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News The Fly-By

State of the Union

What started as a living wage campaign at the University of Tennessee has grown into a statewide union advocating for workers’ rights at multiple schools, including the University of Memphis.

Disgruntled by the unfair treatment of employees at UT-Knoxville, campus workers there began a living wage campaign in 2000 in hopes of negotiating with the university. The living wage campaign turned into the United Campus Workers (UCW) union and expanded its focus to workers’ rights on the campuses of UT-Chattanooga and UT-Martin before making its way to Memphis in 2010.

The UCW has been active in Memphis since then — first at the UT Health Science Center, where it managed to convince UT to reduce a proposed layoff of 200 workers down to 30. Most recently, it has promoted a living wage campaign at the U of M.

Although anyone who receives a check from a public university can join the UCW, no public university in Tennessee is legally required to recognize the union because Tennessee is a “right-to-work” state. Tom Smith, head organizer of the UCW, said that dates back to the Jim Crow laws.

“One of the legacies of Jim Crow is that a lot of the basic rights that workers have in other parts of the county are prevented to us,” Smith said. “We have a national right to bargain collectively, but the universities we work for have no legal obligation to recognize our needs.”

The main goal of the UCW is to campaign for a living wage for all university employees through communications with administration and lobbying at the state capital. In 2011, the organization saw its efforts rewarded when the Tennessee Board of Regents (TBR) approved a 3 percent pay increase or a minimum of $750 a year for all university employees governed by the TBR.

This fall, the U of M raised its base pay from $8.50 to $8.75 per hour, making it the highest base rate for a public university in Tennessee. Smith said that although he was happy the TBR passed the $750 dollar minimum, the UCW would ultimately like to see a minimum raise of $1,000 for all employees.

U of M graduate assistant and UCW volunteer Cole Weintraub said broken communications between the union and the university make it hard for the UCW to push for more workers’ rights in the future.

“If the University of Memphis chooses to recognize the UCW, they can, but once they do, there are legal obligations that they have to fill, and they haven’t done that yet,” Weintraub said. “[Because of the] laws [that are] in place, they are basically saying that they aren’t going to recognize us until we make it impossible for them not to.”

Memphis city council member and U of M business law professor Lee Harris said he believes the only voice available to U of M employees regarding a living wage is the UCW.

“Without the UCW, we would continue to have a model that exacerbates a wrong pay scale. Our current pay scale is not based on performance. It’s not really based on anything,” Harris said.

“I don’t think there is any real concern to do anything about salary equity here at the university,” Harris said. “There’s no equal opportunity employment office here, and it just doesn’t seem like they are taking it seriously.”

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Music Music Features

La Armada at 1372 Overton Park

This Thursday, November 8th, Latin punk band La Armada takes over the new DIY venue on Overton Park Avenue. Local label Fat Sandwich Records is sponsoring the show and is also responsible for La Armada’s latest, eponymous full-length.

Fat Sandwich Records’ owner Daniel Drinkard described the band’s sound as “thrashy hardcore punk, with lyrics that deal with the oppression Latin people have endured from political leaders over the years.” Drinkard first heard the band when he was living and playing music in the Dominican Republic, the band’s native country.

“In high school, I lived in the Dominican Republic, and La Armada were a band that my old band would play with,” Drinkard said.

When La Armada relocated from the Dominican Republic to join the thriving Latin American punk scene on the South Side of Chicago, Drinkard approached the band about putting out a full-length album. The result is a heavy but fast-paced punk record indebted to the sounds of 1990s East Coast metallic hardcore. The 500 copies that Drinkard pressed quickly sold out (the first record on his roster to do so), with a repress of the record coming out this past September.

Chaos Order, formerly known as the Westbound, will open the show in Memphis, along with local punk band Bail.

This is the first show in the new recording studio and show space at 1372 Overton Park, but music fans may remember the spot as the former crash pad of Memphis musicians Lucero (the address serves as the title for one of the band’s albums) and His Hero Is Gone.

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Sound Advice: Gentleman Jesse and Dave Cousar at the Buccaneer Lounge.

Gentleman Jesse

  • Gentleman Jesse

Atlanta garage-pop mastermind Gentleman Jesse joins Dave Cousar at the Buccaneer tonight for an evening of guitar-driven rock-and-roll.

As a member of Atlanta power-punk group the Carbonas (whose final record came out on Goner), Jesse Smith cranked out nasty punk riffs that bands like the Zero Boys and Radio Birdman made popular in the late 1970s, but don’t expect that from this project. Sounding a lot like the Nerves and maybe even a slower, sadder version of the Exploding Hearts, Smith has found a power-pop sweet spot with lyrics focusing on heartbreak, self-loathing, and failed relationships.

Also playing the show is Memphis guitarist Dave Cousar, who’s sat in as a session player with everyone from Al Green to Lucero. Cousar also plays guitar for Amy Lavere, and can often be seen playing his brand of guitar blues at the Buccaneer on Tuesday nights. The show is being advertised as a late one, with the first act scheduled to go on at 11:30. Admission is $7.00 and the show is 21 and up.

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SMA Founder Recognized By Sierra Club

Reginald Milton

  • Reginald Milton

This Saturday, the Sierra Club will recognize South Memphis Alliance (SMA) founder Reginald Milton for his continued service to the South Memphis community.

Both the founder and executive director of the South Memphis Alliance, Milton has been selected as the recipient of the 2012 Dick Mochow Environmental Justice Award. The SMA recently began turning the old Reed’s Dairy complex on Bellevue into an affordable laundromat and has also secured funding for a recreation and resource center to be constructed at the corner of Walker Avenue and South Bellevue.

Started in 2000, the SMA has tried to make South Memphis a better place to live by setting up and supporting neighborhood associations, civic clubs, and other forces for good in the community. In addition to their work in the historic Soulsville community, the SMA also has programs that deal directly with the safety and well-being of foster children, dealing with everything from drug abstinence to proper financial planning.

Milton will receive the award at the 11th Annual Sierra Club Environmental Justice Conference this Saturday at Lindenwood Christian Church. Author and NAACP member Jacqui Patterson is the keynote speaker.

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Sound Advice: Destruction Unit at the Buccaneer Lounge

Destruction Unit

  • Destruction Unit

Former Memphian Ryan Rousseau returns to the Bluff City tonight as his band Destruction Unit get set to play the Buccaneer Lounge. No stranger to the local punk scene, Rousseau was a founding member of the Reatards and one of the only musicians to perform every year of Goner Fest since its inception in 2004.

The Memphis connections don’t stop there. The original lineup of Destruction Unit also included Memphis musicians Jay Reatard and Alicja Trout (Lost Sounds, Black Sunday). That pair also recorded the first two Destruction Unit albums and eventually helped write a few songs that appear on the second album.
After moving back to Arizona, the band went stagnant for a while, with Rousseau focusing on his more psychedelic outfits Desert Children and Earthmen & Strangers. But in 2009, Rousseau recruited fellow desert punks from various groups to round out the second era of Destruction Unit, this time incorporating elements of krautrock into the distortion-laden mix.

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Q & A with Allyson Chick

Third-grade teacher Allyson Chick walked down a center aisle of the Richland Elementary School cafeteria last Thursday beaming, as if she’d just won an Academy Award. There may have even been a few tears.

Students holding signs that read, “We love you Miss Chick” cheered, as news cameras taped Chick’s reaction to the surprise party celebrating her Tennessee Teacher of the Year 2013 Award. This is the first time a public school teacher from Memphis has won the award in more than 30 years, so a surprise party was definitely in order.

All of the faculty’s surprise party planning after hours had finally paid off. But for Allyson Chick, the ride is just getting started. — Chris Shaw

Flyer: When did you find out you had won?

Allyson Chick: They announced [last] Tuesday night that I had won. This was a long process. First you had to win for your school, then for your city, and then for your region.

What criteria made you eligible for this award?

You had to have been teaching for five years and have high evaluation scores and proven leadership ability. You have to be involved with community service and be dedicated to teaching. I also had to write 10 essays, get three letters of recommendation, and participate in an interview in Nashville.

You’ve only been teaching for 11 years. Does the award typically go to teachers with more experience?

I was the youngest out of the nine finalists. I thought that might hurt my chances. But I know in my 11 years of teaching it’s possible that I’ve done more than some teachers have done in 30 years. I think it proves there are good teachers at every level.

I will say that perhaps I have a level of commitment beyond the average teacher. The amount of work that I put into my job for what I want to be able to do in my classroom takes an extensive amount of time. If all I did was just use my textbooks, I wouldn’t be able to provide an excellent experience for my kids.

You scored very highly on the new Teacher Effectiveness Initiative put in place by Memphis City Schools.

One of the best things about the Teacher Effectiveness Initiative is it’s making teachers become more reflective. It’s causing us to look at our practices and consider what we can do to be more effective. That process caused me to be more introspective and look at my teaching practices.

You had the opportunity to move to the next grade with your students, teaching them both second and third grade. How did that experience help you grow as a teacher?

I was originally their second-grade teacher. At the end of the year, I always get a little sad that I have to say goodbye to my kids. It’s like breaking wild mustangs. At the end of the year, you have them where you want them, and then you have to send them on to the next grade for another teacher to figure out where they are.

So [Principal] Sharon [McNary] asked me if I wanted to move with them and be their teacher for two years. I want to see how having a child for two years will help them grow academically. I’m hoping their test scores can go through the roof, because I already know their different learning styles.

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Sound Advice: Woods, Widowspeak, Toxie at the Hi-Tone Café

Woods

  • Woods

Indie rock aficionados can get an earful Friday night at the Hi-Tone Café when Woods, Widowspeak, and Toxie take the stage.

With seven full-length albums under their belt, Woods are the main attraction, as their signature brand of self-recorded lofty melodies have propelled them across the United States since the mid 2000s. The band’s latest effort, Bend Beyond, sees the group move from ultra lo-fi (think Donovan recording in someone’s closet) to a more cohesive, sometimes darker sound, even though the album was recorded in front man Jeremy Earl’s home. Earl is also behind the acclaimed Woodsist record label, responsible for putting out vinyl for groups such as White Fence, Vivian Girls, and Kurt Vile.

On tour with Woods is Brooklyn-based indie-gaze band Widowspeak. Sounding like a hazier, slightly stoned Dum Dum Girls, Widowspeak slide through simple spaced-out chord progressions with front woman Molly Hamilton’s alluring whisper pushing the songs along.

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News The Fly-By

Cash Rules

The word “mob” usually has a negative connotation, like “angry” or “unruly.” But a new kind of mob is taking off in Memphis, and it focuses on something positive.

On October 17th, over 100 patrons eager to support local business swarmed Goner Records in Midtown, sparking Memphis’ first-ever cash mob.

Started in Buffalo, New York, by Christopher Smith, the grassroots campaign has spread to all 50 states, with cash mobs also springing up in Canada and Australia.

The idea is simple: a group of people plan a time and location using social media, set a spending amount (usually around $20), and spread the word. After participating in a cash mob in Syracuse, New York, nonprofit independent consultant Shannon Dixon wanted to bring the idea to Memphis.

“I’m excited by some of the grassroots stuff happening in Memphis, and I wanted to get involved without starting my own project,” Dixon said. “Small efforts can really make a big difference, and it seemed like the perfect idea for me to copycat.”

Dixon said she chose Goner Records as the site for the first cash mob, because she wanted to introduce more people to one of her favorite local businesses. Specializing in obscure and hard-to-find vinyl from the 1950s to the current day, Goner has also served as the record label behind local-turned-national acts like Jay Reatard, the Oblivians, and Harlan T. Bobo. After attending a few packed concerts inside the store, Dixon was confident the small space could handle being mobbed.

“Cash mobs by nature are crowded and chaotic, and after seeing bands play at Goner, I knew it would work,” Dixon said. “I also wanted to introduce members of the community to Goner who haven’t shopped there before.”

But Goner Records wasn’t the only benefactor of all the extra cash floating into the store. Goner agreed to give 10 percent of all sales to the Cooper-Young Neighborhood Association. Dixon said each mob will donate part of the proceeds to a different charity each month, which she says makes her cash mobs different from others across the county.

When asked about his initial reaction to the cash mob, Goner Records co-owner Zac Ives admitted he was skeptical at first.

“We were waiting for the other shoe to drop, thinking that there must be a catch, but there really wasn’t one,” Ives said. “It’s a cool idea, and it’s a way we can give back to the Cooper-Young community, give back to charity, and have a good day of ringing up sales.”

The next cash mob will be December 9th in the lobby of the Literacy Mid-South building on South Cooper and will feature crafts from 20 local women who normally sell their goods online. Ten percent of all proceeds will benefit Literacy Mid-South, and the rest will go to the crafters.

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Peace Place

The Mid-South Peace and Justice Center moved to a new location last month, marking the nonprofit organization’s third move in 30 years.

Originally located at Prescott Baptist Church, the MSPJC has spent most of its existence at First Congregational Church in the Cooper-Young neighborhood. The new location at 3573 Southern — formerly Memphis Brew coffee shop — is double the size of the old office at First Congo.

Executive director Jacob Flowers said the organization wanted more of a presence in the community, hence the decision to relocate near the University of Memphis.

“We wanted to get out in the public eye more. It’s kind of like moving out of our parents’ house,” Flowers said. “For the past 30 years, we’ve been housed in one church or another, which is great but also stuck us behind several closed doors. Here, we are out in the community and close to the university as well.”

Founded in 1982 as a grassroots organization determined to realize social justice through nonviolent means, the MSPJC has seen its different programs flourish over the years, with their 2012 membership nearing 1,000.

Most recently, the center developed their GrowMemphis program into an independent nonprofit organization that is currently leading the food justice movement in the Mid-South. Flowers said that his organization’s new space will be shared with GrowMemphis, as well as other social justice groups.

“This isn’t just the Mid-South Peace and Justice Center anymore,” Flowers said. “It’s more of a social justice resource center where a few different groups can come together and share resources and keep costs down. We’ve still got a bit of space that we will be subleasing to other social justice groups as well.”

The new location features a kitchen, computers that are available for public use, and a computer lab for the seven staff members. But with all the improvements the new location offers, the MSPJC still counts on the generosity of its members, special-event revenue, and private foundation funds to keep its doors open.

When asked if the organization will be working with the University of Memphis more often now that it’s just across the train tracks, Flowers made it clear that the MSPJC is still committed to the needs of the greater Memphis area.

“Our work is very broadly targeted. We aren’t focused on one specific area of social justice or one specific community,” Flowers said. “We do plan on engaging with the university students more, but we aren’t interested in becoming a student organization. There’s too much going on in other parts of the city.”

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Memphis Bus Riders Union Demonstrates for Gas Tax

Members of the Memphis Bus Riders Union lined the intersection of Poplar and Cleveland on Monday afternoon, encouraging motorists to vote “yes” on the gas tax referendum approved by the Memphis City Council in August. If passed, the tax would increase the price of each gallon of gas sold in the city by one cent. That revenue — estimated to be somewhere between $3 million and $6 million — would be given to the Memphis Area Transit Authority to improve public transportation.

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