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Film Features Film/TV

Music Video Monday: “See Her Again” by Jeff Hulett & the Hand Me Downs

Memphis’ own Jeff Hulett has been busy.

Snowglobe, the long-running musical collective of which he is a member, just released two new albums, The Climb and The Fall. His solo project, the Hand Me Downs, is prepping for their own record release party at The Green Room this Thursday, April 25.

Playing with Hulett in the Hand Me Downs are Leh Sammons, Ben Church, and Jonathan Schallert, and Jacob Church, who also engineered the new album Little Windows. The video for the first single, “See Her Again” was directed by Nicki Storey. It’s simple and sweet and, like the song, sincere. Take a listen.

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

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Film Features Film/TV

Now Playing in Memphis: Vampires, Sasquatches, and Monkey Man

We have four theatrical premieres and a space-tastic IMAX offering in Memphis movie theaters this week.

Abigail

14-year-old Alisha Wier stars as the daughter of a gangster who is kidnapped by a group of criminals looking to ransom her for $50 million. But our anti-heroes are in for a rude shock, when they discover Abigail is a vampire. She’s not trapped in here with them, they’re trapped in here with her. 

Sasquatch Sunset 

 Graceland owner Riley Keough and Jesse Eisenberg star as a pair of sasquatch mates trying to make it in work in this crazy world. Kumiko The Treasure Hunter’s David and Nathan Zellner direct this mostly wordless comedy about love and our relationship with nature.

The Ministry of Ungentlemanly Warfare

Action-comedy maestro Guy Ritchie returns with this semi-comedy about the Special Operations Executive, a rogue British unit in World War II who pioneered the art of sabotage. Henry Cavill stars as a Gus March-Phillipps, who sets out to find a German submarine base, and steal some cargo ships while they’re at it. 

Deep Sky

See the latest scientific discoveries from the James Webb Space Telescope in stunning IMAX. This short (40 minutes) cosmic documentary will leave you speechless. 

Spy x Family: Code White

The undercover anime family goes on a road trip that unexpectedly holds the fate of the world.

Monkey Man

Don’t sleep on Dev Patel’s supremely stylish beat-‘em-up. Patel directs and stars as The Kid, a down-on-his-luck dishwasher at a swanky New Dehli nightclub who is secretly an assassin out for revenge against the politicians and priests who destroyed his community. If you’d like to see the ruling class of India get its collective ass kicked, this is the film for you.  

Ennio

On Thursday, April 25, Crosstown Arts presents Ennio, a documentary retrospective on the career of one of the greatest film scorers ever, Ennio Morricone.

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Cover Feature News

The Fight for the Wetlands

Huge cypress trees rise from placid waters of the Wolf River, moss clinging to their trunks. This land where the Wolf’s channels widen and the flow slows in Fayette County is called the Ghost River. It is one of West Tennessee’s most beautiful natural wonders.

Jim Gafford knows the magic of the Ghost River. As recreation coordinator for the Wolf River Conservancy (WRC), he leads paddling trips on the first Saturday of every month along different sections of the 100-mile-long Wolf. “The water is a natural element to everybody. If you get on the water, it supports you, it relaxes you, it has a calming effect on you,” he says.

Jim Gafford (Photo: Courtesy Wolf River Conservancy)

Nowadays, the Ghost River is a Class I Scenic-Recreational State Natural Area. But it wasn’t always like that. It’s hard to believe that, as recently as 1995, the ancient wetland was almost destroyed. “The Conservancy was founded in ’86,” Gafford says. “In the mid-’90s, we found out that Peter Beasley had sold the Beasley Plantation to a development company. The development company actually published plans to go in and harvest all of the cypress and all the usable timber in the bottom land, and then sell off the land into what they called ‘farms’ — they were just narrow strips of land with river access that would have no restrictive covenants at all. So people could have purchased the land and done what they wanted to with it and just have a little access to the river. Our first conservation effort was to save that 4,000 acres from development. Fortunately, we were able to, and we’re still using it now. It’ll be here for thousands of years and allowed to evolve naturally.”

After that first victory almost 30 years ago, the WRC has continued their mission of protecting the waters of the Wolf and making sure they’re available to everyone. But not all wetlands have the Ghost River’s rizz. Most of Tennessee’s approximately 787,0000 acres of wetlands are swamps, bayous, and muddy creek beds, tucked away in neglected corners of farms or undeveloped land on the edges of suburbs. But that does not mean wetlands are not valuable, says Sarah Houston, executive director of Protect Our Aquifer. In flood-prone West Tennessee, wetlands act as a buffer against too much rain. Less wetland acreage means more and bigger floods.

Sarah Houston (Photo: Courtesy Protect Our Aquifer)

“Wetlands really do us a big favor in absorbing floodwater, holding on to it,” Houston says. “And that water is either going to be slowly released into surface water or it’s going to be slowly released into groundwater. … Housing developments get built in what used to be wetlands or downstream near floodplains, and then they see regular flooding. Those developments probably should have never been approved in those places because the water is gonna keep flowing. Now, it’s just flowing into your house.”

Wetlands also play an important role in mitigating climate change. The trees, plants, and mosses in swamps and bayous absorb carbon dioxide, the buildup of which causes global warming, from the atmosphere. In a regular forest, when the leaves fall and the trunks die, their decomposition can release methane, an even more potent greenhouse gas, into the air. Or they can burn, throwing soot and carbon dioxide high into the atmosphere. But in swampy areas, organic debris falls into the water and is buried in sediment, where it cannot contribute to global warming. Much of the coal and oil we burn today was formed from remains of wetlands buried during the Permian period 290 million years ago.

As wetlands are drained, developed, or paved, they lose the ability to sequester carbon, and some of the stored carbon dioxide and methane is re-released into the atmosphere. A 2016 paper by A.M. Nahlik and M. S. Fennessey, published in the journal Nature, found that “wetland soils contain some of the highest stores of soil carbon in the biosphere.” In some cases, up to 40 percent of wetland soil was carbon, compared to the 0.5 to 2.0 percent found in agricultural soils. The study found that freshwater wetlands were much more efficient at storing carbon than river deltas or saltwater estuaries. All told, the study estimated that the continental United States’ wetlands contain a whopping 11.52 gigatons of sequestered carbon.

Gafford says West Tennessee’s wetlands are valuable in another way. “In the Memphis, Shelby County, Fayette County, Tipton County area, the most important value of that swampy area is what percolates down and actually recharges our water supply. If you talk to any expert, they’ll tell you that Memphis has the best water in the world.”

Houston’s organization, Protect Our Aquifer, watches over that valuable resource. Memphis is built over an underground aquifer containing as much freshwater as one of the Great Lakes. “It is our sole source of drinking water in Memphis, Tennessee,” she says. “It’s also all the water that industry and farmers use, too. It is one of the purest sources of water in the country, and it just happens to be right below our feet, easily accessible. Because of the way it was formed, over millions of years back when this area was actually a shallow ocean, the Gulf of Mexico, and through a series of deposits of gneiss, quartz sand, and then thick clay layers, it created what we now call the Mississippi embayment. The majority of the water that’s actually below Memphis in the Memphis sand aquifer fell as rain 2,000 years ago, and has been infiltrating and filtering slowly over time to bring us that pure drinking water. And it is all out of sight, out of mind.”

Fresh water enters the Memphis aquifer through creek beds such as this one, where the Memphis sands are close to the surface (Photo: Courtesy Protect Our Aquifer)

What Is a Wetland?

The Environmental Protection Agency (EPA) defines wetlands as “areas where water covers the soil, or is present either at or near the surface of the soil all year, or for varying periods of time during the year.”

That’s a broad definition that has been more or less enforced since the passage of 1972 Clean Water Act. Federal protections for wetlands were expanded during the Obama administration, and then rolled back during the Trump administration. Then, in May 2023, a 5-4 Supreme Court ruling in the case of Sackett vs. EPA forced the agency to limit its jurisdiction to only wetlands that have “continuous surface connection to bodies that are Waters of the United States.”

“If you can get a boat on it, it’s a ‘Water of the United States,’” says Houston. “If you can’t, then that’s not a federal government issue. What changed was this whole definition of technically isolated wetlands, where they’re not directly next to a stream.”

The ruling removed approximately 63 percent of wetlands from federal protection, including most ephemeral wetlands. The rollback alarmed wetlands fans like Gafford. “The results of the EPA and the wetlands protection acts have been so effective, I don’t think that we need to do anything at all to loosen those restrictions,” he says. “Because of agriculture practices and building practices, we let the water get pretty bad, just from the runoff. It was deemed appropriate to put those protections in place, and I think we need to adhere to them because the results have been, in my mind, fantastic.”

The state of Tennessee has defined protected wetlands even more strictly than the federal government since the 1970s. “The Supreme Court justices actually noted that this should be a state-level regulation because states differ so much in their water resources and their landscapes,” says Houston.

After Sackett v. EPA, Rep. Kevin Vaughan (R-Collierville) introduced HB 1054, a bill which proposed to bring the state’s definition of a wetland in line with the new federal rules. According to a January, 2024 report by the Tennessee General Assembly Fiscal Review Committee, adoption of the bill would result in a 55 percent decrease in the amount of currently protected wetlands, or approximately 432.850 acres of the states’ 787,000 acres of wetlands.

Vaughan is a real estate broker and owner of Township Development Services, which offers site selection, land planning and management, and government relations services to developers. In February, he told a legislative committee, “It’s your property, but a third party is going to tell you if you can use it. And if you can’t use it, then you have to pay another party money for you to be able to use your property. That’s the origins of where this bill came from.”

Houston says, “The main argument was too much bureaucracy and red tape, and there is some validity to the concerns of the sponsor Chairman Vaughan. Sometimes, small wetlands that might have kind of sprung up require a permit, and it can add additional cost [to development] because with our wetlands regulations, you have to get a permit if you’re gonna damage them or remove them, and then you have to pay into a mitigation bank.”

The BlueOval Factor

Much of the wetland acreage which would lose protection under the bill is in West Tennessee. That includes Haywood County, where the new Ford BlueOval City is currently under construction. The $6 billion facility to produce electric vehicles and batteries is the largest single investment in Tennessee history. Houston calls the area “ground zero for this development pressure. … Haywood County is seeing tremendous growth. They’re getting permit application after permit application for these new developments. That is also the county that has the highest number of wetlands in the state. … Originally, the argument was, ‘These muddy tracts with some sprouts in them are being classified as wetlands, but they’re not and we need to get rid of them.’ Then it became more about the pressure for growth and the timeline that we’re on. Getting rid of these wetlands in big tracts, acres and acres at a time, would speed up the opportunity for development to occur right now, especially in West Tennessee.”

The potential impacts of wetland development would go farther than just BlueOval City. “We know that there are connections to the aquifer in that area,” says Houston. “The wells that have been drilled for the [BlueOval] megasite are in the unconfined part, so they’re in the recharge zone of the aquifer. And we know that band of the recharge zone extends into half of Haywood County and pretty much all of Fayette County.”

A big unknown is exactly how much of a role wetlands play in recharging the aquifer. It was long thought that water seeped through the soil in a relatively uniform manner, but recent studies in North Mississippi suggest that most of the recharging occurs in relatively small areas where the Memphis Sands are near the surface. The science remains uncertain, but as the POA puts it in a report distributed to legislators, “It’s not necessarily the type or size of wetlands, but the location that determines how valuable it is to recharge.”

Pushback

Once the stakes of HB 1054 became clear, environmental advocates mobilized against it. “To me, wetland preservation represents one of our state’s most vulnerable natural ecosystems at this moment. Wetlands provide a safe haven for our country’s wildlife and serve as a crucial space for aquifer recharge. The preservation of our wetlands serves as a litmus test for the well-being of our environment,” says Memphis Community Against Pollution President KeShaun Pearson.

The bill’s proponents were also mobilized. Adam Friedman of Tennessee Lookout recently reported on Build Tennessee, a political action committee formed in July 2022 by 18 owners and partners in real estate and construction companies, including Keith Grant, a Collierville developer and the former president of the West Tennessee Home Builders Association. In less than two years of existence, the PAC became the fourth-largest spender on lobbying in Tennessee and donated to 90 lawmakers of both parties.

Protect Our Aquifer led the charge against the bill. “We don’t do a lot at the state level,” says Houston. “So we were planning on playing a supportive role in this. But since the majority of the wetlands were in West Tennessee, our mission is all about protecting the drinking water supply that happens to be underneath all of West Tennessee, and the majority of the House subcommittee members represented West Tennessee, we kind of got shoved into the forefront.”

The activists found allies on Capitol Hill. “I think it’s an abhorrent bill that is bad for our state,” says Rep. Justin J. Pearson (D-Memphis). “It’s bad for our environment, and it is showing the influence of private corporations and entities and developers in our Tennessee legislature. It’s bad for democracy when elected leaders are literally carrying legislation for private companies and developers to the detriment of 7 million people’s environment. And as a person who cares deeply about environmental justice, I think this is a complete affront to the causes, the beliefs, the values that many of us share, Republicans and Democrats, people who are progressive and people who are conservative.”

Houston says they were open to revisiting Tennessee’s strict wetlands definitions. “Right now, any type of wetland is considered the same value. But in reality, there are some wetlands that are much higher quality. They’ve got no invasive species. They’re nice and healthy, and haven’t been trampled on by humans. A middle ground we want to find is, how do we categorize wetlands in the state based on low, moderate, and high values that could then determine how much mitigation credits are required, what really needs to be permitted, and what is okay with being removed.”

Houston says when the bill was first introduced in 2023, “it was put on hold because TDEC [Tennessee Department of Environment and Conservation] promised that there would be stakeholder meetings to draft a good bill that everyone could agree upon that would create new categories for wetlands and address some of this red tape bureaucracy issue. Well, those stakeholder meetings never really happened in earnest last year.”

A Temporary Victory

Houston and the POA testified in front of both Senate and House committees who were considering the bill. “Our information was really well received,” she says. “No matter where you live in West Tennessee, you have a pretty high regard for our aquifer and the drinking water supply.

“In early March, when the Senate committee heard the bill, the senators on that committee said, ‘Trying to categorize wetlands and create all these new definitions is a really complex process. We’re not gonna get it right this first try. So let’s move this to summer study and actually have the stakeholder meetings.’ Commissioner David Sellers, on record, promised to have the stakeholder meetings. So they, 6 to 2, voted it to summer study. We were like, ‘Holy smokes! We won! It’s dead!’ But then Chairman Vaughan in the House kept pushing the bill despite it being dead on the Senate side, which you don’t really see that.”

Pearson says, “Kevin [Vaughan]’s only aim is to open up more land for development with fewer regulations, especially around BlueOval, and over any potential objections from community members in majority-Black Haywood County or other areas that could be exploited by developers, with building happening that does not take into account environmental justice. … We know environmental justice and racial justice oftentimes coexist and you cannot have one without the other.”

As this legislative session winds down towards an expected late April adjournment, Pearson says he is wary. “It is not likely that this legislation will move forward this session. However, due to [Governor Bill Lee’s school] voucher bill also being sought to be passed by this General Assembly, it may become a bargaining chip for Kevin Vaughan and the Republicans to use to try and get it passed for his vote on the voucher bill. The reason I say that is, a number of Republicans have come out vehemently against the governor’s bill, and they’re operating on a very thin majority when it comes to the passage of that legislation, which is the governor’s signature legislation for this General Assembly. That’s why we must continue to pay attention and be engaged in this process because anything is still possible. I have seen how racism and white supremacy and capitalistic exploitation works here, and if you trust the process too much, then you will likely be duped by it because they don’t care too much about the process here.”

During the final week of committee meetings, HB 1054 was not reconsidered, much to the relief of activists like Houston. “Officially, the wetlands 2024 legislative session saga is over, and there will be a summer study this year to dig into the details and try to refine what our wetland protection laws can look like,” she says. “It’s good news. There’s still work to do, but there is good news.”

In the interest of transparency, we note that the Memphis Flyer is owned by Contemporary Media, Inc., whose board chairman, Ward Archer Jr., also founded Protect Our Aquifer. This reporting was conducted independently and relies on multiple sources.

Categories
Film Features Film/TV

Civil War

“I find that violence is very ambiguous in movies. For example, some films claim to be antiwar, but I don’t think I’ve really seen an antiwar film. Every film about war ends up being pro-war.”

Since Francois Truffaut, the great French filmmaker and critic, said that to Gene Siskel in a 1972 interview, many have speculated what he meant. Film and military propaganda have gone together practically since the invention of the medium. There are any number of great films that are antiwar in intent: All Quiet on the Western Front, Paths of Glory, and Apocalypse Now, just to name a few. But what I think Truffaut was getting at is that, for filmmakers, combat is just too sexy. There are the life or death stakes that plotting thrives on, plenty of kinetic motion, and lots of explosions. Who doesn’t love a good explosion?

And that is precisely the problem. Even if you want to condemn militarism, wanton killing, destruction, and weaponized rape, the viewer is going to thrill to the exciting images and start rooting for one side to “win.” But this isn’t college football, this is human tragedy.

Alex Garland makes his intentions quite clear in Civil War. Early in the film, photographer Lee Smith (Kirsten Dunst) muses to her old friend Sammy (Stephen McKinley Henderson) that when she sent images of war zones back to home to America, the implicit message was “Don’t do this! And, here we are …”

In this undefined near future, the United States has fractured into four warring alliances of states: The Loyalists, who stuck with the former Union after the unnamed President (Nick Offerman) took on an unconstitutional third term; the New People’s Army of the Northwest; and the Florida Alliance, which is basically the old Confederacy except for Texas, which has joined California in the Western Forces.

Sitting in a hotel lobby in Manhattan, Sammy convinces Lee and her writer partner Joel (Wagner Moura) to let him join them on a trip to Washington, D.C., where the President is besieged in the White House. Sammy compares the situation to the “race to Berlin,” when the Nazi war machine collapsed in 1945, and Russian and American forces pulled out all of the stops to see who could grab the most territory before the surrender. (A weary Sammy observes that, once D.C. falls, the other factions will inevitably turn on each other.)

The only thing that matters now is how the President goes down, and that’s the story Lee and Joel are after. The other passenger in their beat-up Ford Expedition is Jessie (Cailee Spaeny), a novice photographer who idolizes Lee. But Lee doesn’t think Jessie’s got what it takes to witness war and make news content out of it — or maybe, it’s that Lee sees herself in Jessie, before her heart went hard from watching countless people die.

Making the hero of the piece a journalist instead of a soldier is Garland’s way to make an actual antiwar film. The road trip across the Northeast is alternately harrowing and surreal — often both at once, as in the scene where Lee and Joel, caught between two dueling sniper teams, hide in a suburban yard decorated for Christmas.

Garland takes inspiration from the breathless suspense of Children of Men, The Thin Red Line’s moments of transcendence amidst the carnage, and the journey into ultimate darkness of the aforementioned Apocalypse Now. But the film Civil War most closely resembles is Full Metal Jacket, which director Stanley Kubrick described as being about “the phenomenon of war.” Lee’s journalistic perspective lends the story objectivity. As she follows one unit of irregulars through a pitched firefight, we start to root for them. Then, Garland undercuts the emotional connection, as Lee photographs the victors gleefully machine gunning their prisoners.

It’s Kirsten Dunst’s job to make sure Kubrickian clinical detachment doesn’t sour into misanthropy. She’s absolutely riveting. As the horrors mount, Lee’s hard facade is slowly chipped away. Watching Jessie lose her rookie idealism and embrace the thrill of battle only makes it worse.

Civil War is as brilliant as it is harrowing. It’s been 160 years since we’ve seen real war in North America, even as we have been inundated with images of conflict from all over the world. This is not a film about who is right and who is wrong in our current political struggle. It’s about what war looks like up close — and what America will look like if the better angels of our nature fail.

Civil War
Now playing
Multiple locations

Categories
Film Features Film/TV

Music Video Monday: “Secluded” by Hitkidd and Lil Gotit

Memphis producer Hitkidd is back! After previously blowing up with bangers for GloRilla, he’s debuting a new track, the first off his upcoming album Hitkidd for President. He tells the Commercial Appeal that the new tune portfolio will drop in June, which he promises will include “a couple of A-listers.”

“Secluded” features verses by Atlanta rapper Lil Gotit. The video features Hitkidd and Lil Gotit goofing around in a condo kitchen. Simple, but, when the beat’s so sick, effective.

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

Categories
Film/TV TV Features

Kevin McDonald: Superstar

Kevin McDonald grew up in the suburbs outside Toronto, Canada. When he was a teenager, he started making the 45-minute trek into the city to take an improv comedy class at the legendary Second City theater which had produced some of the most significant comedy talent of the last 50 years. “It was a bus, a subway, and a bus to get there,” he says. “I remember for the whole 45 minutes before my first class. I was so nervous, I did a thing that you don’t do in improv: I started writing jokes so I could try to use them when I was at an improv. Of course, it never worked out. It never goes that way.

“I went to Second City workshops, and everybody was over 30. There were only two teenagers in the class. It was me and another teenager named Mike Myers.”

Myers would go on to fame as a cast member of Saturday Night Live, then as the star of the Austin Powers film series. McDonald teamed up with another friend he met at Second City, Dave Foley, to found The Kids in the Hall. The comedy troupe, though born in improv, started concentrating more on writing sketches as they gained a cult following by performing at the Toronto punk rock club The Rivoli in the mid-1980s. SNL producer Lorne Michaels discovered them and developed a sketch comedy show, which debuted on CBC and HBO in 1988. Over five seasons, The Kids in the Hall would go on to become a big influence on all kinds of comedy in the 1990s and beyond. As documented in the 2022 film The Kids in the Hall: Comedy Punks, success definitely went to their heads, and after the harrowing production of their 1996 movie Brain Candy, the Kids wouldn’t work together again for more than a decade. They eventually reunited for an excellent sixth season on Amazon Prime in 2022.

McDonald has appeared in numerous films and TV shows, from Lilo & Stitch to Arrested Development. He’s also forayed into stand-up comedy, which the self-described shy guy says was a difficult transition. “You stop being afraid when you find your own voice,” he says. “I found that my voice was telling stories — I can tell a funny story. In fact, the rock opera was a story I was going to do in stand-up. Then I thought it was too big for stand-up, too operatic.”

When McDonald appears at Memphis’ Black Lodge on Saturday, April 13th, he will be performing Kevin McDonald: Superstar. “I’m doing a rock opera with the gang — I don’t use that word enough, I should use the word ‘gang’ more often — the gang from Bluff City Liars. I wrote it, even though I can’t write songs, and I sing the lead, even though I can’t really sing.”

As you might expect from the title, McDonald says the first song in the cycle is about his Jesus Christ Superstar fandom. “I was a Catholic as a kid, and the only thing I liked at Catholic school was when one of the teachers showed us Jesus Christ Superstar. I was in grade seven and I fell in love with it. I’ve seen it, I’m guessing, between 40 and 50 times.”

As for the rest of the rock opera, McDonald says it is “based on a true story me and Dave Foley from The Kids in the Hall are involved in.”

Backing McDonald will be Memphis folk punkers HEELS. “Brennan [Whalen] and I are both huge Kids in the Hall marks,” says drummer (and comedian in his own right) Josh McLane. “The fact that Brennan is the musical accompaniment and I’m the narrator is a dream come true to say the least!”

“We’ve had a blast working on this show,” says the Liars’ Amber Schalch. “It’s been an excellent way to stretch out our comedy muscles, and we couldn’t be more honored that he’s coming to Memphis to perform and do workshops with us.”

Before the show on Saturday, and then again on Sunday, McDonald will be teaching two comedy workshops with the Bluff City Liars. “Kevin McDonald is such a skilled comedian that he almost makes you think you’re not funny yourself, but then he’s such a good teacher that he alleviates that fear with as much ease as cracking a joke,” says Zephyr McAninch, who was with the Liars when they brought McDonald to Memphis before the pandemic.

Bluff City Liars’ Michael Degnan says the show is not to be missed. “Growing up, The Kids in the Hall were incredibly important and influential on my developing sense of humor. Getting to learn from and perform improv with Kevin when he last came to town was a dream come true. Now getting to help bring his work to life takes that dream to a new level, and I’m ecstatic that we’ll get to do so alongside HEELS and Savannah Bearden who have both been responsible for so much great entertainment in Memphis for the last decade.”

See Kevin McDonald Superstar at Black Lodge on Saturday, April 13, 8 p.m. Tickets are $25 and can be purchased at tinyurl.com/2bhjpy2z.

Categories
Sports Sports Feature

Memphis Armored Fight Club Swings Swords at Black Lodge

Sword strikes bounce off metal armor, pole arms sweep, and the crowd roars. Memphis Armored Fight Club is a group who has resurrected the European martial arts of the Middle Ages.

Clad in period-authentic (or as authentic as you can get here in the twenty-first century) they spar with swords and shields. This is not choreographed fake fighting, they’re really going at it like competitors at a medieval tournament! Granted, the sharp edges are blunted, and there’s a strict “no stabbing” rule — that’s how you kill knights.

Last Saturday, they held one of their periodic bouts at Black Lodge in Midtown. I was there with a camera to capture some of the hot knight-on-knight action. After MAFC members showed everyone how it’s done, members of the audience got a chance to fight in the arena themselves. Take a look.

Categories
Film/TV TV Features

True Detective: Night Country

Since its debut on HBO in 2014, True Detective has been a galvanizing show. Showrunner Nic Pizzolatto’s first season featured Matthew McConaughey and Woody Harrelson as detectives searching for an occultic serial killer in Louisiana over the course of two decades. It was unique in television, in that Pizzolatto wrote all eight episodes himself, and Cary Joji Fukunaga was the sole credited director. (Normally, TV shows have several writers who collaborate on scripts. The mandatory minimum size of these writer’s rooms was a major issue in last year’s Writer’s Guild of America strike.) 

Each subsequent season of the anthology show has featured a different pair of detectives who can barely stand each other solving weird crimes. For season 2 in 2015, it was Colin Farrell and Rachel McAdams; season 3 featured Mahershala Ali and Carmen Ejogo in 2019. Pizzolatto started to develop season 4, but then left HBO in favor of a new deal at FX. Barry Jenkins and Issa López took over as executive producers, and took the show in a new direction — or least to a new locale. 

Season four carries the subtitle Night Country because it is set in the fictional Alaskan town of Ennis, located above the Arctic Circle where the sun doesn’t rise at all during the depths of winter. Jodi Foster stars as Liz Danvers, Ennis’ chief of police. It’s a major casting coup, since Foster hasn’t been a regular in a TV series since the mid-1970s. And it pays off. Foster is one of the best actors of her or any other generation, and the greatest pleasure of Night Country is getting to spend six episodes watching her construct and tear down a complex character.

If I had to describe Capt. Danvers in one word, it would be “harsh.”  She’s hard on everyone, from her stepdaughter Leah (Isabella Star LeBlanc) to protege Pete Prior (Finn Bennett), to her off-and-on lover of twenty years, Capt. Ted Connelly (Christopher Eccleston). But Danver’s harshest of all to her former partner, Evangeline Navarro (Kali Reis, a former professional women’s boxing champion.) Navarro and Danvers split after their response to a murder-suicide case fell under scrutiny from their superiors, and led to both being reassigned to the backwater (or should I say “back-ice”) of Ennis. 

Navarro sees ghosts, but that’s apparently not unusual in this town, where the veil between worlds seems thin. The former partners are forced back together when the entire crew of an arctic research station is found dead on the ice, frozen together in what Danvers calls a “corpsicle.” One of the few clues is a severed human tongue left behind in the station which belonged to a Native American woman named Annie Kowtok (Nivi Pedersen), whose murder Navarro has been obsessively investigating for years. How are the two crimes connected, and what do they have to do with the mining company that is polluting the community’s water? 

Foster’s virtuosic performance brings it all together, even as some of the subplots spiral off into the arctic darkness. She’s a manic ball of snarling energy, hinting at the secret pain that causes her to lash out at everyone around her. 

Lopez’s direction on all six episodes is exceptional. She brings elements of Lynchian surrealism (quiet northern town exists in uneasy proximity to an ancient supernatural force) and the John Carpenter horror classic The Thing. She knows how to produce a good jump scare, and how to hint at unknowable horrors lurking just offscreen. Like True Detective’s first season, Night Country benefits greatly from being the product of a singular artistic vision. 

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Film Features Film/TV

Music Video Monday: “Simple Song of Freedom” by Memphis Freedom Band

It’s been a tough few years for the cause of peace. The Russian invasion of Ukraine just hit its two-year anniversary, with no end in sight. After the Hamas attacks of October 7, 2023, Israel responded with the most deadly military operation of the 21st century, which has devolved into a quagmire of violence and famine in Gaza, where two million people face hunger in a bombed-out landscape that used to be their home.

These high-profile conflicts have drawn attention from Sudan, where a civil war has displaced eight million people, and millions more are entering into famine while both sides try to starve the other one out. Meanwhile, in the Western Hemisphere, Haiti is slipping into warlordism as Port Au Prince gangs conduct running battles with what’s left of the government. It’s enough to drive you to despair if you’re paying attention.

The antidote to despair is music. Italian (by way of Memphis) musician Mario Monterosso organized the Memphis Freedom Band to put out a message of peace. Last December, he invited a who’s who of Memphis musicians to record with producer Scott Bomar at Sam Phillips Recording, including Kallen Esperian, Rev. Charles Hodges, Dr. Gary Beard, Dr. Keith Norman of First Baptist Church Broad, The Bar-Kays’ Larry Dodson, Priscilla Presley, and a rare appearance by the queen of Memphis soul Carla Thomas. Filmmaker Billie Worley was on hand with a camera to capture the historic moment in the studio, as the big band sang “Simple Song of Freedom,” a 1969 hit by Bobbi Darin.

“Since the middle of the 20th century, Memphis music has been the strongest musical bridge across the world,” says Monterosso. “And now we come together in solidarity as one voice to create a bridge of hope and freedom for the people and children of Ukraine and all those countries hit by wars.”

If you would like to see your music video featured on Music Video Monday, email cmccoy@memphisflyer.com.

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Now Playing: Godzilla vs. Kong vs. Ghostbusters vs. Kung Fu Panda

Godzilla x Kong: The New Empire

Adam Wingard’s sequel to 2021’s Godzilla vs. Kong ads a weird “x” to the title. The big lizard and the big ape team up to fight off a mysterious threat from beneath the Hollow Earth. Expect extremely large things smashing into other extremely large things. Also, King Kong’s got a robot arm.

Ghostbusters: Frozen Empire

The second film with “Empire” in the title on screens this week features the old Ghostbusters cast, Bill Murray, Dan Ackroyd, and Ernie Hudson, teaming up with the new Ghostbusters cast, Paul Rudd, Carrie Coon, Finn Wolfhard, and Mckenna Grace, to battle a supernatural force so scary it literally freezes everyone and everything. 

Kung Fu Panda 4

Jack Black returns as Po the Dragon Warrior panda who is given a new assignment by his master, voiced by Dustin Hoffman: He is to oversee the Valley of Peace. Will the hot-headed warrior warm to his life change? Or will he open a can of panda kung fu whoop-ass on The Chameleon (Viola Davis)? 

Immaculate

Sydney Sweeney stars as a Sister Cecilia, a nun headed to a new convent in Italy on the express invitation of Father Sal Tedeschi (Alvaro Morte), who is definitely not trying to clone Jesus and use Cecilia as a surrogate Virgin Mary, because that would be blasphemy, right? 

Days of Heaven

On Thursday, April 4th, the Crosstown Arts Film Series presents Terrence Malick’s second film, 1978’s Days of Heaven. It stars a very young Richard Gere as Bill, who flees the Chicago police to Texas, where he competes for the love of Abby (Brooke Adams) with a stable, handsome farmer (Sam Shepard, also very young.) The 1978 Academy Award winner for Best Cinematography is one of the most gorgeously shot films ever made.

My Neighbor Totoro

If Malick ain’t your speed, April 4th is also Anime Night at Black Lodge. Hop on the Catbus for Hayao Miyazaki’s 1988 cult classic.