University with an emphasis in grief counseling. From there, she spent time as a funeral home owner and director before working as deputy director of the Memphis Urban Family Ministries, an outreach organization that helps people with drug or alcohol problems or HIV/AIDS get back on their feet and lead better lives.

“The lesson I had to learn from things crumbling around me was that no matter how bad things look, it can always be worse,” she says. “I pulled myself up from my bootstraps and devoted my life to service for my community and for those less fortunate than me.”

Consequently, a portion of Safari’s profits go to Urban Family Ministries. It’s a feat made easier by the support of Muhammad’s friends and family: son Siddiq is general manager; daughter-in-law Angela serves as sous chef; and grandson LaDarius is a server.

As Muhammad and I speak on this slow-moving Monday night, a customer wanders in to place a carry-out order. I overhear him extolling the virtues of Safari and his love of tapas, so I invite him to sit with us for a man-on-the-street perspective. A jovial gentleman in his early 60s clad in sandals and Hawaiian shirt, Carlos has nothing but wonderful things to say about the restaurant.

“I’ve lived across the street for 17 years, and this is my favorite restaurant in the area. Reminds me of New Orleans. Ha!” he exclaims. Carlos ends many sentences with a “ha!,” not a laugh but as happy punctuation. I ask what he does for a living. “I eat. I’m a plumbing contractor with a $1.8 million-a-year business, so all I do is eat. I try to eat healthy, which is why I like this place,” he says. “I don’t want to get any bigger. Ha!”

Carlos’ order arrives. “You don’t serve wine here, do you?” he asks. Muhammad tells him that Safari will have a liquor license soon. “No wine? Then I’ll have to hurry home! Ha!” He does but not before announcing, “Tapas is the answer to life and everything!”

Safari is open Monday through Saturday for lunch from 11 a.m. to 3 p.m. and for dinner from 5 to 11 p.m.

Safari, 414 S. Main (545-9000)

safaritapas.com

Categories
Food & Wine Food & Drink

Corn Dogs & Cakes

Theater, music, and the other arts, including the culinary, appeal to more than a single sense. Consider the importance of presentation in a fine restaurant. It cannot merely taste good. It must look good as well, for we taste not only with our tongue and nose but with our eyes and even our ears.

“The senses aren’t confined to the plate,” agrees Courtney Oliver, head of public relations at Playhouse on the Square. “It’s about lighting and color and space and what music is playing. It’s why the best servers are the invisible ones … so that the diner can concentrate on conversation and consumption without distraction.”

Oliver knows a bit about arranging food and drink in a theatrical setting. She is part of the team that works on Playhouse’s “First Sundays.” These events, on the first Sunday of a play’s production, celebrate the play in a unique way: using food to attract audiences. And the events can get pretty serious. Competition is fierce, for example, during the annual tuna casserole cook-off that accompanies Playhouse’s holiday tradition, A Tuna Christmas.

“For The Buddy Holly Story, we’re doing all-American food — apple pie, root-beer floats, hot dogs, and apple martinis,” Oliver says. “For The Light in the Piazza, we’ll do an Italian wine tasting and serve pizzas and bruschetta.”

Other local theaters also promote productions with creative uses of food. Theatre Memphis takes its opening-night receptions so seriously it’s planning for a wedding — well, the wedding cake anyway — for its August production of Oklahoma!. “And corn,” adds Kell Christie, TM’s artistic director. “There’s got to be corn.”

For TM’s upcoming production of Sweeney Todd: The Demon Barber of Fleet Street, a certain meat pie takes center stage. (Hint: The secret ingredient is people!) Christie is hesitant to serve anything resembling protagonist Mrs. Lovett’s vicious dish. “For our reception, I think we’ll be going in, oh, the other direction,” she says emphatically. “The anti-Sweeney Todd. Some nice fruit. Vegetables. Maybe we’ll even go vegan.

Germantown Community Theatre (of which, in the spirit of full disclosure, I serve as executive producer) has a similar ritual: tailgate parties, also on the first Sunday of a play’s opening weekend. Some tailgates are themed, as with last year’s Oktoberfest party for The Underpants (Steve Martin’s adaptation of a German play) and an Italian feast for Romeo and Juliet.

One unexpected consequence of the tailgate parties has been the emergence of theater supporters who come to shows only on those days. One regular can be relied upon to provide one of the area’s premier bread puddings, and about 10 theatergoers dress in the theme of the show, including a giant pair of underpants (fitting three of them together) for The Underpants. Also on the sweet side, GCT serves ice cream at intermission after yours truly saw Judi Dench in Hay Fever in London. To my surprise, ice cream is a staple of the West End theater scene. While Londoners prefer Godiva, we go with Ben & Jerry’s.

While the food served in conjunction with a show can enhance the theater experience, food on stage isn’t always so inviting. Local actor Bonnie Kourvelas recounts a Germantown production of Dearly Departed in which the character of Delightful consumes corn dogs. “Sooner or later, there would be a slip-up,” Kourvelas recalls. “The corn dog wouldn’t be cooked all the way through and would be semi-frozen in the center. The poor actress playing Delightful would have to gag it down anyway.”

Actor Leah Bray Nichols laments her own past experience as a consumables wrangler. “I was a human garbage disposal,” she confesses of her duties behind the scenes of Playhouse’s Having Our Say, in which the illusion of a working sink was accomplished using a spout that emptied into buckets in a basement green room. “Each morning following a night show, my job was to dump the old water and food and clean out the buckets for that evening’s performance. Mmmmmm … live theater is so glamorous.”

Glamour is sure to be in abundant supply at this year’s Ostrander awards ceremony, where a fantastic edible spread will hopefully lack the one ingredient that can spoil any meal: drama.

The Ostranders, Sunday, August 24th,
at the Memphis Botanic Garden. Cocktail reception: 6-7:30 p.m.; awards ceremony: 7:30 p.m. Tickets: $5.

Categories
Food & Wine Food & Drink

Jimmy & the Hawk

Fred “Jimmy” O’Connor may be a homegrown Tennessean, but the briefest of chats reveals him to be a Chicago boy through and through. When I join him at his Bartlett eatery, the self-monikered Jimmy’s, he wears the requisite White Sox T-shirt and points to his walls, which are covered in Chicago newspapers detailing important historical moments and general Chicagoland nostalgia.

O’Connor and I talk. I eat (profusely). My friend Julia takes pictures. Midway through our conversation, Jimmy, a stoic fiftysomething you’d want around if you were lost in a bad neighborhood, leans in and speaks in a lowered voice. Think Jaws and Robert Shaw’s terrifying speech as Quint, the salty and world-weary sailor, detailing in horrifying calm the 1943 shark massacre of the crew of the USS Indianapolis. Remember it? Jimmy speaks in that tone now as he tells me about a likewise fearsome creature: “The Hawk.”

I went to Jimmy’s seeking authentic Chicago-style stuffed-crust pizza, as well as some insight into what makes it different from, say, Little Caesar’s or Domino’s. For O’Connor, who lived in Chicago for years, the difference lies in that city’s very famous wind. “You need to eat something substantial in Chicago,” he says with his eyes narrowed and his voice lowered to just the right intimidating, Quint-from-Jaws level. “They have the wind coming in off the lake. They call it the Hawk, ’cause it flies in off the lake and cuts you in half!

Chicago-style pizza isn’t restricted to the stuffed variety. There’s regular deep-dish as well as thin-crust. But there’s something special about the ooey, gooey, cheesy magnificence of the thicker, denser, weightier stuffed crust. It’s made much like regular Chi-town pizza, baked in a deep pan with the crust pulled up the sides to form a bowl. But the toppings are encased in yet another layer of dough, then sauce is added on top. Inside: unholy amounts of cheese (typically, at least a pound) and whatever else can be jammed in. O’Connor’s take on this combination is like a dough cauldron filled with ingredients — kind of crunchy outside with a soft center.

“You shoulda been there in 1982, when the wind chill was 81 below zero,” O’Connor continues, further illustrating the powers of the Hawk. “Now, that was cold!”

I register this anecdote alongside my father’s tales of walking five miles to school every day through the snow — that is, until I research the winter of 1982 when, by God, the wind-chill factor did reach 81 below zero in Chicago with a real temperature of minus 26. Sounds like a job for a pound of cheese if ever there was one.

Pizza done Chicago-style

There’s more to Jimmy’s than pizza. They’ve got bona-fide Chicago-style hot dogs, including the Chicago Fire Dog (hot!), the Belushi Dog (sour cream, onions, cheese, tomato slice, and taco sauce), the Ditka Dog (a Germanic affair with sauerkraut and Giardinaire peppers), and Dogzilla (an intimidating 13.5 inches of Vienna beef). The menu also includes some indigenous trivia, such as Chicago’s prohibition of flying kites and men fishing in their pajamas. Jimmy’s own rule for hot dogs: no ketchup!

I look about the restaurant — imbued with the charm and atmosphere of every hot-dog joint I ate in while living in Chicago myself (where I experienced plenty of cold but didn’t know to credit the Hawk). Near the counter there’s a “Morons Stand Here!” sign hanging from the ceiling, and, sure enough, a customer is standing underneath it.

“These people!” O’Connor exclaims. “They hang around, standing in the way, staring at us while we make their food. So I put up the sign, ’cause that’s where the morons end up standing.”

You won’t find much in the way of pleasantries at Jimmy’s. That wouldn’t be very Chicago-style. “I’m not gonna oogle over customers,” O’Connor admits. “They come in, they order, they sit down, they eat, then they get the hell out!” And he means it. But what Jimmy’s lacks in niceties, it is abundant in authenticity. It looks like, feels like, and (listening closely to O’Connor’s distinctive Toddlin’ Town accent) sounds like Chicago.

“When you walk through that door, you’re not in Tennessee anymore,” he cautions. “You’re on the South Side of Chicago.”

Categories
Food & Wine Food & Drink

Who’s For Dinner?

Interested in being on a first-name basis with your dinner? Look no further than the M4-D Ranch in the Oakland area, just outside Memphis via Highway 64.

M4-D owners David and Paulette Mastin think it’s important to get at least a little personal with their beef. “All our cows have names,” David tells me as he opens the gates to let the cattle feed. “We don’t want to treat them like commodities.”

An afternoon at the M4-D demonstrates that these cows are more than just a product. Even “cow depression” is a concern here. “We keep the cows with their calves as long as possible,” David says. “Cows get depressed when you take their calves away. You can see a difference. They don’t eat or move as much.”

Happier cows make for healthier cows, which, in turn, make for tastier beef, according to David. Taste is also affected by diet. The residents of the M4-D enjoy healthier meals than do their commercially processed counterparts: nutritious grasses and hay.

A visit to the M4-D website explains the difference between grain and grass diets for cattle and what it means for the consumer. Grass-fed beef tends to be less fatty and is richer in Omega-3.

“And there’s a secret ingredient,” David adds of the cows’ diet: flax seed. The benefits of flax seed for the consumer are no secret, though. It lowers bad cholesterol, harmful blood triglycerides, and blood pressure.

Also, the cattle here have plenty of room to move. Unlike commercial herds that live in cramped feedlots (which also produce environmentally toxic runoff), these cattle roam freely on an 80-acre farm.

Every element of a visit to the ranch is a reminder of two things: The Mastins’ treatment of their cattle is filled with TLC (tender loving care … not some dastardly chemical) and their operation is a family affair.

David handles most of the farm work, while Paulette covers marketing (though word of mouth has kept business moving swiftly with very little advertising), correspondence, scheduling, and deliveries. There is also a ranch manager, the mysterious Mr. Scrap, described by Paulette as a “cow whisperer.”

Courtesy M4-D Ranch

Happier Cows make for healthier cows, according to rancher David Mastin.

David and Paulette have three daughters, Rebekah, Morgan, and Kelsie, who range in age from 2 to 9. The girls are home-schooled. The running of the ranch is used as an educational opportunity, with each of the girls owning at least one cow.

Eldest daughter Kelsie, who was away during my visit, helps with deliveries and can advise on the best way to cook the different cuts of beef. Youngest daughter Rebekah is a bit too young to participate in the interview, but middle daughter Morgan, an aspiring photographer as well as beef magnate, is eager to get the message out about the M4-D. She takes me by the hand to show me her own investments.

“My baby cows are Scooter and Teddy Bear,” she tells me as we traverse the field. “The first Teddy Bear died, so Dad got me a new Teddy Bear.”

I ask David and Paulette if there’s a problem with the girls growing attached to the cows, since they place such an emphasis on naming and personalizing them. “Oh, yes, they get attached,” Paulette tells me. “But they handle it. They love the cows, but they’ll also ask, ‘Who’s for dinner tonight?'”

The Mastins sell privately — mostly to families with health and environmental concerns similar to theirs.

“We wanted to make sure we were eating the best possible food,” Paulette says. “You can’t do that if you don’t know where it’s coming from.” So they started raising their own cattle as healthfully as possible. “Pretty soon friends and family wanted the kind of beef we were eating, and so we grew. Our business has been growing ever since.”

Come fall, lamb will be available at the M4-D, and this summer will mark the Mastins’ first foray into pigs, which will be similarly spoiled with the healthiest possible diet.

Oh, and what does “M4-D” mean? Meat-4-Dinner.
For more information on the M4-D Ranch, go to
m4d-ranch.com.

Categories
Food & Wine Food & Drink

The Right Direction

I was smart to take a Millington native to help navigate my way to nearby Covington, Tennessee, but not smart enough to print accurate MapQuest directions. So we stop at a Walgreens to find my objet de quest: Marlo’s Down Under.

“You should have turned at the ‘plane on a stick,'” says the woman behind us in line. “Wait for me to check out, and I’ll take you there and get a drink.”

This pleasant, fortysomething lady was as eager to help as she was not to be named in an article. So henceforth, I will call her “Beth.”

Beth takes us to an adorable town square and to a cozy basement hotspot under Le Chic Boutique and a bead store called Jezebel’s. Beth is full of enthusiasm for Marlo’s, and she stays with us through the arrival of dessert.

“If you want to have good, fine dining and atmosphere, it’s Marlo’s all the way,” she extols as our appetizer of hand-cut, fried potato crisps and hot, creamy crab dip arrives. “The closest thing to fine dining in Covington is Country Kitchen, and you know Country Kitchen,” she says this knowingly, though — in faith — I myself do not know Country Kitchen.

I think of a Humphrey Bogart line as I look around Marlo’s: “What’s a nice-looking restaurant like you doing in a town like this?” Not that Covington is without its charm, but it is a small town with a small-town feel. When pressed to name something to do, Beth struggles. “Well, there’s Sons of the Confederacy meetings,” she offers. As I’m thinking of Bogart, a sax cover of “As Time Goes By” wafts through the establishment, and I feel very, very cool.

Our salad is a very pretty spray of spinach and strawberries, topped with balsamic vinaigrette and a touch of fresh pepper. The entrée, and also Marlo’s specialty, is the Parmesan-crusted sea bass with Roma tomato pesto served over risotto. This is the nicest meal I’ve had while on assignment, and so in my khakis and jersey I feel underdressed. But as I look around I see suits and ties and T-shirts and jeans. Beth is dressed as casually as I am and notes, “I’m not dressed for Marlo’s tonight, but that’s okay. They don’t care anything about that.”

Courtesy of Marlo’s Down Under

Marlo’s

Chef and owner Nick Scott joins us to describe the décor. Ambient track lighting and candle sconces discreetly warm the establishment, while low ceilings (the building’s original wood beams) keep things cozy without feeling small. You can even see nails sticking down, which, coupled with the prevalence of exposed brick makes the place look even more “rustic-swank.” Scott points out the expanse of diamond-patterned stained glass behind the bar, which he proudly procured from Memphis’ Platinum Plus. “So you were in a strip club scouting out stained glass?” I ask. He replies, “Yeah.”

The bar is the warm and welcoming centerpiece of Marlo’s. Aside from its storied stained glass, the bar itself is the original grocer’s counter from more than a century ago, restored and elevated. Karenza King is the spritely bartender who gives me the skinny on the drink specialty: the Café Lenagar. “What makes it ‘Lenagar’?” I ask. King points to the female half of a distinguished-looking couple at a table adjoining the bar and whispers, “That’s her over there. They’re some of our best customers.” I didn’t get to meet Ms. Lenagar, but I did make the acquaintance of her namesake drink — a mix of Dakota-blend coffee, Frangelico, and whipped cream.

Marlo’s brims with history. The building has been, over time, a grocery store, a cotton firm, dental and law offices, a Rent-A-Center, and, as Scott puts it, “a disco-era clothing store.” And there’s a sense that it’s making history even now by bringing some upscale chic to the quaintness of downtown Covington. And while it is gaining ground as a Covington-area mainstay, Marlo’s draws more customers from outside the city than in. Scott, previously of Memphis’ University Club, says, “I’ve been to a lot of nice restaurants. This is my vision of all of them combined.”

On our way out, we learn that there are actually plenty of things to do in Covington. Summers offer weekend town-square concerts, and the nearby Ruffin Theater brings in local and regional music acts and houses a community theater. Cute shops adorn the square.

As we head back for Memphis, we pass the “plane on a stick” — a fighter jet on a pedestal at the corner of Pleasant Avenue and Highway 51. It’s hidden from view on the way into Covington but unmistakable on the way out. Just like Marlo’s.

Next stop: Country Kitchen.

Categories
Food & Wine Food & Drink

Dynamic Duo

Chicken and waffles. Say it. Okay, so it doesn’t flow from the tongue as trippingly as other dynamic duos like Batman and Robin or chocolate and peanut butter. But the two unlikely items have lots of fans and share a history featuring a cast of characters as diverse as Thomas Jefferson, Gladys Knight, and two Southern ladies named Alcenia.

Jefferson, it turns out, brought the waffle iron back from France, and documented cases of chicken and waffles in America appear shortly after. In the days after slavery, chicken and waffles were served on special occasions. Poultry was rare, and the poor, unable to afford a waffle iron, tended to eat pancakes. The dish entered the mainstream at Harlem’s Wells Supper Club in the late 1930s, where it was served to late-performing musicians who missed dinner and weren’t ready for breakfast.

Herb Hudson later took the idea to Hollywood, where he opened Roscoe’s House of Chicken ‘n’ Waffles in 1976. The Wells Supper Club closed in 1999, but Roscoe’s is still open with five locations.

Gladys Knight (sans Pips) kept the musical connection alive in 1997 by starting the modest franchise Gladys Knight and Ron Winans’ Chicken and Waffles, which you can enjoy for yourself by taking a midnight train to Georgia (Lithonia and Atlanta locations, as well as Washington, D.C.). In fact, the main attraction, four Southern-fried jumbo wings atop a waffle, is called the “Midnight Train.” Woo woo!

Memphis diners, do not despair. There are two chicken and waffles hotspots in our very own downtown. (A third, chicken-and-waffle purveyor, Onix, located at 412 S. Main, opened after this story’s deadline.)

Miss Polly’s Soul City Café, open since last March, follows the Wells tradition of catering to late-night musicians and Beale Street hangover-ers. Owner Ty Agee, a jovial Hardeman County cattle rancher, notes the décor with glee: The tables are hand-painted tributes to famous Beale musicians (like B.B. King and an unlikely reunion of Ike and Tina Turner on the same table), while a giant plush rooster — Polly — greets incoming guests.

“Come in 7 to 9 a.m.,” manager Sarah Hutchinson advises. “That’s when you hear the best stories over Bloody Marys.”

Sarah and Grace are a mother/daughter serving team. “All the guys on the street come by for Grace,” Sarah notes. “Good thing you’re here to keep an eye,” I reply. “Oh, I’ll cut them,” she offers back. “And they know it.” She smiles but is dead serious.

Justin Fox Burks

Sarah and Grace at Miss Polly’s

The dish arrives: a fried leg and thigh, with eggs and waffle to the side. The chicken flirts on the spicy side, while the perfectly round waffle is heaped with a golf ball serving of butter.

“A year ago, I weighed 278 pounds,” Agee says of his relationship with the meal as I stuff my face. “I’m down to 222 now, so I don’t have them as much as I’d like, but they’re delicious.”

A few blocks to the north, chicken and waffles can be found at Alcenia’s Desserts and Preserves. An unpretentious yet whimsically eclectic café awaits the customer here as does a hug, which I received from owner B.J. Chester-Tamayo.

The menu is all soul, including fried cucumbers, sweet-potato fries, and Ghetto-Aid (billed ominously as “very sweet Kool-Aid”). Saturdays feature a $10 brunch with a choice between, among other items, salmon croquettes and, yes, chicken and waffles. I was given my choice of a thigh and leg, and two sides — for me, grits and fried green tomatoes. The latter were sliced thin and as sweet as they were sour.

Alcenia’s is a real treat, not just for the tasty brunch but for the homey atmosphere and proprietor Chester-Tamayo’s good company. She sat down with me for a lovely 45-minute chat about the challenges of small-business ownership, her mother Alcenia’s great recipes, which she uses in her own cooking, and her beloved baby granddaughter — also Alcenia. This place feels like a family kitchen.

Chester-Tamayo points out Alcenia’s motto: “Feeding the heart, the head, and the stomach!” And as she explains: “If I feed your heart and your head, your stomach will be okay.”

Miss Polly’s Soul Food Café, 154 Beale (527-9060)

Alcenia’s Desserts and Preserves, 317 N. Main
(523-0200)

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Food & Wine Food & Drink

Good Old Time

Behind the counter of an old-timey general store just 20 minutes from downtown Memphis is a magic grill. It’s magic because, along with a small deep fryer, it generates $200,000 a year in revenue, according to the store’s owners. Legend has it (and legends float about this place like two-day-old Mylar balloons) that it’s been cooking steaks and burgers since World War II. “Sixty years of flavor,” the owner says to describe the grill’s magical powers. Or maybe not quite 60. There’s no telling.

I had come to the Shelby Forest General Store on Steak Night and left stuffed with steak, chocolate silk pie, and a dozen or so country-fried stories.

The Shelby Forest General Store is either Memphis’ best- or its worst-kept secret. There’s no Web site and no advertising, aside from a few billboards in the Millington area, and yet everyone seems to know about it.

In the mere five years that Doug Ammons and wife Kristin have owned the store, business has doubled, with 40 percent of the revenue straight off the grill. The rest comes from the myriad goods and services one can find in the crannies of the country cabin shop that Doug calls “Walton’s Mountain with a lot of Mayberry rolled in.” There’s bait (worms, minnows, crickets), soft drinks, a deli, hunting and fishing licenses, and even used books and movies for sale (with titles ranging from Dan Quayle’s memoir Standing Firm to the film The Making of “Left Behind”).

Doug is quick to note that his store is meant to embody and celebrate the past while offering modern amenities. There’s a mock-historical marker in front of the store describing the 2003 renovation: “gentle restoration (NOT modernization) … a dignified genuine piece of Americana from a day long gone by.” The décor is decidedly rustic, featuring the store’s original hardwood flooring, various wood panelings and pegboard, and an eclectic mix of pop and kitsch. There’s even a rooster named Jeter Jiffy on the porch to greet guests. It feels like a hoedown could break out at any moment. And every Friday night from 6 to 9 p.m., one does.

Tony Butler is the house banjoist, and there’s no telling who else is on tap on a given night. The evening I stopped by, Butler was joined by a guitarist and later by a fiddler, and the repertoire alternated between hymns and mountain ditties.

I sat at the counter next to a reserved-looking middle-aged gentleman. He introduced himself as a worker at the Wonder Bread company (his specialty: buns), and in between bites of his steak dinner, he played “air banjo” along with the trio and tapped his feet mightily, unwittingly adding percussion to the mix.

“Do you play yourself?” I asked. “Oh no,” he replied, bashfully. “I just love it.”

Looking about, the sentiment seemed unanimous. Couples with young children smiled, while a pair of older ladies sang along quietly at the counter: “I’ll fly away, oh Lord — I’ll fly away!”

Dinner, a modest $9.95 with Texas toast and coleslaw, is tasty. The steak is a 10-ounce rib-eye, with a mildly sweet marinade whose secret ingredient only Kristin knows.  And each and every steak the store has served in the last five years (7,000 and counting) has been cooked by Little Bit, the 18-year-old feisty redhead behind the counter. “You don’t want to piss her off,” Doug warns of the smiling cook.

Dinner is a family affair, with Kristin behind the counter preparing plates and young daughters Katelyn and Ellery serving cheerfully.  

Leaving the Shelby Forest General Store, I’m reminded of the old Teddy Bears song, “To Know Him Is To Love Him,” but in reverse. To love the Shelby County General Store is to know it.

I left humming familiar tunes, got to know the Ammons family a good deal on my brief visit, and had the warm-and-fuzzy feeling that comes with a home-cooked meal.
The Shelby Forest General Store, 7729 Benjestown,
Millington (876-5770)